ArtAsiaPacific

Us, You, #MeToo

It has been one year since the New York Times published a report on the numerous allegations of sexual misconduct against Hollywood producer Harvey Weinstein. The article unleashed the #MeToo movement that has swept across the globe in almost every industry, profession and calling, including art and publishing. To mark the anniversary of this historic moment for women to speak out and share their experiences of sexism and sexual harassment, in our Nov/Dec issue of ArtAsiaPacific we focus on artists who, through their work, highlight the challenges women face.

For our cover Feature, Beijing desk editor Tom Mouna met up (2007). Here, the artist sits in front of the camera speaking calmly about her childhood, specifically her intensely academic-focused upbringing and her parents’ wishing she were a boy. Only at the end does she appear to be in pain as she talks, and it is revealed, through the blood spilling from her lips, that she has spoken for more than seven minutes with a razor blade in her mouth. Ma’s artworks looks at cultural phenomena beyond her own life as well, from the shifting colors of women’s hosiery to online automobile subcultures. Mouna reflects, “Perhaps not surprisingly for an artist whose practice deals with the idea of control or the lack of it—over one’s own agenda, over the female body, over the larger societal shifts occurring in Beijing and China—Ma likes to collect objects, as if to temporarily possess narratives that they carry or for the purpose of allowing her to process conjectured histories.”

You’re reading a preview, subscribe to read more.

More from ArtAsiaPacific

ArtAsiaPacific2 min read
Amar kanwar
Having become accustomed to consuming short-form content on social media, submerging oneself in long-duration video works can often induce a certain restlessness. But watching The Peacock’s Graveyard (2023) by New Delhi-born filmmaker Amar Kanwar, wh
ArtAsiaPacific3 min read
Scratching At The Moon
The Model Minority myth that arose in response to historical events surrounding Asians and Asian Americans during the Second World War has been hard to shake. Not only is the stereotype incorrect as applied against a wide-ranging category that includ
ArtAsiaPacific3 min read
Heman Chong Meditations on Shadow Libraries
Over the past two decades, Heman Chong has harbored a deep fascination with knowledge circulation through his multifaceted, conceptually driven practice. “Meditations on Shadow Libraries” at STPI gallery represented the Malaysian-born, Singapore-base

Related