Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Purge: A Novel
Purge: A Novel
Purge: A Novel
Ebook332 pages6 hours

Purge: A Novel

Rating: 4 out of 5 stars

4/5

()

Read preview

About this ebook

An award-winning novel of two women dogged by secrets buried in Estonia’s shameful Soviet past—“[A] bold combination of history, politics, and suspense” (The Sunday Times).
 
When Aliide Truu, an older woman living alone in the Estonian countryside, finds a disheveled girl huddled in her front yard, she suppresses her misgivings and offers her shelter. Zara is a young sex-trafficking victim on the run from her captors, but a photo she carries with her soon makes it clear that her arrival at Aliide’s home is no coincidence.
 
Survivors both, Aliide and Zara engage in a complex plot of suspicion and revelation as they attempt to discover each other’s motives. As their stories come to light, they reveal a tragic family drama of rivalry, lust, and loss that played out during the worst years of Estonia’s Soviet occupation.
 
“A stirring and humane work of art” by the acclaimed Finnish-Estonian author Sofi Oksanen, Purge won numerous awards including the Finlandia Prize and the Prix Femina (The New Republic).
 
“A stunner.” —The Plain Dealer
 
“[A] taut, well-crafted tale of Europe’s still living post-war pain.” —Booklist
 
“A dark, harrowing, and at times difficult read that wrings every ounce of emotion from the reader.” —The Bookseller
LanguageEnglish
Release dateApr 1, 2010
ISBN9780802197139
Purge: A Novel
Author

Sofi Oksanen

SOFI OKSANEN is a Finnish Estonian novelist and playwright. Her novel Purge won the Prix Femina and the Nordic Council Literature Prize, and When the Doves Disappeared was the winner of the Swedish Academy Nordic Prize and longlisted for the International Dublin Literary Award. Her previous novel, Norma, was a #1 bestseller in Finland and was a finalist for the Young Aleksis Literature Prize and the New Academy Prize in Literature. Oksanen was recently awarded a Medal of Honour by the Ukrainian Association in Finland. She has also received the Budapest Grand Prize, the European Book Prize, and the Chevalier Medal of Honour from the Ordre des Arts et des Lettres in France. She lives in Helsinki.

Related to Purge

Related ebooks

Thrillers For You

View More

Related articles

Reviews for Purge

Rating: 3.928143811576846 out of 5 stars
4/5

501 ratings29 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 2 out of 5 stars
    2/5
    I found this book extremely slow which was compounded by the large amounts of unnecessary detail throughout. I didn't engage with the characters, in fact Aliide was totally unlikeable.
  • Rating: 5 out of 5 stars
    5/5
    This book tells the story of three generations of Estonian women (and the men in their lives). The book chapters jump in time to tell the tale of some horrifying events in their lives which correspond to the historical events which take Estonia, in general, and their rural village specifically through WWII, soviet rule and independence.The story centers around two women, Aliide Truu and Zara who is the victim of a sex-trafficking operation and ends up in Aliide’s home while running away from her captors. Only that Zara has a picture of Aliide and her sister, her arrival wasn’t coincidental. There is a psychological side to this book, which I felt was more fascinating than the historical side. Aliide’s motivations are a product of lost love and jealously, but her actions are a product of survival in an oppressing society; she cheats on her husband and turns in her sister to the authorities. Hans, Aliide’s brother in law and the subject of her fantasies, is a Nazi sympathizer and a murderer. Zara goes looking for easy money and gets caught up in the harsh and violent world of prostitution. When Zara arrives on Aliide’s doorstep, a Pandora’s box is opened and shines a light of decades of abused women both in Communistic as well as Democratic societies.As mentioned, the book is not written in chronological order, but the story unfolds very simply, in a country where nothing seems as it is, under a government which is vigilant, oppressive, cruel and paranoid, yet has taken the role of a nanny which has many people so dependent on it they almost forgot how to take care of themselves.The characters in this book are drawn very well, no-one is what he or she seems to be, the world is filled with dangers and the extremes we (Americans) are so used to simple do not exist.The women in this novel purge their soul, name and their past while, metaphorically speaking,
  • Rating: 4 out of 5 stars
    4/5
    ''The silence has been peculiar that year-expectant, yet at the same time like the aftermath of a storm''.

    Once in a while, there are books that leave you powerless. Books that rise beyond any attempt of reviewing, that intimidate you and make you feel that whatever words you may use, they are bound to be mundane, detrimental, inadequate. Sofi Oksnanen's Purge is such a book.

    I have it as my personal principle to make no judgement regarding historical events. Human History is made of endless conflicts, wars and oppression. It has always been thus, it will never change. All hope and eulogies that man remembers the sins of the past to avoid repeating them are extinguished. Therefore, this is my inadequate attempt to write a review focusing on language, feelings and characters. To make a judgement regarding whose fault is what is not my place.

    There is an outstanding opening sequence where we witness the battle between Aliide and a fly. Flies are constantly present in the book. What do they stand for? Perhaps, the dirt that fills Allide and Zara's lives. Perhaps they are a symbolism for the dream that is impossible to fulfill or the horror that is impossible to kill.Perhaps, the constant buzzing in an echo of the constant buzzing in Aliide's heart, her unreceprocated feelings for Hans. Flies, onions and soil are vivid images in the book. This is a novel that doesn't rely heavily on dialogue, but on images and musings of the troubled souls of the two women that are the focus of the story.

    The headings before each chapter give an almost fairy-tale quality in the narration.But it is a dark, twisted, hellish tale. The language is raw, ferocious like the heart of Aliide, but beautiful in its bleakness. There are many raw descriptions of violent sexual nature,and this is exactly why Purge has such an impact on the reader. They are not there to shock for the sake of it, nor for the sake of sexposition. Their purpose is to make us understand the humiliation of gilrs like Zara, the falsehood of great dreams that are born under the despair of oppression.

    It is hard to focus on any other character than Aliide. She is the heart of the story, our eyes to everything that unfolds. I cannot place her as a good or a bad character, she is a human being, full of coflicts and fears, and hopes that are always thwarted. Her love is an obsession that causes pain. Personally, I don't believe that Hans deserved her adoration. I don't see him as someone worthy of the sacrifice, he is not likeable at all. His diary reveils his ingratitude towards Aliide's efforts. Ingel is a character devoid of soul,she is the princess that does everything right and is always loved unconditionally. Still, I wonder whether we are meant to see her that way, since our only source is Aliide, a quite unreliable narrator.

    Zara is the representation of the present, while Aliide is the past. However, Oksanen shows that nothing has changed. The oppression, persecution and exploitation of the women remain the same throught the decades. It doesn't matter what the political situation is, it doesn't matter what your nationality is, you are in danger beause you are a woman, because others see you as weak, vulnerable and vile.

    It is impossible to choose the most powerful scenes. I believe that we have a novel where every chapter matters, every moment is a small storm leading to the catharsis of the end, the moment when freedom becomes tangible, however briefly or tragically.

