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In the Garden of Iden: The First Company Novel
In the Garden of Iden: The First Company Novel
In the Garden of Iden: The First Company Novel
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In the Garden of Iden: The First Company Novel

Rating: 4 out of 5 stars

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Kage Baker's In the Garden of Iden is the first novel in what has become one of the most popular series in contemporary SF--The Company--now back in print from Tor.

In the 24th century, the Company preserves works of art and extinct forms of life (for profit of course). It recruits orphans from the past, renders them all but immortal, and trains them to serve the Company, Dr. Zeus. One of these is Mendoza the botanist. She is sent to Elizabethan England to collect samples from the garden of Sir Walter Iden.

But while there, she meets Nicholas Harpole, with whom she falls in love. And that love sounds great bells of change that will echo down the centuries, and through the succeeding novels of The Company.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LanguageEnglish
Release dateDec 27, 2005
ISBN9781429910477
In the Garden of Iden: The First Company Novel
Author

Kage Baker

Kage Baker was an artist, actor, and director at the Living History Centre and taught Elizabethan English as a Second Language. Her books include In the Garden of Iden, Sky Coyote, and Mendoza in Hollywood, among many others. Born in 1952 in Hollywood, she lived in Pismo Beach, California, the Clam Capital of the World. She died on January 31, 2010.

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Rating: 3.7513417205724506 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    Some interesting ideas, so I think I might try another "company" novel if Kage Baker found her feet as a writer. I think this might have been a first novel. It felt like it. I went on a trip, and didn't bother bringing the novel (started another off my hosts' shelves). Read the Doomsday Book instead.
  • Rating: 4 out of 5 stars
    4/5
    Fun, not stupid.
  • Rating: 4 out of 5 stars
    4/5
    A really incredible book, possibly the best book in the Company series. Mendoza is saved from the dungeons of the Inquisition to become an immortal cyborg working for Dr.Zeus, a company that has harnassed both immortality and timetravel. For her first trip to "the field", she travels to Tudor England to rescue rare plants from extinction. Unfortunately for her, she falls utterly in love with a remarkable mortal man--who is devoutly Protestant when Queen Mary takes the throne. Mendoza observes the mortal world with both a teenager's verve and naivete and a genius immortal's knowledge.
  • Rating: 4 out of 5 stars
    4/5
    This was my first book by Kage Baker, (and, the first in her 'Company' series)
    It reminded me quite a bit of OS Card's Pastwatch, which is one of those books I'm always recommending to everyone! ;-)
    It postulates a 24th-century company, that in an effort to save lost species and works of art, trains technologically-enhanced specialists to live as undercover agents throughout history...
    Like most time travel stories, there are some logistical issues... but the book focuses on the emotional ramifications rather than the tech details, telling the story of Mendoza, a girl rescued(?) from the Spanish Inquisition and sent to Elizabethan England to rescue rare plants from a country manor's garden, where she falls in love with a religious zealot
  • Rating: 3 out of 5 stars
    3/5
    Interesting concept, but the characters weren't interesting enough to draw me into reading the next in the series.
  • Rating: 4 out of 5 stars
    4/5
    Very good book, very well written.
  • Rating: 5 out of 5 stars
    5/5
    The first book in the Company series; I was so excited to discover them. Now, I'm nostalgic since the author is no longer with us. I found her writing provocative. In the next few books Mendoza will mature, but in this one she is a teenager who will get a life lesson.

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    So now I guess I need to find more Company novels.
  • Rating: 4 out of 5 stars
    4/5
    The first of Kage Baker’s Company novels is part science fiction, part romance, part historical fiction, and part YA coming of age story. It follows the rescue of Mendoza, a young Spanish peasant girl, from the Inquisition through the completion of her first assignment as an immortal cyborg for the Company at the age of nineteen in Bloody Queen Mary’s England in the mid sixteenth century. Summarizing the plot would be a spoiler, but suffice it to say that Mendoza’s attitude about humanity is adversely affected by her experience as a doomed prisoner of the Inquisition, and she feels conflicted about her attraction to a mortal man she meets at a small English estate during her assignment there to preserve several plant species from extinction. Through Baker’s first person telling of Mendoza’s emotional and intellectual conflict, she explores big issues of religious faith, intolerance, and prejudice. But despite the focus on these dark aspects of human behavior, it carries an overall optimistic tone and mood. Yes, humans can be irrational, intolerant, and cruel but they can overcome these things--eventually. This overlying optimism and the story’s theme of eventual human betterment are what make this book most enjoyable to me. That said, I can see where some will not like it. This is not hard Sci-Fi, which focuses on technology, and not even typical soft Sci-Fi, which focuses on the “soft” sciences of psychology, anthropology, sociology, etc. A lot of the story is conveyed by the romance between Mendoza and the young man, Nicholas. If romance is an immediate turn off for you, as it seems to be for some Sci-Fi readers, you won’t like this book. Also, it comes down hard on religiously motivated intolerance, so if you think of the Spanish Inquisition as the good old days and long for its return, you won’t like it either. But for others, this is a good read and I recommend it.

    1 person found this helpful

  • Rating: 3 out of 5 stars
    3/5
    I enjoy the "Company" Novels and in this one, we begin to understand that there is a company, and its motives may not be particularly modest,, or benign. Good quality Kage Baker, and the many references to Henry VI by Shakespeare are clever. I read the 1997 hardback.
  • Rating: 3 out of 5 stars
    3/5
    In the Garden of Iden is more of a romance hidden inside a historical fiction in a spec-fic coating. I'm sure people keep telling me that the rest of the series is different; there's nothing particularly wrong with this, but it wasn't really what I'd hoped for. Really, I'd hoped for some overarching plot that would really tie it all together, love story and all, but that didn't really happen to my satisfaction, with the result that it felt like set up for all the wonderful things Mendoza (the main character) will do later. Or which other characters in the same world might do later, I don't know.It's well written, and I love the central concept, but I've had just about enough of just pre-Elizabethan period Britain through the eyes of an immortal adolescent falling in love for the first time...
  • Rating: 2 out of 5 stars
    2/5
    I'm a sucker for time travel stories and the premise of Kage Baker's The Company series is rife with possibilities. A mysterious 24th century corporation uses time travel to rescue endangered and extinct species from the past. Rather than sending 24th century agents into the past, they recruit their agents *from* the past. They rescue children from certain death, raise them, train them and turn them into immortal cyborgs.

