Art Audiobooks

The story of art as it's never been told before, from the Renaissance to the present day. How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States, and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened to many artforms often ignored or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan, this is the history of art as it's never been told before.

The author of the New York Times bestseller Her Again: Becoming Meryl Streep returns with a lively history of the Academy Awards, focusing on the brutal battles, the starry rivalries, and the colorful behind-the-scenes drama. America does not have royalty. It has the Academy Awards. For nine decades, perfectly coiffed starlets, debonair leading men, and producers with gold in their eyes have chased the elusive Oscar. What began as an industry banquet in 1929 has now exploded into a hallowed ceremony, complete with red carpets, envelopes, and little gold men. But don’t be fooled by the pomp: the Oscars, more than anything, are a battlefield, where the history of Hollywood—and of America itself—unfolds in dramas large and small. The road to the Oscars may be golden, but it’s paved in blood, sweat, and broken hearts. In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas—some iconic, others never-before-revealed—that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes. Caught in the crossfire are people: their thwarted ambitions, their artistic epiphanies, their messy collaborations, their dreams fulfilled or dashed. Featuring a star-studded cast of some of the most powerful Hollywood players of today and yesterday, as well as outsiders who stormed the palace gates, this captivating history is a collection of revelatory tales, each representing a turning point for the Academy, for the movies, or for the culture at large. Supplemental enhancement PDF accompanies the audiobook.

Read by the author.   NEW YORK TIMES and WALL STREET JOURNAL BESTSELLER To Jeezy’s legion of fans, his name is synonymous with hustle, grit, and the integrity to go out there and achieve your dreams. In his first book, Adversity for Sale: Ya Gotta Believe, Jeezy shares never heard stories of what it took for him to beat the odds and get out of the streets, his mindset he carefully honed to get an edge, and the lessons that changed his life and business. Born into poverty and raised in a small town in the middle of South Georgia’s so-called “Black belt,” Jeezy realized at an early age that nothing was going to come easy, there were no handouts headed his way, and if he ever wanted anything in life, he was going to have to get out there and get it on his own. So that’s what he did.  Now, for the first time, Jeezy retraces his steps, going back to day one to share how he turned nothing into something, stayed solid, survived the trap, and triumphed over adversity to become the successful artist, father, husband, entrepreneur, and philanthropist that he is today.  Adversity for Sale isn’t a street memoir. Like his music, these pages are filled with lessons from his deeply personal story to motivate you to go out and get after your dream.

"Swingtime for Hitler is strange and subversive, a story that makes us sway and then hate ourselves for swaying. If you think present day politics is at the apex of weirdness, you're wrong – history has us beat, as proven by this toe tapping treasure. No one delivers audio (and Nazis) with as much smooth style as Scott Simon.” –Ann Patchett, bestselling author Tom Lake, Bel Canto, The Dutch House "Brilliant, intriguing, disturbing, thoughtful and thought provoking, I cannot find enough words to describe this mesmerizing audiobook. A timely reminder of the seductive and dangerous power of propaganda, these sounds and voices remind us of a disturbing past, while also revealing the dangers and challenges we face today when voices of totalitarianism are growing louder." –Azar Nafisi, author of Reading Lolita in Tehran, Read Dangerously, and other books "Fascinating gripping and vivid. An amazing piece of research, writing, history, and storytelling. Scott Simon’s audiobook combining war, culture, music, and swing is not just compelling, colorful, and bizarre. It is also searingly relevant to dark times today. Swingtime is a must-listen!” –Simon Sebag Montefiore, author of The World: A Family History of Humanity In his long career as a journalist for National Public Radio and host of the popular Weekend Edition Saturday, Scott Simon has traveled the world, covering wars and political unrest. During that time, he grew familiar with the lies dictators and oppressive regimes tell to keep their citizens in check. Simon has become, in a way, an aficionado of propaganda. From Bosnia to Rwanda, he heard it all — or so he thought until he was introduced to the morbidly fascinating work of Charlie and His Orchestra. Created by Joseph Goebbels, Reich Minister for Propaganda, Charlie and His Orchestra was a band that played popular jazz and swing tunes rewritten with Nazi lyrics. They were regularly featured on a German radio show that reached airwaves in Britain and the US. The Reich hoped that the hateful messages of the songs would get through to faraway listeners and sway opinion in Hitler’s favor. Simon’s story examines propaganda through the lens of his interest in this repugnant yet magnetic band. It examines the persuasive power of a new medium, radio, and how World War II played out for most people via spins of the dial. Simon also speaks to his own experience with propaganda, which he encountered many times in his decades as a reporter at NPR. More urgently, he addresses the hate speech we increasingly experience today. Propaganda is the blunt tool used by the intolerant and those who want to hold onto power at any cost. And unlike in Nazi Germany, it’s now in the hands of everybody. Anyone with a phone or social media account can reach millions with the aim to deceive and mislead. This fake news is old propaganda in a new guise. By comparison, Charlie and His Orchestra seem almost quaint.  To experience this story most fully, Scribd encourages readers to choose the audio option of Swingtime for Hitler. Vintage sound clips from the band’s performances, coupled with Simon’s unparalleled voice and narrative skill, make this a tale that will stay in your mind — and ears — for a long time to come.

