INDCE

Editorial

Entrevista a Paolo Pegoraro

Guitarra: testemunha de relaes de poder

10

Entrevista a Ricardo Barcel

18

Consideraes sobre o repertrio para Terz-Guitare

22

Novas gravaes

41

Pginas com msica

48

PUBLICACAO TRIMESTRAL
Magazine online Portugus sobre assuntos musicais com especial foco no mundo da
guitarra clssica.

DIRECO
Pedro Rodrigues e Joo Henriques

COLABORARAM NESTA EDIO

Francisco Morais Franco
Joo Henriques
| jjoaopaulo84@gmail.com
Mcio S Oliveira
Pedro Rodrigues
| pedro.joao.rodrigues@gmail.com
PRODUO GRAFICA E DIGITAL
Antnio Rosa da Silva | arqrosadasilva@gmail.com

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ESTA REVISTA NO FOI REDIGIDA SEGUNDO O NOVO ACORDO ORTOGRFICO

PAOLOPEGORARO

Eleitoem2003comoomelhorguitarristaitalianodoanopelosleitoresdarevistaGuitart.Tanto
crticos como figuras reconhecidas do panorama musical apreciam em Paolo Pegoraro uma
profundidade e sensibilidade artstica pouco comum. Vencedor de concursos de prestgio,
participaregularmenteemalgunsdosprincipaisfestivaisdaEuropa,assimcomonosEUA,Amrica
do sul, frica e sia. No ano de 2001, numa entrevista a uma das revistas mais importantes da
especialidade,DavidRussellcitouocomoumdosmelhoresconcertistasdapocaactual.

criadoredirectorartsticodoFestivalInternacionaldeGuitarraFriuliVeneciaGiulia,quetem
lugar em Pordenone desde h 16 anos. Com um gosto especial pelo ensino, fundou com a sua
esposa, Angela Tagliariol, o centro guitarrstico Francisco Trrega, uma escola estabelecida e
reconhecidainternacionalmente,quecontacomestudantesdediversospasesdetodoomundo.
Desde 2010 exerce o cargo de professor na "Universitat fr Musik und Kunst darstelende", em
Graz (ustria). Vrios dos seu alunos tocam regularmente em concertos e nos ltimos anos
alcanaram mais de 100 prmios em concursos nacionais e internacionais entre os quais,
Alexandria, Benicassim, Almeiria, Parkening. convidado com frequncia para ser jri de
concursosinternacionaiseparadarmasterclassesemtodoomundo.

Tem vrias gravaes e o seu CD Solo recebeu crticas entusiastas, em particular da revista
alemGitarreundLaute,queodeclarouadescobertadoano.PeloseultimoCD,Pegoraro
foi galardoado com o Prmio Guitarra de Oro na Conveno de Guitarra de Alexandria, para
melhorCDdoano(2010).

Nascido em Bassano del Grappa em 1968, comeou desde tenra idade a estudar Msica,
demonstrando desde logo um talento distinto, cultivado por um ambiente familiar rico em
estmulos musicais. Graduouse com as mais altas notas no Conservatrio "Benedetto Marcello"
deVeneza,naclassedoprofessorTommasodeNardis.Frequentouconsecutivasmasterclassesde
ManuelBarruecoeDavidRussellerecebeuodiplomademritodaAcademiaChigianadeSiena
enquantoalunodeOscarGhiglia.

Em2010tornasemembrodafamliaDAddario.

EstoumuitofelizporsaberqueomundodaguitarratemumapessoaeummsicocomoPaolo
Pegoraro
LeoBrouwer

Paolo toca as notas como uma srie de prolas, precisas umas atrs das outras. E o mais
extraordinrioquetemprolasdetodasascoresetamanhoseordenaasdeformaaproduzir
um efeito compacto e harmonioso. Paolo segue as suas ideias musicais sem compromisso:
intensificando e desvanecendo a frase onde necessrio por razes de lgica musical e no de
problemas tcnicos. algo de extraordinrio no mundo da guitarra. Apenas posso repetir mais
umavez,adescobertadoano!
PeterPffgenRevistaGitarreundLaute

CONSIDERAESSOBREOREPERTRIOPARATERZGUITARE
MRIOCARREIRA
ParteII:orepertrio
AsobrasaquiapresentadascompletamocatlogodePeterPieters1,comremissosempreque
possvelparaoCatalogueoftheRischelandBirketSmithCollection,(R&BS)ed.PeterDanner,
Editions Orphe, Columbus, 1989; Jukka Savijoki, Anton Diabellis Guitar Works, Editions
Orphe, 2004; Thomas F.Heck, Mauro Giuliani: Virtuoso Guitarist and Composer, Orphe
editions,1995;BrianJeffery,MauroGiuliani,TheCompleteWorksinFacsimilesoftheOriginal
Editions,TeclaEditions,London,1988(GCW)eparaaconsultadaobradeBeethoven,Georg
Kinsky/Hans Halm (Kinsky/Halm), Das Werk Beethovens, ThematischBibliographisches
VerzeichnisseinerSmtlichenVollendetenKompositionen,G.HenleVerlag,Mnchen,1955.
No presente trabalho, no foram consideradas as obras para Terzguitare com baixos
adicionados,nemorepertriopublicadoemfinaisdosculoXIXeinciodosculoXXemtorno
deAloisGtzeHeinrichAlbert2.
Quanto famosa sonata para guitarra atribuda a Beethoven3, no foi includa no nosso
catlogoporlevantardemasiadasquestes,designadamenteasuaautenticidade.
O acervo aqui catalogado representa a maior parte do repertrio conhecido, ainda que
provavelmente incompleto, tal como prudentemente advertiu Peter Pieters no artigo atrs
citado(cf.n.1).
Para a datao das obras mencionadas consultamos a bibliografia seguinte: Otto Erich
Deutsch, Music Publishers Numbers, A selection of Dated Lists (17101900), Aslib, London,
1946; A.Devries & F.Lesure, Dictionnaire des Editeurs de Musique Franais, Minkoff, vol.II,
Genve,1988.
O repertrio para Terzguitare ainda desconhecido da grande maioria. No entanto,
atendendo ao interesse crescente pela chamada guitarra romntica4, instrumento mais
conhecidodosintrpretescomodevioleirosportuguesesdereconhecidomrito5,cremosque
este artigo ser da maior utilidade, no momento em que a interpretao em instrumentos
histricosdosculoXIX,comeaaserencaradacomadevidaseriedadenonossopas.