    Mendoza is one such Company agent. Rescued from the dungeons of the Spanish Inquisition, she specializes in botany with dreams of gathering samples in the New World, far from the dangerous bloodthirsty mortals who are so ready to burn heretics at the stake on the flimsiest evidence. Instead, she is sent to England during the waning years of Mary Tudor's reign as the daughter of a Spanish physician to gather plants on the estate of the eccentric Sir Walter Iden.

    In the Garden of Iden starts off promisingly, but it lags in the middle. There's not enough action and there's not enough history. There is a love story, however, as Mendoza falls in love with Sir Walter's secretary, the stern Protestant Nicholas Harpole. But what future can there be for a clandestine immortal cyborg and a mortal man? And how safe will the Spanish visitors be in an England of growing discontent under its Catholic (and Spanish) monarchy?

    There are six novels in The Company series. I hope Baker developed the theme more deeply in later volumes. This is her first novel so I'll give her the benefit of the doubt.
  • Rating: 4 out of 5 stars
    4/5
    Recommended read. This is a clever take on the Adam & Eve myth, and gets pretty metaphysical about it once you start picking out the story points in the myth.
  • Rating: 3 out of 5 stars
    3/5
    The first novel of the late Kage Baker's The Company series.

    The infant Mendoza is plucked out of the torture dungeons of the Spanish Inquisition by a man called Joseph and recruited to become a member of Dr Zeus -- a.k.a. The Company -- a 24th-century organization that has infiltrated all of its past time to create cyborg immortals who manipulate events such that, by the 24th century, vast wealth and influence will be Dr Zeus's. This scheme depends on the discovered fact that, while you can't change history, history isn't history unless it has been recorded. Since the vast majority of the past hasn't been chronicled, and since we're never certain how great scads of the present (any present) came to be, time travelers and their cyborg colleagues have a far more considerable freedom of action than you might expect.

    Once Mendoza has been cyborgized, stuffed with almost all of the world's knowledge, and trained as a botanist, she's sent on her first mission, with Joseph and an older woman, Nef. Posing as Spanish temporary emigrees, they come to Kent and specifically to live in the manor of Sir Walter Iden, in whose garden of rare plants there are countless species that could bring medicinal and other benefits to the future -- and will in fact do so, because it's Mendoza's job to take samples and make records such that, centuries later, The Company can "rediscover" these long-lost varieties. Despite herself, Mendoza falls in love with Sir Walter's secretary, Nicholas Harpole, a seemingly grim Protestant zealot -- not the best thing to be in England during the reign of the Mary Tudor, Bloody Mary, intent on reimposing on the people, by torture and the stake, the Catholicism her father Henry VIII had driven out.

    Aside from the basic setup, which is great, there are all sorts of good things about this novel. One is the cyborgs' prevailing contempt for the mortals they work among, whom they regard as monkeys and whose various mythologies and supposedly moral barbarities they treat with a justified withering scorn:

    "Funny thing about those Middle Ages," said Joseph. "They just keep coming back. Mortals keep thinking they're in Modern Times, you know, they get all this neat technology and pass all these humanitarian laws, and then something happens: there's an economic crisis, or science makes some discovery people can't deal with. And boom, people go right back to burning Jews and selling pieces of the true Cross. Don't you ever make the mistake of thinking that mortals want to live in a golden age. They hate thinking." (p217)

    Some of the incidentals are joyous, too: the way that the lingua franca used among the immortals is called Cinema Standard; the live radio broadcasts to which the cyborgs listen to keep themselves abreast of current affairs, rendered as parodies of our own coverage of royal weddings and the like; the list could be continued.

    The writing style for the first few score pages is very appealing . . . but then we really get into Mendoza's lusty affair with Nicholas and the dialogue suddenly starts clogging up with dreadful forsoothly-type speech. As for that lusty affair, it fills a disproportionate amount of the book: it seems to be about every other page that we're told the happy couple are off for yet another quickie, a piece of information that soon comes to convey all the thrill and interest of the guy next to you on the bus trying to tell you about the bonk he had before breakfast. Other people's sex lives really aren't all that interesting if they're active, happy, faithful and fulfilled. By the end of the book I wasn't precisely bored, but I can't say I was hugely enjoying myself either -- such a pity, because I raced eagerly through the first eighty or a hundred pages.

