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Some Tame Gazelle: A Novel
Some Tame Gazelle: A Novel
Some Tame Gazelle: A Novel
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Some Tame Gazelle: A Novel

Rating: 4 out of 5 stars

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A novel of two sisters in postwar England that lets you “step into the Jane Austen–like lives of Harriet and Belinda Bede” (The Christian Science Monitor).
Belinda and Harriet Bede live together in a small English village. Shy, sensible Belinda has been secretly in love with Henry Hoccleve—the poetry-spouting, married archdeacon of their church—for thirty years. Belinda’s much more confident, forthright younger sister Harriet, meanwhile, is ardently pursued by Count Ricardo Bianco. Although she has turned down every marriageable man who proposes, Harriet still welcomes any new curate with dinner parties and flirtatious conversation. And one of the newest arrivals, the reverend Edgar Donne, has everyone talking. A warm, affectionate depiction of a postwar English village, Some Tame Gazelle perfectly captures the quotidian details that make up everyday life. With its vibrant supporting cast, it’s also a poignant story of unrequited love. 
LanguageEnglish
Release dateJan 22, 2013
ISBN9781453279632
Author

Barbara Pym

A writer from the age of sixteen, Barbara Pym has been acclaimed as ‘the most underrated writer of the century’ (Philip Larkin). Pym’s substantial reputation evolved through the publication of six novels from 1950 to 1961, then resumed in 1977 with the publication of Quartet in Autumn and three other novels. She died in 1980.