The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One—and since winning the Nobel Prize for Literature in 2016. The audio is narrated by an all-star lineup including Bob Dylan, Jeff Bridges, Steve Buscemi, John Goodman, Oscar Isaac, Helen Mirren, Rita Moreno, Sissy Spacek, Alfre Woodard, Jeffrey Wright, and Renée Zellweger! Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.

Winner of the 2023 Los Angeles Times Book Prize for Achievement in Audiobook Production. "Throughout, narrator Dion Graham sustains an authentic cool. His voice subtly slows down, pauses, and cracks as Stone expounds upon his older years. It’s a kind of music unto itself." —AudioFile Combining three never-before-heard songs, jingles from when Sly was a DJ on KSOL, and a legendary story, Thank You (Falettinme Be Mice Elf Agin) is an all-encompassing audio experience. One of the few indisputable geniuses of pop music, Sly Stone is a trailblazer and a legend. He created a new kind of music, mixing Black and white, male and female, funk and rock. As a songwriter, he penned some of the most iconic anthems of the 1960s and ’70s, from “Everyday People” to “Family Affair.” As a performer, he electrified audiences with a persona and stage presence that set a lasting standard for pop-culture performance. Yet his life has also been a cautionary tale, known as much for how he dropped out of the spotlight as for what put him there in the first place. People know the music, but the man remains a mystery. In Thank You (Falettinme Be Mice Elf Agin), his much-anticipated memoir, he’s finally ready to share his story—a story that many thought he’d never have the chance to tell. Written with Ben Greenman, who has written memoirs with George Clinton and Brian Wilson, among others, and created in collaboration with Sly Stone’s manager, Arlene Hirschkowitz, Thank You (Falettinme Be Mice Elf Agin) includes a foreword by Questlove. A Macmillan Audio production from AUWA Books.

“Kenan is a master storyteller with extraordinary stories to tell. I wouldn’t miss this for the world.”—Leslie Jones When I Was Your Age is a hilarious, heartwarming and surprising ode to growing up, getting older and wiser, and luck, life, and learning from the school of hard knocks, from SNL's longest-serving actor, Kenan Thompson Kenan Thompson is Saturday Night Live’s longest-ever-serving cast member and a star of such pioneering sketches as “Black Jeopardy” and is hugely beloved thanks to a tidal wave of nostalgic fans who grew up on early 2000s classics All That, Good Burger, and Kenan & Kel on Nickelodeon. He’s also a dad (to two girls) in his mid-40s living in suburbia, and whose universal, relatable, family-friendly humor has created unbelievable appeal and engagement from fans from middle America to coastal elites. Becoming a dad sucked the cool right out of him -- and he's OK with that! When I Was Your Age is packed with hilarious yet poignant essays that are aimed to offer any reader valuable advice on parenting, focusing on positivity, and having fun in life. Kids, new parents, fellow fathers, budding comics, and aunties who want to pinch his cheeks, can all learn from his biggest mistakes and most triumphant victories. There’s something for everybody here!

A celebration of Comedians in Cars Getting Coffee, featuring some of comedy’s most iconic voices in excerpts from their appearances on Jerry Seinfeld’s groundbreaking streaming series! Featuring appearances by: Aziz Ansari, Judd Apatow, Fred Armisen, Alec Baldwin, Colleen Ballinger, Todd Barry, Lewis Black, Neal Brennan, Matthew Broderick, Mel Brooks, Bill Burr, Jim Carrey, Dana Carvey, Cedric the Entertainer, Dave Chappelle, Margaret Cho, Louis C.K., Stephen Colbert, Larry David, Ellen DeGeneres, Bob Einstein, Gad Elmaleh, Bridget Everett, Jimmy Fallon, Will Ferrell, Tina Fey, Jamie Foxx, Jim Gaffigan, Zach Galifianakis, Ricky Gervais, Kevin Hart, Steve Harvey, Joel Hodgson, Mario Joyner, Robert Klein, Jay Leno, David Letterman, Jerry Lewis, Julia Louis-Dreyfus, Norm MacDonald, Kathleen Madigan, Bill Maher, Sebastian Maniscalco, Barry Marder, Steve Martin, Chuck Martin, Kate McKinnon, Seth Meyers, Lorne Michaels, Hasan Minhaj, Tracy Morgan, John Mulaney, Eddie Murphy, Trevor Noah, Barack Obama, John Oliver, Patton Oswalt, Sarah Jessica Parker, Colin Quinn, Brian Regan, Carl Reiner, Michael Richards, Don Rickles, Chris Rock, Seth Rogen, Amy Schumer, Garry Shandling , Martin Short, Sarah Silverman, J.B. Smoove, Howard Stern, Jon Stewart, Melissa Villaseñor, George Wallace, Christoph Waltz, Ali Wentworth, and Kristen Wiig. Over eleven seasons and eighty-four episodes, Jerry Seinfeld drove around in classic cars, grabbing coffee and chatting with the funniest people alive. The result was not only a hilarious collection of casual yet intimate conversations but arguably the most important historical archive about the art of comedy ever amassed. Now that archive is preserved in the form of a carefully curated audiobook collection of excerpts from the show. Seinfeld has handpicked the show’s keenest insights and funniest exchanges. Also included is a fascinating oral history that details how this scrappy creative experiment landed unprecedented access to the White House, earned multiple Emmy nominations, and helped lead the streaming revolution.

