Stereophile

RE-TALES

Pro audio and hi-fi cross over

Why is there so much separation between the professional audio and audiophile worlds? Is that separation by design, or even necessity? Is it naïve to believe that more crossover could benefit both sides?

On the surface, audiophiles and recording engineers appear to have much in common. Both groups have a deep interest in the conveyance of music’s core emotional message. Audio engineers are—or should be—expert in creating the sounds that audiophiles want to hear. They—the engineers—probably spend more time listening intently (though

You’re reading a preview, subscribe to read more.

More from Stereophile

Stereophile4 min read
Joe Henderson’s Power to the People
In the late 1960s and the early years of the next decade, tenor saxophonist Joe Henderson, like many of his contemporaries, was listening to such albums as Miles Davis’s Filles de Kilimanjaro and Miles in the Sky and pondering what it meant for his m
Stereophile4 min read
Letters
When my Stereophile reaches my doorstep, the first thing I turn to is Herb Reichert’s reviews. I don’t care what he’s reviewing; I love how he writes about it. In April’s edition, he shared his thoughts on an unexpected emotional response to Brice Ma
Stereophile1 min read
Associated Equipment
Digital sources dCS Bartók streaming DAC, Oppo DV-981HD universal disc player, Rega Jupiter CD player. Preamplifier Benchmark LA-4. Power amplifier Benchmark AHB2. Integrated amplifier McIntosh MA6500. Loudspeakers and headphones B&W 801 D4 Signature

Related