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Rating: 3.981164303424658 out of 5 stars
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  • Rating: 5 out of 5 stars
    5/5
    Very enjoyable. Almost nothing happens and Belinda reflects in the last few pages how change is a bad thing. Belinda spends the novel pining passively for the Archdeacon, whom she has loved since university. She is forced to find excuses for his laziness, selfishness etc, but it is all very gently done.
  • Rating: 4 out of 5 stars
    4/5
    The main characters are Harriet and Belinda Bede, two middle aged spinsters sisters who live together. Belinda is thin, plain and been in love with the town's vicar since she was at college with him. Harriet is chubby, bubbly and coquettish and has a soft spot for young curates. They have lived their entire lives in a small English village.I don't remember where I got the book, but I figure I picked it up due to the blurb on the back cover. Barbara Pym's name hit a chord and it is set in England. It isn't a mystery, but rather a view into the small village life and the people in it.It was a book not to be rushed through, but to take time and savour the subtleness of the descriptions of the characters, their personalities and thoughts, the way life moved in the village setting and just Pym's over all style of writing.I think I'll keep my eye out for more of her work.
  • Rating: 3 out of 5 stars
    3/5
    Maybe more 3.5 stars, but I'm going to have to read another of her books. This one had little if any plot, and the characters were all a bit sketchy except Belinda. But the main problem was that nothing happened except two marriage proposals which were refused, which I suppose makes it like Jane Austen but maybe I didn't understand something. Yes, it's cozy, a post-war novel with a very typical English village. But that's all. Pym is supposed to be fantastic (according to Philip Larkin one of the most underrated novelists of the century), so I'll have to try again.
  • Rating: 4 out of 5 stars
    4/5
    Harriet and Belinda Bede are spinster sisters in an English village, both of a certain age. The more outgoing Harriet has a passion for curates. Luckily for her, there's a new curate in town. The elder and more reserved Belinda is not-so-secretly in love with the archdeacon. They seem to have been something more than friends in their university days, but he ended up marrying bishop's daughter Agatha. Agatha's trip to the Continent without the archdeacon is a catalyst for unexpected opportunities for the Bede sisters.As is typical for Pym, her central characters are women whose unmarried state and social class limit their income and employment opportunities. Their university educations did not lead to careers. Their daily occupations are prescribed by the social expectations for women of their station and their duties as churchwomen. Pym's perceptive descriptions of a small parish and its inhabitants make entertaining reading and provide a lot of food for thought.
  • Rating: 5 out of 5 stars
    5/5
    Some Tame Gazelle is Barbara Pym’s first novel (published in 1950) and I think it’s one of her best as it’s so funny and charming. Barbara Pym began writing it when she was 21, imagining herself and her older sister Hilary as ‘spinsters’ of fifty. This resulted in the wonderful creations of Miss Belinda and Miss Harriet Bede, two sisters who live together and are involved in their parish church, dutifully helping out with garden parties, village fetes and harvest festivals.The sisters have quite different characters; Harriet is more outgoing, cheerful and fashionable, while Belinda is thoughtful, somewhat melancholy and modest, but they are very fond of one another despite their occasional misunderstandings. Although neither of them have ever married, they do have some romance in their lives. Harriet is devoted to the succession of young curates who are posted to the church, and is constantly offering them homemade jam and hand-knitted socks or inviting them round for dinner. Meanwhile, Ricardo, an Italian count who has somehow ended up in the village, regularly proposes marriage to Harriet but she always refuses him; somehow they remain the best of friends in spite of this. Belinda on the other hand has been in love with Archdeacon Hoccleve for thirty years but unfortunately for her he is married to the capable and bossy Agatha. The novel follows the relationships of all these characters as well as various eccentric visitors to the village: the two librarians, Mr Parnell and Mr Mold, and a bishop from Africa, Theodore Grote. One of the comic aspects of this novel is the way that the women lavish so much attention on the clergy, for example always wondering whether they are eating enough. In fact food plays a large part in the novel (in a comical way) and it seems to be the main way that people show affection to one another, apart from knitting various items of clothing. At one point Belinda wants to knit the Archdeacon a jumper, but after thinking about everything that could go wrong with it and how ‘unsuitable’ it would be for her to give such a present to a married man, she concludes that ‘the enterprise was too fraught with dangers to be attempted’. This is one of the most realistic and humorous things about Barbara Pym’s writing, the small things that appear so important and take up so much mental energy.One thing I liked about this book was the range of characters – there is a large cast but they are all well-developed and very comical. There are some lovely scenes where they are all brought together at a dinner party or wedding. Belinda is a very likeable character. Even though her self-effacing nature and lack of courage in expressing her feelings could be frustrating, this is only because I wanted her to be happy and for other people to realise that there is more to her than her image as a respectable, worthy spinster. It’s also interesting that it’s implied that she had a lucky escape by not marrying Henry (the Archdeacon) and that she’s been able to live quite a contented life alone, while her ongoing love for him has become ‘like a warm, comfortable garment, bedsocks, perhaps, or even woollen combinations; certainly something without glamour or romance’.Henry himself is a very amusing character – handsome and distinguished, but essentially lazy and regularly trying to delegate his parish duties to other people so he can have a lie-in or wander alone in the churchyard brooding on higher matters: ‘he fancied himself to be rather like one of those eighteenth-century clergymen suffering from the spleen.’ At the same time, he is always complaining bad-temperedly about his heavy workload and blaming his wife for neglecting her domestic duties. Belinda is extremely loyal but even she recognises he has his faults.I would especially recommend this novel to Jane Austen fans. Like an Austen novel, it concentrates on the romances and everyday life of a small community, it is full of entertaining observations and is very perceptive about people’s characters.
  • Rating: 4 out of 5 stars
    4/5
    Jane Austen said of her novels concerned themselves with “two inches of ivory,” in which everything is so small that everything matters almost too much. Much the same can be said, and I’m sure has been said, about Barbara Pym’s novels. Setting them in rural England, Pym concerns herself with the lives of proper English women, who have lived to a riper age then Austen’s heroines, and who live lives closely circumscribed by faith and close-knit village society. “Some Tame Gazelle,” which, when I started reading, I had no idea was the first of Pym’s published novels, illuminates the concerns of Belinda and Harriet Bede, sisters of a certain age. These sisters live near the village vicarage and its inhabitants - the dear Archdeacon Hoccleve and his wife, and the tender curate, just ordained and on his first assignment. The sisters have perhaps more offers of marriage than one might expect - certainly they don’t expect them. The touch is frequently arch, as we’re expected to be in on the joke when the sisters make fun of people, or react with shock to unexpected behavior. The contrast between the sisters is amusing and endearing; the narrative is given by Belinda, the older, less interesting and purportedly less attractive, of the two.The surname Bede strikes me as a wink and a nudge. The resident archdeacon quotes too much literature from obscure English poets, delivers sermons based on obscure secular texts, and expects his parishioners to comprehend obscure points derived therefrom. Or says he does. Belinda herself, loving and loyal to the Archdeacon, is no stranger to English literature, and she knows the difference between a poet worthy of mention and other, less suitable poets. So: men, suitable and unsuitable, arrive in the village and cause a stir among the sisters and the other women; some make unwelcome marriage proposals to one or the other sister, and these cause major shifts in emotion, outlook, memory, and mood, at least in Belinda. You will not find action or much mystery or any life or death here. I revere Pym for her humor, the style and substance of which she shares more than a little with Austen’s. As delightful as this is, I might suggest “Excellent Women” (1952), or “Quartet in Autumn” (1977) as more accomplished offerings, and perhaps more worth your while. I can assure you of a gentle touch, a little melancholy, wonderful, well-meaning characters, and the consistent charm of a wise storyteller who finds herself arching an eyebrow at the behavior she observes in the world.
  • Rating: 5 out of 5 stars
    5/5
