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Fast Girl: A Life Spent Running from Madness
Escrito por Suzy Favor Hamilton e Sarah Tomlinson
Narrado por Suzy Favor Hamilton e Nan McNamara
Descrição
The former middle distance Olympic runner and high-end escort speaks out for the first time about her battle with mental illness, and how mania controlled and compelled her in competition, but also in life. This is a heartbreakingly honest yet hopeful memoir reminiscent of Manic, Electroboy, and An Unquiet Mind.
During the 1990s, three-time Olympian Suzy Favor Hamilton was the darling of American track and field. An outstanding runner, a major sports apparel spokesperson, and a happily married wife, she was the model for an active, healthy, and wholesome life. But her perfect facade masked a dark truth: manic depression and bipolar disorder that drove her obsession to perform and win. For years after leaving the track, Suzy wrestled with her condition, as well as the loss of a close friend, conflicted feelings about motherhood and her marriage, and lingering shame about her athletic career. After a misdiagnosis and a recommendation for medication that only exacerbated her mania and made her hypersexual, Suzy embarked on a new path, and assumed a new identity. Fueled by a newfound confidence, a feeling of strength and independence and a desire she couldn’t tamp down, she became a high-priced escort in Las Vegas, working as “Kelly.”
But Suzy could not keep her double life a secret forever. When it was eventually exposed, it sent her into a reckless suicidal period where the only option seemed out. Finally, with the help of her devoted husband, Suzy finally got the proper medical help she needed. In this startling frank memoir, she recounts the journey to outrun her demons, revealing how a woman used to physically controlling her body learned to come to terms with her unstable mind. It is the story of a how a supreme competitor scored her most important victory of all—reclaiming her life from the ravages of an untreated mental illness. Today, thanks to diagnosis, therapy, Kelly has stepped into the shadows, but Suzy is building a better life, one day at a time. Sharing her story, Suzy is determined to raise awareness, provide understanding, and offer inspiration to others coping with their own challenges.
- Editora:
- HarperAudio
- Lançado em:
- Sep 14, 2015
- ISBN:
- 9780062395337
- Formato:
- Audiolivro
Avaliações
Her description of her battle with bi-polar syndrome helped me understand the disease itself. After reading her book, I realized that in my younger days, I dated a couple of young women that I now believe, though never confirmed, showed behaviors that likely indicated they were battling bi-polar, although it would never have been titled as that 40 years ago.
As for those those who have no sympathy for Ms. Favor, I don't think anyone out there can say that they do not have some kind of demons they battle - admittedly with Ms. Hamilton, they manifested themselves in a horrible manner - but many of us are able to keep those demons well hidden away because we are able to. But having known several people years ago with this disorder, and currently friends two fathers with sons being treated for, but battling this disease, along with one whose son committed suicide, I know the devastation it can cause.
I give kudos to Ms. Hamilton for having the courage to put her story out there. Certainly many who read the book will do so out of a prurient interest - but they will be very sadly disappointed with the lack of explicit details. The book is about bi-polar disease and the difficulty of diagnosing and treating it, not really about sex - although the sex side of Ms. Hamilton's actions cannot be glossed over without diminishing the story of how bi-polar causes people to act.
Ms. Hamilton could have picked up her family and tried to run away and hide from the public but chose to face the heat and get her story out there in hopes of helping others try to figure out/understand what may be going on with their loved ones or friends. If this book results in saving just one person, then it is certainly a success story.
Characters: 3 stars
Style: 5 stars
Pace: 4 stars
There's something about the voice in this one that had me from page one. It made for a VERY quick read, maybe 2 hours total start to finish, but delicious anyway. Cotton candy with complexity, it sucked me in and made me want more. That's really all I ask of YA these days.
Nothing really took hold of me and begged me to continue reading. The writing was simple - which is never really a bad thing, but there are books where I wish the writing was a little more descriptive and complex, and this was one of them - and the characters didn't feel very fleshed out.
If a little more time had been given to this book, I know it would have been amazing.
It was action-packed from start to end. I read it in one sitting, never wanting to put the book down until I finish it. I liked Fia and I like the author's writing style. I will definitely get the next book!
After Fia and Annie's parents died in a car accident, they were taken into a special school that counted as very influential and promised Annie to do some tests to try and get her vision back. The school ended up being not what they have hoped for and was only made for girls with special abilities like sidekicks and those who can see the future, like Annie. After finding out that Fia had perfect instincts, the management decided to use her in some bigger plans. Fia lost hope in herself because of the things she did and the only thing that kept her in the school was Annie. She couldn't leave Annie. She had to protect Annie.
This book was probably one of the most exciting books that I've read in awhile. It was full of action, emotions, love, and true feelings that were very touching. I 'm a little confused about the way the book ended but I guess I have to read the second book for this. I honestly just can't figure out if Annie ended up being dead or not. Like WTF! But overall I loved it and cannot wait until the second book. Must-read!
I will admit, up front, that I love Kiersten White books. So, it is no surprise that I loved this one.
It was a little jarring to switch time frames continually, but it worked in the end.
-Fia's narration is very stream-of-consciousness and I think that will bother some people, but I loved it.
