Venice Biennale Guide 55th International Art Exhibition 1 June 24 November 2013

ARTUPDATE
Alilaguna Routes: Venice Marco Polo Airport
AOBR

Isola di Campalto

MURANO

Museo R
Glasstress

Collana B
San Michele

CANNAREGIO

M.DellOrto A

Guglie A Scotland F.te Nove B

S.POLO

Tronchetto RB
S. CROCE

S.Stae A Stn Marritima M S. Angelo A

Sworn, Campbell, Tompkins

Ospedale B
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Rialto A
S.MARCO

CASTELLO

Bacini B
La Certosa

Isola Le Vignole

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AMORB

S.Marco

S.Zaccaria OB

Arsenale

Zattere RB MS Hilton RB
LA GIUDECCA

Arsenale R
Great Britain
Giardini

Wales

Bedwyr Williams

di San in Alga

Jeremy Deller

Kenya, Syria

Armenia Isola di S. Lazzaro degli Armeni

Isola La Grazia

Isola di San Servolo

Lido RB

Isola di San Clemente

Isola di San Lazzaro LIDO DI VENEZIA

ARTUPDATE

Welcome to the 4th Edition of the Artupdate Venice Biennale Guide, from Artupdate Limited, London. Keep updated on Venice Biennale news and reviews by visiting us online at artupdate.com/venice
ARTUPDATE.COM/VENICE

The 55th International Art Exhibition entitled Il Palazzo Enciclopedico (The Encyclopedic Palace) is curated by Massimiliano Gioni and organized by la Biennale di Venezia chaired by Paolo Baratta. The exhbition features over 150 artists from 37 countries and takes place in the Central Paviion at the Giardini as well as the Cordiere at the Arsenale. This years event includes presentations from 88 countries and over 50 collateral events. Countries exhibiting for the first time: Angola, Bahamas, Bahrain, Holy See, Ivory Coast, Kosovo, Kuwait, Maldives, Paraguay, Tuvalu.

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1 June 24 November 2013 Closed Mondays except 3 June, 18 November 2013. Hours: 10am 6pm Admission: 25 standard ticket www.labiennale.org

UK AT THE VENICE BIENNALE 2013

1 JUNE 24 NOVEMBER 2013

The British Council has commissioned artists for the British pavilion since 1938, showcasing the best of artistic talent from the UK. Since 2003, independent exhibitions from the UK nations have taken place in Venice and the British Council is delighted to be working closely with Scotland + Venice and Wales in Venice / Cymru yn Fenis to showcase five of the most interesting contemporary artists from Britain; Jeremy Deller for the British Pavilion; Duncan Campbell, Corin Sworn and Hayley Tompkins for Scotland and Bedwyr Williams for Wales. This map is produced collaboratively by Artupdate and the British Council Visual Arts Department for the 2013 UK At The Venice Biennale campaign. Since 2007 Artupdate has worked with the British Council to promote UK exhibitions and events in print. www.britishcouncil.org/visualarts

