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    The Nutcracker
    The Nutcracker
    The Nutcracker
    Ebook109 pages1 hour

    The Nutcracker

    By E.T.A. Hoffmann and Kate Thompson

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    About this ebook

    The story that inspired the Tchaikovsky ballet is a magical tale of one little girl’s decent into a dream-like world where the diabolical Mouse King rules

    Full of magic and childish wonder, this coming-of-age novella has something for everyone: beautiful dolls, ferocious battles, and dark undertones. Younger readers will be enchanted by this children's classic, while older readers will be intrigued to discover the background to the famous ballet libretto. It is Christmas Eve and little Marie has tired of her new presents, happily playing with a nutcracker instead. So when her brother Fritz breaks it, she is horrified, tenderly bandaging the little nutcracker with her ribbon and putting him to bed. When the clock strikes midnight, Marie is stunned to see an army of mice advancing, led by a seven-headed Mouse King. Her very own nutcracker leads the dolls and toys against the mouse army and a violent battle ensues. This timeless tale is full of the magic of Christmas, but is a delight to read at any time of the year. Its enduring popularity is testament to its originality and charm.

    LanguageEnglish
    PublisherHesperus Press
    Release dateMar 1, 2015
    ISBN9781780943831

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    Reviews for The Nutcracker

    4/5

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    • 4/5
      Two stories, both kind of fairytales in a way. One about a nutcracker of course who was really a prince, the other about a fairy who visited two children.
    • 5/5
      There are many versions of Hoffman's classic Christmas story, but I enjoyed this one immensely due to the dreamlike drawings of Scott Gustafson. It's like being in a little shop off a crooked alleyway, where a clockmaker's sign hangs over the entrance. Old world mixed with enchantment.

      Looking at armed mice dressed as 17th century musketeers or gingerbread cookies come to life was a true delight. The colors are vibrant and if you happen to be playing Tchaikovsky in the background, the better. This is a small book for the child's hand and makes the perfect stocking stuffer for the holidays.