This program is read by the author. The critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman). A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages, sometimes about language, beauty, memory; sometimes about history, art, photography, and literature—always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life. At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. “I learned to see in my mother’s house,” writes Sharpe. “I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.” Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method,” collects entries from a community of thinkers toward a “Dictionary of Untranslatable Blackness,” and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces. A Macmillan Audio production from Farrar, Straus and Giroux.

#1 New Release in Punk and Music Philosophy & Social Aspects, Theory, Composition & Performance ─ A Look at the History of the Emo and Indie Music Era Explore the cultural, social, and psychological factors surrounding the genres. Though songs can be timeless, music is often a result of the era in which it was created. The 2000s in music gave rise to indie, emo, and punk rock, carrying an emotional tone that has resonated with listeners ever since. Originally appealing to a small selection of music lovers, this music era now holds a significant place in the history of rock. The relationship between music and mental health. Music leaves its mark on the world by touching the hearts and minds of its creators and listeners. This book explores that connection and takes a look at what emo, alternative, and indie music did for the mental health of musicians and listeners. Inside stories from the music legends themselves. The voices of the rock musicians who contributed to these genres of music are just as important now as they were then. Author Taylor Markarian includes both her own interviews with bands and those from outside sources to provide an oral history and offer an authentic portrayal of these underground arts. Markarian’s book offers a comprehensive look into genres of music that have been simultaneously mocked and admired. Discover in From the Basement: The beauty and legitimacy of the gritty, wailing music that evolved into indie, alternative, and emo Insights from conversations with favorite emo/indie bands of the time The impact these genres have had on the millennial generation and today’s pop culture and mental health Extensive coverage of bands like Save the Day, Dashboard Confessional, and My Chemical Romance If books such as Please Kill Me, American Hardcore, Meet Me in the Bathroom, and Sex, Drugs, and Cocoa Puffs have rocked your world, then From the Basement: A History of Emo Music and How It Changed Society should be your next read.

A USA TODAY Bestseller A Washington Post Bestseller Inspired by Jami Attenberg’s wildly popular literary movement #1000WordsofSummer, this writer’s guide features encouraging essays on creativity, productivity, and writing from acclaimed authors including Roxane Gay, Lauren Groff, Celeste Ng, Meg Wolitzer, and Carmen Maria Machado. In 2018, novelist Jami Attenberg, faced with a looming deadline, needed writing inspiration. Using a bootcamp model, she and a friend set out to write one thousand words daily for two weeks straight. They opened this practice to Attenberg’s online community and soon hundreds then thousands of people started using the #1000WordsofSummer hashtag to track their work and support one another. What began as a simple challenge between two friends has become a literary movement—write 1,000 words per day without judgment, or bias, or concerns about writer’s block, and see what comes of it. 1000 Words is the book-length extension of this movement. It is about becoming—and staying—motivated, discovering yourself and your creative desires, and approaching your craft from a new direction. It features advice from more than fifty well-known writers, including New York Times bestsellers, Pulitzer Prize winners, and stars of the literary world. Framing these letters are words of wisdom and encouragement, plus specific strategies, from Attenberg on how to carve out a creative path for yourself all year round. Paired with vibrant word art illustrations, 1000 Words is an accessible and motivational craft book that allows you to open any page and get a quick and fulfilling hit of inspiration. Featuring Roxane Gay, Bryan Washington, Susan Orlean, Maris Kreizman, Sara Novic, Rumaan Alam, Lauren Oyler, Emma Straub, Christopher Gonzales, Benjamin Percy, Mira Jacob, Laura van den Berg, Carmen Maria Machado, Courtney Sullivan, Rebecca Carroll, Ada Limon, R.O. Kwon, Cynthia D'Aprix Sweeney, Elissa Washuta, Alexander Chee, Maggie Shipstead, Deesha Philyaw, Jasmine Guillory, Kristen Arnett, Attica Locke, Megan Abbott, Min Jin Lee, Lauren Groff, Andrew Sean Greer, Camille Dungy, Megan Giddings, Isaac Fitsgerald, Hannah Tinti, Michael H. Weber, Celeste Ng, Elizabeth McCracken, Will Leitch, Maurice Carlos Ruffin, Morgan Parker, Kiese Laymon, Melissa Febos, Alissa Nutting, Liz Moore, Laila Lalami, Megan Mayhew Berman, Rebecca Makkai, Meg Wolitzer, Mychal Denzel Smith, Josh Gondelman, and Dantiel W. Moniz.