    This is one of the rare cases where I watched the film adaptation before I read the book, so I knew what to expect. Despite this, I was shocked, there were moments when I quickly skipped over to the next page. Purge is a novel that everyone should read. It contains every horror that mankind has created, war , violence, exploitation, hatred, despair. It also contains love. Love as a source of hope, love as a desructive force. Only I refrain from passing a quick judgement for Aliide. Who knows what one would do in her place...

    ''The crows were screaming like lunatics in the yard.''
  • Rating: 3 out of 5 stars
    3/5
    This was a tough read due to the subject matter. Oksanen writes of crimes against women in war and the sex trade. She writes it well. There are no gratuitous scenes and she reminds us of the often easy flip of human nature. And we often need the reminder.
  • Rating: 4 out of 5 stars
    4/5
    This was my first purchase made for this year's reading goals. I don't remember how it caught my eye that it was translated, in the used section of my local bookstore, or why I felt compelled to buy it even though it's suspense, and suspense isn't typically my genre. It wasn't until after I got it home that I noticed it was blurbed by bookslut.

    While this book, set in Estonia, is shaped by political events spanning multiple changes of regime, it is a story of much more personal suspense. As many have noted, Purge is the perfect title for this slowly unravelling story. Through flashbacks, two narrators, and intertwining storylines, we see purge after purge on a variety of scales. How communities purge themselves of oppressors thrown off during a regime change, and how that slowly trickles down to punishing anyone who did better under the old regime than you, how people thus punished try to purge themselves, their homes, their relationships of anything that might cause suspicion, how some, purged of their homeland, are also purged of their voices, and the hollow lives that go on around such absences.

    There is horror in this book, around the way such upheavals affect the lives of women. When stripped of our community, our humanity, a woman's body is just another thing to be punished, to be bought and sold. To be purged.

    Chilling.
  • Rating: 4 out of 5 stars
    4/5
    This book was a gift from my SantaThing secret santa, and i have finally got around to reading it. It was Sofi Oksanen's first book that was translated into the English language from Finnish. This is a book that is not easy to read. it is visceral, tragic, and gut-wrenching. The book is set around the second world war, and during the narrative it skips ahead to 1992 and then back to 1944. It is set Estonia, and it tells the tale of how Estonia suffered during and after the second world war. During the war, the Germans occupied this country, and it was very difficult for the native peoples to try to live under their tyrannical rule. After the war it became a Russian country and the Russians brought more pain and misery to the mostly rural population in this country. The Estonians gained their independence from Russia in 1991. The story is told from the perspective of Aliide who lived through both occupations. When we first see her in 1992, she is an old woman who carries around a tremendous burden of secrets from her long life. She discovers a bruised and battered young girl at the gate to her property, and in a moment of weakness, she takes her in and cleans her up and feeds her. We see that Aliide and the young girl called Zara share a past and a history, and how and why becomes brutally clear to us. Both have been through hell and both used terribly by brutish men. This is where the reading gets difficult as we find out what each of these women have suffered. The book is gut-wrenching and forces us as readers to think about how far we would go to save ourselves and our loved ones if faced with the realities that each of these women have experienced. Can we judge their choices harshly when we realize that very difficult decisions have to be made in order to survive? No one in this book is unscathed by the harsh realities and horrors of war. The book is extremely well-written, and I'm sure we have not heard the end of Sofi Oksanen.
  • Rating: 4 out of 5 stars
    4/5
    This is a Finnish novel, but takes place in Estonia in the early 1990's when the country is dealing with scars from the Soviet years. But it also deals with events from the 1940's. Because I'm unfamiliar with Estonian history, it was sometimes confusing, but not too much. It is a very personal story of unfulfilled love set in a very specific place and time. It is well worth the effort.
  • Rating: 4 out of 5 stars
    4/5
    I was drawn to this book because of the review of a goodreads/BookCrossing friend. She thought it a strong read, filled with the smells and tastes of the Estonian world, but I was unprepared for how powerful the stories actually were. I say stories because the book braids together the lives of two women, Aliide Truu, an old Estonian woman living alone in the country with her memories and her secrets, and Zara, a girl running from her pimp and her life of compelled prostitution in Russia. Aliide finds Zara crumpled, dirty, and wounded in many unseen ways, in her backyard one morning. The lives of the two women unfold, only to twine more intricately together, weaving hope, longing, fear, and love, though not in the way one might I often am cautious reading translated books, but the very visceral feel of this book makes me believe the translation is a good one. The shifting perspective of the story from the 1940's to 1990's threw me at first, but I fell into the rhythm after a bit. Though Aliide's basic story was not too hard to anticipate, the way the author built the characters, complete with smells and tastes made it a very visceral experience, and not one for the fainthearted. My only exposure to Estonia has been of the more modern sort -- a friend of my son's lives there, his father very prominent in Estonian government, and my son and some other university friends went to visit a few summers ago. I have a beautiful piece of Estonian amber jewelry that somehow seems at odds with the onions, horseradish, and harshness so prevalent in this novel. But I shall treasure it more knowing more about the history of the country now.
  • Rating: 3 out of 5 stars
    3/5
    With a title like "Purge," I expected the book to end with some big emotional catharsis. Instead, it just ends, and you're left to wonder how the two main characters dealt with the turn of events. I don't expect everything to have a happy ending, but this doesn't even feel like it has an ending. The characters tiptoe around the main topic for most of the book, and then instead of showing you how they behave when everything comes out into the light of day, the author just says, basically, "And then Zara left." Disappointing to say the least.
  • Rating: 2 out of 5 stars
    2/5
    2.5 stars

    I don't remember when I've hated the main character as much as Aliide! And I don't think we need 3-4 pages to read about killing a fly. I can't say what exactly annoyed me about the writing but I just wasn't fan of it.

