Escolar Documentos
Profissional Documentos
Cultura Documentos
Prepared by
Dr. Sony Jalarajan Raj
Monash University
sonyjraj@gmail.com
sonyjraj@sass.monash.edu.my
Parts of a News Story
1. Headline
2. Byline
3. Lead
4. Body …
5. Ending “This is a dangerous toxin – it could get you any
time,” Roy said. “One of the guys came tearing
down the road. He said a ball of flame was going
over his house.”
What is a lead?
A lead is the
beginning
of your story.
– Distils from a “mass of facts, figures and quotations the single coherent statement
that … best expresses the meaning of the story”.
– Present that statement in a powerful, evocative way.
Summary Lead
Question / Interrogative Lead
Set-up Lead
Talking Lead
Snapshot Lead
Identification Lead
Anecdotal or Narrative Lead
Snap Shot
Lead :- Leads …. Leads……
Create a Set-up
picture of
the Lead :- Set Summary Lead :-Answers to the six questions
setting or a up the (who, what, when, where, why, and how) are
character action for provided in the first sentence of the story.
in the the entire The summary lead is most often found when the
reader’s news story is written as an inverted pyramid.
mind. story in a
In this structure, all of the important information is
few presented immediately, with support or elaboration
Anecdotal or sentences. following.
Narrative Lead :-
they may be
Question or Interrogative leads :- may focus
Talking
grounded in a
quotation; or they more on answering one of the six questions.
may ask a question,
tease, or be
Lead :-
mysterious. These Start with Identification Lead :- When the most important
element of the story is a person, the lead may
a line or
more creative leads
are most emphasize his or her identity.
two of
appropriate for These are labeled immediate identification (“Laura
human interest Bush...”) and delayed identification (“An 11-year-old
stories and are least
likely to be found in
dialogue. child was killed earlier today when.... Dead is...”).
hard news.
Lead >>>>>
What is this story about and why is it important?
Common problems in leads……
• Cluttered. More than one idea.
• Flabby. It says, "I don't know what this story is about."
• Dull. Ho-hum. No tension. No energy that drives the
writing forward.
• Mechanical. No human voice, no "music." Just
another burger and fries.
• Closed. A private conversation between those who
speak the same jargon. It says, "Stay away. You don't
know enough to read this."
• Predictable. Written in journalese or bureaucratese.
Clichés. No surprises, no unexpected words of
phrases that are unexpected and that delight us as
they capture and clarify a news event.
• No "chuckle quality."
How to attract through your leads?
TEST - 1
The story is heading somewhere.
There are strong factual vehicles and strong verbs to take it there.
The path is not cluttered with obstacles – grammar, structure,
habit, opinion…, stray information.
The lead makes sense as a unit and as a part of a whole.
Editing Lead---- Test -2
TEST - 2
Weigh the elements within the lead against each other.
Are they weighty, of essence, coherent, unique, and compelling?
Weigh the lead against the next paragraph.
Is it subject to elaboration, correlation or development?
Weigh the lead against the story.
Is it related to the body, part of a whole, and essential to the whole?
Confirm that the lead foreshadows the other key elements.
Is the lead a team player,
passing the ball to the other team members who may score the goal?
The lead must make a promise.
Does it make a promise that will be kept by other paragraphs?
Remember