      Book Season = Winter
    • 3/5
      I'm so used to seeing the Nutcracker as a ballet that it comes as a big of a shock to see the story in print.(And, honestly, I'm not sure that I don't prefer it that way.)Love the Sendak illustrations. Why not, I suggest, just have them? Skip the words which feel redundant. A wordless book, maybe?
    • 4/5
      Read aloud to my son for Christmas. This is the basis for the famous ballet, the story of Marie, who receives a Nutcracker doll for Christmas that subsequently comes to life, battles a seven-headed mouse king, and takes Marie on a tour of a fairyland made of sweets. My son pronounced it "weird, but very descriptive, so I could picture it in my head, so I liked it." I thought it was entertaining, but surreal and dreamlike.
    • 4/5
      If you only know the story from the ubiquitous ballet, revisit it via this version. Maurice Sendak's distinctive art lends just the right appealingly surreal tone to ETA Hoffman's fairy tale. Like all good fairy tales, there is a thread of darkness and danger along with bright fantasy, and the spare storytelling pairs perfectly with the lush illustrations of this version.
    • 4/5
      Reason for Reading: I have never read this classic Christmas story and thought it would be a wonderful addition to my Christmas reading this year. I am also a huge fan of Maurice Sendak.I have not ever read the Nutcracker before, nor have I ever seen the ballet. I am not a ballet-type person. Neither have I seen a movie version of the story. I *have* seen some Christmas movies which featured a girl who was in the ballet and have a very basic knowledge of the story from that, so I was very interested to finally read the original story. But I cannot compare it to the abridged version everyone is more familiar with. Sendak starts the book off with a very informative Introduction that explains how Hoffman's story got mixed up with a tale by Alexandre Dumas to become the popular tale told in the ballet we know today. He then goes on to recount how he became involved in both a new ballet production of the original in the early '80s and the illustration of this first true-to-the-original English translation. Excellent piece of writing.The tale itself is a product of the Regency Era, albeit from the German counterpart. This is a tiny bit earlier than the period I most prefer in my reading (post-1830) so I found the style not quite my thing but the story is a fantastical tale. What is usually referred to as a tale within a tale, the best part, I thought, of the whole story was the little girl's fantasy into the story of the hard nut. From what I gathered in the Introduction, this is the part left out of the ballet. By far the best part of the whole story! Indeed a fairy tale; this is a good translation which reads with the authenticity of its time period and yet is not stilted, taking the modern reader into account with the flow of the language. An enjoyable story, full of wonder, which would make a very good read aloud to a variety of ages. The story itself is not scary and Sendak's illustrations are wonderful. He does not make much use of his "monster" style here except in a few instances, especially in the Nutcracker himself, whom I found quite hideous and his illustration may frighten small children. I can't understand why this is referred to a Christmas story though. Yes, the book starts on Christmas Eve, but time passes and Christmas is not a theme here. I was especially delighted that the children expected their gifts to be delivered to them by the mystery of the "Christ Child"; What a wonderful way to have celebrated Christmas! Overall, I am glad to have finally experienced this classic children's tale and did enjoy it but would not put it on an equal footing with say "The Christmas Carol" or "The Bird's Christmas Carol".
    • 5/5
      I went to the Nutcracker Ballet every year as a little girl. It was such a tradition I can't remember not going, but at some point I stopped going. I don't remember how old I was, maybe when I stopped believing in Santa? Maybe later. But schools used to go on field trips to see it I remember. It was A BIG DEAL! And I haven't seen it since I was a little girl. But I vaguely remembered bits and pieces of it. A girl in a white dress. A soldier, a battle, a rat soldier. All of it was kind of way back in my mind. I started with the Prologue for The Nutcracker written by Maurice Sendak in 1984. He dug up the original story of the Nutcracker written by E.T.A. Hoffmann. It was then translated by Ralph Manheim and a whole subplot "The Story of the Hard Nut" was discovered that had never been performed in the ballet. So not only did I get to rekindle my memories of the ballet I remembered, but an entirely new fairytale was revealed to me. And you know how when you read a book, it's always better than the movie?The same is true for watching a ballet and reading the book. You can read the intentions and feelings, what everything looks like in detail, whereas on a stage you might miss something because you're too far away. So, as always, I liked the book better. I always will.It starts off right away with a beautifully written story, somewhat dark, set in the past with the Christ Child bringing their presents. And they are very good children indeed as they get many presents. The tree is described in great detail and so beautifully, I want to decorate mine like that. And then Marie finds the Nutcracker and falls in love with it. But she's told she has to share The Nutcracker and her brother Fritz breaks him. All is better when she is given the Nutcracker to care for and she wraps him in her handkerchief. She is besotted with him.Now you may or may not know the story from there but the King of the Mice wages a battle against the Nutcracker and Marie and her brother's soldiers. Marie is wounded and her Godfather comes to tell her a story, "The Story of the Hard Nut," which he tells her over three consecutive nights and repairs the Nutcracker. "The Story of the Hard Nut" explains why the King of the Mice and the Nutcracker are fighting in the first place, a long history between the two families, err mice and man. It greatly adds to the story and I'm sorry it's been left out for so long. I always remembered that Clara was the center of the romance in The Nutcracker, but it is dear sweet Marie and her steadfast love of the ugly Nutcracker that brings the story to it's end. She is laughed at by her family as she tells of her journey with The Nutcracker to Marzipan Castle where he is King. She's not allowed to mention it again for fear of her father throwing The Nutcracker and all her other dolls out as well. But all is well in the end.The pictures are...they are Maurice Sendak. There are a few monsters from Where the Wild Things Are peeking out from behind things. They are as descriptive as a picture can be. I've always loved Maurice Sendak's work and it works so well in this story with the King of the Mice and the Nutcracker especially.I highly recommend adding this to your Christmas collection. I loved the ending!!If you'd like to see a few of the pictures from the book you can click HERE and check them out. Clicking on each picture will bring up a larger picture and a description of what's happening in the scene.Thanks to Danielle at Crown Publishing for the complimentary copy for review.
    • 4/5
      The Nutcracker is a beloved staple of the Christmas season. Each December children and adults enjoy the Tchaikovsky ballet but have you ever wondered where the story came from? There are actually two tales. The original fable is titled "The Nutcracker and the Mouse King" by E. T. A. Hoffman. Hoffman was a Prussian civil servant who wrote in his spare time. His version is a delightful fairytale told mostly in narrative with very little dialogue. The next story is "The History of a Nutcracker" by Alexandre Dumas. Dumas uses Hoffman's tale as the base and fleshes it out with more dialogue and explainations of the action. His story is written for a more modern audience. Tchaikovsky used Dumas' tale as inspiration for his famous ballet although the Nutcracker in the story looks much different than the one in the ballet. It is hard to choose between the two. I prefer the fairytale to the modern version because it is a quant story compared to the more conventionally written one.
    • 5/5
      The original story is vastly different from the beloved ballet. I love the ballet. I've seen it many times, but I also really loved this story. I can almost imagine that the recent holiday film, The Nutcracker and the Four Realms, had some basis in this original story. I've heard some people were in an uproar over the film because it's different from the ballet. Perhaps they have not read this original story? On my end, I'm always open to new interpretations of a story.