Award-winning playwright, screenwriter, and director David Mamet shares scandalous and laugh-out-loud tales from his four decades in Hollywood where he worked with some of the biggest names in movies. David Mamet went to Hollywood on top—a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set. He depicts the ever-fickle studios and producers who piece by piece eat the artist alive. And he ponders the art of filmmaking and the genius of those who made our finest movies. With the bravado and flair of Mamet’s best theatrical work, this memoir describes a world gone by, some of our most beloved film stars with their hair down, and how it all got washed away by digital media and the woke brigade. The book is illustrated throughout with three-dozen of Mamet’s pungent cartoons and caricatures.

Instant New York Times bestseller The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino. In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT’s and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.  The audiobook is narrated by Edoardo Ballerini, and features Quentin Tarantino reading the first and last chapters. A perfect listen for all fans! 

This program is read by the authors (David Zucker, Jim Abrahams, and Jerry Zucker), Laura Orrico and Joe Praino, with special appearances by an all-star cast of comedy giants, including the film's stars, Julie Hagerty and Robert Hays, as well as Beau Bridges, Barry Diller, Michael Eisner, Peter Farrelly, Bill Hader, Jimmy Kimmel, John Landis, Patton Oswalt, Trey Parker, Molly Shannon, Sarah Silverman, Matt Stone, "Weird Al" Yankovic, Lee Bryant, Joyce Bulifant, Dick Chudnow, Ken Collins, Jon Davison, Marcy Goldman, Ross Harris, Hunt Lowry, Rich Markey, James Murray, Tom Parry, Lorna Patterson, Pat Proft, Arne Schmidt, Lloyd Schwartz, and Bob Weiss. "funny and weirdly inspirational, satisfying both the comedy obsessive and the merely curious."—The New York Times "Sprinkled throughout are anecdotes from some of our most successful comedians today, like Weird Al, Bill Hader, and Jimmy Kimmel, telling the stories of what a comedy gamechanger this movie was. A funny and enjoyable listen about a cult classic. Certainly recommended for comedy fans, but also for those with an interest in Hollywood and movie making." —Booklist Surely You Can't Be Serious is an in-depth and hysterical look at the making of 1980s comedy classic Airplane! by the legendary writers and directors of the hit film. Airplane! premiered on July 2nd, 1980. With a budget of $3.5 million it went on to make nearly $200 million in sales and has influenced a multitude of comedians on both sides of the camera. Surely You Can’t Be Serious is the first-ever oral history of the making of Airplane! by the creators, and of the beginnings of the ZAZ trio (Zucker, Abrahams, Zucker) – charting the rise of their comedy troupe Kentucky Fried Theater in Madison, Wisconsin all the way to premiere night. The directors explain what drew them to filmmaking and in particular, comedy. With anecdotes, behind the scenes trivia, and never-before-revealed factoids, these titans of comedy filmmaking unpack everything from how they persuaded Peter Graves to be in the movie after he thought the script was a piece of garbage, how Lorna Patterson auditioned for the stewardess role in the back seat of Jerry’s Volvo, and how Leslie Nielsen’s pranks got the entire crew into trouble, to who really wrote the jive talk. It also features testimonials and personal anecdotes from well-known faces in the film, television, and comedy sphere, proving how influential Airplane! has been from day one. Four decades after its release, Airplane! continues to make new generations laugh. Its many one-liners and visual gags have worked their way into the mainstream culture. This fully organic expansion of the ZAZ trio’s fan-base, prompted solely by word-of-mouth, comes as no surprise to longtime fans. When all around us is in flux, laughter is priceless. A Macmillan Audio production from St. Martin’s Press.

