The Jazz Artist's Survival Guide
By Greg Pasenko
1/5
()
About this ebook
Among my many endeavors, I have a jazz label and promotion business. When I meet with a new potential client we typically have a long conversation about their lives, needs, hopes and dreams in relationship to whatever project they bring me. Invariably, somewhere in the conversation I get a blank stare and the comment, “you are so negative about the business, why should I be talking to you”?
I tell them that I believe that I have come close to experiencing almost every aspect of the music business and most of it “ain’t pretty”; that if an artist wants to gig and put out CD’s (particularly as art), they need to know what that entails at all levels, who they are competing with, and what they are up against. The market is small, the competition is fierce, and the dollars needed to spend can be large amounts unless understood.
BUT, if you can get a handle on what these areas are about, learn to balance your approach, have realistic expectations and find quality people to work with, you can carve out a niche for your self as a JAZZ ARTIST. It is possible! And that is why I started a BLOG and created this BOOK.
If you enjoy this book let me know, and if you have questions please ask. I look forward to talking to you.
Greg Pasenko
Greg Pasenko has had a remarkable history in the world of music. While he is the founder and president of the successful alternative jazz record label, Blujazz, he is also a dynamic vocalist and a master guitarist. He has played and led bands in the jazz, blues, and R&B scene throughout the world While on the road for 14 years, Greg lived and led bands in KC, LA, Denver, St. Louis, and Chicago with his groups headlining or sharing the bill with jazz artists like Ramsey Lewis, Eddy Jefferson, Maynard Ferguson, blues artists like Buddy Guy and Junior Wells, comedians such as Bob Hope and Henny Youngman, and Maury Amsterdam, and rock groups like Rush, Mountain, and Blue Oyster Cult. This period also includes playing with Buddy Guy’s brother Phil Guy’s band, playing for Chuck Berry and performing at Chucks ranch in MO. Greg played in a duo with Bobby McFerrin (before Bobby’s recording career) with Bobby playing piano and Greg singing and playing guitar. As a jazz producer he has 5 cd’s to his credit, including one with George Mraz, Ed Thigpen, Frank Wess, and Lew Soloff. Others include jazz violinist Diane Delin, saxophonist Nick Bisesi, and The Mike Frost Project. He worked in the publishing dept. for United Artists Records in LA during the time Blue Note was part of UA while performing at Harry James’ drummer, Les DeMerle’s LA Cellar club, backing artists like Ritchie Cole, Eddie Jefferson, Alex Acuna, and more. While there he also played many of the famous clubs during their “hey day” like the Whiskey, Roxy, and Troubadour. Greg was a featured artist at the Signature Room Jazz Club on the 95th Floor of the John Hancock Building in Chicago for four years. He also was featured at Chicago’s major festival, “Taste of Chicago”. He was asked to perform for President Clinton’s farewell tour here in Chicago at the Palmer House. Greg has two cds released to date, “A Cold Night In Chicago” and his latest release, “Something Old New Borrowed Blue”. This is his first cd featuring his solo jazz vocal and finger style jazz guitar work with some added guests on a few cuts to spice it up. "... Our favorite performer." - Signature Room 96th flr., John Hancock Building "...Outstanding performance." - Chicago Mayor's Office of Special Events "He's a master guitarist and an engaging vocalist... this CD was such a pleasant surprise for me." - Steve Emerine, Pres., Tucson Jazz Society; Jazz Journalists Association
Related to The Jazz Artist's Survival Guide
Related ebooks
The Jazz Style: A Comprehensive Introduction Rating: 5 out of 5 stars5/5How to Grow as a Musician: What All Musicians Must Know to Succeed Rating: 3 out of 5 stars3/5Talking Jazz With Ben Sidran: Volume 2: Solo Voices Rating: 4 out of 5 stars4/5What Is This Thing Called Jazz?: Insights and Opinions from the Players Rating: 0 out of 5 stars0 ratingsWrite Songs Right Now Rating: 5 out of 5 stars5/5Songwriting on a Shoestring: Writing, Producing and Promoting Your Own Songs Rating: 3 out of 5 stars3/5The Power of Why 27 Musicians Captured The Lead Rating: 0 out of 5 stars0 ratingsStarting Your Career as a Musician Rating: 4 out of 5 stars4/5Inspiration for Great Songwriting: for pop, rock & roll, jazz, blues, broadway, and country songwriters Rating: 5 out of 5 stars5/5Improvising Jazz Rating: 4 out of 5 stars4/5Essential Techniques of Jazz and Contemporary Piano Rating: 4 out of 5 