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U ATE UP UPD OM OM ART ART UPD ART OM TE.C E.C ART DAT PDA TE.C Rio UP OM TUP RTU ART PDA M .C del R A M U E O A T O T la Rio AR .C TE.C PDA TE.C Mi del FO ATE Campo d. OM PDA s er RTU PDA la S M Emergency Pavilion U .C Rio d A M U N T O E ic M T UPD O T Ancon ens DA i San F. C AR .C ord etta AR .CO a ta Fo ana R. T i TE.C PDA ATE C M M ATE sca l rap PDAa EN M .Cad nardo RTU UPD .CO R. M M o U ene .CO UPD T. B A Fte Nuove PDATE ART .CO E TA ART lin o G .CO M ad ART C. BPDAT ATE dale ri m TU ATE D otte R D M P na U .CO a A M P T O ri 41 42 nR M O U R i TU C Cri .C T O ATE A .C E N R A D .C T E A sto UO Rio UP ATE 51 52 DAT PDA dei M Campo ART OM Ram VE TUP O UPD Maddalena RTU S T anta .C R A M Romania .C R E A M E O 25 B F A Do oDAT O Cate .C AT UP Fo na P rina M rn ATE d U ART UPD OM O F. Zen ART UPD E.C ART OM er E.C OM S. Marcuola ART DAT E.C DAT TE.C N21 M TUP OM UPOverplay DAT T O R P .C R A M PDA U AT .C A E Ink Brush OM ATE .CO ART UPD DAT C. 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Maria ATE UPD ostoliTE OM nta ApD Ct CIVILE M W dell'Orio ART Mater Campo P A UPD e. E.C noOM T U T O a T R A i M .C A c .CCampo della D Domini M AR nE iNoise a T sta ATE .CO M A TUP OM .C Campo an S. Maria D C. Po PS Campo AR ATE Pescheria UPD da OM TE.C Cassiano i UPD Campo T.U Nova .COM Rio S. GiovanARS ART M S. Boldo ParaguayPDA Campo ni G TE.C E ART d. Beccarie ATE.CO C. Ilo Re risos SS Giovanni OM RTU che DAT PDA A P U .C .O nm t M o T U E D Rialto Mercato m er e Paolo O o ART . AT AR M UP .C C. Campo M T O C E a Costa Rica O R T ATE s .C M Ag E.C telli DA A C. C. Battisti mo Mil Te ATE 1 .CO UPD M An TUP C. Erbe ion ATE ART Rio dA UPD Campo .CO + Venice R. UPD llo ModOM M M i SR . Mar Back E to Back Scotland UPD ATE ART .CO E.C erna orosini S. Giacomo ina ART D T a P T A U B ART M s T a U C. di Rialto DA PD ie AR a .CO rbaria d. Tole A RT Al UP OM Sc Campo RTU OM Vid Ch M Campo ATE br alett ART Cpl. C. TE.C di RialtoA TE.C i .CO C M a S. Marina UPD C Abrizzi zzi PDA Nuovo PDA M .CO ATE ART .C S. G OM RTU .CO RTU ATE A UPD .C E A or OM D T E R P i o M de U Rio E.Cner DAT PDA d. Piombo M .CO Ba dell ART DAT Campo TUP OM RTU .CO Campo Tett DATE R A M ma Rio di Stin TUP Campo .C E A O T E aP S. Bartolomeo T A .C C. Cavalli San Polo U AR S. Aponal PDA ATE UPD ART OM CampoRTU OM ATE ART M UPD Rialto .C E.C A (also p. 5) iso di S. .CO Santa Croce 2161 Palazzo Albrizzi, Cannaregio 4118 dT ATE ART Bonvicini, UPD DA E SA N P O LO a Ca Silvestro ART N21 M TUPPara OM UPD DAT rbi err Campo T O R o P T .C O R A S. Silvestro M U .C . E . A M T io lo T O Corte e darchitettura Cam C a S. Associazione Eventi darte Org. Associazione Italo-Tedesca Po TE AMaria C Culturale ri .C A AR D A .CO R E T s D P Sal. S. T o San Lor M B. San Lorenzo U Formosa rm A 1 AR M UP .CO ART  M .CO UPD ART di Venezia w:  Barzizza w: acitve.it 1PD Jun M bb2biennale.com ATE 24 Nov O S. TE .CO 1 Jun 24 Nov ART Sa PDA M TE.C ATE M TU U A i O ca de D l T O R v D R s P .C R a A M n A do M di S. Gi Ta Rio.C UP TE RTU .CO r ATE ulia C. . Ba A .CO PDA NDE C M M ATE UPD TUParaguay ATE Encyclopedic Palace of C. tro O AL GRA .CO AR UPD ART a Tra TUPD OM E.C Tea OM CAN ATE uc M ART gh C . d. L AR DAT TE.C E.C .L .S P ett Ca Bonvicini, T A UPD S S.Croce 2161 Palazzo Carminati, Santa Croce 1882 M A U D T O R o .C Zu R A T M PD UP .C A M T O U E Campo T O R l T ATE .C i A an Campo .C Esteban AR TE S.A Luca Priscilla Monge, Piedra, Rafael Pedro Barrail, Felix Toranzos, Diana PDA Campo UPD ATE Chiesa OM lo T n Ca voR RTU A M PD UPD S. Benedetto .C . Pro i A M r a T O S. Toma S U E m i S. Angelo T l O d s R T le A M Rio F. O Campo AR Ottn Sols, Cinthya Rossi, Daniel Milessi DA igher M TE.C O E.CSoto en P T A M N21 A U D F .CO Manin O D 1 A UPro az OM ART nica C. TUP ATE E.C OMera T lbe ag Comm.: Fabio Anselmi Cur.: Francisco Crdoba Curator: ndeAR .C AR DAT UPD E OM ano TE.C Fiub Osvaldo Gonzalez esi M oca C. A C. C . TUP ART DATAlban PDA TE.C C. L R P M C A U A M U T O D P .C AR w: bienaldevenecia-paraguay.com M PAL. C. .CO ART UPD ATE M TE.CO ATE el Fuseri M ART Rio dM o A UPD Campo .CO OMPATRIARCALE UPD dola ART M UPD cenig ATE .CO E.C S. Zaccaria ARTC. Mana .CO S. MARCO ATE p. 6) ART DAT M o UPD EMora, n D P T O T Campo o Palazzo Strada Nuova 3659 (also P A R U .C U l A OM PD BASILICA ART M S. Angelo C ATE ttaro TE.C ART RTU .CO Piazza Campo . Fru A risto UPD Chinese artists Palazzo Correr, Cannaregio 2214 OM PDA C. d OM Santa ATE group exhibition DUCAL Fosca, ART arre OM San Marco TE.C E.C RTU M UPD S. Samuele C. C A TE.C DAT Monica PDA .CO PALACE Commissioner: Morariu. Deputy w: globalartcenter.org  1 Jun 24 Nov A ART COM M P U E D M T U T O N 2 .CO RT UP AR Cpo DA S . M A RCO .C T rina A P E R Piazzetta ta M T ATE U n A S. Samuele Campo Co Commissioner: Alexandru Damian. Curator: OM DAMarco .CO PSan ART UPD S. Zaccaria oise R. 1e S. Stefano OM TE.C ATE .M RTU ART D M .C C A P E O F. Fenice M T PDA U N 2 1 20 O DAT OM DA Campo TE.C Anca Mihulet. ART A E.C a .C ca TUP D GIARDINETTI ARTUP cE T OM u Moise Du A 42 41 DAT UPS. .C OM Campo eD Teatro Fondamenta Nuove, 5013 w: dearteassociazione.org  PDA 1TE Jun 20 Oct AR el P rtD .C M TUP Cannaregio U ART REALI o E T o d uri O R i T C S. Maurizio R A R A .C 52 51 A M U E tt AR UPD Vi .CO ART DAT OM S. Marco OM S. Marco M lle UP B ATE ART E.C E.C CampoE.CO Giardinetti CaART Campo Corte UPD DAT OM DAT1 Jun M PVallaresso Pisani w: Campo emergencypavilion.org Nov M ART DAT S. Maria O P TUP A B O 10 Barozzi RTU N 2 1 TE.C .C R U A A .C E T A D Zovenigo T E S. Vidal M T A for more information TUP AR M See p R 26+27 PDA UPD .CO AR M Campo OM RTU ATE A T .CO E.C Academia A Traghetto OM Palazzo Pisani, Cannaregio 6103 (Calle delle ATE UPD OM DAT E.C S. Maria del Giglio E.C ART M UPD TUP OM DAT T O R P .C R A M DAT N 2 1 Chiesa U .C T E A O A E Erbe) Duncan Campbell, TE AT Corin Sworn, 1 S Stae, Santa Croce ART CAdi NAL GSan Stae, E.C Cpo UPD PDA UPD RANDE DAT OM OM Tompkins P ART RTU ART Hayley 1 Jun A 24 Nov DA OM TE.C E.C OM Simon Ma RTU T A A R M C O .C N A S I D E A L D A N .C A E C P rE Salute AT TU AT UP Organization: Campo OM Scotland ART + Venice ATE.COM w: loveme-lovemenot.com w: AR M yarat.az UPD ART S. Vio OM TE.C 1 Campo TE.CO ni ART PD PDA M TE.C M Barbaro TU DA w: scotlandandvenice.com 1 Jun 24TE Nov .CO RTU AR PDA M .CO A M TUP E O O R T A .C RTU A A .C M UPD ATE ATE UPD M .CO ART M UPD ART UPD .CO ATE OM .CO ART ART Palazzo Michiel ATE del Brus,4391/A UPD TE.C ATE M UPD ART M PDA T UPD O E M T O U R .C T O R A .C A DAT Palazzo Bacchini delle Palme AR Mohammad, ATE E.C Tarek Al-Ghoussein Campo Sami ATE Campo TUP DAT UPD NU P S. Agnese av UPD OM San Giorgio AR arro R. Terra S. V OM OM S. Giorgio ART  io Created by Mi Qiu. Mohammed Al-Asoussi Cur.: Ala Jun 1 Jul ARTYounis .C TE.C 1 E.C ART OM C. PComm.: T A E T A D o .C A nte P E N 2 OM re Ges ART UPD Exhibition uiti UPD OMdates mayAextend. RTU .C tte OM ART ART TE.C ATE OM Za TE.C F. E.C PDA M UPD PDA M DAT .CO RTU ART M .CO RTU E A M E O T A TUP T O A A TE.C E.C M UPD Ex Magazzini di San Cassian,U Santa UPD AT OM SA T N IO O RG I O PDA Croce 2254 .C ART EG ART UPD OM OM TE.C ART DA ART w: dearteassociazione.org TE.C E.C AG G I O R E  1 Jun 20 Oct Spazio Light Box, 3831 RTUPM PDA Cannaregio Spirito Santo TU OM DAT PDA .C R A P M U .C A M T U O E O 62 61 AR w: moca.go.kr  TUPDAT 31 May 24 NovTUPDATE ART TE.C TE.C OM PDA AR M PDA AR OM RTU TE.C .CO OM RTU A A .C E A D .C T E P A E M AT U .CO UPD .CO A RT UPD ATE OM OM ATE ART ARTUPDATE Venice Biennale E.C Guide 2013 ART UPD E.C OM UPD DAT ART DAT TE.C ART M TUP OM TUP O R PDA Palanca .C R A M .C E A UPD O T Zitelle TE ART PDA TE.C OM M PDA OM
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National Participation
Andorra * Balmaseda, Bosque, Morrison Angola 6 Edson Chagas Argentina 12 Nicola Costantino Armenia Ararat Sarkissian (Is.dA) Australia 19 Simryn Gill Austria 19 Mathias Poledna Azerbaijan 6 Ornamentation Bahamas 12 Tavares Strachan Bangladesh 4 Supernatural Bahrain 12 Haji, Malullah, Zakharia 18 Berlinde De Bruyckere Belgium Bosnia & Herzegovina 12 Miljanovic Brazil 19 Inside/Outside Canada 18 Shary Boyle Chile 12 Alfredo Jaar China 12 Transfiguration Costa Rica 13 Monge, Piedra, Sols, Soto Croatia 4 Kata Mijatovic Cuba 8 La perversin de lo clsico... Cyprus 10 Oo Czech & Slovak Rep. 18 Feriancova, Baladran Denmark 18 Jesper Just, Project Projects Egypt 19 Mohamed Banawy, Khaled Zaki 6 Dnes Farkas Estonia Finland 18 Antti Laitinen France 19 Anri Sala 12 Kamikaze Loggia Georgia Germany 18 Weiwei, Karmakar, Mofokeng, Singh Great Britain 19 Jeremy Deller Greece 19 Stefanos Tsivopoulos 12 Holy See Hungary 19 Zsolt Asztalos Iceland 4 Katrn Sigurardttir 12 Sakti Indonesia Iraq 4 Welcome to Iraq Ireland 6 Richard Mosse Israel 18 Gilad Ratman Italy 12 vice versa Ivory Coast 10 Traces and signs Japan 18 Koki Tanaka Kenya 8 Reflective Nature Korea 18 Kimsooja * Location unconfirmed Kosovo 12 Petrit Halilaj Kuwait 13 Mohammad, Al-Ghoussein Latvia 12 Podnieks, Salmanis Lebanon 12 Akram Zaatari Lithuania 10 oO Luxembourg 6 Catherine Lorent Macedona, 4 Elpida Hadzi-Vasileva Maldives 10 Portable Nature 8 Ariel Guzik Mexico Montenegro 6 Irena Lagator Pejovic Netherlands 18 Mark Manders New Zealand 8 Bill Culbert Nordic 18 F Terike Haapoja 8 N Munch, Berg Paraguay 13 Barrail, Toranzos, Rossi, Milessi Poland 19 Konrad Smolenski Portugal * Joana Vasconcelos Romania 19 Pirici, Pelmus 13 Reflection Centre Russia 18 Vadim Zakharov Serbia 19 Vladimir Peric, Milo Tomic Slovenia 6 Inside/Outside South Africa 12 Imaginary Fact 18 Lara Almarcegui Spain Switzerland 18 Valentin Carron Syria Cara Amica Arte (Is.di SS ) Thailand 16 Supanichvoraparch, Rungjang Turkey 12 Ali Kazma 6 Vincent J.F. Huang Tuvalu UAE 12 Mohammed Kazem USA 19 Sarah Sze * Mykola, Hamlet, Zhanna Ukraine Uruguay 19 Wifredo Daz Valdz 18 Urban Artists Collective Venezuela Zimbabwe 8 Dudziro