    I'm told the further novels in the series show a big improvement, so when I find time I'll certainly try another; the good bits of this one were definitely enough to tantalize.
  • Rating: 3 out of 5 stars
    3/5
    This book had been on my wishlist for a very long time. When I finally found it, I was quite excited to start reading it. I had thought it was a sci-fi book about time travellers. It is not. The back story (i.e. how the characters got to the 16th century) is science-fictiony, but the story itself is an attempt at a literary romance (with religious underpinnings) set in the 16th century. The only humor is in the anachronisms the author intentionally added to the story (i.e. the main character accidently shows a 16th century maid a magazine from the 23rd century... haha) I read somewhere that it is similar to Connie Willis' books (To Say Nothing of the Dog, for example), and that actually sums it up very well. I don't like historical fiction, and don't find this kind of humor funny, and don't really care about romance in the 16th century, or the religious underpinnings of that era... hence my great disappointment in this story. If you like Willis' work, you will probably like this story. If you're looking for a science fiction take on time travel, you won't find it here.Don't get me wrong - it's well written and somewhat engaging, it's just not a science fiction novel as I had expected. If you like historical fiction this is probably a pretty good one.
  • Rating: 3 out of 5 stars
    3/5
    2.5 stars

    My first exposure to Kage Baker's writing and to her Company series. In our future (about two centuries ahead of us), both time travel and immortality are discovered. As with most time travel scenarios in science fiction, history can't be rewritten, so said travel is of limited use to the plot and the science is foggy at best. Time travel then becomes a means to transport the reader to a different point in our past. Equally useless to the entrepreneurs of the 24th century is immortality, which can only be applied to very young children and requires extensive cybernetic enhancement.

    The Company (aka Dr. Suess) still finds a way to make a buck, sending scientists back to the distant past, recruiting young children from the native population, installing immortality, and putting them to work by scavenging and salvaging priceless art, books, plants, etc. for re-discovery and re-sale (by the Company of course) in the 24th century.

    Mendoza is an orphan from the Spanish Inquisition rescued and then recruited by the Company at the very edge of the Pit. After several years of operations and education, she receives her first field assignment, not in the New World (as she desired to be as far as possible away from 'the monkeys'), but in dreary damp England. While collecting rare specimens from the Garden of Iden, she falls in love with one of the manor's servants, a fiercely fanatical Protestant young man adrift in a resurgence of Catholicism courtesy of Queen Mary and Prince Phillip of Spain.

    I enjoyed the historical aspects of the novel, especially England during the Counter-Reformation. Kage Baker did a good job of immersing me in both Spain and England. I still prefer Connie Willis' writing style as evidenced in The Doomsday Book and her other Oxford time travel novels and stories.

    I'm not a fan of romance, especially teenage romance (and Mendoza is in her late teens while on this first assignment), so I struggled through about half of this book. I also missed some of the humor (or failed to register it as such) exhibited by her fellow agents and their reactions to the 'monkeys' (the cyborg agents' derogatory term for mere mortal men). The predictably tragic ending arrived to my great relief and the novel finally moved back to the original mission - preserving plants.

    Perhaps I took the fear and loathing of the immortal agents towards human beings too much to heart. It concerned me that these agents of the Company felt such disdain and dread towards their former brothers and sisters. Commerce and computers seized the day, while the monkeys scampered about and threw bananas at each other. I got the distinct impression that the Company and civilization of the 24th century felt humans were irredeemably inclined to violence and destruction, in a constantly repeating cycle.
  • Rating: 4 out of 5 stars
    4/5
    The first (and best) of Baker's Company novels. The whole series is well worth reading for its entertaining combination of twisty conspiracy-theory intrigue, swashbuckling romance, nail-biting cliffhangers, hardboiled detective adventure, and comedy. Demanding readers will enjoy it for the incredible intricacy of the plot and for Baker's gift for historical detail. Addictive.
  • Rating: 4 out of 5 stars
    4/5
    I have read quite a few Company short stories and adored them, but was too lazy to seek out the novels until Kage Baker's recent death. I am happy to report this, her first novel and the beginning of the series, is just as good as her later short work.
  • Rating: 5 out of 5 stars
    5/5
    This is the first in Baker’s Company science fiction series. Somewhere far in the future, a mysterious, highly profitable Company has discovered how to transform people into immortal cyborgs and send them back in time, where they can tweak history just the smallest amount in order to make huge amounts of money for the Company in the future. The Botanist Mendoza is just such an operative, working in the 16th century to save a certain plant from extinction that will prove to cure cancer far, far in the future. Running afoul of the Company’s careful plans, however, Mendoza meets her destiny in young religious firebrand Nicholas Harpole, and oh, how the sparks fly.
  • Rating: 4 out of 5 stars
    4/5
    This is my review for the book for SF-Site.

    It is the 24th century and technology has continued to advance by leaps and bounds. In fact, one very innovative organization, Dr. Zeus Incorporated, also known as ‘The Company’, has discovered the secrets to both immortality and time travel. The mission statement of The Company is to use these inventions to improve the lot of human kind … while making a healthy profit, of course. As always, time travel comes with restrictions. You can’t travel back in time and change your own past and you can’t change recorded history, with the emphasis on recorded. So, for example, many history sources have documented the complete destruction of the Ancient Library of Alexandria. Bringing back parchments from that library would violate the time travel rule since the loss of all documents is already a fact. But, someone from the future could still travel back in time and scan all the documents in the library before it was demolished. Dr. Zeus cleverly seeks out various artifacts that could be saved for the future to benefit mankind, with a very steep retail price.

    Like time travel, immortality also has its limitations. Only young children can successfully undergo the process to become immortal, limiting the candidates for immortality. The Company makes it their policy to select children from the past who are on the brink of death, saves their lives and changes them into immortals – without impacting history. These children also become permanent employees of The Company. One of these immortal workers is Mendoza, the narrator of the first book in The Company series, In the Garden of Iden. Mendoza is a young girl about to be tortured and executed as a suspected heretic during the Spanish Inquisition. She is ‘modified’, transformed into an immortal and goes through intense Company training specializing in botany. On her first mission, Mendoza, accompanied by three other immortal Company personnel, travels to 16th Century England, as part of an entourage of Prince Philip of Spain. England is in turmoil as Prince Philip, a Catholic, is about to wed Queen Mary, and together they will change England’s official religion to Roman Catholicism. The Company immortals are staying at the estate of Sir Walter Iden, a quirky old man whose hobby is to collect rare and unusual plants and animals in his garden. Sir Walter’s property is the perfect laboratory for Mendoza. She is given the task of studying and cataloging the vast collection of plants on the estate, as well as collect and safely store valuable seeds that can be recovered in the future, for the good of humanity … and the profit of The Company. All appears to be going according to plan until Mendoza meets Nicholas Harpole, Sir Walter’s secretary. Nicholas is described as being tall with a ‘horse-like face’. He is a serious and extremely devout Protestant, and the antithesis of Mendoza’s bubbly personality. But, as is true all too often in life as well as science fiction, opposites attract, and Mendoza and Nicholas, are irresistibly drawn to each other. But, what happens when an immortal falls in love with a human? As Mendoza wrestles with this dilemma, the plot quickly heats up as the country divides between Catholic and Protestant sides.

