t

'

CONTENTS

Z IALLJrfpd
476H
TT:J
1

HR!V
-

44 a L
F

t h o

Pu
b
l
i
s
h
e
dbyKodanshaI
n
t
e
m
a
t
i
o
n
a
1L
t
d
.
1
7
1
4Otowa1-chome

Bunkyo

ku

Tokyo1
1
2
8652
andKodanshaAmerica

I
n
c
.
p
y
r
i
g
h
tC 1
9
9
1byNaokoCh
i
n
o
.
A
l
lr
i
g
h
t
sr
e
s
e
r
v
e
d
.P
r
i
n
t
e
di
nJ
a
p
a
n
.
-47
7
002
7
8
1
8
I
S
B
N
1
3
:97
ISBN
1
0
: 770
02
7
8
1
8

a
:

F
i
r
s
te
d
i
t
i
o
n
1
9
9
1
F
i
r
s
t dep
a
p
e
r
b
a
c
ke
d
i
t
i
o
n
2
0
0
1
1
21
11
009080706
1
51
41
31
21
110987

1
1

www.1uHuJnsha

i
n
t
L
c
o
m

()

7
5

1
0

2
.Gaf

1
3

2
0
.Hodo

7
7

3
.Mo

2
6

21
.B
a
k
a
r
i

7
8

2
2
.Dake

8
1

4
.-Temo(-demo)
()

2
9

2
3
.S
h
i
k
a

8
5

5
.Demo

30

2
4
.Nomi

86

6
.To

3
3

2
5
.K
i
r
i

87

7
.Towa

40

2
6
.Node

88

8
.Ya

4
1

2
7
.Monode

89

9
.Toka

4
2

2
8
.Keredomo

1
0
.Nado

4
3

2
9
.Tokorod
e

9
2

1
1
.Ka

45

3
0
.Noni

9
3

1
2
.De

49

31
.KI
l
S
en
i

9
4

1
3
.Ni

5
2

3
2
.Monono

9
5

1
4
.E

60

3
3
.T
okorog
a f 96

1
5
.Kara

6
1

3
4
.B
a

1
6
.Made

6
5

3
5
.T
a
r
a

1
7
.No

6
8

3
6
.Nara

1
0
2

18.0

7
2

3
7
.Mononara

1
0
3

.-~.I

1
9
.K
u
r
a
i(
g
u
r
a
i
)

1
.Wa

iF

D
i
s
t
r
i
b
u
t
e
di
nt
h
eU
n
i
t
e
dS
t
a
t
e
sbyKodanshaAm
e
r
i
c
aI
n
c
.
andi
nt
h
eU
n
i
t
e
dK
i
ngdomandc
o
n
t
i
n
e
n
t
a
lEuropeb
y
'Kodansha
E
u
r
o
p
e
L
t
d
.

9
7

31
:-jl
ei
rt
-l
ii
lt
li
-t;:
J
i1
-:
ij
r
t
!

u
H
- '
-

P
r
e
v
i
o
l
yp
u
b
l
i
s
h
e
dundert
h
esamet
i
t
l
ei
nt
h
ePowerJ
a
p
a
n
e
s
e
S
e
r
i
e
s(
19
9
1
)
.

P
r
e
f
a
c
e

3
8
.T
o
k
o
r
o

1
0
5

5
9
.Na

1
3
5

3
9
.Monoo

1
0
6

6
0
.S
a

1
3
7

4
0
.N
a
g
a
r
a 6

1
0
7

6l
.K
o
t
o

1
3
8

4l
.T
a
r
i

1
0
8

6
2.Kk
e

1
3
9

h
i
4
2.S

1
1
0

6
3
.T
t
e
b
a

1
4
0

4
"
3
.T
omo

1
1
1

1
6
4
.-

1
4
0

4
4
.Y
a
r
a

1
1
4

6
5
.Mono

1
4
1

4
5
.D
ano

1
1
6

e
6
6
.Z

1
4
3

1
1
7

o
6
7
.Z

1
4
3

6
8
.Monoka

1
4
4

6
9
.N
i

1
4
5

I
n
d
e
x

1
4
6

46~

N
a
r
i

4
7
.Tewa(
d
e
w
a
)
()

1
1
9

4
8
.D
o
k
o
r
o

1
2
1

4
9
.T
o
s
h
i
t
e

1
2
2

5
0
.Y
o
r
i

1
2
3

5l
.S
a
e

1
2
6

5
2
.S
u
r
a

1
2
7

5
3
.K
o
s
o

1
2
7

PREFACE

S
e
n
t
e
n
c
e
e
n
d
i
n
g
P
a
r
t
i
c
l
e
s
5
4
.Ne

1
2
8

5
5
.Y
o

1
3
1

5
6
.Wa

1
3
2

5
7
.K
ana

1
3
3

5
8
.K
a
s
h
i
r
a

1
3
4

Somet
h
i
n
g
sa
r
ee
a
s
i
e
rt
ol
e
a
r
n o
t
h
e
r
s
.T
a
k
e
f
o
ri
n
s
t
a
n
c
e

J
a
p
a
n
e
s
en
o
u
n
s

v
e
r
b
s
a
d
j
e
c
t
i
v
e
s

a
n
da
d
v
e
r
b
s
.O
n
c
ey
o
uh
a
v
ea
l
i
t
t
1
eg
r
a
m
m
a
ru
n
d
e
ry
o
u
rb
e
l
t

y
o
uc
a
np
i
c
kt
h
e
mu
pa
n
ds
q
u
i
r
r
e
l
t
h
e
m
a
w
a
y
w
i
r
e
l
a
t
i
v
ee
a
s
e
.F
o
rs
o
m
er
e
a
s
o
n
t
h
o
u
g
h
i
sd
o
e
s
n
'
t
w
o
r
kw
i
t
hp
a
r
t
i
c
1
e
s
.T
h
e
yc
a
n'
tb
el
o
o
k
e
du
pp
i
n
n
e
ddowno
r
p
i
g
e
o
n
h
o
l
e
di
nt
h
es
a
m
ewayt
h
a
tt
h
e
i
rf
e
l
1
0
w
sc
a
n
.Y
e
tt
h
e
i
rc
o
r
r
e
c
tu
s
a
g
ei
se
s
s
e
n
t
i
a
lt
os
p
e
a
k
i
n
gJ
a
p
a
n
e
s
ew
i
a
n
yd
e
g
r
e
eo
f
u
e
n
c
y
.
ya
r
ep
a
r
t
i
c
1
e
ss
oe
l
u
s
i
v
e
?B
e
c
a
u
s
ep
a
r
t
i
c
1
e
sa
r
en
e
x
tt
om
e
a
n
Wh
i
n
g
l
e
s
sa
si
s
o
l
a
t
e
de
n
t
i
t
i
e
s
.Ap
a
r
t
i
c
1
e

i
nf
a
c
t

m
i
g
h
tb
ed
e
f
i
n
e
da
s
an
o
n
c
o
n
j
u
g
a
t
i
n
gp
a
r
to
fs
p
e
e
c
h

b
e
a
r
i
n
ga
na
b
s
o
l
u
t
eminimum
o
fi
n
d
e
p
e
n
d
e
n
tm
e
a
n
i
n
g

w
h
i
c
ha
t
l
a
c
h
e
si
t
s
e
l
ft
oo
t
h
e
rp
a
r
t
so
f
s
p
e
e
c
ha
n
dt
h
e
r
e
b
yp
l
a
c
e
st
h
e
mi
nc
o
n
t
e
x
t
.Thu
s
as
t
a
t
e
m
e
n
t
c
o
n
s
i
s
t
i
n
go
fas
i
n
g
l
ep
a
r
t
i
c
1
ew
o
u
l
d
n
'
tc
o
n
v
e
ymuchm
e
a
n
i
n
g
.
B
u
tt
h
ea
d
d
i
t
i
o
no
fa
n
o
t
h
e
rw
o
r
dw
o
u
l
dmakeaw
o
r
l
do
fd
i
f
f
e
r
e
n
c
e
.Ap
h
r
a
s
el
i
k
e
on
i(
t
oT
o
k
y
o
)f
o
ri
n
s
t
a
n
c
ew
o
u
l
d
c
o
m
m
u
n
i
c
a
t
es
o
m
e
t
h
i
n
g

b
u
tn
o
tn
ib
yi
t
s
e
l
f
.T
h
er
u
l
eo
ft
h
u
m
b
i
g
h
tb
e:
J
a
p
a
n
e
s
ep
a
r
t
i
c
1
e
sh
a
v
ev
i
r
t
u
a
l
1
yn
om
e
a
n
i
n
gb
e
r
e
f
to
f
c
o
n
t
e
x
t
.
I
ni
sb
o
o
k

1p
r
o
p
o
s
et
oc
1
a
r
i
f
yt
h
ef
u
n
c
t
i
o
n
so
fac
o
n
s
i
d
e
r
c
1
e
s
t
od
e
s
c
r
i
b
et
h
e
i
rv
a
r
i
o
u
su
s
a
g
e
s
a
n
d

a
b
l
en
u
m
b
e
ro
fp
a
r
t
i
m
o
s
ti
r
n
p
o
r
t
a
n
t

t
oe
x
e
m
p
l
i
f
ye
a
c
ha
n
de
v
e
.
yusagewithsample
s
e
n
t
e
n
c
e
s
.O
n
l
yi
n i
sw
a
y
t
h
r
o
u
g
hc
o
n
t
e
x
t
-c
a
nt
hes
t
u
d
e
n
t
t
r
u
l
ycomet
og
r
i
p
sw
i
t
ht
h
eJ
a
p
a
n
e
s
ep
a
r
t
i
c
1
e
.
Don'
tb
es
u
r
p
r
i
s
e
db
yc
e
r
t
a
i
no
ft
h
ep
a
r
t
i
c
1
e
st
a
k
e
nu
ph
e
r
e.
F
o
re
x
a
m
p
l
e

t
h
e
r
ei
sb
a

a
si
nn
o
m
e
b
a(
i
f[
y
o
u
]d
r
i
n
k
).
Youmay
i
Ea
tb
ai
sn
o
tap
a
r
t
i
c
1
ea
ta

1
lb
u
ta
ni
n
f
l
e
c
t
i
o
no
ft
h
ev
e
r
b
n
o
m
u
.G
r
a
m
m
a
t
i
c
a
l
l
ys
p
e
a
k
i
n
g

how
e
v
e
r

b
ai
so
n
eo
fas
p
e
c
i
e
s
c
1
e f
o
l
1
o
w
sc
o
n
j
u
g
a
t
e
dv
e
r
b
s(
i
ni
sc
a
s
en
o
m
e
)
.
o
fp
a
r
t
i

1! 1
1

P
r
e
f
a
c
e

A
I
IAboutP
a
r
t
i
c
l
e
s

114aubipJP6111141141111911u!
141isll11

S
i
n
c
eb
aando
t
h
e
r
so
fi
t
st
r
i
b
ea
r
en
o
to
n
l
yt
r
u
ep
a
r
t
i
c
l
e
sb
u
t
e
x
h
i
b
i
tamt
i
p
l
i
c
i
t
yo
fu
s
a
g
ew
e
l
lw
o
r
t
hy
o
u
ra
t
t
e
n
t
i
o
n
1h
a
v
e
c
h
o
s
e
nt
oi
n
c
l
u
d
et
h
e
m
.
Ane
f
f
o
r
th
a
sb
e
e
nmadet
op
r
e
s
e
n
tt
h
ep
a
r
t
i
c
l
e
si
no
r
d
e
ro
f
f
r
e
q
u
e
n
c
y
t
h
emorecommonf
i
r
s
t
;t
h
el
e
s
sl
a
t
e
r
.Ana
t
t
e
m
p
t
h
a
sa
l
s
ob
e
e
nmadet
og
r
o
u
pp
a
r
t
i
c
l
e
sbym
e
a
n
i
n
g
.N
e
i
t
h
e
rt
h
e
o
r
d
e
r
i
n
gn
o
rt
h
eg
r
o
u
p
i
n
g

h
o
w
e
v
e
r

i
se
n
t
i
r
e
l
yc
o
n
s
i
s
t
e
n
t

s
i
n
c
e
t
h
etwos
y
s
t
e
m
sa
r
enowandt
h
e
na
tl
o
g
g
e
r
h
e
a
d
s
.Af
u
r
t
h
e
rcomp
l
i
c
a
t
i
o
ni
st
h
a
tsomeo
ft
h
emoreb
a
s
i
cp
a
r
t
i
c
l
e
sh
a
v
eu
s
a
g
e
s
b
e
l
o
n
g
i
n
gmorep
r
o
p
e
r
l
yt
oani
n
t
e
r
m
e
d
i
a
t
eo
ra
d
v
a
n
c
e
dl
e
v
e
lo
f
s
t
u
d
y
.(
A
l
lu
s
a
g
e
sa
tt
h
e
s
etwol
e
v
e
l
sa
r
emarkedw
i
t
ha
s
t
e
r
i
s
k
s
.
)
C
r
o
s
sr
e
f
e
r
e
n
c
e
sa
r
ep
r
o
v
i
d
e
dw
h
e
r
es
i
m
i
l
a
r
i
t
i
e
se
x
i
s
tb
e
t
w
e
e
n
d
i
e
r
e
n
tp
a
r
t
i
c
l
e
s
.T
h
i
sw
a
sn
o
tdonew
i
t
h
o
u
tsomem
i
s
g
i
v
i
n
g
s

f
o
rw
h
i
l
ec
e
r
t
a
i
np
a
r
t
i
c
l
e
smayb
eb
a
s
i
c
a
l
l
ya
l
i
k
ee
ya
r
eu
s
u
a
l
l
y
n
o
tt
r
u
ee
q
u
i
v
a
l
e
n
t
si
nt
h
es
e
n
s
ea
tonec
a
nr
e
p
l
a
c
ea
n
o
t
h
e
r
w
i
t
h
o
u
te
v
e
nas
l
i
g
h
tc
h
a
n
g
ei
nmeaningo
rac
e
r
t
a
i
no
d
d
n
e
s
s
c
r
e
e
p
i
n
gi
n
.I
np
a
r
t
i
c
u
l
a
r
t
h
e
r
ea
r
enumerous c
o
m
p
a
r
i
s
o
n
s
b
e
t
w
e
e
nwaandg
ab
e
c
a
u
s
eo
ft
h
ef
r
e
q
u
e
n
ti
n
t
e
r
p
l
a
yb
e
t
w
e
e
n
t
h
e
s
etwop
a
r
t
i
c
u
l
a
r
l
yp
e
s
k
yp
a
r
t
i
c
l
e
s
.
F
o
rt
h
o
s
ewhow
i
s
ht
ot
e
s
tt
h
e
i
rp
r
o
f
i
c
i
e
n
c
yt
h
r
o
u
g
he
x
e
r
c
i
s
e
s
o
rwhowantmores
a
m
p
l
es
e
n
t
e
n
c
e
s
s
e
emyG
a
i
k
o
k
u

i
nn
ot
a
m
a
)p
u
b
l
i
s
h
e
di
nTokyobyMusashino
n
oj
o
s
h
i(
S
h
o
i
n().
F
i
n
a
l
l
y

I ankS
u
z
u
k
iS
h
i
g
e
y
o
s
h
iandM
i
c
h
a
e
lB
r
a
s
e

myedit
o
r
sa
tKodanshaI
n
t
e
r
n
a
t
i
o
n
a
l

f
o
rt
h
e
i
rh
e
l
p
.Mys
i
n
c
e
r
et
h
a
n
k
s
a
l
s
ogot
oJ
a
yThomas
whodidmostoft
h
et
r
a
n
s
l
a
t
i
o
n e
bodyo
ft
h
ebookand0 redm
yv
a
l
u
a
b
l
es
u
g
g
e
s
t
i
o
n
s
.W
i
t
h
o
u
tt
h
ec
o
o
p
e
r
a
t
i
o
no
ft
h
e
s
et
h
r
e
e
t
h
i
sbookwouldn
e
v
e
rh
a
v
e
comei
n
t
ob
e
i
n
g
.

1l

1
0 WA

WA 1
1

l
W
A
I

N
o
t
e
:Wah
a
ss
e
v
e
r
a
lu
s
a
g
e
s

b
u
ti
t
sb
a
s
i
cf
u
n
c
t
i
o
ni
st
os
e
to
f
fat
o
p
i
c(
e
.
g
.
o
fc
o
n
v
e
r
s
a
t
i
o
n
)f
r
o
mt
h
er
e
s
to
ft
h
es
e
n
t
e
n
c
e
w
h
i
c
ht
a
l
k
sa
b
o
u
tt
h
et
o
p
i
c
.
T
e
c
h
n
i
c
a
l
l
y

w
ad
o
e
sn
o
ti
n
d
i
c
a
t
ec
a
s
e(
s
u
b
j
e
c
t

o
b
j
e
c
t

e
t
c
Howeveri
n
p
r
a
c
t
i
c
a
lt
e
r
m
s
i
to
f
t
e
n(
b
u
tn
o
ta
l
w
a
y
s
)c
o
m
e
sa
e
s
u
b
j
e
c
to
ft
h
es
e
n
t
e
n
c
e
.S
e
ea
l
s
owa(#7)andt
e
w
a(#47).

A
s
a
t
t
ewan
i
c
h
i
y
o
b
id
e
s
un
e
.
C
h
i
g
a
i
m
a
s
u
A
s
h
i
t
agan
i
c
h
i
y
o
b
id
e
s
uy
o
.
Thedaya
f
t
e
rtomorrowi
sSunday

i
s
n
'
ti
t
.
Y
o
u
'
r
ewrongt
h
e
r
e
.T
o
m
o
r
r
o
wj
sS
u
n
d
a
y
.

1
.I
n
d
i
c
a
t
e
st
h
a
ti
n
f
o
r
m
a
t
i
o
ni
sb
e
i
n
gp
r
e
s
e
n
t
e
daboutsomet
h
i
n
gt
h
a
ti
s
a
l
r
e
a
d
yknowno
r.
a
th
a
sbeeni
d
e
n
t
i
f
i
e
d
.

3
.I
nt
h
e
c
o
n
s
t
r
u
c
t
i
o
nN +waN +g

w
ai
n
d
i
c
a
t
e
sat
o
p
i
c(
e
f
i
r
s
tnoun)aboutwhichanpecto
rq
u
a
l
i
t
y(
t
h
esecondnoun)
i
se
x
p
l
a
i
n
e
d
.

A
s
o
k
on
ia
k
a
ih
o
ng
aa
r
i
m
a
s
un
e
.A
r
ewak
a
n
j
in
oh
o
nd
e
s
u
.
Overt
h
e
r
ei
sar
e
dbook
right
.I
t
'
sak
a
n
j
ibook
./S
e
et
h
er
e
d
booko
v
e
rt
h
e
r
e
?Th
a
t
'sak
a
n
j
ibook
.

Zowah
a
n
agan
a
g
a
id
e
s
u
.
Thee
l
e
p
h
a
n
t
i
t
snosei
sl
o
n
g
.
/E
l
e
p
h
a
n
t
shavel
o
n
gn
o
s
e
s
.

Anod
a
i
g
a
k
uw Y
o
t
s
u
y
a
e
k
in
oc
h
i
k
a
k
un
ia
r
i
m
a
s
u
.

T
a
k
e
m
o
t
o
s
a
nwas
e
i
k
a
k
ugay
a
s
a
s
h
i
id
e
s
u
.

Thatu
n
i
v
e
r
s
i
t
y
i
t
'sn
earYotsuyaS
t
a
t
i
o
n./Thatu
n
i
v
e
r
s
i
t
yi
s
n
e
a
rYotsuyaS
t
a
t
i
o
n
.
2
.I
n
d
i
c
a
t
e
sat
o
p
i
c
whichi
s eni
d
e
n
t
i
f
i
e
do
re
x
p
l
a
i
n
e
d.

A
s
h
i
t
awan
i
c
h
i
y
o
b
id
e
s
u
.
Asf
o
rtomorrow

i
t
'
sSunday./Tomorrowi
sS
u
n
d
a
y
.
K
u
j
i
r
awas
a
k
a
n
ad
ewaa
r
i
m
a
s
e
n
.
Asf
o
rt
h
ewhale

i
ti
snotaf
i
s
h
./Th
ewhalei
snotaf
i
s
h
.
N
o
t
e
:I
fg
ar
e
p
l
a
c
e
sw
ai
nt
h
e
s
es
e
n
t
e
n
c
e
s

t
h
enounw
h
i
c
hi
tf
o
l
l
o
w
si
sn
o
l
o
n
g
e
rb
e
i
n
gp
r
e
s
e
n
t
e
da
sat
o
p
i
cb
u
ta
st
h
es
u
b
j
e
c
to
ft
h
ep
r
e
d
i
c
a
t
e(
s
e
eg

#
2

1
2
)
.Thes
w
i
t
c
hf
r
o
mt
o
p
i
c(
w
a
)t
od
e
f
i
n
i
t
es
u
b
j
e
c
t(
g
a
)l
a
y
ss
t
r
e
s
so
n
t
h
el
a
t
t
e
r
.F
o
re
x
a
m
p
l
e
:

aiJhf

'

Asf
o
rTakemotoh
e
rp
e
r
s
o
n
a
l
i
t
yi
sg
e
n
t
l
e
./Takemotoh
a
s
g
e
n
t
l
en
a
t
u
r
e
.

4
. Usedt
oshowc
o
n
t
r
a
s
tbetweentwoi
t
e
m
so
ri
d
e
a
s
bothof
.
whicha
r
e
s
i
g
n
i
f
i
e
d
b
ywa

K
a
n
j
iwam
u
z
u
k
a
s
h
i
id
e
s
ug

aN
i
h
o
n
g
on
ob
u
n
p
owaa
m
a
r
im
u
z
u
k
a
s
h
i
k
un
a
i
nd
e
s
u
.
d
i
f
f
i
c
u
l
t

butJ
a
p
a
n
e
s
egrammari
snotv
e
r
yd
i
f
f
i
c
u
l
t
.
K
a
n
j
i
a

H
o
k
k
a
i
d
on
o
yuwas
a
m
u
id
e
s
ug
a
T
o
k
y
owaa
t
a
t
a
k
a
id
e
s
u
.
l
eHokkaidow
i
n
t
e
ri
sc
o
l
d

b
u
t[
e
]Tokyo[
w
i
n
t
e
r
]i
swarm./

h
ew
i
n
t
e
r

butwarmi
nTokyoI
t
'
sc
o
l
di
nHokkaidoh t


'

1
2 WA

GA
R

N
o
t
e
:I
nsomec
a
s
e
s
o
n
l
yo
n
ei
t
e
mo
ri
d
e
ai
se
x
p
l
i
c
i
t
l
ym
e
n
t
i
o
n
e
d
.F
o
r

i
nt
h
ef
o
l
l
o
w
i
n
gs
e
n
t
e
n
c
e

t
h
eimpJ
i
c
a
t
i
o
ni
s ep
e
r
s
o
nm
i
g
h
t
e
x
a
m
p
l
e
t
.
g
ot
oac
h
e
a
p
e
rr
e
s
t
a
u
r
a
n

O
c
h
awan
o
m
i
m
a
s
h
i
t
ag
a

j
i
k
a
ng
a.
n
a
k
a
t
t
an
od
es
h
o
k
u
j
iwas
h
i
m
a
s
e
nd
e
s
h
i
t
a
.

T
a
k
a
ik
a
r
a

a
n
or
e
s
u
t
o
r
a
nn
iwai
k
i
m
a
s
e
n
.

1hadsomet
e
a

buts
i
n
c
et
h
e
r
ew
a
s
n
'
tmuchtime
1d
i
d
n
'
te
a
t
(
h
a
v
eam
e
a
l
)
.

Becausei
t
'
se
x
p
e
n
s
i
v
e

1won'tgot
o a
tr
e
s
t
a
u
r
a
n
t
.I1amnot
goingt
ot
h
a
t
r
e
s
t
a
u
r
a
n
tb
e
c
a
u
s
ei
t
'st
ooe
x
p
e
n
s
i
v
e
.

l
GAI

N
o
t
e
:I
ni
t
sc
o
n
t
r
a
s
t
i
v
ef
u
n
c
t
i
o
n

w
acomesa
f
t
e
ro
t
h
e
rp
a
r
t
i
c
l
e
s(
e
.
g
.n
iw
a

d
ew
a
)
.Twoi
m
p
o
r
t
a
n
te
x
c
e
p
t
i
o
n
sa
r
ewheni
tr
e
p
l
a
c
e
sg
aand0a
si
nt
h
e
n
e
x
te
x
a
m
p
l
e
.

1
. Indicat
subjectof esentenceor
wi
certain
verbsandadjectives

theo
b
j
e
c
t
.

B
a
t
a0k
a
i
m
a
s
h
i
t
ak
a
.

b
a
t
awak
a
i
m
.
a
s
e
n
d
e
s
h
i
t
a
.
M
a
g
a
r
i
nwak
a
i
m
a
s
h
i
t
ag
a
Di
dyoubuysomeb
u
t
t
e
r
?

1
.I
n
d
i
c
a
t
e
se
x
i
s
t
e
n
c
e
;usedw
i
t
hsuchv
e
r
b
sa
sa
r
u

g
o
z
a
i
m
a
s
u

i
r
u

i
r
a
s
s
h
a
r
u
.

A
s
o
k
on
iw
a
t
a
s
h
in
ob
o
r
u
p
e
ngaa
r
i
m
a
s
uk
a
.

but1d
i
d
n
'
tbuy yb
u
t
t
e
r
.
11bought
1boughtsomemargarine
somemargarine
butnotanyb
u
t
t
er
.
5
.I
nt
h
eformsV
t
ewai
r
u(
f
i
r
s
texamplebelow)andV
-masu
b
a
s
ef
o
l
l
o
w
e
dbywaands
u
r
u(secondandthirdexamples)
i
n
d
i
c
a
t
e
se
m
p
h
a
s
i
s
.S
e
ea
l
s
ot
e
w
a(#47).

()
K
o
n
p
y
u
t
a0m
o
t
t
ewai
m
a
s
u madat
s
u
k
a (
w
a
)i
m
a
s
e
n
.
1ownacomput
[
1doownacomputerl

but1h
a
v
e
n
'
tusedi
tye
t
.

Anoh
i
t
o0s
h
i
t
t
ewai
m
a
s
ug
a

a
m
a
r
ih
a
n
a
s
h
i
t
ak
o
t
owaa
r
i
m
a
s
e
n
.
1k
nowhim
but1h
a
v
e
n
'
tspokent
ohimmuch.

I
smyb
a
l
l
p
o
i
n
tpeno
v
e
r e
r
e
?

A
s
o
k
on
iy
u
b
i
n
'
o
k
ugaa
r
i
m
a
s
u
.
Th
e
r
e
'
sap
o
s
t0 c
eo
v
e
re
r
e
.
5
0

W
a
t
a
s
h
in
ok
a
i
s
h
an
iwa

o
n
n
an
oh
i
t
ogag
o
j
u
n
i
ni
j
oi
m
a
s
u
.
Therea
r
emorethan ywomen mycompany.
N
o
t
e
:Wac
a
nr
e
p
l
a
c
eg
ai
ns
u
c
hs
e
n
t
e
n
c
e
swhen(
f
i
r
s
te
x
a
m
p
l
eb
e
l
o
w
)s
o
m
e
gi
sb
e
i
n
gc
o
n
t
r
a
s
t
e
d(myb
a
l
l
p
o
i
n
tp
e
n
s
a
y

i
nc
o
n
t
r
a
s
tt
omyp
e
n
c
i
l
)

o
rwhen(
s
e
c
o
n
de
x
a
m
p
l
e
)i
n
f
o
r
m
a
t
i
o
ni
sb
e
i
n
gp
r
e
s
e
n
t
e
da
b
o
u
tas
u
b
j
e
c
t
a
l
r
e
a
d
yi
d
e
n
t
i
f
i
e
d
.S
e
ew
a(#1
n
o
s.
1

4
)
.

1
3

--

0
1
;
"

GA 1
5

GA

3
.I
n
d
i
c
a
t
e
st
h
es
u
b
j
e
c
tofani
n
t
r
a
n
s
i
t
i
v
ev
e
r
b
.

Togaa
k
i
m
a
s
h
i
t
a
.
Thedooro
p
e
n
e
d
.

()
Y
u
b
i
n
k
y
o
k
uwad
o
k
on
ia
r
i
m
a
s
uk
a
.
mu
.
(
Y
u
b
i
n
k
y
o
k
uwa)e
k
i
n
omaen
ia
Wh
e
r
ei
s ep
o
s
to
f
f
i
c
e
?

Amegaf
u
t
t
ei
r
u
.
!
t
'
sr
a
i
n
i
n
g
.

s
)i
nf
r
o
h
toft
h
es
t
a
t
i
o
n
.
(Thepost0 i

#
1
n
o
.4
)c
a
nr
e
p
l
a
c
eg
af
o
rc
o
n
t
r
a
s
t
i
v
ep
u
r
p
o
s
e
s
:
N
o
t
e
:Wa(

2
.I
n
d
i
c
a
t
e
st
h
es
u
b
j
e
c
to
ft
h
ep
r
e
d
i
c
a
t
e
.

A
s
o
k
on
is
a
k
u
r
agas
a
i
t
ei
m
u
.
Thec
h
e
r
r
yt
r
e
e
sa
r
ebloomingo
v
e
r e
r
e
.

Anoyama0m
i
t
ek
u
d
a
s
a
.
iMaday
u
k
igan
o
k
o
t
t
ei
m
a
s
uy
o
.
Lookat m
o
u
n
t
a
i
n
.T
h
e
r
e
'
ss
t
i
l
lsnowoni
t
.(
L
i
t
.
.
.
.snows
t
i
l
l
rem
n
s
.
)
N
o
t
e
:Whe
nm
a
k
i
n
gac
o
n
t
r
a
s
t

w
a(#1
n
o
.4)nr
e
p
l
a
c
eg
a
:

Amewaf
u
t
t
ei
r
u y
u
k
iwamada i
m
a
s
e
n
.
I
t
'sr
a
i
n
i
n
g

buti
t
'sn
otsnowingye
t
.
4
.I
n
d
i
c
a
t
e
st
h
es
u
b
j
e
c
to
ft
h
es
e
n
t
e
n
c
ewhennew

a
s
y
e
t
-unknown
i
n
f
o
r
m
a
t
i
o
ni
sb
e
i
n
gp
r
e
s
e
n
t
e
d
.

K
o
c
h
i
r
a
g
aY
a
m
a
d
a
s
a
nd
e
s
u
.
T
h
i
si
sMr.Yamada.(
ap
e
r
s
o
n
a
li
n
t
r
o
d
u
c
t
i
o
n
)

K
i
n
t
o
m
o
d
a
c
h
in
oJ
a
k
k
ugaa
n
a
t
an
ia
i
t
a
it
oi
t
t
ei
m
a
s
h
i
t
a
.

A
s
o
k
on
is
a
k
u
r
awas
a
i
t
ei
m
a
s
ug
a

umewas
a
i
t
ei
m
a
s
e
n
.

Y
e
s
t
e
r
d
a
ymyi
e
n
dJ
a
c
ks
a
i
d a
thewantedt
omeety
o
u
.

l
ec
h
e
r
r
yt
r
e
e
sa
r
ebloomingo
v
e
rt
h
e
r
e

b
u
tt
h
eplumt
r
e
e
sa
r
eno
t
.

a(#1
n
o
.4
)c
a
nr
e
p
l
a
c
eg
af
o
rc
o
n
t
r
a
s
t
i
v
ep
u
r
p
o
s
e
s
:
N
o
t
e
:H
e
r
ea
g
a
i
nw

G
o
s
h
k
a
i
s
h
i
m
u
.K
o
c
h
i
r
ag
aY
a
m
a
d
a
s
a
nd
e

k
o
c
h
i
r
awaS
u
z
u
k
i
s
a
nd
e
s
u
.
L
e
tmedot
h
ei
n
t
r
o
d
u
c
t
i
o
n
s
.T
h
i
si
sMr.Yamada
and i
si
sMs.
S
u
z
u
k
i
.

lol
'li--!

W
a
t
a
s
h
in
ob
o
r
u
p
e
nwaa
s
o
k
on
ia
r
i
m
a
s
uk
a
.
I
smyb
a
l
l
p
o
i
n
tp
e
novert
h
e
r
e
?

-tae

1
4

'
.
.

GA 1
7

1
6 GA

5
.Usedw
i
t
hi
n
t
e
r
r
o
g
a
t
i
v
ewordsi
nq
u
e
s
t
i
o
n
s
.

D~no h
i
t
ogak
a
c
h
d
e
s
uk
a
.

Whichone[
p
e
r
s
o
n
)i
st
h
es
e
c
t
i
o
nc
h
i
e
f
?

D
a
r
egai
c
h
i
b
a
nh
a
y
a
k
uk
i
m
a
s
h
i
t
ak
a
.
Wh
ocame[
a
r
r
i
v
e
d
)f
i
r
s
t
?
N
o
t
e
:Wa(
#
1
n
o
s
.1
2
)c
a
nr
e
p
l
a
c
egai
fat
o
p
i
ci
sb
e
i
n
gp
r
e
s
e
n
t
e
d
:

K
a
c
h
owad
o
n
oh
i
t
od
e
s
uk
a
.
Thes
e
c
t
i
o
nchie-whichone[
p
e
r
s
o
n
)i
sh
e
?/Wh
i
c
honei
s e
f
?
s
e
c
t
i
o
nc
h
i
e

1 4
I
s
s
h
u
k
a
nd
ew
a
t
a
s
h
igayomuh
o
nway
o
n
s
a
t
s
ud
e
s
u
.
1r
e
a
df
o
u
rbooksaweek[
i
nonew
e
e
k
]
.(
L
i
t
.
F
ourbooksi
swhat
k
.
)
1r
e
a
di
nonewee
N
o
t
e
:No(#17
1
5
)m
ayr
e
p
l
a
c
eg
ai
n i
su
s
a
g
e
.
7
.l
n
d
i
c
a
t
e
st
h
es
u
b
j
e
c
to
fac
1
a
u
s
ee
n
d
i
n
gi
nk
a
.

Nazek
a
r
egas
o
n
n
ak
o
t
o0y
a
t
t
ak
a
w
a
k
a
r
i
m
a
s
e
n
.
1d
o
n
'
tknowwhyhed
i
dt
h
a
t[
l
i
t
.
somethingl
i
k
et
h
a
t
]
.

Dos
h
i
t
ek
a
n
o
j
og
aa
n
n
at
s
u
m
a
r
a
n
a
ih
o
n0y
o
n
d
ei
r
un
ok
a

f
u
s
h
i
g
i
d
e
s
u
.
l
ti
sam
y
s
t
e
t
ome[
b
e
y
o
n
dme)whys
h
e
'
sr
e
a
d
i
n
gs
u
c
hab
o
r
i
n
g
book[
ab
o
r
i
n
gbookl
i
k
et
h
a
t
)
.

b
)l
na
s
k
i
n
gf
o
rac
h
o
i
c
e
:

S
u
s
h
it
ot
e
n
p
u
r
ad
o
c
h
i
r
agas
u
k
id
e
s
uk
a
.
Wh
i
c
hdoyoul
i
k
eb
e
t
t
e
r

s
u
s
h
io
rt
e
m
p
u
r
a
?

8
.l
n
d
i
c
a
t
e
st
h
es
u
b
j
e
c
to
fas
u
b
o
r
d
i
n
a
t
eo
rc
o
n
d
i
t
i
o
n
a
lc
1
a
u
s
e
wheni
ti
sd
i
e
r
e
n
tfromt
h
es
u
b
j
e
c
to
ft
h
emainc
1
a
u
s
e
.
.
a
)S
u
b
o
r
d
i
n
a
t
ec
1
a
u
s
e
s
.

C
h
u
g
o
k
u
g
oN
i
h
o
n
g
ot
o

d
o
c
h
i
r
agam
u
z
u
k
a
s
h
i
id
e
s
uk
a
.
Wh
i
c
hi
smored
i
f
f
i
c
u
l
t

C
h
i
n
e
s
ed
rJ
a
p
a
n
e
s
e
?

()

HahagaN
i
h
o
nn
ik
u
r
umaen
i
[
w
a
t
a
s
h
iw
a
Jk
o
n
oh
e
y
a0k
i
r
e
in
i
s
o
j
is
h
i
n
a
k
e
r
e
b
an
a
r
a
n
a
i
.

6
.l
n
d
i
c
a
t
e
st
h
es
u
b
j
e
c
to
far
e
l
a
t
i
v
ec
1
a
u
s
e
.

B
e
f
o
r
emymothercomest
oJ
a
p
a
n
1h
a
v
et
omaket
h
i
sroomn
i
c
e
andc
1
e
a
n
.

S
e
n
s
h
uwa s
h
igam
i
t
ae
i
g
awat
s
u
m
a
r
a
n
a
k
a
t
t
a
.
Themovie1sawl
a
s
tweekwasb
o
r
i
n
g
.

Hahagak
i
t
ak
i
w
a
t
a
s
h
iwag
o
c
h
i
s
o0t
s
u
k
u
t
t
a
.
Wh
enmymothercame
1p
r
e
p
a
r
e
dq
u
i
t
eas
p
r
e
a
d
.

Hahagak
i
t
aa
t
o

w
a
t
a
s
h
iwak
a
i
m
o
n
on
id
e
k
a
k
e
t
a
.
A mymo
erme

1wento
u
ts
h
o
p
p
i
n
g
.

Y
a
m
a
d
a
s
a
nW
aC
h
u
g
o
k
u
g
owaw
a
k
a
r
i
m
ug
a

E
i
g
owaw
a
k
a
r
i

m
a
s
e
n
.