Italo-Latin American Institute 12

Argentia, Bolivia, Brazil, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Italy, Nicaragua, Panama, Paraguat, Peru, Dominican Rep, Uruguay, Venezuela, Germany/Brazil

Central Asia Pavilion 6

Kazakhstan, Kyrgyzstan, Tajikstan, Uzbekistan

14

ARTUPDATE Venice Biennale Guide 2013

Collateral Exhibitions
25%: Catalonia at Venice 10 About Turn: Newfoundland 5 Ai Weiwei Disposition 9 A Remote Whisper: P. Cabrita Reis 6 Art and Knowledge 9 Back to Back to Biennale 5,13 Bart Dorsa. Katya 6 Bedwyr Williams (Wales) 10 Breath: Shirazeh Houshiary 11 CultureMindBecoming 6,13 Emergency Pavilion 13 Future Generation Art Prize 6 Glasstress: White Light / White Heat 6 I libri dacqua: Antonio Nocera Lido Imago Mundi: Luciano Benetton 9 In Grimani. Ritsue Mishima Glass 9 Ink Brush Heart: Xi Shuang Ban Na 13 Le Rentour de lenfui 5 Lawrence Weiner 6 Lost in Translation 6 Love me, Love me not 10 Mind Beating 10 Nellacqua capisco 6 Noise 13 Otherwise Occupied 5 Overplay 13 Passage to History 10 PATOMEN: Carlos Marreiros 10 Personal Structures 6 Perspectives: John Dawson 9 Rhapsody in Green 9 Rhizoma 6 Salon Suisse 4 Scotland + Venice 13 Steel-Lives, Still-Life 5 The Dream of Eurasia 6 The Grand Canal 9 The Intimate Subversion: ngel Marcos 10 The Joycean Society 5 The Museum of Everything 11 This Is Not A Taiwan Pavilion 9 Thomas Zipp 6 Transitions 6 United Cultural Nations 13 Universo Donna 10 Voice of the Unseen 10 Who is Alice? 13 You (you) - Lee Kit, Hong Kong 10