    In the Garden of Iden is a perfect blend of sci-fi and historic fiction. The descriptions of Elizabethan England are rich and give great insight to every day life and the culture of the time. The dialog is snappy, and at times, hilarious. There are some interesting moral dilemmas with the overall ethics of The Company which are great starting points for a stimulating discussion. Although the overall tone is light, there are deeper themes surrounding this book and series.

    The audio book is beautifully narrated by Janan Raouf who utilizes a wide variety of accents and dialects that enhance the listening experience. For fans of historic sci-fi, In the Garden of Iden, is a surefire hit. Now for the bad news. In the Garden of Iden is the launch of Kage Baker’s ‘The Company’ series of 8 books. At this time, only this first one is available in audio – the rest of the series is only published in print. If the audio publisher, Blackstone, is waiting to see how well the public receives the start of this series, then I give my vote – 2 thumbs up. And please, finish up the rest of the series!
  • Rating: 3 out of 5 stars
    3/5
    Here's a book where I love the concept of the book a lot more than than execution.The concept of using time travel to go back, create a new race of immortal human beings who will then preserve certain aspects and artifacts from history is an intriguing one. The opening segments of "In the Garden of Iden" that set up this concept and idea are intriguing, fascinating and had me hoping something brilliant would happen in the novel.Unfortunately, that never really ...moreHere's a book where I love the concept of the book a lot more than than execution.The concept of using time travel to go back, create a new race of immortal human beings who will then preserve certain aspects and artifacts from history is an intriguing one. The opening segments of "In the Garden of Iden" that set up this concept and idea are intriguing, fascinating and had me hoping something brilliant would happen in the novel.Unfortunately, that never really materializes--at least not in this installment. Instead, we meet Mendoza, a botanist who is sent back in time to the titular garden to observe it and to collect some samples that were lost to the ravages of time. Instead she meets and falls in love with Nicholas Harpole, a man who isn't immortal but shares Mendoza believes could and should be.I have a feeling a lot of what plays out in this story is a set-up for future installments. And that's all fine, but it still leaves "Iden" feeling like a bit of a disappointment in spots--especially after the solid and intriguing beginning.I may read another novel or two in the series to see if things pick up a bit.
  • Rating: 3 out of 5 stars
    3/5
    A light and enjoyable read, but not, for me, a memorable one, nor one to draw me in to the series.
  • Rating: 4 out of 5 stars
    4/5
    historical fiction, Tudor England, science fiction, time travel, evocative setting, romance
  • Rating: 4 out of 5 stars
    4/5
    In the far future, science has perfected both immortality and time travel. However, immortality can only be gained through a complex series of invasive operations with the end result being more cyborg than human. Time travel, too, has limitations: one can only go backwards in time, and then forward again to one’s starting time; and recorded history cannot be changed. However, the Company, also known as Dr. Zeus, who perfected both of these techniques, realized that UNrecorded history could be their playground. They began sending operatives back in time to recruit orphans to become the Company’s operatives. These orphans were given the immortality cyborg treatments, trained extensively, and set loose in the hidden bits of history to rescue artworks, animals, plants, and cultures from extinction, so that, in the future, Dr. Zeus could miraculously discover or recreate them…and make a lot of money doing so. Mendoza, a young orphan taken by the Spanish Inquisition, is one of those immortal operatives of the Company. For her first mission as a botanist for Dr. Zeus, she is sent, along with the man who rescued her from the Inquisition and a small team of other immortals, to the Garden of Iden, a typically British folly containing rare and unusual botanical specimens. Her mission is to retrieve samples of the many now-extinct plants, most of which have medical applications in the future. But she didn’t expect to encounter someone like Nicholas Harpole, a strong, passionate, and intelligent mortal man who serves as secretary to Iden’s owner and makes the worst mistake possible for an immortal: she falls in love with a mortal. When Nicholas is captured as a heretic and sentenced to burned at the stake, Mendoza must choose between the man she loves and her own immortal mission. Replete with vibrant historical detail, brimming with insightful social commentary, and possessing some truly engaging characters, “In the Garden of Iden” is engrossing. And since it is only the first in a series about the immortal agents of the Company, fans will have a lot more to look forward to.
  • Rating: 4 out of 5 stars
    4/5
    Oh, I wish I'd reviewed this when I read it, I just remember liking it, but feeling frustrated by the ending. Mendoza is a delightful combination of ardent adolescent and scornful immortal.
  • Rating: 4 out of 5 stars
    4/5
    I think the idea of The Company is really cool. Time travel! Immortals! Though I do have a question about time paradoxes. If you can't change recorded history, no matter how hard you try, fine. But now it's set up so a lot more of history is being recorded than ever before, right? Isn't that causing problems?I liked it and I'll definitely read more of the series. Though I do hope it has a conclusion of some sort since the author's in ill health.My one problem with it is that there's this introduction that explains the backstory, which is fascinating, but then kind of took away from the joy of discovery. You're no longer learning things along with the main character, because you already know more than she does up until a certain point.Yet.. well, here's a paradox on its own.. the main character can do things that we didn't know she could do. Just, out of nowhere, she's doing some new Immortal trick that we the reader weren't aware she could do.So I wanted to know no more than the main character. Yet I also did want to know _as much as_ the main character.Anyway, yes, will read more.
  • Rating: 3 out of 5 stars
    3/5
    This is based on the idea of what would happen if somewhere in the future the figure out how to make people immortal and also how to time travel. It's given in this story that you can't change history and you can't bring objects forward through time, but other than that, there's nothing you can't do. Even better, why not make immortal slaves and have them do all the dirty work for you? This is the story of one of those slaves...er, employees...as she becomes immortal during the Spanish Inquisition and then attempts to save various plants from extinction. Very little time was spent in the science fiction aspect of this story such as the time traveling, the immortality, and the rescuing of plant species. Instead, a great deal of time was spent dwelling on a romantic relationship that seemed improbable from every angle. This was entertaining, but nothing spectacular. I'd be willing to give the second book in this series a try, but I won't be in a rush to do so.
  • Rating: 4 out of 5 stars
    4/5
    As a young child, Mendoza is plucked out of a brutal Medieval Spain and is made immortal by a time traveling organization from the future. She is trained as a botanist to saved plants from extinction. She comes to view humans as sub-human and beneath contempt.Her first assignment is to take cuttings from an estate in 16th century England. In this place she finds ignorance, intolerance, bigotry, human foibles, and even love.In this love, she finds that the "The Company" is not all that she thought it would be and she is not what she thought she was.A great book. Highly recommended.
  • Rating: 1 out of 5 stars
    1/5
    The same idea, of ageless timetravelers who are also scholars, has been done as well by others. A nice way to pass the time and more interesting when history bits like the Inquisition come up.
  • Rating: 4 out of 5 stars
    4/5
    The Company's real name is Dr. Zeus. They are a 24th-century operation devoted to getting rich off the past. The Company turns orphans and refugees from the past into highly intelligent, physically invincible cyborgs and sends them on missions to save or hide precious paintings, cultural treasures, and genetic information useful to the future world.In the first book, In the Garden of Iden, 5-year old Mendoza is rescued from the Spanish Inquisition by a company operative. After undergoing training and a series of surgeries to turn her into a cyborg, Mendoza is reunited with her rescuer, Joseph, and sent on a mission to Elizabethan England to rescue rare plants before they become extinct. Once there, she falls in love with Nicholas who has a secret of his own. He is a Protestant in Catholic England. Realistic, sometimes painfully so but Baker is a compelling story teller who leaves you turning the pages at a very fast rate and staying up too late to see the story's outcome.

