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Sunshine
Sunshine
Sunshine
Ebook526 pages9 hours

Sunshine

Rating: 4 out of 5 stars

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A small-town baker uses her magic to confront a post–vampire apocalypse world in this award-winning fantasy Neil Gaiman called “pretty much perfect.”

Although it had been mostly deserted since the Voodoo Wars, there hadn’t been any trouble out at the lake for years. Rae Seddon, nicknamed Sunshine, head baker at her family’s busy and popular café in downtown New Arcadia, needed a place to get away from all the noise and confusion—of the clientele and her family. Just for a few hours. Just to be able to hear herself think.
 
She knew about the Others, of course. Everyone did. And several of her family’s best regular customers were from SOF—Special Other Forces—which had been created to deal with the threat and the danger of the Others.
 
She drove out to her family’s old lakeside cabin and sat on the porch, swinging her feet and enjoying the silence and the silver moonlight on the water.
 
She never heard them coming. Of course, you don’t when they’re vampires.
 
Fans of Buffy the Vampire Slayer and Sookie Stackhouse will cheer for this tough and quirky heroine. In Sunshine, which won the Mythopoeic Fantasy Award for Adult Literature, McKinley has a vampire novel that is “a smart, funny tale of suspense and romance” (San Francisco Chronicle).
 
LanguageEnglish
Release dateNov 18, 2014
ISBN9781497673717
Author

Robin McKinley

Robin McKinley has won various awards and citations for her writing, including the Newbery Medal for The Hero and the Crown, a Newbery Honor for The Blue Sword, and the Mythopoeic Fantasy Award for Adult Literature for Sunshine. Her other books include the New York Times bestseller Spindle’s End; two novel-length retellings of the fairy tale Beauty and the Beast, Beauty and Rose Daughter; Deerskin, another novel-length fairy-tale retelling, of Charles Perrault’s Donkeyskin; and a retelling of the Robin Hood legend, The Outlaws of Sherwood. She lives with her husband, the English writer Peter Dickinson; three dogs (two hellhounds and one hell terror); an 1897 Steinway upright; and far too many rosebushes.

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Reviews for Sunshine

Rating: 4.073135643403442 out of 5 stars
4/5

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  • Rating: 4 out of 5 stars
    4/5
    Maybe I'm just not a UST (unresolved sexual tension) fan, but couldn't they just kissed already at the end of the book? They admitted they cared about each other and wanted to spend time together, but I'd hope for a little bit more resolution between them. Or at least a sequel!