PeterPieters,LaChitarraTerzinanellaprimametdelsecoloXIX,IlFronimo,n73,Milano,1990,pp.
3853.
2
VideStefanHackl,prefciodaobra,IvanPadovec,SecondConcertino,DGA206,2008,p.4.
3
L.V.Beethoven,Sonataparaguitarra,(revisoedigitaodeJosAlbertoUbach),EdicionesMusicales
Yolotl,Mexico,1990;LudwigvanBeethoven,Sonate,ed.AlexSnchezeTakeoSato,ChanterelleVerlag
(ECH446).https://groups.google.com/forum/?fromgroups#!topic/rec.music.classical.guitar/3U6

4
Comojditonaedioanteriordapresenterevista,adesignaocorretaparaestecordofonedeseis
cordassimplesViolaFrancesa,terminologiaprovenientedosuldeItlia(emparticulardeNpoles)
ondeoinstrumentoeraconhecidoporChitarrafranceseapartirdeca.1785,paraodistinguirdos
instrumentoscoetneos,armadosdeordensduplasoumesmotriplas.Paraumainformao
complementarvide,ManuelMorais,violafrancesainEnciclopdiadaMsicaPortuguesanosculo
XX,vol.IV,pp.13341336.
5
Paraalmdoautordopresenteartigo,citoosintrpretes,ManuelMorais,RicardoBarcel,Ricardo
Cerqueira,BaltarCassolaDuoeosvioleirosartesosCarlosAbreu,JorgeUlisses,OrlandoTrindadee
entreosguitarristasestrangeirosqueatuaramemPortugal,JosMiguelMoreno,DavidStarobinePavel
Steidl.

Listadeabreviaturas

AMZ:AllgemeineMusikalischeZeitung
Arr.:arranjo
BoneG&M:PhilipJ.Bone:TheGuitarandMandolin
Col.priv.:colecoprivada
CopenhagenKB:DetKongeligeBibliotekCopenhagen
cl.:clarinete
DevriesEP:A.Devries/F.Lesure:Dictionnairedesditeursdemusiquefranais.Genve,
Minkoff,1976.
Ed.mod.:ediomoderna
fl.:flauta
GCW:GiulianiCompleteWorks(TeclaEditions,ed.BrianJeffery,London)
GFA:GuitarFoundationofAmerica
LondonBL:BritishLibrary
MnchenBS:BayerischeStaatbibliotekMnchen
Ms.:manuscrito
OEDeutsch:FranzSchubertDeutschVerzeichnis
pnf.:pianoforte
RIAM:RoyalIrishAcademyofMusic
R&BS:Rischel&BirketSmithsSamling
RISM:RepertoireInternationaldesSourcesMusicales
http://www.rism.info/en/service/opacsearch.html
s.d.:semdata
s.PN:semplatenumber
tzguit.:terzguitare
WoO:WerkohneOpus(obrasemndeopus)
WZ:WienerZeitung

Catlogo

a)
b)
c)
d)
e)

Obrasasolo
Duetosaduasguitarras
Duetoscomoutrosinstrumentos
Msicadecmara:trios,quartetos,quintetos
Concertosparaterzguitareeorquestra

ANNIMO:
b)BiedermeierTnze:19GitarrenDuosauseineraltenHeidelbergHandschrift,frPrimund
TerzGitarreHerausgegebenvonDetlefHagge.Ed.Mod.Cornetto,s.d.semfontes
mencionadas(partituraepartes).
AUERSPERG,AUGUST(??):
b)9/VALSES/pour/deuxGuitares/[]par/AugusteAuersperg/VIENNE/A.PennauerPN184
s.d.[R&BS/N25]6.

AUBRYDUBOULLEY,PrudentLouisde(17961870):
b)Op.52.4meDuo,Paris,RichaultPN2563,(1829)
c)PREMIRESRNADE/pour/Guitare&Violon/ddie/MadameAdlaideBaguet/et
compose/Par/P.L.AUBRYDUBOULLEY/Oeuv.24/Paris,Richault,ca.1825,PN1161R(R&B
S/N)7,[Devris/Lesure,vol.IIp.369].
BARCO,BaronAntoinede(??):
b)Op.4:12Lndler,Viena,Diabelli,PN582,(1820).
BATHIOLI,Francesco(fl.1820):
b)Op.4,12valsas,Viena,Diabelli,PN527,(1820).
b)Op.9:Potpourri,Viena,Diabelli,PN3021,(1828).
PeasadoeasolodomtodoGemeinntzigeGuitareschule(Viena,ca.1823):
b)BrillanteVariationenfrzweiGuitarren(ca.1823)
b)Romanze,ausderOperNinavonDalayrac(ca.1823)

AdesignaoTerzguitarenovemmencionadanocatlogodeRischelBirketSmith.Astonalidades
diferentesdecadaguitarracontudo,sugeremautilizaodeumaTerzguitareouumaguitarranormal
providadetranspositornaIIIcasa.
7
Nesteobraoautoradverte:Capotastosurla3emetouche,(conf.R&BS,p.8).

