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Archivist Wasp: a novel
Archivist Wasp: a novel
Archivist Wasp: a novel
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Archivist Wasp: a novel

Rating: 4 out of 5 stars

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Norton Award finalist
YALSA Best Fiction for Young Adults 2016
Kirkus Reviews Best Teen Books of 2015
Book Riot Best of 2015
Buzzfeed 32 Best Fantasy Novels of 2015
ABC Best Books for Young Readers
Los Angeles Times Summer Reading
Locus Recommended Reading

Wasp's job is simple. Hunt ghosts. And every year she has to fight to remain Archivist. Desperate and alone, she strikes a bargain with the ghost of a supersoldier. She will go with him on his underworld hunt for the long-long ghost of his partner and in exchange she will find out more about his pre-apocalyptic world than any Archivist before her. And there is much to know. After all, Archivists are marked from birth to do the holy work of a goddess. They're chosen. They're special. Or so they've been told for four hundred years.

Archivist Wasp fears she is not the chosen one, that she won't survive the trip to the underworld, that the brutal life she has escaped might be better than where she is going. There is only one way to find out.

Praise for Archivist Wasp:

"Archivist Wasp is a gorgeous and complex book, featuring a deadly girl who traverses an equally deadly landscape. Wasp won me over, and she's sure to find fans among teens and grown-ups alike."
Phoebe North, author of Starglass

"A tremendously inventive and smart novel. Archivist Wasp is like Kafka by way of Holly Black and Shirley Jackson, but completely original. Highly recommended."
Jeff VanderMeer, author of the Southern Reach trilogy

"A gorgeous, disturbing, compelling book with a smart, complicated heroine who bestrides her post-apocalyptic world like a bewildered force of nature. Reading it was a wild ride and a thoroughly satisfying one."
Delia Sherman, author of The Freedom Maze

"One of the most revelatory and sublime books I've ever read, Archivist Wasp is a must-read for fans of post-apocalyptic fiction. Kornher-Stace is a genius, and I can't wait to see what she does next!"
Tiffany Trent, author of The Unnaturalists

"Brutal post-apocalypse meets sci-fi techno-thriller meets a ghost story for the ages in this astonishingly original novel from Nicole Kornher-Stace. You've never read anything like Archivist Wasp, but once you have you'll be clamoring for more."
Mike Allen, author of Unseaming

Sharp as a blade and mythically resonant, Archivist Wasp is a post-apocalyptic ghost story unlike anything else I’ve read. Trust me, you want this book.”
Karina Sumner-Smith, author of Radiant

Archivist Wasp turns destiny on its head, and it re-invents the world you know to do it. Strong. Fast. Addictive.”
Darin Bradley, author of Noise

Goes off like a firecracker in the brain: the haunted landscape, the sure-footed, blistering prose and, of course, the heroine herself, the most excellent Archivist Wasp.”
Kelly Link, author of Get in Trouble

Praise for Nicole Kornher-Stace:

"In richly textured, atmospheric prose, Kornher-Stace delivers a spellbinding tale of deception, betrayal, and the darker possibilities of playacting."Booklist

"Mesmerizing from the first page and once you get into its flow, a page turner to boot."Fantasy Book Critic

"Absorbing, exciting, intellectually fascinating, emotionally true, and well-crafted, bobbles and all."Ideomancer

Editor's Note

Cinematic action…

“Archivist Wasp” borrows tropes from a myriad of genres and creates a unique, haunting tale. Full of cinematic action sequences, piercing metaphors, and dark revelations. Rated one of the best books of 2015 with good reason.

LanguageEnglish
Release dateApr 13, 2015
ISBN9781618730985
Archivist Wasp: a novel
Author

Nicole Kornher-Stace

Nicole Kornher-Stace is the author of the Norton Award finalist Archivist Wasp and its sequel, Latchkey. Her short fiction has appeared in Clarkesworld, Apex, and Fantasy Magazine, as well as many anthologies. She lives in New Paltz, New York, with her family. She can be found online at NicoleKornherStace.com, or on Twitter @WireWalking.

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Reviews for Archivist Wasp

Rating: 3.913580275308642 out of 5 stars
4/5

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  • Rating: 2 out of 5 stars
    2/5
    Archivist Wasp is an interesting read. If you are into paranormal books, this is a good fit. It is a slow build, but halfway through, I couldn't put the book down. I read it in about 2 days. Some of the characters could be described better. I would have liked to have a name to one of the characters instead of simply "the ghost". It was confusing at times. This book was slightly different than most YA dystopian novels. It still depicted a female "warrior-of-the-wasteland" style character, chock full of self-doubt and flaws, with an evil "overlord" style protagonist. Most protagonists were male, and were crudely described. The storyline and arc, however, were refreshingly new. The idea of "ghosts" constantly disrupting the general life of the town and the fact that there are deep down secrets from these ghosts leads to quite the turn of events.
  • Rating: 4 out of 5 stars
    4/5
    Wasp’s position is an isolated and difficult one. As Archivist, she captures, studies and destroys ghosts for the Catchkeep-priest, and each year has to kill her would-be successors in order to keep her job -- and stay alive. But then she meets a ghost unlike all the others. A ghost who not only can talk to her but wants her help to find another ghost, Foster. This post-apocalyptic mystery was not what I was expecting -- it spends more time focusing on the ghost and Foster’s past than on Wasp in her role as Archivist. And it was probably not a good choice for an audiobook, not for me and especially not for me on long car trips. (It’s harder to skip back or skim ahead with audiobook, and much harder to do those things when I’m driving.) The story is darker and more violent than I’d prefer and I think if I had been able to read it at my own pace I would have been less uneasy, and would have found some of the transitions between Wasp’s present and the past less confusing too.But that’s me.This is an intense, sharply-written story about about trust and teamwork and being caught in a terrible world. I was intrigued as well as horrified by the details about Foster’s life. I liked the connections, both thematic and physical, between Wasp and Foster. By the end, I was much more invested in the story’s few characters.I am curious about the sequel.“We’re going to find her. And when we do, if she wants me to walk away, I’ll walk away. But first I need to talk to her. One last time.”Of course you do, Wasp thought. You’re a ghost. You need answers. You need closure. You need them like the living need air to breathe. You think it’s just you, but from what I’ve seen, most of us die without getting either.And maybe that’s all a ghost is, in the end. Regret, grown legs, gone walking.
  • Rating: 4 out of 5 stars
    4/5
    Intriguing. I really liked it and decided to read it as I have won the second book in the series as an Early Reviewer Snag. Now I can go ahead and start 'Latchkey'. Yeah:)
  • Rating: 3 out of 5 stars
    3/5
    3.5 stars