-Fia is quite broken and I'm a fan of anti-heroes and liked her a lot.
-The world-building is a little weak since we don't find out where the powers come from, but it felt natural to me since Annie and Fia had a lot of other things to worry about. I could see this being developed in future books. There is an explanation for how the school came to be, even though it's brief ;-).
-I loved Annie and Fia's relationship, both because it was nice for a sisterly relationship to be the driving factor in a story and because Annie's blindness added a whole new protective dynamic that pulled at my heart.
-There is kind of a love triangle, but it worked for me which is rare. The two guys are very different and reflect the two people Fia could be: the ruthless killer she is now or the sane girl she used to be and wants to recover.
-I liked the time jumps and perspective switches that kept some of the mystery but slowly filled things in. It was a lot better than the characters just rehashing the past in order to let the reader in on it.
And now I must go read Perfect Lies!
MEH.
I had such high hopes for this one. I LOVE books about siblings, especially books that aren’t contemporary and that have ACTION and ADVENTURE and siblings trying to protect each other. Those types of books make me feel warm & fuzzy while also putting me through the emotional wringer(because one sibling always gets hurt, of course).
So, let’s break this down, shall we?
WRITING: So, the writing is incredibly scattered and disjointed and repetitive and redundant(see what I did there?). I get that this was a conscious choice on White’s part to give us access into the sister’s incredibly messed-up heads. I get it. I get it. I get it.(That’s sort of how many parts of the book are written). It’s a stylistic choice, but one I don’t think worked well for this book.
I like unique writing styles & experimental writing–which is why I liked Shatter Me by Tahereh Mafi. But in that case, while the writing was incredibly subjective and risky, I thought it worked for the story. Did I get annoyed at times? Yes. But not like I did in Mind Games, because in Mind Games, I think White tries to use this experimental writing to carry the weight of the book, and it doesn’t really work.
CHARACTERS: Supposedly, there are two main characters in this book–Annie and Fia, the sisters. The chapters alternate from their POVs, which could be great, except they sound exactly the same(except Fia’s a little bit more messed up, I think). Fia has perfect instincts, Annie is blind but sometimes sees the future, and their goal is to the protect each other. Those are their ONLY defining characteristics, and all of that is stated upfront in the summary.
PLOT: There was plot at the beginning. I have no idea what happened to it. This book actually started out really well, in the midst of an action sequence, and then. . . things got a little hazy after that.
After reading this, you might think I really disliked Mind Games. But, truth is, I didn’t, because I couldn’t bring myself to care about the story enough to dislike it. In fact, this is the most apathetic I’ve been about a book in a long while(forcing myself to actually write about it at length was a bit torturous), which is never a good thing. Mind Games has a fascinating premise and a decent enough start, but somewhere around page 30 it all tapered off into a strange writing experiment with not much plot and really, not much differences between the two main characters.
Final Impression: Here it is, one last resounding MEH. This isn’t a terrible book, but it also isn’t a good book. It’s just kinda there, and I have way too many exciting books on my shelf to read for me to spend much time with this book or to recommend it.
The biggest failure of this book is the narration. Switching between the two sisters who are entirely matching in almost every way, White has chosen a stream-of-consciousness first person style to tell this story. Stream-of-consciousness was a particular favourite of the Modernist movement, and utilised to great effect by writers such as Virginia Woolf and James Joyce (if you’ve actually finished “Ulysses” then you’re a better person than I am). It’s tough to read even when it’s executed perfectly. Here it’s practically unbearable. Not only are the sisters’ narrations impossible to differentiate from, the constant repetition of words and phrases, coupled with the lazy and juvenile nature of the prose made the experience of reading this book seem far longer than its slim page numbers would suggest. The non-linear narrative feels like such a slog, and does nothing but make the story entirely incoherent. Any possibility of the book livening up with some action is quickly ruined by this unreadable style.
None of this is helped by the fact that both sisters are motivated by pretty much the same things, make completely irrational decisions that don’t fit with what the other cut-out characters tell us about them, and are both extremely annoying. I didn’t want to spend this book with them. Then again, it’s not as if the supporting cast offer up much either. Scooby Doo offered up stronger motivation and characterisation than this book does. However, I must briefly draw attention to one character called James (which I had to look up for this review because I have honestly forgotten everyone’s names except for the sisters), who plies an underage girl with alcohol to get her to talk. Of course, James is the dark, sexy and dangerous one who we are supposed to root for the woman he plies with alcohol to get together with. He also delightfully manipulates a young woman who struggles with her ability to feel everyone else’s emotions into believing he cares for her because that makes her easier to deal with. Not that the alcohol plied sister Fia really cares about the well-being of this young woman. She doesn’t care about anyone besides herself, regardless of her constant whining over looking after her blind sister. I’d be angrier at this mess if I in any way cared about Fia or Annie as characters.
The powers that the sisters have could be interesting if executed well, but instead they’re just there. They serve bare plot purposes in the most serviceable manner possible and are barely explained or expanded upon. In the end, everything that went on felt entirely inconsequential because I just didn’t care about anything (although I did wonder why any stereotypical evil organisation would use a woman with perfect instincts to kill people instead of just having her make them billions and screw around with democracy).