    It’s truly difficult to explain to others my love for Barbara Pym novels, as I feel they’re either understood or they’re not. I wanted to reread this since it’s the 70th anniversary of its publication this year (1950-2020), even though Pym started it almost two decades before that. Listening to the audiobook was delightful, and the narrator Mary Sarah sounds like she was born to read Pym. My spinster love starts here with Belinda and Harriet, although I’m forever grateful not to have to deal with any decades-old unrequited love. A favorite here: “...who would change a comfortable life of spinsterhood in a country parish, which always had its pale curate to be cherished, for the unknown trials of matrimony?”
  • Rating: 4 out of 5 stars
    4/5
    Two unmarried sisters find themselves staring down midle-age and lost opportunities for love. Of course, it's a Barbara Pym novel, so there is plenty of fun to be poked at everyone.
  • Rating: 3 out of 5 stars
    3/5
    Nothing really happens in this book.... It is really just a slice of life, and rather a sad life at that, I think. A couple of spinster sisters and their relationships with the other inhabitants of their town, who seem mostly to also be women. It is well written, and has some nice passages, but I was not thrilled.
  • Rating: 3 out of 5 stars
    3/5
    I found myself needing some light, comforting reading and for that I often turn to Barbara Pym. I was not disappointed. This novel follows a brief time span in the life of two middle aged spinster sisters. Despite their age and the expectation that since they are in their 50s their love lives should be over, both sisters still take an active interest in the men around them and have love interests of their own. Most of the book revolves around these relationships.Not my favorite Pym novel, but enjoyable none the less.
  • Rating: 4 out of 5 stars
    4/5
    This seems archetypal Barbara Pym country: a small village somewhere in the south of England, middle-aged spinsters, archdeacons and curates, all very middle-class with not very much happening outside of the church bazaar and afternoon tea. Belinda and Harriet are the two spinsters in question here, both unmarried although certainly Harriet has had numerous offers, which still continue even though she is in her fifties, with her close friend Ricardo, a neighbour who just happens to be an Italian count, proposing on a regular basis. But Harriet enjoys her single life as long as she has a succession of curates to dote on, and as the vicar of the parish, Archdeacon Hoccleve, is notoriously lazy, he always has a curate in tow for her to admire. But it is her sister Belinda who is the real focus of this book: Belinda, who has adored Archdeacon Hoccleve since they were students together, when her hopes of marriage were dashed by the more dashing and determined Agatha, the current Mrs Hoccleve. But not even their closest friends would say it was a marriage made in heaven, and Agatha’s departure for Germany to ‘take the waters’ throws Belinda and the Archdeacon together rather more than they have been accustomed to …This is a very gentle book, and while it pokes fun at the behaviour of its characters it isn’t done with malice. Even the Archdeacon, who must be hell to be married to, comes off relatively lightly. In my opinion it lacks the acerbic wit that [Excellent Women] has, and is a lesser book for that reason. The book was published in 1950 but written in the 1930’s and it shows: this is clearly the period between the wars when middle-class (but not wealthy ladies) still had live in servants and took tea religiously at 4pm every day. Quintessentially English I suppose, although when a book is described as that it is always a very specific Englishness that is meant, that excludes whole swathes of the countryside and the population. So a quiet and pleasant read, but certainly would not be my favourite of her novels.
  • Rating: 4 out of 5 stars
    4/5
    Delightful. A light read that is nonetheless very deep. Quietly, it makes one marvel.
  • Rating: 5 out of 5 stars
    5/5
    One of her most amusing books, I enjoyed this even more having read A Very Private Eye because she based some of the characters on individuals she knew at Oxford.
  • Rating: 4 out of 5 stars
    4/5
    A book in the glorious British tradition of gentle village comedy inhabited by the full range of spinsters, clergymen and a melancholic, romantic count.
  • Rating: 3 out of 5 stars
    3/5
    This isn't my favorite of Barbara Pym's books, but it still gave me a lot to think about. (Possible spoilers, but this isn't a suspense novel!) Two spinster sisters live in an English village. My memory of most of Pym's books is that the protagonists tend to be Anglo-Catholic, but these sisters are firmly low church. Belinda nurses a long, unrequited love for their vicar, an Archdeacon, whom she has known since student days. (He is married to another.) Harriet expends a great deal of emotional and practical energy on whoever happens to be the curate in residence. A few things happen during the course of the novel. Belinda comes to realize that everyone needs someone or something to love. This was the first of Pym's novels.
  • Rating: 4 out of 5 stars
    4/5
    LibrayThing’s Virago Group is reading twelve of Barbara Pym’s mid-twentieth century novels to celebrate the centenary of her birth. This happens to be the only Pym that I’ve already read, and I enjoyed it just as much this time around.This was originally recommended by a reader after I reviewed Miss Read’s charming journals of English country life in the 1950s.Also set in an English country village and in the same time period, the style is more reminiscent of Jane Austen than Miss Read. Some Tame Gazelle, first published in Britain nearly 50 years ago, was the first of Pym’s nine novels. Barbara Pym is a master at capturing the subtle mayhem that takes place in the apparent quiet of the English countryside. Fifty-something sisters Harriet and Belinda Bede live a comfortable, settled existence. Belinda, the quieter of the pair, has for years been secretly in love with the town’s pompous (and married) archdeacon, whose odd sermons leave members of his flock in muddled confusion. Harriet, meanwhile, a bubbly extrovert, fends off proposal after proposal of marriage. The arrival of Mr. Mold and Bishop Grote disturb the peace of the village and leave the sisters wondering if they’ll ever return to the order of their daily routines. Nearly every sentence is a sly poke at upper middle class sensibilities in rural English villages. I very much enjoyed this! Four stars for its wry humour.Read this if: you’re a fan of gentle English humour. 4 stars
  • Rating: 4 out of 5 stars
    4/5
    Sisters Belinda and Harriet Bede are spinsters in a small town. Belinda, the more sensible and quiet, still loves the archdeacon, a former beau, now married. Harriet, plump, flashier, and definitely not quiet, has a "thing" for young curates. It's fun and a little poignant to watch as they carry on with their village lives, pining over what they can't have, and ignoring the things they could have. A pleasant little story.
  • Rating: 4 out of 5 stars
    4/5
    "Some tame gazelle, or some gentle dove:Something to love, oh, something to love!Quoted from page 17 of my edition of Some Tame Gazelle.I would call this a little comfy, cozy book and in the proper place and time I certainly do enjoy them as I did this one.The spinster sisters Harriet and Belinda live in a small village where it does seem that everyone knows everyone. Their world revolves around their churches, church life and especially the curates, archdeacons, and bishops. Harriet is much enraptured by the local curate whomever it may be at the time while Belinda is much more good works oriented.They, each one, had/have their chance at marriage but choose to remain spinsters sharing a home with a day girl as help. They are very comfortable in their lives in the gossipy little village deciding what to have for tea and dinner each day and when to invite the curate for tea or dinner. This is a little book in which not much of anything happens. Oh there is a wedding and a church garden party, etc. But we, for the most part, end up back where we began. In the little comfy, cozy home of the spinster sisters awaiting the next bit of gossip or the new curate coming for Sunday dinner.I quite liked the characters of this little book, excepting that of the archdeacon. I found him to be pompous, enamored with himself, rather cold and hurtful, but he did have a rightful place in the story. Had it not been for this character so many of the bits would not have been in place nor fallen into place.I enjoyed this read, recommend it for one in need of a comfy, cozy, easy read. You will enjoy it with a nice cup of tea. I rated it 3 1/2 stars.
  • Rating: 3 out of 5 stars
    3/5
    I can't say this is one of my favorite books. It's the first Pym I've read, and based on this one, I'm not sure I'm interested in another -- though I am open to discussion. Maybe it's just too village-English for this American. But where are the young people (with the exception of the curate), the children, the old people, the eccentrics? -- it seems to be just a collection of stuffy middle aged spinsters, bachelors, and one sort-of unhappily married couple. And little besides eating and church fairs occur. Wish I had enjoyed the humor that so many of Pym's readers relish -- I guess it just didn't do it for me.
  • Rating: 3 out of 5 stars
    3/5
