The Shadows Know

f you ask saxophonist Remy Le Boeuf about his fascination with shadows, you receive a characteristically thoughtful answer. “I like the metaphor of the absence of something having substance,” he says. “We tend to put a lot of value on substance, but I think the absence is very powerful.” That line of thinking has yielded a modest amount of art in the past for this rising star, including various personal poems, lyrics, and music. But it’s become an