    It started really slow and I almost fell asleep but it got better. I don't think I would have been this disappointed if it wasn't so overhyped.
  • Rating: 5 out of 5 stars
    5/5
    An excellent novel - more like a thriller - set against the turbulent background of Estonian history. It is the story of two sisters, of treachery, fear, love and guilt. Estonia is a main character in its own right, exerting its nationalism and its survival instinct against all odds. Super despite the constant flashbacks.
  • Rating: 4 out of 5 stars
    4/5
    Beautifully written but dark and disturbing. It reminded me in style a lot of the 'Dragon Tattoo' series. I finished not quite understanding what had happened though - which left me thinking I need to go back and read it more closely - especially the chapters about Aliide's experiences the Soviet occupation.
  • Rating: 3 out of 5 stars
    3/5
    A difficult read at times and I would have liked a bit more clarification in the end.
  • Rating: 5 out of 5 stars
    5/5
    This novel is set in Estonia between 1939 and 1992, a time span in which Estonia was occupied first by the Soviets, then by the Nazis, then, for a much longer time, by the Soviets again, to eventually achieve independence that brought with it the emergence of criminal gangs. Aliide has lived in a village in western Estonia throughout those turbulent times and she's survived horrible things, things which have made her a survivor. Now she's hanging on, hated by her neighbors and hoping to get her family's land back. Zara shows up one morning in her yard, filthy and frightened. Aliide is worried that Zara's been sent by a criminal gang, but she takes her in nonetheless and a guarded friendship builds between the women. They both have a lot to hide and things to hide from and as their relationship develops, the story moves back and forth between their present and the pasts that they're trying to bury.Purge is an excellent and nuanced story of a place and time that would challenge anyone. Oksanen writes eloquently of rural Estonian life among the birch trees and cows and fear, where what a family member did can destroy your life unless you do what you need to do to preserve it. This wasn't always an easy book to read; Oksanen doesn't linger over the atrocities, but neither does she brush over them, but it was a compelling and important book about a place and time I know too little about.
  • Rating: 4 out of 5 stars
    4/5
    Purge is written by Sofi Oksanen, a early 30s Finnish-Estonian novelist and playwright. It is a heart wretching story that spans over several decades from 1949 to 1992 with the two key characters who are very connected with each other but play a cat and mouse game as they try to figure out what the means. A frightening look into the global sex trade that is still very much in force and the dreadful impact of war on human emotions. It is also a story of two sisters - loving, hurtful, slighted, misguided thoughts, and everything else that whirls and swirls and can wreck havoc onto those whose blood you share.
  • Rating: 3 out of 5 stars
    3/5
    With a title like "Purge," I expected the book to end with some big emotional catharsis. Instead, it just ends, and you're left to wonder how the two main characters dealt with the turn of events. I don't expect everything to have a happy ending, but this doesn't even feel like it has an ending. The characters tiptoe around the main topic for most of the book, and then instead of showing you how they behave when everything comes out into the light of day, the author just says, basically, "And then Zara left." Disappointing to say the least.
  • Rating: 5 out of 5 stars
    5/5
    This is a gripping, well written story of love, survival, sexual violence, secrets, treachery. It tells of the lives of two women in Estonia, gradually revealing their stories, moving back and forth through time to do so. It starts slowly but builds nicely and you soon become engrossed. I was a little apprehensive about reading it, thinking the topic somewhat depressing, but it didn't depress and I am so glad I read it. I can see this making the shortlist for the 2012 International IMPAC Dublin Literary Award, and I highly recommend it.
  • Rating: 4 out of 5 stars
    4/5
    Brilliant!...Loved it. From start to finish. A masterpiece.
  • Rating: 4 out of 5 stars
    4/5
    Aliide wakes one morning to find a dishevelled girl in her garden. Seemingly destitute, terrified and barely talking in outdated Estonian she is a mystery. Why is she here, what does she want and what trouble is following hard on her heels?I have been having trouble writing this review because one word repeats in my head like a mantra obliterating all consideration of character or plot, of craft or pacing. That word is claustrophobic. From the plot to the characters to even me, all trapped and itching to escape. The story winds itself around you like an unwelcome Boa Constrictor. It's maddening even if addictive.Don't get me wrong the writing is good. The two characters are well drawn (although you could argue Zara is just a future echo of Aliide). What could be pretty bad pacing because of lurching between characters and time is instead brilliant and the plot goes from mildly interesting to gripping.There's more here than a family mystery hidden in the past, of a tale at how life traps us and we survive. There are the horrors of totalitarianism and free market capitalism, tales of love, hope and hatred. A hard hitting look at abuse, slavery and torture (strong but not gratuitous and I thought well done). Themes and lives mirror each other throughout and strengthen and deepen the book.It does have it's bad points, although really disliking a main character but still wanting to know what happens isn't one of them. The ending is a bit abrupt and Zara gets somewhat overshadowed because of this. I also thought the beginning was tad slow too but to honest it's not really a problem. All in all a strong, fascinating read I would recommend to anyone with the stomach to take it.
  • Rating: 5 out of 5 stars
    5/5
    Nothing is simple in this story of an elderly Estonian villager who finds a disheveled and desperate young woman on her property one day and reluctantly takes her in. Just hearing the bare bones of the plot, you think you know what kind of story you're getting -- but you don't. Both Aliide, the villager, and Zara, the young runaway, are hiding things from each other and from everyone else, and the situation is far more complicated than it first appears. Author Sofi Oksanen uses flashbacks to show how the women have been scarred by both the totalitarian regime of Soviet Communism and the lawless thuggery of the criminal capitalism that replaced it. Detailed description and minute recording of the women's thoughts make the story especially realistic, until the pressures on the characters feel almost unbearable. Powerful and surprising right up to the end, this book is an intense read but well worth it.
  • Rating: 4 out of 5 stars
    4/5
    A dark and sad story of dark and sad times. I feel really ashamed for knowing so little about the history of and life in Estonia, although we live so close - I live in Sweden. An important novel, well written and highly recommendable.
  • Rating: 3 out of 5 stars
    3/5
    Interesting to learn more about the Russian occupation of Estonia and also about the appalling sex trafficking industry. I listened to this as an audiobook and it did become confusing as it jumped between time periods. By the end, I was totally confused. I need someone to read the text and explain the ending to me now.
  • Rating: 5 out of 5 stars
    5/5
    A book to make you réalise that horror can be so close to home. Aliida terrified and saddened me as if I knew her personally.
  • Rating: 5 out of 5 stars
    5/5
    One night in 1992, Aliide Truu finds what at first glance seems to be a pile of rags in her front yard in Estonia. A closer look reveals that it’s a young woman, bruised and battered. Against all instincts, she goes out and brings the girl in. Zara tells the first of her stories to Aliide; that she’s had a fight with her rich husband. In reality, Zara is running from her pimp, who lied to her in her Vladivostok home, telling her she could go to Germany for job training. He brought her to Germany and made her into a sex slave, controlling her with emotional, physical, and sexual abuse. The shame she feels over this makes her lie to Aliide, sure that she is so disgusting no one would ever help her if they knew. And she wants- needs- Aliide to take her in. They have a connection that Aliide doesn’t know about.Aliide has secrets of her own. Flashbacks show her living in Estonia as it’s invaded and controlled first by the Fascists and then by the Stalinists. She is ashamed that she was brutally raped as part of an interrogation. She also married a Communist, making the townspeople she grew up with call her a collaborator and shun her. Then there is the matter of what ultimately happened to her brother-in-law, a man she wanted to take from her sister- the sister she had deported via her husband’s contacts. Both women are deeply ashamed to what has been done *to* them. The ending surprised me. I suppose it shouldn’t have, as Aliide had already shown herself to be a survivor. I thought it was be best ending possible, despite being violent. It’s a hard book to read. Not because of the writing; the writing flows quickly and fluidly. It’s because the things that happen to the characters are so awful. Oksanen describes the rapes and abuse quite graphically, yet so matter-of-factly that it’s almost surreal; just, well, that happened; let’s keep going. And I think this is because that’s how the people in their situations- and there were and are many- have to deal with it. Just keep going. No time for a screaming fit. These are horrors unimaginable to most of us in the USA, and so many people- whole countries- have endured them. In my opinion, this is a book that should be required reading at some level. There is too much sex and violence for schools in the USA to accept, but it should at least be required in college.
  • Rating: 4 out of 5 stars
    4/5
    Estland, 1992: Die alleinlebende ältere Frau Aliide Truu findet in ihrem Garten ein russisches Mädchen, offenbar eine Prostituierte auf der Flucht vor ihren Zuhältern. Doch Zara ist nicht zufällig zu Aliide geflohen. Sie denkt, das Aliide ihre Großtante ist.Nach und nach erzählt das Buch die Familiengeschichte. Eingerahmt ist diese Erzählung in die politische Geschichte Estlands: zweiter Weltkrieg, Besatzung, Widerstand, Kommunismus, Deportation, Befreiung. Und dazu im Privaten: Vergewaltigung, Verrat, Schuld und über allem die Grausamkeit der Männer.Das Buch verschont den Leser nicht. Zwar wird nicht alles ausformuliert und manches der Fantasie überlassen. Aber das Meiste wird doch so geschildert, dass davon Alptraumbilder bleiben. Das Handeln der Hauptakteurin Aliide erschien mir unbegreiflich. Die Besessenheit, mit der sie versucht, ihren Schwager für sich zu gewinnen, kann ich mir einfach nicht vorstellen. Etwas glaubwürdiger wird das Ganze, wenn man am Ende in den abgedruckten Akten feststellt, dass Aliide erst 1925 geboren ist. Sie war also, als Ingel und Hans sich 1936 kennenlernten, noch ein Kind. Und war ein Kind, die ganze Zeit über, während ihre 5 Jahre ältere Schwester ihr (naturgemäß) in allem überlegen war. Die Rache der zu kurz Gekommenen, aber auch die unbedingte Loyalität dem Geliebten gegenüber, das wird dann etwas plausibler. Auch zum Zeitpunkt der Haupthandlung 1992 ist sie noch keine alte Frau, selbst wenn das Buch sich so liest, als wäre sie im Greisenalter. Vom Ende her macht auch die Fliege, die das (ekelhafte) Cover ziert und metaphorisch durch das Buch schwirrt, Sinn. Das Buch ist grausam und brutal, wenn auch literarisch gut gemacht. Unweigerlich fragt man sich, wie viele solcher Schicksale es tatsächlich gibt. Viele, wahrscheinlich.
  • Rating: 4 out of 5 stars
    4/5
    I have an affinity to books where the characters outshine the storyline. Such volumes craft a distinct memory that never seems to fade for years creating an imaginary bond with those characters; experiencing their pain and suffrage through your smallest nerves.Zara and Aliide will never die away from my mind as long as I will remember.

