To Be Or Not To Be: And everything else you should know from Shakespeare
By Liz Evers
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To Be Or Not To Be - Liz Evers
Copyright
First published in Great Britain in 2010 by
Michael O’Mara Books Limited
9 Lion Yard
Tremadoc Road
London SW4 7NQ
This electronic edition published in 2011
ISBN: 978-1-84317-811-8 in EPub format
ISBN: 978-1-84317-812-5 in Mobipocket format
ISBN: 978-1-78243-483-2 in hardback print format
Copyright © Michael O’Mara Books Limited 2010, 2015
All rights reserved. You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
A CIP catalogue record for this book is available from the British Library.
Designed and typeset by Ana Bjezancevic
Ebook compilation by RefineCatch Limited, Bungay, Suffolk
www.mombooks.com
Contents
Title Page
Copyright
Introduction
‘What a piece of work is a man’
The life of William Shakespeare
‘Words, words, words’
Everyday words we owe to Shakespeare
‘All the world’s a stage’
Shakespeare’s theatre
‘Within this wooden O’
Shakespeare’s plays 1588–96
‘It was Greek to me’
Common quotes and misquotes
‘The play’s the thing’
Shakespeare’s plays 1596–1603
‘Love is blind’
Shakespeare’s sonnets
‘A kingdom for a stage’
Shakespeare’s plays 1603–7
‘Knock, knock – who’s there?’
A who’s who glossary of major characters
‘Our revels are now ended’
Shakespeare’s plays 1607–13
‘Exit, pursued by a bear’
Index of famous lines
Bibliography
Introduction
It is difficult to grasp just how significant this sixteenth-century poet and playwright has been in all our lives. Some may remember fondly how William Shakespeare’s sonnets complemented the first stirrings of love in their hearts. Others may harbour bitter memories of being forced to learn his lengthy speeches at school. And yet others may have only dim recollections of plays about teenage lovers killing themselves, or that one with the young man carrying the skull around and talking about death all the time. Whatever the case, we all have our memories of Shakespeare. In fact, he has influenced us more profoundly than we can imagine.
If you’ve ever compared someone to a summer’s day or fallen prey to jealousy’s ‘green-eyed monster’ – that’s down to Shakespeare. If you’ve ever mentioned an ‘addiction’, an ‘alligator’ or an ‘assassination’ – you’ve quoted him. If you’ve ever been an angst-ridden, angry young man (or woman) – Shakespeare’s Hamlet beat you to it. And if you’ve ever told a ‘Knock, knock’ joke – you guessed it, that’s Shakespeare too.
With its chapters on the language and phrases we have inherited from Shakespeare, and the most common misquotations of his words, this book attempts to capture the scale of the Bard’s influence and to surprise the reader. With its section on the plays and individual synopses of each, plus its character glossary, and index of famous lines, the book strives to capture the essence of Shakespeare’s often complex stories and rich characterization, to provide a handy reference guide, and to conjure (hopefully pleasant) memories. And with its section on Shakespeare’s poetry, the book will hopefully stir up some romance and maybe a little intrigue, too.
‘What a piece of work is a man’
The life of William Shakespeare
Shakespeare had no biographer in his lifetime and what we do know about him has been cobbled together from a scattering of documents or inferred from his writing. He was born to John Shakespeare, a glover and later a bailiff, and his wife Mary, in Stratford-upon-Avon on or around 23 April 1564. It is presumed that as a son of a prominent local citizen he would have attended the nearby King’s Free Grammar School to receive lessons in Latin and Greek.
Shakespeare married Anne Hathaway in 1582, when he was aged eighteen and she was twenty-six and expecting the first of their three children. This age difference and the fact that Anne was already pregnant has led some to wonder if it was a ‘shotgun wedding’ forced by the Hathaway family.