Museums/Collections
CaPesaro 13 Tue-Sun 10:00-17:00 S. Croce 2076 w: capesaro.visitmuve.it Fond. Giorgio Cini 8 Thu-Tue 10:00-19:00 Le Stanze del Vetro, S. Giorgio M. Island Fragile? Cur. M. Codognato 8 Apr 28 Jul Marc Quinn Cur. G. Celant 29 May 29 Sep w: cini.it Fondazione Prada 13 Wed-Mon 10:00-18:00 Ca Corner Della Regina w: fondazioneprada.org/cacorner When Attitude... 1 Jun 24 Nov Fondazione Querini Stampalia 8 Tue-Sun 10:00-18:00 Santa Maria Formosa, Castello 5252 w: querinistampalia.it Gallerie dellAccademia 5 Mon 08.15-14:00, Tue-Sun 08.15-19.15 Campo della Carit, Dorsoduro, 1050 w: gallerieaccademia.org Museo Correr 8 Daily 10:00-19:00 S. Marco 52, w: correr.visitmuve.it Museo Fortuny 6 Wed-Mon 10:00-18:00 Campo San Beneto, San Marco 3958 w: fortuny.visitmuve.it Antoni Tpies 1 Jun 24 Nov Palazzo Grassi 6 Wed-Mon 10:00-19:00 Campo San Samuele, 3231 w: palazzograssi.it Rudolf Stingel 7 Apr 31 Dec Peggy Guggenheim Collection 704 Dorsoduro 6 Wed-Mon 10:00-18:00 w: guggenheim-venice.it Punta della Dogana 6 Wed-Mon 10:00-19:00 Dorsoduro, 1 w: palazzograssi.it Prima Materia 31 May 31 Dec
Please note: Last entry for museums is often one hour before stated closing time.

ARTUPDATE Venice Biennale Guide 2013

15

.C AR ATE UPD OM ART TE.C PDA U M T U T O R A M .C AR M .CO M ATE Guglie AR .CO M ATE Rio .CO AR ATE UPD .CO del CADATE zoUPD 41 42 ozT UPD OM ART M la .COM NA Rio ATE UP ART .CO E PR TE.C LE del o UPD FO ART 51 52IlA ATE OM DAT Miser Campo d. PDA D P l M .C U a R P M U N T i O E D o ico Se n U di Sa F. ART Ancon I DA .C AT etM AR ta rdi TE.CO sa nta F Can .CO ART R. T OM CANA ATE C Pavili M M UPD osca al Emergency ATE rap PDAa EN .Cad NA TE.C .CO UPD R. M ART M o U R. Terra S. Leonardo TUPD ene .CO T O ATE ART PDA .CO E T ART lin o G AR OM E.C . Maddal C. BPDAT RTU UPD ATE ri m ena DAT TE.C Uotteri an TUPD ART M P CA N N A R EG I O A T A M O U R D i C T O R A Crist AR A .C M TUP OM TE.C E o O R T R A .C M i A A o D P .C O dei M U D Campo ATE UP ATE O UPD Maddalena E.C ART ART UPD E.CSanta Ca OM Romania FF ART M OM UPD d terin ART DAT or .CO E.C TE.C ART F. Z a OM ne TUP ATE DAT en PDA R D P M U r .C A P S. Marcuola M U T O M STAZIONE O TU .C Overplay ATE AR ART M .CO TE.C ATE FERROVIARIA AR N21 UPD ATE OM Riva d. Biasio UPDA M UPD S. LUCIA ART UPD Ink Brush T OM TE.CC. .CO OM ART Heart ATE ARN C. ART Ven OM PDA 1 51 52 TE.C E.C Rio Campo Stu ier O E.C RTU dei Sartori DAT MRio S PDA UPD S. Giov. A M P a T O U E.C M T O U R DAT . E .C Campo R A Sof D .CO sio ADecollato DAT TE E.C AN ART OM P T A ia E ia R S. Stae S. Felice B T A G U D .C i L T A D d AD AR MA N 1 TUP ATE UP iva ANP OM T CU O R R D T .C R A P M .C A U Campo AR CultureMindBecoming OM TE ATE .CO A UPD D .C E ART D i E P T R S. U lz A T Ilo M AT M UP OM DA ca Stae ART Campo RTUP .CO ART UPD OM TE.C . S OM ATE A C. P S. Simeone C. ART PDA TE.C EF.C VeE Ca' osta OM UPD Who Grande T OM RTU Is Alice?T DAT PDA .C CE R A M P U AT .C . A M T P O U Fond. E D ro M A ve O AT AR n .CO UP E.C ART Pesaro UPD C. Preti rbi ATE UPD ART DAT OM allio ART UP Prada ART OM United UPD E.C Ferrovia C.T C. 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Battisti a aP Rio M Rio S. Giacomo RT Mil U Te .C ATE 1 .CO C n Santa Croce A M T A Lan 556 .C E O D e S . O R T t D . P io . d ll A A R N .C 21 Rio dA C . U Campo R UP o n Mode Zuan M OM M i S. M ATE ATE UPD e Wasinburee ART Cam .CO S. Giacomo ART Back to Back TE.C rna orosini PDSupanichvoraparch, E 41 42 ART sa OM C. di Rialto OM DAT RTU PDA ie a Arin A Rungjang E.C Al UP OM Sca E.C Campo RTU OM Vid Ch M Cam 51 52 br DAT VitalbaM E.C ART DAT Cpl. C. letta S. P E.C O di RialtoA i Ma p O DAT E.C TUP OM DAT RTU cco Abrizzi zzi P T .C C. Nuovo R m P A ba M A .C U E M U Ta a T O T zzale A Co M ATE ntin C. Amai AR UPD .CO E.C C. C ART Campo ma R ioT rnO UPD A d. Piomb UPD ATE ART E.C OM R io S. Stin er o ART UPD C. ART M UPD E.C DAT T Campo Campo Ch ART i Stin TUP Campo .CO E.C ART M erra S an Toma Rio dA DAT OM T E S. Bartolomeo O S. R T A i .C M alli San Polo A o D CampoRTUP S. Aponal C. 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Giardini della Biennale

Info Tickets Spain Lara Almarcegui

Belgium Berlinde De Bruyckere KreupelhoutCripplewood

Netherlands Mark Manders Room with Broken Sentence

Stirling Pavilion Spazio Esedra Denmark Jesper Just/ Project Projects Intercourses

Switzerland Valentin Carron

Venezuela Venezuelan Urban Artists Collective

Australia australiacouncil.gov.au Commissioner Simon Mordant Deputy Commissioner Penelope Seidler Curator Catherine de Zegher

Russia Vadim Zakharov Dana Japan Koki Tanaka Korea Abstract Speaking Kimsooja To Breathe: Bottari Germany Ai Weiwei, Romuald Karmakar Santu Mofokeng, Dayanita Singh Canada Shary Boyle Music for Silence

Nordic Terike Haapoja Falling Trees

 

