The Atlantic

The Language the Poet Knows

A new collection of essays attempts to lend some objective shape to a timeless-seeming challenge: the ongoing balance of voice and form.
Source: Alexander Nemenov / AFP / Getty

It is one of writing’s oldest cliches: Find your voice. Developing this ineffable quality—unique to a given writer, derived largely from reflection and experience—can seem like an elusive goal. Particularly for poets, with their highly personal interaction with language and the challenge of adapting it to form, the quest can seem highly subjective.

, a collection of new and reworked essays by Craig Morgan Teicher, attempts to lend some objective shape to this endeavor by surveying how poets grow in their craft and take on its challenges over the course of their writing lives. In these engaging studies—informed by Teicher’s

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic5 min read
The Strangest Job in the World
This is an edition of the Books Briefing, our editors’ weekly guide to the best in books. Sign up for it here. The role of first lady couldn’t be stranger. You attain the position almost by accident, simply by virtue of being married to the president
The Atlantic5 min readAmerican Government
What Nikki Haley Is Trying to Prove
This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. Nikki Haley faces terrible odds in her home state of
The Atlantic3 min read
The Coen Brothers’ Split Is Working Out Fine
It’s still a mystery why the Coen brothers stopped working together. The pair made 18 movies as a duo, from 1984’s Blood Simple to 2018’s The Ballad of Buster Scruggs, setting a new standard for black comedy in American cinema. None of those movies w

Related