a)Allegretto
a)EsKlingetsoherlich,vonW.A.Mozart
a)Allegromosso
a)Allegretto
a)Grazioso
BEETHOVEN,Ludwigvan(17701827):
v.Heeser,Nske,Schuster
BOBROWICZ,J.N.de(18051881):
c)SouvenirdePologne/GRANDPOTPOURRI/PourguitareouPiano/etVioloncelle[]par
/JeanNep.Bobrowicz/etJeanBaptisteGross/Breitkopf&HrtelPN5575[ca.1834],(Deutsch,
p.9);[R&BS/N45].
CALL,Leonhardvon(17671815)8:
d)Terzetto,op.100,paravln,vlaetzguit.,Viena,TranquiloMolloPN1356(1810)
d)Terzetto,op.106,paravln,vlaetzguit.,Viena,MolloPN1369(1810)
d)Quartetoop.118paravln,vlacelloetzguit.Viena,MolloPN1388(1810)
d)Quartetoop.121paravln,vla,celloetzguit.Viena,SteinerPN1910(1812)
d)Serenataop.131paravln,vlaetzguit.,Viena,MolloPN1516(1814)
d)Serenataop.134paravln,vlaetzguit.,Bonn,SimrockPN1000(181214)
b)Serenataop.139paravlnetzguit.Viena,MollosPN(1815)

COSTA,Onorato(fl.Viena,ca.18181832):
b)DouzesValsesBrillantespourdeuxGuitarres/composesetddiesMonsieurDominique
deCostaparsonfrreOnoratoCosta/Oeuvre9me/Wien,beyPietroMechettiqm.CarloPN
1283(c.1822).Exemplar:Copenhaga,RoyalLibrary.Conf.BrianJeffery,prefciodaedio,
OnoratoCosta,SouvenirdOrient,Op.12,TeclaEditions,London,1983.
c)VariationsetRondosurunthmedelaDameBlanchepourlePianoforteetGuitare/
composesetddiesMonsieurdeHakenau[]parOnoratoCosta/Oeuvre10Viennechez
Ant.DiabellietComp.PN2613(1827).Exemplar:Viena,sterreichischeNationalbibliotek;
Viena,GesellschaftderMusikfreunde.conf.BrianJeffery,prefciodaedio,OnoratoCosta,
SouvenirdOrientOp.12,TeclaEditions,London,1983.

NB:AsobrasdeLeonhardvonCallforamconcebidasparaumaguitarramunidadetranspositor
(GuitarreavecCapodAstronasediesoriginais).

DARR,Adam(18111866):
d/e)Ms.Adagio&rondofrdieTerzguitarre(concertant)mitBegleitungderBassguitarre&2
Violinen(c.1849).Col.priv.
Ms.LndlerfrTerz&Bassguitarre&2Violinen(c.1849).Col.priv.
b)Ms.Einleitung&WalzerfrTerz&Bassguitarre(c.1849).Col.priv.
DIABELLI,Anton(17811858):
b)GrandeSrnadeop.51,Viena,SteinerPN1338(ca.1810)Savijoki,p.30.
b)op.57:Variazioni/Soprauntemafavorito/Per/Duechitarre/[]daAntonioDiabelli/op.57
MilanoGio.RicordiPN310(Savijoki,p.34).Ed.mod.G.Zanibon,LaChitarranell800,Padova,
Italia.
d)GrandTrio,op.62,Viena,SteinerPN2136(1814),[Savijoki,p.35];Viena,Imprimerie
Chimique(ca.1815).
b)Op.63:Serenataparaduasguitarras,Viena,MaischPN491(1813),Savijoki,pp.3536.
b)op.96:4meSrnade,Viena,SteinerPN2246(1814),Savijoki,pp.4445.
b)op.100:5meSrnade,Viena,SteinerPN2250(1814),Savijoki,p.48.
c)THMESFAVORIS/delOpera:Zelmira,deRossini,/varis/pourleCsakanseul/avec
accomp:deGuitarreadlibitum/[Op.128]/parAntoineDiabelli/CahierI/IIVienna/Cappiund
DiabelliPN11134(1822).Savijoki,pp.5758.
c)VALSESMELODIEUSES/pourle/PianoforteetGuitare/concertantes/composespar/ANT.
DIABELLI/Op.141/Vienna/A.DiabelliundComp.PN2255(1828).Savijoki,pp.5960.
a/c)op.140:IVLeichteundangenehmeRondino(pnf/tzguit.),Viena,DiabelliPN2248(1826)9,
Savijoki,pp.5859.
b)GrosserMarschausAlfred.ComponiertvonHrnGrafenW:RobertvonGallenberg,Viena,
DiabelliPN614(1820).
b)LaGitana[]FreineoderzweiGuitarren,A.Diabelli,VienaD.&C.PN6875(1839)Savijoki,
2004:132.
b)AlfredWalzer/mitTriosundCoda,/nachdenbeliebtestenMotivendesvomHrnGrafen/
W.RobertvonGallenberg/componirtenBalletsebendesselbenNahmens/bearbeitet,undfr/
zweyGuitarren/eingerichtet/von/AntonDiabelli/WIEN/beyAnt.DiabelliundComp.PN693
(1820).

JukkaSavijokirefereaexistnciadeoutrasfontesparaguitarrasolodestaobra(Savijoki,2004:5859).