    That said, I wrote the rest of this yesterday and it still holds true:
    I'm almost finished reading Sunshine by Robin McKinley, and I usually reserve judgment of books until I finish them, but unless she fails spectacularly I'm probably going to give it 4 or 5 stars out of five. There are a lot of bad vampire books out there, and this is not one of them. She's imaginative, she has a very colloquial style I enjoy, and even though her life is very similar to Sookie Stackhouse's, I never get bored with her "and today I worked and nothing else really happened" paragraphs. Also, she brings mystery and magic back to the genre -- things are disorienting and mysterious and non-straightforward in a way that magic should be. I definitely recommend this to my vampire-liking friends.
  • Rating: 5 out of 5 stars
    5/5
    Rae Seddon, commonly known as Sunshine, quite happy to make cinnamon rolls and have all her life around the bakery, decides to go to the lake which proves to be trouble. In her words, "it was a dumb thing to do, but not that dumb".Because there are dark things about, and the darkest of the Others are vampires, and of course, Sunshine is kidnapped by them. And no-one escapes vampires.Wait, don't run. I know I said vampires, and with a character named Sunshine and this description you are thinking "oh no, not another vampire urban fantasy". I also groan at the thought of yet another vampire book (even though I've read very few of those). Yep, this is urban fantasy. Yep, there are vampires. But this is what urban fantasy should be like.Sunshine is told in a kind of different way - and it takes some getting used to. It is told in the first person by Sunshine, but more like she is thinking. Do you know when you are remembering something, and rehearsing how you are going to tell it to someone, and the thoughts seem to ramble and deviate and then get back on track? That's how this book is. And I loved it. It resonates with my thoughts and makes you actually pay attention to reading because a missed paragraph can make you stare at the page thinking "how the hell did we get here!?". This, together with the plot, means that it is a complex book, but in no way is it complicated.As a character, Sunshine is great. She is flawed, she gets angry, she can do great things and actually be astonished that she can do them. She is human, and so believable that is like she is there. This is her story, and as such we get to see so much of her.And then there are the vampires. I would say to forget all the romantic notions of vampires, but that wouldn't be quite right. There is a kind of gothic feel to it, and wooden stakes are still your best friend (as well as day-time and sunshine). But they are different than most vampires seen in fiction, there's an otherliness to them that suits them.Another thing that I loved was the fact that until the very ending I was still learning about this world, which is so alike and so different from our own. The information comes in bits and pieces as Sunshine mentions them, the mental picture forms slowly and a bit haphazardly, but there is a sense that there are still parts of the town unknown to me, and that they exist with a life of their own, not just as backdrop.Sunshine is a different book for sure, and is hard to talk about it without people jumping to clichés. This is vampire urban fantasy by the mere fact that it is set in a city and there are vampires. Everything else is new and fresh.Also at Spoilers and Nuts
  • Rating: 3 out of 5 stars
    3/5
    The premise: I can't remember where I ganked the premise from initially for the book club, but I did gank it from somewhere: Sunshine's mundane existence as the head baker at Charlie's Coffeehouse takes an unexpected turn when she drives to her grandmother's secluded summer camp. While she is taking in the scenic view of the starlit sky reflecting off the lake's calm surface, she is attacked by a gang of vampires and brought to an abandoned mansion on the far side of the lake. They strip her of her shoes, dress her in a blood-red gown, and shackle her to a wall. In the semi-darkness of the moonlit room, she realizes that a vampire is shackled next to her.My RatingGive It Away: The hype may have raised my expectations WAY too high on this one, I'll admit. Here's the thing, I appreciate what the book is doing and when it was doing it. I like that the vampires are not romantic heroes, that they look like monsters and are meant to incite fear. I like that our heroine responds to this horror like a normal person going through shock, unlike your typical urban fantasy heroine who clearly has no idea how badly she needs therapy. However, the writing style really taxed me and made my reading much more difficult than it would've been otherwise. And maybe it's me having WAY too many workshops telling me the do's and don'ts of writing, so I look at this as McKinley embracing too many don'ts. My critical brain was in overdrive, but I'm willing to chalk that up to a me-thing simply because, hey, this book is a best-seller and who am I to judge? I did, however, wish that McKinley had answered more questions than she raised, especially since this book is meant to be a stand-alone, even though it EASILY reads like the first in a series. Oh, sure, the main storyline resolves, but when the book is over, I'm left feeling a little underwhelmed.I wish I'd liked this book better though. I expected to, given the praise I'd heard and given how enjoyable McKinley was to work with in her guest blog. But the book didn't work for me, and that's going to happen (again, I think my expectations were WAY too high). Whether or not I'll try a different McKinley title in the future will thoroughly depend on whether or not the premise grabs me. So I'm sad, but I'm glad this book hits a sweet spot with so many other readers. :)Review style: Two categories, what I liked and what I didn't. I'm probably going to bore you with talk about writing styles, but I have a lot to say about this one in regards to the story. I also plan on discussing the nature of stand-alone books that can also be the first in a series, and whether or not Sunshine owes it to its readers to have a sequel or stay all by its lonesome. Very vague spoilers, so if those wig you out, just skip to the "My Rating" section of the review and you'll be in good shape. The rest of you, read on! :)REVIEW: Robin McKinley's SUNSHINEHappy Reading!
  • Rating: 4 out of 5 stars
    4/5
    If you are a RM fan, you will love this story. Sequel please!
  • Rating: 5 out of 5 stars
    5/5
    I have a list of books that I want to buy with some of them marked with a star next to them because they arethe ones that sound especially interesting to me. This was one of those books. I found it while in a bookstore recently, but I could not remember why I had marked it with a star because I'm not a big vampire book reader. This is one of the best vampire books I have ever read. When you think of a vampire book, you automatically think of "Twilight", "Vampire Diaries", etc., this is nothing like any other vampire book I have ever read before. The book started out a little slowly, her writing is just a little different than most, but, shortly into the first chapter or so she picks up the pace and it's really hard to put the book down after that.It's a little bit of a futuristic vampire story and very well worth the read.
  • Rating: 4 out of 5 stars
    4/5
    I loved this book. It's kind of hard to put this book in any one genre because it's not a love story and it's definitely not about vampires. I'd say straight up fantasy. McKiney's writing is what makes Sunshine a worthwhile read- the prose is lush, sweet and dreamy. I wish she would write a sequel because the ending created more questions than answers. A girl, Sunshine, is kidnapped by a bunch of murderous vampires and wakes up chained at the ankles in an abandoned house across the room from a vampire who is also chained. Her kidnappers are sworn enemies of the chained vampire, and they hope Constantine, the chained vampire, will become so crazed with the need to feed that he bites Sunshine and either turns or kills her. Constantine does not feed from humans. I don't think it's every explained what he feeds from. Sunshine and Constantine never really talk that much. There's not much dialog at all in the book and there are times when McKiney drones on and on about food, ingredients and the cooking process regarding the bakery that Sunshine works in that you almost become bored. But McKiney's writes so beautifully and blessedly absent is most every vampire cliche that most writers succumb to that it's such a refreshing read.
  • Rating: 5 out of 5 stars
    5/5
    The setting *is* futuristic/AU, although the world bears enough resemblance to our own that it didn't bother me. There is a special police force devoted to tracking and "dealing with" the "Others" (vampires being the most deadly Other). Anyway, the heroine is very quirky and appealing, and McKinley does a nice job of rounding out the supporting cast too. The vampire "hero" is not nearly so solidly good guy as Edward Cullen; I suppose he would be a more traditional vampire protagonist. All her vampires are dark, unattractive predators, even Constantine. But, circumstances threw them together in such a way that a bond is formed between them, and his part in their relationship is convincingly portrayed. *If* he's sexy --- and I'm not entirely sure he is --- but if he is, it's in a very Sirius Black sort of way (when Sirius first gets out of Azkaban specifically). But, he's compelling as a character, and the relationship that he forms with Sunshine is very moving in and of itself. I was glad to see that there's definitely room for a sequel, and I hope it gets written (although it is strong as a stand-alone novel). It's very much a page-turner too; the plot moves along at a nice clip.
  • Rating: 4 out of 5 stars
    4/5
    Rae, nicknamed, Sunshine, is a baker. She works at a coffee shop, dates a biker, and has a fairly ordinary life. One evening, she drives out to the lake for some peace and quiet. That's where the vampires get her. She is taken to an abandoned mansion and chained to the ballroom wall. Someone else is chained there, too: Constantine, a vampire. "Speak," he tells her. "Remind me that you are a rational creature." Con has been chained there for too long, tormented by lack of food and the need to constantly avoid the sunlight pouring in through the room's uncovered windows during the day, lest he burst into flame when the light touches his skin. Sunshine's presence is just that much more torture -- but, unbeknownst to their captors, she can also be his salvation. Working together, Sunshine and Con can escape . . . but if they do, both of their lives will become extraordinarily complicated. There is no such thing in their world as human and vampire cooperation. The human police will become suspicious. And, as for the rival vampire who imprisoned Con in the first place? He will be furious, and both Con and Sunshine will be his constant targets until he exacts revenge.I'll admit, I kind of hated this book when it first came out. McKinley is one of my top ten favorite authors -- I'll admit she has some stylistic quirks (most notably, a tendency to ramble through pages of back-story and description in the middle of a scene), but her books usually work for me. But I'm not so much a fan of the vampire story (even less then than I was now) and I was not enamored of Con, who is dead (heh heh heh) creepy, nor of Sunshine, whose actions I still find a bit ambiguous. Also, this book is unapologetically adult, which is a bit of a shock to the sensibility of someone who is expecting something along the lines of Spindle's End and Rose Daughter. I liked the book a little better this time, knowing what to expect from it. (Also, it made me crave pastries like crazy.) It's never going to be among my favorite McKinley books, but I can see why so many people are fond of it. Readers who love a good dark, grown-up vampire story will savor this one.
  • Rating: 5 out of 5 stars
    5/5
    I don't know why I only gave this three stars the first time. To be totally honest, I read it one night when I had missed the last bus back to the town in which I lived, and I had to let myself into a bookstore I still had a key for and tried to sleep in a lumpy armchair. It was a low moment. Does it help if I admit that whiskey was a factor? At any rate, drunk and insomniac, I read all of this in one sitting and thought 'meh'. Probably, though, if a choir of angels had descended from the rafters to serenade me in my deeply uncomfortable chair, I would still have said 'meh.' Things were spinning, and I was just starting to feel no longer tanked, but slightly crusty and ashamed. Anyway, I just re-read this and it was really great. The vampires are original and disgusting and the setting is fascinating. It's got to be, hands down, the best teen vampire book ever. I WANT SIX MORE BOOKS, PLEASE. Sadly, that's not how quality books are made - I just have to hope inspiration prompts McKinley to give us more Sunshine.
  • Rating: 5 out of 5 stars
    5/5
    As wonderful as I have come to expect of Robin's books. I do wish I had read it when it first came out, like I had originally intended. Writing vampire fiction has become so common, and I kept thinking this book was about to go into the stupid places many of the current teen fantasy about vampires goes, and I kept having to remind myself that no, this in Robin, she wouldn't go there.
  • Rating: 1 out of 5 stars
    1/5
    I picked up Sunshine due to an interesting sounding premise and an intriguing first few pages. The "Pretty Much Perfect" cover testimonial from Neil Gaiman and a rather enthusiastic review from a bookshop employee also helped settle my mind. I just could not get into this book. I am by no means a fast reader, but it took me months to get through this book. 10-20 pages at a sitting were about all I could handle. For a book dealing with vampires, there is surprisingly little vampire content. Not that there's anything wrong with that, but instead, the reader is left with page after page of repetitious inner monologue from the main character - Sunshine. I don't know if McKinley was purposely trying to portray her main character as scatterbrained, but in a book with no chapter breaks and endless inner monologues, it grows rather tiring rather quickly. And the cinnamon rolls! Don't get me started! Okay, Sunshine is a baker. She loves to bake. A lot. When she's not bemoaning her current plight/vampire predicament, she's prattling on about baking. I really would like to know how many times the words "cinnamon rolls" appear in this book. Seriously, it had to have been in the triple digits. I may never crave a cinnamon roll again. Another thing that irked me was the lack of information about Sunshine's vampire ally - Con (short for Constantine). In the second half of the book, Con makes his presence somewhat more known, but McKinley never really fleshes out the character. A character even more in need of some back story is the evil vampire antagonist, Bo. He is just mentioned in passing so much that we know he's a bad guy, but never why. And the "climatic" end battle is over so fast that you're left wondering "Is that it?" I finally finished the book recently and rebounded by reading two other novels and starting a third on my pile over the course of the weekend. It felt good to enjoy a book again, but I still have a lot of reading to catch up on thanks to the multi-month reading roadblock that is Sunshine.
  • Rating: 5 out of 5 stars
    5/5

    Before I say anything else, can I just say that I was actually having dreams about this book throughout the entire time that I was reading it? I literally dreamed about things going on in this book, that's how much I got sucked into it. It was seriously on my mind ALL throughout the day and--apparently--during my nights as well. Probably because it was sexy without being pretentious and obnoxious. And it didn't make me want to eat a bullet just to stop the pain from reading SUCH bad writing I swear it was torture. I'm seriously going to make a petition to make things like Toilet literal torture devices in prisons and the like.

    But to get back on track~

    There's a considerable amount to love about this book. While most of the popular YA literature out there today has made me overly cautious of approaching anything that even whispers or insinuates the presence of 'vampires' in it, this was a risk I was willing to take because I knew the author. Robin McKinley is the author of one of the books I would stake my life on as being the most influential to me even up until today. Her work touched my heart and very being at a young age, and was able to do so again when I read it recently. I still stand by that work till the day I die. So I was willing to forsake the immense repulsion I have for all things 'vampire' and give her book a shot--because I trusted her. Lo and behold... I made the right choice.

    Sunshine is fan-TASTIC.

