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In the Palm of the Jaguar
In the Palm of the Jaguar
In the Palm of the Jaguar
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In the Palm of the Jaguar

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In the Palm of the Jaguar is an adventure tale of unrequited love, enlightenment, and the heart of human conflict. Beginning with quick vignettes of historical fiction ranging from the conquest of Mexico to 1990's Italy, the reader is given compact flashbacks as puzzle pieces with which to dissect the main narrative.
The ultimate search for true love and self-awakening unfolds along the highways of the United States and small cafes within Mexico. The novel jumps through time and space with a fluid ease that encapsulates the complexities of emotional destiny. As told from the unstable yet colourful mind of its nameless protagonist, In the Palm of the Jaguar is the story of a man torn apart by an endless conlfict of faith and held together by his love for a woman that may not even exist. For every reader, what lies In the Palm of the Jaguar will be something different.
LanguageEnglish
PublisheriUniverse
Release dateAug 27, 2001
ISBN9781469769349
In the Palm of the Jaguar
Author

David Aaron DeSoto Esq.

David Aaron DeSoto lives and writes in South Texas. Mr. DeSoto is a practicing attorney and an avid musician.

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    In the Palm of the Jaguar - David Aaron DeSoto Esq.

    Copyright © 2010 by David Aaron DeSoto, Esq.

    All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews.

    iUniverse books may be ordered through booksellers or by contacting:

    iUniverse

    1663 Liberty Drive

    Bloomington, IN 47403

    www.iuniverse.com

    1-800-Authors (1-800-288-4677)

    Because of the dynamic nature of the Internet, any Web addresses or links contained in this book may have changed since publication and may no longer be valid. Th e views expressed in this work are solely those of the author and do not necessarily refl ect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

    ISBN: 978-1-469-76934-9 (ebook)

    ISBN: 978-0-595-19568-8 (sc)

    Printed in the United States of America

    iUniverse rev. date: 9/14/2010

    Contents

    PREFACE

    AUTHOR’S NOTES ON THIS SECOND EDITION

    ACKNOWLEDGMENTS

    THE KINGDOMS OF XOCTLI-QUETZIN, 124

    AND

    SPAIN, 1545

    THE VICEROYALTY OF NEW SPAIN, 1575

    SPAIN, 1635

    TALAMERA, 1911

    TALAMERA, TWO YEARS LATER

    THE UNITED STATES OF AMERICA, 1985

    THE HONDURAN/NICARAGUAN BORDER, 1985

    ITALY, 1996

    CONCLUSION POR EL TIEMPO

    TH E UNITED STATES OF AMERICA, 1990,

    TH E KINGDOM OF XOCTLI-QUETZIN,

    TH E CONFERENCE OF SOULS, AND

    THE COMPASS

    PART ONE

    TEMPLO DE AMOR

    TEMPLO DE CERO

    1969

    TEMPLO DE AMOR

    TEMPLO DE DOLOR

    TEMPLO DE AMOR

    TEMPLO DE AMOR

    TEMPLO DE CERO

    1975

    TEMPLO DE AMOR

    TEMPLO DE AMOR

    TEMPLO DE CERO

    1980

    TEMPLO DE AMOR

    TEMPLO DE AMOR

    TEMPLO DE DOLOR

    TEMPLO DE AMOR

    TEMPLO DE AMOR

    TEMPLO DE AMOR

    TEMPLO DE DOLOR

    TEMPLO DE CERO

    TEMPLO DE AMOR

    MEXICO, 1990,

    TH E KINGDOM OF XOCTLI-QUETZIN,

    TH E CONFERENCE OF SOULS, AND

    THE COMPASS

    PART TWO

    TEMPLO DE AMOR

    TEMPLO DE AMOR

    TEMPLO DE AMOR

    TEMPLO DE FINI

    PROLOGUE

    ABOUT THE AUTHOR

    Preface

    What you are about to read is a dream put into words. Th e inspiration stemmed from the very sources of our nightly journeys through the rich corridors of the mind; a little reality, some small terror, and a dash of fantasy.

    This is not an attempt at historical fiction, as I am of the opinion that all history is, to an extent, fictions molded to the needs of the present. In a similar vein, our view of ourselves, of others, and the relationships between, are little more than a compilation of fi ctions drafted by our perception of the moment. Perception is the paint which colors the way in which we see our lives unfold. As time passes, the brilliance of once lovely paintings slowly fades into memory. Th is is, in the end, historical fiction only by virtue of my encapsulating the reds and greens of a moment.

    Author’s Notes on this Second Edition

    Since the original printing of In the Palm of the Jaguar, I have received comments and correspondence from many people who were quite taken with the emotional examination of the two main characters. All of us have longings, regrets and yearnings. I have been blessed to have so many readers share their intimate secrets with me. In many ways their stories will forever exceed the shadowy forms of love conveyed herein. Everyone has their Amy, it seems. Do your best to hold your dreams of the past close at heart, but leave room to embrace the present.

    Scribbled in coffee shops throughout Texas and New Mexico.

    Acknowledgments

    The author wishes to thank the following for their help, guidance, love, dementia, or other assistance in the creation of this book: Dr. Antonio Calabria, Dr. Virginia Burnett, the late Professor Roy Hillenbach, Ginger, Pamela Harrell, Kevin Hopper, Allison Mathews, Lisa Colligan, Marshall Shannon, Patricia Barsalou, the University of Texas at San Antonio, Grandy’s in Lubbock, Texas, and Keebie.

    Let our cries be heard,

    in every drop of rain

    until Tlaloc smiles,

    and lets us play.

    Babies sing with open

    mouths of eternal jade.

    Let our fears and hatred rest

    in the palm of the jaguar.

