Nightmare Magazine, Issue 76 (January 2019): Nightmare Magazine, #76
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About this ebook
NIGHTMARE is an online horror and dark fantasy magazine. In NIGHTMARE's pages, you will find all kinds of horror fiction, from zombie stories and haunted house tales, to visceral psychological horror.
We're kicking off the new year with a new dark fantasy story from Natalia Theodoridou ("What it Sounds Like When You Fall")--and trust me, you've never seen angels like these before. Vajra Chandrasekera brings us our second original, "On the Origin of Specie," a story that will make you reconsider how you feel about the spare change in your wallet. Our reprints this month are by Paul Tremblay ("Headstone in Your Pocket") and Laura Blackwell ("Bitter Perfume"). In the latest installment of our column on horror, "The H Word," Cadwell Turnbull writes about the real monsters in our world. Plus, we have author spotlights with our authors, and a feature interview with cartoonist and writer Emil Ferris.
John Joseph Adams
John Joseph Adams is the series editor of The Best American Science Fiction and Fantasy and the editor of the Hugo Award–winning Lightspeed, and of more than forty anthologies, including Lost Worlds & Mythological Kingdoms, The Far Reaches, and Out There Screaming (coedited with Jordan Peele).
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Nightmare Magazine, Issue 76 (January 2019) - John Joseph Adams
TABLE OF CONTENTS
Issue 76, January 2018
FROM THE EDITOR
Editorial: January 2019
FICTION
What It Sounds Like When You Fall
Natalia Theodoridou
Headstone in Your Pocket
Paul Tremblay
On the Origin of Specie
Vajra Chandrasekera
Bitter Perfume
Laura Blackwell
NONFICTION
The H Word: A Conspiracy of Monsters
Cadwell Turnbull
Interview: Emil Ferris
Lisa Morton
AUTHOR SPOTLIGHTS
Natalia Theodoridou
Vajra Chandrasekera
MISCELLANY
Coming Attractions, February 2019
Stay Connected
Subscriptions and Ebooks
Support Us on Patreon or Drip, or How to Become a Dragonrider or Space Wizard
About the Nightmare Team
Also Edited by John Joseph Adams
© 2018 Nightmare Magazine
Cover by Kevron2001 / Fotolia
www.nightmare-magazine.com
From the EditorBEST AMERICAN SCIENCE FICTION AND FANTASY 2018Editorial: January 2019
John Joseph Adams | 128 words
Welcome to issue seventy-six of Nightmare!
We’re kicking off the new year with a new dark fantasy story from Natalia Theodoridou (What it Sounds Like When You Fall
)—and trust me, you’ve never seen angels like these before. Vajra Chandrasekera brings us our second original, On the Origin of Specie,
a story that will make you reconsider how you feel about the spare change in your wallet. Our reprints this month are by Paul Tremblay (Headstone in Your Pocket
) and Laura Blackwell (Bitter Perfume
).
In the latest installment of our column on horror, The H Word,
Cadwell Turnbull writes about the real monsters in our world. Plus, we have author spotlights with our authors, and a feature interview with cartoonist and writer Emil Ferris.
ABOUT THE AUTHOR
John Joseph Adams, in addition to serving as publisher and editor-in-chief of Nightmare, is the editor of John Joseph Adams Books, an science fiction and fantasy imprint from Houghton Mifflin Harcourt. He is also the series editor of Best American Science Fiction and Fantasy, as well as the bestselling editor of many other anthologies, including The Mad Scientist’s Guide to World Domination, Robot Uprisings, Dead Man’s Hand, Armored, Brave New Worlds, Wastelands, and The Living Dead. Recent projects include: Cosmic Powers, What the #@&% Is That?, Operation Arcana, Loosed Upon the World, Wastelands 2, Press Start to Play, and The Apocalypse Triptych: The End is Nigh, The End is Now, and The End Has Come. Called the reigning king of the anthology world
by Barnes & Noble, John is a two-time winner of the Hugo Award (for which he has been a finalist eleven times) and is a seven-time World Fantasy Award finalist. John is also the editor and publisher of Lightspeed Magazine and is a producer for Wired.com’s The Geek’s Guide to the Galaxy podcast. Find him on Twitter @johnjosephadams.
What It Sounds Like When You Fall
Natalia Theodoridou | 3109 words
It’s Uncle Pete’s funeral today, so he puts on his good brown suit with the brass buttons, and we all set out for the cemetery before the sun is up, because we don’t want to get too hot in our good clothes on our way there. Uncle Pete and Pa walk in front, me and Ma follow. When we get there, Uncle Pete’s grave is waiting, shallow and open, and the plaque has already been engraved with his name. Under it, there’s his date of birth and today’s date, even though we don’t know how long it’ll take him to really die.
A fall of angels is crowding around the grave, cooing softly at the hole in the ground. I try not to listen to what they’re saying because I know Pa doesn’t like it. He shoos them away, says filthy bastards—if only I had my rifle
and spits.
Uncle Pete hugs each of us before he goes into his grave, but he hugs me the longest. Remember me, okay?
he says. And get a good job when you’re grown, don’t end up like your silly Pete.
I want to say he’s not silly, but I like that he’s my Pete, and anyway there’s something stuck in my throat and so I don’t say a thing.
• • • •
Back home, Pa grabs himself a beer from the fridge and curses when he finds it warm as piss
because the fuse tripped again while we were gone and the fridge stopped working. He yells for Ma to go and fix it, but I tell him she’s already left for work, so it’s going to be warm beer for him until she gets back.
He slumps into his armchair with his beer. I make my body small small small and slide in the armchair next to him and take his arm and wrap it around my shoulder. I pretend he put it there himself and nestle my head against his chest and breathe in his Pa smell. He doesn’t mind. I know that because he doesn’t tell me to go away and he simply sips his beer over my head.
Pa?
I ask, and he grunts. Why did Uncle Pete have to die?
He takes another sip. Because his time was up, kid, and he couldn’t buy anymore.
Can you buy more?
He unwraps his arm from around my shoulders and the space between him and the armrest gets smaller. Pete was older than me,
he says, rubbing the stubble on his chin. I still got time.
Uncle Pete didn’t look much older than Pa to me. And if Uncle Pete couldn’t buy any more time because he’d lost his job, how will Pa?
How much older?
Pa sinks deeper into the armchair, squeezing me out. There’s no space left for me. Go on now,
he says, his eyes glassy. Go on and play outside.
There’s no point arguing, so I leave the house and go to the back yard and wait for the angels to gather. I never play with them in the front yard because Pa might come out and shoot them and then sell them to the government man down the road. It’s only pennies for a dozen, he says, but they add up to beer money if you keep at it.
I take the piece of stale bread the priest handed out at the funeral and I scatter the crumbs around my feet, waiting for the angels to descend, and they do, two sets of wings to each flapping mightily, raising a ruckus. There is a fine for feeding angels—the government man says it gives them more time to make angelbabies if they don’t have to look for food all the time—but out here there’s no one to catch me, so I don’t care.
I save a few crumbs that I place on my palm and open it, a peace