Book preview

In the Garden of Iden - Kage Baker

Chapter One

I AM A BOTANIST. I will write down the story of my life as an exercise, to provide the illusion of conversation in this place where I am now alone. It will be a long story, because it was a long road that brought me here, and it led through blazing Spain and green, green England and ever so many centuries of Time. But you’ll understand it best if I begin by telling you what I learned in school.

Once, there was a cabal of merchants and scientists whose purpose was to make money and improve the lot of humankind. They invented Time Travel and Immortality. Now, I was taught that they invented Time Travel first and developed Immortals so they could send people safely back through the years.

In reality it was the other way around. The process for Immortality was developed first. In order to test it, they had to invent Time Travel.

It worked like this: they would send a team of doctors into the past, into 1486 for example, and select some lucky native of that time and confer immortality on him. Then they’d go back to their own time and see if their test case was still around. Had he survived the intervening nine hundred years? He had? How wonderful. Were there any unpleasant side effects? There were? Oops. They’d go back to the drawing board and then back to 1486 to try the new, improved process on another native. Then they’d go home again, to see how this one turned out. Still not perfect? They’d try again. After all, they were only expending a few days of their own time. The flawed immortals couldn’t sue them, and there was a certain satisfaction in finally discovering what made all those Dutchmen fly and Jews wander.

But the experiments didn’t precisely pan out. Immortality is not for the general public. Oh, it works. God, how it works. But it can have several undesirable side effects, mental instability being one of them, and there are certain restrictions that make it impractical for general sale. For example, it only really works on little children with flexible minds and bodies. It does not work on middle-aged millionaires, which is a pity, because they are the only consumers who can afford the process.

So this cabal (they called themselves Dr. Zeus, Incorporated) came up with a limited version of the procedure and marketed it as truly superior geriatric medicine. As such it was fabulously profitable, and everyone commended Dr. Zeus.

Everyone, of course, except all those flawed immortals.

But about the Time Travel part.

Somehow, Dr. Zeus invented a time transcendence field. It, too, had its limitations. Time travel is only possible backward, for one thing. You can return to your own present once you’ve finished your business in the past, but you can’t jump forward into your future. So much for finding out who’s going to win in the fifth race at Santa Anita on April 1, 2375.

Still, Dr. Zeus played around with the field and discovered what could at first be taken as a comforting fact: History cannot be changed. You can’t go back and save Lincoln, but neither can you erase your own present by accidentally killing one of your ancestors. To repeat, history cannot be changed.

However—and listen closely, this is the important part—this law can only be observed to apply to recorded history. See the implications?

You can’t loot the future, but you can loot the past.

I’ll spell it out for you. If history states that John Jones won a million dollars in the lottery on a certain day in the past, you can’t go back there and win the lottery instead. But you can make sure that John Jones is an agent of yours, who will purchase the winning ticket on that day and dutifully invest the proceeds for you. From your vantage point in the future, you tell him which investments are sound and which financial institutions are stable. Result: the longest of long-term dividends for future you.

And suppose you have John Jones purchase property with his lottery winnings, and transfer title to a mysterious holding firm? Suppose you have an army of John Joneses all doing the same thing? If you started early enough, and kept at it long enough, you could pretty much own the world.

