JazzTimes

Classical, 12-String, and Beyond

In 1940, the jazz establishment was just coming to recognize the potential of the electric guitar as a lead instrument. After joining Benny Goodman’s orchestra in late 1939, Charlie Christian earned recognition as a 1940 Metronome All Star for his fluid lines and deep hornlike tone. By the time of his tragic death two years later, Christian’s approach had set a template for jazz guitar that remains valid to this day.

But 1940 also produced one of the few guitarists who would definitively break that mold by never playing electric:’s Anil Prasad in 2010. “It’s always been my approach to the instrument.”

You’re reading a preview, subscribe to read more.

More from JazzTimes

JazzTimes1 min readLeadership
JazzTimes
Editor-at-large Gregory Charles Royal Senior Editor Dr. Gerri Seay Contributor Dr. Jeff Gardere Managing Editor Toni Eunice Senior Designer Scott Brandsgaard Client Services clientservices@madavor.com Vice President of Marketing Strategy Ryan Gillis
JazzTimes6 min read
The Curious Case Of The Giant Steps TV Show
HARLEM’S NEW JAZZ SITCOM In the summer of 2016, after the premiere of the jazz film World’s Not for Me at the Harlem International Film Festival at MIST Harlem, Mickey Bass, Louis Hayes, and Gregory Charles Royal did what any musicians would do hangi
JazzTimes6 min read
Little Feet Take Giant steps
Laken “Lake” Mosely, a 38-year-old jazz musician from Detroit, sits in the green room of a jazz club. He scats and hums to himself while readying for a performance. He is interrupted by his manager Ivan, who tells him that it is almost time to perfor

Related Books & Audiobooks