    This was a very unique book. It was definitely not what I was expecting. The premise was really cool, a ghost hunter who helps a ghost find someone in exchange for a peek into how the world used to be. I enjoyed the characters and how they developed and this book really showcases strong friendships and what it really means to care. I enjoyed Wasp's struggles with her occupation and finding out more about herself. The writing was pretty good, and there was some world building, but for the most part it was pretty vague. By the end of the book it becomes clear why this was, but it was a little confusing at the beginning.
    Overall, I was immersed in the story and was interested in where it was going (I read most of this in one day) and I liked it :)
  • Rating: 4 out of 5 stars
    4/5
    This book was such an entertaining trip! I'm not completely sure I got the nuance of everything, but it was excellent fun to be on this bizarre ride. The protagonist is wonderfully sensible and worldweary, and her friendship with the ghost soldier is engaging. The worldbuilding is really cool, too. This reminded me in a lot of ways of Sabriel, of Tombs of Atuan, of the show Dark Angel, and dealt interestingly with power, control, violence, memory and history through an otherworldly quest narrative.
  • Rating: 5 out of 5 stars
    5/5
    This was very good. If I could, I would give it half a star more. The story is quite intriguing, combining ghosts with ancient (but futuristic) technology. The main character is likeable, even if she is a bit dour at first. She is persistent, kind, and insightful. The ghost characters are likeable as well, and the more their story becomes clear, the more links there are to Wasp's world, and the more both Wasp and the ghosts evolve. This was highly charming, with a show of great loyalty,and I have to admit, I'm a sucker for loyalty in any story. It was also gratifyingly romance-free.
  • Rating: 5 out of 5 stars
    5/5
    honestly spectacular.
  • Rating: 2 out of 5 stars
    2/5
    Seriously strange. Highly ambitious and not entirely successful. It certainly isn't boring (at least, not after Wasp meets The Ghost), but it is rather joyless. I also wasn't compelled by the geography and world-building, and there are plotholes that simply don't make sense. I didn't love the writing, which I found rather glib at times. But, there is a ton going on, and the book certainly felt original. I also found Wasp engaging enough and rather liked The Ghost. But overall, a very strange and oddly unsatisfying read.
  • Rating: 3 out of 5 stars
    3/5
    ARCHIVIST WASP has been showing up on a number of Best of lists, so I had very high hopes. It has a great name, a striking cover, and comes from the imminently cool Small Beer Press (founded by Gavin J. Grant and Kelly Link). The opening certainly caught my attention. Wasp, in a fight to the death, decides to stop the cycle of violence and spare her opponent.In the end, however, I didn't really like ARCHIVIST WASP. I thought it meandered too much and combined two stories that didn't really fit together. I kept waiting for an ah-ha moment to bring the story together, but it didn't happen. Wasp shows a lot of personal growth over the novel, but it was hard to connect the event happening to the changes in her character. The prose of the novel flowed smoothly, but how the characters decided to move from point A to point B often seemed more a function of what Nicole Kornher-Stace wanted to happen next than anything to do with actual motive. The two main characters are Wasp and a ghost who convinces her to go on a journey to the underworld with him, to find a companion he left behind in life and needs to find in death. The ghost is driven to find her for closure. Wasp is driven to find her because once the quest gets going she's invested, mostly. (She helps him at first for medical attention.)Wasp eventually returns home for her big triumph. ARCHIVIST WASP is yet another novel where a man uses religion to keep a bunch of dangerous girls down. It's a familiar story in feminist science fiction, and one not given enough space to breathe. Too much of the novel is about the quest that has nothing to do with the religion or how people are treated in Wasp's present and it only coincidentally gives her the key to fighting back.Meanwhile, how did this world get from the ghost's day to Wasp's? In the ghost's day, the big issue was the ethics of human experimentation, not the ways religion is used to oppress. There is a huge commonality about people being used as weapons, and yet that thread never seems to get teased out.ARCHIVIST WASP is stylish, with an underworld that requires you to travel by means of the things that aren't quite right. For me, it needed another draft to really help the disparate elements cohere. As it is, I think ARCHIVIST WASP is a case of style over substance. If only the characters were as fleshed out as some of the nightmare landscapes.
  • Rating: 4 out of 5 stars
    4/5
    Archivist Wasp is becoming something of a phenomenon in library-people circles. Being an archivist myself, I was immediately curious when I saw this title, and others I know have made wry quips about fighting for tenure. (But not like this, I hope. My god.) It's a story set in a rough, uncompromising world that feels very much like a lot of other recent dystopian novels, but what Nicole Kornher-Stace does differently is to make the pre-collapse civilization just a little further in the future than usual. I liked not having a one-to-one correlation between the world I know and the world that Wasp's people have lost. There were just enough points of contact to be eerie, but not so many that it felt too familiar.The archives that Wasp and her predecessors care for is made up of the tiniest shreds of memory harvested from those who no longer remember much, or perhaps anything at all. In my profession, we spend a lot of time thinking about the ramifications of our collecting decisions. How do those decisions shape what gets considered "real" history? But what if there was so little information that it didn't even make sense to choose what to keep? How does that change what we think we know? Wasp ultimately finds she's in a similar position. There's a lot of good stuff in here about memory, societal power, and whose version of the truth gets to "win". It's really worth a read.