Dr. Zeus did.

Overnight they discovered assets they never knew they had, administered by long-lived law firms with ancient instructions to deliver interest accrued, on a certain day in 2335, to a descendant of the original investor. And the money was nothing compared to the real estate. As long as they stayed within the frame of recorded history, they had the ability to prearrange things so that every event that ever happened fell out to the Company’s advantage.

At about this point, the scientist members of the cabal protested that Dr. Zeus’s focus seemed to have shifted to ruling the world, and hadn’t the Mission Statement mentioned something about improving the lot of humanity too? The merchant members of the cabal smiled pleasantly and pointed out that history, after all, cannot be changed, so there was a limit to how much humanity’s lot could be improved without running up against that immutable law.

But remember, Gentle Reader, that that law can only be seen to apply to recorded history. The test case was the famous Library of Alexandria, burned with all its books by a truculent invader. Technically, the library couldn’t be saved, because history emphatically states that it was destroyed. However, Dr. Zeus sent a couple of clerks back to the library with a battery-powered copier disguised as a lap desk. Working nights over many years, they transferred every book in the place to film before the arsonist got to it, and took it all back to 2335.

Even though the books turned out to be mostly liberal arts stuff like poetry and philosophy that nobody could understand anymore, the point was made, the paradox solved: What had been dead could be made to live again. What had been lost could be found.

Over the next few months in 2335, previously unknown works of art by the great masters began turning up in strange places. Buried in lead caskets in cellars in Switzerland, hidden in vaults in the Vatican Library, concealed under hunting scenes by successful third-rate Victorian commercial painters: Da Vincis and Rodins and Van Goghs all over the place, undocumented, uncatalogued, but genuine articles nonetheless.

Take the case of The Kale Eaters, the unknown first version of Van Gogh’s early Potato Eaters. It wasn’t possible for the Company to go drug Van Gogh in his studio, take the newly finished painting, and leap home with it: nothing can be transported forward out of its own time. What they did was drug poor Vincent, take The Kale Eaters and seal it in a protective coat of great chemical complexity, paint it over in black, and present it to a furniture maker in Wyoming (old USA), who used it to back a chair that later found its way into a folk arts-and-crafts museum, and later still into other museums, until some zealous restorer X-rayed the chair and got the shock of his life. Needless to say, the chair was at that time in a collection owned by Dr. Zeus.

As it happens, there are all sorts of chests and cupboards in lonely houses that don’t get explored for years on end. There are buildings that survive bombings, fire, and flood, so that no one ever sees what’s hidden in their walls or under their floorboards. The unlikely things that get buried in graves alone would astonish you. Get yourself a database to keep track of all such safe hiding places, and you too can go into the Miraculous Recovery business.

And why stop there? Art is all very well and can fetch a good price, but what the paying public really wants is dinosaurs.

Not dinosaurs literally, of course. Everyone knew what happened when you tried to revive dinosaurs. But the Romance of Extinction was big business in the twenty-fourth century. To sell merchandise, you had merely to slap a picture of something extinct on it. A tiger, for example. Or a gorilla. Or a whale. Crying over spilt milk was de rigueur by that time. What better way to cash in on ecological nostalgia than to revive supposedly extinct species?

In May of 2336, people turned on their newspapers and learned that a small colony of passenger pigeons had been discovered in Iceland, of all places. In Christmas of that same year, four blue whales were sighted off the coast of Chile. In March of 2337, a stand of Santa Lucia fir trees, a primitive conifer thought extinct for two centuries, was found growing in a corner of the Republic of California. Everyone applauded politely (people never get as excited over plants as they do over animals), but what didn’t make the news was that this species of fir was the only known host of a species of lichen that had certain invaluable medical properties …

Miracles? Not at all. Dr. Zeus had collected breeding pairs of the pigeons in upstate New York in the year 1500. They were protected and bred in a Dr. Zeus station in Canada for over half a millennium and then released to the outside world again. Similar arrangements were made for the whales and the fir trees.

Anyway, when the public imagination was all aglow with these marvelous discoveries, Dr. Zeus let the truth be known. Not all the truth, naturally, and not widely known; business didn’t work that way in the twenty-fourth century. But rumor and wild surmise worked as well as the plushiest advertising campaign, and the Company didn’t have to pay a cent for it. It got to be known that if you knew the right people and could meet the price, you could have any treasure from the past; you could raise the lamented dead.

The orders began to come in.

Obsessive collectors of art and literature. Philanthropists sentimental about lost species. Pharmaceutical companies desperate for new biological sources. Stranger people, with stranger needs and plenty of ready cash. There were only two or three questions.

Who was running Dr. Zeus now? Even its founders weren’t sure. Its most secretive inner circle couldn’t have said positively. Suddenly they were surrounded by the prearranged fruits of somebody’s labor on their behalf—but whose labor? Just how many people worked for the Company?

Also, were they now faced with the responsibility of making sure history happened at all? Quite a few species had been declared extinct, only to turn up alive and well in unexpected places. Were these Dr. Zeus projects they hadn’t been aware of? Someone went digging in the Company archives and discovered that the coelacanth was a Dr. Zeus special. So was the tule elk. So was the dodo, the cheetah, Père David’s deer. And the Company archives had an unsettling way of expanding when no one was looking.

Finally, where do you get the support personnel for an operation the size that this one had to be? Besides the cost of sending modern agents to and from the past, the agents themselves hated it. They said it was dangerous back there. It was dirty. People talked funny and the clothes were uncomfortable and the food was disgusting. Couldn’t somebody be found who was better suited to deal with the past?

Well. Remember all those test-case immortals?