111H

I
li--

GA 1
9

i1

hi'
fies
1
3
1
11%

E
lir
-1
j

Yan
aunde
a
n
d
sC
h
i
n
e
s
e

b
u
tn
o
tE
n
g
l
i
s
h.
b
)C
o
n
d
i
t
i
o
na
1c
I
a
u
s
e
s.
1
0.I
n
d
i
c
a
t
e
st
h
eo
b
j
e
c
to
f
v
e
r
b
so
fs
e
n
s
a
t
i
o
n(
m
i
e
r
uandk
i
k
o
e
r
u
)
a
sw~ll a
ss
u
r
ui
nc
e
r
t
a
i
nu
s
e
s
.

Anoh
i
t
ogai
k
u
nd
a
t
t
a
r
a

w
a
t
a
s
h
iwai
k
a
n
a
i
.
I
f
h
e
'
sg
o
i
n
g

1amno
.
t

N
o
t
e
:Wa(
#
1
n
o
.
4)nr
e
p
l
a
c
eg
af
o
rc
o
n
t
r
a
s
t
:

A
b
e
s
a
n g
o
r
u
f
ug
ad
e
k
i
m
u
.
Abec
a
np
l
a
y[
l
i

.
tdoJg
o
I
f
.

youc
a
ns
m
e
l
lc
o
f
f
e
e[
b
r
e
w
i
n
g
]i
nt
h
ek
i
t
c
h
e
n
.

li
:
:
h
;
!
i
1)
H
i
l
1 1h
i
ih
'

.d1
h11

9
.
I
n
d
i
c
a
t
e
st
h
eo
b
j
e
c
tofV
E
r
b
sofabHity(ddim k
ar
u
and
t
h
ep
o
t
e
n
t
i
a
lf
o
r
m
so
f
v
e
r
b
s
)
.

A
s
an
od
a
i
d
o
k
o
r
ow
ak
o
h
in
ok
a
o
r
igas
h
i
m
a
s
u
.
Thek
i
t
c
h
e
ns
m
e
l
l
so
fc
o
ei
nt
h
em
o
r
n
i
n
g
.II
nt
h
emorning

i''
t

mentedb
e
a
n
s
.

Jt14ifftT

A
n
a
t
agas
oi
un
a
r
a

n
a
t
t
o0t
a
b
e
t
em
i
m
a
s
u
.
Ifyous
a
ys
o[
i
f
y
o
urecommendi
t

i
n
s
i
s
t

e
t
c
.
J
I
'
lt
s
omef
e
r
-

JRth141i1

K
o
k
ok
a
r
aF
u
j
i
s
a
ngam
i
e
m
a
s
u
.
Mt
.F
u
j
ic
a
nbes
e
e
nomh
e
r
e
.IYouc
a
ns
e
eMt
.F
u
j
iomhere.

I~

K
o
k
ok
a
r
aF
u
j
i
s
a
nwam
i
e
m
a
s
ug
a
n
o
b
o
r
uh
i
t
on
os
u
g
a
wa
m
J
e
m
a
s
e
n
.
YounseeMt
.Fiomh
e
r
e
b
u
tn
o
tt
h
ef
i
g
u
r
e
so
ft
h
ep
e
o
p
l
e
c
l
i
m
b
i
n
gi
t
.

O
k
a
d
a
s
a
nwap
i
a
n
ogah
i
k
e
m
a
s
u
.
Okadac
a
np
l
a
yt
h
ep
i
a
n
o
.

11
.I
n
d
i
c
a
t
e
st
h
eo
b
j
e
c
to
fv
e
r
b
s and a
d
je
c
t
i
v
e
so
fn
e
c
e
s
s
i
t
y

Y
a
m
a
d
a
s
a
nwaC
h
u
g
o
k
ug
ogaw
a
k
a
r
i
m
a
s
u
.

(
h
i
t
s
u
y
od

i
r
u
)
.

Yamadau
n
d
e
r
s
t
a
n
d
sC
h
i
n
e
s
e
.

N
o
t
e
:Wa(
#
1
n
o
.4)nr
e
p
l
a
c
eg
at
oc
r
e
a
t
eac
o
n
t
r
a
s
t
:

W
a
t
a
s
h
iwao
k
a
n
egai
r
u
.
1needmoney
.

20

GA

GA

K
o
t
s
un
oa
n
z
e
nn
ot
a
m
e

k
i
b
i
s
h
i
ik
i
s
o
k
ugah
i
t
s
u
y
od
e
s
u
.
S
t
r
i
c
tr
u
l
e
sa
r
en
e
e
d
e
df
o
rt
r
a
f
f
i
cs
a
f
e
t
y
.

1
3
.I
n
d
i
c
a
t
e
st
h
eo
b
j
e
c
to
f
v
e
r
b
sanda
d
j
e
c
t
i
v
e
so
fe
m
o
t
i
o
n(
s
u
k
i
d
k
i
r
a
id
a

u
r
e
s
h
i
i k
a
n
a
s
h
i
i k
o

i
s
h
i
n
p
a
is
ur
u
e
t
c
.
)
.Compare
t
h
eu
s
eo
f
o(
#
1
8
n
o
.5
)w
i
v
e
r
b
si
nt
h
e- i
a
n
dg
a
r
uf
o
r
m
5
.

e
:"
'
(
#
1
n
o
.4
)r
e
p
l
a
c
e
sg
aw
h
e
nac
o
n
t
r
a
s
ti
sb
e
i
n
gm
a
d
e
:
N
o
t

W
a
t
a
s
h
iwaM
o
t
s
u
a
r
u
t
ogad
a
i
s
u
k
id
e
s
u
.
1l
o
v
eM
o
z
a
r
t
.

W
a
t
a
s
h
iwq

o
k
a
n
ewai
r
ug
a

monowai
r
a
n
a
i
.
1n
e
e
dmoney

b
u
t1d
o
n
'
tn
e
e
dt
h
i
n
g
s
.

1
2
.
I
n
d
i
c
a
t
e
st
h
eo
b
j
e
c
to
f
a
d
j
e
c
t
i
v
e
so
f
d
e
s
i
r
e
(
1
1
0
5
h
i
i
a
n
det
a
i
f
o
r
mo
f
v
e
r
b
s
)
.Comparet
h
eu
s
eo
f0 (
#
1
8
n
o
.5
)w
i
t
heg
a
r
u
a
n
dt
a
i
f
o
r
m
s
o
f
v
e
r
b
s
.

J
i
k
a
no
k
a
n
egah
o
s
h
i
i
.
1w
a
n
tt
i
m
ea
n
dm
o
n
e
y
.

T
s
u
m
e
t
a
imonogan
o
m
i
t
a
i
.
1w
a
n
ts
o
m
e
t
h
i
n
gc
o
l
dt
od
r
i
n
k
.

J
o
n
s
a
nwan
a
t
t
ogak
i
r
a
id
e
s
u
.
J
o
h
nd
o
e
s
n'
t
l
i
k
ef
e
r
m
e
n
t
e
ds
o
y
b
e
a
n
s
.

A
k
in
in
a
r
ut
ot
a
i
g
as
h
i
n
p
a
id
e
s
u
.
I
nt
h
ef
a
l
l

t
y
p
h
o
o
n
sa
r
eaw
o
r
r
y[
ap
r
o
b
l
e
m
]
.

H
a
n
a
k
owak
o
n
n
as
u
b
a
r
a
s
h
i
ip
u
r
e
z
e
nok
u
r
e
t
a
nd
e
s
uy
o
.S
o
n
o
k
i
m
o
c
h
ig
au
r
e
s
h
i
id
e
s
u
.
Hanakog
a
v
emet
h
i
sw
o
n
d
e
r
f
u
lp
r
e
s
e
n
t
.I
'
m5
0p
l
e
a
s
e
dbyh
e
r
t
h
o
u
g
h
t
f
n
l
n
e
s
s
.

N
o
t
e
:W
a(
#
1
n
o
.
4
)
r
e
p
l
a
c
e
sg
aw
h
e
nac
o
n
t
r
a
s
ti
sb
e
i
n
gm
a
d
e
:
N
o
t
e
:Wa(
#
1
n
o
.4
)c
a
nb
e
s
u
b
s
t
i
t
u
t
e
df
o
rg
at
oc
r
e
a
t
eac
o
n
t
r
a
s
t
:

T
s
u
m
e
t
a
imonowan
o
m
i
t
a
ig
a

a
t
a
t
a
k
a
imonowai
r
i
m
a
s
e
n
.
I
'
dl
i
k
et
od
r
i
n
ks
o
m
e
t
h
i
n
gc
o
l
d

b
u
tn
o
ta
n
y
t
h
i
n
ghot
.

l
e
t
J
i
m
u
s
a
nwan
a
t
t
wak
i
r
a
id
ag
a

s
u
r
u
m
ewad
a
i
s
u
k
id
e
s
u
.
J
i
md
o
e
s
n
'
tl
i
k
ef
e
r
m
e
n
t
e
ds
o
y
b
e
a
n
s

b
u
th
el
o
v
e
sd
r
i
e
dc
u
t
t
l
e
f
i
5
h.

2
1


"
'
.'

"...

i
GA

A 2

1
4
.I
n
d
i
c
a
t
e
st
h
eo
b
j
e
c
tofa
d
j
e
c
t
i
v
e
so
fa
b
t
y(
j
o
z
un
a

h
e
t
an

k
u
in

ak
i
y
on

ae
t
c
.
)
.

A
t
a
r
a
s
h
i
is
h
u
s
h
wa

h
a
i
k
u
g
aiZUd
a
s
d
e
s
u
.
Thenewprimem
i
n
i
s
t
e
ri
ss
a
i
dt
ob
egooda
th
a
i
k
u
.

U
4

z
z
:
;gogtaku

k
u
i

F
u
r
a
1

g
om
o
/

G om

O
g

.
:
a

a
i

s
g

'

Oo
d
a

t
l
a
n

g
u
a
g

e
s
;shecans

i
p
e

a
k
b
o
t

hP
r
e
n
c
handI
t
a
l
i
a
n
.

S
a
k
u
r
an
oh
a
n
a k
i
r
e
id
ag
a

k
a
o
r
ig
an
a
i
.
C
h
e
r
r
yb
l
o
s
s
o
m
sa
p
r
e
t
t
y

b
u
tt
h
e
yh
a
v
enof
r
a
g
r
a
n
c
e
.

Konoe
i
g
awao
m
o
s
h
i
r
o
ig
l
n
a
g
a
s
u
g
i
m
a
s
un
e
.
T
h
i
smoviei
si
n
t
e
r
e
s
t
i
n
g

b
u
ti
t
'
sj
u
s
tt
o
ol
o
n
g
.
3
.C
o
n
n
e
c
t
stwoc
l
a
u
s
e
sw
i
t
h
.
o
u
tanya
d
v
e
r
s
a
t
i
v
ei
m
p
l
i
c
a
t
i
o
n
(
c
f
.1
1
1
a
b
o
v
e
)
:
a
n
d
.
"

T
a
n
i
s
a
nwaa
t
a
m
ag
a
i
i Y
o
k
os
a
nmoid
e
s
u
.
T
a
n
ii
si
n
t
e
l
l
i
g
e
n
t

ands
oi
sY
o
k
o
t
a
.

I
LUsedbetweendauses( dsometimesattheendof
sentences)
usuallywiththeme
ng
but."

K
i
n
F
u
j
i
s
a
n0h
a
j
i
m
e
t
em
i
m
a
s
h
i
t
ag
a

k
i
r
e
id
e
s
h
i
t
a
.
1sawM
t
.Fif
o
rt
h
ef
i
r
s
tt
i
m
ey
e
s
t
e
r
d
a
y

andi
twasb
e
a
u
t
i
f
u
I
.

1
.
u
s
e
d
b
e
t
w
e
e
n
t
w
o
c
l
a
u
s
e
s
t
o
i
n
d
i
c
a
t
e
d
l
a
t
t
h
e
Y
E
a
r
e
o
p
p
o
s
e
d
i
r
l
meaning(
c
.
fI
I
3

b
e
l
o
w
)
:
b
u
t

a
1
ou

4
.I
n
d
i
c
a
t
e
sap
r
e
l
i
m
i
n
y
remar
k
.

t
:
:
'
n

N
o
t
e
:T
h
i
st
y
p
eo
fs
e
n
t
e
n
c
ei
s0e
nt
e
r
m
i
n
a
t
e
da
f
t
e
rg

aa
tw
h
i
c
hp
o
i
n
tt
h
e
i
n
t
e
r
l
o
c
u
t
o
r

s
e
n
s
i
n
gw
h
a
ti
ti
st
of
o
l
l
o
w

t
a
k
e
su
pt
h
et
h
r
e
a
do
fc
o
n
v
e
r
s
a
t
i
o
n
.

;
;
t
m
h
m

i
nd

kun

ar
i
m
a

L
a
t

e
l
y
e
d
a
a
r
ewarm
b
u
tt
h
en
i
d
l
t
sh
a
v
eurnedc
o
l
d
.
/
I
t
'
s
warmd
u
r
i
n
g
t
h
ed
a
y
t
i
m
et
h
e
s
ed
a
y
s

b
u
tc
o
l
da
t
n
i
g
h
t
-

o
Mt
d
s
h
inoieK
u
r
as
d
p
dwud
i
k
a
i
nde5149aeb-wut
6
i
F
1
d
a
-

Thnupm
k
e
ti
sc
l

t
omyhouse

b
u
tt
h
et
r
a
i
n tion-hr

W
a
t
a
s
h
i

H
i
r
o
n
ot
om
o
s
h
i
m
a
s
uga

g
o
s
h
u
j
i
nwai
r
a
s
s
h
a
i
m
a
s
uk
a
.
.Mynamei
sH
i
r
o
n
o
.I
syourhusbandhome?

S
e
n
j
i
t
s
uo
n
e
g
a
is
h
i
t
ak
o
t
od
e
s
uga

d
on
a
r
i
m
a
s
h
i
t
ad
e
s
h
ok
a
.
Aboutt
h
er
e
q
u
e
s
t1mades
e
v
e
r
a
1d
a
y
sa
g
o
howh
a
si
tt
u
r
n
e
do
u
t
[
h
a
st
h
e
r
ebeenanyp
r
o
g
r
e
s
s
]
?

AUmMispusM h
a
i
k
uwa
.
j

iZUd
e
s
iwama
u
Thenewnrim
so:0 pruneml

1kt
J1
u
rt
t
14
1Jv
in-H
-t
l
t1i
iiil
l
1
1
1
!
i

N
o
t
e
:Wa(
#
1
n
o
.4
)r
e
p
l
a
c
e
sg
awhenac
o
n
t
r
a
s
ti
si
n
t
e
n
d
e
d
:

tag
i
v
e
ns
u
b
j
e
c
th
a
stwod
i
f
f
e
r
e
n
tq
u
a
l
i
t
i
e
s
:
but

2
.I
n
d
i
c
a
t
e
s a
a
l
o
ugh

.
.
4

24

GA

GA 2
5

"

'

5
. Useda
tt
h
eendo
f
t
h
es
e
n
t
e
n
c
e
.
s
eu
s
a
g
e
sa
r
ee
s
s
e
n
t
i
a
l
l
yt
h
es
a
r
n
ea
st
h
o
s
ei
n1
1
4

a
b
o
v
e

e
x
c
e
p
t
N
o
t
e
:The
t
h
es
e
c
o
n
dc
l
a
u
s
ei
s
n
'
ts
t
a
t
e
do
u
t
r
i
g
h
t
.(
W
o
r
d
si
nb
r
a
c
k
e
t
ss
h
o
wo
n
l
y
o
n
eo
fv
a
r
i
o
u
si
m
a
g
i
n
a
b
l
ec
o
n
t
e
x
t
s
.
)

K
a
n
o
j
og
ad
o
k
u
s
h
i
nd
aindaga
1hopes
h
ei
ss
i
n
g
l
e
./(Or

knowingt
h
a
ts
h
ei
sn
o
t
)1w
i
s
hs
h
e
weres
i
n
g
l
e
.

a
)I
m
p
l
i
e
sanu
n
s
t
a
t
e
dmeaning a
ti
si
nc
o
n
t
r
a
s
tt
ot
h
eone
s
t
a
t
e
d
:
W
e
l
l

y
e
s
b
u
t

7
. Used i
d
i
o
m
a
t
i
c
a
l
l
ya
f
t
e
rc
o
n
t
r
a
s
t
i
v
ev
e
r
b
so
ra
d
j
e
c
t
i
v
e
s
:

w
h
e
t
h
e
ro
rno
t
.
"

a
)A
f
t
e
rt
h
eof
o
r
m
so
fc
o
n
t
r
a
s
t
i
v
ev
e
r
b
so
ra
d
j
e
c
t
i
v
e
s
.

O
s
s
h
a
r
uk
o
t
owam
o
t
t
o
m
od
e
s
uga.
Wh
a
tyous
a
y
i
sq
u
i
t
er
i
g
h
t

b
u
t[
i
t
'
sd
i

1tt
oi
m
p
1
e
m
e
n
tn
o
w
]
.

b
)S
o
f
t
e
n
sar
e
f
u
s
a
l
:
lamso y
b
u
t.
.
.
"

B
u
c
h
owai
m
ak
a
i
g
i
c
h
ud
eg
o
z
a
i
m
a
s
ug
a
..
Thed
i
v
i
s
i
o
nc
h
i
e
fi
si
nameetingnow'
"[
s
oy
o
u
'
l
lh
a
v
et
ow
a
i
t
t
os
e
eh
i
m
]
.

W
a
t
a
s
h
iwat
a
s
u
k
a
r
og
as
h
i
n
g
ak
a
m
a
i
m
a
s
e
n
.
1d
o
n
'
tc
a
r
ew
h
e
t
h
e
r1l
i
v
e[
l
i

.
tams
a
v
e
d
]o
rd
i
e
.

A
t
s
u
k
a
r
dgas
a
m
u
k
a
r
og
aw
a
t
a
s
h
iwad
i
l
i
j
o
b
ud
e
s
u
.
I
'm a
l
lr
i
g
h
t[
i
td
o
e
s
Q
'
tb
o
t
h
e
rme]w
h
e
t
h
e
ri
t
'
sh
o
to
rc
o
l
d
.

b
)Aeoandm
a
iformsoft
h
esamev
e
r
b
.
6
. Wh
en eda
tt
h
eendofas
e
n
t
e
n
c
eo
rdauseandp
r
e
c
e
d
e
dby
i
i i
n
d
i
c
a
t
e
s es
p
e
a
k
e
rw
a
n
t
st
h
ee
v
e
n
tt
ocomeo
u
ta
s
s
t
a
t
e
d
.C
o
n
t
e
x
td
e
t
e
r
m
i
r
i
e
sw
h
e
t
h
e
rorno!t
h
e~sh i
sa
c
t
u
a
l
l
y
r
e
a
l
l
z
a
b
l
e
:
i
twouldben
i
c
ei
f
;'
i
twouldh
a
v
ebnn
i
c
ei
f
.
"

R
a
i
n
e
ng
a
i
k
o
k
ue
kd
e
k
i
r
ut
oiga

damen
oy
od
e
s
u
.
I
twouldben
i
c
ei
f1c
o
u
1
dmakeat
r
i
pa
b
r
o
a
dn
e
x
ty
e
a
r

b
u
ti
t
seemsough1c
a
h
'
t[
s
e
e
m
si
m
p
o
s
s
i
b
l
e
]
.
.

Hayakuh
a
r
ug
ak
u
r
ui
i
nd
a
g
a
.
.
.
I
twouldben
i
c
ei
fs
p
r
i
n
gcames
o
o
n
./1hopes
p
r
i
n
gcomess
o
o
n
.

W
a
t
a
s
h
ig
ai
k
ogai
k
u
m
a
ig

aa
n
a
t
an
iwak
a
n
k
e
in
a
ik
o
t
od
e
s
u
.
Wh
e
t
h
e
r1g
oo
rnoth
a
sn
a
t
h
i
n
g
t
odow
i
t
hyou[
i
sn
o
tyourc
O
s
c
e
r
n
]
.
U
FO

T
a
n
a
k
a
s
a
ng
as
h
i
n
j
i
y
og
as
h
i
n
j
i
m
a
iga

b
o
k
uwah
a
k
k
i
r
iy
u
f
d
o
m
i
m
a
s
h
i
t
a
.
Whe
t
h
e
rTanakab
e
l
i
e
v
e
si
to
rn
o
t

1d
e
a
r
l
ysawaU
F
O
.

MO 2
1

2
6 MO

8
. Used ee
x
p
r
e
s
s
i
o
nV+g
ah
a
y
a
ik
a
:
a
ssoona
s

nos
o
o
n
e
r
h
a
d
.
"

2
. Showings
i
m
i
l
a
rnounsi
np
a
r
a
l
l
e
lc
o
n
s
t
r
u
c
t
i
o
n
:
and
a
swe
U

bo
"

Mado0a
k
e
r
ugah
a
y
a
ik
a
n
e
k
og
ato~ikonde k
i
t
a
.

W
a
t
a
s
h
in
ok
a
i
s
h
an
iwa

A
m
e
r
i
k
a

j
i
nmoC
h
u
g
o
k
uj
i
nmoi
m
a
'
1
4
.

Nos
o
o
n
e
rhadt
h
ewindowbeenopenedt
h
t
h
ec
a
tjumpedi
n
.
IAssoona
s1openedt
h
ewindowt
h
ec
a
tjumpedi
n
.

T
h
e
r
ea
r
ebothAme
r
i
c
a
n
sandC
h
i
n
e
s
ei
nmycompany
.

Y
o
k
on
in
a
r
ugah
a
y
a
ik
a

s
u
g
un
e
m
u
t
t
es
h
i
m
a
t
t
a
.
Nos
o
o
n
e
rhad1
l
a
i
ndownt
h
1
f
e
1
1a
s
l
e
e
p
.I1f
1a
s
l
e
e
pa
ssoon
a
smyheadh
i
tt
h
ep
i
l
l
o
w
.

H
a
n
a
k
o
s
a
nwa

s
u
s
h
imot
e
n
p
u
r
amos
u
k
id
e
s
uy
o
.
Hanakol
i
k
e
sboths
u
s
h
iandt
e
m
p
u
r
a
.
3
.I
n
d
i
c
a
t
e
sana
d
d
i
t
i
o
n
:

a
sw
e
l
la
s

i
na
d
d
i
t
i
o
n.
"

K
o
r
ewak
u
r
od
e
s
ug
a

s
h
i
r
o
ik
u
t
s
umoa
r
i
m
a
s
uy
o
.

MOj

T
h
e
s
ea
r
eb
l
a
c
k

butweh
a
v
ew
h
i
t
es
h
o
e
sa
sw
e
l
l
.

N
o
t
e
:S
e
ea
l
s
ot
emo(
d
em
o
)
#4
andd
emo

#
5
.

N
i
h
o
nd
ewak
o
d
o
m
oJ
c
ed
en
a
k

uo
t
o
n
amomanga0y
o
n
d
ei
ma
s
u
.

1
.I
n
d
i
c
a
t
e
st
h
a
ttwowordsa
r
c
:e
q
u
a
li
nw
e
i
g
h
t
:
a
l
s
o
t
o
o
.
"

I
nJ
a
p
a
n
n
o
to
n
l
yc
h
i
l
d
r
e
nr
e
a
dcomicbooks
b
u
ta
d
u
l
t
sa
swe
l.

K
o
r
ewas
a
k
u
r
ad
e
s
u
.K
o
r
emos
a
k
u
r
ad
e
s
u
.
T
h
i
si
sac
h
e
r
r
yt
r
e
e
.T
h
i
si
sac
h
e
r
r
yt
r
e
e
t
o
o
.

4
. Showse
m
p
h
a
s
i
so
ra
b
s
e
n
c
eofdoubtc
o
n
c
e
r
n
i
n
gaque
s
t
i
o
n
o
ft
i
m
e

q
u
a
n
t
i
t
y

e
t
c
.
:
anynumbero
ft
i
m
e
s

continually.~'

P
o
r
u
s
a
nwaN
i
h
o
n
g
o0 b
e
n
k
y
os
h
i
t
ei
m
a
s
u
.N
a
n
s
h
i
i
s
a
nmo
N
i
h
o
n
g
o0 b
e
n
k
y
os
h
i
t
eim
u
.
P
a
u
li
ss
t
u
d
y
i
n
gJ
a
p
a
n
e
s
e
.Nancyi
s
a
l
s
os
t
u
d
y
i
n
gJ
a
p
a
n
e
s
e
.

Anoe
i
g
awan
a
n
d
omom
i
m
a
s
h
i
t
a
.
1h
a
v
es
e
e
nt
h
a
tmovieanynumbero
ft
i
m
e
s
.

Konor
e
s
u
t
o
r
a
nwa

i
t
s
umok
o
n
d
ei
m
a
s
u
.
T
h
i
sr
e
s
t
a
u
r
a
n
ti
sa
l
w
a
y
sc
r
o
w
d
e
d
.

2
8

-TEMO(
OEMO) 2
9

MO

5
.I
n
d
i
c
a
t
e
st
o
t
a
ln
e
g
a
t
i
o
nc
o
n
c
e
r
n
i
n
g~ _q~estion ~~ q
u
a
l
i
t
yo
r
q
u
a
n
t
i
t
y(accompaniedbyan
e
g
a
t
i
v
ev
e
r
b
)
:
nO
no
i
n
g
.
"

Nanimoa
r
i
m
a
s
e
ng
m
e
s
h
i
a
g
a
t
t
ek
u
d
a
s
a
i
.
Weh
a
v
en
o
t
h
i
n
gs
p
e
c
i
a
lt
oo
f
f
e
r

b
u
tp
l
e
a
s
eh
e
l
py
o
u
r
s
e
l
f
.(
L
i

.
t
T
h
e
r
ei
sn
o
t
h
i
r
i
g

b
u
tp
l
e
a
s
ee
a
t[
ac
o
n
v
e
n
t
i
o
n
a
lp
h
r
a
s
e
]
.
)

Anoh
e
y
an
iwa

d
a
r
emoi
m
a
s
e
ny
o
.
T
h
e
r
ei
snoonei
nt
h
a
troom.
6
. Toe
m
p
h
a
s
i
z
et
h
ee
x
t
e
n
to
fanumber: of

a
smuch(m
y
)
a
s
.

5 0

S
u
m
i
s
u
s
a
nwa

k
a
n
j
i0g
o
s
e
nmos
h
i
t
t
ei
m
a
s
u
.
Mr.Smithknowsa
l
lo
ff
i
v
et
h
o
u
s
a
n
dk
a
n
j
i
.
1
9
0

S
o
n
o
a
p
a
n
oy
a
c
h
i
nwa

i
k
k
a
g
e
t
s
u~~man-en mos
u
r
us
od
e
s
u
.

5
Gom
a
n
e
nmod
a
s
e
b
a

ik
a
m
e
r
ag
ak
a
e
m
a
s
uy
o
.
I
fyouspendupt
o5
0

000
youc
a
ng
e
tagoodcamera.
/Youc
a
n
buyagoodcameraf
o
r50
0
0
0
.

1 TEMO(-DEMO)I()

N
o
t
e
:H
e
r
ewea
r
ec
o
n
c
e
r
n
e
dw
i
t
hm
oi
nc
o
m
b
i
n
a
t
i
o
r
iw
i
t
ht
h
et
e(
d
e
)f
o
r
m
o
f
v
e
r
b
sa
n
dt
h
ek
u
t
e
f
o
r
mo
fa
d
j
e
c
t
i
v
e
s
.S
e
ea
l
s
om
o(#3)a
n
dd
emo(#5).
1
.
Eveni
f

e
v
e
n o
u
g
h
.
"

A
s
h
i
t
at
e
n
k
ig
aw
a
r
u
k
u
t
emo

d
o
r
a
i
b
un
ii
k
i
m
a
s
h
o
.
E
v
e
r
ii
f
t
h
ew
e
a
t
h
e
ri
sbadtomorrow

l
e
t
'
sgof
o
rad
r
l
v
e
./L
e
t
'
sgo
f
o
rad
r
i
v
etomorrowe
v
e
ni
ft
h
ew
e
a
t
h
e
r
'sb
a
d
.

Ther
e
n
tf
o
ra
ta
p
a
r
t
m
e
n
ti
ss
a
i
dt
obe h
i
g
ha
s900

0
0
0
.

T
o
m
o
d
a
c
h
ig
at
s
u
k
u
t
t
ek
u
r
e
t
an
od
e

a
m
a
r
io
i
s
h
i
k
un
a
k
u
t
emo
'
o
r
i
waz
e
n
b
ut
a
b
e
m
a
s
h
i
t
ay
o
.-

7
.I
n
d
i
c
a
t
e
sa
p
p
r
o
x
i
m
a
t
i
o
n(
b
yshowingana
p
p
r
o
x
i
m
a
t
eupp

l
i
m
i
t
)r
e
g
a
r
d
i
n
gnumbero
rq
u
a
n
t
i
t
y
:
around

upt
o
.
"

S
i
n
c
eai
e
n
dp
r
e
p
a
r
e
dt
h
ef
o
o
d[
f
o
rme]
1a
t
ee
v
e
r
y
t
h
i
n
g

e
v
e
n
thoughi
td
i
d
n
'
tt
a
s
t
ev
e
r
yg
o
o
d
.

1
I
c
h
i
j
i
k
a
nmoa
r
e
b
a

h
o
t
e
r
uk
a
r
ak
u
k
oei
k
e
m
a
s
u
.
I
fyouh
a
v
ea
smucha
sanhour

youc
a
ng
e
tomt
h
eh
o
t
e
lt
ot
h
e
a
i
r
p
o
r
t
./Youc
a
ng
e
t
m t
h
eh
o
t
e
lt
ot
h
ea
i
r
p
o
r
ti
n
s
i
d
ean
hour[
i
nanhouro
rs
o
]
.

2
.A
f
t
e
rv
e
r
b
s

u
s
e
di
nc
o
unctionwithi
n
t
e
r
r
o
g
a
t
i
v
e
sf
o
remphas
i
s
:
nom
a
t
t
e
rwhere(who
what

e
t
c
.
)
.
"

T
a
k
e
d
a
s
a
nwa

i
k
u
r
an
o
n
d
emoy
o
w
a
n
a
i
nd
e
s
uy
o
.
Nom
a
t
t
e
rhowmuchTakedad
r
i
n
k
s
hed
o
e
s
n
'
tg
e
td
r
u
n
k
.

DEMO 3
1

3
0 DEMO

Ohanamin
ok
iwa

d
o
k
oei
t
t
emoh
i
t
od
ei
p
p
a
id
a
.
Duringf
l
o
w
e
r
v
i
e
w
i
n
gt
i
m
e

t
h
e
r
ea
r
ec
r
o
w
d
so
fp
e
o
p
l
ew
h
e
r
e
v
e
r
yougo.

K
i
r
a
in
at
a
b
e
m
o
n
od
emo

k
a
r

:
l
an
iy
o
k
e
r
e
b
at
a
b
e
t
ah
og
aj
id
e
s
un
e
.
Eveni
fi
t
'
sf
o
o
dyoud
i
s
l
i
k
e

yous
h
o
u
l
de
a
ti
ti
fi
t
'
sgoodf
o
ryour
h
e
a
l
t
h
./Yous
h
o
u
l
de
a
te
v
e
nf
o
o
dyoud
i
s
l
i
k
e
i
fi
t
'sgoodf
o
r
.
y
o
u
rh
e
a
l

3
.E
m
p
h
a
s
i
z
e
sana
p
p
r
o
x
i
m
a
t
el
i
m
i
t
:
a
tt
h
emos
t
.
"

5 6
S
o
n
ok
a
m
e
r
an
a
r
a

t
a
k
a
k
u
t
emog
o
m
a
n
e
nk
u
r
a
id
e
s
h
o
.
Att
h
emo
a
tcameraw
i
l
lc
o
s
taround5
0
0
0
0
.(
L
i

.
t That
camera

e
v
e
ni
f
i
t
'
se
x
p
e
n
s
i
v
e

w
i
l
lbea
b
o
u
t5
0
0
0
0
.
)
3
Anos
h
i
b
a
iwan
a
g
a
k
u
t
emos
a
n
j
i
k
a
nd
eo
w
a
r
i
m
a
s
uy
o
.
Thatp
l
a
yw
i
l
l
l
a
s
tt
h
r
e
eh
o
u
r
sa
tt
h
emos
t
.

DEMOI
N
o
t
e
:I
na
I
Iu
s
a
g
e
se
x
c
e
p
tn
o
.6
d
emoc
a
nb
er
e
p
l
a
c
e
db
yt
h
em
o
r
ei
n
f
o
r
m
a
l
d
a
t
t
e(
n
o
ti
n
c
l
u
d
e
d i
sb
o
o
k
)
.S
e
ea
l
s
omo

#3
d
t
emo(
d
em
o
)
#
4
.
1
. Useda
.
e
rnounst
oe
m
p
h
a
s
i
z
eah
y
p
o
t
h
e
t
i
c
a
l
:
e
v
e
n

e
v
e
ni
f
.
"

T
s
u
m
a
r
a
n
a
ik
a
i
g
id
emos
h
i
g
o
t
od
e
s
uk
a
r
ad
e
n
a
k
e
r
e
b
an
a
r
i
m
a
s
e
n
.
Eveni
fi
t
'sab
o
r
i
n
gm
e
e
t
i
n
g

youh
a
v
et
oa
t
l
e
n
ds
i
n
c
ei
t
's[
p
a
r
tof
]
t
h
ej
o
b
./Youh
a
v
et
oa
t
t
e
n
de
v
e
nt
h
eb
o
r
i
n
gm
e
e
t
i
n
g
ss
i
n
c
e
i
t
'
s
[
p
a
r
tof
]
e
j
o
b
.

2
. Useda
f
t
e
rnounsf
o
re
m
p
h
a
s
i
s
:
e
v
e
n

S
o
n
os
h
i
g
o
t
owaw
a
t
a
s
h
id
emod
e
k
i
m
a
s
h
i
t
ak
a
r
a

a
n
a
t
an
a
r
as
u
g
u
d
e
k
i
m
a
s
uy
o
.
S
i
n
c
ee
v
e
n1wasa
b
l
et
odot
h
a
twork

youw
i
l
lbea
b
l
et
odoi
t
i
m
m
e
d
i
a
t
e
l
y
.
/I
f1c
a
ndoi
t

yous
h
o
u
l
dbea
b
l
et
odoi
t[
h
a
n
d
l
e
t
h
a
tj
o
b
]w
i
t
he
a
s
e
.

D
o
b
u
t
s
ud
emon
i
n
g
e
nn
ok
o
k
o
r
og
aw
a
k
a
r
i
m
a
s
u
.
Evena
n
i
m
a
l
scanunderstandt
h
ehumanh
e
a
r
t
.
3
. Useda
f
t
e
rani
n
t
e
r
r
o
t
i
v
ewordf
o
rp
o
s
i
t
i
v
ee
m
p
h
a
s
i
s
:
a
n
y
(
o
n
e

where

e
t
c
.
)
.
"

J
o
n
s
a
nwa

N
i
h
o
n
r
y
o
r
in
a
r
an
a
nd
emot
a
b
e
m
a
s
u
.
Johnw
i
l
le
a
tany[
k
i
n
dof
]J
a
p
a
n
e
s
ef
o
o
d
.

W
a
t
a
s
h
iwa

y
o
r
ud
a
t
t
a
r
ai
t
s
ud
emoid
e
s
uy
o
.
Asl
o
n
ga
si
t
'
sa
tn
i
g
h
t
anyt
i
m
ei
sa
l
lr
i
g
h
tf
o
rm
e
./Anyt
i
m
ea
t
n
i
g
h
tl
e
w
i
t
hme.

3
2 DEMO

.
.

TO 3
3

4.Usedi
nt
h
eformd
o
n
n
ad
e
m
o
:
w
h
a
t
e
v
e
r
.
"

f
Y
o
r
o
p
p
aei
t
t
a
r
a
d
o
n
n
ab
i
j
u
t
s
uk
a
nd
emom
i
t
em
i
t
a
i
.
I
f
Igot
oEurope

I
'
lwantt
os
w
h
a
t
e
v
e
rmuseums[
1c
a
n
]
.

S
h
a
l
lwel
i
s
t
e
nt
oar
e
c
o
r
do
rs
o
m
e
t
h
i
n
g
?

E
i
g
on
od
e
k
u
r
uh
i
t
on
a
r
a

d
o
n
n
ah
i
t
od
emok
a
m
a
i
m
a
s
e
n
.
Asl
o
n
ga
si
t
'
ssomeonewhoc
a
ns
p
e
a
kEn
g
1
i
s
h
i
td
o
e
s
n
'
tm
a
t
t
e
r
whoi
ti
s
./Anyonewhoc
a
ns
p
e
a
kEng
1
i
s
hw
i
l
ld
o
.

R
e
k
o
d
od
emok
i
k
i
m
a
s
h
ok
a
.

TOI
1
.Followsnouns;i
n
d
i
t
essuchme
a
nd"and

wi
"dsetsoffnames.
5
. Usedw
i
t
htwoo
rmorenounswhichs
e
r
v
ea
se
x
a
m
p
l
e
so
fa
l
a
r
g
e
rl
i
s
t
:
e
i
t
h
e
ro
r(
a
n
do
t
h
e
r
so
fas
i
m
i
l
a
rn
a
t
u
r
e
)
.
"

M
a
t
s
u
m
o
t
o
s
a
nwau
n
d
o
s
h
i
n
k
e
ig
ai
in
od
e
t
e
n
i
s
ud
emo

g
o
r
u

demod
e
k
i
m
a
s
uy
o
.
GivenMatsumoto'sgoodr
e
f
l
e
x
e
s
hec
a
np
l
a
ye
i
t
h
e
rt
e
n
n
i
so
r
g
o
l
f[
o
ranyo
t
h
e
rs
p
o
r
t
]
.