    This is a gentle comedy of manners which takes place in an English village sometime during the first half of the Twentieth Century. It features two spinster sisters, curates, a rather sour, dour archeacon, a bishop, tea, cakes, church bazaars, knitting, and many more of the trappings you'd expect in to find in a gentle comedy of manners. This book has been compared to Jane Austen's work. I can see that on the surface, but in the end, I don't think it really lives up to that billing. To be fair, can anything really live up to an original?I enjoyed this, and am glad I read it. There were many passages that made me smile. I wouldn't say, though, that I was terribly impressed.
  • Rating: 5 out of 5 stars
    5/5
    Some Tame Gazelle was Barbara Pym’s first novel. Her writing style is rather quaint and old-fashioned, which is probably why her books fell out of fashion, but it’s the quaintness that makes this novel so good. Some Tame Gazelle is less polished than some of Pym’s later novels (such as Excellent Women or Jane and Prudence), but it shares some of the same themes.This one is set in a tiny village and focuses on the life of two spinsters in late middle age, Harriet and Belinda Bede. There’s a new, young curate in the village for whom Harriet develops a fondness; her sister has an unrequited love for the vicar, whose wife doesn’t love him. Added to this is a pompous Archdeacon and an Italian count who frequently proposes marriage to Harriet. As I’ve said, this book isn’t quite as refined as some of Pym’s later books, but you can see hints of what’s to come. Pym has a wicked sense of humor when talking about her characters, poking fun at them in a very backhanded kind of way.Pym has frequently been described as a 20th-century Jane Austen, and it’s easy to see where the comparison comes from. Pym had a way of getting to the heart of her characters in describing them in just a few sentences. I wish that Barbara Pym’s novels would stop coming into print and then back out, because she’s such a timeless, classic author. There’s not much “action in her novels, and sometimes she goes overboard with the literary quotes and references, but her novels are a smashing good read—every one of them, at least, that I’ve read.
  • Rating: 1 out of 5 stars
    1/5
    This was chosen because the author was described as one of the most under-rated novellists of a generation and my book club felt like we had been missing out on something. I'm afraid that none of us agreed. We all found it to be a book about nothing, we ploughed on relentlessly hoping it would get better but it didn't. I know it was meant to be about a provincial life where much is made of nothing and that that is the point of it but it was still a boring read. I thought that many of the characters were very unbelievable and I do not agree that she is like a modern day Jane Austen. Not for me or my club!
  • Rating: 5 out of 5 stars
    5/5
    I read STG just after Reggie Oliver's biography of his aunt Stella Gibbons. Much was said about Reggie's aunt's two sides: romantic/literary, non-romantic/common sense side. Much was made also of Stella's stern housekeeping methods and her vigilance about keeping everything just so, in a word, nice. We hear also much about clothes and fashions, something near and dear to Gibbons' heart.To the story. The distinguished looking literary Archdeacon read from Sir Thomas Browne's (1605-1682) URN BURIAL. The florid prose sailed straight over the heads of the dowdy spinsters, who came reluctantly to his services, decked in what they thought was their sunday finest. He wished for the more 'shiny' church goers who attended Father Plowman's , even one of the local titled sorts chose Plowman's services over those of the bloviating Archdeacon. Reasons. The Archdeacon was a swell and the padre was plain as a pikestaff. Plowman was loved by his flock and one Christmas he was given many more pairs of slippers than he could use. With typical generosity he gave a pair to his rival. Of course they were a size too small, though the narrator doesn't tell us if Plowman was aware they were a size too small. We do know that the humble padre felt that the great man got above himself every now and then.Here is the Archdeacon at his best:The Archdeacon had been visiting a rich parishioner, who was thought to be dying. The poor were much too frightened of their vicar to regard him as being of any possible comfort to the sick, but the Archdeacon liked to think of himself as fulfilling some of the duties of a parish priest and there was something about a deathbed that appealed his sense of the dramatic. He had also taken the opportunity of visiting the workhouse that afternoon and was altogether in a pleasant state of melancholy.'When I visit these people,' he said affectedly with his head on one side, 'I am reminded of Gray's Elegy." He began to quote:Far from the madding crowd's ignoble strifeTheir sober wishes never learn'd to stray;Along the cool sequester'd vale of lifeThey kept the noiseless tenor of their way,The Archdeacon is all quotation and no dust-mop. Belinda Bede, one of the spinster sisters has not a deaf ear to poetry and argues that academic research is not all.George Herbert's lines:A servant with this clauseMakes drudgery divine,Who sweeps a room as for Thy laws,Makes that and the action fine.'Yes they are comforting,' Belinda agreed. 'And yet,' she went on unhappily, 'I don't sweep rooms, Emily does that. The things I do seem rather useless, but I suppose it could be applied to any action of everyday life, really.'Later there's a telling little bit about the Apes of Brazil. The Archdeacon hadn't much time for them but father Plowman like Jenny Wrenn knew their ways.'I don't remember anything about the Apes of Brazil,' said Belinda anxiously, for the darning of the sock was an all-engrossing occupation.'Do you mean what I said that afternoon we met in the village?' asked Harriet. 'That's not a question, that's natural history.' She laughed delightedly.The Archdeacon seemed surprised and Harriet began to explain.'It's quite simple, really,' she said. 'When the Apes of Brazil beat their chests with their hands or paws, or whatever apes have, you can hear the sound two miles away.''Oh Harriet,' said Belinda, as if reproving a child, 'surely not two miles? You must be mistaken.''Two miles,' said Harriet firmly. 'Father Plowman told me.'The Archdeacon laughed scornfully at this.The passage finishes with this:'I cannot imagine what the subject of it can have been? said the Archdeacon, 'and I did not know that Plowman had ever been to Brazil.''You said something about sentiments to which every bosom returns an echo,' said Harriet, so I naturally thought of the Apes of Brazil.SOME TAME GAZELLE is the first book that I read of Pym's, and I look forward to looking into the others.
  • Rating: 4 out of 5 stars
    4/5
    Re-reading Barbara Pym is another of those pleasures that one feels one should ration out: I'm not sure why I allowed myself this one, but it's almost a year since the spell in hospital that was my excuse for the last re-reading session.This one, of course, is Pym's first published novel, and like Crampton Hodnet it has a largely circular form: curates are treated as a renewable resource, and the main characters are in much the same situation at the end of the book as they were at the beginning. As so often in Pym, the central theme is the pleasure of having someone to love, contrasted with the inconvenience that would result if one were obliged to live with the person one loves. The story is presented in a setting that is positively Jane Austenish in its compression (Belinda and Harriet's house, the vicarage, the church, and an occasional glimpse at the village street in between). It's conceptually difficult fitting the book into a time-slot — possibly why some people describe it as "timeless". Pym originally completed it in 1935, but failed to find a publisher at the time, then revised it after the war and finally got Jonathan Cape to publish it in 1950. However, the book as originally conceived is also in part a projection of herself and her friends into an imagined future twenty or thirty years hence. What is clear is that we aren't supposed to read it as though it's set in 1950. Middle-class ladies of a certain age still employ servants, overseas travel is freely possible, Carlsbad is still called Carlsbad, Africa is still firmly colonial, and there is no hint of economic crisis and rationing. In fact, the characters talk so incessantly about food and clothes that one feels the book could only have been written during a time of hunger and shortages. All this is rather reminiscent of P.G. Wodehouse's books of the same period. The depressing modern world is something that has no place in escapist literature.On the other hand, we encounter the curate's underwear in the first sentence of the book, there are all sorts of jokes about people being offended by the mention of lavatories, and the "reinforced" corsets Harriet is sewing are forever being stuffed under sofa cushions when unexpected visitors arrive. There are characters who may (or may not) be gay. We are constantly being teased with the possibility of impropriety lurking below the surface of village life. If Pym is playing for the role of new Jane Austen here, it is with her tongue firmly in her cheek.
  • Rating: 4 out of 5 stars
    4/5
    I agree with previous reviews that Barbara Pym's novel follows a "Pride and Prejudice" theme but with more subtlety and very fine observation. After finishing the book I felt that I knew these people and their village (or at least the "society" part of it) and thankfully (as with Jane Austen) the writer isn't troubled by the modern egalitarian obligation. Servants open and shut doors and cook the meals without becoming central characters.
  • Rating: 5 out of 5 stars
    5/5
    One of my all-time favorites. Have read at least five times.