  • Rating: 5 out of 5 stars
    5/5
    I loved this book!GREAT world building, fantastic characters, and a wonderful magic system. Engrossing, intriguing, and wonderful. I'd love to learn more about the world and its inhabitants.I'm very happy to hear that a sequel is in the works.
  • Rating: 4 out of 5 stars
    4/5
    Excellent book with a very intriguing setting/world. I sometimes get into a dystopian slump, but this was very different than anything else I've read.
  • Rating: 5 out of 5 stars
    5/5
    I really liked this book.
  • Rating: 4 out of 5 stars
    4/5
    This book is currently nominated for the Norton Award, and I read it as part of my Nebula nominee packet.Archivist Wasp is a trippy distant-post-apocalyptic What-Dreams-May-Come journey into realms of ghosts and memories. It's one of those rare books where I really wasn't sure how it would end, even when I was right at the end. The read, while a bit on the edge of weird for my personal taste, is suspenseful all the way through: Wasp is an Archivist, a role both revered and despised in her wretched society. She hunts ghosts and feels like she understands them pretty well... until she is confronted by an oddly talkative ghost who asks for her help in finding his long-dead comrade. They strike an uneasy alliance as they take on the quest together.As I said before, I liked how this book surprised me. It's not a romance in the slightest. It defies any traditional ideas of genre--it's set four-hundred years after the apocalypse, in the ruins of society, but also delves into science fiction and superheroes, and it's staunchly young adult by the ages of the protagonists. I did feel like the worldbuilding was off at a few points; it mentions plastics being used, and I also expected language to evolve more over that time. Still, it made for an intriguing read. I can see why it made the finalist list.
  • Rating: 2 out of 5 stars
    2/5
    I don't get what all the hype is about. Archivist Wasp takes place in a very strange world without much internal consistency or logic. It is implied that this world is a distant future of a world much like ours, but the presence of ghosts is never explained, nor is it explained why ghosts are such a salient feature of Wasp's present, but apparently absent in the past.The thing that bothered me the most about this book was the unrelenting violence and abuse. The book opens with teenage girls murdering each other in a blood ritual. Wasp has had to murder several of her fellow teenage girls to get the position of Archivist. On top of that, she is emotionally and physically abused by the priest who oversees her activities. Throughout the book, she is involved in battle after battle. I don't see any reason for this unrelenting violence. Even worse, the violence doesn't seem to have much effect on Wasp or the other girls in the book. Sure, she's tired of the violence and wants to end the cycle, but she doesn't seem to suffer from any type of PTSD or anxiety or other emotional effects from the violence and abuse she has suffered her whole life.I might be able to stomach the violence if there seemed to be a point to it. But there doesn't seem to be a point, or maybe the problem is that the whole book doesn't seem to have a point. I can't tell what Kornher-Stace was trying to say with this story. There is almost a theme about friendship, but it falls very flat at the end.
  • Rating: 4 out of 5 stars
    4/5
    In a post-apocalyptic world, Wasp is the Archivist, whose responsibility is to capture and destroy ghosts. Then one day, one of the ghosts talks back.I like stories that dump the reader in the middle of a new world and explain things in bits and pieces as the story progresses, which is exactly what happens here. The story starts in the middle of a duel and we learn slowly who Wasp is fighting and why, who Wasp even is, and what her role as Archivist means.There is a grand sense of worldbuilding and time despite the short length of the novel, bold characters, and a plot that seems to be constantly twisting and changing as Wasp learns new things about her world, her companion, and herself.A quick read but a satisfying one. Recommended.
  • Rating: 4 out of 5 stars
    4/5
    I'm always a little leery of books that come in PDF format, especially in this genre, but I found myself pretty quickly invested in this short, wild thrill of a novel. It wasn't technically perfect--it almost seemed unedited in fact--but there was something really captivating about it. It was unusual yet quite refreshing to read a YA novel without any romance, and with splatters of violence that weren't wantonly graphic. Wasp is an endearingly bitter little nut of a protagonist, but the underworld that Kornher-Stace imagines for us is the real star.
  • Rating: 5 out of 5 stars
    5/5
    Original, unpredictable, unable to single categorize, this short novel will be highly satisfying to readers who like magic, dystopias, myth, quests, and a strong female character. In an interesting future when our culture is barely remembered Wasp, a young girl is an Archivist whose job is to cull and keep ghosts in line. She sets off on a quest to find a particular ghost, Catherine Foster, who is stuck in-between. Without giving away the imaginative plot, the ending was very satisfying to this reader as Wasp finds resolution for her internal conflicts as well as the external conflicts of her society. I am a voracious reader and some books fade in my memory but this one will not! I received a copy for review from LibraryThing's Early Reviewers program.
  • Rating: 3 out of 5 stars
    3/5
    I was having a hard time deciding between 3 or 4 stars because I did like it, but there were parts that I didn't like or bothered me. There was also some language that I didn't appreciate and I was a bit lost in trying to follow and understand some of the story.