K
a
t
a
o
k
a
s
a
nwag
a
i
k
o
k
ug
on
ik
y

m
i0m
o
t
t
ei
r
uk
a
r
a

F
u
r
a
n
s
u
g
o
demoC
h
u
g
o
k
u
g
od
emo
;
Suguo
b
o
e
t
es
h
i
m
a
u

S
i
n
c
eK
a
t
a
o
k
ai
si
n
t
e
r
e
s
t
e
di
nf
o
r
e
i
g
nl
a
n
g
u
a
g
e
s
hecane
a
s
i
l
y
p
i
c
kupe
i
t
h
e
rF
r
e
n
c
ho
rC
h
i
n
e
s
e[
o
ranyo
t
h
e
rl
a
n
a
g
e
]
.
6
.I
n
d
i
c
a
t
e
sonep
o
s
s
i
b
i
l
i
t
y
:
.
.
.orsomething."

Ead
ei
n
omin
ii
k
i
m
a
s
e
nk
a
.
Howa
b
o
u
tg
o
i
n
gt
os
e
eamovieo
rs
o
m
e
t
h
i
n
g
?

1
.J
o
i
n
s
.
nouns

u
s
u
a
l
l
ytwoo
rr
e
e(
b
u
tn
o
tp
h
r
a
s
e
sandc
l
a
u
s
e
s
)
:

a
n
d
.
"

N
o
t
e
:C
o
n
t
r
a
s
tw
i
t
hya(
#
8
n
o
.
1
)
.

A
r
a
n
s
a
nt
oPOT'la
nwaF
u
r
a
n
s
u
i
nd
e
s
u
.
A
l
a
i
nandP
a
u
la
r
eF
r
e
n
c
h
.

S
h
i
r
o
iy
u
r
it
oa
k
a
ib
a
r
an
oh
a
n
a0k
a
i
m
a
s
h

.
L
e
t
'
sbuysomew
h
i
t
el
i
l
i
e
sandr
e
dr
o
s
e
s
.
2
.I
n
d
i
c
a
t
e
sacomparisono
rc
o
n
t
r
a
s
t
:
a
n
d
'
?o
r(whenac
h
o
i
c
e
i
sa
s
k
e
df
o
r
)
o
r
.
"
N
o
t
e
:I
n i
su
s
a
g
e

mustf
o
l
l
o
we
a
c
ho
ft
h
en
o
u
n
s
.

Konok
a
i
s
h
at
os
o
n
ok
a
i
s
h
ad
ewa

s
h
i
h
o
n
k
i
ng
ac
h
i
g
a
i
m
a
s
u
.
T
h
i
scompanyandt
h
a
tcompanyh
a
v
ed
.
i
f
f
e
r
e
n
tamountso
f p
i
.

34

TO

TO 3
S

R
i
n
g
ot
om
i
k
a
nt
od
o
c
h
i
r
ag
a k
id
e
s
uk
a
.
Wh
i
c
hdoyoul
i
k
eb
e
t
t
e
r

a
p
p
l
e
so
rmandarino
r
a
n
g
e
s
?
3
.
T
o
g
e
t
h
e
r

w
i
t
h

S
h
a
c
h
owab
u
c
h
s
h
o
k
u
j
i0s
h
i
t
eim
u
.
Thecompanyp
r
e
s
i
d
e
n
ti
se
a
t
i
n
go
u
tw
i
t
ht
h
ed
i
v
i
s
i
o
nm
a
n
a
g
e
r
.

A
s
h
i
t
ak
o
n
om
o
n
d
a
in
it
s
u
i
t
e

s
e
n
s
e
it
oh
a
n
a
s
ut
s
u
m
o
r
id
e
s
u
.
Tomorrow1i
n
t
e
n
dt
od
i
s
c
u
s
s i
sproblemw
i
myt
e
a
c
h
e
r
[
i
n
s
t
r
u
c
t
o
r

d
o
c
t
o
r

l
a
w
y
e
r

e
t
c
.
)
.

dicatesachangeorresult(commonlyusedinthephrase
n
a
r
u
l

.
.

N
o
t
e
:Ni(
#
1
3
n
o
.8
)i
sa
I
S
Ousedi
ni
s
p
a
m
;ism
o
r
ef
o
r
m
a
la
n
di
sc
o
m
m
o
n
l
yu
s
e
di
nw
r
i
t
i
n
g
.

O
r
i
n
p
i
k
k
un
ok
a
i
k
a
i
s
h
i
k
in
oh
i n
a
t
t
a
.
Thedayoft
h
eo
p
e
n
i
n
gceremonyo
ft
h
eO
l
y
m
p
i
c
sa
r
r
i
v
e
d
.(
L
i

.
t
I
tbecamet
h
edayoft
h
eo
p
e
n
i
n
gceremonyoft
h
eO
l
y
m
p
i
c
s
.
)

1 o

K
o
t
o
s
h
in
ok
a
i
g
a
i
r
y
o
k
o
s
h
awa

i
s
s
e
n
m
a
n
n
i
n n
a
t
t
a
.
[
T
h
enumberof
]o
v
e
r
s
e
a
st
r
a
v
e
l
e
r
si
sy
e
a
rr
e
a
c
h
e
dt
e
nm
i
l
l
i
o
n
.

5
.F
o
l
l
o
w
i
n
gane
x
p
r
e
s
s
i
o
no
fq
u
a
n
t
i
t
y

r
e
i
n
f
o
r
c
e
st
h
en
e
g
a
t
i
v
e
i
d
e
ao
ft
h
es
e
n
t
e
n
c
e
:
(
n
o
t
)a
smucha
s
.
"

2
Anoyaman
in
o
b
o
r
un
iwa

n
i

i
k
a
nk
a
k
a
r
i
m
a
s
e
n
.
I
twon'tt
a
k
ea
sl
o
n
ga
s[
w
o
n
'
tt
a
k
ee
v
e
n
)twoh
o
u
r
st
oc
l
i
m
b
l
o
u
n
t
a
i
n
.

2
Anok
a
i
s
h
at
owan
i
d
ot
ot
o
r
i
h
i
k
i0s
h
i
t
a
k
un
a
i
.
1d
o
n
'
twantt
oh
a
v
ed
e
a
l
i
n
g
sw
i
t
h companye
v
e
ra
g
a
i
n.
(
L
i

.
t 1d
o
n
'
twantt
oh
a
v
ed
e
a
l
i
n
g
sw
i
t
ht
h
a
tcompanytwo
t
i
m
e
s[
b
e
c
a
u
s
eI
'
v
ed
e
a
l
tw
i
t
hthemo
n
c
ea
l
r
e
a
d
yandknow
whatt
h
e
y
'
r
el
i
k
e
)
.
)
1
1
.Useda
f
t
e
ronomatopoeicadverbs

orfollowsaword

dause

orsentenceandprecedessuchverbs

asi
k
i
k

u
do
moutoindicatewhatmeonesaid

ke
d

ought
e
t
c
.
1
.I
n
d
i
c
a
t
e
swhatsomeones
a
i
d

o
r
d
e
r
e
d

a
s
k
e
d
e
t
c
.

Y
a
m
a
m
o
t
o
s
a
ng
a

a
t
od
ed
e
n
w
as
u
r
ut
oo
s
s
h
a
i
m
a
s
h
i
t
a
.
Yamamotos
a
i
dt
h
a
ts
h
ewouldphonel
a
t
e
r
.

Hahag
as
e
n
s
e
in
iy
o
r
o
s
h
i
k
ut
oms
h
i
t
eo
r
i
m
a
s
h
i
t
a
.
Mothers
a
i
dt
og
i
v
eh
e
rr
e
g
a
r
d
st
oyou(whoa
r
emyt
e
a
c
h
e
r

doct
o
r

e
t
c
.
)
.

9
W
a
t
a
n
a
b
e
n
g
ak
u
j
imaden
i
j
i
m
u
s
h
on
ik
u
r
uy
on
i

i
t
t
ei
m
a
s
h
i
t
a
.
Watanabes
a
i
dt
h
a
tyous
h
o
u
l
dcomet
oh
i
so
f
f
i
c
ebyn
i
n
eo
'
c
l
o
c
k
.
/Watanabea
s
k
e
dt
h
a
tyoucomet
ot
h
eo
f
f
i
c
ebyn
i
n
eo
'
c
l
o
c
k
.

10 3
7

3
6 TO

2
.I
n
d
i
c
a
t
e
swhatsomeonet
h
i
n
k
so
rf
e
e
l
s
.

4
. Useda
f
t
e
ronomatopoeica
d
v
e
r
b
s
.

R
a
i
n
e
nwa

A
m
e
r
i
k
aei
k
t
ok
a
n
g
a
e
t
ei
m
a
s
u
.
I
'
mt
h
i
n
k
i
n
go
fg
o
i
n
gt
ot
h
eU
n
i
t
e
dS
t
a
t
e
sn
e
x
ty
e
a
r
.

Ogawag
as
a
r
a
s
a
r
at
o

m
i
c
h
in
os
o
b
a0n
a
g
a
r
e
t
ei

.
As
p
a
r
k
l
i
n
gbrookf
l
o
w
e
da
l
o
n
g
s
i
d
et
h
er
o
a
d
.

9 1
0
D
e
n
s
h
awak
u
j
in
id
e
r
uo
m
o
i
m
a
s
h
i
t
ag
a

j
u
j
id
e
s
h
i
t
a
.
1t
h
o
u
g
h
tt
h
et
r
a
i
nwouldl
e
a
v
ea
tn
i
n
eo
'
c
l
o
c
k

b
u
t[
i
tl
e
a
t
]t
e
n
.
/Or

1t
h
o
u
g
h
tt
h
et
r
a
i
nwasg
o
i
n
gt
ol
e
a
v
e[
w
a
ss
c
h
e
d
u
l
e
dt
o
l
e
a
v
e
]a
tn
i
n
eo
'
c
l
o
c
k

b
u
ti
tt
u
r
n
e
do
u
tt
obet
e
n
.

H
o
s
h
ig
ak
i
r
a
k
i
r
at
ok
a
g
a
y
a
i
t
ei
m
a
s
u
.
Thes
t
a
r
sa
r
et
w
i
n
k
l
i
n
g
.

.Followsverbsandadjectivestoformaconditional:

3
.I
n
d
i
c
a
t
e
st
h
enameofs
o
m
e
t
h
i
n
g

a
b
o
u
twhicha
ne
x
p
l
a
n
a
t
i
o
n
f
o
U
o
w
s
;u
s
u
a
l
l
yu
s
e
dwhent
h
enamea
l
o
n
ewouldn
o
tbeu
n
d
e
r
s
t
o
o
d
.A
l
w
a
y
su
s
e
di
nt
h
eformt
oi
u(
o
rsomev
a
r
i
a
t
i
o
n
)
:
(who
w
h
i
c
h
)i
sc
a
U
ed

knowna
s
.
"

o
"
S
e
k
a
i
"t
oi
uz
a
s
s
h
i0s
h
i
t
t
ei
m
a
s
uk
a
.
Doyouknowt
h
em
a
g
a
z
i
n
eS
e
k
a
t
?

B
u
r
uS
u
k
a
i
z
ut
oi
uh
o
t
e
r
un
it
o
m
a
r
i
m
a
s
h
i
t
a
.
1s
t
a
y
e
da
tah
o
t
e
lc
a
U
edB
l
u
eS
k
i
e
s
.

Mazu
T
a
n
a
k
at
oi
ub
u
c
h
on
is
h
o
r
u
i0m
o
r
a
t
t
ek
u
d
a
s
a
i
.
F
i
r
s
to
fa
U
g
e
tt
h
edocumentsfromas
e
c
t
i
o
nmanagernamed
T
a
n
a
k
a
.

i
f

unless

whetherornot."

1
.I
n
d
i
c
a
t
e
st
h
a
tas
e
c
o
n
da
c
t
i
o
nf
o
U
o
w
s u
n
e
d
i
a
t
e
l
yupont
h
e
a
c
t
i
o
np
r
e
c
e
d
i
n
gi
t
;o
f
t
e
nu
s
e
dwi
s
u
g
u(
i
m
m
e
d
i
a
t
e
l
y
r
i
g
h
t
a
ssoona
s
a
w
a
y
)
:

N
o
t
e
:T
a
r
a(#35
n
o.
5
) dn
a
r
i(#46n
o
.3
)c
a
nb
eu
s
e
dh
e
r
ewithmuch
a
meme
g
.

A
s
ao
k
i
r
ut
os
u
g
u

k
a
t
e
n0a
k
e
m
a
s
u
.
Assoona
s1g
e
tupi
nt
h
emorning

1opent
h
ec
u
r
t
a
i
n
s
.

K
i
n
wak
a
i
s
h
an
os
h
i
g
o
t
og
ao
w
a
r
ut
o

m
a
s
s
u
g
ui
en
ik
a
e
t
t
a
.
Y
e
s
t
e
r
d
a
y

a
ss
o
o
na
sworkwaso
v
e
r

1wenthome./1wents
t
r
a
i
g
h
t
homea
f
t
e
rworky
e
s
t
e
r
d
a
y
.

3
8

TO

TO 3
9

2
.I
n
d
i
c
a
t
e
st
h
ei
n
e
v
i
t
a
b
i
l
i
t
yo
fas
e
c
o
n
da
c
t
i
o
nf
o
l
l
o
w
i
n
gt
h
eo
n
e
p
r
e
c
e
d
i
n
gi
t
:
when

a
s
.
'

4
.I
n
d
i
c
a
t
e
st
h
a
ts
o
m
e
t
h
i
n
gh
a
sb
e
e
nl
e
a
m
e
da
sar
e
s
u
l
to
fac
e
r
t
n
a
c
t
i
o
n
:
when
a
f
t
e
r

a
sar
e
s
u
l
to
f
.
"

N
i
h
o
nd
ewah
a
r
un
in
a
r
ut
os
a
k
u
r
ag
as
a
k
i
m
u
.
Wh
e
ns
p
r
i
n
gc
o
m
e
si
nJ
a
p
a
n

t
h
ec
h
e
r
t
r
e
e
sb
l
o
o
m
./I
nJ
a
p
a
n

ec
h
e
r
r
yt
r
e
e
sbloomw
i
t
ht
h
ec
o
m
i
n
go
fs
p
r
i
n
g
.

N
o
t
e
:T
a
r
a(#35
n
o
.
4
)c
a
na
l
s
obeu
s
e
dw
i
t
ht
h
i
sme
g
.

Kurumag
ao
k
un
a
r
u k
o
t
s
u
j
i
k
ol
e
m
a
s
u
.
As(
t
h
enumbero
f
)c
a
r
sc
r
e
a
s
e
s

e(
i
n
c
i
d
e
n
c
eo
f
)t
r
a
c
a
c
c
i
d
e
n
t
s
r
i
s
e
s
./Themorec
a
r
st
h
e
r
ea
r
e

t
h
emore ca
c
c
i
d
e
n
t
so
c
c
u
r
.

h
i
t
s
u
g
y
o
s
h
al
e
m
a
s
u
.
F
u
k
e
i
k
in
in
a
r
us
Wh
e
nt
h
e
r
ei
sar
e
c
e
s
s
i
o
n
t
h
enumbero
fj
o
b
l
e
s
si
n
c
r
e
a
s
e
s
.
f

u
n
l
e
s
s
.
"
3
.I
n
d
i
c
a
t
e
sah
y
p
o
t
h
e
t
i
c
a
lc
o
n
d
i
t
i
o
n
:i
a
(
#
3
4

n
o
.
l
)
a
n
dt
a
r
a(#35
n
o.
1
)h
a
v
em
u
c
ht
h
es
a
m
em
e
a
n
i
n
g
.
N
o
t
e
:B
C
o
m
p
a
r
ea
l
s
o-ba(#34n
o
.
2
)
.

Y
a
m
a
d
a
s
a
ng
ak
o
n
a
ik
a
i
g
ig
ah
a
j
i
m
e
r
a
r
e
m
a
s
e
n
:
IfYamadad
o
e
s
n
'
tcome

t
h
em
e
e
t
i
n
gc
a
n'
tb
es
t
a
r
t
e
d
./Wec
a
n
'
t
s
t
a
r
tt
h
em
e
e
t
i
n
gu
n
l
e
s
sYamadac
o
m
e
s
.

A
s
h
i
t
a

t
e
n
k
ig
ait
oy
a
k
y
ug
ad
e
k
i
m
a
s
u

I
ft
h
ew
e
a
t
h
e
ri
sgoodtomorrow

wec
a
np
l
a
yb
a
s
e
b
a
l
l
.

G
i
n
k
oei
k
ut
o

mos
h
i
m
a
t
t
ei

Wh
e
n1w
e
n
tt
ot
h
ebank

[
1f
o
u
n
d
]i
tw
a
sa
l
r
e
a
d
yc
l
o
s
e
d
.

K
o
b
a
nd
em
i
c
h
i0k
i
k
ut
o

s
o
n
ok
a
i
s
h
awas
u
g
um
i
t
s
u
k
a
t
t
a
.
Ae
ra
s
k
i
n
gt
h
ew
a
y
a
tap
o
l
i
c
eb
o
x

1f
o
u
n
d[
l
o
c
a
t
e
d
]t
h
ecomp
Y
r
i
g
h
ta
w
a
y
.
5
.U dwi
t
w
ov
e
r
b
s(
e
i
e
rt
w
od
i
f
f
e
r
e
n
tv
e
r
b
se
n
d
i
n
gi
ny
o
l
o

o
rt
h
es
a
m
ev
e
r
b p
e
a
t
e
d

t
h
ef
i
r
s
te
n
d
i
n
gi
ny
o
lo

t
h
es
e
c
o
n
di
n
e
n
e
g
a
t
i
v
e-m
0
;i
n
d
i
c
a
t
e
sal
a
c
ko
fc
o
n
c
e
r
no
v
e
rw
h
i
c
ho
ft
h
e
Woe
v
e
n
t
so
c
c
u
r
s:

w
h
e
t
h
e
ro
r(
n
o
t
)
.
"
"

'
En"g
at
s
u
y
o
k
un
a
y
o
w
a
k
u
n
a
r
o w
a
t
a
s
h
in
os
e
i
k
at
sun
iwa
k
a
n
k
e
ia
r
i
m
e
n
.
Wh
e
t
h
e
rt
h
ey
e
ng
e
s
t
r
o
n
g
e
r01'g
r
o
w
sweak
e
r[
r
i
s
e
so
rf
a
ls
)
.
i
t
hasnoe
e
c
tonmy[
d
a
i
l
y
]
l
i
f
e
.

K
a
n
o
j
og
ah
i
t
o
r
id
ep
a
t
in
i
.
i
i
k
um
a
i
t
o

h
i
k
amaim
e
n
.
1d
o
n
'
tc
a
r
ew
h
e
t
h
e
rs
h
eg
o
e
st
oep
a
r
t
ya
l
o
n
eo
rn
o
t
.

40

TOWA

YA 4
1

TOWAI
1
.I
n
d
i
c
a
t
e
sawordo
rp
l
e
b
e
i
n
gd
e
f
i
n
e
d

o
rf
o
rw
h
i
c
had
e
f
i
M
t
i
o
ni
sb
e
i
n
ga
s
k
e
d
.

1
.J
o
i
n
sn
o
u
n
st
oi
n
d
i
c
a
t
eanone
x
h
a
u
s
t
i
v
el
i
s
to
fi
t
e
m
s
:
s
u
c
h

and."

g
sa
s d

UN
t
V k
o
k
u
r
e
nn
ok
o
t
od
e
s
u
.

UN"r
e
f
e
r
st
ot
h
eU
n
i
t
e
dN
a
t
i
o
n
s
.

e
:Y
ai
m
p
l
i
e
st
h
a
tt
h
ei
t
e
m
ss
t
a
t
e
da
r
et
a
k
e
na
se
x
a
m
p
l
e
sf
r
o
mal
a
r
g
e
r
N
o
t
g
r
o
u
po
fi
t
e
m
s
.I
nc
o
n
t
r
a
s
t

(#6
1
1
)i
m
p
l
i
e
st
h
a
tt
h
ei
t
e
m
ss
t
a
t
e
da
r
et
h
e
o
n
l
yo
n
e
su
n
d
e
rc
o
n
s
i
d
e
r
a
t
i
o
n
.Y
ai
so
f
t
e
nc
o
m
b
i
n
e
dw
i
t
hn
a
d
o(

a
n
d
s
u
c
h
"
)
r
e
i
n
f
o
r
c
i
n
gi
t
sb
a
s
i
cm
e
a
n
i
n
g
.

R
i
d
an
oj
o
k
e
nt
owan
a
nd
e
s
h
ok
a
.
Wh
a
ta
r
et
h
ep
r
e
r
e
q
u
i
s
i
t
e
so
f
l
e
a
d
e
r
s
h
i
p
?

T
e
b
u
r
un
ou
en
i

o
s
u
s
h
iyay
a
k
i
t
o
r
iyat
e
n
p
u
r
an
a
d
og
aa
r
i
m
a
s
u
.
Ont
h
et
a
b
l
e

t
h
e
r
ea
r
es
u
c
ht
h
i
n
g
sa
ss
u
s
h
i

y
a
k
i
t
o
dt
e
m
p
u
r
a
.

2
.Usedb
e
t
w
e
e
nt
w
oc
l
a
u
s
e
s a
ta
r
eo
p
p
o
s
e
di
nmean

.
g
;t
h
e
f
i
r
s
tc
l
a
u
s
er
e
p
r
e
s
e
n
t
sac
o
n
c
e
s
s
i
o
nt
ot
h
es
e
c
o
n
d(
u
s
u
a
l
l
yi
ne
owai
e
)
: ough
e
v
e
n o
u
g
h
.
"
f
o
r
mt

W
a
t
a
s
h
in
oh
e
y
an
iwa

k
o
n
p
y
u
t
ayas
u
t
e
r
e
og
ao
i
t
ea
r
i
m
a
s
u
.
I
nmyroomt
h
e
r
ei
sac
o
m
p
u
t
e
r

as
t
e
r
e
o
a
n
ds
u
c
h
.

*
2
.I
nt
h
ei
d
i
o
m
a
t
i
ce
x
p
r
e
s
s
i
o
ny
ai
n
ay
a(
f
o
l
l
o
w
i
n
gav
e
r
br
o
o
t
)
:
s
o
o
na
s

nos
o
o
n
e
rh
a
d
.
"

S
e
i
os
h
i
n
'
y
os
h
i
t
ei
n
a
i wa s
e
i
.
n
oy
a
r
i
k
a
n
is
h
i
t
a
g
a
n
a
i
k
en
iwai
k
a
n
a
.
i
E
v
e
noughyoud
o
n
'
tt
r
u
s
tt
h
eg
o
v
e
r
n
m
e
n
t

y
o
u[
s
t
i
l
l
]h
a
v
et
o
smmaynptt
r
u
s
tt
h
eg
o
v
a
d
h
e
r
et
oi~ ~ay~f.c:l.og ings.l Y
e
r
n
m
e
n
t

b
u
tyoum
u
s
ts
t
i
l
la
d
h
e
r
et
oi
t
sw
a
y
so
fd
o
i
n
gt
h
i
n
g
s
.

.
E
k
ini tl~uylnq ya_d~$hag4detg_shimatta. .
Nos
o
o
n
e
rh
a
d1a
r
r
i
v
e
da
tt
h
es
t
a
t
i
o
na
nt
h
et
r
a
i
nl
e
f
t
.

Haru wai
emadas
a
m
u
i
.
E
v
e
n o
u
g
hi
t
'
ss
p
r
i
n
g

i
t
ss
t
i
l
lc
o
l
d
.

O
f
u
r
on
ih
a
i
r
uyai
n
aya

d
e
n
w
ag
an
a
t

Nos
o
o
n
e
rh
a
d1g
o
t
t
e
ni
n
t
ot
h
eb
a
t
ha
nt
h
ep
h
o
n
er
a
n
g
.

NA

TOKA

TOKAI

lNADOI

1
.J
o
i
n
snouns

v
e
r
b
s(
c
l
a
u
s
e
s
)
o
ra
d
j
e
c
t
i
v
e
st
oi
n
d
i
c
a
t
es
e
v
e
r
a
l

N
o
t
e
:N
a
n
k
ai
s i
n
f
o
r
m
a
le
q
u
i
v
a
l
e
n
t

a
n
dn
a
.
z
oa
n
dn
a
n
%
omoreC
o
r
m
o
J
e
q
u
i
v
a
l
e
n
t
s
.

r
e
p
r
e
s
e
n
t
a
t
i
v
ei
t
e
m
so
n
iamuchl
a
r
g
e
rp
o
s
s
i
b
l
el
i
s
t
i
i
l
g
:
among
o
t
h
e
rt
h
i
n
g
s

s
u
c
hi
n
g
sa
s
.
"

k
a
h
a
st
h
es
a
m
em
e
a
n
i
n
ga
sy
a(#8
n
o
.1
)
N
o
t
e
:Whenu
s
e
dw
i
t
hn
o
u
n
s
b
u
ti
sm
o
r
ei
n
f
o
r
m
a
l
.S
e
ea
l
s
ok
a(#11
I
I4
)
.

K
i
n
od
e
p
a
t
od
e

s
e
t
at
okak
u
t
s
ut
ok
a0k
a
t
t
a
.
Y
e
s
t
e
r
d
a
y1boughtas
w
e
a
t
e
r

s
h
o
e
s

andsomeo
t
h
e
ri
n
g
sa
te
d
e
p
a
r
t
m
e
n
ts
t
o
r
e
.

Y
a
s
u
m
in
iwaj
o
g
i
n
g
u0s
u
r
ut
oka

t
e
n
i
s
u0s
u
r
uk
a
s
h
i
t
eim
u
.
Wh
enl
'
m owork

1dot
h
i
n
g
sl
i
k
ej
o
g
g
i
n
gandp
l
a
y
i
n
gt
e
n
n
i
s
.
2
.Useda
f
t
e
rp
a
i
r
so
fwordso
fo
p
p
o
s
i
t
emeaning
i
n
d
i
c
a
t
i
n
g
u
n
c
e
r
t
a
i
n
t
y
.

K
a
w
a
g
u
c
h
i
s
a
nwa

a
n
og
i
n
k
on
it
s
um
e
r
ut
ok
at
s
u
t
o
m
e
n
a
i
i
t
t
ei
m
a
s
h
i
t
ag
a

d
on
a
r
i
m
a
s
h
i
t
ak
a
.
Kawaguchiwass
a
y
i
n
gt
h
a
th
e
'
dworkf
o
rt
h
a
tbankandt
h
e
nt
h
a
t
hewouldn'
t
.Wh
a
t
e
v
e
rh
a
p
p
e
n
e
d
?

Anoh
i
t
owas
o
n
ok
in
iy
o
t
t
e

s
h
o
gao
m
o
s
h
i
r
o
it
okao
m
o
s
h
i
r
o
k
u
n
a
it
okai
un
od
e

d
o
c
h
i
r
an
an
ok
aw
a
k
a
r
i
m
a
s
e
n
.
Dependingonwhichdayi
ti
s

s
h
es
a
y
ss
h
el
i
k
e
sh
e
rworko
rs
h
e
d
o
e
s
n
'
tl
i
k
ei
t

s
o1d
o
n
'
tknoww
h
e
t
h
e
rs
h
ed
o
e
so
rn
o
t
.

1
.I
n
d
i
c
a
t
e
st
h
a
tas
e
r
i
e
so
fi
t
e
m
si
snone
x
h
a
us
t
i
v
e
io
f
t
e
nus
e
d
w
i
t
hy
a(
#
8
n
o
.1
)
:
e
t
c
.
ands
of
o
r
t
h
.
"

S
o
n
oh
e
nn
iwar
e
s
ur
a
ny
ad
i
s
u
k
oy
ae
i
g
a
k
a
nnadog
aa
r
i
m
a
s
u
.
T
h
e
r
ea
r
er
e
s
t
a
u
r
a
n
t
s
d
i
s
c
o
s
moviet
h
e
a
t
e
r
s
ands
of
o
r
t
haround
t
h
e
r
e[
i
nt
h
a
ta
r
e
a
].

W
a
t
a
s
h
iw

am
i
k
a
ny
ar
i
n
g
oy
ab
a
n
a
n
anado

kudamonon
a
r
an
a
n
d
emos
u
k
id
e
s
u
.
1l
i
k
eanyk
i
n
do
fu
i
t
:mandarino
r
a
n
g
e
s
a
p
p
l
e
s
b
a
n
a
n
a
s
.
2
.I
n
d
i
c
a
t
e
sat
e
n
t
a
t
i
v
es
u
g
g
e
s
t
i
o
n
:
o
rs
o
m
e
t
h
i
n
g(somewhere

e
t
c

.
)
.
'

R
a
i
s
n
o1
o
k
awaHakonen
i
i
d
od
l
d
e
s
uk
a
.
Howa
b
o
u
tsomep
l
a
c
el
i
k
eHakonef
o
rn
e
x
tw
e
e
k
'
st
r
i
p
?/How
wouldHakonebef
o
rt
h
et
r
i
pn
e
x
tw
e
e
k
?

P
u
r
e
z
e
n
t
o0k
a
un
a
r

as
h
i
n
j
un
ob
u
r
o
c
h
in
a
n
k
ai
i
nj
an
a
i
nd
e
s
uk
a
.
I
fy
o
u
'
r
eg
o
i
n
gt
obuyap
r
e
s
e
n
t

w
o
u
l
d
n
'
ts
o
m
e
t
h
i
n
gl
i
k
eap
e
a
r
l
broochbea
l
lr
i
g
h
t
?/I
fy
o
u
'
r
eg
o
i
n
gt
obuyap
r
e
s
e
n
t

ap
e
a
r
l
brooch

o
rs
o
m
e
t
h
i
n
gl
i
k
et
h
a
t
m
i
g
h
tben
i
c
e
.

4
4

NADO

3.E
x
p
r
e
s
s
e
sh
u
m
b
l
e
n
e
s
s
:
s
u
c
ha
s

t
h
el
i
k
e
so
f
.
"

W
a
t
a
s
h
inado

s
o
n
n
am
u
z
u
k
a
s
h
i
i
s
h
i
k
e
nniwat
e
m
og
o
k
a
k
ud
e
k
i
m
a
s
e
n.
Someonel
i
k
emec
o
u
l
dn
e
v
e
rp
a
s
sad
i
f
f
i
c
u
l
te
x
a
m
i
n
a
t
i
o
nl
i
k
e
a
t
.1T
h
e
r
e
'
snowayt
h
a
t1[
t
h
el
i
k
e
so
fme]c
o
u
l
dpss
u
c
ha
d
i
c
u
l
t
t
e
s
t
.

H
a
s
h
i
m
o
t
o
s
e
n
s
e
in
og
o
k
y
o
d
a
ic
h
i
g
a
t
t
e

w
a
t
a
s
h
in
ok
y
o
d
a
in
a
z
o
wa

a
t
a
m
ag
aw
a
r
u
imonob
a
k
a
r
id
e
s
u
.
U
n
l
i
k
eP
r
o
f
e
s
s
o
rH
a
s
h
i
m
o
t
o
'
sb
r
o
t
h
e
rands
i
s
t
e
r
snoneo
fmy
b
r
o
t
h
e
r
sands
i
s
t
e
r
s

s
u
c
ha
st
h
e
ya
r
e

i
sv
e
r
yb
r
i
g
h
t
.
*
4
.Usedt
oe
m
p
h
a
s
i
z
et
h
en
e
g
a
t
i
v
e p
e
c
to
ft
h
es
i
t
u
a
t
i
o
n
e
s
p
e
da
1
l
yi
nab
e
l
i
t
t
l
i
n
gmanner: yonel
i
k
eel
i
k
e
sof
.
"

T
a
n
a
k
a
s
a
nnadowaemos
h
a
c
h
on
iwan
a
r
e
n
a
i
.
T
h
e
r
e
'
snoway yone eT
a
k
a[
tel
i
k
e
sofTan
a
]
c
o
u
l
dbecomep
r
e
s
i
d
e
n
to
ft
h
ecomp
y
.

Anoh
n
ka

s
e
n
on
id
e
t
emodamed
e
s
uy
o
.
I
t
'
snou
s
ef
o
rsomeonel
i
k
ehimt
orunf
o
re
l
e
c
t
i
o
n
.
5
.E
m
p
h
a
s
i
z
e
st
h
ei
m
p
o
s
s
i
b
i
1
i
t
yo
ft
h
es
i
t
u
a
t
i
o
n
:
s
u
c
h
anyt
h
i
n
gl
i
k
e
.
"

KA 4
5

o
I
enanka

t
o
t
e
m
ok
a
e
n
a
i
.
1c
o
u
l
dn
e
v
e
rbuya
n
y
t
h
i
n
gl
i
k
eah
o
u
s
e
.

6
.A
f
t
e
rv
e
r
b
sanda
d
j
e
c
t
i
v
e
s
:
somethi
ngt
o ee
c
tt
h
a
t
."

Y
a
m
a
m
o
t
o
s
a
ng
as
o
n
ok
o
n
s
a
t
og
at
e
m
oy
o
k
at
t
anadoi
t
t
i
m
a
s
h
i
t
ay
o
.

Yamamotowass
a
y
i
n
gt
h
a
tt
h
ec
o
n
c
e
r
twasq
u
i
t
egood[
ands
u
c
h
g
s
]
./Yamamotowass
a
y
i
n
gs
o
m
e
t
h
i
n
ga
b
o
u
tt
h
ec
o
n
c
e
r
t
b
e
i
n
gv
e
r
yg
o
o
d
.

K
a
r
ewas
o
n
os
h
i
g
o
t
o0j
i
b
u
ng
ay
a
t
t
anadot
oi
t
t
ei
.
H
e
'
ss
a
y
i
n
gs
u
c
ht
h
i
n
g
sa
si
twashet
h
a
td
i
dt
h
a
two
r
k
./He'
s
a
y
i
n
g a
thewast
h
eonewhod
i
dt
h
a
tj
o
b
.

1
. Indicatesaquestion;founda
ttheendofase
nt
ence.
1
.I
n
d
i
c
a
t
e
sas
i
m
p
l
eq
u
e
s
t
i
o
n
.

K
o
r
e d
a
r
en
ok
a
s
ad
e
s
uka
.
Who
s
eu
m
b
r
e
l
l
ai
si
s
?

S
o
n
n
at
a
k
a
imonon
a
z
o

i
t
a
d
a
k
uw
a
k
en
iwai
k
i
m
a
s
e
n
.

A
s
h
i
t
an
op
a
t
in
ii
k
i
m
a
s
uk
a
.

1c
o
u
l
dn
e
v
e
ra
c
p
ts
u
c
hane
x
p
e
n
s
i
v
et
h
i
n
g(

)
.

Areyoug
o
i
n
gt
o epa
y
tomorrow?

46

KA 4
7

KA

2
.I
n
d
i
c
a
t
e
sa
ni
n
q
u
i
r
ya
b
o
u
ts
o
m
e
o
n
e
'
sf
e
e
l
i
n
g
so
ri
n
t
e
n
t
i
o
n
s
t
.
)
)
o
ras
u
g
g
e
s
t
i
o
na
b
o
u
ts
o
m
e
t
h
i
n
g
:((howabou

q.I
n
d
i
c
a
t
e
s a
tsomeonei
st
a
l
k
i
n
gt
ohim
-orhe
r
s
e
l
f
.

Kyowage
u
y
o
b
i
k
a
.

E
i
g
a0min
ii
k
i
m
a
s
e
nk
a
.

Toda
y
'
sMonday

i
si
t
?

Howa
b
o
u
tg
o
i
n
gt
os
e
eam
o
v
i
e
?

S
o
r
o
s
o
r
on
a
t
s
umoo
w
a
r
ika
.

S
a
t
o
s
a
nn
ik
i
i
t
em
i
t
a
r
ad
od
e
s
uk
a
.

50summer'sa
l
m
o
s
to
v
e
r

huh?/W
e
l
l
i
tl
o
o
k
sl
i
k
esummer'
a
l
m
o
s
to
v
e
r
.

Howa
b
o
u
ta
s
k
i
n
g5
a
t

3
.I
n
d
i
c
a
t
e
sar
h
e
t
o
r
i
c
a
lq
u
e
s
t
i
o
n.

Konnan
ik
i
r
e
in
at
o
k
o
r
og
a

h
o
k
an
ia
r
ud
a
r
ok
a
.
l
st
h
e
r
e
a
n
o
t
h
e
rp
l
a
c
ea
sl
o
v
e
l
yt
h
i
s
?/Wh
e
r
ee
l
s
ec
o
u
l
dyouf
i
n
d
ap
l
a
c
ea
sl
o
v
e
l
ya
st
h
i
s
?

S
o
n
n
aw
a
r
u
ih
i
t
og
ai
r
umonod
e
s
uk
a
.
Ar
et
h
e
r
ep
e
o
p
l
earounda
sbad[
a
w
f
u
l
]a
sa
t
?

4
.I
n
d
i
c
a
t
e
sa
n
g
e
ro
rc
e
n
s
u
r
e
:
50you..
?
)
)
o

Matak
y
omo

o
k
u
r
e
t
ek
i
t
a
nd
e
s
uk
a
.
50y
o
u
'
r
el
a
t
ea
g
a
i
nt
o
d
a
y
?

doubt

uncertain
t
y
;foundw
i
t
h
l
n
1
1
.I
n
d
i
c
a
t
e
sachoice
asentence.
1
.I
n
d
i
c
a
t
e
sac
h
o
i
c
e
:
o
r

w
h
e
t
h
e
ro
rno
t
."

