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    The Complete Witch-Doctor (The Collected Stories)
    The Complete Witch-Doctor (The Collected Stories)
    The Complete Witch-Doctor (The Collected Stories)
    Ebook41 pages36 minutes

    The Complete Witch-Doctor (The Collected Stories)

    By Wayne Kyle Spitzer

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    He burst back out into the hall at the precise moment several witches fled their units, and torched them as they ran. They screamed, bursting into flames, but continued running, vanishing into the far stairwell even as Jeremiah keyed his mic: “Be advised, runners in the east well.” Then he pivoted and kicked open the nearest door, not bothering to weaken it first with fire, feeling newly energized by the taunts in his head, feeling a new sense of urgency. “Ten minutes,” came a voice through his headset, followed by a squawk.

    LanguageEnglish
    PublisherWayne Kyle Spitzer
    Release dateMar 10, 2018
    ISBN9781370918461
    The Complete Witch-Doctor (The Collected Stories)
    Author

    Wayne Kyle Spitzer

    Wayne Kyle Spitzer (born July 15, 1966) is an American author and low-budget horror filmmaker from Spokane, Washington. He is the writer/director of the short horror film, Shadows in the Garden, as well as the author of Flashback, an SF/horror novel published in 1993. Spitzer's non-genre writing has appeared in subTerrain Magazine: Strong Words for a Polite Nation and Columbia: The Magazine of Northwest History. His recent fiction includes The Ferryman Pentalogy, consisting of Comes a Ferryman, The Tempter and the Taker, The Pierced Veil, Black Hole, White Fountain, and To the End of Ursathrax, as well as The X-Ray Rider Trilogy and a screen adaptation of Algernon Blackwood’s The Willows.

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      Book preview

      The Complete Witch-Doctor (The Collected Stories) - Wayne Kyle Spitzer

      THE COMPLETE WITCH-DOCTOR

      by

      Wayne Kyle Spitzer

      The Collected Stories

      Copyright © 2018 Wayne Kyle Spitzer. All Rights Reserved. Published by Hobb’s End Books, a division of ACME Sprockets & Visions. Cover designs Copyright © 2018 Wayne Kyle Spitzer. Please direct all inquiries to: HobbsEndBooks@yahoo.com

      All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. This book contains material protected under International and Federal Copyright Laws and Treaties. Any unauthorized reprint or use of this book is prohibited. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without express written permission from the author. This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you are reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author.

      I | Enter the Witch-Doctor

      They were the kind of musical notes men and woman once swayed to—even worshiped to—or so Jasper had told him, ground from an instrument called an organ—which had once been common, or so he’d said, but had vanished from the face of the world. So, too, were there cymbals, which echoed throughout the crew compartment of the War Wagon like tinsel—if tinsel could be said to have a sound—and mingled with the steely whispers of their muskets and tanks and other gear as the truck rocked and their harnesses held them fast.

      "When a maaan loves a woman," sang a hearty and soulful voice both inside and outside the compartment, and Jeremiah knew they were close, else the driver wouldn’t have cued the music, and when he scanned the other Witch Doctors, strapped in six to a bench in the wagon’s cramped confines, he knew that they knew it too. What was more, he knew that, however fearsome they looked in their black jumpsuits and white flame-retardant vests, their goggled respirators, their buckled hats—they were frightened, too.

      But then the wagon ground to a halt and there was no time to be feel anything, much less fear, as Jeremiah unbuckled and piled out with the others. And yet, as he paused momentarily to take in the building—a ramshackle six-story brownstone which looked as though it had been built before the Betrayal, much less the Pogrom—a strange thing happened. He thought he heard a voice; not from without but entirely from within—a woman’s voice, a witch’s voice. And it said to him, as faintly as the cymbals at the start of the music, Why have you come for us,

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