    Once I figured out what was going on I really enjoyed it and liked it. It was a bit different than my usual reading, but pretty good overall.
  • Rating: 4 out of 5 stars
    4/5
    Unique story. Driven by tradition and religion, one girl-the archivist-has a special blade that helps her trap ghosts. Really interesting rituals and interaction with ghosts.
    She is shunned by society except when they need her and she and her contemporaries are half starving, living terribly in the shadow of a man who holds them captive.
    The archivist meets her match in a ghost who needs her help in the underworld, through the stone of a mountain.
    Unique read, had to push through the end a bit. Worth reading
  • Rating: 4 out of 5 stars
    4/5
    In a way, Archivist Wasp reminds me of Mad Max: Fury Road. In a post apocalyptic world, Wasp is the Archivist, hunter of ghosts. She has to kill to keep her position or be killed herself. When she meets a ghost stronger than the rest, that of a dead solider, she sees a way out. The ghost is looking for the ghost of another solider, a woman named Foster. In returning for going down into the underworld, she may receive the key to her freedom. That is, if she’s able to come back out.Archivist Wasp is a short but striking novel. It’s classified as YA and has a sixteen year old protagonist, but it feels nothing like most YA books. It avoids the normal tropes and is entirely without romance. Seriously, no romance at all. Not even between secondary characters. The most important relationships in the book are Wasp’s tenuous friendship with the ghost, and the ghost’s relationship with Foster, which is highly important but never depicted as romantic.“She could still see the face of every upstart she’d killed. Still woke from dreams in which they died all over again, woke nauseous and sweaty and scrubbing invisible blood from her hands.She was sick of it. She was beyond sick of it. There had to be another way.”The reason I compared Archivist Wasp to Fury Road is that both stories are about dehumanization. Wasp started out as an upstart, a girl whose scars on her face mark her as a servant to the goddess Catchkeep. Every year the upstarts have to draw straws to fight the Archivist. Wasp won the position by killing her predecessor, and for the three years following she’s had to kill or be killed. She’s treated as a tool, not a person, and she’s at least partly internalized that mindset in regards to herself. While their lives were very different, there’s some clear parallels between Wasp and the two ghosts. The two ghosts (the unnamed solider and Foster) were super soldiers, created in a lab to win a war. Yet somehow, Foster was able to retain her humanity. It is this that draws the ghost and through his descriptions and memories, Wasp, to her. Archivist Wasp is the story of people who’ve been used and dehumanized regaining their sense of self.There’s few to no explanations regarding the world of Archivist Wasp. What led to the apocalypse four hundred years ago? Why are there only now ghosts? What is going on with the strange and often nonsensical realm of the underworld? However, none of these questions ever bothered me, for that’s not what the story is about. Archivist Wasp is not a large story, and the cast is highly limited. It is a story about one girl and her journey, both emotional and physical.Archivist Wasp deserves far more attention than it’s received. It’s powerful and moving story that I would highly recommend.Originally posted on The Illustrated Page.
  • Rating: 5 out of 5 stars
    5/5
    One of my very favorite books—spare yet beautiful writing, amazing mythology, and central friendships that made me cry.
  • Rating: 4 out of 5 stars
    4/5
    Excellent writing, and a harsh, abusive, survival story. Wasp is a ghost hunter (sort of) and a tormented shaman figure to her people, desperately seeking a way out of her life and also the history of her apocalypse. Not an easy book, but an intense adventure through death and dreamlands, to find one ghost's past. Some superhero actions (peripherally), some Mad Max dystopia. Mostly just an excellently told tale.
  • Rating: 4 out of 5 stars
    4/5
    When I begin a fantasy novel, the plot has to pull me in pretty much immediately, because I need incentive to begin the hard work of figuring out what the rules are for the alternate world of the story. To be honest, if it doesn’t grab me at once, you probably wouldn’t see it reviewed by me, because I would have abandoned it.This gripping story, set in a time far into the future, is about the latest girl to be marked as “Archivist” by the Catchkeep Priest. The Archivist is someone whose job is trapping the many ghosts that wander through the area, and trying to get information from them on who they were and what happened to the old world. After she is done interrogating them, she is supposed to “dispatch” them. She is trained to be brutal; she becomes Archivist only after killing other “upstarts” wanting the job. But this is not at all a “ghost story.” The ghosts provide a frame for the picture of life in this post-apocalyptic world, and eventually, answers about how it came about.Wasp, as the current Archivist is called, has been Archivist for three years, but she is not like the girls who came before her, over a time period extending at least four hundred years, according to the archival records. She doesn’t like all the killing, and she hates the cruel, abusive, and corrupt Catchkeep Priest who controls her life. She knows that while the Catchkeep Priest is full of hate, the ghosts were not similarly evil:“[They] were just hungry, lonely, lost. Desperate and confused. These were all things she could relate to.” She is ruefully aware that her compassion is a weakness in her world; she wouldn’t mind if another would-be archivist killed her for the job, except that she isn’t the type to give up so easily. But she hates what she does and has done, and wants to earn redemption, somehow.That opportunity comes to her with the appeal of the strongest ghost she ever encountered, one who not only speaks to her, but asks her help in finding another ghost. He offers something she wants in return. Thus they make a bargain, and she and the ghost set off on an epic quest on a journey to the Underworld, from which she might not make it back. Note that in myth, a trip to the Underworld, or “katabasis,” means not only a journey into the depths of the world, but into the depths of oneself. Unlike a “normal” bildungsroman focusing on a character’s spiritual education, a katabasis takes you into a world which has its own geography and rules but which reflects the world of the living in a way you would not have seen otherwise. The protagonist undergoes tests and trials, and meets both allies and enemies, always with survival uncertain. But the reward is enlightenment, and maybe more, from transformation to liberation. In this case, Wasp learns the truth about her world, and the world that came before hers. The cost may be her life.Evaluation: This is not at all a YA romance. The ghost and the Archivist have a partnership, built on not only need but mutual respect. And yet as you will see, it does contain a love story. And it is also a story about friendship that lasts through eternity, with a bit of existential flavor added about the meaning of existence. There is a wholly different route for this brave and prickly protagonist to find fulfillment than the usual romantic encounters or "saving the world," and it is outstandingly unique in this genre. Most gratifyingly, the ending is pretty spectacular. This book has garnered a number of awards.
  • Rating: 5 out of 5 stars
    5/5
    The Archivist, chosen from birth by the goddess Catchkeep, is compelled to capture ghosts and to take notes about them before she disposes of them. To maintain her role as Archivist she must fight to the death up and coming upstarts once a year. But she is tiring of her job and joins a ghost soldier to tour the underworld to find his mate. No path is straight. Doors suddenly appear but not where you expect them. Memories are key and can be lost in an instant. In the end, she completes her search, returns to her village and routes the Catchkeep priest. This is a most unusual piece of science fiction. Once you enter into the rhythm of the story, the author captures your emotions and flashes strident ghostly unrealities. A very creative read…well worth the effort.
  • Rating: 4 out of 5 stars
    4/5
    I'm not sure I've ever read something quite like this. The last fifty pages or so pushed it from a strong 3.5 stars to 4 stars for me.
  • Rating: 5 out of 5 stars
    5/5
    This book defied my expectations. It is not "archivist-as-Librarian" related, as much as "Archivist-as-record-of-the-past-combined-with-protector-of-the-community", assuming the first thing that comes to mind as needing protection frim is ghosts.

