Ableton Wavetable
AUDIO ON FILESILO
Although Ableton Live 10 was packed with workflow enhancements and impressive new effects (like Echo and Pedal), the biggest news for sound designers has been Wavetable, an impressive new approach to wavetable-based synthesis, with an interface that lets you see nearly every design/modulation element on one screen.
Here we present Wavetable’s features in depth, along with a few expert tips along the way.
Architecture
Some users have compared it to Serum and Massive, but Wavetable’s engine is different, with its own unique collection of wavetable data and filter options; it doesn’t replace either of those synths, but instead, expands the range of this popular synthesis method. Wavetable’s architecture is key to its capabilities.
Its two oscillators include nearly 200 preset tables organised into 11 categories. This makes it easy to find a starting point if you know what type of sound you’re after. In addition, Wavetable includes a flexible sub-oscillator that provides a wide range of functions that belie its name.
Those three generators feed a pair of multimode filters that can be arranged in parallel, serial, or split configurations. This is followed by an amp (volume) section and topped off with a unison effect that includes several modes that break new ground.
Unlike other plugins, there’s no dedicated effects section, as Wavetable is baked into Live Suite. Consequently, if you want to add final processing, you can take advantage of Ableton’s massive library of audio effects. Of course, if you’re a Max for Live user, you can design your own.
Oscillators
Getting the hang of Wavetable’s dual-oscillators is best done by simply dropping the instrument in a track and starting with the default preset, which consists of osc 1 only (osc 2 and