The style of the book and the childish approach to storytelling and prose just dragged me out of the experience. I can live with an unoriginal plot structure, which this book has in spades, if the execution is interesting, or interesting questions are asked, or if the characters and dialogue bring it to life. This book has none of that. I spent much more time thinking about why White was in such a hurry to push this book out than I did thinking about the book itself. “Mind Games” is bafflingly bad. I cannot understand how a relatively well acclaimed New York Times best-selling author can fail so badly with this book, although some blame must also go to the editor and agent for rushing this out so quickly as if publishing it was a race against time. I see that this book is the first in a duology, which makes me shudder, in all honesty. “Mind Games” was a waste of my time, a waste of the publisher’s time, and just a mess in every conceivable way.
1/5.
Sometimes when a book disappoints me, I leave feeling angry. I am pissed off for days that the marketing tricked me into reading something so awful. In this case, I really do not have any bad feelings towards Mind Games at all. This may be, in fact, the most meh I have ever felt upon finishing a book. I can almost feel the novel draining out of my head as I type this, so I should probably type with alacrity. Basically, this book bored me, from beginning to end (with brief breaks to annoy me). Despite its brevity, it took three days for me to finish because any distraction would be more interesting.
On the plus side, Mind Games starts off with a bang. Fia is an assassin, sent to complete a mission. Unfortunately, her mission turns out to be a cute guy who likes puppies, so she cannot follow through. This would be cheesy, except that saving him writes a death warrant for herself and her blind sister, Annie, with her employers. Even worse, three goons are chasing her and the guy, Adam. The opening scene catches the readers attention and creates a lot of curiosity about what precisely is going on.
Honestly, I'm torn on the writing. Personally, I really do not like it, because repetition and simplistic sentences bother me. However, I do give Kiersten White full credit for writing two disparate, easily-distinguished two person narratives. What really irritates me about the writing, primarily Fia's narrative, is the repetition. This done stylistically, though, so, if this does not bother you, then I suspect you will enjoy the writing. Here are a couple of samples from the ARC, so you can see what I mean, though note that they could be changed before publication:
"He's still helping the puppy, untangling the leash from a tree its owner tied it to outside the bar. And he's not only setting it free, he's talking to it. I can't hear the words but I can see in the puppy's tail that, however he's talking, he's talking just right, all tender sweet cheerful comfort as his long fingers deftly untwist and unwind and undo my entire day, my entire life."
"Oh no. Oh no, oh no. I didn't do it. I didn't kill Adam. He's sitting next to me, driving (I let him drive? Why did I let him drive?) and very much alive."
The plotting and world building confound me at many points, which is not something I say often. Two main things I really do not get: the school and the seers. First off, we've got these people with powers (like seers and readers), and some evil dude is collecting them into this school so he can use them for his nefarious purposes. We learn nothing about how this school started or where the powers came from. Perhaps more frustrating, Fia has a unique power, perfect instincts, but we never learn if there are other rare powers or if she's just that special.
Throughout the novel, much is made of the seers and how Fia is the only one who can possibly do anything they cannot see in advance. She has this capability because she acts on her perfect instincts. Since she acts impulsively, they cannot ever see her future, since it is not set. That sort of makes sense, except that she makes longer-range plans all the time. Maybe one instinctual decision in the middle prevents the seers from picking up on her endgame? I mean, in the, admittedly surprising, conclusion, she had a plan and they would have seen it; that was not instinct. This whole thing reminds me a lot of Minority Report. All of this might not bother people who do not feel the need to focus so much on nitty gritty details. For me, nothing made any sense, though I may be trying to apply logic where it's not meant to be.
Mind Games would benefit from characterization. Fia is the only one I know too much about, and the only one to really receive any back story, despite the fact that the flashbacks should give a lot more of a view into Annie and James, too. Fia never coalesces into a distinct person. She does a lot of things and feels a lot of things that never really seem to add up the way one might expect. Her motivations are often unclear, such as why a certain incident made her start tap tap tapping. I do like Fia's love of dancing, and that no one ever shames her for loving that or wearing sexy clothes. However, I do not care for Fia's desire to belong to James, like a pair of headphones or something; this seems both out of character and really backward. Everyone else is one-note. James is sexy and dangerous. Annie is blind and helpless. Cole has stubble. Eden is awful. Adam is sweet and loves puppies.
The portrayal of Annie upsets me the most. For all that the book should be equally about her (the UK version is even titled Sister Assassins), she has no role in the novel but to be the albatross around Fia's neck. Every single horrible thing in Fia's life happens because she has to watch out for Annie. Both of them feel this. Annie never does anything; even when she makes up her mind to make a change, her role in that change is entirely passive. Her visions of the future, too, should give her some power, but she always messes up, never leverages them properly. Characters should not exist solely to be a burden. The portrayal of Annie's character depresses me.
Much as this book bores me, I have no doubt that other readers will squee all over it. If you like the writing samples above and will not be digging around looking for plot holes, you can probably sit back and be entertained. If you're more like me, read a sample before spending your hard-earned money.