An incisive exploration of ballet’s role in the modern world, told through the experience of the author and her classmates at the most elite ballet school in the country: the School of American Ballet. Growing up, Alice Robb dreamed of becoming a ballet dancer. But by age fifteen, she had to face the reality that she would never meet the impossibly high standards of the hyper-competitive ballet world. After she quit, she tried to avoid ballet—only to realize, years later, that she was still haunted by the lessons she had absorbed in the mirror-lined studios of Lincoln Center, and that they had served her well in the wider world. The traits ballet takes to an extreme—stoicism, silence, submission—are valued in girls and women everywhere. Profound, nuanced, and passionately researched, Don’t Think, Dear is Robb’s excavation of her adolescent years as a dancer and an exploration of how those days informed her life for years to come. As she grapples with the pressure she faced as a student at the School of American Ballet, she investigates the fates of her former classmates as well. From sweet and innocent Emily, whose body was deemed thin enough only when she was too ill to eat, to precocious and talented Meiying, who was thrilled to be cast as the young star of the Nutcracker but dismayed to see Asians stereotyped onstage, and Lily, who won the carrot they had all been chasing—an apprenticeship with the New York City Ballet—only to spend her first season dancing eight shows a week on a broken foot. Theirs are stories of heartbreak and resilience, of reinvention and regret. Along the way, Robb weaves in the myths of famous ballet personalities past and present, from the groundbreaking Misty Copeland, who rose from poverty to become an icon of American ballet, to the blind diva Alicia Alonso, who used the heat of the spotlights and the vibrations of the music to navigate space onstage. By examining the psyche of a dancer, Don’t Think, Dear grapples with the contradictions and challenges of being a woman today. Supplemental enhancement PDF accompanies the audiobook.

This program is read by the authors. Featuring sixteen musical codas and elements from the Carnage, Skeleton Tree and Ghosteen albums, it also includes an exclusive, additional 12-minute conversation between Cave and O’Hagan about the production of the recording. Faith, Hope and Carnage is a book about Nick Cave’s inner life. Created from more than forty hours of intimate conversations with Seán O’Hagan, it is a profoundly thoughtful exploration, in Cave’s own words, of what really drives his life and creativity. The book examines questions of faith, art, music, freedom, grief, and love. It draws candidly on Cave’s life, from his early childhood to the present day, his loves, his work ethic, and his dramatic transformation in recent years. From a place of considered reflection, Faith, Hope and Carnage offers ladders of hope and inspiration from a true creative visionary. A Macmillan Audio production from Farrar, Straus and Giroux.

Named a Top 100 Must-Read Book of the Year by Time and a Best Book of the Year by The New Yorker * Winner of the 2024 Writers' Prize for Nonfiction * Shortlisted for the Inaugural Women’s Prize for Nonfiction * Longlisted for the RSL Ondaatje Prize New York Times bestselling author Laura Cumming “combines first-rate art history with deeply felt memoir” (The Washington Post) in this fascinating, little-known story of the massive explosion in Holland that killed Carel Fabritius, renowned painter of The Goldfinch and A View of Delft and nearly killed Johannes Vermeer—two of the greatest artists of the 17th century. “Exquisite.” —Simon Schama, The Guardian As a brilliant art critic and historian, Laura Cumming has explored the importance of art in life and can give us a perspective on the time and place in which the artist worked. Now, through the lens of one dramatic event in 17th-century Holland, Cumming “has fashioned a book that combines memoir, art criticism, and history to illuminating effect” (The New York Times Book Review). In 1654, the Thunderclap—an enormous explosion at a gunpowder store—devasted the city of Delft, killing hundreds of people, including the extraordinary painter Carel Fabritius, and injuring thousands more. Framing the story around the life of Fabritius, Cumming illuminates this extraordinary moment in art history while also writing about her own father, a painter. Like Dutch art, the story gradually links country, city, town, street, house, interior—all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread. The impact of a painting and how it can enter our thoughts, influence our view and understanding of the world is the heart of this book. Cumming has brought her unique eye to her most compelling subject yet. Featuring beautiful full-color images of Dutch paintings throughout, this is “a glorious tribute to the two men who showed her the truth of the notion that paintings offer ‘a land in themselves, a society, a place to be’” (The Economist).

