Total Film

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THE INVISIBLE MAN

he depth-charged precision of purpose in Leigh Whannell’s thriller) intuitive, insidious score. All-strings orchestrations – part homage, part tightly wound tension generator – contrast with nagging, aggravated, assaultive EDMtronics, sending suspense/shock levels through the roof. Meanwhile, Cecilia’s piano and cello theme provides emotional anchorage amid ambient synth evocations of unnervingly empty(-ish…) space.

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