A team from the future was sent back to history’s predawn, to build training centers in unpopulated places. They went out and got children from the local Neanderthals and Cro-Magnons, and shaved their diverse little skulls and worked the Immortality Process on their little brains and bodies. They brought them up with careful indoctrination and superior education. Then they went back to their own time, leaving the new agents there to expand the operation.

And what did Dr. Zeus have then? A permanent workforce that didn’t have to be shipped back and forth through time, that didn’t suffer culture shock, and that never, never needed medical benefits. Or, to put it in the corporate prose of the Official Company History: slowly these agents would labor through the centuries for Dr. Zeus, unshakable in their loyalty. They had been gifted with Immortality, after all. They knew they had a share in the glorious world of the future. They were provided with all the great literature and cinema of ages unborn. Their life work (their unending life work) was the noblest imaginable: the rescue of living things from extinction, the preservation of irreplaceable works of art.

Who could ask for anything more, you say?

Ah, but remember that Immortality has certain undesirable side effects. Consider, also, the mental discomfort of being part of a plan so vast that no single person knows the whole truth about it. Consider, finally, the problem in logistics: there are thousands of us already, and as the operation expands, more of us are made. None of us can die. So where are they going to put us all, when we finally make it to that glorious future world our creators inhabit?

Will they allow us in their houses? Will they finally pay us salaries? Will they really welcome us, will they really share with us the rewards we’ve worked millennia to provide them with?

If you’re any student of history, you know the answer to that question.

So why don’t we rise in rebellion, as in a nice testosterone-loaded science fiction novel, laser pistols blazing away in both fists? Because in the long run (and we have no other way of looking at anything) we don’t matter. Nothing matters except our work.

Look. Look with eyes that can never close at what men do to themselves, and to their world, age after age. The monasteries burned. The forests cut down. Animals hunted to extinction; families of men, too. Live through even a few centuries of human greed and stupidity and you will learn that mortals never change, any more than we do.

We must go on with our work, because no one else will do it. The tide of death has to be held back. Nothing matters except our work.

Nothing matters.

Except our work.

Chapter Two

MY NAME, MY age, the village of my birth, I can’t tell you with any certainty. I do know it was somewhere near the great city of Santiago de Compostela, where the Holy Apostle’s body was supposed to have been found. During the Middle Ages pilgrims flocked there to see the holy relics (if they didn’t get wrecked first off Cape Finisterre) and returned with cockle shells pinned to their hats (if they didn’t get wrecked going back). There, in that city, the Holy Inquisition set up one of its offices.

Also there, in the enormous cathedral, the Infanta Katherine, daughter of Ferdinand and Isabella, is supposed to have stopped to hear Mass on her way to marry the Prince of England. Now, in this cathedral was a silver censer, big as a cauldron, that swung in stately arcs at the end of a chain; and during the Infanta’s Mass the chain broke and this censer hurtled out of the church through a window and exploded like a bomb on the paving stones outside. Some people would have taken this as an omen, but not the Infanta. She went resolutely on to England and wound up marrying King Henry the Eighth. This shows that one ought to pay attention to omens.

Anyway, we lived near there. My parents were thin and desperately poor, but racially pure, as they constantly assured us; and that is about all I remember of them. Racially pure meant a lot in Spain in those days, you see. Presumably to extend the line of Old White Christians, my parents had half a dozen little children, which they soon regretted because our house only had one room.

This is where the story begins.

One day in 1541 (all dates approximate) my mother was sitting by the door, gloomily watching her little White Christians as they rolled in a screaming knot in the dust of the yard. Along the road came some people on horseback. They were very well dressed and looked as white as we did, nothing like Jews or Moriscos, though of course you could never tell nowadays. They reined in beside the gate and sat watching us for a moment.

Good morning, gentle sirs and ladies, said my mother.

Good morning, goodwife, said a tall lady with red hair. What pretty children you have.

Thank you, gentle lady, said my mother.

And so many of them, said the lady.

Yes, gentle lady, said my mother ruefully. (At least, they said something like this, but in sixteenth-century Galician Spanish, all right?)

We children had meanwhile stopped fighting and were staring at the people openmouthed. They really did look wealthy. I recall the women had those things on their heads like the queens on playing cards wear. You know.

Perhaps, said the fine lady, you have more little ones here than you can provide for? You would perhaps entertain the idea of, say, hiring one out?

Now my mother’s eyes went narrow with suspicion. She didn’t know who these people were. They could be Jews, and everybody knew that Jews bought and ate Christian children. Or they could be agents of the Church, sent to see if they could confiscate her property because she was the kind of woman who sold her children to Jews. They could be anybody.

Gentle lady, please, she said. Have consideration for a mother’s feelings. How should I sell my own flesh and blood, which is very old Christian blood, you should know.

That is very obvious, said the lady soothingly.

In fact, we are descended from the Goths, added my mother.

Of course, said the lady. Actually, this was an entirely honorable proposition I had in mind. You see, my husband, Don Miguel de Mendes y Mendoza, was wrecked on the rocks at La Coruña, and I am traveling around the country until I have performed one hundred acts of charity for the repose of his soul. I thought I’d take one of your children into my house as a servant. The child would have food and clothing, a virtuous Catholic upbringing, and a suitable marriage portion arranged when she comes of age. What do you think of this idea?

Boy, my mamacita was in a quandary. Just what every Poor but Honest Mother prayed would happen! One less mouth to feed without the expense of a funeral! Still … I can just see her racing mentally down the list of One Hundred Ways to Recognize a Secret Jew, posted by the Holy Inquisition in every village square.

I would have to have some kind of surety, she said slowly.

Beaming, the lady held out a purse, heavy and all clinquant, as the man says, with gold.

My mother swallowed hard and said: Please excuse me, gentle lady, but you will surely understand my hesitation. She wasn’t going to come right out and say, Would you care to stay for dinner, we’re having pork?