K
o
h
ikak
o
c
h
ak
an
o
m
i
t
a
id
e
s
un
e
.
l
'
ds
u
r
el
i
k
et
od
r
i
n
ksomec
o
o
rt
e
a
.
/5
0mec
o
e
o
r
t
e
awo
d

ben
i
c
e

w
o
u
l
d
n
'
ti
t
.

R
y
o
k
on
ii
k
ukai
k
a
n
a
ik
a
madak
i
m
e
t
ei
m
a
s
e
n
.
1s
t
i
Uh
a
v
e
n'
td
e
c
i
d
e
dw
J
i
etnerTmg
o
i
n
gt
o
t
a
k
eat
r
i
po
rn
o
t
.

H
i
r
o
t
a
s
a
nwao
s
a
k
eg
an
o
m
e
r
ukad
ok
ak
i
i
t
em
i
m
a
s
h
d
.
L
e
t
'sa
s
kH
i
r
o
t
aw
h
e
t
h
e
rh
ed
r
i
n
k
s[
a
l
c
oh
oHcbe
v
e
r
a
s
e
s
]o
rn
o
t
.

Madak
o
n
os
h
i
g
oos
h
i
t
ei
n
a
i
nd
e
s
uk
a
.
Youh
a
v
e
n
'
tdone[
f
i
n
i
s
h
e
d
]t
h
i
sworky
e
t
?

K
a
z
e0h
i
i
t
an
oka

m
ag
ai
t
a
i
nd
e
s
u.
1wonderi
fI
'
v
ec
a
u
g
h
tacold-myh dh
t
s
.1
I
'VI
1
a
y
b
eI
'
v
ec
a
u
g
h
tac
o
l
d
.

48

DE 4
9

KA

S
h
i
k
e
ng
aa
r
un
ok
a
m
i
n
n
at
o
s
h
ok
a
nd
eb
e
n
k
y

s
h
i
t
ei
m
a
s
uy
O
.
1wonderi
ft
h
e
r
e
'
sat
e
s
t
-e
v
e
r
y
o
n
e
'
ss
t
u
d
y
i
n
ga
tt
h
el
i
b
r
a
r
y
.

5
.I
nt
h
ei
d
i
o
m
a
t
i
ce
x
p
r
e
s
s
i
o
nk
a.
.
.n
a
iu
c
h
in
:
ih
a
r
d
l
yhad

nos
o
o
n
e
rh
a
d
.
"

E
k
in
it
s
u
k
uk
at
s
u
k
a
n
a
iu
c
h
in
id
e
n
s
h
ag
ak
i

.
3
. Usedw
i
a
ni
n
t
e
r
r
o
g
a
t
i
v
eword

i
n
d
i
c
a
t
i
n
gs
u
c
hmeanings

s
o
m
e
t
h
i
n
g

a
n
y
t
h
i
n
g
;someone

a
n
y
o
n
e
.
"

D
a
r
ekaY
a
m
a
d
a
s
a
nn
od
e
n
w
a
b
a
n
g
l
os
h
i
t
t
ei
m
a
s
uk
a
.
DoesanyoneknowYamada'st
e
l
e
p
h
o
n
enumber?

1hadh
a
r
d
l
ya
r
r
i
v
e
da
tt
h
es
t
a
t
i
o
nwhent
h
et
r
a
i
nc
a
m
e
.

O
f
u
r
on
ih
a
i
r
uk
a1
r
a
n
a
iu
c
h
in
id
e
n
w
ag
an
a .
Nos
o
o
n
e
rhad1g
o
t
t
e
ni
n
t
ot
h
eb
a
t
hanephoner
g
.

N
a
n
ikat
s
u
m
e
t
a
imonog
an
o
m
i
t
a
i
.
1wantt
od
r
i
n
ksome
i
n
gc
o
l
d
./l
'dl
i
k
es
o
m
e
t
h
i
n
gc
o
l
dt
od
r
i
n
k
.
4
.F
o
l
l
o
w
i
n
go
t
h
e
rp
a
r
t
i
c
l
e
sli
n
d
i
c
a
t
e
su
n
c
e
r
t
a
i
n
t
yo
rdoub
t
.S
e
e

a(
#
9
)
.
a
I
s
ok

DE/
1
.I
n
d
i
c
a
t
e
st
h
el
o
c
a
t
i
o
no
fana
c
t
i
o
n
:
a
t

i
n
.
"

N
o
t
e
:C
o
n
t
r
a
s
tw
i
t
hn
i(
#
1
3
n
o
.2
)
.

Yamada
s
a
nkai
uh
i
k
a
r
ad
e
n
w
ag
aa
r
i
m
a
s
h
i
t
a
.
T
h
e
r
ewasac
a
l
lfromsomeonec
a
l
l
e
dYamadao
rs
o
m
e
t
h
i
n
go
r
o
e
r
.

K
i
n
oG
i
n
z
an
or
e
s
u
t
o
r
a
ndeb
a
n
g
o
h
a
n0t
a
b
e
m
a
s
h
i
t
a
.
Y
e
s
t
e
r
d
a
y1hadd
i
n
n
e
ra
tar
e
s
t
a
u
r
a
n
ti
nG
i
n
z
a
.

K
a
n
o
j
owa

d
e
p
a
t
od
ekab
u
t
i
k
k
ud
ek
a
d
o
c
h
i
r
ak
ad
ek
a
i
m
o
n
o0

W
a
t
a
s
h
in
ot
o
m
o
d
a
c
h
iwa

t
o
s
h
ok
a
nd
eh
o
n0y
o
n
d
ei
m
a
s
u
.

Myi
e
n
d[
ai
e
n
do
fm
i
n
e
]i
sr
e
a
d
i
n
gabooki
nt
h
el
i
b
r
a

s
h
i
t
a
ii
t
t
ei
m
a
s
h
i
t
a
.

S
h
es
a
i
ds
h
ewantedt
odosomes
h
o
p
p
i
n
g

a
tad
e
p
a
r
t
m
e
n
ts
t
o
r
e
i
t
w
a
s
.
o
ra
b
o
u
t
i
q
u
e1k

2
.I
n
d
i
c
a
t
e
sameanso
ri
m
p
l
e
m
e
n
t
:
by

wi
"

W
a
t
a
s
h
iwaN
i
h
o
ne
t
i
edek
i
m
a
s
h
i
t
a
.
1camet
oJ
a
p
a
nbyboa
t
.

5
0 DE

4
DE 5
1'

B
o
r
u
p
e
nd
ek
a
i
t
ek
u
s
a
i
.

1
0

Anot
e
r
e
b
iwaj
u
m
a
n
e
nd
ek
a
e
r
u
.

P
l
e
a
s
ew
r
i
t
ewi
ab
a
l
l
p
o
i
n
tp
e
n
.

Youc
a
nbuyt
h
a
tTVs
e
tf
o
r1
0
0

0
0
0
.

of

from

wi

3
.I
n
d
i
c
a
t
e
sm
a
t
e
r
i
a
l
su
s
e
d
:

6
.I
n
d
i
c
a
t
e
st
h
emodeo
rc
o
n
d
i
t
i
o
noft
h
ea
g
e
n
tofana
c
t
i
o
n(
n
o
t
t
obec
o
n
f
u
s
e
dw
i
t
ht
h
es
u
b
j
e
c
t
)
.

Konok
e
k
iwa

t
a
m
a
g
os
a
t
odet
s
u
k
u
r
i
m
a
s
u
.
T
h
i
sc
a
k
ei
smadeofe
g
g
sands
u
g
a
r
.

Mu
s
h
i

N
i
h
o
n

i
nwakik
a
m
id
et
s
u
k
u
t
t
ai
en
is
u
n
d
ei
m
a
s
h
i
t
a
.
Longa
g
o
t
h
eJ
a
p
a
n
e
s
el
i
v
e
di
nh
o
u
s
e
smadeofwoodandp
a
p
e
r
.
N
o
t
e
:K
a
r
amayr
e
p
l
a
c
ed
ei
nt
h
i
su
s
a
g
ee
x
c
e
p
twhent
h
er
a
wm
a
t
e
r
i
a
Ii
s
u
n
m
i
s
t
a
k
a
b
l
ye
v
i
d
e
n
t(wil
p
a
p
e
r

wd

g
I
a
s
s

c
l
o
t
h

s
n

gandl
e
a
t
h
e
r
)
i
nw
h
i
c
hc
a
s
ed
emustb
eu
s
e
d
.C
o
m
p
a
r
ek
a
r
a(
#
1
5
16
)
.

1
Y
a
m
a
d
a
s
a
nwaa
p
an
ih
i
t
o
r
id
es
u
n
d
ei
m
a
s
u
.
Yamadal
i
v
e
si
nanapartmentbyh
i
m
s
e
l
f
.

K
a
z
o
k
u
UdeHawaier
y
o
k
s
h
i
t
a
.
1madeat
r
i
pt
oHawaiiw
i
t
ht
h
ewholef
a
m
i
l
y
.
7
.I
n
d
i
c
a
t
e
st
i
m
eora
g
e
:
when
a
tt
h
ea
g
eo
f
.
"
N
o
t
e
:C
o
m
p
a
r
en
i(#13
n
o
.3
)
.

4
.I
n
d
i
c
a
t
e
segr
s
t(
l
a
r
g
e
s

ts
m
a
l
l
e
s
t

l
e
a
s
t

o
l
d
e
s
t

n
e
w
e
s
t

e
t
c
.
)

S
e
k
a
id
ei
c
h
i
b
a
nt
a
k
a
iyamawan
a
nd
e
s
uk
a
.
Wha
t
i
s eh
i
g
h
e
s
tn
i
o
u
n
t
a
i
ni
nt
h
ewo
r
1
d
?

K
o
r
ewak
o
n
omurad
ei
c
h
i
b
a
nr
u
io
t
e
r
ad
e
s
u
.
T
h
i
si
st
h
eo
l
d
e
s
tt
e
m
p
l
ei
nt
h
ev
i
l
l
a
g
e
.
5
.I
n
d
i
t
e
samountands
c
o
p
e
:
M.
e
s
p
a
c
e(
n
e
)o
f

i
n

f
o
r

1
Konohon i
c
h
i
i
k
a
nd
eyomemasuy
o
.
Youc
a
nr
e
a
dt
h
i
sbooki
nanh
o
u
r
.

2
5

Anos
h
i
j
i
nwan
i
j

u
g
o
s
a
id
es
h
i
n
d
a
.
l
a
tp
o
e
td
i
e
da
tt
h
ea
g
eoft
w
e
n
t
y
f
i
v
e
.

5
0

S
e
n
s
og
ao
w
a
t
t
er
a
i
n
e
nd
eg
o
j
u
n
e
nn
in
a
r
u
.
Nexty
e
a
rw
i
l
lbet
h
ei
e
y
e
a
rs
i
n
c
et
h
eware
n
d
e
d
.
8
.I
n
d
i
c
a
t
e
st
h
er
e
a
s
o
nf
o
rs
o
m
e
t
h
i
n
g
:
b
e
c
a
u
s
eo
f
.
"

B
y
o
k
id
er
y
o
k
on
ii
k
e
n
a
k
a
t
t
a
.
B
e
c
a
u
s
e1wass
i
c
k

1c
o
u
l
d
n
'
tgoont
h
et
r
i
p
.

;
2

N
J 5
'

N
I
2
.I
n
d
i
c
a
t
e
st
h
el
o
c
a
t
i
o
no
fana
c
t
i
o
n
:
i
n

a
t
.
"

Ta
dedenshagama .
Thet
r
a
i
ns
t
o
p
p
e
dona
c
c
o
u
n
to
ft
h
et
y
p
h
o
o
n
.

N
o
t
e
:I
nc
o
n
t
r
a
s
tt
ot
h
i
su
s
eo
fn~ d
e(#12
n
o
.1
)i
su
s
e
dt
oi
n
d
i
c
a
t
eao
n
e
t
i
m
eo
rs
h
o
r
t
t
e
r
ma
c
t
i
o
n
.
a
)Usedw
i
t
hc
e
r
t
a
i
n
n
o
n
a
c
t
i
o
n
"v
e
r
b
s
whichi
m
p
l
yt
h
a
tt
h
e
s
u
b
j
e
c
ti
sp
e
r
m
a
n
e
n
t
l
yl
o
c
a
t
e
di
nt
h
ep
l
a
c
eo
fa
c
t
i
o
n
.

I
I
[NII

1
.I
n
d
i
c
a
t
e
swhereap
e
r
s
o
no
rt
h
i
n
gi
s
:
i
n

a
t

o
n
.
"

Yamadas
a
nwag
e
n
z
a
iY
o
t
s
u
y
an
is
u
n
d
ei
m
a
s
u
.
Yamadal
i
v
e
si
nYo
t
s
u
y
aa
tp
r
e
s
e
n
.
t

a
)I
n
d
i
c
a
t
e
sac
o
n
c
r
e
t
ep
l
a
c
e
.

Y
a
m
a
d
a
s
e
n
s
e
iwa

i
m
at
o
s
h
ok
a
nn
ii
r
a
s
s
h
a
i
m
u
.
P
r
o
f
e
s
s
o
rYamadai
si
nel
i
b
r
a
r
ynow.

T
e
r
a
d
a
s
a
nwaS
h
i
n
j
u
k
un
og
i
n
k
on
it
s
u
t
o
m
e
t
ei
m
a
s
u
.
Teradaworks(
i
sw
o
r
k
i
n
g
)a
tabanki
nS
h
i
uku.

Denwac
h
owat
s
u
k
u
en
ou
en
ia
r
i
m
a
s
u
.
Thephonebooki
sont
h
ed
e
s
k
.
b
)I
n
d
i
c
a
t
e
sana
b
s
t
r
a
c
tp
l
a
c
e
.

K
a
c
h
owai
m
ak
a
in
is
h
u
s
s
e
k
is
h
i
t
ei
m
a
s
u
.
Thes
e
c
t
i
o
nc
h
i
e
fi
snowi
nc
o
n
f
e
r
e
n
c
e
.

K
a
r
ewai
m
ad
emoe
n
g
e
k
i
k
a
in
ik
u
n
r
i
ns
h
i
t
ei
m
a
s
u
.
Evennowher
u
l
e
so
v
e
r[
d
o
m
i
n
a
t
e
s
]t
h
et
h
e
a
t
r
i
c
a
lw
o
r
l
d
.

N
o
t
e
:Thev
e
r
b
sh
a
t
a
r
a
k
ua
n
ds
h
i
g
o
t
o0s
u
r
u(
t
ow
o
r
k
)a
r
ep
r
e
c
e
d
e
db
yd
e
.
b
)Usedw
i
t
hv
e
r
b
sa
ti
n
d
i
c
a
t
et
h
a
tana
c
t
i
o
nh
a
st
a
k
e
n(
o
ri
st
o
t
a
k
e
)p
l
a
c
eand
.
!
!resultingconditioni
s(
o
rw
i
l
lb
e
)s
t
a
t
i
c
.l
e
l
a
s
ts
e
n
t
e
n
c
ee
x
e
m
p
l
i
f
i
e
st
h
ep
a
r
e
n
t
h
e
t
i
c
a
ld
e
f
i
n
i
t
i
o
n
.

Anoi
s
un
is
u
w
a
t
t
eh
o
n0y
o
n
d
ei
r
uh
i
t
owa

d
a
r
ed
e
s
uk
a
.
Whoi
sep
e
r
s
o
r
is
i
t
t
i
n
g a
tc
h
a
i
ra
i
l
dr
e
a
d
i
n
gabook?

Yaman
ou
en
iy
u
k
ig
at
s
u
m
o
t
t
ei
m
a
s
un
e
.
Snowi
sp
i
l
e
dupont
o
po
ft
h
emountain
i
s
n
'
ti
t
.
/T
h
e
r
ei
ssnow
ont
h
emountaintop
i
s
n
'
tt
h
e
r
e
.

S
u
m
i
m
a
s
e
ng
a
k
a
b
en
ik
a
k
a
t
t
ei
r
uw
a
t
a
s
h
in
ok
o
t
o0 t
o
t
t
ek
u
r
e
masuk
a
.
Ex
c
u
s
eme
butwouldyoug
e
tmyc
o
a
th
a
n
g
i
n
gont
h
ewa
l
l
?

5
4

NI

NI 5
5

S
h
i
n
b
u
nwat
s
u
k
u
en
ou
en
io
i
t
ek
u
d
a
s
a
i
.

a
)I
n
d
i
c
a
t
e
smovementfroml
a
r
g
e
rt
os
m
a
l
l
e
rphy
s
i
c
a
l
pl
a
c
e.

P
l
e
a
s
ep
u
ten
e
w
s
p
a
p
e
ront
h
ed
e
s
k
.

3
.I
n
d
i
c
a
t
e
st
i
m
e
:
a
t

on
i
n
;e
v
e
r
y

p
e
r
.
"

P
l
e
a
s
eb
o
a
r
dt
h
eb
u
si
no
n
tofTokyos
t
a
t
i
o
n
.

a
)I
n
d
i
c
a
t
e
st
h
es
p
e
c
i
ct
i
m
ea
twhichs
o
m
e
t
h
i
n
gt
a
k
e
sp
l
a
c
e
.

P
l
e
a
s
ed
o
n
'
tsmokea
e
re
n
t
e
r
i
n
gt
h
eo
f
f
i
c
e
./P
l
e
a
s
edon
'
tsmoke
i
n
s
i
d
e eo
c
e
.

T
o
k
y
oe
k
in
omaed
eb
a
s
un
in
o
t
t
ek
u
d
a
s
a
i
.

o
f
t
s
un
ih
a
i
t
t
a
r
a

t
a
b
a
k
owas
u
w
a
n
a
id
ek
u
d
a
s
a
i
.
K
a
i
s
h
awak
u
j
i
n
ih
a
j
i
m
a
r
i
m
a
s
u
.
Work[
t
h
e0]b
e
g
i
n
sa
tn
i
n
eo
'
c
l
o
c
k
.

G
e
t
s
u
y
o
b
in
ik
aei
k
i
m
a
s
u
.

I
'
mg
o
i
n
gt
oOsakaonMonday.

b
)I
n
d
i
c
a
t
e
st
h
ei
n
t
e
r
v
a
lo
ft
i
m
ed
u
r
i
n
gwhichs
o
m
e
t
h
i
n
gt
a
k
e
s
p
l
a
c
e
.

b
)I
n
d
i
c
a
t
e
smovementoml
a
r
g
e
rt
os
m
a
l
l
e
ra
b
s
t
r
a
c
tp
l
a
c
e
.

K
y
o
n
e
nW
a
t
a
n
a
b
e
s
a
nwar
e
k
i
s
h
i
g
a
k
k
a
in
ih
a
i
t
t
a
.
L
a
s
ty
e
a
rW
a
t
a
r
t
a
b
ej
o
i
n
e
dah
i
s
t
o
r
i
c
a
ls
o
c
i
e
t
y
.

A
n
a
t
awab
o
k
un
o4
m
en
on
a
k
an
in
a
n
d
omod
e
t
ek
i
m
a
s
h
i
t
a
.
1 1
I
s
s
h
u
k
a
nn
ii
c
h
i
d
ot
e
n
i
s
u0s
h
i
m
a
s
u
.

Youh
a
v
ea
p
p
e
a
r
e
d mydreamsanynumbero
ft
i
m
e
s
.

1p
l
a
yt
e
n
n
i
sonceawee
k
.

5
.I
n
d
i
c
a
t
e
smovementt
o
w
a
r
dap
l
a
c
e
:
t
o
."

N
o
t
e
:E(#14
n
o
.1
)c
a
na
1
s
ob
eu
s
e
dh
e
r
e
.

Konob
a
s
uwas
a
n
j
i
p
p
u
no
k
in
ik
i
m
a
s
u
.
T
h
i
sb
u
scomese
v
e
r
yi
r
t
ym
i
n
u
t
e
s
.
4.I
n
d
i
c
a
t
e
smovementfromal
a
r
g
e
rt
oas
m
a
l
l
e
rp
l
a
c
e(
e
.
g
.
fromat
r
a
i
np
l
a
t
f
o
r
mi
n
t
oat
r
a
i
n
o
rfromt
h
el
a
yw
o
r
l
di
n
t
oa
r
e
l
i
g
i
o
u
so
r
g
a
n
i
z
a
t
i
o
n
)
:
i
n
i
n
t
o
.
"
N
o
t
e
:C
o
n
t
r
a
s
tw
i
t
h0(
#
1
8
n
o.
6
).

A
m
e
r
i
c
an
ii
k
i
t
a
i
.
1wantt
ogot
oA me
r
i
c
a
.
o

]
o
n
s
a
nwag
i
n
k
on
ii
k
i
m
a
s
h
i
t
ay
o
.
J
o
h
nwentt
ot
h
ebank

youknow.

56

N
I 5
7

N
I
6.I
n
d
i
c
a
t
e
st
h
eo
b
j
e
c
tofana
c
t
i
o
n
:
t
o
.
I
1t
h
i
su
s
a
g
e

emayn
o
tb
eu
s
e
d
.
N
o
t
e
:I

a
)Useda
f
t
e
ran
o
u
n
.l
ed
i
s
t
i
n
c
t
i
o
nbetweeni
su
s
a
g
eand
a
ti
nn
o
.5i
sa
th
e
r
et
h
enouni
m
p
l
i
e
sana
c
t
i
o
n(
e
.
g
.

g
o
i
n
g
s
h
o
p
p
i
n
g

s
e
e
i
n
gKab
i
)
.

Kaimonon
ii
k
i
m
a
s
u
.
I
'm g
o
i
n
gs
h
o
p
p
i
n
g
.

K
u
r
i
s
u
m
a
s
un
it
o
m
o
d
a
c
h
in
ip
u
r
e
z
e
nom
o
r
at
t
a
.
1r
e
c
e
i
v
e
dap
r
e
s
e
n
tfrommyi
e
n
da
tC
h
r
i
s
t
m
a
s.

K
i
n
oF
u
r
a
n
s
un
ii
r
uN
a
n
s
h
in
it
e
g
a
m
i0d
a
s
h
i
t
ea
g
e
t
a
.
Y
e
s
t
e
r
d
a
y1s
e
n
tal
e
t
t
e
rt
oNancy F
r
a
n
c
e.
8
.I
n
d
i
c
a
t
e
st
h
er
e
s
u
l
to
fac
h
a
n
g
eo
ranimpendingc
h
a
n
g
e
.

A
s
h
i
t
awak
a
b
u
k
in
ii
k
ut
s
u
m
o
r
id
e
s
u
.

J
o
n
s
a
nwad
a
i
g
a
k
u0s
o
t
s
u
g
y
os
h
i
t
e

i
s
h
an
in
a .
Johng
r
a
d
u
a
t
e
domu
n
i
v
e
r
s
i
t
yandbecamead
o
c
t
o
r
.

1p
l
a
nt
ogot
o[
s
e
e
]Kabukitomorrow.
b
)Useda
e
rt
h
eb
a
s
eofam
a
s
uv
e
r
b
.

Moo
h
i
r
ud
e
s
uk
a s
h
o
k
u
j
i0s
h
in
ii
k
i
m
a
s
e
nk
a
.
S
i
n
c
ei
t
'
snoona
l
r
e
a
d
y

s
h
a
l
lwegot
oe
a
tl
u
n
c
h
?

K
i
n
o
s
h
i
t
a
s
a
nwat
o
m
o
d
a
c
h
i0m
u
k
a
en
iN
a
T
m
aded
e
k
a
k
e
m
h
i
t
l

K
i
n
o
s
h
i
t
awento
u
tt
oN
a
r
i
t
a[
A
i
o
r
t
]t
omeet[
p
i
c
ku
p
]ai
e
n
d
.
7
.I
n
d
i
c
a
t
e
st
h
er
e
c
i
p
i
e
n
to
fana
c
t
i
o
n(
i
nE
n
g
l
i
s
h
e
q
u
i
v
a
l
e
n
tt
o
t
h
ei
n
d
i
r
e
c
to
b
j
e
c
t
):

t
oom

N
o
t
e
:Whe
nt
h
em
e
a
n
i
n
gi
s
t
o
>
>e
mayr
e
p
l
a
c
en
i
jw
h
e
nt
h
em
e
a
n
i
n
gi
s

om

"k
a
r
amayr
e
p
l
a
c
en
i
.

K
u
r
i
s
u
m
a
s
un
iwat
o
m
o
d
a
c
h
in
ip
u
r
e
z
e
n
t
o0a
g
e
r
u
.
Weg
i
v
ep
r
e
s
e
n
t
st
oouri
e
n
d
sa
tC
h
r
i
s
t
m
a
s.

3
Konok
e
k
i0m
i
t
t
s
un
iw
a
k
e
t
ek
u
d
t
.
P
l
e
a
s
ed
i
v
i
d
ei
sc
a
k
ei
n
t
ot
h
r
e
e[
p
a
r
t
s
]
.

W
a
t
a
n
a
b
e
s
a
nwas
h
i
g
o
t
on
os
h
i
s
u
g
id
eb
y
o
k
in
in
a
t
t
a
.
Watanabebecomei
l
lfromoverwor
k
.
9

.I
n
d
i
c
a
t
e
sac
o
n
d
i
t
i
o
na
l
r
e
a
d
y
i
I
le
x
i
s
t
e
n
c
e(
u
s
u
a
l
l
yf
o
l
l
o
w
e
d
byn
a
t
t
ei
r
u
ande
q
u
i
v
a
l
e
n
tt
ot
h
eE
n
g
l
i
s
h
be"

Konot
a
t
e
m
o
n
on
omwagal
o
s
h
i
un
in
at
t
ei
mu
.
Ther
i
g
h
ts
i
d
eo
ft
h
i
sb
u
i
l
d
i
n
gi
sad
a
s
s
r
o
o
m
.

H
o
t
e
r
un
omaeg
ab
i
c
h
in
in
a
t
t
ei
m
a
s
u
.
I
no
n
to
ft
h
eh
o
t
e
li
sab
e
a
c
h
.(
L
i
t
.Thef
r
o
n
to
ft
h
eh
o
t
e
li
sa
b
e
a
c
h.
)

5
8

NI 5
9

NI

1
0
.I
n
d
i
c
a
t
e
st
h
ea
g
e
n
to
fa veverb(
ep
e
r
s
o
no
rt
h
i
n
gp
e
r
b
y
.
"
.
.
f
o
r
r
n
i
n
gt
h
ea
c
t
i
o
n
)
:

D
e
n
s
h
an
on
a
k
ad
e

s
u
r
in
io
k
a
n
e0t
o
r
a
t
e
t
a
.
Mymoneywast
e
nbyap
i
c
k
p
o
c
k
e
ti
nt
h
et
r
a
.

I
en
ik
a
e
r
ut
o
c
h
ud
eamen
if
u
r
a
r
e
t
a
.
Onmywayhome1g
o
tr
a
i
n
e
do
n
.(
L
i

.
t1wasf
a
l
l
e
nonbyt
h
er
n
.
)
11
.I
n
d
i
c
a
t
e
st
h
ep
e
r
s
o
n
(
s
)madet
odos
o
m
e
t
h
i
n
gi
nac
a
u
s
a
t
i
v
e
s
e
n
t
e
n
c
e
.

S
e
n
s
e
iwag
a
k
u
s
e
in
ik
a
n
j
i0k
a
k
a
s
e
m
a
s
h
i
t
a
.
Thet
e
a
c
h
e
rhadt
h
es
t
u
d
e
n
t
sw
r
i
t
ek
a
n
j
i
.

Kodomot
a
c
h
in
ih
o
n0y
o
m
a
s
e
r
uk
o
t
owat
o
t
e
m
ot
a
i
s
e
t
s
ud
a
.
I
ti
sv
e
i
m
p
o
r
t
a
n
tt
oh
a
v
ec
h
i
l
d
r
e
nr
e
a
db
o
o
k
s
.
1
2
.I
n
d
i
c
a
t
e
st
h
ea
g
e
n
to
fac
a
u
s
a
t
i
v
e
p
a
s
s
i
v
ev
e
r
b(
ep
ersonor
t
h
i
n
gp
e
r
f
o
r
m
i
n
gt
h
ea
c
t
i
o
n
)
:
by

G
a
k
u
s
e
iwas
e
n
s
e
in
ik
a
n
j
i0k
a
k
a
s
a
r
e
m
a
s
h
i
t
a
.
Thes
t
u
d
e
n
t
sweremadet
ow
r
i
t
ek
a
n
j
ibyt
h
et
e
a
c
h
e
r
.

W
a
t
a
s
h
iwak
o
d
o
m
on
ot
o
k
i
h
a
h
an
ik
i
r
a
in
amonomot
a
b
e
s
a
s
e

r
a
r
e
m
a
s
h
i
t
a
.
When1wasac
h
i
l
d

1wasmadet
oe
a
te
v
e
nt
h
i
n
g
s1d
i
s
l
i
k
e
dby
mymother(mymothermademee
a
tf
o
o
d1d
i
d
n
'
tl
i
k
e
)
.

1
3
.J
o
i
n
snouns(
u
s
u
a
l
l
yt
h
r
e
eo
rm
o
r
e
)
:
and
.
"

N
o
t
e:l
i
su
s
a
g
eo
fn
ii
se
q
u
i
v
a
l
e
n
tto(#6
I

)
1b
u
ti
sm
o
r
ec
o
m
m
o
n
l
y
f
o
u
n
di
nw
r
i
t
i
n
g
.

5
0
n
o.
n
i
s
h
s
e
k
is
h
i
t
ah
i
t
ow
C
h
u
g
o
k
u
j
i
nn
i

K
a
n
k
o
k
uj
i
nn~
N
i
h
o
n
j
i
nd
a .
Thep
e
o
p
l
ea
t
t
e
n
d
i
n
gt
h
ec
o
n
f
e
r
e
n
c
ewereC
h
i
n
e
s
e
K
o
r
e
a
n
s
and
J
a
p
a
n
e
s
e
.

P
a
t
in
onomimonowa

N
i
h
o
n
s
h
un
i
u
i
s
u
k
in
i
w
a
i
nd
e
s
h
i
t
a
.
Thed
r
i
n
k
s[
a
v
a
i
l
a
b
l
e
]a
tt
h
ep
a
r
t
yweres
a
k
whiskey

andw
i
n
e
.
1
4
.I
n
d
i
c
a
t
e
sap
a
i
ro
fp
e
o
p
l
eo
rt
h
i
n
g
st
h
a
ta
r
ecommonlyment
i
o
n
e
dt
o
g
e
t
h
e
r
:
a
n
d
.
"

Romeon
iJ
u
r
i
e
t
t
o
.
RomeoandJ
u
l
i
e
t
.

F
u
j
i
s
a
nn
ig
e
i
s
h
a
.
Mt
.Fiandg
e
i
s
h
a(
ah
a
c
k
n
e
y
e
dp
h
r
a
s
ei
nr
e
f
e
r
e
n
c
et
oJ
a
p
a
n
)
.
1
5
.I
n
d
i
c
a
t
e
st
h
eb
a
s
i
sonwhich

o
rmeansbywhich
ana
c
t
i
o
n
t
a
k
e
sp
l
a
c
e(
u
s
u
a
l
l
yu
s
e
dw
i
t
ht
h
ev
e
r
b
smo
zuku(tobebased
o
n
)andy
o
r
u(owingt
o
)
.

o
Anoe
i
g
away
u
m
e
in
as
h
o
s
e
un
im
o
t
o
z
u
i
t
et
s
u
k
u
r
a
r
e
m
h
i
.
Thatmoviewas[
m
a
d
e
]b
a
s
e
donafamousnove
.
J

KARA 61

T
e
r
e
b
i
n
o
kyun
iy
o
t
t

eg
a
i
k
o
k
un
oy
o
s
ug
ay
o
k
uw
a
k
a
r
uy
on
in
a
t
t
a
.
l
a
n
k
s
t
o es
p
r
e
a
d[
o
w
i
n
gt
ot
h
es
p
r
e
a
d
]o
ft
e
l
e
s
i
o
n

we[
n
o
w
]
h
a
v
eab
e
t
t
e
ru
n
d
e
r
s
t
a
n
d
i
n
gofc
o
n
d
i
t
i
o
n
si
nf
o
r
e
i
g
nc
o
u
n
t
r
i
e
s
.

Y
u
g
a
t
aK
a
w
a
d
a
s
a
ned
e
n
w
a0k
a
k
e
t
ag
a

i
n
a
k
a
t
t
a
.
1t
e
l
e
p
h
o
n
e
dKawadai
nt
h
ee
v
e
n
i
n
g

buthew
a
s
n
'
tt
h
e
r
e.

Kawadas
a
nen
od
e
n
w
ag
aa
t
t
an
owan
a
n
j
id
e
s
h
i
t
ak
a
.
Wha
tt
Im
ed
i
dt
h
a
tphonec
a
l
lcomef
o
rKawada?

N
o
t
e
:I
nb
o
t
ho
ft
h
e a
g
e
sb
e
l
o
w
n
imayr
e
p
1
a
c
eEe
x
c
e
p
twhenei
sf
o
1
o(
a
si
nt
h
e1
a
s
ts
e
n
t
e
n
c
eo
fn
o
.2
)
1
0
w
e
db
yn

1
.I
n
d
i
c
a
t
e
sad
i
r
e
c
t
i
o
no
rg
o
a
l
o
rad
e
s
t
i
n
a
t
i
o
ntowardwhich
t
o

onei
smovingo
ra
twhichoneh
a
sa
r
r
i
v
e
d
:

1
.Followsnounsandthe-teformofverbs:om."
l
. Ae
rnounsi
n
d
i
c
a
t
e
st
h
et
i
m
ea
twhichs
o
m
e
t
h
i
n
gb
e
g
i
n
s
:

from

a
t
.
"

I
t
s
uK
y
o
t
oei
k
i
m
a
s
uk
a
.
Whena
r
eyoug
o
i
n
gt
oK
y
o
t
o
?

9 5

G
i
n
k
owak
u
j
ik
a
r
aa
i
t
ei
m
a
s
u
.

Banksa
r
eopenfromn
i
n
eo
'
c
l
o
c
k
./BSopena
tn
i
n
e
.

T
a
n
i
g
u
c
h
i
s
a
nwak
i
n
oA
m
e
r
i
k
aes
h
u
p
p
a
t
s
us
h
i
m
a
s
h
i
t
a
.
T
a
n
i
g
u
c
h
il
e
f
tf
o
rt
h
eU
n
i
t
e
dS
t
a
t
e
sy
e
s
t
e
r
d
a
y
.

Konoh
i
k
ok
iwa

r
o
k
u
j
in
iN
a
r
i
t
ak
u
k
oet
o
c
h
a
k
us
h
i
m
a
s
h
i
t
a
.

R
A
I

1 54
N
i
h
g
.
onokurasuwai
c
h
i
j
ik
a
t
ay
o
j
ir
r
t
a
d
ed
e
s
u
.
J
a
p
a
n
e
s
ec
l
a
s
sl
a
s
t
somonet
of
o
u
r0
'
c
l
o
c
k
.

T
h
i
sa
i
r
p
l
a
n
ea
r
r
i
v
e
da
tN
a
r
i
t
aA
i
r
p
o
a
ts
i
x0
'c
l
o
c
k
.
2
.I
n
d
i
c
a
t
e
st
h
er
e
c
i
p
i
e
n
to
f t
i
o
n(
i
nE
n
g
l
i
s
h

e
q
u
i
v
a
l
e
n
tt
o
t
o

t
h
ei
n
d
i
r
e
c
to
b
j
e
c
t
)
:

G
a
i
k
o
k
un
ii
r
ut
o
m
o
d
a
c
h
iet
e
g
a
m
i0k
a
i
t
a
.
1w
r
o
t
eal
e
t
t
e
rt
oai
e
n
da
b
r
o
a
d
.

2
.A
f
t
e
rnouns
i
n
d
i
c
a
t
e
st
h
ep
l
a
c
eomwhichs
o
m
e
t
h
i
n
gbe
g
i
n
s
:

from

a
t
.
"

M
a
r
a
s
o
nwak
o
k
ok
a
r
as
h
u
p
p
a
t
s
us
h
i
m
a
s
u
.
l
emarathons
t
a
r
t
s[
f
r
o
m
]h
e
r
e
.

KARA 6

KARA

5
S
h
a
c
h
owaP
a
r
ik
a
r
ah
i
k
o
k
id
eS
u
p
e
i
nei
k
u
m
a
s
u
.
Thecomp yp
r
e
s
i
d
e
n
tw
i
l
lg
ofromP
a
r
i
st
oS
p
a
i
nbyp
l
a
n
e
.
.Cer
t
a
i
ni
d
i
o
m
a
t
i
cu
s
a
g
e
si
nw
h
i
c
hf
i
g
u
r
a
t
i
v
er
e
f
e
r
e
n
c
e
st
op
l
a
c
e
a
r
e
m
a
d
e
.