Austria labiennalevenezia.at Commissioner/Curator Jasper Sharp Belgium smak.be Commissioner Joke Schauvliege Curator J. M. Coetzee Dep. Commissioner Philippe Van Cauteren Brazil Commissioner Luis Terepins Curator Luis Prez-Oramas Deputy Curator Andr Severo Canada gallery.ca/venice Commissioner National Gallery of Canada Curator Jose Drouin-Brisebois

Finland frame-finland.fi Commissioner Raija Koli Curators Mika Elo, Marko Karo, Harri Laakso

France pavillonfrancais.com Commissioner Institut Franais/CNAP Curator Christine Macel

 

  

Germany deutscher-pavillon.org Commissioner IFA Curator Susanne Gaensheimer Great Britain  venicebiennale.britishcouncil.org Commissioner Andrea Rose Curator Emma Gifford-Mead

Czech Rep.+Slovak Rep. Commissioner Monika Palcova Curator Marek Pokorny Denmark kunst.dk Commissioners Jette Gejl Kristensen, Lise Harlev, Jesper Elg, Mads Gamdrup, Anna Krogh Curator Lotte S. Lederballe Pederse

Greece greeceatvenice.culture.gr Commissioner Hellenic Ministry of Education and Religious Affairs, Culture and Sports Curator Syrago Tsiara Hungary fired-but-unexploded.com Commissioner Gbor Guly Curator Gabriella Uh

Egypt Commissioner Ministry of Culture

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Central Pavilion The Encyclopedic Palace Exhibition continues at Arsenale page

Austria Mathias Poledna

Serbia Peric, Tomic Nothing Between Us Egypt Banawy, Zaki Treasuries of Knowledge

Finland Antti Laitinen Falling Trees

USA Sarah Sze Triple Point

Israel Gilad Ratman The Workshop

Hungary Zsolt Asztalos Fired but Unexploded

Brazil Fervenza Mlszho Bill, Munari Inside/Outside

The Silk Roads

Venezia

Uruguay Wifredo Daz Valdz Time (Time) Time

Australia Czech+Slovak Simryn Gill Feriancova Here art grows on trees Baladran France Anri Sala Ravel Ravel Unravel Great Britain Jeremy Deller English Magic

Greece Stefanos Tsivopoulos Here art grows on trees

Poland Konrad Smolenski Everything Was Forever, Until It Was No More Romania Alexandra Pirici Manuel Pelmus Here art grows on trees

Israel Commissioner Arad Turgeman, Michael Gov Curator Sergio Edelsztein Japan jpf.go.jp/venezia-biennale Commissioner The Japan Foundation Curator Mika Kuraya

 

Russia ruspavilion.ru Commissioner Stella Kasaeva Curator Udo Kittelmann

  

Serbia Spain

Commissioner Maja Ciric Comm./Curator Octavio Zaya

Korea korean-pavilion.or.kr Commissioner/Curator Seungduk Kim Deputy Commissioner Kyungyun Ho Netherlands venicebiennale.nl Commissioner Mondriaan Foundation Curator Lorenzo Benedetti

Switzerland biennials.ch Commissioners Sandi Paucic, Marianne Burki Dep. Comm. Rachele Giudici Legittimo Curator Giovanni Carmine

   

  

USA bronxmuseum.org Comm./Curators Carey Lovelace, Holly Block Uruguay Commissioner Ricardo Pascale Curators Carlos Capeln, Vernica Cordeiro Venezuela Commissioner Edgar Ernesto Gonzlez Curators Juan Calzadilla Venice Commissioner Madile Gambier Curators Renzo Dubbini

Nordic frame-finland.fi Curators Mika Elo, Marko Karo, Harri Laakso Poland labiennale.art.pl Commissioner Hanna Wrblewska Curators Agnieszka Pindera, Daniel Muzyczuk Romania Commissioner Monica Morariu Deputy Commissioner Alexandru Damian Curator Raluca Voinea

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Il Palazzo Enciclopedico / The Encyclopedic Palace

The following four pages feature the speech given by the exhibitions curator Massimiliano Gioni at the March 2013 media launch events. On November 16, 1955, self-taught Italian-American artist Marino Auriti filed a design with the U.S. Patent office depicting his Palazzo Enciclopedico (The Encyclopedic Palace), an imaginary museum that was meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite. Auritis plan was never carried out, of course, but the dream of universal, all-embracing knowledge crops up throughout the history of art and humanity, as one that eccentrics like Auriti share with many other artists, writers, scientists, and self-proclaimed prophets who have triedoften in vainto fashion an image of the world that will capture its infinite variety and richness. These personal cosmologies, with their delusions of omniscience, shed light on the constant challenge of reconciling the self with the universe, the subjective with the collective, the specific with the general, the individual with the culture of her time. Today, as we grapple with a constant flood of information, such attempts to structure knowledge into all-inclusive systems seem even more necessary and even more desperate. The 55th International Art Exhibition explores these flights of the imagination in a show thatlike Auritis Encyclopedic Palacecombines contemporary artworks with historical artifacts and found objects. With works spanning over the past century alongside several new commissions, and with over one hundred and fifty artists from more than thirty-seven countries, the exhibition is structured like a temporary museum that initiates an inquiry into the many ways in which images have been used to organize knowledge and shape our experience of the world. Blurring the line between professional artists and amateurs, outsiders and insiders, the exhibition takes an anthropological approach to the study of images, focusing in particular on the realms of the imaginary and the functions of the imagination. What room is left for internal imagesfor dreams, hallucinations and visionsin an era besieged by external ones? And what is the point of creating an image of the world when the world itself has become increasingly like an image?

Marino Auriti with the Encyclopedic Palace of the World Photographer unidentified, c.1950s Coll. American Folk Art Museum, New York

Holed up in his garage out in the middle of the Pennsylvania countryside, Auriti worked on his brainchild for years, constructing the model of a 136-story building that would stand seven hundred meters tall and take up over sixteen blocks in Washington, D.C.

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Venues: Central Pavilion, Giardini + Corderie, Arsenale

The exhibition opens in the Central Pavilion with a presentation of Carl Gustav Jungs Red Book, an illustrated manuscript that the famous psychologist worked on for over sixteen years. A collection of visions and fantasies, Jungs Red Book ushers in a meditation on inner images and dreams that runs throughout the show. and demons that battle sharks and other sea creatures. The depiction of the invisible is a key theme of the show, as evidenced in the cosmographies of both Guo Fengyi and Emma Kunz, in the religious icons and danses macabres of Jean-Frdric Schnyder, and in the video work by Artur mijewski, who filmed a group of blind people painting a world they cannot see.