stars4/5Welcome to the Jungle: A Success Manual for Music and Audio Freelancers Rating: 0 out of 5 stars0 ratingsRecording and Producing in the Home Studio: A Complete Guide Rating: 4 out of 5 stars4/5The Complete Singer-Songwriter: A Troubadour's Guide to Writing, Performing, Recording & Business Rating: 0 out of 5 stars0 ratingsTalking Jazz With Ben Sidran: Volume 1: The Rhythm Section Rating: 0 out of 5 stars0 ratingsThe Real Jazz Pedagogy Book: How to Build a Superior Jazz Ensemble Rating: 0 out of 5 stars0 ratingsFrom Art to Commerce: A Workbook for Independent Musicians Rating: 0 out of 5 stars0 ratingsWorking In The Music Industry Rating: 0 out of 5 stars0 ratingsSonglab: A Songwriting Playbook for Teens Rating: 4 out of 5 stars4/5Jazz Improvisation Basic Training Rating: 0 out of 5 stars0 ratingsGet it Out There! Rating: 0 out of 5 stars0 ratingsThe College of Songology 101: The Singer/Songwriter's 'Need To Know' Reference Handbook Rating: 0 out of 5 stars0 ratingsLife Lessons from the Horn: Essays On Jazz, Originality and Being a Working Musician Rating: 0 out of 5 stars0 ratingsHow to Be an Employable Musician Rating: 0 out of 5 stars0 ratingsThe Musician's Career Guide: Turning Your Talent into Sustained Success Rating: 5 out of 5 stars5/5The Little Red Book of Musician's Wisdom Rating: 1 out of 5 stars1/5Duke Ellington: His Life in Jazz with 21 Activities Rating: 2 out of 5 stars2/5Analysis of Jazz: A Comprehensive Approach Rating: 5 out of 5 stars5/5School for Cool: The Academic Jazz Program and the Paradox of Institutionalized Creativity Rating: 3 out of 5 stars3/5Connecting Chords with Linear Harmony Rating: 4 out of 5 stars4/5
Careers For You
How to Open & Operate a Financially Successful Notary Business Rating: 4 out of 5 stars4/5The 12 Week Year: Get More Done in 12 Weeks than Others Do in 12 Months Rating: 4 out of 5 stars4/5How to Write a Grant: Become a Grant Writing Unicorn Rating: 5 out of 5 stars5/5The Ultimate Side Hustle Book: 450 Moneymaking Ideas for the Gig Economy Rating: 4 out of 5 stars4/5The Pathless Path Rating: 5 out of 5 stars5/5The Everything Guide To Being A Paralegal: Winning Secrets to a Successful Career! Rating: 5 out of 5 stars5/5From 150 to 179 on the LSAT Rating: 4 out of 5 stars4/5Wise as Fu*k: Simple Truths to Guide You Through the Sh*tstorms of Life Rating: 4 out of 5 stars4/5Ultralearning: Master Hard Skills, Outsmart the Competition, and Accelerate Your Career Rating: 4 out of 5 stars4/5Buy Then Build: How Acquisition Entrepreneurs Outsmart the Startup Game Rating: 5 out of 5 stars5/5The Confidence Code: The Science and Art of Self-Assurance---What Women Should Know Rating: 4 out of 5 stars4/5The Everything Career Tests Book: 10 Tests to Determine the Right Occupation for You Rating: 0 out of 5 stars0 ratingsReal Artists Don't Starve: Timeless Strategies for Thriving in the New Creative Age Rating: 4 out of 5 stars4/5Introduction to Conducting Private Investigations: Private Investigator Entry Level (02E) Rating: 5 out of 5 stars5/5The 7 Habits of Highly Effective People: The Infographics Edition Rating: 4 out of 5 stars4/5The Start Your Own Business Bible: 501 New Ventures You Can Launch Today Rating: 4 out of 5 stars4/5The 4-Hour Workweek (Review and Analysis of Ferriss' Book) Rating: 4 out of 5 stars4/5How to Be Everything: A Guide for Those Who (Still) Don't Know What They Want to Be When They Grow Up Rating: 4 out of 5 stars4/5Audition: Everything an Actor Needs to Know to Get the Part Rating: 4 out of 5 stars4/5Quitting: Why I Left My Job to Live a Life of Freedom Rating: 4 out of 5 stars4/5The Hard Truth About Soft Skills: Soft Skills for Succeeding in a Hard Wor Rating: 3 out of 5 stars3/5Setting the Table: The Transforming Power of Hospitality in Business Rating: 5 out of 5 stars5/5Creative, Inc.: The Ultimate Guide to Running a Successful Freelance Business Rating: 4 out of 5 stars4/5The Art of Work: A Proven Path to Discovering What You Were Meant to Do Rating: 4 out of 5 stars4/5Peak: Secrets from the New Science of Expertise Rating: 4 out of 5 stars4/5You Can't Lie to Me: The Revolutionary Program to Supercharge Your Inner Lie Detector and Get to the Truth Rating: 4 out of 5 stars4/5The Growth Mindset: The Art of Growth, #1 Rating: 5 out of 5 stars5/5
Reviews for The Jazz Artist's Survival Guide
2 ratings0 reviews
Book preview
The Jazz Artist's Survival Guide - Greg Pasenko
The Jazz Artist’s Survival Guide
Greg Pasenko
www.jazzsurvival.com
Copyright 2013 Greg Pasenko
Cover by Jack Frisch Upright Graphics
Cover Quote by Bill Anshell
Edited by Diane Delin
Smashwords Edition
Good decisions come from experience. Experience comes from making bad decisions.
