Denial
Written by Peter Sagal
Narrated by David Clennon, Harold Gould and Full Cast
4.5/5
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About this audiobook
An L.A. Theatre Works full-cast performance featuring David Clennon, Tim DeKay, Harold Gould, John Randolph, Kimberly Scott and Stephanie Zimbalist.
Peter Sagal
Peter Sagal is the host of the Peabody Award-winning NPR news quiz Wait Wait...Don’t Tell Me!, one of the most popular shows on public radio, heard over four million listeners each week. He is also a playwright, a screenwriter, the host of Constitution USA with Peter Sagal on PBS, a one-time extra in a Michael Jackson music video, a contributor to publications from Opera News to The Magazine of the AARP and a featured columnist in Runner’s World. He’s run fourteen marathons across the United States. Sagal lives near Chicago with his wife Mara.
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Reviews for Denial
11 ratings3 reviews
- Rating: 5 out of 5 stars5/5This was great to listen to. You'll definitely enjoy it.
- Rating: 3 out of 5 stars3/5A holocaust denier gets arrested, and goes to a Jewish lawyer who agrees to take his case. She believes in freedom of speech. Problem is, this puts her on the outs with most communities she is a part of (apparently even the ACLU, which is one of the totally unbelievable aspects of this work). The lawyer makes a spirited defense of freedom of speech, even unpopular speech, but the script drags a bit, and the twists thrown in at the end bring doubt on the prospect. The questions raised are important, looking at the intersection of freedom of speech and the possibility of harm, but that aspect is not explored. It would have been better if this had been set in some country other than the US, since the US does not have a history of arresting people for Holocaust denial, though it is common elsewhere. An important play, though one that is not without its flaws.
- Rating: 3 out of 5 stars3/5A holocaust denier gets arrested, and goes to a Jewish lawyer who agrees to take his case. She believes in freedom of speech. Problem is, this puts her on the outs with most communities she is a part of (apparently even the ACLU, which is one of the totally unbelievable aspects of this work). The lawyer makes a spirited defense of freedom of speech, even unpopular speech, but the script drags a bit, and the twists thrown in at the end bring doubt on the prospect. The questions raised are important, looking at the intersection of freedom of speech and the possibility of harm, but that aspect is not explored. It would have been better if this had been set in some country other than the US, since the US does not have a history of arresting people for Holocaust denial, though it is common elsewhere. An important play, though one that is not without its flaws.