Carl Gustav Jung: The Red Book [page 655], 1915-1959 Paper, ink, tempera, gold paint, red leather binding. 2009 Foundation of the Works of C.G. Jung, Zrich. First published by W.W. Norton & Co., New York 2009

Marisa Merz: Senza titolo, 2004. Tecnica mista su tavola 180 x 140 cm . Collezione privata. Courtesy Fondazione Merz, Torino. Photo Paolo Pellion, Torino

The exhibition brings together many examples of artworks and figurative expressions that reveal approaches to visualizing knowledge through representations of abstract concepts and manifestations of supernatural phenomena. In the galleries of the Central Pavilion, intertwined with works by contemporary artists, are the abstract paintings of Hilma af Klint, Augustin Lesages symbolic interpretations of the universe, the divinations of Aleister Crowley, and the apocalyptic premonitions of Friedrich Schrder-Sonnenstern. The ecstatic gift drawings of Shaker communities transcribe divine messages, while the drawings of shamans from the Solomon Islands are peopled by deities

A similar sense of cosmic awe pervades many of the other works on display, from Melvin Motis films to Laurent Montarons reflections on nature, all the way to the sublime landscapes of Thierry De Cordier. The tiny ceramic dreamscapes of Ron Nagle, the intricate floral patterns of Anna Zemnkov, the mental maps of Geta Brtescu and the painted palimpsests of Varda Caivano describe an inner world where natural forms overlap with imaginary presences. These secret links between microcosm and macrocosm also animate Marisa Merzs hieratic figures and Maria Lassnigs fleshly ones: both turn self-portraits and bodies into ciphers of the universe.

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The exercise of the imagination through writing and drawing is a recurring motif in the exhibition. Christiana Soulou brings to life the imaginary beings catalogued by Jorge Luis Borges, while Jos Antonio Surez Londoo translates into images the diaries of Franz Kafka. The rare stones collection of French writer Roger Caillois combines geology with mysticism, while the esoteric blackboard diagrams by pedagogue Rudolf Steiner feverishly relate the idealist dream of grasping and conveying the universe as a whole.

In the vast halls of the Arsenale, the exhibition is organized as a progression from natural to artificial forms, following the typical layout of sixteenth- and seventeenth-century cabinets of curiosities. Just like Auritis Palace, these baroque proto-museums brought together man-made and natural wonders to construct visual compendia of the world through a science of elective affinities and magical sympathies. This associative process of knowledge, through its heterogeneous ordering of objects and images, draws interesting parallels between the wunderkammer and todays culture of hyper-connectivity. Catalogues, collections, and taxonomies form the basis for many works on view, including J.D. Okhai Ojeikeres photos, Uri Arans installations, Kan Xuans videos, Shinichi Sawadas bestiaries and Matt Mullicans labyrinths. Pawe Althamer assembles a collective portrait with a series of eighty sculptures. In the drawings of Stefan Bertalan, Lin Xue and Patrick Van Caeckenbergh, we find stubborn attempts to decipher the code of nature, while the films of Gusmo and Paiva, and photographs of Christopher Williams, Eliot Porter, and Eduard Spelterini, examine ecosystems and landscapes with an infatuated gaze that longs to capture all the Earths spectacles, large and small. Yksel Arslan illustrates the encyclopedia plates of an imaginary civilization that resembles a slightly warped version of humanity. The aspiration to create a magnum opus like Auritis Palace, that can contain and describe everything, flows through Arslans drawings as well as Robert Crumbs visual chronicle of the Book of Genesis, Frdric Bruly Bouabres cosmogonies, and the legends recounted by Papa Ibra Tall.

Rudolf Steiner Blackboard drawings, 1923 Chalk on black paper, 102 x 153 x 3.8 cm Courtesy Rudolf Steiner Archive, Dornach, Switzerland

The Encyclopedic Palace is a show about obsessions and about the transformative power of the imagination. The alternative worlds dreamed up by artists as diverse as Morton Bartlett, James Castle, Peter Fritz, and Achilles Rizzoli are displayed alongside Shinro Ohtakes conglomerations of found images and Carl Andres visual autobiography. The dynamic tensions between inside and outside, inclusion and exclusion are the subject of works that explore the role of imagination in prisons (Rossella Biscotti) and in psychiatric hospitals (Eva Kotatkova). Other places of confinement, real or fanciful, are depicted by Walter Pichler, who spent most of his lifewhich sadly came to an end in 2012creating habitats for his sculptures, as if they were living creatures from another planet.

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Camille Henrots recent video work studies the creation myths of different societies, while the hundred clay sculptures of Fischli and Weiss offer a wry antidote to the romantic excesses of such sweeping visions of human history.

Ryan Trecartins volatile, post-human bodies introduce the final section of the Arsenale, where works by Yuri Ancarani, Alice Channer, Simon Denny, Wade Guyton, Channa Horwitz, Mark Leckey, Helen Marten, Albert Oehlen, Otto Piene, James Richards, Pamela Rosenkranz, Stan VanDerBeek and others examine the blend of information, spectacle, and knowledge that is so characteristic of the digital era. As a contrast to the white noise of the information age, an installation by Walter De Maria celebrates the mute, gelid purity of geometry. Like all works by this legendary artista pioneering figure in conceptual, minimal and Land Artthis abstract sculpture is the result of complex numerological calculationsa self-contained system in which the endless possibilities of the imagination are reduced to an extreme synthesis. Among the exhibitions outdoor installations and performanceswhich include John Bock, Ragnar Kjartansson, Marco Paolini, Erik van Lieshout, and others, and extend to the very end of the Arsenale, in the Giardino delle Verginiare works that take on and transform the sixteenthcentury Venetian tradition of the Theatres of the World, visual allegories of the cosmos in which actors and temporary architectures were used to construct representations of the universe. Through these pieces and many other works on view, The Encyclopedic Palace emerges as an elaborate but fragile construction, a mental architecture that is as fantastical as it is delirious. After all, the biennale model itself is based on the impossible desire to concentrate the infinite worlds of contemporary art in a single place: a task that now seems as dizzyingly absurd as Auritis dream. - Massimiliano Gioni, March 2013.

Camille Henrot, Coup/Dcal, 2010, Video, 3:54 min., Camille Henrot, Courtesy the artist and kamel mennour, Paris

Video works by Nel Beloufa and Steve McQueen, and paintings by Eugene Von Breunchenhein reflect various approaches to picturing the future, while memory serves as the point of departure for Aurlien Froment, Andra Ursuta, and many other artists in the exhibition. At the center of the Arsenale, is a curatorial project by Cindy Shermana show within the show, made up of over two hundred works by more than thirty artistswhich creates an imaginary museum of her own devising. Dolls, puppets, mannequins, and idols cohabit with photos, paintings, sculptures, religious insignia, and drawings by prison inmates, which together compose an anatomical theater in which to contemplate the role of images in the representation and perception of the self. Bodies and desires are also at the core of Hito Steyerls cinematic investigation of the culture of hyper-visibility, and the latest documentary from Sharon Hayes, which presents a remake of Pier Paolo Pasolinis study of sexuality, Comizi DAmore.