An explosive oral history of emo’s takeover from 1999 to 2008, featuring MY CHEMICAL ROMANCE, FALL OUT BOY, PARAMORE, PANIC! AT THE DISCO, TAKING BACK SUNDAY, JIMMY EAT WORLD, DASHBOARD CONFESSIONAL, AND MANY MORE If Meet Me in the Bathroom traced New York City's early 2000’s rock scene, Where Are Your Boys Tonight? gives the inside story of the turn-of-the-millennium emo subculture that became bigger than anyone thought possible. There was Pete Wentz, the Fall Out Boy leader who launched a litany of scene-stealing bands and preposterous side-hustles, and Gerard Way, the wizard behind My Chemical Romance and The Black Parade. Panic! At the Disco and Paramore emerged soon after—a pair of intrepid outsiders who got massive playing by their own rules. As they ascended, MySpace took over the internet and the age of influencers dawned, with emo its choice aesthetic.  Music journalist Chris Payne experienced emo's mainstream takeover from sweaty crowds and mosh pits growing up in New Jersey. In Where Are Your Boys Tonight? he offers an authoritative, impassioned, and occasionally absurd account told through interviews with more than 150 people, from the scene's biggest bands, producers, and managers to the teenage fans who helped redefine American music culture.  Supplemental enhancement PDF accompanies the audiobook.

What good are the arts? Why should we care about the past? For millennia, humanity has sought to understand and transmit to future generations not just the "know-how" of life, but the "know-why"-the meaning and purpose of our existence, as expressed in art, architecture, religion, and philosophy. This crucial passing down of knowledge has required the radical integration of insights from the past and from other cultures. In Culture, acclaimed author, professor, and public intellectual Martin Puchner takes us on a breakneck tour through pivotal moments in world history, providing a global introduction to the arts and humanities in one engaging volume. From Nefertiti's lost city to the plays of Wole Soyinka; from the theaters of ancient Greece to Chinese travel journals to Arab and Aztec libraries; from a South Asian statuette found at Pompeii to a time capsule left behind on the Moon, Puchner tells the gripping story of human achievement through our collective losses and rediscoveries, power plays and heroic journeys, innovations, imitations, and appropriations. More than a work of history, Culture is an archive of humanity's most monumental junctures and a guidebook for the future of us humans as a creative species.

A legendary record producer–turned–brain scientist explains why you fall in love with music. This Is What It Sounds Like is a journey into the science and soul of music that reveals the secrets of why your favorite songs move you. But it’s also a story of a musical trailblazer who began as a humble audio tech in Los Angeles, rose to become Prince’s chief engineer for Purple Rain, and then created other No. 1 hits, including Barenaked Ladies’ “One Week,” as one of the most successful female record producers of all time. Now an award-winning professor of cognitive neuroscience, Susan Rogers leads readers to musical self-awareness. She explains that we each possess a unique “listener profile” based on our brain’s natural response to seven key dimensions of any song. Are you someone who prefers lyrics or melody? Do you like music “above the neck” (intellectually stimulating), or “below the neck” (instinctual and rhythmic)? Whether your taste is esoteric or mainstream, Rogers guides readers to recognize their musical personality, and offers language to describe one’s own unique taste. Like most of us, Rogers is not a musician, but she shows that all of us can be musical—simply by being an active, passionate listener. While exploring the science of music and the brain, Rogers also takes us behind the scenes of record-making, using her insider’s ear to illuminate the music of Prince, Frank Sinatra, Kanye West, Lana Del Rey, and many others. She sharesrecords that changed her life, contrasts them with those that appeal to her coauthor and students, and encourages you to think about the records that define your own identity. Told in a lively and inclusive style, This Is What It Sounds Like will refresh your playlists, deepen your connection to your favorite artists, and change the way you listen to music.

The real story of Hollywood as told by such luminaries as Steven Spielberg, Frank Capra, Katharine Hepburn, Meryl Streep, Harold Lloyd, and nearly four hundred others, assembled from the American Film Institute’s treasure trove of interviews, reveals a fresh history of the American movie industry from its beginnings to today.  From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a reader “listen in” on candid remarks from the biggest names in front of the camera—Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd—to the biggest behind it—Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen: musicians, costumers, art directors, cinematographers, writers, sound men, editors, make-up artists, and even script timers, messengers, and publicists. The result is like a conversation among the gods and goddesses of film: lively, funny, insightful, historically accurate and, for the first time, authentically honest in its portrait of Hollywood. It’s the insider’s story.  Legendary film scholar Jeanine Basinger and New York Times bestselling author Sam Wasson, both acclaimed storytellers in their own right, have undertaken the monumental task of digesting these tens of thousands of hours of talk and weaving it into a definitive portrait of workaday Hollywood.    Supplemental enhancement PDF accompanies the audiobook.

