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Bone Map: Poems
Bone Map: Poems
Bone Map: Poems
Ebook69 pages32 minutes

Bone Map: Poems

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“These poems, like light, clarify even as they pierce.” —PUBLISHERS WEEKLY

Selected for the National Poetry Series by Martha Collins, Sara Eliza Johnson’s stunning, deeply visceral first collection pulls shards of tenderness from a world on the verge of collapse.

Here violence and terror infuse the body, the landscape, and dreams: a handful of blackberries offered from bloodied arms, bee stings likened to pulses of sunlight, a honeycomb of marrow exposed. “All moments will shine if you cut them open. / Will glisten like entrails in the sun.” With figurative language that makes long, associative leaps, and with metaphors and images that continually resurrect themselves across poems, Bone Map builds and transforms its world through a locomotive echo—a regenerative force—that comes to parallel the psychic quest for redemption that unfolds in its second half. The result is a deeply affecting composition that establishes Sara Eliza Johnson as a vital new voice in American poetry.

LanguageEnglish
Release dateSep 9, 2014
ISBN9781571319197
Bone Map: Poems

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    Book preview

    Bone Map - Sara Eliza Johnson

    Fable

    In the forest, the owl releases a boneless cry.

    I know the names of things here

    and I can hold them.

    I hold your hand:

    a matryoshka opening deeper

    until I can hear your bones

    singing into mine,

    and feel the moon

    as it rolls through you

    like a great city before a war

    where it has been night for so long

    that everyone sees

    with their hands,

    and then somewhere in the city

    a newborn animal

    shakes the dust off itself

    and stands, makes

    a thimbleful of sound,

    and a boy standing in the square

    turns toward it,

    and his father, not knowing

    what his hands will be made to do

    to other men,

    places a hand on his head.

    Deer Rub

    Deep in the forest, where no one has gone,

    where rain bloats the black moss and mud,

    a deer is rubbing its forelock and antlers

    against a tree. The velvet that covers the antlers

    unwinds into strips, like bandages.

    The rain scratches at the deer’s coat

    as if trying to get inside, washes the antlers

    of blood, like a curator cleaning the bones

    of a saint in the crypt beneath a

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