5
S
h
i
n
b
u
n0s
u
m
ik
a
r
as
u
m
imadey
o
n
d
a
.
1r
e
a
dt
h
en
e
w
s
p
a
p
e
romb
e
g
i
n
n
i
n
gt
oe
n
d
.(Lit.~
t
oc
o
r
n
e
r
.
)

fromcorner

5
Onnan
oh
i
t
on
omek
a
r
am
i
r
e
b
a
Nihonn
iwamadas
a
b
e
t
s
ug
a
t
a
k
u
s
a
na
r
u
.
Fromawoman'sv
i
e
w
p
o
i
n
t

t
h
e
r
ei
ss
t
al
o
to
(d
i
s
c
r
i
m
i
n
a
t
i
o
n
L
o
o
k
i
n
gfromawoman'se
y
e
s)
i
nJ
a
p
a
n
.(
L
i
t
.
4.A
f
t
e
r.
et
eformo
fv
e
r
b
si
n
d
i
c
a
t
e
st
h
a
ta
na
c
t
i
o
nb
e
g
i
n
s
r
e
v
i
o
u
sonee
n
d
s
:
a
e
r
.
"
i
m
m
e
d
i
a
t
e
l
y
a
f
t
e
r ep
5
Kow
a
t
a
s
h
iwas
h
i
g
o
t
g
ao
w
a
t
t
ek
a
r
ak
a
i
m
o
n
oo
s
h
i
m
a
s
h
i
t
a
.
Y
e
s
t
e
r
d
a
y1wents
h
o
p
p
i
n
ga
e
rf
i
n
i
s
h
i
n
gwor
k
.
5
A
s
h
i
t
an
oy
o
r
u

s
h
o
k
u
j
i0s
h
i
t
ek
a
r
ae
i
g
a0m
i
m
a
s
e
nk
a
.
Howa
b
o
u
ts
e
e
i
n
gam
o
v
i
etomorrown
i
g
h
ta
e
r[
h
a
v
i
n
g
]d
i
n
n
e
r
?

5
.A
f
t
e
re t
eformo
fv
e
r
b
si
n
d
i
c
a
t
e
st
h
ep
a
s
s
a
g
eoft
i
m
e
:

f
o
r

s
i
n
c
e

55
Y
a
m
a
d
a
s
a
ng
ad
a
i
g
a
k
u0s
o
t
s
u
g
y
os
h
i
t
ek
a
r
ag
o
n
e
nn
in
a
r
i
m
a
s
u
.
F
i
v
ey
e
a
r
sh
a
v
ep
a
s
s
e
ds
i
n
c
eYamadag
r
a
d
u
a
t
e
dfromc
o
l
l
e
g
e
.
2 520
Anof
u
t
a
r
ig
ak
e
k
k
o
ns
h
i
t
ek
a
r
an
i
j
u
n
e
nd
as
od
e
s
u.
1u
n
d
e
r
s
t
a
n
dt
h
a
ti
ti
st
w
e
n
t
yy
e
a
r
ss
i
n
c
et
h
o
s
etwow
e
r
em
a
r
r
i
e
d
.
J1h
e
a
ra
tt
h
o
s
etwoh
a
v
eb
e
e
nm
a
r
r
i
e
df
o
rt
w
e
n
t
yy
e
a
r
s.
.
f
r
o
m
.
"
6
.I
n
d
i
c
a
t
e
sm
a
t
e
r
i
a
l
su
s
e
d
:
N
o
t
e
:K
a
r
a
a
n
dd
e
(
#
1
2

n
o
.3
) e
s
i
m
i
l
a
r
i
n

a
g
e
.
H
o
w
e
v
e
r

t
h
ef
o
r
r
n
e
rt
e
n
d
s
t
oa
c
c
o
m
p
a
n
ym
a
t
e
r
i
a
l
st
h
a
ta
r
et
h
er
e
s
u
l
to
fas
o
m
e
w
h
a
tc
o
m
p
l
e
xp
r
o
c
e
s
s
w
h
e
r
e
a
st
h
el
a
t
t
e
ri
sg
e
n
e
r
a
l
l
yu
s
e
dw
i
t
hm
a
t
e
r
i
a
l
st
h
a
tr
e
t
a
i
n
o
ra
p
p
e
a
rt
o

t
h
e
i
ro
r
i
g
i
n
a
ls
t
a
t
e

s
u
c
ha
sw
o
o
d

r
o
c
k

l
e
a
t
h
e
r

p
a
p
e
r

a
n
dg
l
a
s
s.
r
e
t
a
i
n
5
Wainwab
u
d
ok
a
r
at
s
u
k
u
r
i
m
a
s
u
.
Winei
smadefromg
r
a
p
e
s
.
5
T
twananikarat
s
u
k
u
r
uk
as
h
i
t
t
ei
m
a
s
uk
a
.
Doyouknowwhatt
o
f
ui
smadef
r
o
m
?
i
v
ev
e
r
b(
ep
e
r
s
o
no
rt
h
i
n
gpe
r
7
.I
n
d
i
c
a
t
e
st
h
ea
g
e
n
to
fap s
by

f
o
r
m
i
n
gt
h
ea
c
t
i
o
n
)
:
N
o
t
e
:T
h
ea
g
e
n
to
fap
s
i
v
ev
e
r
bi
su
s
u
a
l
l
yi
n
d
i
c
a
t
e
db
yn
i

b
u
tk
ar
ama
y
i
t
hn
ob
a
s
i
cc
h
a
n
g
ei
nm
e
a
n
i
n
g

w
h
e
n(
1
)t
h
en
o
u
np
r
e
c
e
d
i
n
g
r
e
p
l
a
c
en~ w
k
a
r
ac
a
nb
ep
e
r
c
e
i
v
e
dm
o
r
ea
st
h
es
o
u
r
c
eo
f
a
na
c
t
i
o
nt
h
a
na
st
i
sa
g
e
n
t
a
n
d
(
2
)w
h
e
nk
a
r
am
a
k
e
st
h
em
e
a
n
i
n
gc
l
e
a
r
e
rb
ya
v
o
i
d
i
n
gar
e
p
e
t
i
t
i
o
no
fn
i(

MADE 6
5

ef
i
r
s
te
x
a
m
p
l
eb
e
l
o
w
)
.Exa
m
p
l
e
so
fo
t
h
e
rv
e
r
b
si
nc
o
n
j
u
n
c
t
i
o
nw
i
t
h
l
i
c
hk
a
r
ac
a
nr
e
p
l
a
c
en
ia
r
ea
is
u
r
u(
t
ol
o
v
e
)
k
i
k
u(
t
oa
s
k
)
m
e
i
r
e
is
u
r
u(
t
o
s
h
i
k
a
r
u(
t
os
c
o
l
d
)
s
h
i
r
a
b
e
r
u(
t
oe
x
a
m
i
n
e
)
.
d
e
r
)

2
.Usedt
r
a
i
l
i
n
g
l
ya
tt
h
eendo
fas
e
n
t
e
n

i
n
d
i
c
a
t
e
sc
e
n
s
u
r
eo
r
warningt
ot
h
el
i
s
t
e
n
e
r
:oyouhadb
e
t
t
e
r
.
"

S
o
n
n
ak
o
b
a
k
a
r
ii
t
t
ei
r
uminnan
ik
i
r
a
w
a
r
e
r
uk
a
r
a.

a
t
a
s
h
iwat
a
i
s
h
ik
a
r
ap
a
t
in
is
h
o
t
a
is
a
r
e
m
a
s
h
i
t
a
.

I
fyous
a
yo
n
l
yt
h
o
s
ek
i
n
d
soft
h
i
n
g
s
y
o
u
'
r
eg
o
i
n
gt
obed
i
s
l
i
k
e
d
byeveryone[
s
os
t
o
ps
a
y
i
n
gt
h
e
m
]
./Ifyouk
e
e
ps
a
y
i
n
gt
h
i
n
g
s
l
i
k
t
h
a
t

p
e
o
p
l
ea
r
e
n
'
tg
o
i
n
gt
ol
i
k
ei
t
.

H
a
si
n
v
i
t
e
dt
oap
a
r
t
ybyt
h
ea
m
b
a
s
s
a
d
o
r
.
2 5

i
n
ok
a
c
h
ok
a
r
as
h
i
k
a
r
a
r
e
t
a
.
H
a
ss
c
o
l
d
e
dbyt
h
es
e
c
t
i
o
nc
h
i
e
fy
e
s
t
e
r
d
a
y
.

5
.
.
.
.
.

B
e
n
k
y
s
h
i
n
a
is
h
i
k
e
nn
ig
o
k
a
k
ud
e
k
i
n
a
ik
a
r
a.
.
.
Ifyoud
o
n
'
ts
t
u
d
y

youw
o
n
'
tb
ea
b
l
et
op
a
s
st
h
eexam[
s
oyou
hadb
e
t
t
e
rs
t
u
d
y
]
.

Followsverbsanda
d
j
e
c
t
i
v
e
stoinditeacauseor
~ason: since be
u
se."

s
i
n
c
e
beuse."
I
n
d
i
c
a
t
e
sac
a
u
s
eo
rr
e
a
s
o
n
:

a
r
ac
a
nb
er
e
p
l
a
c
e
db
yn
od
e(#26) t
h
i
su
s
a
g
e
.I
ng
e
n
e
r
a
l

(
1
)k
a
r
a
o
t
e
:K
d
i
c
a
t
e
sam
o
r
es
u
b
j
e
c
t
i
v
er
e
a
s
o
n

n
od
eamoreo
b
j
e
c
t
i
v
eo
n
e
;a
n
d(
2
)n
od
e
s
o
f
t
e
ra
n
dm
o
r
ep
o
l
i
t
e k
a
r

: 5
o
g
l
h
i
k
a
t
t
ak
a
r
a.
w
a
t
a
s
h
i
t
a
c
h
iw~ k
o
e
nei
k
i
m
J
l
S
e
nt
J
.
e
s
h
i

.
l
ed
i
d
n
'
tgot
ot
h
ep
a
r
kb
e
c
a
u
s
eweweret
o
ob
u
s
y
.

S
n
or
e
s
u
t
o
r
a
nway

u
ik
a
r
ai
t
s
umok
o
n
d
ei
m
a
s
u
.
h
a
tr
e
s
t
a
u
r
a
n
ti
si
n
e
x
p
e
n
s
i
v
e

s
oi
t
'
sa
1
waysc
r
o
w
d
e
d
.

l
MADEI
1
.I
n
d
i
c
a
t
e
sat
i
m
el
i
m
i
t
a
t
i
o
nf
o
ra
c
t
i
o
n
so
re
v
e
n
t
s(
o
f
t
e
np
a
i
r
e
d
wi
k
a
r
a
)
:u
n
t
i
l

t
i
l
l
t
o
.
"

9 5
Konok
a
i
s
h
an
os
h
a
i
n ki
k
a
r
ag
o
j
imadeh
a
t
a
r
a
k
i
m
a
s
u
.
Thee
m
p
l
o
y
e
e
so
fi
smpanyworkfromn
i
n
eo
'
c
I
ockt
i
l
lf
i
v
e
c
I
oc
k
.
o
'
8

Konod
e
p
a
t
owa

d
o
y
o
b
in
i
c
h
i
y
o
b
iwah
a
c
h
i
j
imaded
e
s
u
.
T
h
i
sd
e
p
a
r
t
m
e
n
ts
t
o
r
ei
sopenu
n
t
i
le
i
g
h
to
'c
I
ockonS
a
t
u
r
d
a
y
s
andS
u
n
d
a
y
s
.

MAD
E 6
7

6. MADE

2
.I
n
d
i
c
a
t
e
st
h
ep
l
a
c
et
owhichana
c
t
i
o
ne
x
t
e
n
d
s(
o
f
t
e
np
a
i
r
e
d
w
i
t
hk
a
r
a
)
:
t
o
.
"

S
a
i
t
owasa
p
p
a
r
e
n
t
1
yevenc
o
n
t
e
m
p
l
a
t
i
n
gs
u
i
c
i
d
ei
fs
h
ewe
r
eu
n
a
b
l
e
t
heman.
tom

Konoh
i
k
ok
iwaT
o
k
y
ok
a
r
aH
o
n
o
r
u
r
umadei
k
i
m
a
s
u
.

S
o
n
or
y
o
s
h
i
nwakodomon
ob
y
o
k
ig
an
a
o
r
un
a
r
a
z
e
n
z
a
i
s
a
n0
s
u
t
e
t
emoit
omadek
a
n
g
a
e
t
ei
t
a
.
I
ft
h
e
i
rc
h
i
l
dwouldo
n
l
yg
e
tw
e
l
l

t
h
ep
a
r
e
n
t
st
h
o
u
g
h
ta
tt
h
e
y
woulde
v
e
ns
a
c
r
i
f
i
c
ea
l
lt
h
e
yo
w
n
e
d
.IThec
h
i
l
d
'
sp
a
r
e
n
t
sw
e
r
e
[
e
v
e
n
]p
r
e
p
a
r
e
dt
os
a
c
r
i
f
i
c
ea
l
le
yownedi
fon
1
yh
e
/
s
h
ewould
r
e
c
o
v
e
r
.

T
h
i
sp
l
a
n
eg
o
e
somTokyot
oH
o
n
o
l
u
l
u
.

K
o
k
ok
a
r
aKyo
madena i
k
a
nk
a
k
a
r
i
m
a
s
uk
a
.
Howl
o
n
gd
o
e
si
tt
a
k
et
og
e
tfromh
e
r
et
oK
y
o
t
o
?
3.I
n
d
i
c
a
t
e
st
h
ed
e
g
r
e
eo
fac
o
n
d
i
t
i
o
nbyc
i
t
i
n
gane
x
a
m
p
l
e(
e
.
g
.
i
ti
sn
o
tj
u
s
tc
o
l
d

i
ti
ss
oc
o
l
dt
h
a
tmyg
l
a
s
s
e
sh
a
v
ef
r
o
z
e
no
v
e
r
)
:

e
v
e
n
s
o.
.
.t
h
a
t
.
"

Kodomod
a
k
ed
en
a
k
uo
t
o
n
amade

s
o
n
ogemu0t
a
n
o
s
h
i
n
d
a
.
Noton
1
yt
h
ec
h
i
l
d
r
e
nb
u
te
v
e
nt
h
ea
d
u
l
t
se
oyed[
p
l
a
y
i
n
g
]t
h
a
t
g
a
m
e
.

S
o
n
oh
iyaman
ou
ewat
o
t
e
m
os
a
m
u
k
u
t
e

y
u
g
a
t
an
iway
u
k
imade
k
i
t
a
.
Thet
o
po
ft
h
emountainwasv
e
c
o
l
d a
td
a
y
;i
te
v
e
ns
t
a
r
t
e
d
s
n
o
w
i
n
gi
nt
h
ee
v
e
n
i
n
g
.IThemountaintopwass
oc
o
l
da
t
day a
ti
te
v
e
ns
t
a
r
t
e
dt
osnowi
nt
h
ee
v
e
n
i
n
g
.
*
4
.I
n
d
i
c
a
t
e
sa
ne
x
t
r
e
m
ec
o
n
d
i
t
i
o
n
.

S
a
i
t
o
s
a
nwa
a
n
oo
t
o
k
on
oh
i
t
ot
ok
e
k
k
o
nd
e
k
i
n
a
k
e
r
e
b
as
h
i
n
t
o
madeo
m
o
i
t
s
u
m
e
t
as
od
e
s
u.

5
.A
tt
h
eendo
fas
e
n
t
e
n
c
e
i
n
d
i
c
a
t
e
sal
i
m
i
t
a
t
i
o
no
re
x
t
e
n
t
:

i
sa
l
l
.
"

Kyowak
o
k
om
a
d
e
.
Tha
t
'sa
l
lf
o
rt
o
d
a
y
.(
L
i
t
Asf
o
rt
o
d
a
y

upt
oh
e
r
e
.
)

T
o
r
i
a
e
z
u
g
o
h
k
o
k
u
m
a
d
e
.
F
o
ry
o
u
rr
e
f
e
r
e
n
c
e
.(
L
i
tF
o
rt
h
emoment

a
sf
a
ra
sar
e
p
o
r
t
.
)

*
6
.I
nt
h
eformmademon
a
i(
w
h
i
c
hf
o
l
l
o
w
sv
e
r
br
o
o
t
s
)
emphas
i
z
e
se
x
t
e
n
to
rd
e
g
r
e
e
;t
h
ec
o
m
p
l
e
t
ep
h
r
a
s
emayb
et
r
a
n
s
l
a
t
e
d
:

t
h
e
r
ei
snoneedt
o
.
"

A
s
h
i
t
an
op
a
t
in
iwaw
a
z
a
w
a
z
ai
k
umademon
a
i
.
T
h
e
r
ei
snoneedt
ogoo
u
to
fo
n
e
'
sway[
t
omakeas
p
e
c
i
a
le
f
f
o
r
t
]
t
oa
t
t
e
n
dtomorro
w'
sp
a
r
t
y
.ITomorro
w'
sp
a
r
t
yi
sh
a
r
d
l
ywor

g
o
i
n
g
t
o
.

4
'

NO

I
umademon
a
ik
o
t
od
e
s
ug

k
o
n
ok
a
i
s
h
an
ok
e
i
e
i

j
o iwa

k
a
n
a
r
i
a
k
k
as
h
i
t
eim
u
.
N
e
e
d
l
e
s
st
os
a
y[
i
tg
o
e
sw
i
t
h
o
u
ts
a
y
i
n
gt
h
a
t
]
t
h
i
sc
o
m
p
a
n
y
'
so
p
e
r
a
t
i
o
n
sh
a
v
ed
e
t
e
r
i
o
r
a
t
e
dc
o
n
s
i
d
e
r
a
b
l
y
.

2.I
n
d
i
c
a
t
e
sp
o
s
i
t
i
o
no
rl
o
c
a
t
i
o
n
.

T
s
u
k
u
e
n
o i
s
unos
h
i
t

ag
a
onom
k
o
n
ot
a
t
e
m
o
n
o"0hi
r
o
.
ont
h
ed
e
s
k
]
;u
n
d
e
rt
h
ec
h
a
i
r
j
t
h
e[
a
r
e
a
Thet
o
po
f
t
h
ed
e
s
k[
i
l
;b
e
h
i
n
dt
h
i
sb
u
i
l
d
i
n
g
.
i
n
]f
r
o
n
to
f
t
h
es
c
h
o
o

3
.I
n
d
i
c
a
t
e
st
h
a
tt
h
ef
i
r
n
ounismodi
i
n
gt
h
es
e
c
o
n
di
nt
e
r
m
s
o
fk
i
n
do
rc
a
t
e
g
o

Nol
1
. Usedbetweentwonouns
indicatingthatthefirst
possessesori
srnodi
ringthesecond;alsousedinplace
ofgatoi
n
d
i
c
a
t
ethes
u
b
j
e
c
tinrnodi
ringdauses.
1
.I
n
d
i
c
a
t
e
sp
o
s
s
e
s
s
i
o
n
:'
s
J
'

Y
a
m
a
d
a
s
e
n
s
e
iwaE
i
g
onos
e
n
s
e
id
e
s
u
.
Ya
I
1
!
a
d
ai
sat
e
a
c
h
e
ro
fEn
g
1
i
s
h[
a
I
!En
g
1
i
s
ht
e
a
c
h
e
r
]
.

Konogakk
wary
r
in
o
g
a
k
k
d
e
s
u
.
T
h
i
ss
c
h
o
o
li
sac
o
o
k
i
n
gs
c
h
o
o
.
l

K
o
r
ewaT
a
k
a
g
i
s
a
nnok
a
s
ad
e
s
u
.
T
h
i
si
sT
a
k
a
g
i
'
su
m
b
r
e
l
l
a
.

S
o
r
e
g
aS
a
t
os
a
nnokurumat
}
e
s
u
.

T
h
a
ti
sS
a
t

'
sc
a
r
.
N
o
t
e
:I
ft
h
ec
o
n
t
e
x
ti
su
n
d
e
r
s
t
o
o
d

t
h
es
.
e
c
o
n
dn
o
u
nc
a
nb
eo
m
i
t
t
e
d
:

4
.I
n
d
i
c
a
t
e
st
h
a
ttwonounsa
r
ei
na
p
p
o
s
i
t
i
o
n
.

K
Kd
a
i
g
a
k
ug
a
k
u
c
h
onoI
m
a
i
s
h
ig
ae
n
z
e
t
s
u0s
h
i
t
ei
m
a
s
u
.
r
.I
m
a
i

t
h
ep
r
e
s
i
d
e
n
tofKUnive!~~!y i
S.
I
l
!
a
k
i
n
gas
p
e
e
c
h
.

K
o
c
h
i
r
ag
aS
a
y
a
m
a
s
a
nn
oo
n
e
s
a
nnoC
h
i
k
a
k
o
s
a
nd
e
s
u
.
T
h
i
si
sChikako
S
a
y
a
m
a
'
se
l
d
e
rs
i
s
t
e
r
.

S
o
r
e
g
aS
a
t
os
a
nnod
e
s
u
.
Th
a
ti
sS
a
t

'
s
.

at
o d
i
c
a
t
ees
u
b
j
e
c
to
fac
l
a
u
s
emodify

5
. Usedt
or
e
p
l
a
c
eg
mganoun.

K
o
r
ewaS
a
k
a
m
o
t
o
s
a
nnok
a
i
t
aa
b
u
r
a
ed
e
s
u
.
T
h
i
si
st
h
eo
i
lp
a
i
n
t
i
n
gt
h
a
tSakamotop
;
l
I
n
t
e
d
.

NO 11

NO

K
i
n
oa
n
a
t
anoh
a
n
a
s
h
i
t
ei
t
ar
e
s
u
t
o
r
a
nwad
o
k
od
e
s
uk
a
.
Whe
r
ei
st
h
er
e
s
t
a
u
r
a
n
tyouw
e
r
et
a
l
k
i
n
ga
b
o
u
ty
e
s
t
e
r
d
a
y
?
1
1
.Usedtonominalizeverbsanda
d
j
e
c
t
i
v
e
s
.
1.Simplen
o
m
i
n
a
l
i
z
e
r
:
i
n
g

wha
t
.
"

T
e
n
k
i
g
a r
u
id
e
s
uk
a
r
a

d
o
r
a
i
b
un
ii
k
uno yamema

h
o
.
S
i
n
c
et
h
ew
e
a
t
h
e
ri
sbad

l
e
t
'
sc
a
l
lo
f
fg
o
i
n
gf
o
rad
r
i
v
e
.

G
a
i
k
o
k
u
g
o0manabunow
m
u
z
u
k
a
s
h
i
id
e
s
un
e
.
L

a
r
n
i
n
gaf
o
r
e
i
g
nl
a
n
g
u
a
g
ei
sd
i
f
f
i
c
u
l
t

i
s
n
'
ti
t
.

K
a
n
o
j
og
ah
o
s
h
i
inow
a
r
a
s
h
i
ip
i
a
n
od
e
s
u
.
Wh
a
ts
h
ew
a
n
t
si
sanewp
i
a
n
o
.
o
fp
e
r
c
e
p
t
i
o
n(
e
.
g
.
m
i
e
r
u
2
. Usedasan
o
m
i
n
a
l
i
z
e
rb
e
f
o
r
ev
e
r
b
[
t
ob
e
v
i
s
l
e
]
;k
i
k
o
e
r
u[
t
obea
u
d
i
b
l
e
]
)
.

K
o
n
ob
i
r
un
oo
k
t
k
a
r

ak
u
r
u
m
ag
ah
a
s
h
i
t
t
ei
r
unog
ay
o
k
um u
.
Fromt
h
er
o
o
f[
t
o
p
]o
ft
h
i
sb
u
i
l
d
i
n
g

youc
a
nc
l
e
a
r
l
ys
e
et
h
ec
a
r
s
g
o
i
n
gb
y
.(
L
i
t
.

t
h
ed
r
i
v
i
n
gc
a
r
sa
r
ee
a
s
i
l
yv
i
s
i
b
l
e
.
)

Onnan
oh
i
t
og
au
t
t
ei
r
unog
ak
i
k
o
e
m
a
s
u
.n
e
.
Youc
a
nh
e
a
rawomans
g
i
n

gn'tyou.(
L
i

.
tAwoman'ss
i
n
1
9
i
sa
u
d
i
b
l
e..
)

.Usedattheendofsentences.
1
.I
n
d
i
c
a
t
e
saq
u
e
s
t
i
o
n(
c
o
l
l
o
q
u
i
a
lu
s
a
g
e
)
.

K
a
i
s
h
a

h
o
n
t
on
iy
a
m
e
r
un
o
.
Your
e
a
l
l
yq
u
i
t
t
i
n
gt
h
ecompany?

A
s
h
i
t
awan
a
n
j
in
id
e
k
a
k
e
r
un
o
.
Wha
tt
i
m
eyoul
e
a
v
i
n
gtomorrow?
2
.I
m
p
a
r
t
sas
o
f
t
e
rt
o
n
eas
t
a
t
e
m
e
n
t(
u
s
u
a
l
l
y
u
s
e
dbywomen).

W
a
t
a
s
h
i

r
a
i
g
e
t
s
uF
u
r
a
n
s
un
i1
t
u
g
a
k
us
u
r
un
o
.
1w
i
l
lbeg
o
i
n
gt
oF
r
a
n
c
t
os
t
u
d
yn
e
x
tmon

D
o
y
o
b
iwak
o
n
s
a
t
on
ii
k
i
t
a
it
oo
m
o
t
t
ei
r
un
o
.
I
'
mt
h
i
n
k
i
n
gI
'dl
i
k
et
ogot
oac
o
n
c
e
r
tonS
a
t
u
r
d
a
y
.
I
n
d
i
c
a
t
e
sam
i
l
dcommand.

S
o
n
n
ak
o
t
oi
1

n
a
in
o
.
D
o
n
'
ts
a
ys
u
c
ht
h
i
n
g
s
./D
o
n
'
ts
a
ya
t
.

Ana
wadamattei
r
e
b
ain
o
.
Youj
u
s
tk
e
e
pq
u
i
e
t
.(
L
i
t
.
Asf
o
ryou

i
fyouk
e
e
ps
i
l
e
n
t

i
t
'sg
ood
.
)

4
.I
n
d
i
c
a
t
e
sas
p
e
c
i
f
i
co
c
c
u
p
a
t
i
o
no
rp
o
s
i
t
i
o
n(
u
s
u
a
ly(
o
l
l
o
w
e
d
bys
u
r
u
)
.

1
.I
n
d
i
c
a
t
e
st
h
eo
b
j
e
c
to
f a
c
t
i
o
n(
d
i
r
e
c
to
b
j
e
c
t
)
.

Y
a
m
a
m
o
t
o
s
a
nn
oo
t
o
s
a
nw
i
s
h
a0s
h
i
t
ei
r
u
.

Y
u
b
ewae
i
g
a0 m
i
t
a
.
1sawamoviey
e
s
t
e
r
d
a
ye
v
e
n
i
n
g
.

H
a
r
a
d
a
s
a
nwat
e
g
a
m
i0k
a
i
t
ei
r
u
.
Haradai
sw
r
i
t
i
n
gal
e
t
t
e
r
.

2
.I
n
d
i
c
a
t
e
st
h
ed
i
r
e
c
to
b
j
e
c
to
fap s
i
v
ev
e
r
b.

w h
i k
i
n
denshanonakadeokanep5 onusumarem
a
s
h
i
t
a
.
1hadmymoneyandp
a
s
s
p
o
r
ts
t
o
l
e
ni
nt
h
et
r
a
i
ny
e
s
t
e
r
d
a
y
.

K
a
n
o
j
owai
n
un
it
e0 k
a
m
a
r
e
t
a
.
Shehadh
e
rhandb
i
t
t
e
nbyad
o
g
.
3.I
n
d
i
c
a
t
e
st
h
ep
e
r
s
o
no
rt
h
i
n
gmadet
odos
o
m
e
t
h
i
n
gi
nac
a
u
s
abves
e
n
t
e
n
c
e
.

S
o
n
os
e
i
j
i
k
awa

z
a
i
k
a
i
j
i
nn
op
a
t
in
ih
i
s
h
o0s
h
u
s
s
e
k
is
a
s
e
t
a
.

Yamamoto'
sf
a
e
ri
sap
h
y
s
i
c
i
a
n
.

W
a
t
a
s
h
in
oa
n
iw

as
h
i
n
b
u
n
k
i
s
h
a0s
h
i
t
ei
m
a
s
u
.
Mye
l
d
e
rb
r
o
t
h
e
ri
sanewspaperr
e
p
o
r
t
e
r
.

t
:
Qverbsindicatingwishesordc
:
!s
i
r
e
se
n
d
i
n
gi
nt
ai
or
5.Usedwi
t
a
g
a
r
u
.

K
o
h
i0 n
o
m
i
t
a
i
nd
e
s
u
.
1wantt
od
r
i
n
ksomec
o
f
f
e
e
.

J
o
n
s
a
nwao
s
u
s
h
i0 t
a
b
e
t
a
g
a
t
t
ei
m
a
s
uy
o
.
Johnf
e
e
l
sl
i
k
ee
a
t
i
n
gsomes
u
s
h
.
i
6
..
I
n
d
i
c
a
t
e
s.
IDovement'om.
as
m
a
l
l
e
rt
oal
a
r
g
e
r
.
p
l
a
c
ei
nbot
h
c
o
n
c
r
e
t
eanda
b
s
t
r
a
c
ts
e
n
s
e
s
.
1
)C
o
n
t
r
a
s
tw
i
t
hn
i(#13n
o
.4
)
.(
2
)A
l
t
h
o
u
g
hk
a
r
as
o
u
n
d
sc
o
r
r
e
c
t
N
o
t
e
:(
omt
h
es
t
a
n
d
p
o
i
n
to
f
E
n
g
l
i
s
h

i
ts
h
o
u
l
dn
o
tbes
u
b
s
t
i
t
u
t
e
dr
o
i
su
s
a
g
e
.

Thatp
o
l
i
t
i
c
i
a
nhadh
e
rs
e
c
r
e
t
a
r
ya
t
t
e
n
dab
u
s
i
n
e
s
sl
e
a
d
e
r
s
'p
a
r
t
y
.

a
)Movementomas
m
a
l
l
e
rp
h
y
s
i
c
a
ls
p
a
c
et
oal
a
r
g
e
rph
y
s
i
c
a
l
p
l
a
c
e(
w
i
t
ht
h
el
a
r
g
e
rp
l
a
c
eu
s
u
a
l
l
yi
m
p
l
i
c
i
t
)
.

B
u
c
h
wab
u
k
ao
s
h
u
t
c
h
s
a
s
e

M
a
i
n
i
c
h
iS
h
i
n
j
u
k
u
e
k
id
ec
h
i
k
a
t
e
t
s
u0 o
r
i
m
a
s
u
.

Thede
pa
r
tm
e
n
theads
e
n
tas
u
b
o
r
d
i
n
a
t
eonab
u
s
i
n
e
s
st
r
i
p
.

1g
e
to
f
ft
h
esubwaya
tS
h
i
ukuStationeveryd
a
y
.

7
4 0

t
f

5
Y
a
m
a
m
o
t
o
s
a
nway
u
g
a
t
ag
o
j
i
h
a
nn
ik
a
i
s
h
a0d
e
m
a
s
e
.
Yamamotol
e
a
v
e
st
h
eo
f
f
i
c
ea
t5
:
3
0i
nt
h
ee
v
e
n
i
n
g
.
b
)Movementomas
m
a
l
l
e
rs
p
a
c
ei
nana
b
s
t
r
a
c
ts
e
n
s
et
oa
l
a
r
g
e
ra
b
s
t
r
a
c
ts
p
a
c
e(
e
.
g
.
froms
c
h
o
o
l
l
i
f
ei
n
t
os
o
c
i
e
t
ya
tl
a
r
g
e
)
.

S
h
u
s
h
owaW
a
s
e
d
ad
a
i
g
a
k
u0s
o
t
s
u
g
y
os
h
i
t
a
.
Theprimem
i
n
i
s
t
e
rg
r
a
d
u
a
t
e
domWasedaU
n
i
v
e
r
s
i
t
y
.
7
0

O
k
i
s
h
iwa

n
a
n
a
j
u
s
s
a
in
in
a
t
t
at
o
s
h
in
ik
e
i
z
a
i
k
a
i0i
n
t
a
is
h
i
t
a
.
Mr
.O
kir
e
t
i
r
e
dfromt
h
eb
u
s
i
n
e
s
sw
o
r
l
dwhen[
i
nt
h
ey
e
i
n
w
h
i
c
h
]het
u
r
n
e
ds
e
v
e
n
t
y
.
enu
s
e
dw
i
t
hv
e
r
b
so
fmotion
i
n
d
i
c
a
t
e
st
h
ep
l
a
c
eo
ft
h
e
7
.Wh
m
o
t
i
o
n
.

Kurumad
ea
t
a
r
a
s
h
i
ih
a
s
h
i0w
a
t
a
t
t
a
.
1c
r
o
s
s
e
do
v
e
rt
h
enewb
r
i
d
g
ebyc
a
r
.

W
a
t
a
s
h
in
ok
u
n
id
ewa

kurumawam
i
c
h
in
oh
i
d
a
r
i
g
a
w
a0 h
a
s
h
i
n
m
a
s
u
.
I
nmyc
o
u
n
t
r
y

c
a
r
sd
r
i
v
eont
h
el
e
f
ts
i
d
eo
ft
h
er
o
a
d
.

K
o
n
o
b
a
s
u
w
l
d
e
p
a
t
on
omae0 t
o
r
i
m
a
s
uk
a
.
Doesi
sb
u
sp
a
s
si
no
n
to
ft
h
ed
e
p
a
r
t
m
e
n
ts
t
o
r
e
?

KURAI(
QU
A
1
) 1
'
5

8
.I
n
d
i
c
a
t
e
st
h
es
t
a
r
t
i
n
gp
o
i
n
to
fana
c
t
i
o
n.

6
S
h
a
c
h
owak
a
y
o
b
in
og
o
g
or
o
k
u
j
in
iN
a
r
i
t
a0s
h
u
p
p
a s
h
i
m
a
s
u
.
l
ec
o
r
r
i
p
a
n
yp
r
e
s
i
d
e
n
tw l
e
a
v
efromN
a
r
i
t
aa
t6P
.
M
.onT
u
e
s
d
a
y
.
8

1'
0

Konod
e
n
s
h
awah
a
c
h
i
j
in
iT
o
k
y
o
e
k
i0 d
e
m
a
s
uk
a
r
ao
k
u
r
e
n
a
i
d
e
k
i
t
ek
u
d
a
s
a
i
.
T
h
i
st
r
a
i
nl
e
a
v
e
sTokyoS
t
a
t
i
o
na
te
i
g
h
to
'
c
l
o
c
k

s
op
l
e
a
s
ed
o
n
'
t
bel
a
t
e
.

i
KURAI(GURAI) I
(
1
.I
n
d
i
c
a
t
e
sana
p
p
r
o
x
i
m
a
t
eamounto
re
x
t
e
n
t
;i
nc
o
n
t
r
a
s
tw
i
t
h

h
o
d
o db
a
k
a
k
u
r
a
id
e
n
o
t
e
sana
p
p
r
o
x
i
m
a
t
eq
u
a
n
t
i
t
yw
i
t
h
o
u
t
C
o
n
n
o
t
i
n
gi
t
su
p
p
e
ro
rl
o
w
e
rl
i
m
i
t
s
:
a
p
p
r
o
x
i
m
a
t
e
l
y

abou
t
.
"
N
o
t
e
:H
o
d
o(#20
n
o
.1
)andb
a
k
a
r
i(#21
n
o
.1
)m
ayr
e
p
l
a
k
u
r
a
i
i
ni
su
s
a
g
e
.

(3
0
5
K
o
k
ok
a
r
as
o
n
og
a
k
k
omadek
u
r
u
m
ad
es
a
n
j
i
p
p
u
ng
u
r
o
ik
a
k
a
r
i
m
a
s
u
.
I
tt
a
k
e
sa
b
o
u
t
t
h
i
r
t
ym
i
n
u
t
e
sbyc
a
rt
og
e
tt
ot
h
es
c
h
o
o
lfromh
e
r
e
.
1
0
0
5
K
i
n
on
op
a
t
in
ik
i
h
i
t
owa

h
y
a
k
u
n
i
ng
u
r
o
id
a
t
t
ao
m
o
i
m
a
s
u
.
1t
h
i
n
ka
b
o
u
t1
0
0p
e
o
p
l
ecamet
o ep
a
r
t
yy
e
s
t
e
r
d
a
y
.

HODO 7
7

6 KURAI(GURA
I
)

lHODOI

2
.I
n
d
i
c
a
t
e
st
h
ee
x
t
e
n
tofana
c
t
i
o
no
rc
o
n
d
i
t
i
o
na
f
t
e
ras
p
e
c
i
f
i
c
s
o a
t

t
ot
h
ee
x
t
e
n
t a
t

exampleisg
i
v
e
n
:

1
.I
n
d
i
c
a
t
e
sanapproximateamountorapproximatemax
imum
e
x
t
e
n
t
;i
nc
o
n
t
r
a
s
twi
k
u
r
a
iandb
a
k
a

i
rh
o
d
ot
e
nd
st
os
t
r
e
s
s
appro
mateu
pperl
i
m
i
t
:
a
p
p
r
o
x
i
m
a
t
e
l
y

abou
t
."

o
d
o(#20no.
3
)mayr
e
p
l
a
c
ek
u
r
a
i
l
g
u
r
a
ii
ni
su
g
e
.
N
o
t
e
:H

5
Y
a
s
u
d
a
s
a
nn
or
y
o
k
on
oh
a
n
a
s
h
iwao
m
o
s
h
i
r
o
k
u
t
e

j
i
k
a
nn
ot
a
t
s
u
n
omow
a
s
u
r
e
t
ak
u
r
a
id
a
t
t
a
.