    Of course, in this world, salt makes ghosts stronger, although technically it can bind them.

    It took me a little while to buy into the book, but I was intrigued from the start. It truly is a work of art, and the characters are believable and we get to see their growth from stubborn trying-to-rebel-Archivist to a woman who can hold her own against those previously feared.
    A
    9/10
  • Rating: 5 out of 5 stars
    5/5
    GAH. This is exactly what a dystopian novel should be. I was in the mood for something bittersweet and I guess this really hit the spot. Also, the imagery is amazing. I especially loved the early description of the painting of Catchkeep, with hammered-in nails serving as the stars of the constellation.

    Not FUN, per se, but so so so good.

Book preview

Archivist Wasp - Nicole Kornher-Stace

Prologue

The knife. She’d lost the knife. Now she was as good as dead.

Frantically she scanned the sand around her. No knife. How far off could it have landed? She squinted to see farther out, but the crowd’s torches were too far back for the blade to catch their light. She swore under her breath. Fractions of a second passed while she, Wasp, three years Archivist and terror of the upstarts, actually froze. They were probably the last fractions of a second she had left.

There was a pause as the other girl, this year’s third and final upstart, realized what had happened. As the crowd began to shout. An Archivist disarmed! The Catchkeep-priest in his high chair raked his gaze across them and their shouts hushed to murmuring, showing the Archivist-choosing day its due respect.

Still, out of the corner of her eye Wasp could see spectators jostling to the front of the ring, parents lifting children on their shoulders for a better view. She knew there’d be a few in the crowd secretly betting now: would she try to fight unarmed? Would she run? Would she stand unmoving in her pride and let the upstart cut her throat?

The upstart staggered to her feet, bleeding freely from half a dozen wounds, and bobbed behind her own knife, watching Wasp cagily.

Still Wasp stood there, her pulse banging at her wounds, sweat cooling on her skin. Somehow, it was almost a relief. It wasn’t like she’d ever thought she’d die easy. That was a luxury Archivists weren’t really allowed. Getting it out of the way now might not be so bad. She thought on what she’d miss in those last moments, bleeding out into the sand. It wasn’t a long list.

Not a split second too soon, reflex grabbed her, dragged her back. The upstart’s blade slashed the air a thumb’s width from her jaw. The slick hiss of its passage sounded daunted. It’d meant to empty out her throat.

Dumb luck. It couldn’t last. The upstart was getting cocky now, slashing wide and wild, riding high on the vision of Wasp’s death and her own ascension to Archivist in Wasp’s place—and Wasp had to fling herself back hard from the next swing.

Not hard enough. The knifepoint caught her lip. She tasted blood. Momentum and light-headedness caught her feet in the sand and she faltered a few steps and went down.

The crowd’s sudden silence beat at her like wings. Respect for the goddess Catchkeep whose ritual this was, but respect too for Catchkeep’s Archivist, soon to die. Soon enough they’d be dragging her from the sand, reading the holy words over her as her corpse was sectioned out like an orange. Meat for Catchkeep’s shrine-dogs, powdered bones for the planted fields, a skull on the shrine-wall with a green stone in its mouth. The bloodied sand of her drag-trail scraped up and kept, for luck.

And Wasp would dwindle in their sight until she was no monster any longer, not marked from birth as Catchkeep’s own and holy. Just a girl with a knife, infinitely breakable, and for days they’d amuse each other with the story of that breaking.

But she knew all this already. It was a decision she’d been making over and over for three years now, and she always reached the same conclusion. She hated being Archivist. Hated being forced to choose between killing upstarts to keep the sacred role she’d grown so tired of and letting herself be killed so that the upstart who killed her could take up that role when she was dead.

But if there was one thing she was terrible at doing, it was giving up.

Use your head, you carrion, she commanded herself. You relic. Think.