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Some Tame Gazelle - Barbara Pym

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Some Tame Gazelle

A Novel

Barbara Pym

Contents

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Some tame gazelle, or some gentle dove:

Something to love, oh, something to love!

—THOMAS HAYNES BAYLY

Chapter One

THE NEW CURATE SEEMED quite a nice young man, but what a pity it was that his combinations showed, tucked carelessly into his socks, when he sat down. Belinda had noticed it when they had met him for the first time at the vicarage last week and had felt quite embarrassed. Perhaps Harriet could say something to him about it. Her blunt jolly manner could carry off these little awkwardnesses much better than Belinda’s timidity. Of course he might think it none of their business, as indeed it was not, but Belinda rather doubted whether he thought at all, if one were to judge by the quality of his first sermon.

‘If only we could get back some of the fervour and eloquence of the seventeenth century in the pulpit today,’ she had said to her sister Harriet, a plump elegant spinster in the middle fifties.

‘Oh, we don’t want that kind of thing here’ Harriet had said in her downright way, for she had long ago given up all intellectual pursuits, while Belinda, who had never been considered the clever one, still retained some smattering of the culture acquired in her college days. Even now a light would shine in her mild greenish eyes, so decorously hidden behind horn-rimmed spectacles, at the mention of Young’s Night Thoughts or the dear Earl of Rochester’s Poems on Several Occasions.

Neither she nor Harriet had ever married, but Harriet was making her usual fuss over the new curate and was obviously prepared to be quite as silly over him as she had been over his predecessors. She was especially given to cherishing young clergymen, and her frequent excursions to the curates’ lodgings had often given rise to talk, for people did like a bit of gossip, especially about a respectable spinster and church worker like Miss Harriet Bede. There was naturally nothing scandalous about these visits, as she always took with her a newly baked cake, some fresh eggs or fruit—for the poor young men always looked half starved—or even a hand-knitted pullover or pair of socks, begun by her in a burst of enthusiasm and usually finished, more soberly, by Belinda. And then of course she would ask them to supper.

