Australian How To Paint

Wildlife Artist

The chatter of eastern Rosellas permeates the solitude of an artist’s studio through an open window on a sunny July day. They’ve settled in the winter seed grass outside – left long on purpose to attract many parrots to the garden. King parrots, grass parrots and James Hough’s favourite – the eastern Rosella. Known locally by his moniker Jim, silently he stops work, reaches for his SLR camera – ever present by his side – and begins to photograph. It’s the beginning of yet another wildlife original masterpiece – an acrylic on clayboard.

After the Rosellas move on James puts down the SLR and goes back to his easel to paint. His studio is surrounded by photographs he uses to get exact details of his subjects correct. As James develops his talent, he uses these images less and less, painting from instinct and memory.

Jim’s paintings are different to many wildlife artists in that many contain a full landscape background. Most wildlife artists will paint or airbrush a background into the painting but if

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