      I highly recommend this. Wonderful story made even more enchanting by the fantastic illustrations of Maurice Sendak.
    • 5/5
      This is not just a hackneyed version of "The Nutcracker" dressed up by the magnificent illustrations of Maurice Sendak. On the contrary, this book (beautifully printed and bound) features the original story written by E.T.A. Hoffmann, later watered down for the famous ballet. While I have always loved the ballet in any form, this story is far superior to the traditional one, and captured my attention from the very start. As Sendak wrote in his preface about the version familiar to audiences today:"[It] is smoothed out, bland, and utterly devoid not only of difficulties but of the weird, dark qualities that make it something of a masterpiece.”Kent Stowell, the artistic director of the Pacific Northwest Ballet, invited Sendak to collaborate on a new production, and they agreed to adapt the Hoffman version. The translation used in this book by Ralph Manheim is superb – there is nothing dated or stodgy about it, and I found myself unable to quit reading until I had finished the entire story. And as admirers of Sendak know, as an illustrator he is particularly well-suited to capture “weird, dark qualities” and render them as not at all scary but full of whimsy and fascinating detail.My favorite parts? The character known as the Giant Sweettooth of Candytown (since he is obviously one of my progenitors) and the very last sentiment, which concludes:"…Marie is believed to be still the queen of a country where sparkling Christmas woods, transparent marzipan castles, in short, the most wonderful things, can be seen if you have the right sort of eyes for it.”“The right sort of eyes” …. What a marvelous concept!

    Book preview

    The Nutcracker - E.T.A. Hoffmann

    hoffmann

    chapter one

    christmas eve

    During the long, long day of the twenty-fourth of December, the children of Doctor Stahlbaum were not permitted to enter the parlour, much less the adjoining drawing room. Frederic and Maria sat nestled together in a corner of the back chamber; dusky twilight had come on, and they felt quite gloomy and fearful, for, as was commonly the case on this day, no light was brought in to them. Fred, in great secrecy, and in a whisper, informed his little sister (she was only just seven years old), that ever since morning he had heard a rustling and a rattling, and now and then a gentle knocking, in the forbidden chambers. Not long ago also he had seen a little dark man, with a large chest under his arm, gliding softly through the entry, but he knew very well that it was nobody but Godfather Drosselmeier. Upon this Maria clapped her little hands together for joy, and exclaimed, ‘Ah, what beautiful things has Godfather Drosselmeier made for us this time!’

    Counsellor Drosselmeier was not a very handsome man; he was small and thin, had many wrinkles in his face, over his right eye he had a large black patch, and he was without hair, for which reason he wore a very nice white wig; this was made of glass however, and was a very ingenious piece of work. The Godfather himself was very ingenious also, he understood all about clocks and watches, and could even make them. Accordingly, when any one of the beautiful clocks in Doctor Stahlbaum’s house was sick, and could not sing, Godfather Drosselmeier would have to attend it. He would then take off his glass wig, pull off his brown coat, put on a blue apron, and pierce the clock with sharp-pointed instruments, which usually caused little Maria a great deal of anxiety. But it did the clock no harm; on the contrary, it became quite lively again, and began at once right merrily to rattle, and to strike, and to sing, so that it was a pleasure to all who heard it. Whenever he came, he always brought something pretty in his pocket for the children, sometimes a little man who moved his eyes and made a bow, at others, a box, from which a little bird hopped out when it was opened – sometimes one thing, sometimes another.