N
o
t
e
:K
u
r
a
i(#19n
o
.l
)a
n
db
a
k
a
r
i(#21no1
)mayr
e
p
la
ceh
o
d
oi
nt
hi
s
u
s
a
g
e

a
l
t
h
o
u
g
hh
o
d
oi
ss
o
m
e
w
h
a
tmoref
o
r
m
a
.
l

Y
a
s
u
d
a
'
ss
t
o
r
i
e
sofher i
pweres
oi
n
t
e
r
e
s
t
i
n
ga
twel
o
s
tt
r
a
c
k
o
f
t
i
m
e
.

Ra
e
uwa

i
s
s
h
u
k
a
nh
o
d
oK
y
u
s
h
ues
h
u
t
c
h
os
h
i
m
a
s
u
.
Nextmorith1
'
1begoingonabusinesst
r
i
pt
oKyushuf
o
ra
sl
o
n
g

5
Hazu
i
k
u
t
ea
n
ag
aa
t
t
a
r
ah
a
i
r
i
t
a
ig
u
r
a
id
a
t
t
a
.
1wassoembarrasseda
t1
f
e
l
tl
i
k
ec
r
a
w
l
i
n
gi
nah
o
l
e
.(
L
i
t
.

i
f

k
.
a
sawee

1
0
0
Kondon
oj
i
k
od
e

h
y
a
k
u
n
i
nhodon
oh
i
t
og
as
h
i
n
d
as
od
e
s
u
.

t
h
e
r
ehadbeenah
o
l
e

1wouldhavewantedt
ogoi
ni
t
.
)

1hear a
tsome1
0
0peoplediedi
nt
h
i
st
r
a
f
f
i
ca
c
c
i
d
e
n
t
.
3
.I
n
d
i
c
a
t
e
sacomparison:
a
s...
N
o
t
e
:H
o
d
o(#20
n
o
.2
)mayr
e
p
l
a
c
ek
u
r
a
i
l
g
u
r
a
i t
h
i
su
s
a
g
e
.

5
Y
a
m
a
s
h
i
t
a
s
a
nn
oa
t
a
r
a
s
h
i
ii
en
on
i
w
qw
.
a

_
g
o
r
u
f
u
j
og
u
r
a
in
o
k
i
s
ad
a
.

Thegardena
tY
a
m
a
s
h
i
t
a
'
snewhousei
sa
sb
i
ga
sag
o
l
fc
o
u
r
s
e
.

5
J
i
b
u
nn
oi
ek
u
r
a
i

ib
a
s
h
owan
a
i
.
T
h
e
r
e
'
snop
l
a
c
ea
sn
i
c
ea
so
n
e
'
sownhome.

2
.I
n
d
i
c
a
t
e
sacomparison(usedonlyi
nn
e
g
a
t
i
v
es
e
n
t
e
n
c
e
s
):

a
s..a
s
.
"
N
o
t
e
:K
u
r
a
imayr
e
p
l
a
c
eh
o
d
o i
su
s
a
g
e

b
u
th
o
d
oi
smorecommon.

K
o
t
o
s
h
iwak
y
o
n
e
nhodosamukun
a
id
e
s
u
.
T
h
i
sy
e
a
ri
snota
sc
o
l
da
sl
a
s
ty
e
a
r
.

Anohi
hodoatamanoih
i
wai
n
a
id
e
s
h
o
.
Noonehasa
sgoodaheada
sheh
a
s
./Noonei
sa
ssmarta
shei
s
.

'
8 BAKARI

3
.I
n
d
i
c
a
t
e
st
h
ee
x
t
e
n
to
fana
c
t
i
o
no
rc
o
n
d
i
t
i
o
nbyc
i
t
i
n
gas
p
e
s
o...a
t

t
ot
h
ee
x
t
e
n
t a
t
.
"
c
i
f
i
ce
x
a
m
p
l
e
:
Not
e
:
1
i
su
s
a
g
ei
ss
i
m
i
l
a
rt
ok
u
r
a
i(#19
n
o
.2
)
.

8AKAR
I 7
9

2
A
s
h
i
t
ak
a
r
at
s
u
k
ab
a
k
a
r
ir
y
o
k
on
ii
t
t
ek
i
m
a
s
u
.

B
i
n
n
i
n
gtomorrow
1
'
1bemakingat
r
i
pf
o
radayo
rt
/
10rrowr
l
ibel
e
a
v
i
n
gonat
r
i
phrac
o
u
p
l
eo
f
d
a
y
s
-

Kyowab
e
n
k
y
og
ad
e
k
i
n
a
ihodot
s
u
k
a
r
e
t
a
.
TodayI
'
ms
ot
i
r
e
dt
h
a
t1c
a
n
'
ts
t
u
d
y
.

S
h
i
k
e
nn
ig
o
k
a
k
us
h
i
t
an
od
u
r
e
s
h
i
k
u
t
en
e
m
u
r
e
n
a
ihodod
e
s
u
.
S
i
n
c
e1p
a
s
s
e
dt
h
ee
x
a
m
i
n
a
t
i
o
n

I
'
ms
ohappya
t1c
a
n
'
ts
l
e
e
p
.

nt
h
eformV
b
a+V h
o
d
o
:t
h
emore.
.
.t
h
emore."
4
. Usedi

1 D
I
c
h
i
m
a
n
e
nb
a
k
a
r
ik
a
s
h
i
t
ei
t
a
d
a
k
e
m
a
s
e
nk
a
.
Couldyoul
e
n
dme

s
a
y

somethingl
i
k
e
1
O
O
O
O
?
2
. "Noto
n
l
y.
.
.buta
1
s
o
.
"

l
ed
a
k
e(#22no.4)mayr
e
p
l
a
c
eb
a
k
a
r
ii
nt
h
i
su
s
a
g
e
b
a
k
a
r
ii
s
N
o
t
e
:Whi
s
l
i
g
h
t
l
ym
o
r
ee
m
p
h
a
t
i
c
.

K
i
t
aei
k
e
b
ai
k
uhodosamukun
a
r
i
m
a
s
u
.

H
a
r
a
d
a
s
a
nwap
i
a
n
ob
a
k
a
r
id
en
a
k
u
u
t
amou
m
a
i
nd
e
s
uy
o

Thef
u
r
t
h
e
rn
o
r
t
hyougo
t
h
ec
o
l
d
e
ri
tg
e
t
s
.

Haradai
sgoodnoto
n
l
ya
tt
h
ep
i
a
n
obuta
1
s
oa
ts
i
n
g
i
n
g
.

T
o
s
h
i0 t
o
r
e
b
ar
uhodo

k
a
r
a
d
ag
ayowakun
a
r
i
m
a
s
u
.

E
i
g
ob
a
k
a
r
id
en
a
k
u

F
u
r
a
n
s
u
g
omob
e
n
k
y
os
h
i
t
a
i
nd
e
s
u
.
1wantt
os
t
u
d
ynoto
n
l
yE
n
g
l
i
s
hbutFrencha
sw
e
l
.
l

Theo
l
d
e
ryoug
e
t

t
h
eweakeryourbodyb
e
c
o
m
e
s
.

B
A

N
o
t
e
:Morei
n
f
o
r
m
a
lf
o
r
m
so
fb
a
k
a
r
ia
r
eb
a
k
k
a

i
r bakash~ a
n
db
a
k
k
a
s
h
i
.
1
.I
n
d
i
c
a
t
e
sanapproximateamounto
re
x
t
e
n
t
;i
nc
o
n
t
r
a
s
tt
o
k
u
r
a
iandh
o
d
o
b
a
k
a
r
itends(butonlyt
e
n
d
s
)t
of
o
c
u
sont
h
e
a
1
l
n
e
s
so
ft
h
eamount
:
a
p
p
r
o
x
i
m
a
t
e
l
y

abou
t
.
"
sm

N
o
t
e
:K
u
r
a
i(#19
n
o
.1
)a
n
dh
o
d
o(#20
n
o
.1
)m
ayr
e
p
l
a
c
eb
a
k
a
r
ii
nt
h
i
su
s
a
g
e
.

E
i

n
p
h

e
s

l
ty

o
feIm

r
I
r

m
e

o
n

1
l

ynothingb
u
t
.
'

)S
i

et
h
ep
o
s
i
t
i
o
no
fb
a
k
a
r
ii
nt
h
es
e
r
a
c
t
s
t
he

m
e
a

n
i
l
n
1
:

N
o
t
e
:(
1
1
:
.
e
v
e

s
i

o
n
so
f

o
n
e
s

E
l
nl
o
o
s
eu
s
a
g
e

h
o
w
e
v
e
r

b
'

a
k
a
r
i
t

e
n
d

st

o
s

h
i
omt
h
e
w
o
r
d
i

t
i
si
n
t
e
n
d
e
d

t
o
mo
d
i

F
l
e
a
v
i
n
g
t
hem

1
b
a
k

a
r
i
c

n
1
t

i
n

s
sad
e
g
r
e
eo
f
d
i
s
a
p
p
r
o
v
a
lw
h
i
c
hd
a
k

e
d
o
e
sn
ot
.

K
a
c
h
wak
o
n
o
g
o
r
ou
i
s
u
k
ib
a
k
a
r
in
o
n
d
ei
m
a
s
un

Thes
e
c
t
i
o
nc
h
i
e
fi
sd
r
i
n
k
i
n
gnothingbutwhiskeyt
h
e
s
ed
a
y
s
.

I
.
AKs 81

8
0 BAKARI

K
a
c
h
wak
o
n
o
g
o
r
ou
i
s
u
k
i0n
o
n
d
eb
a
k
a
r
ii
m
a
s
un
e
.
Thes
e
c
t
i
o
nc
h
i
e
fi
sd
o
i
n
gn
o
t
h
i
n
gb
u
td
r
i
n
kw
h
i
s
k
e
yt
h
e
s
ed
a
y
s
.
q O
KMJ16wuK
3
n
o
g
o
r
ouiSUMomMeirub
a
k
a
r
id
e
5
Un
e
.
A
l
lt
h
es
e
c
t
i
o
nc
h
i
e
fd
o
e
st
h
e
s
ed
a
y
si
sd
r
i
n
kw
h
i
s
k
e
y
.

T
e
r
e
b
ib
a
k
a
r
im
i
t
ei
r
ume0w
a
r
u
k
us
h
i
m
a
s
uy
o

I
fa
l
lyoudoi
sw
a
t
c
hTV

y
o
u
'
l
lr
u
i
ny
o
u
re
y
e
s
./I
f
y
o
uw
a
t
c
hTV

y
o
u
'
l
lr
u
i
ny
o
u
re
y
e
s
.
a
l
lt
h
et
i
m
e
t
e
r
e
b
i0 m
i
t
ei
r
ub
a
k
a
r
id
am
e0 w
a
r
u
k
us
h
i
m
a
s
uy
oi
sa
l
s
o
N
o
t
e
:H
e
r
e
p
o
s
s
i
b
l
e(
a
n
dg
r
a
r
n
m
a
t
i

l
l
ym
o
r
ea
c
c
e
p
t
a
b
l
e
)b
u
tt
h
ee
x
a
m
p
l
ea
b
o
v
ei
s
m
o
r
ecommona
n
dh
a
st
h
es
a
m
em
e
a
n
i
n
g
.

5
.E
m
p
h
a
s
i
z
e
sar
e
a
s
o
no
rc
a
u
s
ei
nt
hephr
a
s
eb
a
k
a
r
i"
;
(
:Jus
t
m
e
r
e
l
y
)b
e
c
a
u
s
e

f
o
rt
h
es
i
m
p
l
er
e
a
s
o
n
."

W
a
t
a
n
a
b
e
s
a
nwas
u
t
e
r
e
o0k
a
i
t
a
i
b
a
k
a
r
in
i

i
s
s
h
o
k
e
n
m
e
in
ia
r
u
b
a
i
t
o
os
h
i
t
ei
r
u
.
W
a
t
a
n
a
b
ei
sw
o
r
k
i
n
gl
i
k
ead
o
ga
th
i
sp
a
r
t
t
i
m
ej
o
bf
o
rt
hes
i
m
p
l
e
r
e
a
s
o
n a
th
ew
a
n
t
st
obuyas
t
e
r
e
o.
/Watanab
ew
a
n
t
st
obuy
as
t
e
r
e
os
ob
a
d
l
yt
h
a
th
ei
sw
o
r
k
i
n
gf
o
ra
l
lh
e'
sw
o
r
t
ha
thi
sp
a
r
t
ti~ejob.

Y
a
m
a
d
a
s
a
nwas
e
i
j
i
k
ak
e
k
k
o
ns
h
i
t
ab
a
k
a
r
in
i

k
u
r
s
h
i
t
ei
r
u
.
S
i
m
p
l
yb
e
c
a
u
s
eYamadam
a
r
r
i
e
dap
o
l
i
t
i
c
i
a
n

s
h
ei
sh
a
v
i
n
gah
a
r
d
t
i
m
e
./J
u
s
tb
e
c
a
u
s
es
h
em
a
r
r
i
e
d[
h
a
p
p
e
n
e
dt
om
a
r
r
y
]ap
o
l
i
t
i
c
i
a
n

Yamadai
sf
i
n
d
i
n
gt
h
eg
o
i
n
gt
o
u
g
h
.

e
da
f
t
e
rt
h
et
aformo
fv
e
r
b
s
:
j
u
s
t
.
"
4
.Us
N
o
t
e
:I
ft
o
k
o
r
o(#38n
o1
)r
e
p
l
a
c
e
sb
a
k
a
r
ii
nt
h
i
su
s
a
g
e
t
h
em
e
a
n
i
n
gi
s

b
u
tb
a
k
a
r
is
h
o
w
sm
o
r
ee
m
p
h
a
s
i
s
.
s
i
m
i
l
a
r

C
h
i
c
h
iwai
m
ak
a
e
t
t
ek
i
b
a
k
a
r
id
e
s
u
.
Myf
a
t
h
e
rj
u
s
tnowcamehomej
[u
s
tg
o
th
o
m
e
]
.

J
u
n
c
h
a
nw
g
o
h
a
n0b
e
t
ab
a
k
a
r
in
an
on
i moo
y
a oh
o
s
h
i
g
a
t
t
e
t
m
a
s
u
.
E
v
e
noughJ
u
nh
a
sj
u
s
te
a
t
e
nam
e
a
l[
j
u
s
tf
i
n
i
s
h
e
de
a
t
i
n
g

]h
e
a
l
r
e
a
d
yw
a
n
t
sas
n
a
c
k
.

DA

1
.I
n
d
i
c
a
t
e
sa
na
b
s
o
l
u
t
eq
u
a
n
t
i
t
a
t
i
v
el
i
m
i
tw
i
t
ht
h
ec
o
n
n
o
t
a
t
i
o
n
t
h
a
tt
h
ea
r
n
o
u
n
ti
ss
m
a
l
l
:"
o
n
l
y

j
u
s
t
.
"

5
K
i
n
k
u
r
a
s
un
ik
i
t
ag
a
k
u
s
e
iwa

g
o
n
i
nd
a
k
ed
e
s
h
i
t

Onlyf
i
v
es
t
u
d
e
n
t
scamet
oc
l
a
s
sy
e
s
t
e
r
d
a
y
.
1l

Kyowai
c
h
ij
i
k
a
nd
a
k
et
e
r
e
b
i0m
i
m
a
s
h
i
t
a
.
Today1w
a
t
c
h
e
dTVf
o
ro
n
l
ya
nh
o
u
r
.

8
2

DAKE

2
.I
n
d
i
c
a
t
e
sane
x
t
e
n
to
ra
m
o
u
n
t
:
a
s.
.
.a
s
.
"

D
o
z
oo
s
u
k
in
ad
a
k
eo
n
o
m
ik
u
d
a
s
a
i
.
P
l
e
a
s
ed
r
i
n
ka
smuchyouw
i
s
h
.

D
e
k
i
r
ud
a
k
eh
a
y
a
k
ui
k
i
m
a
s
u
.
1
'1g
o[
b
eonmyway

l
e
a
v
e

g
e
tt
h
e
r
e
]a
ss
o
o
na
sIc
a
n.(
L
i

.
tTo
Iw
i
l
lg
oq
u
i
c
k
l
y
.
)
t
h
ee
x
t
e
n
tt
h
a
tIc
a
n
.I
nt
h
ep
h
r
a
s
e
sd
a
k
en~ d
a
k
ea
t
t
e

andd
a
k
en
ok
o
waa
r
u

i
n
d
i
c
a
t
e
st
h
ec
a
u
s
eo
rp
r
e
c
o
n
d
i
t
i
o
nf
o
rac
e
r
t
a
i
nr
e
s
u
l
to
rs
t
a
t
eo
f
a
i
r
s(whent
h
er
e
s
u
l
tm
e
e
t
se
x
p
e
c
t
a
t
i
o
n
s

d
o
e
sn
o
tmeete
x
p
e
c

t
a
t
i
o
n
s
o
ri
sc
o
n
s
i
d
e
r
e
dan
a
t
u
r
a
lo
u
t
c
o
m
e
)
.
a
)Whent
h
er
e
s
u
l
tm
e
e
t
se
x
p
e
c
t
a
t
i
o
n
sandi
st
h
e
r
e
f
o
r
eworth
t
h
ee
f
f
o
r
to
fa
c
h
i
e
v
i
n
g
:
.
..
wasw
o
r
t
h
w
h
i
l
e
.
"

Anod
a
i
k
a
g
un
ig
o
k
a
k
u k
a
r

ab
e
n
k
y
os
h
i
t
ak
en
ok
o
t
owaa

Ip
a
s
s
e
d[
t
h
ee
n
t
r
a
n
c
ee
x
a
m
i
n
a
t
i
o
nt
o
]a
tu
n
i
v
e
r
s
i
t
y
s
ot
h
e
ngIdidwasworthi
t
.
s
t
u
d

T
e
r
a
d
a
s
a
nwaw
a
t
a
s
h
in
op
u
r
e
z
e
n
t
o0 y
o
r
o
k
o
n
d
ek
u
r
e
t
an
od
e

m
u
r
is
h
i
t
ek
a
t
t
ad
a
k
en
ok
o
t
owaa
t
t
a
.
S
i
n
c
eT
e
r
a
d
awashappy[
p
l
e
a
s
e
d
]w
i
t
hmyp
r
e
s
e
n
t

i
twasworth
t
.
a
l
lt
h
et
r
o
u
b
l
eIwentt
oi
nb
u
y
i
n
gi

DAKE 8
3

b
)Wh
e
nt
h
er
e
s
u
l
td
o
e
sn
o
tmeete
x
p
e
c
t
a
t
i
o
n
sandi
st
h
e
r
e
f
o
r
e
d
i
s
c
o
u
r
a
g
i
n
g
:
g
i
v
e
nec
ta
t

K
a
r
ewak
a
n
o
j
on
imuchud
a
t
t
ad
a
k
en
i
s
h
i
t
s
u
r
e
nn
os
h
o
k
k
uwa
t
o
t
e
m
oo
k
i
k
a
t
t
a
.
G
i
v
e
nt
h
ef
a
c
t a
thewasheado
v
e
rh
e
e
l
si
nl
o
v
e
l
o
s
i
n
gh
e
rwas
ab
i
g
b
l
o
w
.

I
s
s
h
o
k
e
n
m
e
in
ib
e
n
k
y
os
h
i
t
ad
a
k
eg
o
k
a
k
un
ot
s
u
c
h
i0 u
k
e
t
t
at
o
k
i
Y
a
m
a
m
o
t
o
s
a
nwah
i
j
on
i
g
a
k
k
a
r
is
h
i
t
a
..
S
i
n
c
ehehads
t
u
d
i
e
ds
oh
a
r
d

Yamamotowase
x
t
r
e
m
e
l
yd
i
s
a
p
p
o
i
n
t
e
dwhenh
er
e
c
e
i
v
e
dn
o
t
i
f
i
c
a
t
i
o
nt
h
a
thehadf
a
i
!
e
d
./G
i
v
e
n
thehads
t
u
d
i
e
ds
oh
a
r
d

Yamamotowasc
r
u
s
h
e
d
t
h
ef
a
c
t a
whenhel
e
a
r
n
e
da
th
ehadn
o
tb
e
e
na
c
c
e
p
t
e
d
.

ent
h
eoutcomei
ss
e
e
na
san
a
t
u
r
a
lr
e
s
u
l
to
ff
o
r
e
g
o
i
n
g
c
)Wh
c
o
n
d
i
t
i
o
n
s
:
a
syoum
i
g
h
te
x
p
e
c
t
.
"

S
a
t
os
a
nwaE
i
k
o
k
un
od
a
i
g
a
k
ud
eb
e
n
k
y
os
h
i
t
ad
a
k
ea
t
t
e

E
i
g
og
a
umaid
e
s
un
e
.
Asyoum
i
g
h
te
x
p
e
c
tomh
i
sh
a
v
i
n
gs
t
u
d
i
e
da
tau
n
i
v
e
r
s
i
t
yi
n
E
n
g
l
a
n
d

S
a
t
o
'
sE
n
g
l
i
s
hi
sq
u
i
t
eg
o
o
d
.

DAKE

SHIKA 8
S

1
5

J
o
n
s
a
nwa
Ky

t
on
ij
u
g
o
n
e
nmos
u
n
d
ei
r
ud
a
k
ea
t
t
e
o
t
e
r
an
o
o
k
us
h
i
t
t
ei
m
a
s
u
.
k
o
t
o0y
Asyoumighte
x
p
e
c
tomh
i
sh
a
v
i
n
gl
i
v
e
di
nKyotof
o
rf
i
f
t
e
e
n
y
e
a
r
s
Johni
sv
e
r
yk
n
o
w
l
e
d
g
e
a
b
l
ea
b
o
u
tt
e
m
p
l
e
s
./S
i
n
c
eJohn
h
a
sl
i
v
e
di
nKyotof
o
rf
i
f
t
e
e
ny
e
a
r
s
i
ti
sn
o
ts
u
r
p
r
i
s
i
n
gt
h
a
the
knowsal
o
ta
b
o
u
tt
e
m
p
l
e
s
.

lSHI

I
c
h
i
r
y
un
op
i
a
n
i
s
u
daken
i

s
u
b
a
r
a
s
h
i
ie
n
s
o0s
h
i
m
a
s
un
e
.

Anom
i
s
en
iwa

k
o
n
oz
a
s
s
h
is
h
i
k
aa
r
i
m
a
s
e
nd
e
s
h
i
t
a
.

Asyoumighte
x
p
e
c
to
faf
i
r
s
t
r
a
t
ep
i
a
n
i
s
t

hep
l
a
y
sw
o
n
d
e
r
f
u
l
l
y

d
o
e
s
n
'
t
h
e
.

1Isw
ast
h
eo
n
l
ymagazinea
tt
h
a
ts
t
o
./ T
heo
n
l
ym
a
g
a
z
i
n
e

KokowaH
o
k
k
a
i
d
od
a
k
en
i s
a
m
u
s
ag
ak
i
b
i
s
h
i
id
e
s
u
.
Asyoumighte
x
p
e
c
tomi
sb
e
i
n
gHokkaido

i
ti
st
e
r
r
i
b
l
yc
o
l
d
.
/I
ti
st
e
r
r
i
b
l
yc
o
l
dh
e
r
ei
nHokkaido your
n
i
g
h
te
x
p
e
c
t
.

1
3

Imawas
e
n
s
a
n
b
y
a
k
u
e
nk
i
r
is
h
i
k
am
o
t
t
ei
n
a
ik
a
r
a

t
o
t
e
m
oF
u
r
a
n
s
u

r
y
o
r
in
a
d
ot
a
b
e
r
a
r
e
n
a
iy
o
.
S
i
n
c
ea
l
l1h
a
v
ea
t
t
h
emomenti
sl
3
0
0
t
h
e
r
ei
snoway1c
a
n
[
a
f
f
o
r
dt
o
]e
a
tF
r
e
n
c
hf
o
o
d
.

4
.
Noto
n
1
yb
u
ta
l
s
o
.
"
N
o
t
e
:Whileb
a
k
a
r
i(#21
n
o
.2
)m
ayr
e
p
l
a
c
ed
a
k
ei
n i
su
s
a
g
e

i
ti
ss
l
i
g
h
t
l
y
m
o
r
ee
m
p
h
a
t
i
c
.

H
a
r
a
d
a
s
a
nwap
i
a
n
od
a
k
ed
en
a
k
u
u
t
amou
m
a
i
nd
e
s
uy
o
.
Haradai
sgoodn
o
ton
1
ya
tt
h
ep
i
a
n
ob
u
ta
l
s
oa
ts
i
n
g
i
n
g
.

E
i
g
od
a
k
ed
en
a
k
uF
u
r
a
n
s
u.
g
omob
e
n
k
y
s
h
i
t
a
i
nd
e
s
u
.
1wantt
os
t
u
d
yn
o
ton
1
yEn
g
1
i
s
hb
u
tF
r
e
n
c
ha
sw
e
l
l
.

N
o
t
e
:S
h
i
k
ai
su
s
e
do
n
l
ywithn
e
g
a
t
i
v
ev
e
r
b
s
.I
tmayc
o
m
b
i
n
ewith(
f
o
l
l
o
w
)
d
a
k
n
o
m
i

a
n
dk
i
r
if
o
rf
u
r
t
h
e
re
m
p
h
a
s
i
s
.
1
.A
f
t
e
rnouns
i
n
d
i
c
a
t
e
st
h
e
r
ei
sn
o
t
h
i
n
gmoreant
h
equ

t
i
t
ys
p
e
c
i
f
i
e
d

w
i
t
ht
h
ec
o
n
n
o
t
a
t
i
o
na
tt
h
eq
u
a
n
t
i
t
yi
ss
m
a
l
lo
r
: o
n
l
y

n
o
t
h
i
n
gb
u
t

m
e
r
e
l
y
.
"
u
n
s
a
t
i
s
f
a
c

t
h
a
ts
t
o
r
ehadwast
h
i
so
n
e
.

2
.
A
f
t
e
rv
e
r
b
s
i
n
d
i
c
a
t
e
sal
i
m
i
tt
o ea
c
t
i
o
ns
t
i
p.
a
t
e
dbyt
h
e
b
:
t
h
e
r
ei
snoc
h
o
i
c
ebut

a
l
l0 c
a
ndoi
s
.
"

d
ak
e
r
e
d
o

s
h
u
t
c
h
d
ak
a
r
ai
k
us
h
i
k
an
a
i
.
1d
o
n
'
twantt
o

b
u
ts
i
n
c
ei
t
'scomp
yb
u
s
i
n
e
s
s[
l
i

.
t ab
u
s
i
n
e
s
s
1c
a
n
'
th
e
l
pb
u
tgo[
1h
a
v
enoc
h
o
i
c
e
]
.
t
r
i
p
]

K
o
n
o
r
e
p
a
s
h
i
t
amaded
a l
o
j
un
io
w
a
r
a
s
e
r
u.

.l
k
Rn
a
i
.
S
i
n
c
ei
sr
e
p
o
r
ti
sduetomorrow

1h
a
v
enoc
h
o
i
c
eb
u
tt
of
i
n
i
s
hi
t
sometimet
o
d
a
y[
w
i
l
lj
u
s
tt
oh
a
v
et
ol
i
s
hi
tsometimet
o
d
a
y
]
.

86

K
J
R
J 1
1
7

NOMI

KIRII

NOMII

l
.Ae
rnouns
i
n
d
i
c
a
t
e
s
i
n
g
(
s
)s
t
i
p
u
l
a
t
e
d
:
o
n
l
y
.
"

t
h
e
r
ei
sn
o
t
h
i
n
go
t
h
e
rt
h
a
nt
h
e

N
o
t
e
:I
nt
h
i
su
s
a
g
e

n
o
m
ia
n
dd
a
k
eh
a
v
et
h
es
a
m
em
e
a
n
i
n
g

b
u
tn
o
m
ii
su
s
e
d
nt
h
es
p
o
k
e
nl
a
n
g
u
a
g
e
.N
o
m
ic
a
nb
ec
o
m
b
i
n
e
dw
i
t
h
m
o
r
ei
nw
r
i
t
i
n
gt
h
a
ni
h
i
k
a
a
s t
h
es
e
c
o
n
ds
a
m
p
l
es
e
n
t
e
n
c
eb
e
l
o
w
.
(
f
o
l
l
o
w
e
db
y
)s

4
Konoka
in
iwa

y
o
t
t
s
un
ok
u
n
in
od
a
i
h
y
onomig
as
h
u
s
s
e
k
is
h
i
t
a
.
l
er
e
p
r
n
t
a
t
i
v
e
so
fo
n
l
yf
o
u
rc
o
u
n
t
r
i
e
sa
t
t
e
n
d
e
dt
h
i
sc
o
n
f
e
r
e
n
c
e
.

I
z
e
n

k
o
n
od
a
i
g
a
k
un
iwad
a
n
s
e
inomis
h
i
k
ah
a
i
r
e
n
a
k
a
t
t
a
.
I
nt
h
ep
a
s
t

o
n
l
ymenw
e
r
ea
b
l
et
oe
n
t
e
r i
su
n
i
v
e
r
s
i
t
y
.

butalso."

.
U
s
e
di
neformAn
o
m
in
a
r
a
z
uBm
o
:
n
o
t
o
n
l
y

N
o
t
e:lISu
s
a
g
ei
se
s
s
e
n
t
i
a
l
l
ye
q
u
i
v
a
l
e
n
tt
ob
a
k
a
r
i(#21
n
o
.2)a
n
dl
k
k
e(#22
n
o
.4
)
b
u
ti
sf
o
u
n
dm
o
r
ei
nt
h
ew
r
i
t
t
e
nt
h
a
ni
n s
p
o
k
e
n
l
a
n
g
u
a

Konod
a
i
g
a
k
un
ob
u
n
g
a
k
u
b
un
og
a
k
u
s
e
iwa
E
i
g
onomin
a
r
a
z
u
F
u
r
a
n
s
u
g
omob
e
n
k
y
os
h
i
n
a
k
e
r
e
b
an
a
r
a
n
a
i
.
Thes
t
u
d
e
n
t
si
qt
h
el
i
t
e
r
a
t
u
r
ed
e
p
a
r
t
m
e
n
to
f i
su
n
i
v
e
r
s
i
t
ymust

b
u
tF
r
e
n
c
ha
sw
e
l
l
.
s
t
u
d
yn
o
to
n
l
yE
n
g
l
i
s
h

S
h
e
k
u
s
u
p
i
awag
i
k
y
o
k
unomin
a
r
a
z
us
h
imot
a
k
u
s
a
nk
a
i
t
a
.
S
h
a
k
e
s
p
e
a
r
ew
r
o
t
en
o
to
n
l
yp
l
a
y
s

b
u
tmanypoemsa
sw
e
l
l
.

1
.U
seda

e
r
n
o
u
n
sand
v
<
e
r

b
s

i
n
d
i
c
a
t
e
sa
c
u

t
t
t

n
I

"
p
o
l

n
t

l
.

e
ob
ep
r
o
n
o
u
n
c
e
dk
k
i
r

i
():n
l

y11'
al
i
m
i
t
;m
a
y
a
l
s

N
o
t
e
:K
i
r
im
e
a
n
sb
a
s
i
c
a
l
l
yt
h
es
a
m
et
h
i
n
ga
sd
a
k
e(#22
n
o
.1
)b
u
t1
5a
m
o
r
e
h
i
k
amayb
eu
s
e
da
e
rk
i
r
if
o
re
m
p
h
a
s
i
s
.
c
o
l
l
o
q
u
i
a
lu
s
a
g
e
.S

1
Anoo
j
i
s
a
nwa
h
i
t
o
r
ik
i
r
id
ek
in
ai
en
is
u
n
d
ei
r
u
.
T
h
a
to
l
dmanl
i
v
e
sa
l
o
n
e[
a
l
lbyh
i
m
s
e
l
f
]i
nab
i
gh
o
u
s
e
.

S
o
n
ok
o
d
o
m
owa

d
a
m
a
t
t
ak
i
r
id
en
a
n
imoi
w
a
n
a
k
a
t
t
a
.
Thec
h
i
l
dj
u
s
ts
a
t[
s
t
o
o
d
e
t
c
.
]t
h
e
r
e

w
i
t
h
o
u
ts
a
y
i
n
gaw
o
r
d
.(
L
i
t
.

T
h
a
tc
h
i
l
d

o
n
l
yk
e
e
p
i
n
gq
u
i
e
t

d
i
1
'
ts
a
ya
n
y
t
h
i
n
g
.
)
2
.Usedw
i
as
m
a
l
lnumbero
ramountt
oe
m
p
h
a
s
i
z
ean
e
g
a
t
i
v
e
a
k
emayr
e
p
l
a

ek
i
r
i
:
o
n
l
y

m
e
a
n
i
n
g
;d

2
o
A
t
o s
h
amaden
i
f
u
nk
i
r
id
ak
a
r
a
Yamamo a
n t
o
t
e
m
oma
n
i
a
w
a
n
a
id
a
r
o
.
Thet
r
a
i
nl
e
a
v
e
si
nj
u
s
ttwom
i
n
u
t
e
ss
oi
t
'
sv
e
r
yu
n
l
i
k
e
l
yt
h
a
t
ti
nt
i
m
e
.
Yamamotow
i
l
lmakei
1

O
k
a
n
ewai
c
h
i
m
a
n
e
nk
i
r
is
h
i
k
an
a
ik
a
o
k
o
n
p
y
u
t
a0k
a
un
owa
m
u
r
i
d
a
.
1h
a
v
eo
n
l
y1
0
0
0
0t
omyname

s
ot
h
e
r
e
'
snoway1c
a
nbuy
compute
r
./S
i
n
c
ea
l
l1h
a
v
ei
s1
0
0
0
0
t
h
e
r
ei
snoway1c
a
n
a
f
f
o
r
dt
h
a
tc
o
m
p
u
t
e
r
.

8
8

NODE

3
.I
n
d
i
c
a
t
e
st
h
emostr
e
c
e
n
ti
n
c
i
d
e
n
c
eofs
o
m
e
t
h
i
n
g
:
t
h
el
a
s
t
.
"

A
r
a
n
s
a
nk
a
r
awa

'
o
n
e
nk
u
r
i
s
u
m
a
s
uk
a
d
o
g
a
k
i
k
i
r
id

es
o
n
oa

t
e
g
a
m
ig
ak
i
m
a
s
e
n
.
Thel
a
s
t[
1h
e
a
r
d
]fromA
l
l
enwasaC
h
r
i
s
t
m
a
sc
a
r
dl
a
s
ty
e
a
r
;s
i
n
c
e

B
y
o
k
i
n
anod
e

r
y
o
k
n
ii
k
un
owam
u
r
id
e
s
u
.
S
i
n
c
eI
'
mi
l
l

t
a
k
i
n
gat
r
i
pi
so
u
to
ft
h
eq
u
e
s
t
i
o
n
.
Note:&ini
se
x
a
m
p
l
e

d
ac
h
a
n
g
e
st
on
ab
e
f
o
r
en
od
e
.

e
n
nol
e
t
t
e
r
shavecome.

K
i
s
h
i
s
a
nwa

s
e
n
g
e
t
s
un
ok
u
r
a
s
uk
a
id
ea
t
t
ak
i
r
id
e
s
u
.
Thel
a
s
t[
t
i
m
e
]1sawK
i
s
h
iwasa
tl
a
s
tmonth'sc
l
a
s
sm
e
e
t
i
n
g
.

iMONODEI
1
.I
n
d
i
c
a
t
e
sac
a
u
s
eo
rr
e
a
s
o
n
:
i
nt
h
a
t
inasmucha
s
g
i
v
e
n

N
o
t
e
:M
o
n
od
ei
smorep
o
l
i
t
ea
n
df
o
r
m
a
lt
h
a
nn
od
eandk
a
r
a
.

iNODEI
1
.I
n
d
i
c
a
t
e
sac
a
u
s
eo
rr
e
a
s
o
n
:
i
n a
t

s
i
n
c
e

b
e
c
a
u
s
e

N
o
t
e
:N
od
e
a
n
dk
a
r
a(#15
1
1
-1
)d
i
f
f
e
ri
nt
w
ow
a
y
s
:f
i
r
s

tn
od
e
u
a
l
l
y
i
n
d
i

t
e
s
am
o
r
eo
b
j
e
c
t
i
v
ec
a
u
s
eo
rr
e
a
s
o
nk
a
r
aamores
u
b
j
e
c
t
i
v
eo
n
e
; u
sk
a
r
ai
s
o
f
t
e
nu
s
e
di
ns
e
n
t
e
n
c
e
si
n
v
o
l
v
i
n
gp
r
o
h
i
b
i
t
i
o
n
s
commands

a
n
dq
u
e
s
t
i
o
n
s
;
s
e
c
o
n
d

i
ns
e
n
t
e
n
c
e
so
t
h
e
r
w
i
s
ei
d
e
n
t
i
c

an
od
el
e
n
d
samorep
o
l
i
t
et
o
n
e
.

Kuruman
oj
i
k
og
aa
t
t
an
od
e

m
i
c
h
ig
ak
o
n
d
ei
m
a
s
u
.
S
i
n
c
et
h
e
r
ewasac
a
ra
c
c
i
d
e
n
t
t
h
er
o
a
d
sa
r
ecrowded.

Y
u
k
ig
at
a
k
u
s
a
nt
t
an
od
e

d
e
n
s
h
ag
ao
k
u
r
e
r
us
od
e
s
u
.
B
e
c
a
u
s
eal
o
tofsnowh
a
sf
a
l
l
e
n
i
ti
ss
a
i
d[
t
h
e
ys
a
y
1hear]e
t
r
a
i
ni
sg
o
i
n
gt
obel
a
t
e
./B
e
c
a
u
s
eofa
l
lt
h
esnow

t
h
et
r
a
i
nw
i
l
l
bel
a
t
e
1hea
r
.