    It takes what is a normal existence and almost stuns you with how literally and seriously it takes itself when anything supernatural is finally thrown into the mix. In fact, I found myself shocked on a couple of levels when the main character's plain as day, average life was literally disrupted by vampires at all. In most of the crap you read today, you expect it to happen. Much of the bullcrap you read tries too flippin' hard to pretend it's taking this magic business seriously. I feel like a grown woman who is being spoken to by some elder making funny hand gestures and going, "Oooooohhhhhh~~~!" trying to impersonate a ghost and telling me I should believe they're the honest-to-God real thing.

    Yeah. Right.

    It doesn't work, and it doesn't go over well. It makes you feel like you're wasting your time and that you're being made a fool of. The asininity and pretentiousness of some of these 'books' written today will make any sane human being cautious about the supernaturally inclined stories that come out today. But Sunshine doesn't feel like it's trying to bullshit you. You read it and it surprises you every time a bit more magic is added into the mix because it reads like a completely normal story in every other respect. That's why I love it so much! When there's magic thrown into it, it's actual magic and not some smoke-and-mirrors act that means diddlysquat in the end. You read about vampires, and they treat those buggers with some actual weight and respect for their potential. In fact, if there's one thing that Sunshine did right, it's respecting the supernatural creatures that are spoken about within it. There is a real admiration I've always had for Robin McKinley and her ability to give meaning to things that other writers so often don't care to distinguish or even acknowledge. She does the very same here, and the effect is marvelous. Instead of reading about glitter-caked turds, I get an honest-to-God vampire that can kill me.

    Me gusta. <3

    It's books like these that make me glad that I still can step into the Fantasy section of books today and know I'll be reading something amazing; a book that doesn't treat me like a kid and doesn't treat me like I'm a spineless twat who needs a pathetic excuse for a love interest to satisfy me or justify my existence.

    The only thing I will say that bothered me was the apparent ease with which Sunshine flirted with the danger line of having a boyfriend and yet holding a sexual interest in the other main character. (No spoilers, no harm.) At the very least, Robin McKinley didn't try to BS me into thinking this was at all 'romantic.' Tell me plain up that it's for the sex, and I can handle this a bit better. But if it became an actual 'love' interest, I'd flip my lid and toss some tables. I'm still not happy with the 'cheating on your boyfriend' implications involved. In fact, it still leaves a very bitter tang in my mouth whenever I talk about it, and makes me grumpy just thinking about it. But well, compared to the rest of the books out there, it could definitely have been worse. I'd be lying if I didn't say that I was hoping Robin McKinley would rise above that, but considering no actual lines were crossed and it was mostly just fanservice, I can tentatively step aside and let it pass. Very. Tentatively.

    Still, overall Sunshine was a fantastic read and definitely one I'm buying the first chance I get. It's a fantastic piece of work for any Robin McKinley fans and should be an absolute buy, as far as I'm concerned. Fantasy fans might also enjoy this one, and I'm sure it'll even appeal to the shallower fans who adore Toilet and worship it as the best thing since contraception. Oops? Did I cross a line? Not sorry.

    For anyone who'd like a more serious and respectful version of the vampire BS running rampant in this world today, definitely pick this book up at least to give it a shot. It's a good read and has enough action and twisting turns to keep you entertained. And the fanservice is literally fantastic, no matter what borders it crosses for me personally. So have a go at it! I doubt you'll regret it.
  • Rating: 4 out of 5 stars
    4/5
    Interesting alternate reality where humans co-exist with vampires, ware-creatures, demons, etc. and magic! Unexpected relationship between Sunshine, a baker with an interesting back story, and Constantine, a vampire. Lots of side discussions from Sunshine on food, so don't read on an empty stomach!
  • Rating: 4 out of 5 stars
    4/5
    I would have given this book 5 stars if the author had paced the book better. It was a little slow and the scenes dragged a lot when all we were getting was a list of what Sunshine was making that day in the bakery.The author left a lot of questions hanging -What did Constantine mean when he said he chose to live out his existence differently than Bo? Why did Constantine rebuff Sunshine in his lair? And are Sunshine and Constantine going to join forces to prevent the vampires from taking over? And who started the Voodoo wars and who won and who lost? If the author didn't intend to write a sequel then I am ultimately disatisfied with this book. As a part of a series, I would love it.
  • Rating: 4 out of 5 stars
    4/5
    One of the better vampire books out there. A great story that takes time to build with a great heroine. A few moments in the book left me saying, "come on, let's get on with it!" (hence the 4 stars) But the writing was good and although I wished for something more (not quite sure what yet) at the end I wasn't disappointed.
  • Rating: 4 out of 5 stars
    4/5
    I think what struck me most is how skilfully Robin revealed Sunshines world. Initially things seem quite normal, then she is taken by vampires, then we learn of the magic, the Voodoo Wars, the other races - the world unfolds organically and draws you in. It has some original and unique ideas and combines more standard ideas in a new way.Sunshine is an unusual protaganist - not exactly a classic kick a** heroine but not too stupid to live either. I found her refreshingly normal even as she became increasingly less so. I did find there was a little too much repetetive thought from her - but she is complicated so we see that - its just has the side affect of making the novel complicated so that it doesn't flow as smoothly as it could.I don't usually like first person much because to get details that happen outside the protagonists view is often clumsily handled however as a novel "Sunshine" is as much about what is unknown as what is known. Too, Sunshine her self is drawn as largely holding herself seperate - her family, friends and even boyfriend are on the periphery of her life and so we need only the barest of details on how it affects her - rather than how they feel or what they know.Constantine was equally interesting because so much was unknown about him. I would have liked to have ultimately known what his "chosen way" was though I can hazard a guess or two but I am not sure I needed to. McKinley cleverly created a vampire that retains its "otherness" while being sympathetic. He is not beautiful, he is lethal, as proved in the battle, and he is largely an emotional void. Yet somehow Sunshine, and us as readers, are able to see some humanity that redeems him.Tighter editing would have improved the middle section of the book immeasurably - a little too much trivia that didn't move the story foward but overall a clever and interetsing book I really enjoyed.
  • Rating: 1 out of 5 stars
    1/5
    I could not get beyond page 212. The sentence structure, dialogue, use of contractions (I'd), and tired theme, was too much. At one point, I was actually hoping that the vampire would put Rae (or me) out of her misery. She is not an endearing character. This was a pick for my sci fi book group, and many in the group were in agreement: this is the worst pick in 7 or 8 years.SPOILER: Towards the end of the book there is a description of Con leaning over Rae, where there is a description of "stuff" falling from the ceiling. The writer could have used a dictionary if she couldn't think of a better word than "stuff", which is used several times in the book. As mentioned above, my mind was numb by page 212, so I didn't finish it.
  • Rating: 2 out of 5 stars
    2/5
    This was another book that disappointed me greatly. McKinley is a fine and engaging writer and has produced some of my favorite repeat reading. I had a lot of expectations for this book, but in the end I felt let down.

    Sunshine is an interesting character -- or, at least, a potentially interesting character. She works very hard not to be interesting, to be as ordinary and unnoticed as possible. This wasn't a bad choice, but her (and the author's) success in this didn't help the novel.

    Then there was the world -- a well built world of which we are given tantalizing hints, but little else. Something Happened, and the world changed, and now magic and vampires are around, etc. But Sunshine doesn't venture into the world. She does her best to be ordinary, etc. (even though, as the heroine of the novel, we already KNOW she is special. It's there in the fantasy book contract.)

    Finally the biggest problem for me -- the final battle. Everything builds up to this very important climactic moment -- and it rushes by in a blur of nobody looking, nobody noticing. In fact, it was over in about 4 paragraphs, if that much. I swear, it's as if we were climbing up the first hill on the rollercoaster, full of anticipation of that thrilling, terrible first drop, only to find we were back at the loading platform.