    'Purge' is not a book about bulimia or anorexia. It is a metaphor for all those sinister culpabilities that an individual buries within his/her heart until the moment of truth where it all erupts like smoldering lava destroying every possibility of tranquility. Oksanen puts forth a riveting account of human lives that are trapped in a web of uncouth circumstances and repelling emotions making the cost of survival nauseating and demeaning.

    Set in the early 1990s,the book is structured into five parts each going back and forth in time connecting the lives of the two women. Estonia a few years shy to reclaiming its independence (the last Russian troops left on August 31, 1994) was under the communist rule of the Soviet. Poverty, unemployment raked throughout the country’s landscape creating a spate of thefts and squalor. Aliide Truu, an elderly woman spent her days preserving candied fruits and cultivating her modest vegetable farm whilst waiting for the weekly visits from her daughter Talvi. The nights were frightening to Aliide as it went by trying to evade the local hooligans from stoning and robbing her tattered home. On one such night, there was a shadow lurking on Aliide’s front yard. It was a hapless young woman, battered, abused, writhing in fear and pain. She was a Russian who spoke broken Estonian and her name was Zara. The sudden intrusion of a stranger in Aliide’s life was about to open her convoluted past, resurfacing the buried disgrace and guilt.

    Zara:- Zara lived a recluse and impoverished life with her grandmother and mother. Her grandmother Ingel rarely speaks, so does her mother Linda. Her desire to bring financial security to her family leads her into a network of prostitution and sexual slavery.

    "Over the past year she had forgotten all the normal ways of being with people -- how to get to know a person, how to have a conversation -- and she couldn't think of a segue to break the silence."

    Terrified with the unfortunate events Zara finally escapes from her pimps and finds shelter in Aliide’s home. Zara coming to Aliide is not a mere concurrence. The photograph that Zara carried when she left her home was the thread that connected Aliide and Zara, revealing a torrent of uncultivated relations.

    Zara’s characterization throws a light on the tedious circumstances that Eastern Europe endured in the early 1990s. The political pandemonium and deteriorating economical landscapes led to vast immigration and impecunious survival. The silence that prevailed over Ingel or Linda was suffocating making you wonder about the immense torture that a human heart endures, coercing it to find refuge in a vacuumed world. The packed suitcases, the trembling with slightest clatter portrayed the acute fear that thrives within the victims of war.

    Aliide:- Aliide could never comprehend the jealousy she nurtured for her elder sister for marrying her bashful love-Hans. All through her life she was the ‘black sheep’; the ugly duckling failing to be a swan. Her life in the 1940s was propelled in a vortex of wrecked dreams, war, deportation and the sudden disappearance of her parents. What distressed Aliide was losing her only love Hans to her elder sister. Thus, began an inundation of sheer vengeance and wrong doings in order to pacify the agitated broken soul. The entry of Zara into her life created a flutter, throwing Aliide into a muddle of endless shame and remorse which she had buried long ago.

    Aliide resembles the many, who out of fallacious sentiments step into untoward verdicts and regretting it forever. Aliide loved her sister dearly, but the ignominy that engulfed her soul restricted her from making amends and ending her solitude.

    Oksanen has an incredible quality of cautiously peeling the human mind-set exposing every layer of reckless choices and heartfelt redemptions.