b)VariationenvonP:v:WinterbereinThemavonCaraffa,(Ocaramemoria).Viena,Diabelli
PN708(1821).
b)Orpheus(12vol.)Viena,DiabelliPN726731(1821).
b)OuvertureausderOperDiediebischeElster,(LaGazzaLadra)vonG.Rossini.Viena,Diabelli
PN765(1821).
c)24OriginalLndler(fl.&tzguit.)WoO,Viena,CappiundDiabelli,PN528529(ca.1820).
Savijoki:2004,69.
c)24OriginalLndler(csakan/tzguit.),Viena,CappiundDiabelli,PN608(ca.1820).
c)DerAbschiedderTroubadour(canto&tzguit.)arranjodeDiabellidaobradeGiuliani
[PhilomeleNr.50].Viena,Cappi&DiabelliPN137(ca.1819).
c)Ditantipalpiti(canto/tzguit.),Viena,cappi&DiabelliPN44[PhilomeleNr.12](ca.1819).
c)Daltuostellatosoglio(canto/tzguit.),Viena,A.Diabelli&Comp.PN2536[PhilomeleNr.181]
(1817).
d)DerTroubadour(3vozes/tzguit.),Viena,Cappi&DiabelliPN278[PhilomeleNr.70]
(ca.1820).
b)DerFreyschtze/RomantischeOpervonC.M.vonWeber,/fr/zweyGuitarren/
eingerichtet/von/AntonDiabelli/1teAbtheilung/WIEN/beyCappiundDiabelliPN107172
(ca.1821).RIAM,http://library.riam.ie/terms.html
c)PremierGrandConcertoop.30[]parMauroGiuliani(arr.deDiabelli,pnf/tzguit.GCW
vol.27)Viena,Cappi&DiabelliPN1143(ca.1822).
c)SecondGrandConcertoop.36[]parMauroGiuliani(arr.deDiabelli,pnf/tzguit.GCW
vol.36),Viena,Cappi&Diabelli,PN1190(ca.1823).
c)TroisimeGrandConcertoop.70[]parMauroGiuliani(arr.deDiabelli,pnf/tzguit.GCW
vol.32),Viena,Cappi&DiabelliPN1121(ca.1822).
c)[WoO]24/Original=Lndler/frdenCsakan/mitwillkhrlicherBegleitungderGuitarre/
Nachdenbeliebtesten/OesterreichischenVolksliedern/bearbeitetvon/AntonDiabelli/
Vienna/CappiundDiabelliPN608(1820).Savijoki,pp.8586.

HENRY,Fritz(??):
b)Op.3:Valses,Viena,Pennauer,s.d.

GALLENBERG,W.R:von(??):
FavoritCotillon/ausderBallet:/Arsena/frzweyGuitarren/vonHrnGrafen/W:R:von
Gallenberg/WIEN/beyA.DiabelliPN1264s.d.Exemplar:RIAM,
http://library.riam.ie/terms.html
GAUDE,Theodor(1782?):
b)GrandDuoconcertant,Op.53.Ms.[R&BS/N251].

GELLI,VINCENZOF.(??):
?

GIULIANI,Mauro(17801829):
b)OverturadellOperaLaClemenzadiTitodiMozart,Viena,Artaria(WZ:22/04/1822)PN2237
(1812);OUVERTURE/dela/ClmencedeTitus/MUSIQUE/DEMOZART/ARRANGE/pour
DeuxGuitares/par/M.GIULIANI/APARIS/chezRICHAULT/PN1674[GCW/vol.23].
b)RondeauallaPollaccatirduPremierConcert[op.30],Viena,DiabelliPN1144(1822),[GCW/
vol.20].
b)III/ROND/perdue/Chitarre[]daMAUROGIULIANI/Opera66./aViennapressoS.A.
SteinereComp.PN2478(1816),[GCW/vol.20].
b)Grand/PotPourri/perdue/Chitarre[]daMauroGiuliani/Opera67/ViennapressoPietro
MechettiqmCarloPN410(1816),[GCW/vol.20].
b)LaLiraNotturna,op.69,Viena,MechettiPN442(1816),[GCW/vol.21].
d)DerAbschiedderTroubadours/ROMANZE/[]fr/Gesang,Pianoforte,Guitareund
Violine/COMPONIRT/von/I.Moscheles,M.GiulianiundJ.Mayseder/Wien/beyA.Diabelliet
Comp.PNC.etD.N93(1819).[GCW/TE667].
b)Polonaisetiredu3meConcert,op.70,Viena,DiabelliPN1123(1822),[GCW/vol.21].
e)TroisimeGrandConcerto,op.70,Viena,1816(?);Viena,CappietDiabelliPN111920
(1822),[GCW/vol.30];G.Zanibon,LaChitarranell800Padova,Italia.
d)TroisimeGrandConcerto[op.70],avecaccompagnementde/deuxViolons,Altoet
Violoncelle[]parMauroGiuliani,Viena,DiabelliPN111920(1822),[GCW/vol.31].
b)TroisimeConcertopourlaguitaretierceavecaccompagnementduneguitareordinnaire
[]lapartyiedeguitareestarrangedaprslapartiedupianoforteparDegen.Ms.15pp.

a)VARIATIONS/pourlaGuitareseule/tiresdu3meConcertoeuvr:70./Composes/par/
MauroGiuliani./VIENNE,/chezA.DiabellietComp.PN1122(1822).[GCW/vol.8];(Heck,
1995:20510).
b)XII/Lndler/comfinale/PERUNAODUECHITARRE/composteda/MAUROGIULIANI/
Op.75/Vienna/PressoWeiglPN1580(WZ:31/01/1817);[GCW/vol.19].
b)12/Laendler/per/DUECHITARRE/composteda/MAUROGIULIANI/Opera80/Vienna,/
pressoArtariaeComp.PN3052(1818?)[GCW/vol.19].
b)12/NeueLndler/fr/ZweyGuitarren/von/MAUROGIULIANI/Op.92/beyTranquillo
MolloPN1696(1818),[GCW/vol.19].
c)GRAND/POTPOURRINATIONAL/pour/GuitarreetPianoForte/[]Oeuvre93/VIENNE/
chezTranquilloMolloPN1688(181718),[GCW/TE587].
b)XII/LAENDLER/per/DUECHITARRE/composteda/MAUROGIULIANI/Opera94/Vienna
pressoArtariaeComp.PN3056(?)[GCW/vol.19].
d)VARIAZIONI/sullaCavatinafavorita/(Deh!Calmaohciel)/dellOperaOtello/per/Chitarra/
comaccompagnamentode/dueViolini,ViolaeVioloncello,/composte/da/MAUROGIULIANI/
Op.101/pressoAnt.DiabellieComp.PN589(1820),[GCW/vol.33].
d)INTRODUZIONE/e/VARIAZIONI/sopralaCavatinafavorita/(Numeperdonami,siintale
istante)[]/per/Chitarra/comaccompagnamentode/dueViolini,ViolaeVioloncello/
composteda/MauroGiuliani/Op.102/Vienna,/pressoA.DiabellietComp.PN590(1820),
[GCW/vol.33].
d)Introduction/et/VARIATIONS/surun(sic!)Valsefavori/pourla/Guitare/avec
accompagnementde/deuxViolons,AltoetVioloncelle/composes/par/MAUROGIULIANI/
Oeuvre103/Vienne/chezA.DiabellietComp.PN2133(1826),[GCW/vol.33].
c)TEMA/CONVARIAZIONI/sullAriafavorite/PartantpourlaSyrie/PER/PianoFortee
Chitarra/composteda/MAUROGIULIANI/Op.104/MILANO/PressoGio.RicordiPN11620
(ca.1840),[GCW/TE601].
c)Grand/POTPOURRI/pourla/FlteetGuitarre/compose/par/MAUROGIULIANI/Op.126/
Leipsic,chezFrdricHofmeisterPN1447(1827),[GCW/TE622].
GIULIANI,MICHELE(18011867):
b)Grandes/VARIATIONS/pourdeuxGuitares/surlair:/(Ditantipalpiti)delOpera:Tancred/
Composes/par/MichelGiuliani/Oeuvre1/VIENNE,/chezA.DiabellietComp.PN4902
(1834).[R&BS/N385].