She’d lashed out. Her blade had bitten deep, then skittered against ribs, caught and twisted. Flung. She had not heard it land. If she went looking for it now she’d just get tripped and gutted like a deer. She’d have to improvise.

The upstart hung back, unsure. It wasn’t for nothing that Wasp had been Archivist for so long. Even with Wasp disarmed, blood-drenched, and downed, the upstart was still one wrong move from having the hair cut off her corpse’s head and interwoven into Wasp’s many-colored braids, a trophy among trophies.

Far above, the sixteen stars of Catchkeep’s constellation twinkled down on Wasp, all innocence. She ignored them. So Catchkeep’s ritual trapped her here, staring down her death as sure as if she had her eye pressed to the barrel of a gun. She didn’t have to like it.

Meantime, the upstart seemed to have reached her decision. She began half-stumbling half-charging at Wasp, moving like she had shackles on her ankles and a mad dog at her heels. She had the knife gripped out at arm’s-length, elbows locked. No art in it. No grace.

She needed none. She only had to fall.

Like a ghost to a saltlick, Wasp thought. Stupid as snot.

Wasp waited for her moment, then kicked out hard, heard something in the upstart’s leg give way. The upstart cried out and plunged down, knife first, her aim knocked perilously out of true.

Wasp caught her mid-fall, one knee in her ribs, one fist in her hair, and eased the upstart down to kneeling. One leg splayed out at an ugly angle, but the upstart made no sound. The upstart’s knife-hand snapped up, too quick to draw a gasp from the crowd, and Wasp snatched her wrist and broke it. She caught the knife as it fell free.

She seized a handful of the upstart’s hair and the upstart flinched away, expecting her own knife in the throat—but Wasp only wiped the blade clean on the upstart’s ponytail, then palmed the hilt, still slick with fear-sweat, and watched the girl thoughtfully.

What she was supposed to do at this point was cut the upstart down, preserving her role as Archivist unchallenged for another year. For three years she had done precisely that. She could still see the face of every upstart she’d killed. Still woke from dreams in which they died all over again, woke nauseous and sweaty and scrubbing invisible blood from her hands.

She was sick of it. She was beyond sick of it. There had to be another way.

So many eyes on her. The crowd’s. The Catchkeep-priest’s. The upstart’s. Catchkeep’s Herself. Wasp kept hers straight ahead. She turned and walked to the edge of the sand and threw the upstart’s knife as far as she could into the lake. It flew out into the dark and splashed.

Voices behind her, outraged now. Calling for a bloodletting, as was Catchkeep’s necessity and the people’s right. If the ritual had ever ended before with two girls alive, Wasp didn’t know when, and it seemed the crowd didn’t either. Well, let them squawk. She was done listening.

The upstart had stayed where she had fallen, hugging her wrist and screaming through her teeth. She gathered like a cornered hare as Wasp approached, but did not try to run. Some pride in that, thought Wasp, used to chasing upstarts across the sand as they fled her knife.

Wasp stood looking down at the upstart. She wondered if the upstart had gone into this fight gladly, her eye on becoming Archivist, or whether she, like Wasp, was only fighting to survive, because the least of evils couldn’t possibly be death. She wondered what the upstart thought she’d miss when she was killed. Whether her list was longer than Wasp’s. Wasp wasn’t sure whether or not she hoped it was.

The upstart’s wounds weren’t immediately life-threatening. If she got to the midwife’s for stitching, fast, and had the leg and wrist set, and nothing became too badly infected, she’d get out of this alive. Certainly Wasp would be punished for her disobedience, but she was long since used to that.

She collared the upstart and hauled her to her feet.

Come after me, she whispered, and I will see to your ghost personally.

She let go, and the upstart dropped deadweight to the sand. Stay down, Wasp thought at her. Please stay down.

The upstart stayed down.

When the crowd tried to block Wasp’s path, she shouldered through. One of the gamblers grabbed her arm but let go fast when he saw her eyes.

Kill her yourself, then, she spat at them, knowing as well as they did that interference in the fights was forbidden, even by the Catchkeep-priest himself, and they wouldn’t harm an upstart any sooner than they’d heap filth on Catchkeep’s shrine.

Then she walked away across the lakeshore, not looking back along the beach toward where her people watched her, not looking up into the stars toward where Catchkeep did, and kept on walking, leaving a red trail, until the world around her darkened and she went down face-first in the sand.

Chapter One

As it did every year in the days that followed the Archivist-choosing day, Wasp’s recovery routine kicked in each morning even before she’d come completely awake. It was her third year as Archivist, after all, the third year she’d stayed at least a week in bed so the wounds could knit themselves to scabs, then scars. By now, the steps came to her easy as breathing.

One. Check the bandages.

The smallish ones on her neck, legs, and shoulders, then the wide one at her side where the third upstart’s second knife had gone in and stayed—until Wasp had pulled it out and flung it at her head, ruining an ear. Also the set of neat stitches tracking down her lower lip to her chin, and the other one cutting across the old scars on her cheekbone and up into her temple.

For the first few days, this was as far as she had gotten before pain and exhaustion had overcome her, and she’d spent those days drifting in and out of healing sleep, in and out of less productive nightmares.

Today, all seemed sound.

Two. Sit up.

This took longer than she would like, and she expected any moment to feel the pull and gush down her hip where the deep wound had reopened. She dreaded this, of course, but more than that she dreaded another round of festering and a fever high enough she could practically boil water on her forehead when she tried to treat the newly opened wound herself. Exactly a year ago she’d nearly killed herself doing exactly that, but she was fairly sure she’d do it again. A choice between a moment with a heated knife and a bottle of spirits and a rag to scream into, or letting the midwife back at her, didn’t seem to her like much of a choice at all.

