The Atlantic

What <em>Lovecraft Country </em>Gets Wrong About Racial Horror

The fantastical HBO series imagines white supremacists as literal monsters but fails to make its Black heroes as compelling.
Source: Eli Joshua Ade / HBO

Like many young people, the protagonist of the 2016 novel devours entertainment that his father finds foolish and reprehensible. Atticus loves reading science fiction, fantasy, and horror—genres that, as his dad points out, are dominated by white authors and full of racist stereotypes. The tension inherent in Atticus’s fondness for such writers drives much of , which is set in the 1950s. And no author looms larger in Matt Ruff’s book, or in the HBO adaptation that premieres Sunday, than the one for whom it is named. Early in the novel, Atticus recalls a night when his father handed him a poem by H. P. Lovecraft called “On the Creation of Niggers,” which describes Black people as “semi-humans” and “beasts.” The verses are a departure from and a succinct .

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