10

muitoprovvelqueaobratenhasidopensadaparaserexecutadanumaTerzguitare,vistotratarse
deumaversoasolodo2andamentodoconcertoOp.70paraTerzguitareeorquestra,emtudo
semelhanteaeste,namesmatonalidadededmaior(v.Revistaguitarraclssica,N8/Agosto2012,
p.13).

d/e)RONDOLETTO/frdie/Guitare/mitBegleitungzweier/Violinen,ViolaundVioloncell./
Componirt/von/MICH.GIULIANI/4tesWerk./Wien/beyA.DiabelliundComp.PN591
(ca.1822).Exemplar:GFA,http://archives.guitarfoundation.org/

HEESER,ALEXANDRE(??):
b)QUATREWALSES/composes/parL.vanBEETHOVEN/arrangespour/DeuxGuitares/par
AlexandreHeeser/BonnchezN.SimrockPN2750(1830).Deutsch,p.24;(Kinsky/Halm,p.727);
[R&BS/N403].
HORETZKY,FELIX(17961870):
b)PolonaiseNationale,Op.1,Viena,DiabelliPN732(1821),[R&BS/N407].
b)VariationsbrillantessurunThmeduBallet:Nina,Op.2,Viena,DiabelliPN878(1821),
[R&BS/N413].
b)SixValses,Op.13,Mayence,SchottPN2381(1826),[Pieters,op.cit.p.52].
a/b)VARIATIONS/Brillantes/pour/uneoudeuxguitares/DDIES/SonAmi/[]par/
F.HORETZKY/OEuv.9/APARIS/chezRICHAULTPN1559.(ca.1827),conf.Devris/Lesure,vol.II
pp.365369;videtambmOp.16domesmoautor,RichaultPN2543(ca.1829),reeditadocomo
opus9naeditoraAdolpheFischer,Frankfurts.d.

HUMMEL,JOHANNNEPOMUK(17781837):
d)GrandeSrnade/enPotpourri/pourlePianoForte,Violon,Guitarre,ClarinetteetBasson,
/ouFlteetVioloncelle/composeetddie/MONSIEURLECOMTEFRANOISDEPLFFY/
par/JeanNp.Hummel/Oeuvre63/ViennechezArtariaetComp.PN2384(oautor,1814e
1815paraaedioArtaria).
d)GrandeSrnade/enPotpourri,/pourlePianoForte,Violon,Guitarre,ClarinetteetBasson,
/ouFlteetVioloncelle/composeetddie/MONSIEURLECOMTEFRANOISDEPLFFY/
par/JeanNp.Hummel/Oeuvre66/ViennechezArtariaetComp.PN2387(oautor,1814e
1815paraaedioArtaria).Zimmerschied,p.102.11

11

AsobrasdeHummelop.66e71(LaSentinelle),foramrecentementeapresentadaseminstrumentos
originais,nombitodasComemoraesdos95anosdoConservatriodeMsicadoPorto,sobottulo
UmsaraumusicalnaVienadeBeethoven,(2/10/2012)comaparticipaodeMrioCarreira,Helena
Marinho,OlavoBarros,CecliaFalco,JosFidalgo,MagnaFerreiraeRicardoCerqueira.

d)LASENTINELLE/DIESCHILDWACHE/pourle/CHANT/PIANOFORTE,VIOLON,GUITAREou
VIOLONCELLECONCERTANTS/ETCONTREBASSEADLIBITUM/composetddie/
MADEMOISELLEEUGENIESILNY/par/J.N.HUMMEL/Oeuvre71./[](2Edition)/Vienne,chez
TobieHaslingerPNT.H.2327(1815);Paris,Schlesinger,ca.1826;Paris,Richault,PN593;
ViennechezS.A.SteinerPN2327:[GCW/TE666]12;GFA:http://archives.guitarfoundation.org
c)GRAND/POTPOURRINATIONAL/pour/GuitareetPianoforte/composeetddi//
Mad.meHelenedeMalicheff/par/MAUROGIULIANI13/Oeuvre92(sic)/VIENNE/chez
TranquilloMolloPN1688(c.181718).[GCW/TE587].

JUST,I.(??):
b)POLONAISE/ausder/OperFaust/frzweyGuitarren/eingerichtet/vonI.JUST.Frankfurt
a/M,A.FischerPN211s.d.[R&BS/N423].