One of SPIN'S Best Music Memoirs of 2022! Brian Johnson’s memoir from growing up in a small town to starting his own band to ultimately replacing Bon Scott, the lead singer of one of the world biggest rock acts, AC/DC. They would record their first album together, the iconic Back in Black, which would become the biggest selling rock album of all time. Brian Johnson was born to a steelworker and WWII veteran father and an Italian mother, growing up in New Castle Upon Tyne, England, a working-class town. He was musically inclined and sang with the church choir. By the early ’70s he performed with the glam rock band Geordie, and they had a couple hits, but it was tough going. So tough that by 1976, they disbanded and Brian turned to a blue-collar life. Then 1980 changed everything. Bon Scott, the lead singer and lyricist of the Australian rock band AC/DC died at 33. The band auditioned singers, among them Johnson, whom Scott himself had seen perform and raved about. Within days, Johnson was in a studio with the band, working with founding members Angus and Malcolm Young, Cliff Williams, and Phil Rudd, along with producer Mutt Lange. When the album, Back in Black, was released in July—a mere three months after Johnson had joined the band—it exploded, going on to sell 50 million copies worldwide, and triggering a years-long worldwide tour. It has been declared “the biggest selling hard rock album ever made” and “the best-selling heavy-metal album in history.” The band toured the world for a full year to support the album, changing the face of rock music—and Brian Johnson’s life—forever.

An “illuminating” (Daily Mail, London) exploration of the second generation of the iconic Bloomsbury Group who inspired their elders to new heights of creativity and passion while also pushing the boundaries of sexual freedom and gender norms in 1920s England. In the years before the First World War, a collection of writers and artists—Virginia Woolf, E.M. Forster, and Lytton Strachey among them—began to make a name for themselves in England and America for their irreverent spirit and provocative works of literature, art, and criticism. They called themselves the Bloomsbury Group and by the 1920s, they were at the height of their influence. Then a new generation stepped forward—creative young people who tantalized their elders with their captivating looks, bold ideas, and subversive energy. Young Bloomsbury introduces us to this colorful cast of characters, including novelist Eddy Sackville-West, who wore elaborate make-up and dressed in satin and black velvet; artist Stephen Tomlin, who sculpted the heads of his male and female lovers; and author Julia Strachey, who wrote a searing tale of blighted love. Talented and productive, these larger-than-life figures had high-achieving professional lives and extremely complicated emotional lives. The group had always celebrated sexual equality and freedom in private, feeling that every person had the right to live and love in the way they chose. But as transgressive self-expression became more public, this younger generation gave Old Bloomsbury a new voice. Revealing an aspect of history not yet explored and with “effervescent detail” (Juliet Nicolson, author of Frostquake), Young Bloomsbury celebrates an open way of living and loving that would not be embraced for another hundred years.

An enthralling play based on lost tapes between two cultural giants and friends—Andy Warhol and Truman Capote—read by the stars of the acclaimed original stage production, Stephen Spinella and Dan Butler. In 1978 Andy Warhol and Truman Capote decided to write a Broadway play. Andy suggested that he record their private conversations over the period of a few months, and that these tapes would be the source material for the play. The tapes were then filed away and forgotten. Their play was never completed. Now, award-winning director Rob Roth brings their vision to life after a years-long search to unearth the eighty hours of tapes between two of the most daring artists of postwar America. WARHOLCAPOTE, based on words actually spoken by the two men, is set in the ’70s and ’80s, toward the end of their close connection and not too long before their untimely deaths. Their special, complex friendship is captured by Roth with bracing intimacy as they discuss life, love, and art and everything in between. Every word in the play comes directly from these two 20th century geniuses. The structure of the conversations springs from Roth’s imagination. The audiobook edition of WARHOLCAPOTE reunites the cast of the play’s 2017 world premiere stage production, featuring Stephen Spinella as Andy Warhol and Dan Butler as Truman Capote.

"American country singer-songwriter Margo Price's memoir explores loss, motherhood, and the search for artistic freedom in the midst of bad gigs, long tours, and rejection."

Longlisted for the National Book Award · A New York Times Notable Book of the Year · Winner of the New York City Book Award · Shortlisted for the Apollo Book of the Year Award · Shortlisted for the Plutarch Award for Best Biography · Finalist for the 2024 Gotham Book Prize The never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. 

From the New York Times bestselling author of Seinfeldia comes the totally fetch story of one of the most iconic teen comedies of all time, Mean Girls, revealing how it happened, how it defined a generation, “like, invented” meme culture, and why it just won’t go away, filled with exclusive interviews from the director, cast, and crew. Get in, loser. We’re going back to 2004. It’s been 20 years since Mean Girls hit theaters, winning over critics and audiences alike with its razor-sharp wit, star-making turns for its then unknown cast, and obsessively quotable screenplay by Tina Fey. Fast forward two decades and Mean Girls remains as relevant as ever. Arguably, no other movie from the 2000s has had as big of an impact on pop culture. In So Fetch, New York Times bestselling author of Seinfeldia, Jennifer Keishin Armstrong, offers the first ever authoritative book about this beloved classic that shaped an entire generation. Based off revealing interviews with the director, cast, and crew, So Fetch tells the full story of the making of Mean Girls, from Tina Fey’s brilliant adaptation of a self-help guide for parents of teen girls, to the challenges of casting Lindsay Lohan, Rachel McAdams, and the iconic supporting players. So Fetch also explores the film’s lasting cultural influence, from its role in the rise of Y2K tabloid culture, impact on girls of all ages and lgbtq+ culture, to how we use it to define female relationships to this day. Timed for the 20th anniversary and the release of the new movie musical adaptation, So Fetch is the perfect companion for fans and anyone who understands that when it comes to Mean Girls’ enduring legacy, the limit does not exist!

