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Horses Make a Landscape Look More Beautiful: Poems
Horses Make a Landscape Look More Beautiful: Poems
Horses Make a Landscape Look More Beautiful: Poems
Ebook121 pages43 minutes

Horses Make a Landscape Look More Beautiful: Poems

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Poems from the author of The Color Purple: “This book has two fine strengths—a music that comes along sometimes [and] Walker’s own tragicomic gifts” (The New York Times Book Review).
  The title of this collection comes from a Native American shaman who, reflecting on the terrible problems brought by white colonizers, nearly forgave them all because with the settlers came horses to the North American Plains. And, indeed, in these poems we find Alice Walker seeking a saving grace even in the most difficult circumstances, and in the hearts of the most brutal oppressors. Here Walker’s attention turns toward the small moments and subliminal exchanges between lovers and enemies, even as her verse addresses concerns as vast as the choking of the planet by war and pollution.
This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection.
LanguageEnglish
Release dateNov 22, 2011
ISBN9781453224045
Horses Make a Landscape Look More Beautiful: Poems
Author

Alice Walker

Alice Walker is an internationally celebrated writer, poet, and activist whose books include seven novels, four collections of short stories, five children’s books, and several volumes of essays and poetry. She has received the Pulitzer Prize in Fiction and the National Book Award, and has been honored with the O. Henry Award, the Lillian Smith Award, and the Mahmoud Darwish Literary Prize for Fiction. She was inducted into the California Hall of Fame and received the Lennon Ono Peace Award. Her work has been published in forty languages worldwide.

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  • Rating: 4 out of 5 stars
    4/5
    The poems in this collection are generally short with fairly short lines. Many poems provide insights into the African-American experience or reflect on events of the 1960s and 1970s. I found the poetry enjoyable.
  • Rating: 4 out of 5 stars
    4/5
    She's a wonderful poet. So raw and radical. You should read this.
  • Rating: 4 out of 5 stars
    4/5
    A quick read at barely 80 pages. And a tough one, for me. As a northern small town-raised white man, hard to relate to Alice Walker's inner thoughts so nakedly stated in these poems. But then there was this -"My father and mother both / used to warn me / that 'a whistling woman and a crowing / hen would surely come to no good end' ..." ("Mississippi Winter IV")And I remember my mother reciting that same verse, and, like Walker, she chose to "whistle like a woman undaunted."And there was also her excitement at an upcoming visit, and preparations made, in "My Daughter Is Coming!" A pretty universal experience for older folks.And "" Poem at Thirty-nine" is about a father - " How I miss my father," who taught her to tell the truth, thrift, and cooking"He would have grown / to admire / the woman I've become: / cooking, writing, chopping wood, / staring into the fire."But then there's that steely, strange dedication to her ancestors, including a "white great-great grandfather ... / whose only remembered act / is that he raped / A child: / my great-great grandmother, / who bore his son, / my great grandfather, / when she was eleven"Chilling, yes. And courageous. And nearly inconceivable to this old white man.This is a book filled with joy and pain, life and living. And certainly worth your time. HORSES MAKE A LANDSCAPE LOOK MORE BEAUTIFUL (a quote from Lame Deer) is a long title for a short book. I rarely read poems, but I liked these. Highly recommended.- Tim Bazzett,author of the memoir, BOOKLOVER
  • Rating: 5 out of 5 stars
    5/5
    More wonderful words from Walker, whose prose manages to be more poetic than many a novel.

Book preview

Horses Make a Landscape Look More Beautiful - Alice Walker

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Horses Make a Landscape Look More Beautiful

Poems

By Alice Walker

for two who

slipped away

almost

entirely:

my part Cherokee

great-grandmother

Tallulah

(Grandmama Lula)

on my mother’s side

about whom

only one

agreed-upon

thing

is known:

her hair was so long

she could sit on it;

and my white (Anglo-Irish?)

great-great-grandfather

on my father’s side;

nameless

(Walker, perhaps?),

whose only remembered act

is that he raped

a child:

my great-great-grandmother,

who bore his son,

my great-grandfather,

when she was eleven.

Rest in peace.

The meaning of your lives

is still

unfolding.

Rest in peace.

In me

the meaning of your lives

is still

unfolding.

Rest in peace, in me.

The meaning of your lives

is still

unfolding.

Rest. In me

the meaning of your lives

is still

unfolding.

Rest. In peace

in me

the meaning

of our lives

is still

unfolding.

Rest.

Contents

Publisher’s Note

Remember?

These Mornings of Rain

First, They Said

Listen

S M

The Diamonds on Liz’s Bosom

We Alone

Attentiveness

1971

Every Morning

How Poems Are Made / A Discredited View

Mississippi Winter I

Mississippi Winter II

Mississippi Winter III

Mississippi Winter IV

love is not concerned

She said:

Walker

Killers

Songless

A Few Sirens

Poem at Thirty-nine

I Said to Poetry

Gray

Overnights

My Daughter Is Coming!

When Golda Meir Was in Africa

If Those People Like You

On Sight

I’m Really Very Fond

Representing the Universe

Family Of

Each One, Pull One

Who?

Without Commercials

No One Can Watch the Wasichu

The Thing Itself

Torture

Well.

Song

These Days

A Biography of Alice Walker

Publisher’s Note

Long before they were ever written down, poems were organized in lines. Since the invention of the printing press, readers have become increasingly conscious of looking at poems, rather than hearing them, but the function of the poetic line remains primarily sonic. Whether a poem is written in meter or in free verse, the lines introduce some kind of pattern into the ongoing syntax of the poem’s sentences; the lines make us experience those sentences differently. Reading a prose poem, we feel the strategic absence of line.

But precisely because we’ve become so used to looking at poems, the function of line can be hard to describe. As James Longenbach writes in The Art of the Poetic Line, "Line has no identity except in relation to other elements in the poem, especially the syntax of the poem’s sentences. It is not an abstract concept, and its qualities cannot be

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