KFFNER,JOSEPH(17771856):
d)SrnadeOp.35(vln/vla.)Schott,MainzPN797(181516).
d)SrnadeOp.37(vln/vla.)Schott,MainzPN821(ca.1816).
d)SrnadeOp.45(clar.ouvln./vla.)Schott,Mainz(ca.1816).
d)SrnadeOp.65(vln./vla.)Schott,MainzPN1324(ca.1820).
b)7Sonatines,Op.93,Paris,RichaultPN529(182223).
b)8Pices,Op.140,Offenbach,AndrPN4749(182325).
b)Divertissement,Op.196,Schott,MayencePN2600(182627).

12

Existeumaversoalternativaparaguitarra(Terzguitare?)escritaporFernandoSor,equevem
reproduzidanoseumtodo(FernandoSor,MthodepourlaGuitare,Paris,1830).Asrazesque
levaramSoreescreverumaversodiferentedadeGiulianisoexplicadaspeloprprio(op.cit.p.85):
DevantjoueravecMM.HertzetLafontletriodeHummelsurlaSentinelle,jaitobligdemefairela
variationdeguitareEx.88,parcequecellequisytrouvemoffraitdesdifficultsbienplusgrandesquela
mienne.Daprscetaveu,onpeutvoirquesilegenrepculierlaguitareestceluidelavariationen
question,jenesuispassifortsurcetinstrumentqueceluiquilacrite.Jepourraislexcuter,maisce
seraitauxdpensdesprincipesdontjenevoudraismedepartirjamais.EstetestemunhodeSorpara
almdomais,parececonfirmarasuafamiliaridadecomaTerzguitare,aindaquenoseconhea
nenhumaobradoautorescritaparaesteinstrumento.

13
Afolhaderostodaediooriginaladverte:LaPartieduClavecinestarrangeparN:Hummel.

LEGNANI,LUIGI(17901877)/LEIDESDORF,MAXJOSEF(17801840)14:
c)VARIATIONSCONCERTANTES/surunthmeoriginalde/ROSSINI/pour/Guitare&
Pianoforte/composspar/LEGNANI&LEIDESDORF/Oeuv.28/VIENNE/Sauer&LeidesdorfPN
2567(1823).[R&BS/N903].
c/d)VARIATIONS/concertantes/surunthmefavor.DelOpra:CenerentoladeRossini/
pour/GuitareetPianoforte/ouavecaccompagnementdedeuxViolons,AltoetVioloncelle/
composes/par/LegnanietLeidesdorf/Oeuvre28/Vienne/A.DiabellietComp.PN589394
(1823).[R&BS/N504].Ed.Mod.UtOrpheus,Bologna.

MERTZ,JOSEPHKASPAR(18041856):
c)DUETTEN/FRGUITARREUNDPIANOFORTE/UnterhaltendeTonstckeverschiedenen
Characters./MAZURKA,BARCAROLLE/Comp.v.J.K.Mertzu.JosephineMertz,Op.40.
MNCHENBEIJOS.AIBLPN10641065(1852).Pieters,op.cit.p.52;[R&BS/Ns539,520].
Ed.mod.ALAMIRE,ed.P.Pieters,1990.
c)Duetten,(AlessandroStradella,Flotow),Op.51,Mnchen,J.Aibl(1852).Pieters,op.cit.p.52;
[R&BS/N529].www.earlyromanticguitar.com(Boije.coll.).
c)DivertissementberMotivederOper:RigolettovonG.Verdi,Op.60,Mnchen,J.AiblPN
1206(1853).Ibid.DIVERTIMENTO/per/ChitarraePianoforte/sopramotivedellOpera/
RIGOLETTO/diVERDI/compostda/J.K.MERTZ/Op.60/G.RICORDI&C.PN26310(s.d.).
Pieters,op.cit.p.52;[R&BS/N526].Ed.Mod.ALAMIRE,ed.P.Pieters,1990.
c)WasserfahrtamTraunsee/Tonstuck/fr/GUITARREUNDPIANOFORTE/componirt/von/
J.K.Mertz/[WoO]/Mnchen,Jos.AiblPN1645(1864).Pieters,op.cit.p.52;[R&BS/N550];
Ed.mod.ALAMIRE,ed.P.Pieters,1990.
c)EINSIEDLERSWALDGLCKLEIN/TONSTCK/fr/GUITARREUNDPIANOFORTE/componirt/
vonJ.K.Mertz/Mnchen,Jos.AiblPN1646(1864).Pieters,op.cit.p.52;[R&SS/N530].
Ed.mod.ALAMIRE,ed.P.Pieters,1990.
b)EinsiedlersWaldglcklein/TonstckvonJ.K.Mertz/TerzguitarreundPianoforte/Seconde
guitarrearrangparS.Degen.Ms.
b)NnienTrauerlieder:Unruhe,Vespergang,Mazurka,Tarantella,Stndchen,DeutscheWeise,
Barcarolle,Impromptu[Ms.DK:Kk];Pieters,op.cit.p.52;Ed.Chanterelle/424,vol.VIIIed.Simon
Wynberg,1985.
b)PotPourri(MeyerbeersLesHuguenots),WasserfahrtamTraunsee,EsLebederFasching
(walsen),DerBall.Ms.DK:Kk(Boijecollection:www.earlyromanticguitar.com).

14

v.PhillipBone,TheGuitarandMandolin,p.179.

MENDELSSOHNBARTHOLDY,FELIX(18091847):
b)Ms.BryllupsmarschafSommernatsdromme.[R&BS/N145].
MLLER,J.J.(??):
b)PotpourrissurdesOprasfavoris,Op.3(Weber,DerFreischtz),Andr,OffenbachPN6249
(1839).Pieters,op.cit.p.52;[R&BS/N571].
b)PotpourrissurdesOprasfavoris,Op.4(Auber,LaMuettedePortici),Andr,OffenbachPN
6250(1839).Pieters,op.cit.p.52;[R&BS/N568].
b)PotpourrissurdesOprasfavoris,Op.5(Auber,FraDiavolo),Andr,OffenbachPN6251
(1839).Pieters,op.cit.p.52;[R&BS/N569].
b)POTPOURRI/tiredelOpera/IPURITANI/deVinc.Bellini/compospour/DEUXGUITARES/
PAR/J.J.MLLER/Op.33/Mayence/AnversetBruxelles/chezlesfilsdeB.SCHOTT/PN6973
[R&BS/N572].

