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    Hélène Cixous, écriture féminine and Musical Analysis
    Ebook series1 title

    Musicology. Gendertronics Series

    By Joyce Shintani

    ()

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    Currently unavailable

    About this series

    Out of roiling French feminist theory in the 1970s, philosopher and writer Hélène Cixous developed the practice of lecture feminine – based on the notion of écriture féminine – as an analytic approach in her own seminars. In musicology, it wasn’t until the 1990s that gender studies introduced new attitudes as methods. Might Cixous’ lecture féminine serve as a historically rooted analytic approach for musicology and multimedia today?
    A theory of otherness that brings the body into play with the intellect, that questions the validity of the text, that poetically encourages a collective and respectful approach to reading with an abundance of interpretations: All of these notions and more are included in lecture féminine.
    The first extensive attempt to adapt lecture féminine to music analysis, the current volume offers experts and students in the areas of music, musicology, gender studies, and philosophy a concise introduction to this ‘method’. Terms such as feminine, the other, and phallogocentrism are discussed in relationship to poststructuralism, Lacan, Freud, and other thought.
    LanguageEnglish
    PublisherBooks on Demand
    Release dateAug 3, 2016
    Hélène Cixous, écriture féminine and Musical Analysis

    Titles in the series (1)

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      Hélène Cixous, écriture féminine and Musical Analysis
      Hélène Cixous, écriture féminine and Musical Analysis

      Hélène Cixous, écriture féminine and Musical Analysis

      Joyce Shintani
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      Out of roiling French feminist theory in the 1970s, philosopher and writer Hélène Cixous developed the practice of lecture feminine – based on the notion of écriture féminine – as an analytic approach in her own seminars. In musicology, it wasn’t until the 1990s that gender studies introduced new attitudes as methods. Might Cixous’ lecture féminine serve as a historically rooted analytic approach for musicology and multimedia today? A theory of otherness that brings the body into play with the intellect, that questions the validity of the text, that poetically encourages a collective and respectful approach to reading with an abundance of interpretations: All of these notions and more are included in lecture féminine. The first extensive attempt to adapt lecture féminine to music analysis, the current volume offers experts and students in the areas of music, musicology, gender studies, and philosophy a concise introduction to this ‘method’. Terms such as feminine, the other, and phallogocentrism are discussed in relationship to poststructuralism, Lacan, Freud, and other thought.

      Out of roiling French feminist theory in the 1970s, philosopher and writer Hélène Cixous developed the practice of lecture feminine – based on the notion of écriture féminine – as an analytic approach in her own seminars. In musicology, it wasn’t until the 1990s that gender studies introduced new attitudes as methods. Might Cixous’ lecture féminine serve as a historically rooted analytic approach for musicology and multimedia today? A theory of otherness that brings the body into play with the intellect, that questions the validity of the text, that poetically encourages a collective and respectful approach to reading with an abundance of interpretations: All of these notions and more are included in lecture féminine. The first extensive attempt to adapt lecture féminine to music analysis, the current volume offers experts and students in the areas of music, musicology, gender studies, and philosophy a concise introduction to this ‘method’. Terms such as feminine, the other, and phallogocentrism are discussed in relationship to poststructuralism, Lacan, Freud, and other thought.

    Author

    Joyce Shintani

    Joyce Shintani, 1953 in Kalifornien geboren, hat bisher zwei Gedichtbände und Kurzgeschichten in Anthologien sowie musikwissenschaftliche Texte veröffentlicht. Die Arbeit an"Paris Choice", einem Künstlerroman, der sich um die Abenteuer der fiktionalen Dirigentin Juni Shimata dreht, steht kurz vor dem Abschluss. Der Roman basiert auf ihren eigenen Erfahrungen als Dirigentin zeitgenössischer Musik in Wien, New York, Los Angeles, Paris, an der Stuttgarter Oper u.a. Ihre Arbeit als Dozentin an der Staatlichen Hochschule für Gestaltung in Karlsruhe hat sie 2011 aufgegeben und widmet sich seither dem Schreiben

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