    It is a common occurrence to see a translated script losing its strength and significance; Purge banishes all these fears with Lola Rogers doing an excellent job, restoring Oksanen’s depiction of Estonian spirit and history.
  • Rating: 5 out of 5 stars
    5/5
    This review for Sofi Oksanen’s book Purge is probably the most difficult I’ve ever done. I liked the book very much, but I’m terribly afraid of revealing spoilers, as the novel is so complicated and layered. I can easily describe it as one of my personal favorites, up there with Per Petterson and Tim Winton. To begin, this book has nothing to do with eating disorders, and the only real complaint I have is that the cover art scarcely seems to apply to the complicated work within. After you’ve read it, you realize that the cover does in fact refer to details encountered, but I’m curious if the cover itself would dissuade readers from picking it up. A pretty measly complaint, to be followed by lavish praise! However, I’m also known to pick out wine based on how artistic the bottle labels look, rather than whether it is any good or not, so maybe that's just me! That said, there are two interlinking threads in this story. One character thinks she’s escaping her small Russian village, allured by the glamorous Western world represented to her by elegant silk stockings worn by a visiting friend. Unfortunately, while Zara focuses on the material luxury represented by those stockings, she doesn’t see the wave her friend gives her, “it looked more like she was scraping at the air with red fingernails. Her fingers were slightly curled, as if she were ready to scratch.” Desirous of that ‘better life’, frustrated with her silent mother and her fragile grandmother, Zara thinks she can escape. Instead she’s kidnapped and chained, set up by that friend, and headed for a brutal world in Germany: a place that makes Vladivostok look much more beautiful.In the meantime, Aliide leads a quiet life in Estonia, her days spent canning and cultivating her small garden and dairy animals, dwelling in the past. Since childhoood, her life was filled with pain, suffering, and loss. Her village had suffered from Fascist and Communist occupation, with many citizens (including her own sister and niece) being sent to Siberia. The village itself was a complex array of loyalties…those that hoped for American intervention to save them, others loyal to Russia, and still others harboring German sympathies. Not even the simplest of farmers could trust one another: too much was at stake. The atrocities from all sides were fresh in everyone’s memories. The result was people who carried physical and mental scars, who were eaten up with regret and suspicion. Aliide was one of them, more damaged than most.Eventually Zara makes an escape, and her path crosses with Aliide. Their new relationship is mistrustful and edgy, as neither knows the true identity or agenda of the other. As this developed, I was sure that “this” relationship was the core of the novel. I was wrong, and the way the story proceeds is not only unpredictable but shocking and ugly. No one is as they appear, and trust is unachievable. Because it turns out that Aliide knows far more about Zara than either realized, and the threads that connect them go back further than their chance meeting. Here unfolds the deeper part of the novel, the most disturbing, as we see that Aliide is not the warm-hearted savior we expected her to be, and her damaged psyche is revealed.The underlying theme is that appearances can be deceptive. A person can appear good, or moral, or upstanding. But what they hide can be unimaginable, and they keep the deception up so well that they can convince themselves it doesn’t exist. Danger is present everywhere, but it can distract you with a beautiful appearance. This is well expressed in an introductory quote from Paul-Eerik Rummo: “The walls have ears, and the ears have beautiful earrings.” Such a simple quote, but it describes much of what the novel means. This is a combination of crime fiction and historical fiction, and fans of both would be pleased. It was translated from the Finnish by Lola Rogers.
  • Rating: 4 out of 5 stars
    4/5
    Aliide is an elderly widow living in an isolated house in a half-deserted Estonian village in the early 1990′s. One day she finds a young girl collapsed outside her house and, against her better judgement (who might be watching and who will they tell?), she brings the “dishrag of a girl” into her home where she, warily and sparingly, provides some nourishment and general aid. About all we know for sure for some time is that the girl’s name is Zara and she is from Vladivostok. Over the course of the novel we travel backwards and forwards in time to learn the histories of the women who have both had traumatic experiences which have left deep physical and psychological scars.

    Purge isn’t only a story of violence and abuse perpetrated against its two protagonists but is testament to the ease with which such behaviour has always been, and is still, accepted as the natural way of things in many cultures. Its sadness lies not only in the stories of two women but in the fact that these stories are shared by so many (we did, after all, just observe the international day for the elimination of violence against women). However the strength of the novel lies in the clever and engaging way Oksanen teases out the stories and compels the reader to discover how the two women ended up where they were. Aliide’s story in particular also plays out against the backdrop of some momentous events in the region’s history, including the rise and fall of the Soviet Union and the nuclear disaster at Chernobyl and there is a very credible depiction of the impact of these events on the day-to-day lives of the average person. This aspect of the novel made me realise how little I know about these events from recent history when compared with events in western Europe or America.

    The two central characters are very strong though not, perhaps contrary to expectations, entirely likeable. Aliide is an especially prickly character and while some of this is explained by the horrific traumas she has experienced there are other things which cannot be so easily justified. I liked the fact she was portrayed in this way as it made her far more believable than I think she would have been without these very human flaws. The secondary characters, including the various people who torment the two women are also well-drawn and all too credible.

    The story itself was well told and relatively easy to follow despite its somewhat choppy nature though I have to admit I thought the ending somewhat awkward and rushed. I’ve read quite a few reviews of this book and they all seem to take a different message or theme from their reading which is the sign of a really great book. For myself I thought it spoke beautifully about the dangers of longing for something (or someone) you can’t have, the lengths humans will go to for self-preservation and I enjoyed reflecting on the various implications of the novel’s title. It is, in parts, a harrowing read but a highly rewarding one.
  • Rating: 5 out of 5 stars
    5/5
    Rural western Estonia 1992, right after the fall of the Soviet Union. The old woman Aliide is waiting for the legal rights to her family’s lands and forests to be returned to her (hopefully before the finnish companies that are moving in fast cut it anyway without paying) and worry about the local youths who shout outside her house at night. For Aliide a labelled a communist collaborator and Russian lover – and in this new state there is noone to protect her. One morning she finds the young woman Zara huddling on her front porch. She’s been drawn into trafficking and is now on the run from her slavers. And it’s soon evident that her coming to this particular farm house is no coincidence. The girl is connected to Aliide’s dark and hidden past – her hopeless and blinding love for her brother-in-law, a member of the hunted nationalist resistance, and the chain of betrayals, sacrifices and moral corruption that love sets in motion.Oksanen’s book jumps between the stories of the two women, back and forth in time, creating a puzzle that comes together only slowly and gradually. It’s a read demanding some concentration, but exciting and rewarding, with a great balance between character, situation and plot. The Estonian landscape is so vividly described I can almost taste and smell it, as can I the drab, grey paranoia of the Stalinist times.In quite a few of the reviews here on LT the point is made that the two major story lines are unblanaced. And I agree to some degree. Zara’s story, while heart-wrenching, very graphic and often disturbing doesn’t match Aliide’s in complexity or originality. But to me, since the stories are mirroring each other thematically, the draw emotional impact from each other. Both the women’s stories deal with oppression in different systems, captivity, the helplessness in not having legal documents, trying to play by the rules in a game you can’t win, the corruption of ideals, the shame in being abused – to mention but a few overlaps. Oksanen used the same technique in Stalins kossor, in letting the starvation of the people during the early communist era contrast with young western women’s anorexia of today, but here the weave is so much more intricate.The ending of the book is somewhat stressed and blunt, but that almost becomes a quality in itself, especially in contrast to the concluding string of documents and letters. Purge is not a book completely without flaws, but it’s original, moving and it has something to say. One of the most memorable reads of 2010 for me.

Book preview

Purge - Sofi Oksanen

PART ONE

There is an answer for everything, if only one knew the question

—Paul-Eerik Rummo

May 1949

Free Estonia!

I have to try to write a few words to keep some sense in my head and not let my mind break down. I’ll hide my notebook here under the floor so no one will find it, even if they do find me. This is no life for a man to live. People need people, someone to talk to. I try to do a lot of pushups, take care of my body, but I’m not a man anymore—I’m dead. A man should do the work of the household, but in my house a woman does it. It’s shameful.

Liide’s always trying to get closer to me. Why won’t she leave me alone? She smells like onions.

What’s keeping the English? And what about America? Everything’s balanced on a knife edge—nothing is certain.