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GREAT BRITAIN
JEREMY DELLER ENGLISH MAGIC
English Magic is a new exhibition by Jeremy Deller, created specifically for the British Pavilion in Venice. The exhibition reflects the roots of much of Dellers work, focusing on British society - its people, icons, myths, folklore and its cultural and political history. He weaves together high and low, popular and rarefied to create unique and thought provoking work. English Magic addresses events from the past, present and an imagined future. Deller frames these instances in a way that is contemporary but also true to the original subject, weaving a narrative that is almost psychedelic; hovering delicately between fact and fiction, real and imagined. Dellers practice is often made in collaboration with others. His approach encourages us to question our concept of what art is and what the artists role is in todays complex and ever changing society. The subjects that Deller addresses are often challenging and politically engaged past works have focused on the Iraq war (It Is What It Is, 2009) and the 1984-5 miners strikes (The Battle of Orgreave, 2001) but Deller is able to examine a subject and explore different sides to the story, leaving room for the viewer to make their own judgements on the scenarios presented to them. After Venice, the exhibition will return to the UK for a national tour, made possible thanks to the generous support of the Art Fund. It is accompanied by a new book, published by the British Council, which features an essay by Hal Foster and an interview between Jeremy Deller, Chris Dercon and John Paul Lynch. Commissioner: Andrea Rose Curator: Emma Gifford-Mead Venue: British Pavilion, Giardini, Castello, Venice 30122 (See page 19) Dates: 1 June 24 November 2013 Times: 10am-6pm (Closed Mondays) Vaporetto: Giardini Online: britishcouncil.org/visualarts facebook.com/Arts.BritishCouncil twitter.com/BCVisualArts Image: Jeremy Deller at Stonehenge Photo: James Hutchinson

SCOTLAND
CORIN SWORN DUNCAN CAMPBELL HAYLEY TOMPKINS
Scotland + Venice 2013 features new work by Corin Sworn, Duncan Campbell and Hayley Tompkins, three of the most consistently interesting artists working in Scotland today. Corin Sworn creates installations that explore the way objects circulate to disseminate stories and create histories. Often combining images with spoken narrative, her work examines the cultural and personal significance attributed to things and how they in turn narrate us as social subjects. Duncan Campbell produces films that look at representations of the people and events at the heart of very particular histories. Combining archive material with his own footage, his work questions the authority, integrity and intentions of the information presented. Hayley Tompkins makes painted objects that transform familiar, commonplace things - such as knives, hammers, mobile phones or furniture. Her work articulates the relationship between the form, feel and function of an object. Scotland + Venice is a partnership between Creative Scotland, British Council Scotland and the National Galleries of Scotland. Commissioner: Scotland + Venice Curator: The Common Guild, Glasgow. Venue: Palazzo Pisani, (S. Marina), Calle de le Erbe 6103,  Cannaregio (See page 13) Dates: 1 June 24 November 2013 Times: 10am-6pm (Closed Mondays) Vaporetto: Rialto / S. Zaccaria Online: scotlandandvenice.com facebook.com/scotlandandvenice twitter.com/scotlandvenice

Corin Sworn Endless Renovation, Installation at Washington Garcia, Glasgow, 2010 (detail). Photo by Malcolm Cochrane. Courtesy of the artist and Kendall Koppe, Glasgow.

Hayley Tompkins Tele, 2009. Photo by Ruth Clark Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow.

Duncan Campbell Bernadette, 2008 (still). 16mm film transferred to DVD. Courtesy of the artist.

WALES
BEDWYR WILLIAMS THE STARRY MESSENGER
If a poet looks through a microscope or a telescope, he always sees the same thing.  - Gaston Bachelard

The Starry Messenger by Bedwyr Williams takes its name from a study published by Galileo Galilei about his discoveries through a telescope. In a series of rooms and passageways at Santa Maria Ausiliatrice (Ludoteca) this new work ponders the leisurely exploration of space both infinite and minute. An amateur astronomers clear night vigil or a worshippers downward quest into the polished galaxies of the terrazzo floor below his shoes. Home astronomers gaze into the depths of the universe and the beginning of time. People who sit in their back garden whilst their neighbours settle down for the evening. Lost in nebulae and tracking comets whilst eating biscuits and drinking tea from a flask. All around the world these amateur eyes consulting rotating charts are staring outwards as everyone else looks the other way. Terrazzo born from the frugality of building on a lagoon is flapjack flooring. Millions of fragments, remnants from other peoples jobs, churned and then spread on the ground and polished. A tutti-frutti of

glass and stone chips in a frozen, horizontal cross-section. What of the stones below them, the chips beneath the ones that we cannot see? In Williams work, you are invited to imagine being one of these trapped flecks. Theres no noisy way of stargazing; the macro journey into a patterned floor is also a silent one. Cymru yn Fenis/Wales in Venice is commissioned and managed by the Arts Council of Wales and Wales Arts International with support and collaboration from the Welsh Government andBritish Council. Commissioner: Arts Council of Wales Curators: MOSTYN and Oriel Davies. Venue: Santa Maria Ausiliatrice (Ludoteca), Fondamenta San Gioacchin, (See page 11) Dates: 1 June 24 November 2013 Times: 10am-6pm (Closed Mondays) Vaporetto: Giardini/Arsenale Online: walesvenicebiennale.org.uk facebook.com/WalesInVenice twitter.com/WalesInVenice
Image from The Starry Messenger by Bedwyr Williams, designed by bke. 2013

UK Independent Exhibitions
Hours unless stated: Daily 10:00-18:00, 1 June 24 November 2013 (Closed Mondays except 3 June, 18 November) Via Garibaldi 1809, Castello w: arq.st/artistspavilion Vaporetto: Giardini Erica Donovan, Elpida Hadzi-Vasileva, Blauer Hase Curated by Artquest, Axisweb and Engage 29 31 May: Work visible from outside (See website for talks programme)

Palazzo Peckham

The Artists Pavilion

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 Bote-en-valise

Palazzo Zenobio, Fondamenta del Soccorso, Dorsoduro 2596 w: veniceagendas.eu Vap.: San Baselio The Girls ( Zerelda Sinclair and Andrea Blood ), Marcia Farquhar and Tim Russell. Curator: Carol Maund, Stephanie James and Mark Segal. Host: Venice Agendas & Arts Pavilion Bournemouth Daily from 13:00, 29 May 2 June 2013