    The Kingdoms of Xoctli-Quetzin, 124

    and

    Spain, 1545

    PADHUMA

    The gathering of people had waited all day by the rock. Waited for the ceremony, waited for the rebirth. They stood in reverent silence; a thousand believers reviving a thousand lifetimes of belief.

    Sweat and a hushed anxiety exuded from the throng. Th ere was a stillness on the plain, as if not a single animal, let alone this mass of people, stood baking. All eyes and attention focused on a single pale ceremonial rock, roughly the size of one of their corn baskets. Padhuma, as they called it, was a stone of legends.

    Long ago, when the tribal ancestors journeyed through the wastelands in search of a new home, there came a prophecy. In the night sky appeared the god of life, who bade the wanderers not to settle until they found the rock. In this arid and desolate land the ancestors came upon Padhuma. Sacrifices were made and prayers offered up in thanks to the gods for brining their journey through darkness to an end. Despite the initial starvation and disease, the ancestors forged first villages and then an empire from the land. Padhuma was a point of destiny, the mother and father of all life.

    Once a year the elders came to the rock in remembrance of the vision which appeared so many years past. It was a time, too, when new visions were sought. This annual event was the only one at which all the leaders of society could be found at the same place. Life in the villages stopped for the day and all inhabitants stayed shut within their modest dwellings wrapped in silent morning meditation before departing to the rock. For a whole week before the event, there were many great feasts. Dancing, eating, and song were the order of the day. Life was celebrated with feverish intensity until the meeting day. After the conference upon the rock, where fates were told, there may never again be rejoicing. And so the people lived.

    At Padhuma, gods were invoked and visions seen. Th e future was foretold once each year by placing a single grain upon the stone. The movement of that single grain heralded the events to come and directed the people forward. Leaders drank of the sacred water gathered at the base of Padhuma and were thus filled with the wisdom and the wishes of the gods; assuring the legitimacy and divination of rule. That which was told at Padhuma was indisputable. To deny this authority of earth was to take arms against the gods themselves.

    SEVILLE

    Sunlight’s early rays danced upon the rooftops of Seville. Carts moved sluggishly through the streets, the horses drawn by masters more tired than their beasts. Merchants walked briskly along the docks, badgering husky sailors. Activity, noise, and the scent of garbage woke the citizens to the business of living. To be without these, it was reasoned, was to be without prosperity.

    Fernan sat on a crate by the docks this morning, gazing into the expanse of ocean that lay before him. His night had been spent sleeping in the half-dreams concocted by men of adventure. Of his twenty years, the last seven had been years of war. He remained youthful still, a young man’s innocence glowing in his eyes. Th ere was a certain pride he felt in this. Unlike his friends, he did not have the black dreams and scars of Italy. Body and soul remained pure, and he would remain the sword of his king and the Lord.

    Leather knee-boots stirring the filth, Fernan moved down the narrow street to the pier. He mused whether sea demons would eat the ship, if starvation would ravage him or whether he should fall prey to the blade of a foe. He did know that should he reach the other side, riches and glory were his for eternity. With this thought, then, the young Spaniard climbed aboard the ship.

    INVOCATION

    Padhuma was restless this day. Clouds moved in from the horizon to ominously obscure the otherwise sunny day. The silence around the rock was broken as the priests moved forward and embraced the trembling stone. Grains from the sacred fields were laid on top and other offerings were scattered around the base. The priests moved about with a patient grace that cloaked their hurried hearts. Th e invocation must begin shortly, before the coming storm.

    Quexti-Ixtal, oldest of the priests, was to make the invocation. He was of the most noble priest lineage in the empire. For the fi ve generations before him, a member of his family had always been the Servant Supreme of Padhuma. The ancestors, it was believed, became part of the stone when they died. To communicate with Padhuma was to speak with the souls of the afterlife, to be aided by the family, to draw upon the strength of death itself.

    Darkness came quickly. Raindrops washed away the grains and offerings. Quexti recited the invocation with trepidation and at a feverish pitch. The priests stirred within the rain, trying to maintain their footing. Then it came.

    The phantom serpent fl ew high above the crowd on fi re colored wings. It was the size of three men, and soared upon wings the length of ten. With eyes of the sea and a tongue the shade of death, the green bodied vision swooped down upon the gathering. Th e priests tasted fear within their gaping mouths. For a passing moment, they wondered whether this was the cleansing fire of the gods as foretold by generations past. The end of all life appeared as a fl aming dawn of annihilation before them.

    So heavy was this vision that the very brains of the men seemed to boil in damnation. Blood dripped in beads from their eyes. Some took to senseless drooling, others fainted to the soaked prairie ground. Their bodies seemed to burn, yet there was no fire. Th e pain of unspeakable beatings and torment raked their bodies. Th ey cried for mercy, but the serpent answered cruelly in a foreign tongue. This was the future in their mind’s eye. The season would end in a harvest of life.

    Th e flying vision spoke to the people in their simple language. The gods grow tired with your vain and egotistical ways. You are self-serving. You starve your own people. You steal. You wash away your history in endless streams of indulgent leisure.

    No! cried one of the priests, it is for the gods that we live and for our people which we serve!

    At this the beast laughed. Serve your own kind you will, in an offering of carnage. You are at the mercy of the Seventh One.

    The eyes of the serpent turned to Quexti. The old man’s son was born sickly and remained ill in health and mind. Born to be the Seventh High Priest as a direct descendant of Ixtal-Temi, seer of the gods, Quexti’s son was the antithesis of power and grace. His son was, in fact, completely unable to care for himself.

    The serpent spoke directly to Quexti in a calm and motherly tone. "Your son. Your very

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