    The big part of my disappointment was that it did not NEED to be disappointing. McKinley is a writer with the chops and power to have carried off even this unusual set of characters and situations. But she didn't. She opted out, went home, and put up her feet before the book was really done. And I just don't get over that.
  • Rating: 5 out of 5 stars
    5/5
    Despite the almost uninterrupted and therefore exhausting and annoying first-person monologue style of the book, I love to read and re-read this book. I wish I could explain why I find it so compelling. People I trust have read it and said it was "okay" and I agree with them - the writing is only slightly better than okay, (sorry Ms McKinley but it did need a thorough edit!) but something in this book - whether it is the very ordinary main character, the insight into her thoughts, the food, the glimpses beyond what the main characters sees... I don't know, but I love it. Please, please let there be a sequel.
  • Rating: 2 out of 5 stars
    2/5
    My apologies to all the people here in the group who recommended this, but... I didn't like it. At all. In fact, I disliked it so much that I actually stopped reading the book at around page 120 and just said "I give up", which rarely happens. However, I'm realizing that there are just too many good books to read in this lifetime to waste time on something that I'm not enjoying.That said, why didn't I like it? One word: Infodump. From the beginning of the novel, we're treated to about 10 pages of infodumping, giving us backstory and worldbuilding that reads like McKinley's pages of writing notes. It felt as though she didn't know how to work the information into the story, so she just threw it at the reader all at once without apparent reason. I understand that she probably really wanted to give space to this elaborate alternate reality full of human vs. supernaturals (and the ENORMOUS political setup/controversies she created between them), but come on... can't you work it into the story instead at all???It simply felt unnecessary and out of place, but I continued reading... I didn't particularly care for the main character -- I found her dull and unsympathetic -- and the other characters are barely given a chance to speak, so they're simply forgettable. I made it all the way into "Part Two", wondering if maybe things would pick up after her first encounter with the vampires... and found myself faced with yet another 10-12 pages of infodumping internal monologue.And was it just me, or did the woman have an unhealthy obsession with cinnamon rolls? Yes, we know she's a (cinnamon rolls) baker and gets up at (cinnamon rolls) 4am to make them every (cinnamon rolls) morning, so does it really need to be mentioned on every. single. (cinnamon rolls) page.???So, I gave up, despite the endorsement from Neil Gaiman on the front. I really wanted to like the book, as a number of people here gave it good ratings, but... it didn't work for me. Maybe it gets better later on... but I'm not willing to slog through 20 more pages of infodumping before we can get to the story. I want to experience the story! Not sit around reading a history text of the world.
  • Rating: 3 out of 5 stars
    3/5
    Highly recommended for all Anita Blake fans!
  • Rating: 5 out of 5 stars
    5/5
    This is not one of your typical vampire books. In fact, it is more about Rae "Sunshine" Seddons, a young baker, who happens to get thrown into a situation where she actually saves a vampire named Constantine by using an unlikely power of her own...sunlight. The pairing is surprising and their friendship and what the consequences mean are written in a way that is clear an interesting to the reader.I read a lot of books and many of them don't surprise me like this one did. That is what made this novel a joy to discover.I want to thank my friend Annie who let me borrow this book. She truly has good taste in authors.
  • Rating: 3 out of 5 stars
    3/5
    This was my introductory read to McKinley and it was worth the effort. A little bit of LK Hamilton, Kelly Armstrong, and just as much McKinley's own unique story and style. A strong and interesting protagonist, a unique take on the world of vampirism, action, love, and betrayal all come together to make this a good story to curl up with. The book can at times be a little too wordy, but it moves along well enough that you can forgive it this.
  • Rating: 5 out of 5 stars
    5/5
    This book was very interesting to read. The storyline was action paced for me and I liked it.
  • Rating: 2 out of 5 stars
    2/5
    I like the author's other work, and this could have been a fantastic book, it just sort of fizzled out. The story lost my attention by a few chapters in and didn't recapture it. Unfortunate.
  • Rating: 5 out of 5 stars
    5/5
    Every single one of McKinley's books is worth reading. That said, her 2003 novel, "Sunshine" has become my favorite of her canon. Of all books, really. The stream of consciousness narration gives a wonderful sense of immediacy with an incredibly rich personality. The main character is wonderfully earthy and real, with a grumpy streak to which we can all relate. She improvises her way through situations that are completely terrifying and bizarre, reacting the way anybody would: in disbelief, confusion, and mind-numbing denial.I'm not a particular fan of the vampire genre. This is actually the only book I've ever read that fits in the category, so I can't say whether fans of the genre will appreciate it, but fans of fantasy definitely will.
  • Rating: 4 out of 5 stars
    4/5
    As a lover of human behavior and watching male-female interaction unfold in books, this i what I will focus on in this review.I loved this book; it filled a reading void in me that I never even knew I had. I've always had a thing for vampire stories, but recently I've grown sick of the conventional too-perfect-to-imagine vampires. The vampires in Sunshine are nothing like this. They are ugly, repulsive. Rae (nicknamed "Sunshine") describes her unconventional ally - a vampire named Constantine - as having mushroom-colored skin, an unpleasant odor, a frighteningly awful laugh and an overall ugly appearance. His eyes are the color of stagnant pond water. His voice is gender-less.What amazed me in this book, however, is that I felt just as attracted, if not more so, to Con as I would to any conventional, sexy vampire in any other book. I, like Sunshine, felt drawn to him even though he was perfectly described as being completely alien - a monster. He seemed like a monster to me. He scared me, yet I kept reading, looking forward to another scene where interaction between Sunshine and Constantine takes place. There is just enough sexual tension in this book - it is subtle, masterfully written. This isn't your regular "I don't know why, but I felt unusually drawn to him, attracted to him." No - Con made Sunshine uncomfortable and vice versa. They could not understand each other, they were on two completely different planes of existence. The sense of their involuntary bond, however, was stronger than her fear and his discomfort and you could see, in every interaction, this bond forcing them together against their will. I have never seen such interaction so beautifully written in a book -at least not that I can remember off the top of my head.The rest of the plot was very enjoyable, although there were quite a few slow points. The book is written in first person from Sunshine's point of view and she would often go into rambling speeches explaining aspects of the world that never ended up seeming important to the actual progression of the plot. Nonetheless, McKinley is a masterful world builder and despite sometimes wanting Sunshine to just get on with it and tell us what was happening, I am glad that I stuck with it and learned about the amazing world in which she and Constantine found themselves.After reading this book I ran across some fan art of Constantine and Sunshine. To my disappointment, Constantine was portrayed as physically attractive and, what's worse, human looking. This, in my opinion, did him an injustice. Constantine is not a human - not even close. His features are not human, he does not resemble a human other than his general shape. He was never meant to be seen as human and seeing him in a human form did not portray him to his full extent or express the power of his character. This is how well Robin McKinley built Constantine's character - the reader does not want to see Con in the body of a handsome human male - that isn't who Con is.I would recommend this book to those who are sick of the "perfect" vampire and who can acknowledge that this is not a straight-out action, nor a straight-out romance novel. There is action and there is romance in this book, but there are also slow points. You have to appreciate this type of writing style to truly become immersed in and appreciate Sunshine.
  • Rating: 4 out of 5 stars
    4/5
    Wonderful. Girl brought to vampire to be his dinner but ends up keeping him alive during the day. Cool story.
  • Rating: 4 out of 5 stars
    4/5
    vampires, good, evil, fantasy, families, LRC, KS4
  • Rating: 4 out of 5 stars
    4/5
    I've loved Robin McKinley ever since I read /The Blue Sword/ when I was in 5th grade, and I've read everything she's ever written twice. So, obviously, I came into this novel as a big fan. But how can you help it? McKinley is so skilled at world building - she always reveals only enough to keep you interested and keep you feeling like you're not totally lost, but never imparts information in such a way you feel she's pandering to you. The eponymous narrator is charming, a baker with recently-discovered powers that are distressing the vampire ringleader seeking to control the area. This is a post-apocalyptic world; people are still recovering from some major "Voodoo Wars", and McKinley does a great job of capturing the way life continues even in the face of radical changes to the world. I keep telling Seth he should try to option it and make it into a movie, and he keeps saying it's probably already optioned.

Book preview

Sunshine - Robin McKinley

PART ONE

IT WAS A dumb thing to do but it wasn’t that dumb. There hadn’t been any trouble out at the lake in years. And it was so exquisitely far from the rest of my life.

Monday evening is our movie evening because we are celebrating having lived through another week. Sunday night we lock up at eleven or midnight and crawl home to die, and Monday (barring a few national holidays) is our day off. Ruby comes in on Mondays with her warrior cohort and attacks the coffeehouse with an assortment of high-tech blasting gear that would whack Godzilla into submission: those single-track military minds never think to ask their cleaning staff for help in giant lethal marauding creature matters. Thanks to Ruby, Charlie’s Coffeehouse is probably the only place in Old Town where you are safe from the local cockroaches, which are approximately the size of chipmunks. You can hear them clicking when they canter across the cobblestones outside.