NAVA,ANTONIO(17751826):
a)VARIAZIONI/PerChitarra/EstrattedallaDanzadetreMoretti/NelBallolAllievodella
Natura/ComposteeDedicate/alSigr./INGEGNEREVINCENZOMAGGI/DaAntonioNava/
Op.34/Milano,Gio.RicordiPN257(181517).Pieters,op.cit.p.52;Ed.mod.UtOrpheus,
Bologna,1999.
b)Divertissement/pourdeuxGuitares/PAR/Ant.Nava/Oeuv.52/Leipsic/chezBreitkopf&
HrtelPN3318(1821).Pieters,op.cit.p.52.[R&BS/N576].
NICOLAI,F.(??):
b)Ms.Themavari.[R&BS/N246,251].
NSKE,J.A.(??):
c)12AirsfromBeethovensFidelio(BooksI/II)/ArrangedbyJ.A.Nske,[tzguit./pnf]London,
R.Cocks&Co.[183233].RIAM,http://library.riam.ie/terms.html
OBERLEITNER,ANDREAS(1786?):
b)GrosseSrnade,Op.12,Wien,SteinerPN2504(1816).Pieters,op.cit.p.52.
b)12LinzerLndler,Op.20,Wien,SteinerPN2508(1816).Pieters,ibid.
b)12STEYERSCHELNDLER/fr/zweyGuitarren/von/AND:OBERLEITNER/21tesWerk.
[R&BS/N909].

PADOVETZ,JEAN(18001873):
b)Deux/POLONAISES/pour/deuxGUITARES/compossetddies/Monsieur/JEAN
POSCHINGER/par/JeanPadovetz/Oeuv.3./Vienne,/chezAnt.Diabelli&Comp./PN3553
(1832).[R&BS/N597].
b)PremierGrandRondeau,Op.10,Viena,A.DiabellietComp.PN4553(1833).[R&BS/N
598].
b)PremireGrandePolonaise,Op.18,Wien,A.DiabellietComp.PN5058(1834);Mr.Joseph
Benedikt/GRANDE/POLONAISE/pourdeuxGuitares/par/JEANPADOVETZ/Op.18/APARIS,
chezS.RICHAULT/[PN4026R.]Ed.mod.:TeclaEditions,ed.BrianJeffery,1994.
e)Premier/CONCERTINO/pour/laGuitare/avecaccompagnement/dedeuxViolons,Alto,et
Violoncelle/parJeanPadovetz/[Ms.c.1850].Ed.mod.:StefanR.Hackl,DGA,Texas,2008.
e)Second/CONCERTINO/pour/laGuitare/avecaccompagnement/dedeuxViolons,Altoet
Violoncelle/par/JeanPadovetz/[Ms.c.1850].Ed.mod.:StefanR.Hackl,DGA,Texas,2008.

PETTOLETTI,PIETRO(ca.1795ca.1870):
b)Divertissement(Variationsfacilessurunthemesudois),Op.11.Ms.[R&BS/N615].
b)FantaisiesurunmotifdeBellini,Op.22,St.Petersbourg,BernardPN2101(1842).
b)FANTAISIE/surdesmotifsdelOpra/LASTRANIERADEBELLINI/pour/DEUXGUITARES/
composetddie/MonsieurlePrinceObolensky/par/P.PETTOLETTI/Oeuv.24/St.
PetersbourgchezM.BernardPN2124(1842).
b)POTPOURRI/pourlaGuitare/avecaccompagnement/dun(sic!)secondeguitare,/
compose&executesonconcert/STOCKHOLM,/en1829,/par/P.Pettoletti/Oeuv.9/[R&B
S/N631].
d)FANTAISIE/surdesmotifsfavoris/DELOPERA/LESHUGUENOTS/pourquatreGuitares/
Composeetddie/SonExcellence/Mr.N.deLOUNIN/EcuyerdelaCourdeS.M.
lEmpereurdetouteslesRussies./PAR/P.PETTOLETTI/Oeuvre16/St.Petersbourg,Davignon
[R&BS/N620].
PRAEGER,H.A.(17831854)15:
b)DuoOp.48(Ed.?)
PRUME,FRANOISHUBERT(??):
b)Ms.LaMelancolie.[R&BS/N257]
SELLNER,JOSEPH(17871843):

15

InformaogentilmentecedidaporStefanHackl.

b)Ms.6VariationssurunthemetirolienparSellner.[R&BS/N247a]
SCHUBERT,FRANZ(17981828)16:
c)DerAlpenjger,D.588/Op.37:WillstdunichtdasLmmleinhten[Ms.]arr.deFranzvon
Schlechta.OEDeutsch,pp.34142.