This program is read by the author and contains more than 40 never-before-heard interviews with the band members. New York Times bestselling author Alan Paul's in-depth narrative look at the Allman Brothers' most successful album, and a portrait of an era in rock and roll and American history. The Allman Brothers Band’s Brothers and Sisters was not only the band’s best-selling album at over seven million copies sold, it was also a powerfully influential release, both musically and culturally, one whose influence continues to be profoundly felt. Celebrating the album’s 50th anniversary, this audiobook delves into the making of the album while also presenting a broader cultural history of the era, based on first-person interviews, historical documents and deep research. Brothers and Sisters traces the making of the template-shaping record alongside the story of how the Allman Brothers came to the rescue of a flailing Jimmy Carter presidential campaign and helped get the former governor of Georgia elected president; how Gregg Allman’s marriage to Cher was an early harbinger of an emerging celebrity media culture; and how the band’s success led to internal fissures. The book also examines the Allman Brothers' relationship with the Grateful Dead—including the most in-depth reporting ever on the Jam at Watkins Glen, the largest rock festival ever—and describes how they inspired bands like Lynyrd Skynyrd, helping create the Southern Rock genre. With exclusive access to hundreds of hours of never-before-heard interviews with every major player, including Dickey Betts and Gregg Allman, conducted by ABB archivist, photographer and “Tour Mystic” Kirk West, Brothers and Sisters is an in-depth, honest assessments of the band’s career, history, and highs and lows. A Macmillan Audio production from St. Martin's Press.

A stunning musical biography of Stevie Nicks that paints a portrait of an artist, not a caricature of a superstar. Reflective and expansive, Mirror in the Sky situates Stevie Nicks as one of the finest songwriters of the twentieth century. This biography from distinguished music historian Simon Morrison examines Nicks as a singer and songwriter before and beyond her career with Fleetwood Mac, from the Arizona landscape of her childhood to the strobe-lit Night of 1000 Stevies celebrations. The book uniquely: - Analyzes Nicks's craft-the grain of her voice, the poetry of her lyrics, the melodic and harmonic syntax of her songs. - Identifies the American folk and country influences on her musical imagination that place her within a distinctly American tradition of women songwriters. - Draws from oral histories and surprising archival discoveries to connect Nicks's story to those of California's above- and underground music industries, innovations in recording technology, and gendered restrictions.

“It’s all here: the grade school Walt Disney and Dr. Seuss; the adolescent acid trips; the fondness for Post-it notes and flying saucers; the long tails of Dubuffet and Burroughs; the encounters with Madonna, Warhol, and one game-changer of a subway Johnny Walker Red poster. Brad Gooch takes us deep into Keith Haring’s imagination while somehow managing to fix the aura and energy of the 1980s New York art scene to the page. A keen-eyed, beautifully written biography, atmospheric, exuberant, and as radiant as they come.”—Stacy Schiff, Pulitzer Prize winning author of The Revolutionary: Sam Adams A stunning life of the iconic American artist, Keith Haring, by the acclaimed biographer Brad Gooch. In the 1980s, the subways of New York City were covered with art. In the stations, black matte sheets were pasted over outdated ads, and unsigned chalk drawings often popped up on these blank spaces. These temporary chalk drawings numbered in the thousands and became synonymous with a city as diverse as it was at war with itself, beset with poverty and crime but alive with art and creative energy. And every single one of these drawings was done by Keith Haring. Keith Haring was one of the most emblematic artists of the 1980s, a figure described by his contemporaries as “a prophet in his life, his person, and his work.” Part of an iconic cultural crowd that included Andy Warhol, Madonna, and Basquiat, Haring broke down the barriers between high art and popular culture, creating work that was accessible for all and using it as a means to provoke and inspire radical social change. Haring died of AIDS in 1990. To this day, his influence on our culture remains incontrovertible, and his glamorous, tragically short life has a unique aura of mystery and power. Brad Gooch, noted biographer of Flannery O’Connor and Frank O’Hara, was granted access to Haring’s extensive archive. He has written a biography that will become the authoritative work on the artist. Based on interviews with those who knew Haring best and drawing from the rich archival history, Brad Gooch sets out to capture the magic of Keith Haring: a visionary and timeless icon.