We’d begun the tradition of Monday evening movies seven years ago when I started slouching out of bed at four A.M. to get the bread going. Our first customers arrive at six-thirty and they want our Cinnamon Rolls as Big as Your Head and I am the one who makes them. I put the dough on to rise overnight and it is huge and puffy and waiting when I get there at four-thirty. By the time Charlie arrives at six to brew coffee and open the till (and, most of the year, start dragging the outdoor tables down the alley and out to the front), you can smell them baking. One of Ruby’s lesser minions arrives at about five for the daily sweep- and mop-up. Except on Tuesdays, when the coffeehouse is gleaming and I am giving myself tendonitis trying to persuade stiff, surly, thirty-hour-refrigerated dough that it’s time to loosen up.

Charlie is one of the big good guys in my universe. He gave me enough of a raise when I finished school (high school diploma by the skin of my teeth and the intercession of my subversive English teacher) and began working for him full time that I could afford my own place, and, even more important, he talked Mom into letting me have it.

But getting up at four A.M. six days a week does put a cramp on your social life (although as Mom pointed out every time she was in a bad mood, if I still lived at home I could get up at four-twenty). At first Monday evening was just us, Mom and Charlie and Billy and Kenny and me, and sometimes one or two of the stalwarts from the coffeehouse. But over the years Monday evenings had evolved, and now it was pretty much any of the coffeehouse staff who wanted to turn up, plus a few of the customers who had become friends. (As Billy and Kenny got older the standard of movies improved too. The first Monday evening that featured a movie that wasn’t rated suitable for all ages we opened a bottle of champagne.)

Charlie, who doesn’t know how to sit still and likes do-it-yourselfing at home on his days off, had gradually knocked most of the walls down on the ground floor, so the increasing mob could mill around comfortably. But that was just it—my entire life existed in relation to the coffeehouse. My only friends were staff and regulars. I started seeing Mel because he was single and not bad-looking and the weekday assistant cook at the coffeehouse, with that interesting bad-boy aura from driving a motorcycle and having a few too many tattoos, and no known serious drawbacks. (Baz had been single and not bad-looking too, but there’d always been something a little off about him, which resolved itself when Charlie found him with his hand in the till.) I was happy in the bakery. I just sometimes felt when I got out of it I would like to get a little farther out.

Mom had been in one of her bad moods that particular week, sharp and short with everyone but the customers, not that she saw them much any more, she was in the office doing the paperwork and giving hell to any of our suppliers who didn’t behave. I’d been having car trouble and was complaining about the garage bill to anyone who’d listen. No doubt Mom heard the story more than once, but then I heard her weekly stories about her hairdresser more than once too (she and Mary and Liz all used Lina, I think so they could get together after and discuss her love life, which was pretty fascinating). But Sunday evening she overheard me telling Kyoko, who had been out sick and was catching up after five days away, and Mom lost it. She shouted that if I lived at home I wouldn’t need a car at all, and she was worried about me because I looked tired all the time, and when was I going to stop dreaming my life away and marry Mel and have some kids? Supposing that Mel and I wanted to get married, which hadn’t been discussed. I wondered how Mom would take the appearance at the wedding of the remnants of Mel’s old motorcycle gang—which is to say the ones that were still alive—with their hair and their Rocs and Griffins (even Mel still had an old Griffin for special occasions, although it hemorrhaged oil) and their attitude problems. They never showed up in force at the coffeehouse, but she’d notice them at the kind of wedding she’d expect me to have.

The obvious answer to the question of children was, who was going to look after the baby while I got up at four A.M. to make cinnamon rolls? Mel worked as appalling hours as I did, especially since he’d been promoted to head cook when Charlie had been forced—by a mutiny of all hands—to accept that he could either delegate something or drop dead of exhaustion. So househusbandry wasn’t the answer. But in fact I knew my family would have got round this. When one of our waitresses got pregnant and the boyfriend left town and her own family threw her out, Mom and Charlie took her in and we all babysat in shifts, in and out of the coffeehouse. (We’d only just got rid of Mom’s sister Evie and her four kids, who’d stayed for almost two years, and one mom and one baby seemed like pie in the sky in comparison. Especially after Evie, who is professionally helpless.) Barry was in second grade now, and Emmy was married to Henry. Henry was one of our regulars, and Emmy still waitressed for us. The coffeehouse is like that.

I liked living alone. I liked the silence—and nothing moving but me. I lived upstairs in a big old ex-farmhouse at the edge of a federal park, with my landlady on the ground floor. When I’d gone round to look at the place the old lady—very tall, very straight, and a level stare that went right through you—had looked at me and said she didn’t like renting to Young People (she said this like you might say Dog Vomit) because they kept bad hours and made noise. I liked her immediately. I explained humbly that indeed I did keep bad hours because I had to get up at four A.M. to make cinnamon rolls for Charlie’s Coffeehouse, whereupon she stopped scowling magisterially and invited me in.

It had taken three months after graduation for Mom to begin to consider my moving out, and that was with Charlie working on her. I was still reading the apartments-for-rent ads in the paper surreptitiously and making the phone calls when Mom was out of earshot. Most of them in my price range were dire. This apartment, up on the third floor at the barn end of the long rambling house, was perfect, and the old lady must have seen I meant it when I said so. I could feel my face light up when she opened the door at the top of the second flight of stairs, and the sunshine seemed to pour in from every direction. The living room balcony, cut down from the old hayloft platform but now overlooking the garden, still has no curtains.

By the time we signed the lease my future landlady and I were on our way to becoming fast friends, if you can be fast friends with someone who merely by the way she carries herself makes you feel like a troll. Maybe I was just curious: there was so obviously some mystery about her; even her name was odd. I wrote the check to Miss Yolande. No Smith or Jones or Fitzalan-Howard or anything. Just Miss Yolande. But she was always pleasant to me, and she wasn’t wholly without human weakness: I brought her stuff from the coffeehouse and she ate it. I have that dominant feed-people gene that I think you have to have to survive in the small-restaurant business. You sure aren’t doing it for the money or the hours. At first it was now and then—I didn’t want her to notice I was trying to feed her up—but she was always so pleased it got to be a regular thing. Whereupon she lowered the rent—which I have to admit was a godsend, since by then I’d found out what running a car was going to cost—and told me to lose the Miss.

Yolande had said soon after I moved in that I was welcome in the garden any time I liked too, it was just her and me (and the peanut-butter-baited electric deer fence), and occasionally her niece and the niece’s three little girls. The little girls and I got along because they were good eaters and they thought it was the most exciting thing in the world to come in to the coffeehouse and be allowed behind the counter. Well, I could remember what that felt like, when Mom was first working for Charlie. But that’s the coffeehouse in action again: it tends to sweep out and engulf people. I think only Yolande has ever held out against this irresistible force, but then I do bring her white bakery bags almost every day.

Usually I could let Mom’s temper roll off me. But there’d been too much of it lately. Coffeehouse disasters are often hardest on Mom, because she does the money and the admin, and for example actually follows up people’s references when they apply for jobs, which Charlie never bothers with, but she isn’t one for bearing trials quietly. That spring there’d been expensive repairs when it turned out the roof had been leaking for months and a whole corner of the ceiling in the main kitchen fell down one afternoon, one of our baking-goods suppliers went bust and we hadn’t found another one we liked as well, and two of our wait staff and another one of the kitchen staff quit without warning. Plus Kenny had entered high school the previous autumn and he was goofing off and getting high instead of studying. He wasn’t goofing off and getting high any more than I had done, but he had no gift for keeping a low profile. He was also very bright—both my half brothers were—and Mom and Charlie had high hopes for them. I’d always suspected that Charlie had pulled me off waitressing, which had bored me silly, and given me a real function in the kitchen to straighten me out. I had been only sixteen, so I was young for it, but he’d been letting me help him from time to time out back so he knew I could do it, the question was whether I would. Sudden scary responsibility had worked with me. But Kenny wasn’t going to get a law degree by learning to make cinnamon rolls, and he didn’t need to feed people the way Charlie or I did either.