There was a pull, but no gush came.

Three. Stand.

The fracture in her ankle screamed but held, and a glance at her bandaged side in the light discovered no bloodstains, no greenish watermarks of pus. She took a deep breath, gritted her teeth against what was coming, and bounced a little on her toes to see if they’d take her weight.

If she ground down hard on whatever desperate messages her ankle was firing at her brain, she could push through or out-stubborn the rest.

Finally, she whispered.

Four. Get back to work.

Her injuries were different (and, alarmingly, more plentiful) than last year’s, so, as she did every year, Wasp improvised, inching her way back out into the world.

Two weeks in bed had taken their toll. Her arms felt weaker, somehow stiff and rubbery at once, as did her legs. When she bent down to touch her toes, the muscles in the backs of her thighs began complaining even before the wound at her side got its say. Squatting over her pissing-pot was agony. So she tried to stretch her back and instantly her side felt like someone had stuck a pick in it and twisted.

She paced a bit, feeling like a caged cat, trying to outwalk the pain. She wished she could limp back into bed. Sleep, dream, let the Catchkeep-priest set the upstarts at each others’ throats until whoever was left standing became Archivist in her place. There would be another soon enough at this rate anyway.

But there was the backpack in a corner, and there were the jars and knife and saltlick, and she never would have gotten away with it. Wasp knew quite well that two weeks abed was already enough of a display of weakness, without adding any more wasted days on top of it. She knew what the dozen surviving upstarts must be saying about how long it’d taken her to beat the three who’d drawn this year’s short straws, and how many wounds they’d given her. How Wasp just wasn’t what she used to be. How next year it’d be her on the wrong end of the knife. It had to be eventually. It always was.

She couldn’t keep that day from coming. But she could push it out of reach a little longer.

So she limped her way over to the far wall, where the painting was.

The bones of the painting were nails, hammered straight into the wall to pick out the stars of Catchkeep’s constellation. And around them She had been outlined in thick black paint, all teeth and legs, Her back curved like a rainbow, caught in mid-leap over a shadowy abyss. On one rocky shore of it a woman stood, tiny in comparison with Catchkeep, Who spanned the wall. She held an open jar out in front of her with both hands. Gray fog drifted from the jar, up toward Catchkeep, forming into figures that clung to Her back as She carried them to the far shore. That shore itself was misty, hard to make out—but green, greener than anything Wasp knew. She wasn’t even sure what had been used to paint it.

In little drips of color that same green was radiating off of the gray figures, drifting back toward the woman. There was a book by her feet, and the greenness went there and infused it with a glow. From there it floated off behind her in threads to tint the shadows at her back. On her side of the abyss, it was the only color whatsoever.

Catchkeep Herself was black and red. Stepping close to Her you could make out the outlines of handprints, darker where they overlapped. Wasp’s first day as Archivist, they’d rushed her here before the blood of the fallen Archivist could dry on her palms, and to the painting she had added the shape of her hand, which was the shape of her predecessor’s death. Sometimes she wondered where that Archivist’s handprint was in the painting, whose blood had made that mark. Sometimes she wondered which part of Catchkeep her own blood would redden, whose hand it would be in the shape of.

Wasp didn’t need to come close enough to read the words painted in above Catchkeep’s beartrap of a head. She’d known them by heart for years. Every day she went out to do the work, she stopped here and said the words first, like every Archivist before her. Now more than ever, she needed them to keep her safe.

She bowed her head before all that long-dried blood.

I am the Archivist. Catchkeep’s emissary, ambassador, and avatar on earth. Her bones and stars my flesh; my flesh and bones Her stars. Mine is the mouth through which the dead world speaks. Mine are the hands that record what the dead world left behind. Mine are the eyes that hold vigil, so that the old world’s death does not return to kill the world anew. Protect me, Catchkeep, until another stands before You here, as I stand where another stood. Protect me so that I can do Your work, until my flesh fails, until my bones fail, leaving only Your stars, which light the earth forever.

She felt like a fraud even saying the words. In freeing the last upstart she was supposed to kill, she had spit on the very rituals she was calling upon now to keep her alive.

But she could still do the work, and she’d keep on doing it until she found a way to break free. It seemed to be enough for Catchkeep. After all, Wasp had lost count of her attempts to rebel against the Catchkeep-priest and escape, and Catchkeep hadn’t yet come down out of the sky to murder her.

Besides, it wasn’t the work she minded. It was everything else. Next to that, the work was downright soothing. What could the dead do to her that the living did not do already?

She shouldered the backpack and stuck the harvesting-knife in her belt. Pulled on her shoes. Gulped down half the stale contents of her water-jug and poured a cupped handful to splash her face. Eased off the bandages, all but the big one at her side, which her shirt would cover. Stuffed some flatbread and raisins in a pocket to eat while she walked. Stopped, one hand on the door, to glare over her shoulder at the room: cot, shelves, braided rag-rug, not much else. A few hanging strings of wild garlic, peppers, apples, drying or dried. A few changes of homespun clothing. The box that held her field notes. Everything but the food had been handed down from dead Archivists, inherited with the little house itself. No knowing how many Archivists had patched and mended those clothes before her. From the look of them, plenty. But Archivists had been adding field notes to that box for four centuries. In them was all the knowledge they had ever gained from their studies, going back and back to when the first Archivist was given the harvesting-knife and learned what it was for.

The upstarts never touched the field notes. Nor did the Catchkeep-priest. They were the only line of communication between that long line of Archivists, and the only way each one learned how to do Catchkeep’s work was by reading them. It wasn’t like any old Archivists were left alive to teach the new ones.

