Mosca & Besouro Astronautas
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Mosca & Besouro tornaram-se Astronautas. Eles perceberam todos os sinais de suas convocações para a base de lançamento, a mesa da sala do Vovô onde estão disponíveis os equipamentos necessários para esse grande desafio.
Eles se tornaram os primeiros seres que partiram para encontrar a criatividade e imaginação de Vovô.
Um dos lugares mais altos que demanda grande responsabilidade para tal aventura.
O espaldar da cadeira não e um simples território no espaço sidérico da sala.
Ainda mais, eles se prepararam muito. Sabe-se disso porque conheciam todas as iniciativas habituais de Vovô. Fizeram um plano onde estabeleceram o reconhecimento das acoes de Vovô!
Vejam os passos que naturalmente se aplica aos modos de comportamento do Vovô, nunca longe de sua inteligência:
Primeiro, entrava na sala. Segundo, punha o chapéu. Terceiro, via se estava tudo em ordem com a caneta-tinteiro. Quarto, Fechava a capsula do foguete. Quinto, pegava o papel para as escrituras. Sexto, sentava-se na cadeira de espaldar alto. Sétimo, retirava a capsula, a tampa da caneta-tinteiro. Oitavo, devolvia a capsula para a parte traseira do motor de impulsionar letras. Nono, o Vovô, bem, agora ele começava a escrever.
Entao sabiam muito bem o momento de entrar na cabina enquanto os movimentos em sequência ocorriam no espaço sidérico da sala! Sim.
Quando o Vovô pegasse a capsula e fechasse a caneta, Mosca e Besouro deveriam estar dentro. Um risco, um momento de despedidas. E quando retirasse a capsula, acontecia rapidamente o desembarque ante ao perigo de acoplamento. E, por fim, o voo de reconhecimento do território do espaldar da cadeira e a devida acomodação para ouvir suas histórias.
E eles conseguiram. A viagem de retorno não aconteceu ainda porque, segundo consta, estão a ouvir as histórias de Vovô.
Pedro Moreira Nt
Who I am Pedro Moreira Nt I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, and at both comes a song walking my mind, sweetness and lovely goodness. I am critical of that; I desire to create a mist of essay, but my preference for poem structure and sensibility do not long of art. So, I seek romanticizing concepts and developing a new sense of literature that happens in its movement. I leave it to the reader to do part of that; they create a truthful text and can do a good book. It is the interpretation, the way, a leap beyond what a word says, transforming our lives when they share. My first writings, chronic stories, participated in my soul. It was extremely critical and sarcastic about what I saw from reality. I am talking of a fifties age period behind. In a position about what I developed, my evolution was more toward apparent expressionism and realism with wave poetical intermain. I do not know, and I am a writer by chance by life. I wait to create something more dense and fragile so that a reader can discover more insight and make the story. I write all day. I threw out many texts, books, and theatre, left at home friends, gave up on other works, abandoned along the path, and presented in different ways when it was impossible. I have not had a time in which I did not have difficulties showing my art, or I was, for some reason, prohibited from showing, or people made oyster faces and bodies, seeing down shoes, putting me out because, beyond writing, I talk. And when I speak, I create conflict with conceptualistic people. I am intervenient into the academy and ideological corpus, into radicalism free. I am more definitive when I believe in what I say and highly flexible when people do not know what I am saying. My themes are variant, and many circumstances bring me a gift, a motive to write. I wrote in Portuguese two books that I like, "Lirio" - Lille, and "O Peixinho do Pantanal" - The Little Fish from Pantanal (Wetlands), and both meant creation, jump to beyond, overcome, transformation social and personal release. From that, I wrote other books seeking to show different meanings throughout of phantasy necessary, and it to parents an...
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Mosca & Besouro Astronautas - Pedro Moreira Nt
Mosca & Besouro
Astronautas
Pedro Moreira Nt
A short history
Copyright, 2020
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This book was produced by Pedro Moreira Nt, 2020.
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Imaginar
Entortar, isso porque a madeira pode ficar pensa. A balança que não pensa, não marca o peso. Se viver sem balançar e sem entortar as ideias, fica sem pensar.