Anyway Kenny hadn’t come home till dawn that Sunday morning—his curfew was midnight on Saturday nights—and there had been hell to pay. There had been hell to pay all that day for all of us, and I went home that night smarting and cranky and my one night a week of twelve hours’ sleep hadn’t worked its usual rehabilitation. I took my tea and toast and Immortal Death (a favorite comfort book since under-the-covers-with-flashlight reading at the age of eleven or twelve) back to bed when I finally woke up at nearly noon, and even that really spartan scene when the heroine escapes the Dark Other who’s been pursuing her for three hundred pages by calling on her demon heritage (finally) and turning herself into a waterfall didn’t cheer me up. I spent most of the afternoon housecleaning, which is my other standard answer to a bad mood, and that didn’t work either. Maybe I was worried about Kenny too. I’d been lucky during my brief tear-away spell; he might not be. Also I take the quality of my flour very seriously, and I didn’t think much of our latest trial baking-supply company.

When I arrived at Charlie and Mom’s house that evening for Monday movies the tension was so thick it was like walking into a blanket. Charlie was popping corn and trying to pretend everything was fine. Kenny was sulking, which probably meant he was still hung over, because Kenny didn’t sulk, and Billy was being hyper to make up for it, which of course didn’t. Mary and Danny and Liz and Mel were there, and Consuela, Mom’s latest assistant, who was beginning to look like the best piece of luck we’d had all year, and about half a dozen of our local regulars. Emmy and Barry were there too, as they often were when Henry was away, and Mel was playing with Barry, which gave Mom a chance to roll her eyes at me and glare, which I knew meant see how good he is with children—it’s time he had some of his own. Yes. And in another fourteen years this hypothetical kid would be starting high school and learning better, more advanced, adolescent ways of how to screw up and make grown-ups crazy.

I loved every one of these people. And I couldn’t take another minute of their company. Popcorn and a movie would make us all feel better, and it was a working day tomorrow, and you have only so much brain left over to worry with if you run a family restaurant. The Kenny crisis would go away like every other crisis had always gone away, worn down and eventually buried by an accumulation of order slips, till receipts, and shared stories of the amazing things the public gets up to.

But the thought of sitting for two hours—even with Mel’s arm around me—and a bottomless supply of excellent popcorn (Charlie couldn’t stop feeding people just because it was his day off) wasn’t enough on that particular Monday. So I said I’d had a headache all day (which was true) and on second thought I would go home to bed, and I was sorry. I was out the door again not five minutes after I’d gone in.

Mel followed me. One of the things we’d had almost from the beginning was an ability not to talk about everything. These people who want to talk about their feelings all the time, and want you to talk about yours, make me nuts. Besides, Mel knows my mother. There’s nothing to discuss. If my mom is the lightning bolt, I’m the tallest tree on the plain. That’s the way it is.

There are two very distinct sides to Mel. There’s the wild-boy side, the motorcycle tough. He’s cleaned up his act, but it’s still there. And then there’s this strange vast serenity that seems to come from the fact that he doesn’t feel he has to prove anything. The blend of anarchic thug and tranquil self-possession makes him curiously restful to be around, like walking proof that oil and water can mix. It’s also great on those days that everyone else in the coffeehouse is screaming.

It was Monday, so he smelled of gasoline and paint rather than garlic and onions. He was absentmindedly rubbing the oak tree tattoo on his shoulder. He was a tattoo-rubber when he was thinking about something else, which meant that whatever he was cooking or working on could get pretty liberally dispersed about his person on ruminative days.

She’ll sheer, day or so, he said. I was thinking, maybe I’ll talk to Kenny.

Do it, I said. It would be nice if he lived long enough to find out he doesn’t want to be a lawyer. Kenny wanted to get into Other law, which is the dancing-on-the-edge-of-the-muttering-volcano branch of law, but a lawyer is still a lawyer.

Mel grunted. He probably had more reason than me to believe that lawyers are large botulism bacteria in three-piece suits.

Enjoy the movie, I said.

I know the real reason you’re blowing, sweetheart, Mel said.

Billy’s turn to rent the movie, I said. And I hate westerns.

Mel laughed, kissed me, and went back indoors, closing the door gently behind him.

I stood restlessly on the sidewalk. I might have tried the library’s new-novels shelf, a dependable recourse in times of trouble, but Monday evening was early closing. Alternatively I could go for a walk. I didn’t feel like reading: I didn’t feel like looking at other people’s imaginary lives in flat black and white from out here in my only too unimaginary life. It was getting a little late for solitary walking, even around Old Town, and besides, I didn’t want a walk either. I just didn’t know what I did want.

I wandered down the block and climbed into my fresh-from-the-mechanics car and turned the key. I listened to the nice healthy purr of the engine and out of nowhere decided it might be fun to go for a drive. I wasn’t a going for a drive sort of person usually. But I thought of the lake.

When my mother had still been married to my father we’d had a summer cabin out there, along with hundreds of other people. After my parents split up I used to take the bus out there occasionally to see my gran. I didn’t know where my gran lived—it wasn’t at the cabin—but I would get a note or a phone call now and then suggesting that she hadn’t seen me for a while, and we could meet at the lake. My mother, who would have loved to forbid these visits—when Mom goes off someone, she goes off comprehensively, and when she went off my dad she went off his entire family, excepting me, whom she equally passionately demanded to keep—didn’t, but the result of her not-very-successfully restrained unease and disapproval made those trips out to the lake more of an adventure than they might otherwise have been, at least in the beginning. In the beginning I had kept hoping that my gran would do something really dramatic, which I was sure she was capable of, but she never did. It wasn’t till after I’d stopped hoping … but that was later, and not at all what I had had in mind. And then when I was ten she disappeared.

When I was ten the Voodoo Wars started. They were of course nothing about voodoo, but they were about a lot of bad stuff, and some of the worst of them in our area happened around the lake. A lot of the cabins got burned down or leveled one way or another, and there were a few places around the lake where you still didn’t go if you didn’t want to have bad dreams or worse for months afterward. Mostly because of those bad spots (although also because there simply weren’t as many people to have vacation homes anywhere any more) after the Wars were over and most of the mess cleared up, the lake never really caught on again. The wilderness was taking over—which was a good thing because it meant that it could. There were a lot of places now where nothing was ever going to grow again.

It was pretty funny really, the only people who ever went out there regularly were the Supergreens, to see how the wilderness was getting on, and if as the urban populations of things like raccoons and foxes and rabbits and deer moved back out of town again, they started to look and behave like raccoons and foxes and rabbits and deer had used to look and behave. Supergreens also counted things like osprey and pine marten and some weird marsh grass that was another endangered species although not so interesting to look at, none of which seemed to care about bad human magic, or maybe the bad spots didn’t give ospreys and pine martens and marsh grass bad dreams. I went out there occasionally with Mel—we saw ospreys pretty often and pine martens once or twice, but all marsh grass looks like all other marsh grass to me—but I hadn’t been there after dark since I was a kid.

The road that went to what had been my parents’ cabin was passable, if only just. I got out there and went and sat on the porch and looked at the lake. My parents’ cabin was the only one still standing in this area, possibly because it had belonged to my father, whose name meant something even during the Voodoo Wars. There was a bad spot off to the east, but it was far enough away not to trouble me, though I could feel it was there.

I sat on the sagging porch, swinging my legs and feeling the troubles of the day draining out of me like water. The lake was beautiful: almost flat calm, the gentlest lapping against the shore, and silver with moonlight. I’d had many good times here: first with my parents, when they were still happy together, and later on with my gran. As I sat there I began to feel that if I sat there long enough I could get to the bottom of what was making me so cranky lately, find out if it was anything worse than poor-quality flour and a somewhat errant little brother.

I never heard them coming. Of course you don’t, when they’re vampires.

I HAD KIND of a lot of theoretical knowledge about the Others, from reading what I could pull off the globenet about them—fabulously, I have to say, embellished by my addiction to novels like Immortal Death and Blood Chalice—but I didn’t have much practical ’fo. After the Voodoo Wars, New Arcadia went from being a parochial backwater to number eight on the national top ten of cities to live in, simply because most of it was still standing. Our new rank brought its own problems. One of these was an increased sucker population. We were still pretty clean. But no place on this planet is truly free of Others, including those Darkest Others, vampires.

It is technically illegal to be a vampire. Every now and then some poor stupid or unlucky person gets made a sucker as part of some kind of warning or revenge, and rather than being taken in by the vampire community (if community is the right word) that created him or her, they are dumped somewhere that they will be found by ordinary humans before the sun gets them the next morning. And then they have to spend the rest of their, so to speak, lives, in a kind of half prison, half asylum, under doctors’ orders—and of course under guard. I’d heard, although I had no idea if it was true, that these miserable ex-people are executed—drugged senseless and then staked, beheaded, and burned—when they reached what would have been their normal life expectancy if they’d been alive in the usual way.