Where are my girls, Linda and Ingel? The misery is more than I can bear.

Hans Pekk, son of Eerik, Estonian peasant

1992

Läänemaa, Estonia

The Fly Always Wins

Aliide Truu stared at the fly, and the fly stared back. Its eyes bulged and Aliide felt sick to her stomach. A blowfly. Unusually large, loud, and eager to lay its eggs. It was lying in wait to get into the kitchen, rubbing its wings and feet against the curtain as if preparing to feast. It was after meat, nothing else but meat. The jam and all the other canned goods were safe—but that meat. The kitchen door was closed. The fly was waiting. Waiting for Aliide to tire of chasing it around the room, to give up, open the kitchen door. The flyswatter struck the curtain. The curtain fluttered, the lace flowers crumpled, and carnations flashed outside the window, but the fly got away and was strutting on the window frame, safely above Aliide’s head. Self-control! That’s what Aliide needed now, to keep her hand steady.

The fly had woken her up in the morning by walking across her forehead, as carefree as if she were a highway, contemptuously baiting her. She had pushed aside the covers and hurried to close the door to the kitchen, which the fly hadn’t yet thought to slip through. Stupid fly. Stupid and loathsome.

Aliide’s hand clenched the worn, smooth handle of the flyswatter, and she swung it again. Its cracked leather hit the glass, the glass shook, the curtain clips jangled, and the wool string that held up the curtains sagged behind the valance, but the fly escaped again, mocking her. In spite of the fact that Aliide had been trying for more than an an hour to do away with it, the fly had beaten her in every attack, and now it was flying next to the ceiling with a greasy buzz. A disgusting blowfly from the sewer drain. She’d get it yet. She would rest a bit, then do away with it and concentrate on listening to the radio and canning. The raspberries were waiting, and the tomatoes—juicy, ripe tomatoes. The harvest had been exceptionally good this year.

Aliide straightened the drapes. The rainy yard was sniveling gray; the limbs of the birch trees trembled wet, leaves flattened by the rain, blades of grass swaying, with drops of water dripping from their tips. And there was something underneath them. A mound of something. Aliide drew away, behind the shelter of the curtain. She peeked out again, pulled the lace curtain in front of her so that she couldn’t be seen from the yard, and held her breath. Her gaze bypassed the fly specks on the glass and focused on the lawn in front of the birch tree that had been split by lightning.

The mound wasn’t moving and there was nothing familiar about it except its size. Her neighbor Aino had once seen a light above the same birch tree when she was on her way to Aliide’s house, and she hadn’t dared come all the way there, instead returning home to call Aliide and ask if everything was all right, if there had been a UFO in Aliide’s yard. Aliide hadn’t noticed anything unusual, but Aino had been sure that the UFOs were in front of Aliide’s house, and at Meelis’s house, too. Meelis had talked about nothing but UFOs after that. The mound looked like it came from this world, however—it was darkened by rain, it fit into the terrain, it was the size of a person. Maybe some drunk from the village had passed out in her yard. But wouldn’t she have heard if someone were making a racket under her window? Aliide’s ears were still sharp. And she could smell old liquor fumes even through walls. A while ago a bunch of drunks from the next house over had driven out on a tractor with some stolen gasoline, and you couldn’t help but notice the noise. They had driven through her ditch several times and almost taken her fence with them. There was nothing but UFOs, old men, and dim-witted hooligans around here anymore. Her neighbor Aino had come to spend the night at her house numerous times when those boys’ goings-on got too crazy. Aino knew that Aliide wasn’t afraid of them— she’d stand up to them if she had to.

Aliide put the flyswatter that her father had made on the table and crept to the kitchen door, took hold of the latch, but then remembered the fly. It was quiet now. It was waiting for Aliide to open the kitchen door. She went back to the window. The mound was still in the yard, in the same position as before. It looked like a person—she could make out the light hair against the grass. Was it even alive? Aliide’s chest tightened; her heart started to thump in its sack. Should she go out to the yard? Or would that be stupid, rash? Was the mound a thief’s trick? No, no, it couldn’t be. She hadn’t been lured to the window, no one had knocked at the front door. If it weren’t for the fly, she wouldn’t even have noticed it before it was gone. But still. The fly was quiet. She listened. The loud hum of the refrigerator blotted out the silence of the barn that seeped through from the other side of the food pantry. She couldn’t hear the familiar buzz. Maybe the fly had stayed in the other room. Aliide lit the stove, filled the teakettle, and switched on the radio. They were talking about the presidential elections and in a moment would be the more important weather report. Aliide wanted to spend the day inside, but the mound, visible out of the corner of her eye through the kitchen window, disturbed her. It looked the same as it had from the bedroom window, just as much like a person, and it didn’t seem to be going anywhere on its own. Aliide turned off the radio and went back to the window. It was quiet, the way it’s quiet in late summer in a dying Estonian village—a neighbor’s rooster crowed, that was all. The silence had been peculiar that year—expectant, yet at the same time like the aftermath of a storm. There was something similar in the posture of Aliide’s grass, overgrown, sticking to the windowpane. It was wet and mute, placid.

She scratched at her gold tooth, poked at the gap between her teeth with her fingernail—there was something stuck there—and listened, but all she heard was the scrape of her nail against bone, and suddenly she felt it, a shiver up her back. She stopped digging between her teeth and focused on the mound. The specks on the window annoyed her. She wiped at them with a gauze rag, threw the rag in the dishpan, took her coat from the rack and put it on, remembered her handbag on the table and snapped it up, looked around for a good place to hide it, and shoved it in the cupboard with the dishes. On top of the cupboard was a bottle of Finnish deodorant. She hid that away, too, and even put the lid on the sugar bowl, out of which peeped Imperial Leather soap. Only then did she turn the key silently in the lock of the inner door and push it open. She stopped in the entryway, picked up the juniper pitchfork handle that served as a walking stick, but exchanged it for a machine-made city stick, put that down, too, and chose a scythe from among the tools in the entryway. She leaned it against the wall for a moment, smoothed her hair, adjusted a hairpin, tucked her hair neatly behind her ears, took hold of the scythe again, moved the curtain away from the front of the door, turned the latch, and stepped outside.

