The Memory of Whiteness: A Scientific Romance
3.5/5
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Currently unavailable
About this ebook
An early novel from Science Fiction legend Kim Stanley Robinson, The Memory of Whiteness is now available for the first time in decades.
In 3229 A.D., human civilization is scattered among the planets, moons, and asteroids of the solar system. Billions of lives depend on the technology derived from the breakthroughs of the greatest physicist of the age, Arthur Holywelkin. But in the last years of his life, Holywelkin devoted himself to building a strange, beautiful, and complex musical instrument that he called The Orchestra.
Johannes Wright has earned the honor of becoming the Ninth Master of Holywelkin's Orchestra. Follow him on his Grand Tour of the Solar System, as he journeys down the gravity well toward the sun, impelled by a destiny he can scarcely understand, and is pursued by mysterious foes who will tell him anything except the reason for their enmity.
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Kim Stanley Robinson
Kim Stanley Robinson was born in 1952. After travelling and working around the world, he settled in his beloved California. He is widely regarded as the finest science fiction writer working today, noted as much for the verisimilitude of his characters as the meticulously researched scientific basis of his work. He has won just about every major sf award there is to win and is the author of the massively successful and highly praised ‘Mars’ series.
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Reviews for The Memory of Whiteness
5 ratings3 reviews
- Rating: 4 out of 5 stars4/5Set about a thousand years in the future, this space opera follows the story of famous musician Johannes Wright as he embarks on a grand tour of the solar system, progressing from Pluto to Mercury and beset along the way by sabotage and assassination attempts by a mysterious cult known as "the Greys." This book was obviously a breeding ground for ideas Robinson later used in his more famous Mars Trilogy, but it also stands on its own as a cool little novel that works with a number of different themes. As usual with Robinson, advanced scientific theories rear their ugly heads (even in discussions about music), but you can hardly fault him for being true to the genre's name. Personally I found the most interesting parts to revolve around the character of Dent Ios, a journalist who falls in with the tour and later aids the chief of security in unravelling the mystery surrounding the Greys, despite his inexperience and incompetence. The ending also came to a rather cinematic climax, which pandered to my tastes perfectly well.
- Rating: 4 out of 5 stars4/5i liked this one quite a lot. quite different from Robinson's usual story. it's a far future sf, vividly set on a space opera stage. makes me think of stuff like Keith Roberts' Pavane, that kind of story, though it's easy enough to see Jack Vance in it too. the worlds are interesting, but the big deal is the main conceit: a galactic culture based on music, the nature of the interface between the audience and the work, and the nature and influence of artistic principles in engendering change. art, then, is always in the best sense revolutionary. starts with an Einstein quote: "It is the theory which decides what we can observe." and the whole thing, the physics of the whole culture, the diversity of models idea can generate, and the sort of synesthesia shorthand by which the idea moves out from the work, it's all a series of riffs on that one quote. nice.
- Rating: 2 out of 5 stars2/5In the very far future, when humanity has colonized the solar system, a musician embarks on a tour with an instrument developed by the man whose physics power civilization. He aspires to make music that corresponds to that physics, which may mean that listening to the music shows you your past and future, completely determined. There’s also a conspiracy or two around whether he’ll be allowed to give his concerts. Though early on there’s an exchange about the amusing idea of writing about music, the book doesn’t escape that inherent problem – especially for a musically untrained person like me, much of the writing was essentially meaningless. Robinson’s later genius for landscape is apparent in stretches as he describes coming home to Mars and then to Earth, but mostly I felt he was wasting his time writing about music in a setting over a thousand years from now, both of which worked to distance me from the plot and characters.