PERFORMING WITH LIVE LOOPS IN LOGIC PRO X
ive electronic music, built either from loops or via pre-programmed sequences, sees artists adopt a range of onstage approaches. Some simply use their DAW as little more than a playback device, perhaps adding a few ‘live’ instruments, tweaking the mix or making judicious use of the filter cutoff knob. Thanks to tools such as Logic Pro X’s recently added Live Loops though, more ambitious musicians have taken a more interactive slant, whereby their DAW effectively becomes an instrument itself, with a series of