The mound was lying in the same spot under the birch tree. Aliide moved closer, keeping her eye on the mound but also keeping an eye out for any others. It was a girl. Muddy, ragged, and bedraggled, but a girl nevertheless. A completely unknown girl. A flesh-and-blood person, not some omen of the future, sent from heaven. Her red-lacquered fingernails were in shreds. Her eye makeup had run down her cheeks and her curls were half straightened; there were little blobs of hairspray in them, and a few silver willow leaves stuck to them. Her hair was bleached until it was coarse, and had greasy, dark roots. But under the dirt her skin seemed overripe, her cheek white, transparent. Tatters of skin were torn from her dry lower lip, and between them the lip swelled tomato red, unnaturally bright and bloody-looking, making the grime look like a coating, something to be wiped off like the cold, waxy surface of an apple. Purple had collected in the folds of her eyelids, and her black, translucent stockings had runs in them. They didn’t bag at the knees—they were tight-knit, good stockings. Definitely Western. The knit shone in spite of the mud. One shoe had fallen off and lay on the ground. It was a bedroom slipper, worn at the heel, with a flannel lining rubbed to gray pills. The binding along the edge was decorated with dog-eared patent-leather rickrack and a pair of nickel rivets. Aliide had once had a pair just like them. The rickrack had been pink when it was new, and it looked sweet; the lining was soft and pink like the side of a new pig. It was a Soviet slipper. The dress? Western. The tricot was too good to come from over on the other side. You couldn’t get them anywhere but in the West. The last time her daughter Talvi had come back from Finland she had had one like it, with a broad belt. Talvi had said that it was in style, and she certainly knew about fashion. Aino got a similar one from the church care package, although it was no use to her— but after all, it was free. The Finns had enough clothes that they even threw new ones away into the collection bin. The package had also contained a Windbreaker and some T-shirts. Soon it would be time to pick up another one. But this girl’s dress was really too handsome to be from a care package. And she wasn’t from around here.

There was a flashlight next to her head. And a muddy map.

Her mouth was open, and as she leaned closer, Aliide could see her teeth. They were too white. The gaps between her white teeth formed a line of gray spots.

Her eyes twitched under their lids.

Aliide poked the girl with the end of the scythe, but there was no movement. Yoo-hoos didn’t get any flicker from the girl’s eyelids, neither did pinching. Aliide fetched some rainwater from the foot washbasin and sprinkled her with it. The girl curled up in a fetal position and covered her head with her hands. Her mouth opened in a yell, but only a whisper came out:

No. No water. No more.

Then her eyes blinked open and she sat bolt upright. Aliide moved away, just to be safe. The girl’s mouth was still open. She stared in Aliide’s direction, but her hysterical gaze didn’t seem to register her. It didn’t register anything. Aliide kept assuring her that everything was all right, in the soothing voice you use with restless animals. There was no comprehension in the girl’s eyes, but there was something familiar about her gaping mouth. The girl herself wasn’t familiar, but the way she behaved was, the way her expressions quivered under her waxlike skin, not reaching the surface, and the way her body was wary in spite of her vacant demeanor. She needed a doctor, that was clear. Aliide didn’t want to attempt to take care of her herself—a stranger, in such questionable circumstances—so she suggested they call a doctor.

No!

Her voice sounded certain, although her gaze was still unfocused. A pause followed the shriek, and a string of words ran together immediately after, saying that she hadn’t done anything, that there was no need to call anyone on her account. The words jostled one another, beginnings of words were tangled up with endings, and the accent was Russian.

The girl was Russian. An Estonian-speaking Russian.

Aliide stepped farther back.

She ought to get a new dog. Or two.

The freshly sharpened blade of the scythe shone, although the rain-dampened light was gray.

Sweat rose on Aliide’s upper lip.

The girl’s eyes started to focus, first on the ground, on one leaf of plantain weed, then another, slowly moving farther away to the rocks at the edge of the flower bed, to the pump, and the basin under the pump. Then her gaze moved back to her own lap, to her hands, stopped there, then slid up to the butt end of Aliide’s scythe, but didn’t go any higher, instead returning to her hands, the scratch marks on the backs of her hands, her shredded fingernails. She seemed to be examining her own limbs, perhaps counting them, arm and wrist and hand, all the fingers in place, then going through the same thing with the other hand, then her slipperless toes, her foot, ankle, lower leg, knee, thigh. Her gaze didn’t reach to her hips—it shifted suddenly to the other foot and slipper. She reached her hand toward the slipper, slowly picked it up, and put it on her foot. The slipper squooshed. She pulled her foot toward her with the slipper on it and slowly felt her ankle, not like a person who suspects that her ankle is sprained or broken, but like someone who can’t remember what shape her ankle normally is, or like a blind person feeling an unknown thing. She finally managed to get up, but still didn’t look Aliide in the face. When she got firmly to her feet, she touched her hair and brushed it toward her face, although it was wet and slimy-looking, pulling it in front of her like tattered curtains in an abandoned house where there was no life to be concealed.

Aliide tightened her grip on the scythe. Maybe the girl was crazy. Maybe she had escaped from somewhere. You never know. Maybe she was just confused, maybe something had happened that caused her to be like that. Or maybe it was that she was in fact a decoy for a Russian criminal gang.

The girl sat herself up on the bench under the birch tree. The wind washed the branches against her, but she didn’t try to avoid them, even though flapping leaves slapped against her face. Move away from those branches.

Surprise flickered across the girl’s cheeks. Surprise mixed with something else—she looked like she was remembering something. That you can get out of the way of leaves that are lashing at you? Aliide squinted. Crazy.

The girl slumped away from the branches. Her fingers clung to the edge of the bench like she was trying to prevent herself from falling. There was a whetstone lying next to her hand. Hopefully she wasn’t someone who would anger easily and start throwing rocks and whetstones. Maybe Aliide shouldn’t make her nervous. She should be careful. Now where exactly did you come from?

The girl opened her mouth several times before any speech came out—groping sentences about Tallinn and a car. The words ran together like they had before, connecting to one another in the wrong places, linking up prematurely, and they started to tickle strangely in Aliide’s ear. It wasn’t the girl’s speech or her Russian accent; it was something else— there was something strange about her Estonian. Although the girl, with her dirty young skin, belonged to today, her sentences were awkward; they came from a world of brittle paper, moldy old albums emptied of pictures. Aliide removed a hairpin from her head and shoved it into her ear canal, turned it, took it out, and put it back in her hair. The tickle remained. She had a flashing thought: The girl wasn’t from anywhere around here—maybe not from Estonia at all. But what foreigner would know this kind of provincial language? The village priest was a Finn who spoke Estonian. He had studied the language when he came here to work, and he knew it well, wrote all his sermons and eulogies in Estonian, and no one even bothered to complain about the shortage of Estonian priests anymore. But this girl’s Estonian had a different flavor, something older, yellow and moth-eaten. There was a strange smell of death in it.

From the slow sentences it became clear that the girl was on her way to Tallinn in a car with someone and had got into a fight with this someone, and the someone had hit her, and she had run away. Who were you with? Aliide finally asked.

The girl’s lips trembled a moment before she mumbled that she had been traveling with her husband.

Her husband? So she was married? Or was she a decoy for thieves? For a criminal decoy, she was rather incoherent. Or was that the idea, to arouse sympathy? That no one would close their door on a poor girl in the state she was in? Were the thieves after Aliide’s belongings or something in the woods? They’d been taking everyone’s wood and sending it to the West, and Aliide’s land restitution case wasn’t even close to completion, although there shouldn’t have been any problem with it. Old Mihkel in the village had ended up in court when he shot some men who had come to cut trees on his land. He hadn’t gotten in much trouble for it—there had been some surreptitious coughing and the court had taken the hint. Mihkel’s process to get his land back had been only half completed when the Finnish logging machinery suddenly appeared and started to cut down his trees. The police hadn’t meddled in the matter— after all, how could they protect one man’s woods all night, especially if he didn’t even officially own them? So the woods just disappeared, and in the end Mihkel shot a couple of the thieves. Anything was possible in this country right now— but nobody was going to cut trees on Mihkel’s land without permission anymore.