Was it tonight he was coming? Belinda wondered vaguely. It must be tonight, she decided, catching sight of a bowl of exceptionally fine pears on the little table by the window, and expensive bought chrysanthemums in the vases when there were perfectly good Michaelmas daisies in the garden. Dear Harriet, she wasn’t really extravagant, only rather too lavish in her hospitality. The Reverend Edgar Donne was surely a simple young man and would not expect much. Naturally one did not think of the clergy as expecting anything in the way of material luxuries … Belinda paused, for she was remembering the vicar, Archdeacon Hoccleve, and how one couldn’t really say that about him. But then dear Henry was different, in some ways not like a clergyman at all. For although Belinda had loved him faithfully for over thirty years, she sometimes had to admit that he had very few of the obvious virtues that one somehow expected of one’s parish priest. His letter in this month’s parish magazine, announcing the arrival of the new curate, had a peevish and condescending tone that a stranger might have thought not quite the thing for an archdeacon. But the village was used to it.

‘The Reverend Edgar Donne—the name is of course pronounced Dunne—will be with us by the time you read these words’, he wrote. ‘Nobody will be more glad to welcome him than I myself, for whom these last few weeks have been more trying than any of you can possibly imagine. Without a curate it has been impossible for me to take the holiday I so badly need and I have been forced to cancel some of the services because I have not felt equal to taking them, as the ready help I looked for from fellow priests in neighbouring parishes has not been forthcoming.…’

Of course that was a dig at the Reverend Edward Plowman, who disliked the Archdeacon so much, and as he had quarrelled with Canon Glover what could he expect? thought Belinda, almost wishing that she were Deaconess Bede and could enter the pulpit herself. But even a deaconess was not permitted to celebrate Holy Communion—it was of course the early services which had been cancelled—whereas in the Nonconformist churches, she believed, women ministers had equal status with men.…

‘B’linda!’ Harriet’s impatient voice interrupted her thoughts, ‘it’s nearly seven and Mr. Donne will soon be here.’ Harriet appeared in the doorway, wearing only a celanese vest and knickers, as if her actual presence in the room would make Belinda realize more fully how late it was.

‘Why, Harriet, the curtains aren’t drawn,’ exclaimed Belinda in an agitated tone. ‘Anybody might see into the room! And you know I never take as long to get ready as you do.’

‘All the same Mr. Donne will probably be punctual,’ said Harriet, ‘and it would be terrible if neither of us was ready. I’ve borrowed your lace scarf, as I must have something to cover up the neck of my green frock. Perhaps it would have been better if I hadn’t tried to alter it to a Vee.’

‘Yes, dear.’ Belinda spoke rather absently, for by now she was occupied with the problem of what she should wear. She hoped that Harriet had not also borrowed her black velvet bridge coat, as she wanted it herself on these late September evenings. But then Harriet was probably too stout for it, although she liked her clothes to fit tightly and always wore an elastic roll-on corset.

In her room Belinda took out her blue marocain, a rather dim dress of the kind known as ‘semi-evening’. Quite good enough for the curate, she decided, though if the Archdeacon had been coming as well she would probably have worn her velvet. She did hope that Harriet wouldn’t put on a lot of lipstick, it was so unsuitable.…

At that moment there was a ring at the bell and an agitated call from Harriet.

‘Belinda, you go! I haven’t finished doing my hair.’

‘But surely Emily will go?’ said Belinda. She was wondering whether to wear her little seed-pearl brooch or not.

‘No, Emily can’t go. She’s putting the sauce on the chicken.’

Belinda hurried downstairs without the little brooch. She felt flustered and incomplete.

The figure on the doorstep might have been any of the other curates, except that Mr. Donne favoured a rather unfashionably high clerical collar. He doesn’t remember me, thought Belinda, as she replied to his rather puzzled greeting.

‘This is Miss Bede’s house?’ he asked, hesitating on the threshold.

‘Yes, I am Miss Bede,’ said Belinda with simple dignity, ‘but I expect you know my sister better.’

‘Ah, you must be Miss Belinda Bede,’ he announced, triumphant at having placed her. ‘I’ve heard a lot about you from the Archdeacon.’

‘Oh, really? What did he say?’ Belinda tried not to sound too coy and eager.

‘He—er—said you did a lot of good work in the parish,’ replied the curate primly.

‘Oh …’ Belinda could not help feeling disappointed. It made her sound almost unpleasant. If that was what he had really said, of course. It didn’t sound at all like the Archdeacon, who never said the sort of things clergymen ought to say. It was so odd to think of him as being a clergyman at all … Belinda’s thoughts slipped back to her college days when they had been students together. Most odd … and yet there was no sadness or bitterness in her mind as she thought of him. It was obvious that poor Agatha had a very difficult time with him, although by her scheming she had made him an archdeacon. Their cook had told the Bedes’ Emily who had told Harriet that the Archdeacon was very difficult to get up in the mornings, and of course one knew that he always made his curates do the early services which was really rather slack, because it wasn’t as if he were very old or weak in health. And yet he had such charm, even now.…

The curate coughed nervously and ventured a remark about the weather.

‘Yes, I love September,’ agreed Belinda, guilty at having let her thoughts wander from her guest. ‘Michaelmas daisies and blackberries and comforting things like fires in the evening again and knitting.’

‘Ah, knitting,’ he smiled, and Belinda could see him glancing round the room as if he already expected to see the beginnings of a pullover for himself. But all that Belinda’s cretonne work bag contained was a pink lacy-looking garment, a winter vest for herself. It was so annoying of Miss Jenner not to have any more ‘Perliknit’ left. She had had to buy a slightly thicker wool of a rather brighter pink to finish it off.

