Film Comment

New American Songbook

COMPOSER NICHOLAS BRITELL IS STEADILY SHAPING THE SOUND OF MODERN American storytelling, one project at a time. Britell is probably best known as the composer who scored Moonlight and If Beale Street Could Talk, both of which netted him Oscar nominations. In 2019, he was named Film Composer of the Year by the World Soundtrack Academy for If Beale Street Could Talk. Two years earlier, the same organization named him Discovery of the Year.

Britell is the intangible presence who takes the sensitive, heartfelt work of director Barry Jenkins and translates its tender emotion into sound. He’s presently collaborating with Jenkins again on the director’s limited-series adaptation of the Colson Whitehead novel The Underground Railroad.

“The process is very experimental and it starts from that first moment of sensitivity,” Britell explained during a

You’re reading a preview, subscribe to read more.

More from Film Comment

Film Comment6 min read
Declaration of Independence
An Unmarried Woman Paul Mazursky, USA, 1978; The Criterion Collection THERE’S A MOMENT EARLY IN PAUL MAZURSKY’S An Unmarried Women when Erica (Jill Clayburgh) and her gal pals are tippling and pondering 8 x 10 glossies of Bette Davis and Katharine He
Film Comment12 min read
By Any Means Necessary
IN HISTORY AND HISTORIOGRAPHY, THERE WERE CHEIKH ANTA Diop and Joseph Ki-Zerbo; in politics, the likes of Kwame Nkrumah, Patrice Lumumba, Thomas Sankara, and Malcolm X; in critical studies, Frantz Fanon and Aimé Césaire; and in cinema, Ousmane Sembèn
Film Comment10 min read
A Living Nightmare
IN ONE OF THE MOST FAMOUS SHOTS IN FILM HISTORY, Gone with the Wind’s Scarlett O’Hara (Vivien Leigh) walks desperately through the carnage of the Civil War in an Atlanta depot searching for Dr. Meade (Harry Davenport). The camera, focused on Scarlett

Related