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Calle del Ruga, Castello 270 w: palazzopeckham.com Vaporetto: Giardini Jon Rafman, Dora Budor, Rob Chevasse, Samara Scott, Peles Empire, Amy Woodward, Viktor Timofeev + Simon Werner + Cindie Cheung Palazzo Peckham is an independent project by Ollie Hogan, Hannah Barry, Ross Chalmers, Ben Vickers, Sven Meunder, Frank and Jackson Boxer. Daily 09:00-23:00, 26 May 30 June

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 Shirazeh Houshiary: Breath

La Torre di Porta Nuova, Arsenale w: lissongallery.com Vaporetto: Arsenale Host: Lisson Gallery

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 Locus+ Print Portfolio Launch p.10

Calle San Giocchino, Ludoteca La Luna nel Pozzo, Castello 450 w: locusplus.org.uk Vaporetto: Giardini Fiona Banner, Chris Burden, Mark Dion, Cornelia Hesse-Honegger, Richard Wright, Douglas Gordon (multiple) John Kippin (portraits). Host: Locus+ 12:00-15:00, 29 31 May 2013

 Caro at Museo Correr

 Glasstress: White Light / White Heat

Museo Correr, San Marco, 52 w: correr.visitmuve.it Vaporetto: San Marco Curated by Gabriella Belli, Gary Tinterow  30 May 27 October 10:00-19:00  1 November 31 March 2014: 10:00-17:00 (Last admission 1 hour before closing) Organised by Fondazione Musei Civici di Venezia & British Council

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 Il Palazzo di Everything + The Salon of Everything

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Istituto Veneto Di Scienze Lettere ed Arti p.6 Palazzo Cavalli-Franchetti, Campo S. Stefano Also: Berengo Centre for Contemp. Art + Glass Campiello della Pescheria, Murano w: glasstress.org Vap: Accademia/Murano Col. Alice Anderson, Ron Arad, Fiona Banner, Boudicca, Oliver Clegg, Mat Collishaw, Mat Chivers, Tony Cragg,Tracey Emin, Paul Fryer, Stuart Haygarth, Mona Hatoum, Charlotte Hodes, Shirazeh Houshiary, John Isaacs, Joseph Kosuth, Hew Locke, Alastair Mackie, Tim Noble & Sue Webster, Lucy Orta, Cornelia Parker, Whitney McVeigh, Conrad Shawcross, Meekyoung Shin, Gavin Turk. Curator: James Putnam. Host: Venice Projects & London College of Fashion.

Serra dei Giardini, Viale Giuseppe Garibaldi, w: musvery.com Vaporetto: Giardini Carlo Zinelli. Curator/Host: Museum of Everything Tue-Sun 10:00-20:00, 29 May 28 July (See website for possible date extension)

 Whitney McVeigh 

Gervasuti Foundation, Via Garibaldi, Fontamenta SantAna, Castello 994 w: gervasutifoundation.com Vaporetto: Giardini Curator: James Putnam Host: Venice Projects  11:00-19:00, 1 June 7 July

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Vanacular: Gavin Turkp.11

Gervasuti Foundation, Via Garibaldi, Fontamenta SantAna, Castello 995 W: gervasutifoundation.com Vaporetto: Giardini Curator: James Putnam, Fiona Biggiero Host: Gervasuti Foundation

(cont.) Development Agency and supported using public funding by the National Lottery through Arts Council England.

Venice Agendas: Event listings Live ArtAre you here? Were you there? p.11

UK Independent Events
Information Flows (But you just sit there)
Palazzo Peckham, Calle del Ruga, Castello 270 w: palazzopeckham.com Vaporetto: Giardini A programme of conversations, performances and workshops curated by Ollie Hogan. 26 May 30 June (See website for timings).

Chaired by Jean Wainwright, speakers include Kathy Battista, Tony Heaton, rAndom International, Lois Keidan, Lauren A Wright and artists Marcia Farquhar, Joan Jonas, Marta Jovanovic, Andrea Pagnes and Verena Stenke.  Wednesday 29 May 2013 Breakfast: 09:00 Event: 10:00-12:00

 Speed Dating - Working the Room

Speed date with Kathy Battista, Sacha Craddock, Tony Heaton, rAndom International, Marta Jovanovic, Brett Littman, Beral Madra, Richard Mosse, Andrea Pagnes, Verena Stenke, Hilde Teerlinck, Hans Ulrich Obrist, and Jinny Yu, among others. Thursday 30 May 2013 Breakfast: 08:30 Event: 09:00-10:00

 The Alternative Scene: International Art Production

Image: OKeefe Antechamber for the Palazzo Peckham, Jon Rafman, 2013.

 Venice Agendas

CZ95 Giudecca 95 w: veniceagendas.eu Vaporetto: Zitelle

p.16

Chaired by Vittorio Urbani with Elisa Genna, Francesco Ragazzi and Francesco Urbano. Panelists include Kathrin Becker, Antonia Carver, Aaron Cezar, Penelope Curtis, Branko Franceschi, Magda Guruli, Maria Hlavajova, Stephanie James, Nadira Laggoune, Kalliopi Lemos, Beral Madra, Jonathan Watkins, among others. Friday 31 May 2013 Event 09:00-12:00 with breakfast

Curated by workinprogress in partnership with FRAC Nord-Pas de Calais; Nuova Icona; SHAPE London; Turner Contemporary; Arts University Bournemouth; Arts Bournemouth; Central Saint Martins, University of the Arts London and University for the Creative Arts. With the support of Audio Arts; Associazione E; CZ95; Municipalit di Venezia; Live Art

 Performances

Jenni Cluskey and Aaron Williamson respond to Venice in relation to its site, context and identity. Various sites around Venice (see veniceagendas.eu for details) Wednesday 29- Friday 31 May

ARTUPDATE Venice Biennale Guide 2013

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UK AT THE VENICE BIENNALE 2013

1 JUNE 24 NOVEMBER 2013

GREAT BRITAIN
JEREMY DELLER
PAVILION, GIARDINI DI CASTELLO, 30122 WWW.BRITISHCOUNCIL.ORG/VISUALARTS

SCOTLAND
CORIN SWORN DUNCAN CAMPBELL HAYLEY TOMPKINS
PALAZZO PISANI (SANTA MARINA), CALLE DE LE ERBE, CANNAREGIO, 6103 WWW.SCOTLANDANDVENICE.COM

WALES
BEDWYR WILLIAMS
LUDOTECA SANTA MARIA AUSILIATRICE, CASTELLO WWW.WALESVENICEBIENNALE.ORG.UK