And then there were the jars. There had to be at least a hundred, crammed on the shelves that lined three walls of four. Clay pots and wooden boxes, made by town crafters or traded for, made up the majority. Much rarer were the glass jars, found out in the Waste. Some with only hairline cracks or chipped rims, some still with the matching screw-top lids that were so precious that scavenger kids would fight over who brought them to the Catchkeep-priest, for they were usually worth a decent meal in trade. Never mind that the Catchkeep-priest only ever took that meal out of the upstarts’ share, never skimming from his own.

As though aware of her eyes on it, from somewhere among the jars there came a rattling. As she watched, a row of empty glass ones began to clink against each other, pushed gently, rhythmically, by something from behind. Well, if they fell and shattered, the Catchkeep-priest would have her hide for a coat, bones for buttons, and she knew it. Quickly she scooped those off the shelf, then located the rattling jar behind them and stretched, hissing through her teeth as she went up on tiptoe to bring it down. It was a reddish clay one, the size of her two fists pressed together, with a tooth-shaped chip near the base. With a sinking feeling, she remembered it. The patience of the thing inside it astounded her.

Morning, troublemaker, she told it, and set out, cradling that jar as carefully as she would old ordnance or a pail of rain, for Execution Hill.

She threw open the door on the autumn and the woodsmoke from the warn-fires and the half-frozen mud and the rotten-sweet windfall smell from the valley—and the first thing she saw was not the warn-fires or the orchard or the valley for that matter, or even the mud, but the Catchkeep-priest, rummaging among the cairns of offerings the people had left by her door as she’d slept.

Apart from what she managed to forage herself, those offerings were all that would see her through the winter, for there was not a shopkeeper who would trade with an Archivist, not a townsperson’s roof under which an Archivist was welcome. That was her bunch of wild onions. Her horseleather gloves. Her nettle-yarn scarf. Her sharpening-stone. And there he was, picking through her things with those soft long dainty fingered hands that had never seen a callus or probably so much as a blister in all their days on earth.

He had two shrine-dogs with him, hulking and silent. For once, they did not snarl at her. They were much too occupied with eating a loaf of bread the Catchkeep-priest had picked out of her things for them. One, finished, raised its head, and the Catchkeep-priest cooed at it and flung some eggs and jerky he’d unearthed. The shrine-dog set to, slobbering, and the Catchkeep-priest turned to regard Wasp, who forced her face to show only apathy.

He was nibbling at something else he’d found. A pear, and a ripe one, from the smell of the juice Wasp could see running down his wrist. Her mouth watered. She spat.

She would not let him rile her. It was only food. She could find more somewhere, if she looked hard enough. Another cart of offerings would come eventually. She would not show weakness. She would walk on by.

She’d never gotten what was coming to her for disobeying him, disobeying Catchkeep Herself, letting that last upstart live. He was forbidden to kill her himself, but Wasp was sure he’d thought of some way to try to stomp her back down into her place. He always did. She could think of no other reason why he should be here.

Even nearing him, her palms went clammy and she had a sensation like someone had dumped a bucketful of worms down the back of her shirt. He smiled and the sensation intensified.

A fine morning to you, lazybones, he said, bending to her height. To think I was beginning to forget that pretty face.

He’d found a kind of necklace in the heap: bits of old glass, remnants of shotgun shells, tarnished rings and yellowed fingerbones, all strung on somebody’s lost cat’s sun-dried sinews. It looked like the contents of any out-turned pocket of any scavenger kid in the Waste. There was a tiny locket on it with a blue-and-white enamel windmill on the front. He popped it open with a sticky thumbnail to hold it glinting before her.

A shard of mirror trapped a fraction of her face and proffered it. Part of a dark eye. Part of a dark eyebrow. Part of a snarl of five-colored hair, not hers, darkened with two weeks of grease, falling not quite over the eye, not quite over the four long scars, paler and pinker than her skin, that ran the full length of the right cheek, temple to jaw, with which Catchkeep marked each upstart in the womb to do Her holy work—

She grimaced at her grimace. Pretty face yourself, she mumbled, and began to walk past him. He set a hand to her arm and despite herself she stopped. It was a gentling hand, such as she’d seen him use on the shrine-dogs when they’d gone wrong with too much Waste or too much holiness, a gentling hand to the top of the head while the hidden knife slid in under the jaw and—

That’s better. Now let me look at you. Catchkeep’s champion. Wrecker of upstarts. Glorious horror. His tone changed, honey to oil. Long fight this year. Long heal. What must they be saying.

Nothing I can’t answer, said Wasp, staring straight ahead as the dogs began to growl. They didn’t seem to like her tone.

Today, maybe. Today you have a fresh fierce face to show them. No blood. No bandages. No footholds by which to climb you. No handholds by which to tear you down. But in a year?

His inspection of her paused. His hand was very near the deep wound in her side. Did he remember it? Her pulse ticked in her neck. Of course he did.

"But in a week, when this has festered and you are babbling on the midwife’s cot?"

His fingers dug in, very slightly, and the air went out of her. She could have sworn the dogs were grinning.

"Or in a day, when this ankle, which you are too proud to have set, finally gives out on you, and the whole market watches you hobble up your hill like somebody’s toothless granny?"

He drew his foot back, gave that ankle the tenderest of kicks, and Wasp saw stars. She bit down on the cry.

He laughed. Gave her head a little pat, like hunters pat a bear-torn dog’s that did its best. Began to walk away. Won’t that be a pity.

Too bad you’re not allowed to fight me yourself then, Wasp snapped, and when he stopped walking she instantly regretted it. She’d let him rile her. She really was losing her edge.

No point in dirtying my hands on you, he said. "All I have to do is

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