The lady understood perfectly. Spaniards were as famed for paranoia as for courtesy in those days. She pulled out a little silver case that hung about her neck on a chain.

I swear by the finger of Holy Saint Catherine of Alexandria that I am neither Judaizer nor Morisco, she declared. She leaned over and put the purse into my mother’s hands, and my mother opened it and looked inside. Then my mother looked at all of us, with our gaping little mouths, and she sighed and shrugged.

Honest employment is a good thing for a child, she said. So. Which one would you like to hire?

The lady looked us over carefully, like a litter of small cats, and said: What about the one with the red hair?

That was me. That was the first moment I can remember being aware of being me, myself alone. My mother came and got me and led me to the gate. The lady smiled down at me from the height of her horse.

What about it, little girl? she said. Would you like to come live in a fine house, and have fine clothes to wear, and plenty of food to eat?

Yes, I said like a shot. And my own bed to sleep in, too?

Whereupon my mother slapped me, but all the fine folk laughed. Yes, said the lady, I’ll take that one. So I was taken indoors to have my face washed while the strangers waited, and my mother stripped off my filthy shift and pulled a clean one on over my head. Then she leaned close to give me her last piece of advice before sending me out into the world.

If those people turn out to have been lying, hija, you go straight to the Holy Inquisition and inform on them.

Yes, Mama, I said.

Then we went out and I was lifted up in front of one of the men: he smelled of leather and musk perfume. We waved goodbye and rode slowly away into the golden morning. Goodbye Mama, Papa, Babies, Little Stone House!

I didn’t cry. I was only four or five, but I knew I was going off on a splendid adventure. Food and clothing and my very own bed! Though before we had ridden many miles, the lady carefully explained to me that what she had told my mother wasn’t exactly true: I was not to be a servant.

In fact, little girl, we are going to do you a very great honor, she said. We are going to betroth you to be married to a mighty lord. This will be much to your advantage, for then you will no longer be a little pauper: You will be a noblewoman.

It sounded fine to me, except: I’m only a little girl. Big girls get married, not little ones, I observed.

Oh, gentlefolk marry off their little children all the time, said the lady serenely. Little princes, little princesses, two and three years old they hitch them up. So you see there’s no problem.

We rode along for a while, past castles and crags, while I mulled this over.

But I’m not a princess, I said at last.

You will be, I was assured by the man who held me. He wore riding gauntlets with the cuffs embroidered in gold wire. I can see the pattern to this day. As soon as he marries you, you see.

Oh, I said, seeing nothing at all. But they all smiled at one another. What a slender, elegant lot they were, with their smiles and secrets. I considered my cotton shift and my grubby sandals, and felt as strange as red wheat in a vase of lilies.

Why is this lord going to marry me? I wanted to know.

I told you, I’m arranging it as an act of charity, said the lady.

But—

He loves little girls, laughed one of them, a very young man, his face still downy over the lip. The others all glared at him, and the lady rode between us and said:

He too is a very charitable man. And life will be splendid for you from now on! You’ll wear gowns of fine velvet and shoes lined with lamb’s fleece. You’ll have a bed all to yourself with sheets of the whitest lawn, the counterpane embroidered with ruby pomegranates and golden lilies. You’ll have a servant to lift you into it each night. The pillow will be filled with whitest down from the wild geese that fly to England in the spring.

I stared at her. What land is he lord of, this lord? I asked finally.

The summer land, said the lady. Beyond Zaragoza. I didn’t know where that was. Shall I tell you about the palace where you’ll live? The most beautiful palace of Argentoro, which is not least among the palaces of the world, being made of blocks of pure white marble veined with gold. The park around it is seven by seventy leagues to a side and filled with pleasant streams and walks; there are orange groves and pools where swim gold and silver fish. There are Indians and monkeys from the New World; there are rose gardens. Everything a little girl could want.

Oh, I said again.

And again they all smiled at one another over my head.

Well, that had me floating on air. Except, in all the stories I’d ever heard, little princesses had big troubles. It was true that handsome princes usually came and rescued them, but the troubles came first and sometimes they lasted a hundred years.

Anyway, we rode on through green mountains, I asking questions and they laughing at me. By nightfall we reached a big old house set far back from the road, darkly shadowed by oak trees, and there wasn’t a castle or an orange grove in sight.

They took me inside this dark house, and I must admit I had the biggest meal of bacon and onions I’d ever seen, all to myself. But when I asked them where the great lord was, they told me he’d be there soon; he was riding from a far country and it would take him days yet to arrive. Then they put me to bed alone in a room, all to myself—another promise kept—and for all my doubt I slept soundly.

I lived with those people in that house for maybe a week. I knew there was something odd about the household but, being a peasant child, didn’t know that it was unusual for gentlefolk to live in a remote house with nearly no furniture, no servants, and no visible means of support—in that century, anyway. They had plenty of food of the finest quality (in my opinion), and their clothes were not threadbare. These weren’t impoverished nobility; their purses were heavy with gold that never diminished.

They made no attempt to train me in any kind of work. In fact, I was left to myself to wander through the empty rooms of the house all day, while they came and went on mysterious errands. They were more and more evasive in answering my questions. Sometimes they gave conflicting answers, or fanciful ones a baby wouldn’t have believed.

By sitting quietly where they didn’t think I could hear, I gathered that the house was only a temporary place and we wouldn’t be staying there long. The red-haired lady seemed to be their mistress; they all deferred to her. There was to be some kind of party soon, at a place called The Rocks, where other persons would be waiting for us.

The ring was turning my finger green, as the saying goes.

Then, one day, I was alone with the youngest man of the party. He was the only one who would play with me; he talked so much, the others were always cautioning him to silence. Watching from my cupboard window, I had seen the lady and her friends ride away that morning. I climbed out of bed and padded down the creaking

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