One of the origins of the Voodoo Wars was that the vampires, tired of being the only ones of the Big Three, major-league Other Folk coherently and comprehensively legislated against, created a lot of vampires that they left for us humans to look after, and then organized them—somehow—into a wide-scale breakout. Vampirism doesn’t generally do a lot for your personality—that is, a lot of good—and the vampires had chosen as many really nice people as possible to turn, to emphasize their disenchantment with the present system. Membership in the Supergreens, for example, plummeted by something like forty percent during the Voodoo Wars, and a couple of big national charities had to shut down for a few years.

It’s not that any of the Others are really popular, or that it had only been the vampires against us during the Wars. But a big point about vampires is that they are the only ones that can’t hide what they are: let a little sunlight touch them and they burst into flames. Very final flames. Exposure and destruction in one neat package. Weres are only in danger once a month, and there are drugs that will hold the Change from happening. The drugs are illegal, but then so are coke and horse and hypes and rats’-brains and trippers. If you want the anti-Change drugs you can get them. (And most Weres do. Being a Were isn’t as bad as being a vampire, but it’s bad enough.) And a lot of demons look perfectly normal. Most demons have some funny habit or other but unless you live with one and catch it eating garden fertilizer or old combox components or growing scaly wings and floating six inches above the bed after it falls asleep, you’d never know. And some demons are pretty nice, although it’s not something you want to count on. (I’m talking about the Big Three, which everyone does, but demon is a pretty catch-all term really, and it can often turn out to mean what the law enforcement official on the other end of it wants it to mean at the time.)

The rest of the Others don’t cause much trouble, at least not officially. It is pretty cool to be suspected of being a fallen angel, and everyone knows someone with sprite or peri blood. Mary, at the coffeehouse, for example. Everyone wants her to pour their coffee because coffee poured by Mary is always hot. She doesn’t know where this comes from, but she doesn’t deny it’s some kind of Other blood. So long as Mary sticks to being a waitress at a coffeehouse, the government turns a blind eye to this sort of thing.

But if anyone ever manages to distill a drug that lets a vampire go out in daylight they’ll be worth more money in a month than the present total of all bank balances held by everyone on the global council. There are a lot of scientists and backyard bozos out there trying for that jackpot—on both sides of the line. The smart money is on the black-market guys, but it’s conceivable that the guys in the white hats will get there first. It’s a more and more open secret that the suckers in the asylums are being experimented on—for their own good, of course. That’s another result of the Voodoo Wars. The global council claims to want to cure vampirism. The legit scientists probably aren’t starting with autopyrocy, however. (At least I don’t think they are. Our June holiday Monday is for Hiroshi Gutter-man who managed to destroy a lot of vampires single-handedly, but probably not by being a Naga demon and closing his sun-proof hood at an opportune moment, because aside from not wanting to think about even a full-blood Naga having a hood big enough, there are no plausible rumors that either the suckers or the scientists are raising cobras for experiments with their skins.)

There are a lot of vampires out there. Nobody knows how many, but a lot. And the clever ones—at least the clever and lucky ones—tend to wind up wealthy. Really old suckers are almost always really wealthy suckers. Any time there isn’t any other news for a while you can pretty well count on another big article all over the globenet debating how much of the world’s money is really in sucker hands, and those articles are an automatic pickup for every national and local paper. Maybe we’re all just paranoid. But there’s another peculiarity about vampires. They don’t, you know, breed. Oh, they make new vampires—but they make them out of pre-existing people. Weres and demons and so on can have kids with ordinary humans as well as with each other, and often do. At least some of the time it’s because the parents love each other, and love softens the edges of xenophobia. There are amazing stories about vampire sex and vampire orgies (there would be) but there’s never been even a half-believable myth about the birth of a vampire or half-vampire baby.

(Speaking of sucker sex, the most popular story concerns the fact that since vampires aren’t alive, all their lifelike activities are under their voluntary control. This includes the obvious ones like walking, talking, and biting people, but it also includes the ones that are involuntary in the living: like the flow of their blood. One of the first stories that any teenager just waking up to carnal possibilities hears about male vampires is that they can keep it up indefinitely. I personally stopped blushing after I had my first lover, and discovered that absolutely the last thing I would want in a boyfriend is a permanent hard-on.)

So the suckers are right, humans do hate them in a single-mindedly committed way that is unlike our attitude to any of the other major categories of Others. But it’s hardly surprising. Vampires hold maybe one-fifth of the world’s capital and they’re a race incontestably apart. Humans don’t like ghouls and lamias either, but the rest of the undead don’t last long, they’re not very bright, and if one bites you, every city hospital emergency room has the antidote (supposing there’s enough of you left for you to run away with). The global council periodically tries to set up talks with vampire leaders in which they offer an end to persecution and legal restriction and an inexhaustible supply of pigs’ blood in exchange for a promise that the vampires will stop preying on people. In the first place this doesn’t work because while vampires tend to hunt in packs, the vampire population as a whole is a series of little fiefdoms, and alliances are brief and rare and usually only exist for the purpose of destroying some mutually intolerable other sucker fiefdom. In the second place the bigger the gang and the more powerful the master vampire, the less he or she moves around, and leaving headquarters to sit on bogus human global council talks is just not sheer. And third, pigs’ blood isn’t too popular with vampires. It’s probably like being offered Cava when you’ve been drinking Veuve Clicquot Ponsardin all your life. (The coffeehouse has a beer and wine license, but Charlie has a soft spot for champagne. Charlie’s was once on a globenet survey of restaurants, listed as the only coffeehouse anybody had ever heard of that serves champagne by the glass. You might be surprised how many people like bubbly with their meatloaf or even their cream cheese on pumpernickel.)

Okay, so I’m a little obsessed. Some people adore soap operas. Some people are neurotic about sports. I follow stories about the Others. Also, we know more about the Others at the coffeehouse—if we want to—because several of our regulars work for SOF—Special Other Forces. Also known as sucker cops, since, as I say, it’s chiefly the suckers they worry about. Mom shuts them up when she catches them talking shop on our premises, but they know they always have an audience in me. I wouldn’t trust any cop any farther than I could throw our Prometheus, the shining black monster that dominates the kitchen at Charlie’s and is the apple of Mel’s eye (you understand the connection between motorcycles and cooking when you’ve seen an industrial-strength stove at full blast), but I liked Pat and Jesse.

Our SOFs say that nobody and nothing will ever enable suckers to go out in daylight, and a good thing too, because daylight is the only thing that is preventing them from taking over the other four-fifths of the world economy and starting human ranching as the next hot growth area for venture capitalists. But then SOFs are professionally paranoid, and they don’t have a lot of faith in the guys in lab coats, whether they’re wearing black hats or white ones.

There are stories about good vampires like there are stories about the loathly lady who after a hearty meal of raw horse and hunting hound and maybe the odd huntsman or archer, followed by an exciting night in the arms of her chosen knight, turns into the kindest and most beautiful lady the world has ever seen; but according to our SOFs no human has ever met a good vampire, or at least has never returned to say so, which kind of tells its own tale, doesn’t it? And the way I see it, the horse and the hounds and the huntsman are still dead, and you have to wonder about the psychology of the chosen knight who goes along with all the carnage and the fun and frolic in bed on some dubious grounds of honor.

Vampires kill people and suck their blood. Or rather the other way around. They like their meat alive and frightened, and they like to play with it a while before they finish it off. Another story about vampires is that the one domestic pet a vampire may keep is a cat, because vampires understand the way cats’ minds work. During the worst of the Voodoo Wars anyone who lived alone with a cat was under suspicion of being a vampire. There were stories that in a few places where the Wars were the worst, solitary people with cats who didn’t burst into flames in daylight were torched. I hoped it wasn’t true, but it might have been. There are always cats around Charlie’s, but they are usually refugees seeking asylum from the local rat population, and rather desperately friendly. There are always more of them at the full moon too, which goes to show that not every Were chooses—or, more likely in Old Town, can afford—to go the drug route.

So when I swam back to consciousness, the fact that I was still alive and in one piece wasn’t reassuring. I was propped against something at the edge of a ring of firelight. Vampires can see in the dark and they don’t cook their food, but they seem to like playing with fire, maybe the way some humans get off on joyriding stolen cars or playing last-across on a busy railtrack.

