Everand Logo

Welcome to Everand!

  • Audio Technology

    WHAT’S ON

    Mar 18, 2020 6 minutes

    STUDIOS 52 / EMPIRE MUSIC STUDIOS

    fter 33 years, Studio 52 at Johnston St Collingwood has closed and moved to newer, bigger and much greater facilities in Heidelberg, between Northland shopping centre and Latrobe Uni. For over a year the new Empire Music Studios have been built while Collingwood was running out of time, due for demolition to make way for ever more apartments. The first stage of Empire Music Studios opened in November: Studio 1, the new home of producer/engineer, Trevor Carter, along with Production Suite 1, an art and photography suite, event space, along with brand new bathrooms and kitchen. Now Studio 2 is complete. It is one of Melbourne’s largest recording spaces (~150sqm). The studio houses an amazing Yamaha C7 grand piano which has been completely refurbished — its one of the nicest pianos to record anywhere and plays beautifully. The studio includes monitoring by JBL, ADAM and EMES. By the end of 2020 Studio A will be complete. At a whopping 280sqm it’ll be suitable for an orchestral/

    You’re reading a preview, subscribe to read more.

    More from Audio Technology

    Audio Technology5 min readTechnology & Engineering
    ROYER LABS dBOOSTER Inline Mic Gain Booster
    Recording an album for the Melvins some decades ago, I put an RCA 74B a few feet back from King Buzzo’s Sunn amp and had my first listen to a ribbon mic. A friend had gifted it as a joke; he’d grabbed it at a garage sale, found it to be noisy and dis
    Audio Technology7 min read
    ZOOM F6 Portable Field Recorder
    I recently reviewed Zoom’s F8n [see AT132] and both it and their new F6 demonstrate that Zoom is continuing a strong evolution of design in its products. There will never be a single device that is perfect for all needs, but the F6 is an interesting
    Audio Technology1 min read
    Ultra Optimised
    Mark Woods talks with Pablo Espinosa, Meyer Sound’s Vice President & Chief Loudspeaker Designer, about the Ultra-X40. Mark Woods: How do the Ultra-X40s maintain their dispersion pattern below the horn’s crossover frequency? Is there some kind of arra

    Related Books & Audiobooks