SCHUSTER,VINCENZ(??):
b)Pot=Pourri/pour/deuxGuitarres/composetddi//MonsieurVincentEkl,/parson
ami/VINC:SCHUSTER./Op.2/VIENNE,/chezA.DiabellietComp./[PN102](1819).[R&B
S/N673].
b)2emePotpourri,Wien,Mollo,PN175(1819).Pieters,op.cit.p.53.
a/b)6/LndlermitCoda/freine/Guitare/mitwillkhrlicherBegleitungeinerZweiten./
Verfasst/von/VINCENZSCHUSTER./9tesWerk./WIEN/beiAnt.Diabelli&Comp.PN2582
(ca.1827).[R&BS/N679].
b)3me/Potpourri/pour/deuxGuitares,/composetddie/MonsieurleBaron/Maurice
deManfeld/par/Vinc.Schuster/Oeuvre12./Vienne/chezAnt.DiabellietComp.PN2660
(1827).[R&BS/N677].
b)VARIATIONS/tiresdunquatuor[Op.18N5]/de/LOUISvanBEETHOVEN,/arrangespour/
deuxGuitarres/etddies/Messieurslesfrres/AntoineetFrdericSpina/par/VINC:
SCHUSTER/Oeuvre4./VIENNE,/chezAnt.DiabelliPN733(1821).[R&BS/N676].
Kinsky/Halm,p.44.
b)VARIATIONSFAVORITES/pourdeuxGuitarres/tiresdugrandSeptuordeL:van
Beethoven,/arrangesetddies/Monsieur/C:deBeuthen/parVinc:Schuster./VIENNE/
chezA.DiabellietComp.PN103.[R&BS/N675].Kinsky/Halm,p.51.
b)Andantefavorit/tirdunquatuor/deLouisvanBeethoven,/arrange/pour/deux
Guitarres/par/Vinc:Schuster/Oeuvre5/VIENNE/chezA.DiabellietComp.PN739.[R&BS/N
667].Kinsky/Halm,p.142.

SEEGNER,FRANZGR.(??):
d)Variazionen/frdie/Guitarre/mitBegleitungdes/Quartetts/gesetzt/von/FranzSeegner/
WIEN/19tesWerk/gedrucktimlithogr:Institutnchstderk.k.BurgN2.PN315,s.d.[R&B
S/N681].
b)SrnadeOp.31,Wien,ArtariaPN3029(1831).Pieters,op.cit.p.53.

16

InformaogentilmentecedidaporStefanHackl.


STEINFEELS,ADOLPH(fl.1840?):
b)SEPT/MONFERINES/pour/deuxGuitarres/composespar/ADOLPHSTEINFEELS./Oeuv.18/
Vienne,chezA.DiabellietComp.PN2990[R&BS/N890].
d)VIVariationssurunthmeoriginale17(tzguit.equartetodecordas)Ed.?
SPINA,FREDERICH(??):
b)OuvertureTancred(Rossini),Wien,WeiglPN1612(1817).Pieters,op.cit,p.53.
b)12Walses,Op.12,Vienne,A.DiabellietComp.PN479(1819).Pieters,ibid.
d)VariationenberdasbeliebteDuettBrderleinfein,Op.30(tzguit.equartetodecordas),
Diabelli&Comp.PN?18
ZANIDEFERRANTI,MARCOAURELIO(18011878):
a)FANTAISIE/VARIESURLAIR/Waninderfruhaufsteh/compose/pourGuitareseule/
PAR/M.A.ZanideFerranti/GuitaristeduroidesBelges/Op.1/MAYENCE/ANVERSET
BRUXELLES/chezlesfilsdeB.Schott.PN5913(1828).[VandeCruys,p.229].
a)FANTAISIE/VARIE/surlaromancedOtello/Assisapidunsalice/compose/pour
GUITAREseule/par/M.A.ZanideFeranti./Op.7/MAYENCECHEZLESFILSDEB.SCHOTT/PN
6512(1841).[VandeCruys,ibid.].
WAGNER,RICHARD(18131883):
b)Arranjoannimo,Marcha&PilgrimschordeTannhuser[R&BS/N246].

WEISS,ANTON(??):
a/b)ZwlfWalzer/frdie/GUITARRE/mitwillkhrlicherBegleitungeinerZweitenundDritter/
componirtundseinemFreundedemHerrn/MaxGaudin/gewidmetvon/AntonWeiss./6tes
Werk/DRESDEN,s.d.
WOLF,LOUIS19:
b)Duoconcertantpourdeuxguitares(Ed.?)

17

InformaogentilmentecedidaporStefanHackl.
InformaogentilmentecedidaporStefanHackl.
19
InformaogentilmentecedidaporStefanHackl.
18


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Partitura disponvel atravs do seguinte link -

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W

Lascia Vibr. tutta corda pos.

sb

ima

..

am

# b - 3

( s rudo de raspar )

ia

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m-

rall...

m
6

Dur. Ad Lib.
molto legatto sempre
m

5'' ca

10'' ca

Eli Camargo Jr

04
b ww3
25
F

x4

amiami

.. ..

ww

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..

..
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sb

a .. . .
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amiami

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(segue)

ww

15
..
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0
6X 4
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m

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(segue)

ima

04
# n ...
b .

x4

n
J
1

#.

#n
b
p

..

molto

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b
p
i
p i m a
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4

(segue)

x4

%
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p i m pi
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49

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.
>
62
f il basso

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>
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Textura I, "De cores sombrias"

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x2

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b p b p
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rubato, expres.

43
40 5
0
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1
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0 0 0
3
5
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6

m
43
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1
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b F J 2 0
>
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x2

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Agitato, tempo lbero

0
2 0

0 50 0 3
a
a 0 n b b
#

b
b www
a
n # # # n ww
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30
b .b
2
1
4
34
4
3
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5 6 4 F
f p
1 0
3

Rit. molto

A tempo, deciso

Tempo libero
01
Tambora, sull tasto
00
> 01

>
>
b # an a a # n wwwaa
6
n bJb . bJ b
b ww b ww 2 1b bj ww b ww b ww
2
4
2 0
0 2
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p

F
0

p-a

cavalete

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J1
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n
1
b

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b
b

.
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ord.
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precipitando...

sb

p-a
p-a

1 2

0 51__
n # J. n # 0
J
b
J
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p

: Giusto, sempre

68 sull

40

# n
4

>
r j
b a# # . .
. .
b#
J
p
f

64

p i m p i

53 0 0
n # J . # .
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56

j
b b

ww

3 2. 00 m
1
n b n
n b n b b ... n # ww
# 3.. 2
3
0
2
4

2
1

4
3

Tambora, ord. e regolare

b ww

ww

a
b

Uj

XIX

Rasgueando, sempre
1
4
3

Lascia Vib.

ww

#n a
bb

a
#
b
b

Vila Franca de Xira

12/2007