Mark Twain
Welcome - and Why!
Among my many endeavors, I have a jazz label and promotion business. When I meet with a new potential client we typically have a long conversation about their lives, needs, hopes and dreams in relationship to whatever project they bring me. Invariably, somewhere in the conversation I get a blank stare and the comment, you are so negative about the business, why should I be talking to you
?
I tell them that I believe that I have come close to experiencing almost every aspect of the music business and most of it ain’t pretty
; that if an artist wants to gig and put out CD’s (particularly as art), they need to know what that entails at all levels, who they are competing with, and what they are up against. The market is small, the competition is fierce, and the dollars needed to spend can be large amounts unless understood.
BUT, if you can get a handle on what these areas are about, learn to balance your approach, have realistic expectations and find quality people to work with, you can carve out a niche for your self as a JAZZ ARTIST. It is possible! And that is why I started a BLOG and created this BOOK.
If you enjoy this book let me know, and if you have questions please ask. I look forward to talking to you.
Greg Pasenko
Blujazz, Chicago
www.blujazz.com
www.jazzsurvival.com
www.blujazz.com
www.gregpasenko.com
gregpasenko@blujazz.com
info@blujazz.com
About Moi
Formal:
Greg Pasenko has had a remarkable history in the world of music. While he is the founder and president of the successful alternative Blujazz Label, Promotions, and Bookings - US/Europe with over 80 releases, co-owner of the French production company Plus Loin, creator of the short lived but critically acclaimed Chicago jazz spot, Club Blujazz, and artistic director for jazz programing at the Skokie Theatre Music Foundation. Greg is also a dynamic vocalist and a master guitarist. He has played and led bands throughout the worlds of jazz, blues, and R&B music.
As owner of Blujazz Label, Promotions, and Booking, Greg has consistently placed his artists on national and international radio charts, jazz trade critics polls, in international print magazine articles and online magazines, and newspaper articles. He has booked and presented artists at major jazz venues internationally including the Chicago Jazz Showcase, Kingston NY Jazz Festival, and the Guinness Cork Ireland Jazz Festival. He had assisted in the winning of two Grammy’s for Planet Arts Records’ The Vanguard Orchestra, and achieved several nominations. As the writer of The Jazz Artist’s Survival Guide
, www.jazzsurvival.com, Greg tours giving lectures and performances utilizing the information in this book to help jazz professionals and students live and thrive internationally in world of Jazz.
While on the road for over 14 years, Greg lived and led bands in Kansas City, Los Angeles, San Francisco, Denver, St. Louis and Chicago, with his groups headlining or sharing stages with jazz artists such as Ramsey Lewis, Eddie Jefferson and Maynard Ferguson, blues greats such as Buddy Guy and Junior Wells, comedians such as Bob Hope, Henny Youngman and Maury Amsterdam, and rock groups like Rush, Mountain, Greg Allman, and Blue Oyster Cult. This period also included playing with Buddy Guy’s brother Phil Guy’s band, and playing for Chuck Berry. Greg also played in a duo with Bobby McFerrin (before Bobby’s recording career) with Bobby playing piano and Greg singing and playing guitar.
As a jazz producer he has 7 CDs to his credit, including one with George Mraz, Ed Thigpen, Frank Wess, and Lew Soloff. Others include jazz violinist Diane Delin, saxophonist Nick Bisesi, vocalist Dee Alexander, Guitarist Paul Kogut with Lewis Nash/George Mraz, Greg Pasenko Solo/Trio and The Mike Frost Project.
He worked in the publishing department for United Artists Records in Los Angeles during the time Blue Note was part of United Artists. During that time, he also performed at Harry James’ drummer, Les DeMerle’s Cellar club, backing artists like Ritchie Cole, Eddie Jefferson, Alex Acuna, and more. While in LA he also toured and recorded with Mel Torme’s son Steve Torme playing many of the famous LA clubs during their hey day
like the Whiskey, Roxy, and Troubadour.
Greg was a featured artist at the Signature Room Jazz Club on the 95th Floor of the John Hancock Building in Chicago for four years. He has performed for President Clinton, Chicago Mayor Daley, three Illinois Governors and many more major political figures.
Informal:
I GOTTA TELL YA, THIS JAZZ BIDNESS AIN’T EASY
I have been a professional guitarist and vocalist since I was 15. I worked as a bus boy to buy my first guitar and amp at the Illinois State Fair in Springfield. I went on the road when I was 17 quitting college, moved to Kansas City, and toured through an agency all over the Southwest while living at a hotel that catered to theatre artists performing in KC. I went back and forth between school and the road for a few years and then just stayed on the road until I was about 29, living in Kansas City, St.