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immediately? In his play Romeo and Juliet, William Shakespeare shows that impulsive
only triggers obstacles. Tybalt’s passion and impulse to fight Romeo caused his own
death as well as Paris’s impulse to attack Romeo in the crypt led to Romeo killing him.
Also, Romeo’s hastiness in his decision to kill himself ended tragically; instead of
Because of his passionate hatred for all things Montague, Tybalt challenged
Romeo to a duel and because Romeo refused, his best friend Mercutio fought Tybalt and
was killed. To avenge Mercutio’s death, Romeo fought Tybalt and killed him. Almost as
soon as Tybalt enters the first scene, he starts a fight, saying, “What, drawn, and talk of
peace! I hate the word, as I hate hell, all Montagues, and thee: Have at thee, coward!”
(Act. I, Sc. 1, li.68-70). Tybalt’s rash thinking and inability to think before acting initiated
two deaths.
After Juliet’s supposed death, Paris goes into her tomb to grieve for her. While
he’s there, Romeo enters the crypt. Paris assumes Romeo is there to desecrate Tybalt and
Juliet’s remains and confronts him. “Stop thy unhallowed toil, vile Montague! Can
vengeance be pursued further than death? Condemned villain, I do apprehend thee. Obey
and go with me, for thou must die,” (Act. V, Sc. 3, li.56-59), cried Paris before he
attacked Romeo. Paris and Romeo then exchange blows briefly until Romeo kills Paris.
Ultimately, Romeo’s rash decision to take his own life before waiting to learn
more about Juliet’s demise becomes pointless. If he had waited a few minutes before
drinking the poison or contacted Friar Laurence, he would have discovered that Juliet was
never actually dead. “Here's to my love. O true apothecary. Thy drugs are quick. Thus
with a kiss I die,” (Act V, Sc. 3, li. 124-126), said Romeo, as he drank the toxic liquid
Overall, Romeo and Juliet proves that impetuosity only creates problems. Tybalt
and Paris foolhardily challenge Romeo and cause their own deaths. Romeo’s haste also
leads to his death. If they had taken a mere moment to rethink their actions, three—or