Documents from the Episcopal Register at Worcester record the issuing of a wedding licence to a ‘Wm Shaxpere’ and an ‘Annam Whateley’. The following day’s entry shows that Hathaway relatives from Stratford signed a surety of £40 to guarantee the wedding of a ‘William Shagspere’ to ‘Anne Hathwey’ – one biographer, Frank Harris, claims that rather than just poor spelling, this is to be taken as evidence that Shakespeare was involved with two women – and wanted to marry the former but was forced to take the latter. Either way, Miss Hathaway became Mrs Shakespeare in November 1582 and their first child, Susanna, was born six months later. The couple then had twins, Hamnet and Judith, in February 1585, though of the two only Judith survived to adulthood.
After the birth of the twins little is known about Shakespeare’s life until he shows up again in 1592. As a consequence, the period between 1585 and 1592 has become known as Shakespeare’s ‘lost years’. However, it is safe to assume that he moved to London in the mid to late 1580s and became established enough in the theatre by 1592 for fellow dramatist Robert Greene in his Groat’s Worth of Wit to call him: ‘an upstart crow, beautified with our feathers … supposes he is as well able to bombast out a blank verse as the best of you; and, being an absolute Johannes factotum [Jack of all trades], is in his own conceit the only Shake-scene in a country.’
The playwright
Throughout the 1590s and the first decade of the seventeenth century, Shakespeare enjoyed great success as a playwright. His company performed first before Queen Elizabeth I and then her successor, James I (James VI of Scotland), many times. Shakespeare acted too – though it is assumed he largely took minor roles.
His company started off as the Chamberlain’s Men, performing mainly at The Theatre in Shoreditch, London’s first public theatre. It then moved into the newly built Globe Theatre in Southwark in 1599, which was owned by the company members, including Shakespeare, as shareholders. Under the royal patronage of James I, Shakespeare’s theatre company became known as the King’s Men and performed at court some eleven times. From 1608, the company also performed at the indoor Blackfriars Theatre in the winter months.
The family man
How frequently Shakespeare returned to see his wife and children in Stratford we do not know. The lengthy periods of separation have led many to conjecture that it was an unhappy marriage. Others believe he visited between theatrical seasons and that the fact that he bought the second-largest house in Stratford for his family in 1597, coupled with the fact that he effectively retired there from 1612, is evidence of a strong familial bond.
Shakespeare is thought to have had a number of affairs while living his separate life in London and his sonnets are frequently taken as evidence of this. He is suspected in the early sonnets of having romantic feelings for a young man, possibly the ‘Mr WH’ to whom the publisher dedicates the collection. Incongruously, the later sonnets profess strong sexual desire and love for a woman now known as the ‘Dark Lady’ because of the descriptions of her hair and complexion. The sonnets are rendered all the more intriguing because there is a question mark over whether or not their publication in 1609 was authorized by the poet. They were certainly never reproduced again in his lifetime (see here).
With regard to the happiness or unhappiness of his marriage, the most frequently cited ‘evidence’ of Shakespeare’s disregard for his wife is his will. In it, Shakespeare appears to leave her only the ‘second best bed’. I say ‘appears’ as it may be the case that she would have automatically inherited up to a third of his estate regardless. That aside, many have seen this bequest as a slight upon Anne. More optimistic scholars have seen the bed as a knowing gift from husband to wife, as in all likelihood, the second-best bed was their marriage bed, the best being reserved for guests. Those who favour this romantic viewpoint include poet laureate Carol Ann Duffy, who made it the subject of her sonnet ‘Anne Hathaway’, which can be found in her collection of poems The World’s Wife.
Shakespeare’s remaining estate was bequeathed to his two daughters, the bulk of it going to the elder, Susanna. Both his daughters married but between them produced only one grandchild, Susanna’s daughter Elizabeth, who herself died childless, leaving Shakespeare with no direct descendents, or ‘legitimate’ ones that we know of at least. Whether the ‘Dark Lady’ ever produced any Shakespeare offspring is anyone’s guess.
Shakespeare’s legacy
Shakespeare’s plays were published posthumously in 1623 by former King’s Men members John