The village dogs started to bark, the girl startled and tried to peek through the chain-link fence into the road, but she didn’t look toward the woods.

Who were you with? Aliide repeated.

The girl licked her lips, peered at Aliide and at the fence, and started rolling up her sleeves. Her movements were clumsy—but considering her condition and her story, graceful enough. Her mottled arms were revealed and she stretched them toward Aliide as if in proof of what she was saying, at the same time turning her head toward the fence to hide it.

Aliide shuddered. The girl was definitely trying to elicit sympathy—maybe she wanted inside the house to see if there was anything to be stolen. They were real bruises, though. Nevertheless, Aliide said:

Those look old. They look like old bruises.

The freshness of the marks and their bloodiness brought more sweat to Aliide’s upper lip. The bruises were covered up again, and there was silence. That’s the way it always went. Maybe the girl noticed Aliide’s distress, because she pulled the fabric over the bruises with a sudden, jerky movement, as if she hadn’t realized until that moment the shame in revealing them, and she said anxiously, looking toward the fence, that it had been dark and she hadn’t known where she was, she just ran and ran. The broken sentences ended with her assuring Aliide that she was already leaving. She wouldn’t stay there to trouble her.

Wait right there, Aliide said. I’ll bring some valerian and water. She went toward the house and glanced at the girl again from the doorway. She was perched motionless on the bench. It was clear she was afraid. You could smell the fear from a long way off. Aliide noticed herself starting to breathe through her mouth. If the girl was a decoy, she was afraid of the people who sent her here. Maybe Aliide should be, too—maybe she should take the girl’s trembling hands as a sign that she should lock the door and stay inside, keep the girl out, come what may, just so she would go away and leave an old person in peace. Just so she wouldn’t stay here spreading the repulsive, familiar smell of fear. Maybe there was some gang about, going through all the houses. Maybe she should call and ask. Or had the girl come to her house specifically? Had someone heard that Talvi was coming from Finland to visit? But that wasn’t a big deal as it used to be.

In the kitchen, Aliide ladled water into a mug and mixed in a few drops of valerian. She could see the girl from the window—she hadn’t moved at all. Aliide took some valerian herself, and a spoonful of heart medicine, although it wasn’t mealtime, then went back outside and offered the mug. The girl took it, sniffed at it carefully, set it down on the ground, pushed it over, and peered at the liquid as it sank into the earth. Aliide felt annoyed. Was water not good enough?

The girl assured her to the contrary, but she wanted to know what Aliide had put in it.

Just valerian.

The girl didn’t say anything.

Do I have any reason to lie to you?

The girl glanced at Aliide. There was something canny in her expression. It troubled Aliide, but she fetched another mug of water and the valerian bottle from the kitchen, and gave them to the girl, who was satisfied once she had smelled it that it was just water, seemed to recognize the valerian, and poured a few drops into the mug. Aliide was annoyed. Was the girl teasing her? Maybe she was just plain crazy. Escaped from the hospital. Aliide remembered a woman who got out of Koluvere, got an evening gown from the free box, and went running through the village spitting on strangers as they passed by.

So the water’s all right?

The girl gulped too eagerly, and liquid streamed down her chin.

A moment ago I tried to rouse you and you yelled, ‘No water.’

The girl clearly didn’t remember, but her earlier sobs still echoed in Aliide’s head, reverberating from one side of her skull to the other, spinning back and forth, beckoning to something much older. When a person’s head has been pushed under the water enough times, the sound they let out is surprisingly consistent. That familiar sound was in the girl’s voice. A sputtering, without end, hopeless. Aliide’s hand fought with her. She was aching to slap the girl. Be quiet. Beat it. Get lost. But maybe she was wrong. Maybe the girl had just gone swimming once and nearly drowned— maybe that’s why she was afraid of water. Maybe Aliide was letting her imagination run away with her, making connections where there weren’t any. Maybe the girl’s yellowed, time-eaten language had got Aliide thinking of her own.

Hungry? Are you hungry?

The girl looked like she hadn’t understood the question or like she had never been asked such a thing.

Wait here, Aliide commanded, and went inside again, closing the door behind her. She soon returned with black bread and a dish of butter. She had hesitated about the butter for a moment but had decided to bring it with her. She shouldn’t be so stingy that she couldn’t spare a little dab for the girl. A very good decoy, indeed, to take in someone like Aliide, who had seen it all, and so easily. The compulsive ache in Aliide’s hand spread to her shoulder. She held on to the butter plate too tightly, to restrain her desire to strike.

The mud-stained map was no longer on the grass. The girl must have put it in her pocket.

The first slice of bread disappeared into the girl’s mouth whole. It wasn’t until the third that she had the patience to put butter on it, and even then she did it in a panic, shoving a heap of it into the middle of the slice, then folding it in half and pressing it together to spread the butter in between, and taking a bite. A crow cawed on the gate, dogs barked in the village, but the girl was so focused on the bread that the sounds didn’t make her flinch like they had before. Aliide’s galoshes were shining like good polished boots. The dew was rising over her feet from the damp grass.

Well, what now? What about your husband? Is he after you? Aliide asked, watching her closely as she ate. It was genuine hunger. But that fear. Was it only her husband she was afraid of?

He is after me. My husband is.

Why don’t you call your mother, have her come and get you? Or let her know where you are?

The girl shook her head.

Well, call some friend, then. Or some other family member.

She shook her head again, more violently than before.

Then call someone who won’t tell your husband where you are.

More shakes of the head. Her dirty hair flew away from her face. She combed it back in place and looked more clearheaded than crazy, in spite of her incessant cringing. There was no glimmer of insanity in her eyes, although she peered obliquely from under her brow all the time.

I can’t take you anywhere. Even if I had a car, there’s no gas here. There’s a bus from the village once a day, but it’s not reliable.

The girl assured her she would be leaving soon.

Where will you go? Back to your husband?

No!

Then where?

The girl poked her slipper at the stones in the flower bed in front of the bench. Her chin was nearly on her breast.

Zara.

Aliide was taken aback. It was an introduction.

Aliide Truu.

The girl stopped poking at the stone. She had grabbed hold of the edge of the bench after she’d eaten, and now she loosened her grip. Her head rose a little.

Nice to meet you.

1992

Läänemaa, Estonia

Zara Searches for a Likely Story

Aliide. Aliide Truu. Zara’s hands let go of the bench. Aliide Truu was alive and standing in front of her. Aliide Truu lived in this house. The situation felt as strange as the language in Zara’s mouth. She dimly remembered how she had managed to find the right road and the silver willows on the road, but she couldn’t remember if she had realized that she had found it, or whether she had stood in front of the door during the night, not knowing what to do, or decided that she would wait until the morning, so she wouldn’t frighten anyone by coming

Enjoying the preview?
Page 1 of 1