T
o
k
y
owab
u
k
k
ag
at
a
k
a
imonod
e

s
e
i
k
a
t
s
ug
at
a
i
h
e
nd
e
s
u
.
S
i
n
c
ep
r
i
c
e
sa
r
eh
i
g
h
l
i
f
ei
nTokyoi
sd
i
c

t
./P
r
i
c
e
si
nTokyo
i
ti
sd
i
f
f
i
c
u
l
tt
omakeendsm
e
e
t
.
b
e
i
n
gh
i
g
h

v
W
a
t
a
s
h
iwak
a
r
a
d
ag
ay
o
w
a
imonod
e

n
a
g
a
ir
y
o
k
wam
u
r
id
e
s
u
.
I
n a
tmyc
o
n
s
t
i
t
u
t
i
o
ni
sweak[
h
e
a
l
t
hi
sp
o
o
r
]
l
o
n
gt
r
i
p
sa
r
eo
u
t
oft
h
eq
u
e
s
t
i
o
n
.

90

91

KEREDOMO

KEREDOMOI

N
o
t
e
:(
1
)M
orec
o
l
l
o
q
u
i
a
lf
o
r
m
so
fk
e
r
e
d
o
m
oa
r
ek
e
r
e
d
o

k
e
d
o

a
n
dk
e
d
o
m
o
.
K
e
r
e
d
o
m
oi
na
l
li
t
sf
o
r
m
sl
e
n
d
sas
o
e
rt
o
n
e

a
n
di
ni
t
sf
u
l
lf
o
r
m(
n
o
tt
h
e
a
l
t
e
r
n
a
t
i
v
ef
o
r
m
s
)t
e
n
d
st
ob
ep
r
e
c
e
d
e
db
yd
e
s
uandt
h
em
a
s
uv
e
r
bf
o
r
m
s
.
(
2
)I
ne
a
c
ho
f
t
h
eu
s
a
g
e
sb
e
l
o
w

g
a(#2
1
11

2
4
5
6
)c
a
nr
e
p
l
a
c
ek
e
r
e
d
o
m
o
a
n
di
t
smorei
n
f
o
r
m
a
lv
a
r
i
a
t
i
o
n
s.
1
. Usedbetweentwoc
l
a
u
s
e
st
oi
n
d
i
c
a
t
ea
t eyareopposedi
n
meaning:
but

a
l
t
h
o
u
g
h
.
"

T
e
n
k
i
y
o
h
od
ek
y
owaamewar
a
n
a
ii
t
t
and
e
s
uk
e
r
e
d
o
m
o

y
u
g
a
t
ak
a
r
at
t
ek
i
m
a
s
h
i
t
an
e
.
Theys
a
i
dont
h
eweatherr
e
p
o
r
ta
ti
twouldn'tr
a
i
ntoday

buti
t
beganr
a
i
n
i
n
gi
nt
h
ee
v
e
n
i
n
g

d
i
d
n
'
ti
t
.

T
a
k
e
u
c
h
i
s
a
nn
id
e
n
w
a0k
a
k
e
t
ak
e
r
e
d
or
u
s
ud
e
s
h
i
t
a
.
1c
a
l
l
e
dTa
k
e
u
c
h
i

buts
h
ewasout.
2
.Useda
tt
h
eendofas
e
n
t
e
n
c
e

i
m
p
l
i
e
ss
O
l
l
l
c
t
h
i
n
gt
b
a
tq
u
a
l
i
f
i
e
s
w
e
l
l

y
e
s
but.
.
.
"
whati
sa
c
t
u
a
l
l
ys
t
a
t
e
d
:
N
o
t
e
:T
h
i
su
s
a
g
ei
se
s
s
e
n
t
i
a
l
l
yt
h
es
a
m
ea
st
h
a
ti
nn
o
.1
a
b
o
v
e

e
x
c
e
p
tt
h
a
t
h
e
r
et
h
es
e
c
o
n
dc
l
a
u
s
ei
s
n
'
ts
t
a
t
e
do
u
t
r
i
g
h
.
t(Wordsi
nb
r
a
c
k
e
t
sb
e
l
o
wshow
o
n
l
yo
n
eo
fv
a
r
i
o
u
si
m
a
g
i
n
a
b
l
ec
o
n
t
e
x
t
s
.
)

..
Taman
iwar
y
o
k
n
imoi
k
i
t
a
io
m
o
t
t
ei
r
u
nd
e
s
uk
e
d
o.
I
'dr
e
a
l
l
yl
i
k
et
ogoonat
r
i
poncei
naw
h
i
l
e [
b
u
t1d
o
n
'
thave
et
i
m
e
]
.

.
.
.
.
.
W
a
t
a
s
h
iwag
o
r
t
l
os
h
i
n
a
iw
a
k
ed
ewan
a
i
nde
subdo.
.
.
I
t
'
snott
h
a
t1d
o
n
'
tp
l
a
yg
o
l
f [
b
u
t1r
e
a
l
l
ydon'
tl
i
k
ei
t
much].
3
.
I
n
d
i
c
a
t
e
sap
r
e
l
i
m
i
n
a
r
yr
e
m
a
r
k
.

1
Madah
a
s
s
h
amadei
C
h
i

i
k
a
nmoa
r
i
m
a
s
uk
e
d
o

d
o'
s
h
i
m
a
s
h
ok
a
.
T
h
e
r
e
'
ss
t
anhouru
n
t
i
l[
t
h
et
r
a
i
n
]d
e
p
a
r
t
s
[
s
o
]whats
h
a
l
lwe
do[
i
nt
h
emeanwhilel
?

T
a
n
id
e
s
uk
e
d
o
T
o
m
o
k
o
s
a
ni
r
a
s
s
h
a
i
m
a
s
uk
a
.
T
h
i
s[mynamei
s
]i
sTan
i
.I
sTomokot
h
e
r
e
?
4
. Useda
tt
h
eendofas
e
n
t
e
n
c
e

emphasizest
h
es
e
n
s
et
h
a
te
s
p
e
a
k
e
rwantst
h
ee
v
e
n
tt
ocomeo
u
ta
ss
t
a
t
e
d
:
i
twouldben
i
c
ei
f

1h
o
p
e
.
"

.....
Hayakua
t
a
t
a
k
a
k
un
a
r
ui
i
nd
ak
e
d
o.
.
I
twouldben
i
c
ei
fi
tg
o
twarms
o
o
n
./1hopei
tg
e
t
swarms
o
o
n
.

.....
Mos
u
k
o
s
h
io
k
i
in
og
ah
o
s
h
i
i
nd
ak
e
r
e
d
o..
I
'dl
i
k
et
ohaveonet
h
a
t
'
sal
i
t
t
l
eb
i
g
g
e
r
./1hadhopedforsomet
h
i
n
gal
i
t
t
l
el
a
r
g
e
r.

NONI

TOKORODE

lTOKORODEI
N
o
t
e
:T
o
k
o
r
od
ei
sa
l
w
a
y
su
s
e
da
f
t
e
rt
h
et
af
o
r
mo
fav
e
r
b.
T
h
et
e
n
s
eo
ft
h
i
s

h
o
w
e
v
e
r

i
sn
o
tn
e
c
e
s
s
a
r
i
l
yp
a
s
t

b
u
ti
sd
e
t
e
r
m
i
n
e
db
yt
h
et
e
n
s
eo
ft
h
e
v
e
r
b
v
e
r
bi
nt
h
em
a
i
nc
l
a
u
s
e
.

1
.B
e
t
w
e
e
nc
o
n
t
r
a
s
t
i
n
gc
l
a
u
s
e
s
e
m
p
h
a
s
i
z
e
sa
ta
ne
x
t
e
n
t

num
o
ramounto
fs
o
m
e
t
h
i
n
gi
sl
e
s
sa
ne
x
p
e
c
t
e
d
:
e
v
e
ni
f

e
v
e
n
b
e
r
o
u
g
h
.
"

N
o
t
e
:T
h
i
su
s
a
g
ei
ss
i
m
i
l
a
rt
ot
emo(#4
n
o
.
1
)
b
u
tt
h
ee
m
p
h
a
s
i
si
sg
r
e
a
t
e
r
o
k
o
r
od
e
.
w
i
t
ht

T
o
k
y
o
w
a 4
k
o
r
od
e

s
o
n
n
an
i m
E

v
e
n
t

h
oug
1
1
i
ts
n
o
w
s
i
nT
o

k
y

i
tn
e
v
e
rs
n
o
w
sa
tmuch[
n
e
v
e
r
g
e
t
st
h
a
td
e
e
p]
.

Anoh
i
t
on
a
r
ai
k
u
r
ag
a
n
b
a
t
t
at
o
k
o
r
od

k
o
n
ot
e
i
d
on
os
h
i
g
o
t
os
h
i
k
a
d
e
k
i
n
a
id
e
s
h
o
.
Tash
em
i
g
h
t

t
h
i
si
sa
b
o
u
tt
h
eb
e
s
t[
l
e
v
e
lo
f
w
o
r
k
]h
ec
a
nd
o
.
2
.I
n
d
i
c
a
t
e
st
h
a
tt
h
eoutcomeo
fwhati
ss
t
a
t
e
di
n ef
i
r
s
tc
l
a
u
s
e
e
v
e
ni
f

nom
a
t
t
e
rhowm
u
c
h
.
"
w
i
l
ln
o
tb
ef
a
v
o
r
a
b
l
e
:

Imak
a
r
ai
s
o
i
d
ei
t
t
a k
o
r
od
e
i
c
h
i
j
in
os
h
i
n
k
a
n
s
e
nn
iwam
a
n
i
a
t
m
a
s
e
ny
o
.
Nom
a
t
t
e
rhowmuchweh
u
r
r
ynow

w
e
'
r
ej
u
s
tn
o
tg
o
i
n
gt
ob
e
ont
i
m
ef
o
rt
h
eoneo
'
c
l
o
c
kS
h
i
n
k
a
n
s
e
n.

T
a
k
a
o
k
a
s
a
nn
it
a
n
o
n
d
at
o
k
o
r
ode

y
a
t
t
ek
u
r
e
r
uh
a
z
ug
an
a
id
e
s
h
d
.
E
v
e
ni
f
w
ea
s
k
e
dT
a
k
a
o
k
a

t
h
e
r
e
'
sl
i
t
t
l
ec
h
a
n
c
ehewou
l
ddoi
tf
o
ru
s
.

lNONII

1
.U
sedb
e
t
w
e
e
ntwoc
l
a
u
s
e
st
oi
n
d
i
c
a
t
ea
tt
h
e
ya
r
eo
p
p
o
s
e
di
n
a
1
t
h
o
u
g
h

e
v
e
nough
d
e
s
p
i
t
et
h
ef
a
c
ta
t
.
"
m
e
a
n
i
n
g
:

N
o
t
e
:Non
ii
n
d
i
c
a
t
e
sas
t
r
o
n
g
e
ro
p
p
o
s
i
t
i
o
ni
nm
e
a
n
i
n
gt
h
a
ng
a(#2
1
11
)o
r
k
e
r
e
d
o
m
o(#28n
o
.1
)
.

I
k
e
d
as
a
nwak
a
z
ed
es
e
k
ig
ad
e
r
unon
i
t
a
b
a
k
ob
a
k
a
r
is
u
t
t
ei
m
u
.
E
v
e
n oughI
k
e
d
ai
sc
o
u
g
h
i
n
gomac
o
l
d

a
1
1h
ed
o
e
si
ssmoke
c
i
g
a
r
e
t
t
e
s[
h
ei
s(
s
t
)s
mokinga
l
lt
h
et
i
m
e
]
.

Y
a
m
a
m
o
t
o
s
a
nn
op
a
t
in
iwai
k
a
n
a
ii
t
t
anon
i
d
os
h
i
t
ei
k
un
d
e
s
uk
a
.

Yous
a
i
dyouw
o
u
l
d
n
'
tgot
oYamamoto'sp
a
r
t
y

s
owhya
r
eyou
g
o
i
n
g
?/Wh
ya
r
eyoug
o
i
n
gt
oYamamoto'sp
a
r
t
ywhenyou
d
n
'
t
?
s
a
i
dyouwo
2
.Useda
tt
h
eendo
fas
e
n
t
e
n
c
e

i
n
d
i
c
a
t
e
saf
e
e
l
i
n
go
fd
i
s
s
a
t
i
sd
e
s
p
i
t
et
h
ef
a
c
ta
t

e
v
e
n ough
f
a
c
t
i
o
n
:

N
o
t
e
:t
i
su
s
a
g
ei
se
s
s
e
n
t
i
a
l
l
yt
h
es
a
m
ea
sn
o
.1
a
b
o
v
e

e
x
c
e
p
tt
h
a
tt
h
es
e
c
t
.(
W
o
r
d
si
nb
r
a
c
k
e
t
sb
e
1
0ws
h
o
wo
n
l
yo
n
eo
f
o
n
dc
l
a
u
s
ei
s
n
'
ts
t
a
t
e
do
u
t
r
i
g
h
v
a
r
i
o
u
si
m
a
g
i
n
a
b
l
ec
o
n
t
e
x
t
s
.
)

9
4 KUSENI

B
e
n
k
y
o
s
h
i
n
a
ii
t
t
anon
i
D
e
s
p
i
t
et
h
ef
a
c
ta
t1t
o
l
dyout
os
t
u
d
y[
y
o
ud
i
d
n
'
t

anda
r
enow
i
nh
o
tw
a
t
e
r
]
./1t
o
l
dyout
os
t
u
d
y
!

.....
K
o
t
s
u
j
i
k
o0o
k
o
s
a
n
a
iy
on
ik
i0t
s
u
k
e
t
ei
t
anon
i
Eventhough1t
r
i
e
dt
obec
a
r
e
f
u
ls
oa
sn
o
tt
ohaveana
c
c
i
d
e
n
t.
.
.
[
1smashedup ec
y
w
a
y
]
.I
Iw
a
st
r
y
i
n
gmyb
e
s
tn
o
tt
o
g
e
ti
n
v
o
l
v
e
di
naa
u
t
o
m
o
b
i
l
ea
c
c
i
d
e
n
t
.
3
.
To

i
no
r
d
e
rt
o
.
"

Kokok
a
r
am
i
z
u
u
m
iei
k
unon
in
a
n
j
i
k
a
ng
u
r
a
ik
a
k
a
r
i
m
a
s
uk
a
.
Howlongdo i
tt
a
k
et
og
e
tomh
e
r
et
ot
h
el
a
k
e
?(
L
i
t
I
no
r
d
e
rt
o
g
e
tomh
e
r
et
ot
h
el
a
k
e

a
b
o
u
thowmanyh
o
u
r
sw i
tt
a
k
e
?
)

K
a
n
j
i0o
b
o
e
r
unon
iih
o
h
o0o
s
h
i
e
t
ek
u
d
a
s
a
i
.
P
l
e
a
s
et
e
l
lmeagoodwayt
ol
e
a
r
nk
a
n
j
i
.

lKUSENII

1
.
D
e
s
p
i
t
e ef
a
e
t a
t
o
u
g
h
.
"
N
o
t
e
:T
h
i
su
s
a
g
ei
ss
i
m
i
l
a
rt
ot
h
a
to
fn
on
i(#30
n
o
.1
)
b
u
tt
h
e
r
ei
s a
d
d
e
d
f
e
e
l
i
n
go
fc
e
n
s
u
r
eo
rc
o
n
t
e
m
pt
.

Kodomon
ok
u
s
en~ 0n
an
oh
a
n
a
s
h
in
ik
u
c
h
i0d
a
s
h
i
t
ewai
k
e
m
a
s
e
n
.
C
h
i
l
d
r
e
ns
h
o
u
l
d
n
'
ti
n
t
e
r
r
u
p
twhengrown-upsa
r
et
a
l
k
i
n
g
.(
L
i
t
.

D
e
s
p
i
t
et
h
ef
a
c
t[
o
rc
o
n
s
i
d
e
r
i
n
gt
h
ef
a
e
t
]youa
r
ea[
m
e
r
e
]c
h
i
l
d

MONONO "

youa
r
enott
ob
u
t
ti
nongrown-up
'
st
a
l
k[
t
h
ewayyoua
r
l
d
o
i
n
g
]
.
)

e
Anohi
wanr
y
o
k
umon
a
ik
u
s
en
i

c
h
i
id
a
k
ewah
o
s
h
i
g
a
t
t
ei
r
u
.
D
e
s
p
i
t
et
h
ef
a
c
t a
theh
a
snoa
b
i
l
i
t
y

a
l
lhewant
si
ss
t
a
t
u
s
.

.
2
. Useda
tt
h
eendo
fas
e
n
t
e
n
c
et
oe
x
p
r
e
s
sc
e
n
s
u
r
eo
rcontempt

A
n
a
t
ad
a
t
t
ed
e
k
i
n
a
ik
u
s
en
i.
Asi
f
y
o
uc
o
u
l
ddoi
ty
o
u
r
s
e
l
E
(
L
i
t
.
D
e
s
p
i
t
e ef
a
c
tt
h
a
te
v
e
nYOU
c
o
u
l
d
n
'
tdoi
t
I
y
o
ua
r
et
r
y
i
n
gt
ot
e
l
lmehowt o l . ) '

J
i
b
u
nd
emow
a
k
a
r
a
n
a
ik
u
s
en
i
Asi
fy
o
uunderstood.(
L
i

.
tD
e
s
p
i
t
et
h
ef
a
c
ta
te
v
e
nyoud
o
n
'
t
u
n
d
e
r
s
t
a
n
d[
y
o
upresumet
og
i
v
ea
d
v
i
c
et
oo
t
h
e
r
s
]
.
)

MONONOI

1
."
B
u
t

a
l
o
u
g
h
.
"

N
o
t
e
:M
o
n
on
omeanse
s
s
e
n
t
i
a
l
l
yt
h
es
a
m
et
h
i
n
ga
sg
a(#2
I
I
)a
n
dk
e
r
e
d
o
m
o
(
#
2
8
)b
u
ti
sam
o
r
ef
o
r
m
a
lu
s
a
g
ea
n
di
su
s
e
dm
o
r
eo
f
t
e
nh w
r
i
t
i
n
gt
h
a
n
s
p
e
a
k
i
n
g
.

S
o
n
ok
u
n
iwad
o
k
u
r
i
t
s
us
h
i
t
amonono

madak
e
i
z
a
i
t
e
k
in
am
o
n
d
a
i
g
at
a
k
u
s
a
na
r
u
.
A
l
thoughthecountryh
a
sbecomei
n
d
e
p
e
n
d
e
n
t

i
t hasmany
economicp
r
o
b
l
e
m
s
.

96

.
BA.9
7

TOKOROGA

A
m
e
r
i
k
aer
y
u
g
a
k
us
u
r
uk
o
t
on
ik
i
m
e
t
amonon
o

s
h
o
g
a
k
u
k
i
n0m
n
og
am
u
z
u
k
a
s
h
i
i
.
A
l
thoughI
'
v
ed
e
c
i
d
e
dt
os
t
u
d
yi
nt
h
eU
n
i
t
e
dS
t
a
t
e
s

i
t
'sd
i
f
f
i
c
u
l
tt
o
g
e
tasc~olarship.

TOKOROGAI
N
o
t
e
:T
o
k
o
r
og
ai
sa
1
w
a
y
su
s
e
da
f
t
e
rt
h
et
af
o
r
mo
fav
e
r
b
.T
h
et
e
n
s
eo
f
t
h
i
s
v
e
r
b

h
o
w
e
v
e
r

i
sn
o
tn
e
c
e
s
s
a
r
i
l
yp
a
s
t

b
u
ti
sd
e
t
e
r
m
i
n
e
db
yt
h
et
e
n
s
eo
ft
h
e
h
em
a
i
nc
l
a
u
s
e
.
v
e
r
b t
1
. Usedb
etweentwoc
l
a
u
s
e
st
o~dicate t
h
a
tt
h
e
ya
r
eopposedi
n

meaning
;t
h
er
e
s
u
l
ti
s0enu
n
e
x
p
e
c
t
e
d(
a
.badr
e
s
u
l
t
;b
.good
r
e
s
t
)
:
b
u
t

a
l
t
h
o
u
g
h
when."
a
)I
n
d
i
c
a
t
i
n
gabadr
e
s
u
l
t
.

G
i
n
k
ei
t
t
at
o
k
o
r
og
a
ms
h
i
m
a
t
t
ei
t
a
.
1wentt
ot
h
ebank

buti
twasa
l
r
e
a
d
yc
l
o
s
e
d
.IWh
en1g
o
tt
o e
bank

i
twasa
l
r
e
a
d
yc
l
o
s
e
d
.

Anoh
i
t
on
ia
in
ii
t
t
at
o
k
o
r
og

k
a
i
g
i
c
h
ud
ea
e
n
a
k
a
t
t
a
.
1wentt
os
e
eh
e
r

tut1c
o
u
l
d
n
'
tb
e
c
a
u
s
es
h
ewasi
nam
e
e
t
i
n
g
.

Kd
a
i
g
a
k
un
iwag
o
k
a
k
ud
e
k
i
n
a
io
m
o
t
t
ei
t
o
"
oo1
"

g
d
k
a
k
u
t
s
u
c
h
ig
ak
i
t
a
.
Mough1o
u
g
h
t1w
o
u
l
d
n
'
tp
a
s
s[
t
h
ee
n
t
r
a
n
c
eexamt
o
JK

1r
e
c
e
i
v
e
dan
o
t
i
c
et
h
a
t1had
.
U
n
i
v
e
r
s
i
t
y

A
m
a
r
ik
i
t
a
is
h
i
t
ei
n
a
k
a
t
t
at
o
k
o
r
og

as
o
n
ok
o
a
t
owas
u
b
a
r
l
h
i
k
a
t
t

A
l
though1h
a
d
n
'
tr
e
a
l
l
ybeene
x
p
e
c
t
i
n
gmuch

t
h
econc
e
r
twas
f
a
b
u
l
o
u
s
.

BA/
1
.I
n
d
i
c
a
t
e
sas
u
p
p
o
s
i
t
i
o
nandr
e
s
u
l
t
:
i
f
.
..t
h
e
n.
"
N
o
t
e
:T
a
r
a(#35
n
o
.
1
)i
ss
i
m
i
l
a
ri
nu
s
a
g
e
.

As
h
i
t
at
e
n
k
ig
ay
o
k
e
r
e
b
a

d
o
r
a
i
b
un
ii
k
i
m
a
s
h

I
ftheweatheri
sn
i
c
etomorrow

l
et
'sg
of
o
rad
r
i
v
e
.

O
k
a
n
eg
aa
r
e
b
a

o
k
i
ii
eg
ak
a
i
t
a
id
e
s
un

I
f1hadt
h
emoney

l
'
dl
i
k
et
obuyab
i
gh
o
u
s
e
.
tt
h
ec
l
a
u
s
ea
f
t
e
rb
ai
st
h
er
e
s
u
l
toft
h
ec
l
a
u
s
e
2
.I
n
d
i
c
a
t
e
s a
t
:
i
f
.
..e
n.
"
b
e
f
o
r
ei
N
o
t
e
:T
o(#6
I
I
I3
)c
a
na
1
s
ob
eu
s
e
dh
e
r
e
.

b
)i
n
d
i
c
a
t
i
n
gagoodr
e
s
u
l
t
.

R
o
k
k
os
a
nn
in
o
b
o
r
e
b
a

K
o
b
en
om
a
c
h
ig
ak
i
r
e
in
im
i
e
m
a
s
uy
o
.
I
fyouc
l
i
m
bMt
.Rokko
youc
a
ng
e
tagoodv
i
e
wo
ft
h
ec
i
t
yofKobe
.

BA

.
O
A

Y
o
k
ur
e
n
s
h
us
u
r
e
b

ak
o
n
op
i
a
n
o
k
y
o
k
ug
ah
i
k
e
r
uy
on
in
a
r
i
m
a
s
u
.
I
fyoup
r
a
c
t
i
c
eh
a
r
d

y
o
u
'
l
lb
ea
b
l
et
op
l
a
yt
h
i
sp
i
a
n
op
i
e
c
e
.

.Usedtoi
n
o
duceac
l
a
u
s
e
:
i
f
'(
b
u
tn
o
tac
a
u
s
e
e
c
tr
e
l
a
t
i
o
n
s
h
i
p
)
.

5.Usedt
oc
o
n
n
e
c
ttwos
i
m
i
l
a
re
v
e
n
t
so
rs
t
a
t
e
s
:
and.
"

K
y
ow

at
e
n
k
imoy
o
k
e
r
e
b
ak
a
z
emon
a
id
e

0h
a
n
a
m
in
iwas
a
i
k
i
d
e
s
u
.

Todayi
sp
e
r
f
e
c
tf
o
rf
l
o
w
e
r
v
i
e
w
i
n
g
:t
h
ew
e
a
t
h
e
ri
sn
i
c
eandt
h
e
nowind.

Y
o
r
o
s
h
i
k
e
r
e
b
a

o
k
a
s
h
i0m
e
s
h
i
a
g
a
t
t
ek
u
d
a
s
a
i
.
I
fyouwouldl
i
k
e

p
l
e
a
s
eh
a
v
esomeo
ft
h
es
w
e
e
t
s
.

S
e
n
g
owakomemon
a
k
e
r
e
b
ay
a
s
a
imon
q
ed
e

t
a
i
h
e
nd
e
s
h
i
t
ay
o
.

A
f
t
e
rt
h
ewart
h
e
r
ewasnor
i
c
eandt
h
e
r
ewerenov
e
g
e
t
a
b
l
e
s
i
[
t
h
i
n
g
s
]w
e
r
ev
e
r
yd
i
f
f
i
c
u
l
t
.

K
a
n
g
a
e
t
em
i
r
e
b
a

y
o
k
uk
o
n
n
an
ik
a
i
s
h
ag
ak
i
k
un
a
t
t
amonod
a
.
1
yout
h
i
n
ka
b
o
u
ti
t

i
ti
sr
e
m
a
r
k
a
b
l
ea
tecompanyh
a
sg
o
t
t
e
n
i
sb
i
g
.

.I
d
i
o
m
a
t
i
cu
s
a
g
e
so
f
t
h
eb
ac
o
n
d
i
t
i
o
na
1
.

t
e

.
.
.s
t
a
t
e
d
.
"

o
f
(
a
n
t
a
nn
ii
e
b
a

s
o
r
ewam
u
r
id
ai
uk
o
t
od
e
s
h

.
;
i
m
p
l
ys
t
a
t
e
d
~at meansi
ti
si
m
p
o
s
s
i
b
l
e
..
(
L
i

.
tI
fw

s
t
a
t
ei
t.
_
s
i
m
p
l
y
.
.
.
)

T
)D
e
k
i
r
e
b
ai
fp
o
s
s
i
b
l
e(
l
i

.
ti
fi
tc
a
nbed
o
n
e
)
.
"

.....

)
e
k
i
r
e
b
amy

i
g
o
n
i
c
h
in
oh
og
aw
a
t
a
s
h
iwat
s
u
g
og
ai
i
nd
e
s
ug
a.
f
p
o
s
s
i
b
l
e

t
h
ed
a
ya
f
t
e
rtomorrowwouldbeb
e
t
t
e
rf
o
rm
e
.

6
.I
nt
h
eformVb
ai
:oneoughtt
odo
oneneedo
n
l
yd
o
.
"

Hon0k
a
r
i
r
un
i k
o
k
on
inamae0k
a
k
e
b
ai
i
nd
e
s
u
.
Toborrowabook

youneedo
n
l
yw
r
i
t
e

o
u
rnameh
e
r
e
.

T
h
i
k
an
is
h
u
k
u
d
a
i0 w
a
s
u
r
e
t
an
owak
i
m
in
os
e
k
i
n
i
nd
e
s
ug

s
e
n
s
e
in
ia
y
a
m
a
r
is
a
es
u
r
e
b
ai
i
nd
e
s
u
.
i
ki
twascertamly
yourf
a
i
ta
tyouf
o
r
g
o
tt
h
ehomework

Wh
a
l
lyouh
a
v
et
odoi
sa
p
o
l
o
g
i
z
et
ot
h
et
e
a
c
h
e
r
.

TA
l
l
A 1
0
1

1
0
0 TARA

l
T
A
R
A
I
1
.l
n
d
i
c
a
t
e
sas
u
p
p
o
s
i
t
i
o
nandr
e
s
u
l
t
:
i
f en

N
o
t
e
:T
h
i
su
s
a
g
ei
ss
i
m
i
l
a
rt
ob
a(#34
n
o
.1
)
a
l
t
h
o
u
g
ht
a
r
as
o
u
n
d
ss
o
m
e
wh
a
tm
o
r
eg
e
n
t
l
e
.T
a
r
ai
sl
i
k
e
l
yt
ob
eu
s
e
dwhent
h
er
e
s
u
l
ti
sa
ni
n
t
e
n
t
i
o
n

r
q
u
e
s
t(
c
o
m
m
a
n
d
)
o
rq
u

t
i
o
n
.

FD

u
o
v
'

aH

5 m

60
S
o
r
ewac
h
i
i
s
a
ik
a
r
a
k
o
c
h
i
r
an
ok
i
in
o0o
k
a
in
in
a
t
t
a
r

Thatonei
ss
m
a
l
l
s
owhynotbuyt
h
i
sb
i
gone[
i
n
s
t
e
a
d
]
.

Moo
s
o
ik
a
r
a

s
o
n
os
h
i
g
oa
s
h
i
t
an
in
a
s
a
t
t
a
r
a
.
I
t
'
sl
a
t
e

s
owhynotdot
h
a
tworktomorrow.

PS
LV4u.YA

2
. Useda
tt
h
eendofas
e
n
t
e
n
c
et
oi
n
d
i
c
a
t
eap
r
o
p
o
s
a
l
;u
s
e
d

howabout
whyno
t
."
o
f
t
e
nbywomen:

whos
h
a
l
lwea
s
kt
odot
h
ewordp
r
o
c
e
s
s
i
n
g
?

Y
a
m
a
d
a
s
a
nn
ot
s
u
g
og
aw
a
r
u
k
a
t
t
a
r

d
a
r
en
iw
a
p
u
r
o0 t
a
n
o
m
i
mh
o
k
a
.
lfYamadai
sbusy(
u
n
a
v
a
i
1
a
b
l
e

o
c
c
u
p
i
e
d
i
so
t
h
e
r
w
i
s
ee
n
g
a
g
e
d
)

K
a
r
en
ia
t
t
a
r
a

y
o
r
o
s
h
i
k
ui
t
t
ek
u
d
a
s
a
i
.
lfyous
e
ehim

g
i
v
ehimmyr
e
g
a
r
d
s(
s
a
yh
e
l
l
o
)
.

Hayakus
h
i
t
e
t
t
a
r
a.
C'mon
g
e
tamoveo
n
!
O

N
o
t
e
:Whe
r
e
a
sw
i
t
h"
t
h
ea
b
o
v
eu
s
a
g
e
sr
ai
sa
d
d
e
dt
oav
e
r
bs
t
e
mI
nt
h
e
s
a
m
ewaya
st
h
ep
a
s
t
t
e
n
s
ee
n
d
i
n
g
-
i
nt
h
i
su
s
a
g
e
t
t
a
r
al
sa
d
d
e
dt
ot
h
e
t
e
d
n
a
s
a
iformo
fv
e
r
b
s
.

5
S
o
n
o'
o
r
ig
aa
m
a
r
ik
a
r
a
k
a
t
t
a
r
a

w
a
t
a
s
h
iwat
a
b
e
n
a
iw
a
.
l
f
t
h
a
td
i
s
hi
st
o
os
p
i
c
y

1w
o
n
'
te
a
ti
t
.

3
. Useda
tt
h
eendo
fas
e
n
t
e
n
c
et
oi
n
di
c
a
t
ei
r
r
i
t
a
t
i
o
no
rimpat
i
e
n
c
e

wi
ameanings
omethingl
i
k
e
1t
e
l
lyou
I
'm t~ing_you."

4
.l
n
d
i
c
a
t
e
sana
c
t
i
o
nwhichi
sf
o
l
l
o
w
e
dbysomethingb
e
i
n
g
when."
l
e
a
r
n
e
d
:
N
o
t
e
:T
o(#6
I
I
I
4
)i
ss
i
m
i
l
a
rt
o r
ai
nt
h
i
su
s
a
g
e
.

T
o
m
o
d
a
c
h
in
oi
eei
t
t
a
r
l
k
a
r
ewar
u
s
ud
a
t
t
a
.
Wh
en1
wentt
omy e
n
d
'
s
h
o [
1foundt
h
a
t
]hewasou
t
./1went

buthewaso
u
t
.
t
omyf
r
i
e
n
d
'
shome

H
o
t
e
r
un
id
e
n
w
a0s
h
i
t
a
r
a

h
e
y
awai
p
p
a
id
a
t
t
a
.
Wh
en1c
a
l
l
e
dt
h
eh
o
t
e
l

[
1founda
t
]a
l
lt
h
eroomsweref
u
l
.
l/1

buta
l
lt
h
eroomsweret
a
k
e
n
.
c
a
l
l
e
dt
h
eh
o
t
e
l

1
0
2

MONONARA 1
0
3

NARA

5
.I
n
d
i
c
a
t
e
st
h
a
tonea
c
t
i
o
nf
o
l
l
o
w
si
m
m
e
d
i
a
t
e
l
yupona
n
o
t
h
e
r
:

when
a
ssoona
s

5
W
a
t
a
s
h
ig
ak
o
e0k
a
k
e
t
a
r
ak
i
t
ek
u
d
a
s
a
i
.
P
l
e
a
s
ecome[
r
i
g
h
ta
w
a
y
]when1c
a
1
1y
o
u
.
5
Konos
h
i
g
o
t
og
ao
w
a
t
t
a
r
s
o
c
h
i
r
aei
k
i
m
a
s
u
.
I
'
lbet
h
e
r
ea
ssoona
st
h
i
sworki
sdone[soona
sI
'
mf
i
n
i
s
h
e
d
h
e
r
e
]
.

lN !
N
o
t
e
:S
e
ea
l
s
om
o
n
on
a
r
a(#37).

1
.I
n
d
i
c
a
t
e
sas
u
p
p
o
s
i
t
i
o
nandr
e
s
u
l
t
:
i
f.
.
.t
h
e
n
.
"

a
r
ai
so
f
t
e
ou
s
e
da
f
t
e
ro
o
u
o
s
.
I
ti
ss
i
r
n
i
l
a
rt
ob
a(
#
3
4

00. 1
)
t
a
r
a
N
o
t
e
:N
(
#
3
5
001)
a
o
d(#6

I
I
I
3
).
5
W
a
t
a
s
h
iwag
o
g
on
a
r
ah
i
m
ag
aa
r
i
m
a
s
uy
o
.
I
f[
it
'si
n
]t
h
ea
ernoon

I
'
mf
r
e
e
./1
'
1bef
r
e
ei
nea
f
t
e
r
n
o
o
n
.

5
A
s
h
i
t
aamen
a
r
a

g
o
r
u
f
un
ii
k
a
n
a
it
s
u
m
o
r
id
e
s
u
.
Tomorrow

i
fi
t
'
sr
a
i
n
i
n
g

1d
o
n
'
ti
n
t
e
n
dt
ogog
o
l
f
i
n
g
./
1d
o
n
'
tp
l
a
n
n
s
.
t
ogog
o
l
f
i
n
gtomorrowi
fi
tr

5
Anoh
i
t
og
ai
k
un
a
r
a

w
a
t
a
s
h
iwai
k
i
t
a
k
un
a
id
e
s
un
e
.
I
fs
h
e
'
sg
o
i
n
g

1s
u
r
ed
o
n
'
twantt
o
.

N
o
t
e
:A m
a
j
o
rd
i
r
e
o
c
eb
e
t
w
e
e
on
a
r
aa
n
d
t
a
r
ai
.t
h
a
tt
h
ec
l
a
u
.
ea
f
t
e
r
n
a
r
ae
m
p
h
a
s
i
z
e
sw
h
a
tw
o
u
l
d(
d
e
f
i
n
i
t
e
I
y
)t
a
k
ep
l
a
c
ei
ft
h
el
u
p
p
o
s
e
de
v
e
n
t
w
e
r
et
oo
c
c
u
r
w
h
e
r
e
a
st
h
er
e
s
u
l
td
a
u
s
ea
f
t
e
rr
aempha
s
l
z
e
.w
h
a
twou
l
d

h
a
p
p
e
ot
o
"t
a
k
ep
l
a
c
e
.

U5

Norun
a
r
anomun
a
.N
o
n
d
a
r
an
o
r
un
a
.
Ifyou[
a
r
eg
o
i
n
gt
o
]d
r
i
v
e
d
o
n
'
td
r
i
n
k
.Ifyouhav
ebe
e
nd
r
i
n
k
i
n
g

d
o
n
'
td
r
i
v
e
.
2
.I
n
d
i
c
a
t
e
s a
tat
o
p
i
ci
sb
e
i
n
gbroughtu
p
:
a
sf
o
r

5
S
o
n
om
o
n
d
a
in
a
r
a

mok
a
i
k
e
t
s
us
h
i
m
a
s
h
i
t
a
.
Asfor a
tproblem
i
thada
l
r
e
a
d
ybeens
e
t
t
l
e
d
.
5
Wakan
os
a
n
k
os
h
on
a
r
a

S
a
s
a
k
i
s
e
n
s
e
in
ok
e
n
k
y
u
s
h
i
un
ia
r
u
.
I
fi
t
'sr
e
f
e
r
e
n
c
ebooksonw
aka[
t
h
a
ty
o
u
'
r
el
o
o
k
i
n
gf
o
r
]
t
h
e
y
'
r
e
i
nP
r
o
f
e
s
s
o
rS
a
s
a
k
i
'
s0.