Fortunately at this moment, for the conversational going was heavy, a firm step was heard on the stairs and Harriet came into the room, radiant in flowered voile. Tropical flowers rioted over her plump body. The background was the green of the jungle, the blossoms were crimson and mauve, of an unknown species. Harriet was still attractive in a fat Teutonic way. She did not wear her pince-nez when curates came to supper.

The curate sprang up eagerly and seemed suddenly to lose some of his shyness.

‘Good evening, Mr. Donne,’ said Harriet, ‘I’m afraid I haven’t my sister’s punctual ways, but I’m sure she has been entertaining you better than I could have done. I had a classical education and it isn’t a very good training for scintillating conversation.’ She sat down rather heavily on the sofa beside him. ‘Now we must not forget that the name is pronounced Dunne,’ she declared roguishly.

‘Well, actually, as a matter of fact …’ the curate looked embarrassed, ‘I don’t pronounce it that way. I can’t imagine why the Archdeacon thought I did.’

‘He was of course thinking of the seventeenth-century poet of that name,’ said Belinda stoutly. The truth was, of course, that dear Henry could never resist a literary allusion and was delighted, in the way that children and scholars sometimes are, if it was one that the majority of his parishioners did not understand.

‘He will have to put a correction in the magazine next month,’ chortled Harriet. ‘I should like to see the Archdeacon having to climb down.’

‘It makes one feel quite odd to have one’s name mispronounced or misspelt,’ said Belinda evenly. ‘Almost like a different person.’

‘Oh, yes,’ agreed Harriet, ‘like Gorringe’s catalogue.’

The curate looked politely interested but puzzled.

‘You see,’ Harriet explained, ‘they once sent me a catalogue addressed to Miss Bode, and somehow I’m so lazy that I never bothered to correct it. So now I have a dual personality. I always feel Miss Bode is my dowdy self, rather a frumpish old thing.’

‘She must certainly be most unlike Miss Bede,’ blurted out Mr. Donne with surprising gallantry.

Harriet protested amid delighted giggles. Belinda felt rather left out and found her eyes fixed on the curate’s combinations, which still showed. Surely it was much too warm for such garments, unless perhaps he wore them all the year round?

During the short silence which followed, the tinkling of a cowbell was heard. The sisters had brought it back from a holiday in Switzerland and it was now used as a gong.

‘Ah, dinner,’ said Harriet. ‘Come, Mr. Donne, you shall take me in,’ she added with mock solemnity.

Mr. Donne was quite equal to the occasion, for he had all the qualifications of a typical curate. Indeed, his maternal grandfather had been a bishop.

In the dining-room Harriet sat at one end of the table and Belinda at the other, with the curate in the middle. Harriet carved the boiled chicken smothered in white sauce very capably. She gave the curate all the best white meat.

Were all new curates everywhere always given boiled chicken when they came to supper for the first time? Belinda wondered. It was certainly an established ritual at their house and it seemed somehow right for a new curate. The coldness, the whiteness, the muffling with sauce, perhaps even the sharpness added by the slices of lemon, there was something appropriate here, even if Belinda could not see exactly what it was.

‘I called at the vicarage on the way here,’ said the curate. ‘Mrs. Hoccleve very kindly promised me some apples.’

Harriet looked rather annoyed. ‘Their apples haven’t done at all well this year,’ she said, ‘and I always think those red ones are rather tasteless. You must take some of our Cox’s Oranges with you when you go.’

The curate murmured grateful thanks.

‘How is Mrs. Hoccleve’s rheumatism?’ asked Belinda.

‘Not very much better,’ he replied. ‘I hear she is going to Karlsbad in October. Apparently the waters there are very good.’

‘Nettles are an excellent thing, I believe,’ said Harriet.

‘Indeed?’ Mr. Donne looked so interested that he must have found it quite a strain. ‘How should they be used?’

‘Oh, I don’t really know,’ Harriet beamed. ‘Just nettles. Boiled, perhaps. People will try all sorts of odd remedies,’ she added, with the complacency of one who is perfectly healthy.

‘Poor Agatha,’ murmured Belinda, although she could not really feel very sympathetic.

There was a slight lapse in the conversation.

‘I hear you are a rowing man,’ said Belinda, with what she felt was rather forced enthusiasm.

‘Oh, how splendid!’ Harriet was of course delighted, as she would have been with any piece of information. ‘I can just imagine you stroking an eight.’

‘Well, actually, I haven’t done any for some time, but I used to be very keen.’ The curate looked down at his chicken bone as if he would like to take it up in his fingers and gnaw it. He was not very well fed at his lodgings and the evening meal was particularly scrappy.

Harriet picked up her bone and began to eat it in her fingers. She beamed on Mr. Donne and said brightly, ‘Like Queen Victoria, you know, so much more sensible and convenient.’

He followed her example eagerly. Belinda looked on with some distaste. If only Harriet could see how foolish she looked. The white sauce was beginning to smear itself on her face.

‘I expect you are quite bewildered meeting so many new people,’ she said, leading the conversation back into suitable channels.

‘Yes, in a way I am, but I find it fairly easy to remember them so far. I came across Miss Liversidge this afternoon in the village and have persuaded her to address a meeting of the Mothers’ Union. She seems to have had a great many interesting experiences.’

Belinda smiled. The idea of Edith Liversidge addressing the Mothers’ Union amused her. One never knew what she might say to them and she would hardly set them a good example of tidiness. Dear Edith, she was always such a mess.

‘She’s a kind of decayed gentlewoman,’ said Harriet comfortably, helping the curate to trifle.