    When Christmas Eve came, he had always a beautiful piece of work prepared for them, which had cost him a great deal of trouble, and on this account it was always carefully preserved by their parents, after he had given it to them. ‘Ah, what beautiful present has Godfather Drosselmeier made for us this time!’ exclaimed Maria. It was Fred’s opinion that this time it could be nothing else than a castle, in which all kinds of fine soldiers marched up and down and went through their exercises; then other soldiers would come, and try to break into the castle, but the soldiers within would fire off their cannon very bravely, until all roared and cracked again. ‘No, no,’ cried Maria, interrupting him, ‘Godfather Drosselmeier has told me of a lovely garden where there is a great lake, upon which beautiful swans swim about, with golden collars around their necks, and sing their sweetest songs. Then there comes a little girl out of the garden down along the lake, and coaxes the swans to the shore, and feeds them with sweet cake.’

    ‘Swans never eat cake,’ interrupted Fred, somewhat roughly, ‘and even Godfather Drosselmeier himself can’t make a whole garden. After all, we have little good of his playthings; they are all taken right away from us again. I like what Papa and Mamma give us much better, for we can keep their presents for ourselves, and do as we please with them.’ The children now began once more to guess what it could be this time. Maria thought that Miss Trutchen (her great doll) was growing very old, for she fell almost every moment upon the floor, and more awkwardly than ever, which could not happen without leaving sad marks upon her face, and as to neatness in dress, this was now altogether out of the question with her. Scolding did not help the matter in the least. Frederic declared, on the other hand, that a bay horse was wanting in his stable, and his troops were very deficient in cavalry, as his Papa very well knew.

    By this time it had become quite dark. Frederic and Maria sat close together, and did not venture again to speak a word. It seemed now as if soft wings rustled around them, and very distant, but sweet music was heard at intervals. At this moment a shrill sound broke upon their ears – kling, ling – kling, ling – the doors flew wide open, and such a dazzling light broke out from the great chamber, that with the loud exclamation, ‘Ah! ah!’ the children stood fixed at the threshold. But Papa and Mamma stepped to the door, took them by the hand, and said, ‘Come, come, dear children, and see what Christmas has brought you this year.’

    chapter two

    the gifts

    Kind reader, or listener, whatever may be your name, whether Frank, Robert, Henry, – Anna or Maria, I beg you to call to mind the table covered with your last Christmas gifts, as in their newest gloss they first appeared to your delighted vision. You will then be able to imagine the astonishment of the children, as they stood with sparkling eyes, unable to utter a word, for joy at the sight before them. At last Maria called out with a deep sigh, ‘Ah, how beautiful! ah, how beautiful!’ and Frederic gave two or three leaps in the air higher than he had ever done before. The children must have been very obedient and good children during the past year, for never on any Christmas Eve before, had so many beautiful things been given to them. A tall fir tree stood in the middle of the room, covered with gold and silver apples, while sugar almonds, comfits, lemon drops, and every kind of confectionery, hung like buds and blossoms upon all its branches. But the greatest beauty about this wonderful tree, was the many little lights that sparkled amid its dark boughs, which like stars illuminated its treasures, or like friendly eyes seemed to invite the children to partake of its blossoms and fruit.

    The table under the tree shone and flushed with a thousand different colours – ah, what beautiful things were there! who can describe them? Maria spied the prettiest dolls, a tea set, all kinds of nice little furniture, and what eclipsed all the rest, a silk dress tastefully ornamented with gay ribbons, which hung upon a frame before her eyes, so that she could view it on every side. This she did too, and exclaimed over and over again, ‘Ah, the sweet – ah, the dear, dear frock! and may I put it on? yes, yes – may I really, though, wear

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