I came out of it feeling wretchedly sick and shaky, and of course scared out of my mind. They’d put some kind of Breath over me. I knew that vampires don’t have to stoop to blunt instruments or something on a handkerchief clapped over your face. They can just breathe on you and you are out cold. It isn’t something they can all do, but nearly all vampires hunt in packs since the Wars, and being the Breather to a gang had become an important sign of status (according to globenet reports). They can all move utterly silently, however, and, over short distances, faster than anything—well, faster than anything alive—as well. So even if the Breath went wrong somehow they’d catch you anyway, if they wanted to catch you.

She’s coming out of it, said a voice.

I’d never met a vampire before, nor heard one speak, except on TV, where they run the voice through some kind of antiglamor technology so no one listening will march out of their house and start looking for the speaker. I can’t imagine that a vampire would want everyone listening to its voice to leap out of their chairs and start seeking it, but I don’t know how vampires (or cats, or loathly ladies) think, and maybe it would want to do this. And there is, of course, a story, because there is always a story, that a master vampire can tune its voice so that maybe only one specific person of all the possibly millions of people who hear a broadcast (and a sucker interview is always a big draw) will jump out of their chair, etc. I don’t think I believe this, but I’m just as glad of the antiglamor tech. But whatever else it does, it makes their voices sound funny. Not human, but not human in a clattery, mechanical, microchip way.

So in theory I suppose I shouldn’t have known these guys were vampires. But I did. If you’ve been kidnapped by the Darkest Others, you know it.

In the first place, there’s the smell. It’s not at all a butcher-shop smell, as you might expect, although it does have that metallic blood tang to it. But meat in a butcher’s shop is dead. I know this is a contradiction in terms, but vampires smell of live blood. And something else. I don’t know what the something else is; it’s not any animal, vegetable, or mineral in my experience. It’s not attractive or disgusting, although it does make your heart race. That’s in the genes, I suppose. Your body knows it’s prey even if your brain is fuddled by the Breath or trying not to pay attention. It’s the smell of vampire, and your fight-or-flight instincts take over.

There aren’t many stories of those instincts actually getting you away though. At that moment I couldn’t think of any.

And vampires don’t move like humans. I’m told that young ones can pass (after dark) if they want to, and a popular way of playing chicken among humans is to go somewhere there’s a rumor of vampires and see if you can spot one. I knew Kenny and his buddies had done this a few times. I did it when I was their age. It’s not enormously dangerous if you stay in a group and don’t go into the no-man’s-land around the big cities. We’re a medium-sized city and, as I say, we’re pretty clean. It’s still a dumb and dangerous thing to do—dumber than my driving out to the lake should have been.

The vampires around the bonfire weren’t bothering not to move like vampires.

Also, I said that the antiglam tech makes sucker voices sound funny on TV and radio and the globenet. They sound even funnier in person. Funny peculiar. Funny awful.

Maybe there’s something about the Breath. I woke up, as I say, sick and wretched and scared, but I should have been freaked completely past thought and I wasn’t. I knew this was the end of the road. Suckers don’t snatch people and then decide they’re not very hungry after all and let them go. I was dinner, and when I was finished being dinner, I was dead. But it was like: okay, that’s the way it goes, bad luck, damn. Like the way you might feel if your vacation got canceled at the last minute, or you’d spent all day making a fabulous birthday cake for your boyfriend and tripped over the threshold bringing it in and it landed upside down on the dog. Damn. But that’s all.

I lay there, breathing, listening to my heart race, but feeling this weird numb composure. We were still by the lake. From where I half-lay I could see it through the trees. It was still a beautiful serene moonlit evening.

Do we take her over immediately? This was the one who had noticed I was awake. It was a little apart from the others, and was sitting up straight on a tree stump or a rock—I couldn’t see which—as if keeping watch.

Yeah. Bo says so. But he says we have to dress her up first. This one sounded as if it was in charge. Maybe it was the Breather.

"Dress her up? What is this, a party?"

"I thought we had the party while …" said a third one. Several of them laughed. Their laughter made the hair on my arms stand on end. I couldn’t distinguish any individual shapes but that of the watcher. I couldn’t see how many of them there were. I thought I was listening to male voices but I wasn’t sure. That’s how weird sucker voices are.

"Bo says our … guest is old-fashioned. Ladies should wear dresses."

I could feel them looking at me, feel the glint of their eyes in the firelight. I didn’t look back. Even when you already know you’re toast you don’t look in vampires’ eyes.

She’s a lady, huh.

Don’t matter. She’ll look enough like one in a dress. They all laughed again at this. I may have whimpered. One of the vampires separated itself from the boneless dark slithery blur of vampires and came toward me. My heart was going to lunge out of my mouth but I lay still. I was, strangely, beginning to feel my way into the numbness—as if, if I could, I would find the center of me again. As if being able to think clearly and calmly held any possibility of doing me any good. I wondered if this was how it felt when you woke up in the morning on the day you knew you were going to be executed.

One of the things you need to understand is that I’m not a brave person. I don’t put up with being messed around, and I don’t suffer fools gladly. The short version of that is that I’m a bitch. Trust me, I can produce character references. But that’s something else. I’m not brave. Mel is brave. His oldest friend told me some stories about him once I could barely stand to listen to, about dispatch riding during the Wars, and Mel’d been pissed off when he found out, although he hadn’t denied they happened. Mom is brave: she left my dad with no money, no job, no prospects—her own parents had dumped her when she married my dad, and her younger sisters didn’t find her again till she resurfaced years later at Charlie’s—and a six-year-old daughter. Charlie is brave: he started a coffeehouse by talking his bank into giving him a loan on his house back in the days when you only saw rats, cockroaches, derelicts, and Charlie himself on the streets of Old Town.

I’m not brave. I make cinnamon rolls. I read a lot. My idea of excitement is Mel popping a wheelie driving away from a stoplight with me on pillion.

The vampire was standing right next to me. I didn’t think I’d seen it walk that far. I’d seen it stand up and become one vampire out of a group of vampires. Then it was standing next to me. It. He. I looked at his hand as he held something out to me. Put it on. I reluctantly extended my own hand and accepted what it was. He didn’t seem any more eager to touch me than I was to touch him; the thing he was offering glided from his hand to mine. He moved away. I tried to watch, but I couldn’t differentiate him from the shadows. He was just not there.

I stood up slowly and turned my back on all of them. You might not think you could turn your back on a lot of vampires, but do you want to watch while they check the rope for kinks and the security of the noose and the lever on the trap door or do you maybe want to close your eyes? I turned my back. I pulled my T-shirt off over my head and dropped the dress down over me. The shoulder straps barely covered my bra straps and my neck and shoulders and most of my back and breast were left bare. Buffet dining. Very funny. I took my jeans off underneath the long loose skirt. I still had my back to them. I was hoping that vampires weren’t very interested in a meal that was apparently going to someone else. I didn’t like having my back to them but I kept telling myself it didn’t matter (there are guards to grab you if the lever still jams on the first attempt and you try to dive off the scaffold). I was very carefully clumsy and awkward about taking my jeans off, and in the process tucked my little jackknife up under my bra. It was only something to do to make me feel I hadn’t just given up. What are you going to do with a two-and-a-half-inch folding blade against a lot of vampires?

I’d had to take my sneakers off to get out of my jeans, and I looked at them dubiously. The dress was silky and slinky and it didn’t go with sneakers, but I didn’t like going barefoot either.

That’ll do, said the one who had given me the dress. He reappeared from the shadows. Let’s go.

And he reached out and took my arm.

Physically I only flinched; internally it was revolution. The numbness faltered and the panic broke through. My head throbbed and swam; if it hadn’t been for those tight, terrifying fingers around my upper arms I would have fallen. A second vampire had me by the other arm. I hadn’t seen it approach, but at that moment I couldn’t see anything, feel anything but panic. It didn’t matter that they had to have touched me before—when they caught me, when they put me under the dark, when they brought me to wherever we were—I hadn’t been conscious for that. I was conscious now.

But the numbness—the weird detached composure, whatever it was—pulled itself together. It was the oddest sensation. The numbness and the panic crashed through my spasming body, and the numbness won. My brain stuttered like a cold engine and reluctantly fired again.

The vampires had dragged

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