‘Oh no, Harriet,’ Belinda protested. Nobody could call Edith decayed and sometimes one almost forgot that she was a gentlewoman, with her cropped grey hair, her shabby clothes which weren’t even the legendary ‘good tweeds’ of her kind and her blunt, almost rough, way of speaking. ‘Miss Liversidge is really splendid,’ she declared and then wondered why one always said that Edith was ‘splendid’. It was probably because she hadn’t very much money, was tough and wiry, dug vigorously in her garden and kept goats. Also, she had travelled abroad a good deal and had done some relief work after the 1914 war among refugees in the Balkans. Work of rather an unpleasant nature too, something to do with sanitation. Belinda hoped that Harriet wouldn’t mention it in front of Mr. Donne. ‘Of course she has made a home for poor Miss Aspinall, who’s a kind of relation,’ she said hastily. ‘I always thinks it’s very unselfish to have a comparative stranger to live with you when you’ve been used to living alone.’

‘Ah, well, we ought to share what we have with others,’ said Mr. Donne with rather disagreeable unctuousness.

‘Oh, Mr. Donne, I can’t imagine you sharing your home with Connie Aspinall,’ Harriet burst out, ‘she’s so dreary.’

Mr. Donne smiled. ‘Well, perhaps I didn’t mean to be taken quite literally,’ he said.

‘Now she’s a decayed gentlewoman if you like,’ said Harriet. ‘She can talk of nothing but the days when she used to be companion to a lady in Belgrave Square who was a kind of relation of one of Queen Alexandra’s Ladies-in-Waiting.’

‘She plays the harp very beautifully,’ murmured Belinda weakly, for poor Connie was really rather uninteresting and it was hard to think of anything nice to say about her.

‘Let’s have coffee in the drawing-room,’ said Harriet rather grandly. At one time she had wanted to call it the lounge, but Belinda would not hear of it. She had finally won her point by reminding Harriet of how much their dear mother would have disliked it.

In the drawing-room they arranged themselves as before, Harriet on the sofa with the curate and Belinda in one of the armchairs. Belinda took out her knitting and went on doing it rather self-consciously. It was beginning to look so very much like an undergarment for herself. The curate’s combinations must be ‘Meridian’, she thought. It was nice and warm for pyjamas, too, in fact Harriet herself wore it in the winter. The close fabric fitted her plump body like a woolly skin.

While they were drinking their coffee, Harriet went to the little table by the window and took up the bowl of pears which Belinda had noticed earlier in the evening.

‘Now you must have a pear,’ she insisted. ‘Do you know, when we were children our mother used to say that we could never keep fruit on the sideboard.’

Belinda would have liked to add that they couldn’t now, and that it was only because they had been having the curate to supper that there had been anything more than a withered apple or orange in the bowl this evening. Harriet’s appetite was just as rapacious in her fifties as it had been in her teens.

The curate helped himself to a pear and began to peel it. He seemed to be getting rather sticky and there was some giggling and interchange of large handkerchiefs between him and Harriet.

Belinda went on quietly with her knitting. The evening promised to be just like so many other evenings when other curates had come to supper. There was something almost frightening and at the same time comforting about the sameness of it all. It was odd that Harriet should always have been so fond of curates. They were so immature and always made the same kind of conversation. Now the Archdeacon was altogether different. One never knew what he might say, except that it was certain to be something unexpected and provocative. Besides, it was really more suitable to lavish one’s affection on somebody of a riper age, as it was obviously natural that one should lavish it on somebody. Indeed, one of Belinda’s favourite quotations, taken from the works of a minor English poet, was

Some tame gazelle, or some gentle dove:

Something to love, oh, something to love!

Belinda, having loved the Archdeacon when she was twenty and not having found anyone to replace him since, had naturally got into the habit of loving him, though with the years her passion had mellowed into a comfortable feeling, more like the cosiness of a winter evening by the fire than the uncertain rapture of a spring morning.

Harriet’s tittering laugh disturbed Belinda’s quiet thoughts. ‘Oh, Mr. Donne, I’m not quite as stupid as you think! I used to know some Latin. Ah quotiens illum doluit properare Calypso,’ she retorted, flinging at him triumphantly the last remnants of her classical education.

Can she be hinting at me to go? he wondered, but then decided that she had probably long ago forgotten the meaning of the line. All the same it was getting late. He mustn’t outstay his welcome and the elder Miss Bede had yawned once or twice, although she stifled it very politely.

Despite protests from Harriet, they were soon in the hall and the curate was putting on his overcoat. Harriet was fussing round him like a motherly hen.

‘Why, of course, it’s the garden party tomorrow,’ said Belinda, suddenly feeling very tired. ‘There will be such a lot to do.’

The curate sighed with an affectation of weariness. ‘I shall be almost glad when it is over,’ he said. ‘These functions are always very tiring for us.’

Harriet smiled understandingly, as if including herself in the select brotherhood of the clergy. ‘Never mind,’ she said, ‘there will be the coconut shies. I always love them. And you’ll get a good tea. I am in charge of the tea garden.’

‘Oh, well, Miss Bede …’ the curate moved towards the front door and Belinda was able to slip quietly into the background. She went into the drawing-room and began to tidy it, plumping up the cushions and removing the remains of the pears they had eaten. She put her knitting into its cretonne bag and took the parish magazine to read in bed. There was a nice new serial in it, all about a drunken organist and a young bank clerk, who was also a lay reader and had been wrongfully accused of embezzlement. And of course the Archdeacon’s letter was always worth a second reading.

Chapter Two

ALTHOUGH THE MISSES BEDE had a maid they were both quite domesticated

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