MONONARAI

1
.A
f
t
e
rap
o
t
e
n
t
i
a
lv
e
r
bo
ro
/
y
oformofaverb
i
n
d
i
c
a
t
e
sa
c
o
n
d
i
t
i
o
nandr
e
s
u
l
t

w
i
t
hanaddeds
e
n
s
eo
fc
e
n
s
u
r
eo
rr
e
a
t
:

i
f...e
n
.
"

5
A
n
a
t
an
id
e
k
i
r
umonon
a
r

ay
a
t
t
em
i
t
ek
u
d
a
s
a
i
.
I
fi
t
'
ssomethingyouc
a
ndo

goaheadanddoi
t
./I
fyout
h
i
nk

goaheadandt
r
y
.
youc
a
ndoi
t

1
0
4

1
0
5

MONONARA

S
e
i
j
i
k
ag
as
o
n
n
ab
a
k
an
ak
o
t
o0s
h
i
y
omonon
a
r
a
k
o
k
u
m
i
nwa
d
a
m
a
t
t
ei
m
a
s
e
ny
O
.
I
ft
h
ep
o
l
i
t
i
c
i
a
n
sdos
o
m
e
t
h
i
n
gs
t
u
p
i
dl
i
k
e a
t

t
h
ep
e
o
p
l
ea
r
e
n
'
t
g
o
i
n
gt
ok
e
e
pq
u
i
e
ta
b
o
u
ti
t
.

I
n
d
i
c
a
t
e
sac
o
n
d
i
t
i
o
nandbadr
e
s
u
l
t
:
i
f
.
..e
n
.
n

K
a
c
h
og
as
o
n
n
ay
a
r
i
k
a
t
a0s
h
i
y
omonon
a
r

ab
u
k
awak
a
c
h
o0z
e
n
z
e
n

s
h
i
n
r
a
is
h
i
n
a
k
un
a
r
ud
e
s
h
on
e
.
I
ft
h
es
e
c
t
i
o
nc
h
i
e
fg
o
e
sa
b
o
u
ti
ti
nt
h
a
tway

h
i
ss
u
b
o
r
d
i
n
a
t
e
sw
i
l
l
l
o
s
ea
l
l inhim.
5

K
o
r
ei
j
os
h
i
g
o
ot
s
u
z
u
k
e
y
omonon
a
r
a

a
n
a
t
awas
h
i
n
d
es
h
i
m
a
i
-
mu
y
o
.
I
f
y
o
uworkanymore[
a
n
y
h
a
r
d
e
r
]t
h
a
ni
s
y
o
u
'
r
eg
o
i
n
gt
od
i
e

youknow./I
fyouc
o
n
t
i
n
u
eworkingt
h
ewayyoua
r
enow

you
w
i
l
lendupk
i
l
l
i
n
gy
o
u
r
s
e
l
f

TOKOROI
1
.I
n
d
i
c
a
t
e
st
h
a
tonei
sont
h
ev
e
r
g
eo
fd
o
i
n
gs
o
m
e
t
h
l
n
g
ip
r
e
c
e
d
e
dbyt
h
er
o
o
tformo
ft
h
ev
e
r
b
:
j
u
s
ta
b
o
u
tt
o
.
"

K
o
r
ek
a
r
ad
e

k
e
r
u k
o
n
anod

r
u
k
k
u
r
ih
a
n
h
i0s
u
r
uj
i
k
a
nwa
a
n
m
a
s
e
n
.
S
i
n
c
eI
'
mj
u
s
ta
b
o
u
tt
ogoo
u
t

1d
o
n
'
th
a
v
et
i
m
ef
o
ral
e
i
s
u
r
yt
a
1
k
.

Yamadas
a
nn
id
e
n
w
a0s
u
r
ut
o
k
o
r
od
e
s
ug
a
n
a
n
ik
ad
e
n
g
o
nwa
a
r
i
m
e
n
k
a
.

I
'
mj
u
s
ta
b
o
u
tt
oc
a
l
lYamada.Doyouh
a
v
eanym
e
s
s
a
g
e
sf
o
rhim?

2
.I
n
d
i
c
a
t
e
sa
tana
c
t
i
o
ni
sp
r
e
s
e
n
t
1
yt
a
k
i
n
gp
l
a
c
e(
p
r
e
c
e
d
e
dby

V
t
ei
r
u
)
.

Imat
e
g
a
m
i0k
a
i
t
ei
r
ut
o
k
o
r
od
e
s
u
.
1amw
r
i
t
i
n
gal
e
t
t
e
rj
u
s
tnow./1ami
nt
h
em
i
d
s
to
fw
r
i
t
i
n
gal
e
t
t
e
r
.

3
.I
n
d
i
c
a
t
e
sac
o
n
d
i
t
i
o
nandbadr
e
s
u
l
t
:
i
f
.
..e
n
.
"

S
o
r
a0t
o
b
e
r
umonon
a
r
at
o
n
d
em
i
t
a
i
.
I
fi
twerep
o
s
s
i
b
l
et
ot
l
y[
i
nes
k
y
]
1wodlet
ot
r
yi
t
.
5
K
a
i
s
h
aei
k
a
n
a
k
u
t
eimonon
a
r
ai
k
i
t
a
k
un
a
.
i
I
fi
tw
e
r
ea
l
lr
i
g
h
tn
o
tt
ogot
owork

1w
o
u
l
d
n
'
t[
w
a
n
tt
o
]g
o
./1
w
o
u
l
d
n
'
tgot
oworki
f
Id
i
d
n
'
th
a
v
et
o
.

Y
a
k
u
i
nwa

i
m
a5
0
n
om
o
n
d
a
i0k
e
n
t
os
h
i
t
ei
r
ut
o
k
o
.
r
od
e
s
u
.
Thed
i
r
e
c
t
o
r
snowh
a
v
e problemundera
d
v
i
s
e
m
e
n
t
./The
d
i
r
e
c
t
o
r
sa
r
ej
u
s
tnowt
a
k
i
n
gt
h
a
tproblemu
n
d
e
rc
o
n
s
i
d
e
r
a
t
i
o
n
.
3
.I
n
d
i
c
a
t
e
sa
t a
c
t
i
o
nh
a
sj
u
s
tcomet
oanend(
p
r
e
c
e
d
e
dby
V-).

K
a
r
ewai
m
aN
a
r
i
t
an
it
s
u
i
t
at
o
k
o
r
od
e
s
u
.
Hej
u
s
tnowa
r
r
i
v
e
da
tN
a
r
i
t
a[
A
i
o
r
t
]
.

1
0
6

.
NAGAA 1
0
7

MONOO

H
i
r
o
t
as
a
nwa

k
y
oF
u
r
a
n
s
uk
a
r
ak
i
k
o
k
us
h
i
t
at
o
k
o
r
od
e
s
uy
O
.

W
a
t
a
s
h
in
id
e
k
i
r
uk
o
t
od
e
s
h
i
t
a
r
a

o
t
e
t
s
u
d
a
is
h
i
m
a
$
h
f
t
amo
.

o)
("
.

I
ft
h
e
r
ehadbeens
o
m
e
t
h
i
n
gIcouldhav
edone

Iwou
l
dha
ve
h
e
l
p
e
dou
t
.

H
i
r
o
t
aj
u
s
tt
o
d
a
yr
e
t
u
r
n
e
dfromF
r
a
n
c
e
.
4
.I
n
d
i
c
a
t
e
st
h
ec
o
n
c
l
u
s
i
o
no
fac
e
r
t
a
i
na
c
t
i
o
na
tt
h
eendo
fa
when
upon
c
l
a
u
s
e
:

A
I

Depa
n
it
o
i
a
w

5
e
t
em
i
t
at
o
k
o
r
o

s
o
n
os
h
i
n
a
m
o
n
owau
r
i
i
r
e
d
a
.
Wh
en1i
n
q
u
i
r
e
da
tt
h
ed
e
p
a
r
t
m
e
n
ts
t
o
r
e
[
1foundt
h
a
t
]t
h
ei
t
e
m
wass
o
l
dou
t
.(Or
Upona
s
k
i
n
ga
tt
h
ed
e
p
a
r
t
m
e
n
ts
t
o
r
e)

1
.I
n
d
i
c
a
t
e
s a
ttwoa
c
t
i
o
n
sa
r
et
a
k
i
n
gp
l
a
c
es
i
m
u
l
t
a
n
e
o
u
s
l
y
:

a
s
w
h
i
l
e
.
"
N
o
t
e:l
es
u
b
j
e
c
to
f
b
o
t
hc
1
a
u
s
e
sm
u
s
tb
et
h
es
a
m
e
.I
nE
n
g
l
i
s
ht
r
a
n
s
l
a
t
i
o
n
t
h
em
a
i
na
n
ds
u
b
o
r
d
i
n
a
t
ec
1
a
u
s
e
so
ft
h
eJ
a
p
a
n
e
s
ea
r
eu
s
u
a
l
l
yr
e
v
e
r
s
e
d.

5o

D
a
i
g
a
k
un
ot
o
s
h
o
k
a
nd
es
h
i
r
a
b
e
t
at
o
k
o
r
o

s
o
n
os
a
k
k
awas
h
imo
k
a
i
t
ei
t
ak
o
t
og
aw
a
k
a
t
t
a
.
When1checkeda
teu
n
i
v
e
r
s
i
t
yl
i
b
r
a
r
y

1l
e
a
r
n
e
dt
h
a
tt
h
ew
r
i
t
e
r

M
a
i
a
s
at
e
r
e
b
i0m
i
n
a
g
a
r

aa
s
a
g
o
h
a
n0t
a
b
e
m
a
s
u
.
E
v
e
r
ymorning

1watcht
e
l
e
v
i
s
i
o
na
s1e
a
tb
r
e
a
k
f
a
s
t
.(
L
i
t
.

.
.1e
a
t

hadw
r
i
t
t
e
npoemsa
sw
e
l
l
.(Or

Uponc
h
e
c
k
i
n
ga
tt
h
eu
n
i
v
e
r
s
i
t
yl
i
b
r
a
r
y

.
.
.
)

b
r
e
a
k
f
a
s
ta
s1w
a
t
c
ht
e
l
e
v
i
s
i
o
n
.
)

lMONOOI

A
o
k
i
s
a
nwai
t
s
umoo
n
g
a
k
u0k
i
k
i
n
a
g
a
r
ab
e
n
k
y
os
h
i
t
ei
r
u
.

Aokia
l
w
a
y
sl
i
s
t
e
n
st
omuskw
h
i
l
ehes
t
u
d
i
e
s
.(
L
i

.
t;A
okis
t
u
d
i
e
s
w
h
i
l
ehel
i
s
t
e
n
st
om
u
s
i
c
.
)

1
.U
s
u
a
l
l
yu
s
e
da
tt
h
eendo
fas
e
n
t
e
n
c
e

i
n
d
i
c
a
t
i
n
gr
e
s
e
n
t
m
e
n
t
o
rc
o
m
p
l
a
i
n
t
.

2
. Usedb
e
t
w
e
e
ntwoc
l
a
u
s
e
st
oe
m
p
h
a
s
i
z
ee
ya
r
eopposed
i
n
m
e
a
n
i
n
g
:
a
l
o
ugh
w
h
i
l
e
.
"

O
s
h
i
r
a
s
ek
u
d
a
s
a
r
e
b
a

b
y
o
i
neo
m
i
m
a
in
im
a
i
r
i
m
a
s
h
i
t
amono0 ...

I
fo
n
l
yyouhadt
o
l
dme
1wouldhavecomet
os
e
eyoua
te
h
o
s
p
i
t
a
.
l

T
a
k
a
g
i
s
a
nwak
a
r
a
d
ag
ay
o
w
a
ii
i
n
a
g
a
r
a

y
o
k
uy
o
r
uo
s
o
k
umade
o
n
d
ei
r
u
.
s
a
k
e0 n
A
l
oughT
a
k
a
g
is
a
y
shewasaweakc
o
n
s
t
i
t
u
t
i
o
n[
p
o
o
rh
e
a
l
t
h
)

heo
f
t
e
nd
r
i
n
k
su
n
t
i
l
l
a
t
ea
tn
i
g
h
t
.

1
0
8

TARI

.
T
A
R
I 1
0
'

Anos
e
n
s
e
iw
a
g
a
k
u
s
e
in
iwac
h
i
k
o
k
u0s
h
i
n
a
iy
on
ii
i
n
a
g
a
r

aj
i
b
u
n
e
k
u
r
u
.
wai
t
s
umoo
k
u
r
e
t
eg
a
k
k
A
l
thougha
tt
e
a
c
h
e
rt
e
l
l
sh
e
rs
t
u
d
e
n
t
snott
obel
a
t
e

s
h
eh
e
r
s
e
l
f
i
sa
l
w
a
y
sl
a
t
ei
ncomingt
os
c
h
o
o
.
l

TARII
1
.I
n
d
i
c
a
t
e
st
h
a
ts
e
v
e
r
a
la
c
t
i
o
n
sa
r
el
i
s
t
e
di
nnop
a
r
t
i
c
u
l
a
rs
e
q
u
e
n
c
e
:

s
u
c
ht
h
i
n
g
sa
s
.
"

N
i
c
h
i
y
o
b
iwat
a
i
t
e
it
o
m
o
d
a
c
h
it
e
n
i
s
u0shi~ari e
i
g
a0min
ii
t
t
a
r
i
u
.
s
h
i
m
OnS
u
n
d
a
y
s1u
s
u
a
l
l
ydos
u
c
hi
n
g
sa
sp
l
a
yt
e
n
n
i
sw
i
t
hmyi
e
n
d
s
o
rgot
os
e
em
o
v
i
e
s
.

R
y
o
k
oc
h
u
w
a
b
i
j
u
u
k
a
nn
i
i
t
t
a
r
io
m
i
y
a
g
e0k
a
t
t
a
r
id
e

a
t
t
oi
uma

2
.I
n
d
i
c
a
t
e
sa
ts
e
v
e
r
a
l
l
i
k
ea
c
t
i
o
n
sa
r
epe
r
f
o
r
m
e
d
.

G
o
z
e
n
c
h
uwak
a
n
j
i0k
a
i
r
iy
o
n
d
a
r
is
u
r
u
.
I
nt
h
emorning1r
e
a
dandw
r
i
t
ek
a
n
j
i
.

K
o
n
o
g
o
r
os
o
n
oh
a
un
ok
o
t
o0t
e
r
e
b
iy
az
a
s
s
h
id
ek
i
i
t
a
r
lm
i
t
a
r
l
u
.
s
h
i
m
T
h
e
s
ed
a
y
swe[
o
f
t
e
n
]s
e
eandh
e
a
ra
b
o
u
tt
h
a
ta
c
t
o
ronTVa
nd
i
nt
h
em
a
g
a
z
i
n
e
s
.
3
.I
n
d
i
c
a
t
e
sr
e
p
e
t
i
t
i
o
no
fc
o
n
t
r
a
s
t
i
n
ga
c
t
i
o
n
s
.

5
0
n
n
an
it
e
r
e
b
i0t
s
u
k
e
t
a
r
ik
e
s
h
i
t
a
r
is
h
i
n
a
i
d
ec
h
d
a
i
.
S
t
o
pt
u
r
n
i
n
gt
h
eTVonand0 l
i
k
e
t
h
a
t
.

K
o
n
s
h
u

k
a
b
uwaa
g
a
t
t
a
r
is
a
g
a
t
t
a
r
is
h
i
t
ei
m
u
.
S
t
o
c
k
sa
r
eg
o
i
n
gupanddownt
h
i
swee
k
.

n
ij
i
k
a
ng
an
a
k
u
n
a
r
i
m
a
s
h
i
t
a
.
Timep
a
s
s
e
dq
u
i
c
k
l
yd
u
r
i
n
gei
p
whatw
i
t
hg
o
i
n
gt
omuseums

b
u
y
i
n
gs
o
u
v
e
n
i
r
sf
o
rp
e
o
p
l
ebackhome

ands
u
c
h
.
t
a
r
ii
n
d
i
c
a
t
e
s a
tt
h
ea
c
t
i
o
no
ft
h
ev
e
r
bi
s
N
o
t
e
:U
s
e
dw
i
t
ho
n
l
yo
n
ev
e
r
b
r
e
p
r
e
s
e
n
t
a
t
i
v
eo
fan
u
m
b
e
ro
fa
c
t
i
o
n
s
:s
u
c
ht
h
i
n
g
sa
s..
"

T
e
n
k
in
ow
a
r
u
ih
in
iwa

i
ed
eo
n
g
a
k
u0k
i
i
t
a
r
is
h
i
m
a
s
u
.
Ond
a
y
swhent
h
ew
e
a
t
h
e
ri
sbad

1l
i
s
t
e
nt
omusicanddoo
t
h
e
r
sathome.
s
u
c
hg

4
. Usedwi
n
ev
e
r
bi
np
o
s
i
t
i
v
eandn
e
g
a
t
i
v
ef
o
r
m
s
:
some
t
i
r
n
e
s1doandsometimes1d
o
n
'
t
.
"

C
h
i
c
h
iwak
a
r
a
d
an
oc
h
o
s
h
in
iy
o
t
t
e

g
o
r
u
f
un
ii
t
t
a
r
li
k
a
n
a
k
at
t
a
r
l
s
h
i
m
a
s
u
.
Myf
a
t
h
e
rg
o
e
st
op
l
a
yg
o
l
f[
a
n
dn
o
tt
op
l
a
yg
o
lf
]de
pe
ndi
ngon
h
i
sp
h
y
s
i
c
a
lc
o
n
d
i
t
i
o
n
.

1
1
0

TOMO 1
1
1
.

SHI

N
i
c
hb
in
iwa
t
e
r
e
b
i0m
i
t
a
r
im
i
n
a
k
a
t
t
a
r
is
h
i
m
a
s
u
.
Sometimes1watchTVonS
u
n
d
a
y
sands
o
m
e
t
i
m
e
s1d
o
n
'
t
.

Thes
e
r
v
i
c
ea
tt
h
a
tr
e
s
t
a
u
r
a
n
ti
sbadandt
h
ef
o
o
di
spOOr

s
oyou
hadb
e
t
t
e
rn
o
tgot
h
e
r
e
.

TOMOI

lSHII

1
.Useda
f
t
e
rnumbersandc
o
u
n
t
e
r
s
:
b
o
t
h
a
l
l(
t
h
r
e
e
e
t
c
.
)
.
"

1
.I
n
d
i
c
a
t
e
s(
a
n
do
f
t
e
ne
m
p
h
a
s
i
z
e
s
)t
h
eo
c
c
u
r
r
e
n
c
eo
re
x
i
s
t
e
n
c
e
o
ftwoo
rmorea
c
t
i
o
n
so
rs
t
a
t
e
s
:
and

a
sw
e
l
la
s
.
"

3
K
o
k
on
ii
r
uh
i
t
o
t
a
c
h
iwa
s
a
n
n
i
n mod
a
i
g
a
k
ud
eg
e
n
g
og
a
k
u0

Hawaiwak
i
k
owais
h
i

h
a
n
amou
t
s
u
k
u
s
h
i
is
h
i

it
o
k
o
r
od
e
s
uy
o
.
H
a
w
a
i
ii
san
i
c
ep
l
a
c
e
:t
h
ec
l
i
m
a
t
ei
sgood
andt
h
ef
l
o
w
e
r
sa
r
e
b
e
a
u
t
i
f
u
.
l

A
t
a
r
a
s
h
i
ik
a
c
h
owag
a
n
k
od
as
h
i

s
h
i
g
o
t
omod
e
k
i
n
a
id
e
s
uy
o
.

b
e
n
k
y
os
h
i
m
a
s
h
i
t
a
.
A
l
lt
h
r
e
eo
f
t
h
ep
e
o
p
l
eh
e
r
es
t
u
d
i
e
dl
i
n
g
u
i
s
t
i
c
si
nc
o
l
l
e
g
e
.(
L
i

.
tAs
f
o
rt
h
ep
e
o
p
l
ewhoa
r
eh
e
r
e

a
l
lt
h
r
e
e)
2 M
Konos
e
t
awa
n
i
m
a
itomoM
s
a
i
z
ud
e
s
uk
a
.
A
r
eb
o
t
ho
ft
h
e
s
es
w
e
a
t
e
r
smediums?

Thenews
e
c
t
i
o
nc
h
i
e
fi
sp
i
g
h
e
a
d
e
dandc
a
n
'
tdot
h
eworke
i
t
h
e
r
.
2
.I
n
d
i
c
a
t
e
sar
e
a
s
o
no
rr
e
a
s
o
n
sf
o
rt
h
ef
o
l
l
o
w
i
n
gc
o
n
c
l
u
s
i
o
n
:

and
s
o
.
"

T
a
k
e
m
u
r
a
s
a
nw

am
i
n
n
ak
a
r
as
h
i
n
r
a
is
a
r
e
t
ei
n
a
is
h
i n
i
n
k
in
on
a
is
h
i

g
u
r
u
p
u0m
a
t
o
m
e
r
un
owam
u
r
id
e
s
h
o
.
Takemurai
sn
o
tt
r
u
s
t
e
dbyanyoneandi
sn
o
tp
o
p
u
l
a
r
s
oi
t
wouldbei
m
p
o
s
s
i
b
l
ef
o
rhimt
ol
e
a
dt
h
eg
r
o
u
p
.

Anor
e
s
u
t
o
r
a
nwa

s
a
b
i
s
uwaw
a
r
u
is
h
i

r
y
o
r
iwam
a
z
u
is
h
i

i
k
a
n
a
i
g
aid
e
s
uy
o
.
h

2
.Ae
rt
h
ek
uformofa
d
j
e
c
t
i
v
e
si
n
d
i
c
a
t
e
sana
p
p
r
o
x
i
m
a
t
e
maximumo
rminimum:
a
tt
h
el
e
a
s
t

most

l
a
t
e
s
t

e
t
c
.
"
_. .;~l } o

.Konoi
en
a
r
a

s
u
k
u
n
a
k
utomoi
c
h
i
o
k
u
e
nwas
u
r
ud
e
s
h
o
.
T
h
i
sh
o
u
s
ewouldc
o
s
ta
tI
e
a
s
t1
0
0m
i
l
l
i
o
ny
e
n
.

1
0
0

Konoj
i
k
od
es
h
i
n
d
ah
i
waokutomohyakuning
u
r
a
id
a
r
o
.
The[numberof
]f
a
t
a
l
i
t
i
e
si
n i
sa
c
c
i
d
e
n
twas1
0
0p
e
o
p
l
ea
tmos
.
t

1
1
2 TOMO

TO
MO 1
I

Da
a
k
un
og
a
k
u
c
h
otomoa
h
i
t
og
a

a
n
n
an
ib
i
j
o
ng
an
a
in
od
w
a
K
o
m
a
r
u
.
F
o
rt
h
ep
r
e
s
i
d
e
n
to
ft
h
eu
n
i
v
e
r
s
i
t
y

o
fa
l
lp
e
o
p
l
e

t
ob
es
ol
a
c
l
d
n
g
i
nv
i
s
i
o
ni
saproblem(
t
r
o
u
b
l
e
s
o
m
e
)
./W
e
'
r
ei
nt
r
o
u
b
l
e(
a
f
i
x

i
nbads
h
a
p
e
)i
f
t
h
ep
e
r
s
o
nwhoi
ss
u
p
p
o
s
e
dt
ob
et
h
ep
r
e
s
id
e
n
to
ft
h
eu
n
i
v
e
r
s
i
t
yi
ss
ol
a
c
k
i
n
gi
nv
i
s
i
o
n
.

3
.I
n
d
i
c
a
t
e
si
n
c
l
u
s
i
o
n
:i
n
c
l
u
d
i
n
g
.
"

1
5

S
a
b
i
s
u
1

o
'tomog
o
k
e
ii
c
h
i
m
a
n
g
o
s
e
n
e
nd
e
s
u
.
Thet
o
t
a
li
s1
5
0
0
0
i
n
c
l
u
d
i
n
gt
h
es
e
r
v
i
c
ec
h
a
r
g
e
.

5
U
n
c
h
i
ntomod
e

g
o
m
a
n
e
nn
in
a
r
i
m
a
s
ug
a
.
I
tcomest
o5
0
0
0
0
i
n
c
l
u
d
i
n
ge
i
g
h
t
.
4
.Useda
f
t
e
rt
h
eof
ormo
fav
e
r
b
a
d
d
se
m
p
h
a
s
i
st
oas
u
p
p
o
s
i
t
i
o
n
:
e
v
e
ni
f

nom
a
t
t
e
r
.
"

Anohi
n
a
r
ad
o
n
n
ak
o
t
og
aa
r
otomo

'
0m
adeg
a
n
b
a
r
ud
a
r
o
.
Nom
a
t
t
e
rwhath
a
p
p
e
n
s
he[
i
fa
n
y
o
n
e
]w
i
l
ls
t
i
c
ki
to
u
tt
ot
h
e
b
i
t
t
e
re
n
d
.

6
.A
p
p
e
a
r
i
n
ga
f
t
e
rtwowordso
fo
p
p
o
s
i
t
emeaningandf
o
l
l
o
w
e
d
b
'
y
i
e
n
c
a
n
'
ts
a
y(
y
e
s
)o
r(
n
o
)
.
"

T
a
d
a
s
a
n
w
o
e
i
g
a
w
ai mowaruimoi
e
n
a
ii
t
t
em
a
s
h
i
t
a
.
Tadas
a
i
dt
h
a
thec
o
u
1
d
n
'
ts
a
yw
h
e
t
h
e
rt
h
emoviewasgoodo
r
b
a
d
./Tadas
a
i
dt
h
a
ti
twash
a
r
dt
os
a
yw
h
e
t
h
e
rt
h
emoviewas
goodo
rb
a
d
.

A
s
h
i
t
away
u
k
ig
ar
o mo

i
k
ut
s
u
m
o
r
id
a
.
Eveni
fi
ts
h
ou
1
dsnowtomorrow

1i
n
t
e
n
dt
og
o
.

S
o
n
o
n
e
d
a
nwa

t
a
k
a
itomoy
a
s
u
itomoi
e
m
a
s
e
nn

I
t
'
sh
a
r
dt
os
a
yw
h
e
t
h
e
rt
h
ep
r
i
c
ei
sh
i
g
ho
rl
o
w
.

5
.
I
nt
h
eformt
o
m
oa
r
o(noun):ofa
l
l
p
e
o
p
l
e(
t
h
i
n
g
s
)
.
"

S
h
u
s
h
omoa
r
oh
i
t
og
a

s
o
n
n
ak
o
t
o0s
h
i
t
eh
e
i
k
id
awas
h
i
n
j
i
r
a
r
e
n
a
t
.
F
o
rt
h
ep
r
i
m
em
i
n
i
s
t
e
r

o
fa
l
lp
e
o
p
l
e

t
odos
o
m
e
t
h
i
n
gl
i
k
e a
t
andb
ecalm[
a
b
o
u
ti
t
]i
su
n
b
e
l
i
e
v
a
b
l
e
./1c
a
n
'
tb
e
l
i
e
v
et
h
a
t
someonei
nt
h
ep
o
s
i
t
i
o
no
fp
r
i
m
em
i
n
i
s
t
e
rc
ou
1
ddos
o
m
e
t
h
i
n
gl
i
k
et
h
a
tw
i
t
h
o
u
tes
l
i
g
h
t
e
s
tq
u
a
l
m
.

a
d
d
sd
e
c
i
s
i
v
e
n
e
s
st
oap
o
s
i
t
i
v
es
t
a
t
e
.7
.Att
h
eendo
fas
e
n
t
e
n
c
e
t
:
i
n
d
e
e
d

c
e
r
t
a
i
n
l
y

o
fc
o
u
r
s
e

men

Konoh
o
n0k
a
r
i
t
eid
uk
a
.
I
i
t
o
m
o
.
May1borrowi
sb
o
o
k
?
C
e
r
t
a
i
n
l
y
.

1
1
4

YARA

YARA 1
15

2
. Usedw
i
t
hwordso
fo
p
p
o
s
i
t
m
eaning

o
rw
i
t
hp
o
s
l
t
l
v
eand
n
e
g
a
t
i
v
ef
o
r
m
so
ft
h
esamewo .Kac
a
nr
e
p
l
a
y
a
r
ai
n
u
s
a
g
e

b
u
tt
h
el
a
t
t
e
ri
ss
o
e
ri
nt
o
n
e
:
whethe
r
whe
t
h
e
ro
rn
o
t
.
"

A
s
h
i
t
an
os
h
i
a
in
ii
k
i
m
a
s
uk
a
.
I
k
ut
o
m
o
.
Ar
eyoug
o
i
n
gt
ot
h
egametomorrow?
1c
e
r
t
a
i
n
l
yam.

5 S

K
u
m
i
c
h
a
nwak
o
n
oo
k
a
s
h
ig
as
u
k
in
an
oy
a
r
a

k
i
r
a
in
an
oy
a
r
a
n
a
n
imoi
w
a
n
a
i
nd
e
s
u
.
Kumid
o
e
s
n
'
ts
a
yan
hgaboutwhethers
h
el
i
k
e
so
rd
i
s
l
i
k
e
st
h
i
s
c
a
n
d
y
./Kumiw
o
n
'
ts
a
ywhethers
h
el
i
k
e
st
h
ec
a
n
d
yo
rno
t
.

Y
A
R
A
/

r 5

P
a
t
in
ii
k
un
oy
a
r
ai
k
a
n
a
in
oy
a
r
a

h
a
k
k
i
r
is
h
i
t
ek
u
d
a
s
a
i
.

1
.J
o
i
n
snounst
oi
n
d
i
c
a
t
ean
o
n
e
x
h
a
u
s
t
i
v
el
i
s
to
fi
t
e
m
s
:
s
u
c
h
t
h
i
n
g
sa
s.
.
.
;and

whatw
i
t
h
.
"

P
l
e
a
s
em i
tc
l
e
a
r[
s
a
y

makeupy
o
u
rmind

d
e
c
i
d
e
]w
h
e
t
h
e
r
a
r
t
y
.
o
rn
o
tyoua
r
eg
o
i
n
gt
o ep

N
o
t
e
:l
i
su
s
a
g
ei
se
s
s
e
n
t
i
a
l
l
yt
h
es
a
m
ea
sy

at
ok
a
a
n
dd
a
n
o

a
l
t
h
o
u
g
h e
s
e
t
h
r
e
ea
r
eu
s
e
dm
o
r
e0e
n t
h
es
p
o
k
e
nl
a
n
g
u
a
g
e
..

5 5
Anok
u
n
in
oh
i
t
o h
i s
e
n
s
oy
a
r

ai
n
f
u
r
ey
a
r
ad
et
a
i
h
e
nd
e
s
h
o
Wh
a
tw
i
t
hwar

i
n
f
l
a
t
i
o
n

andt
h
el
i
k
e
t
h
ep
e
o
p
l
eo
f
t
h
a
tc
o
u
n
t
r
y
mustbeh
a
v
i
n
gah
a
r
dt
i
m
e
.

3
.Used w
i
t
hi
n
t
e
r
r
o t
i
v
eworase
x
p s
s
e
su
n
c
e
r
t
a
t
y(
i
n
i
n
s
t
a
n
c
e
swherew
a
k
a
r
a
n
a
ii
sn
o
te
x
p
l
i
c
i
t

i
ti
su
n
d
e
r
s
t
o
o
d
)
.
su
s
a
g
ei
ss
i
m
i
l
a
rt
o
b
u
tal
i
t
t
l
es
oe
rt
h
a
n

k
a(
#
1
1
1
1
3
)
.
N
o
t
e
:Thi

5 5

S
o
n
od
a
i
g
a
k
un
iwa
I
g
i
u
i
ny
a
r
aF
u
r
a
n
s
uj
i
ny
a
r
a
i
r
o
i
r
on
a
k
u
n
in
oh
i
t
og
ai
m
a
s
uy
o
.
At a
tu
n
i
v
e
r
s
i
t
yt
h
e
r
ea
r
ep
e
o
p
l
eomv
a
r
i
o
u
sc
o
u
n
t
r
i
e
s

s
u
c
h
a
sEnglandandF
r
a
n
c
e
.(
L
i
t
.

sucha
sE
n
g
l
i
s
h
m
e
nand
F
r
e
n
c
h
m
e
n
.
)

?
1

5
Anoi
n
uwad
o
k
oei
t
t
an
oy
a
r
l
w
a
k
a
r
a
n
a
i
nd
e
s
uy
o
.
1h
l
i
v
enoi
d
e
awheret
l
d
ogwen
t
.
5
K
e
n
k
u
nwad
o
n
od
a
i
g
a
k
un
ih
a
i
r
e
r
uy
a
r
a

h
o
n
t
on
is
h
i
n
p
a
id
e
s
u
.
I
'm r
e
a
l
l
yw
o
r
r
i
e
da
b
o
u
twhichu
n
i
v
e
r
s
i
t
yKenw
i
l
lbea
b
l
et
og
e
t
i
n
t
o
.

1
1
6 DANO

N
A
R
I 1
1'

4
. Useda
tt
h
eendofas
e
n
t
e
n
c
e
i
n
d
i
c
a
t
e
sar
h
e
t
o
r
i
c
a
1q
u
e
s
t
i
o
n
w
i
t
hn
e
g
a
t
i
v
ei
m
p
l
i
c
a
t
i
o
n
s
:
Iwonder."

2
. Usedf
o
rap
a
i
rofo
p
p
o
s
i
t
ea
c
t
i
o
n
so
rs
t
a
t
e
wordso
rt
h
ep
o
s
i
t
i
v
eandn
e
g
a
t
i
v
eformo
ft
h
e

5
.
.
.

R
a
i
n
e
nwad
o
n
n
at
o
s
h
in
in
a
r
uy
a
r
a.
.
.

I
k
udanoi
k
a
n
a
idanoi
w
a
n
a
id
e

d
o
c
h
i
r
ak
an
ik
i
m
e
t
ek
u
d
a
s
a
j
.

1wonderwhatk
i
n
do
fy
e
a
rn
e
x
ty
e
a
rw
i
l
lb
e
./1wonderhown
e
x
t
i
l
lt
u
r
nou
t
.
y
e
a
rw

S
t
o
ps
a
y
i
n
ga
tyouw
i
l
lgo dt
h
e
nt
h
a
tyouw
o
n
'
t8
0
;make
upy
o
u
rmindonewayo
rt
h
eo
t
h
e
r
.

5
.
.
.
.
.

utorariawaimasamuidanoatsuidanoi
uh
i
t
og
ai
t
e

d
o
c
h
i
r
a

N
i
p
p
o
nn
os
h
o
r
a
iwad
on
a
r
uy
a
r
a
1wonderwhatJ
a
p
a
n
'
sf
u
t
u
r
ew
i
l
lbel
i
k
e
./1wondera
b
o
u
tt
h
e
f
u
t
u
r
eof
J
a
p
a
n
.

n
an
ok
aw
a
k
a
r
i
m
a
s
e
n
.

S
i
n
c
esomep
e
o
p
l
es
a
yA
u
s
t
r
a
l
i
ai
sc
o
l
dnow
andsomesayi
t
'
s

I
'
mn
o
ts
u
r
ewhichi
ti
s
.
h
o
t

DANOI
1
.I
n
d
i
c
a
t
e
san
o
n
e
x
h
a
u
s
t
i
v
el
i
s
tofi
t
e
m
so
ra
c
t
i
o
n
s
:
s
u
c
h
t
h
i
n
g
sa
s
.
"
N
o
t
e
:D
a
n
o

ac
o
l
l
o
q
u
i
a
lu
s
a
g
e

i
ss
i
m
i
l
a
rt
oy
a
r
a dt
ok
a
.

INARII

1
.I
n
d
i
c
a
t
e
sac
h
o
i
c
e
:
o
r

w
h
e
t
h
e
ro
rnot
.
"

N
o
t
e
:T
h
i
su
s
a
g
ei
ss
lI
l
a
rt
ot
h
em
o
r
ecommonk
a(#11I
1
)
b
u
tn
a
r
i
l
e
n
d
ss
l
i
g
ht
Jym
o
r
ee
m
p
h
a
s
i
s
.

-_.~

K
u
r
i
s
u
m
a
s
un
iwa
t
o
m
o
d
a
c
h
ik
a
r
ah
o
ndano
k
a
r
e
n
d
adano

c
h
o
k
o
r
e
t
odano0m
o
r
a
i
m
a
s
h
i
t
a
.
AtC
h
r
i
s
t
m
a
s
1r
e
c
e
i
v
e
domf
r
i
e
n
d
sabook
ac
a
1
e
n
d
a
r
some
c
h
o
c
o
l
a
t
e
s

ando
t
h
e
rs
u
c
ht
h
i
n
g
s
.

G
a
k
u
s
e
in
ot
o
k
iwa
S
h
o
p
a
ndanoR
i
s
u
t
odanon
op
i
a
n
o
k
y
o
k
u0

y
o
k
uh
i
k
i
m
a
s
h
i
t
a
.'
When1wasas
t
u
d
e
n
t

1p
l
a
y
e
dal
o
to
fp
i
a
n
op
i
e
c
e
sbys
u
c
hcomp
o
s
e
r
sa
sChopinandL
i
s
z
t
.

S
o
n
om
o
n
d
a
in
it
s
u
i
t

M
a
t
s
u
d
a
s
e
n
s
e
in
a
r
i

T
a
k
a
y
a
m
as
e
n
s
e
in
a
r
i
n
ik
i
i
t
em
i
t
ek
u
d
a
s
a
i
.
P
l
e
a
s
ea
s
ke
i
t
h
e
rP
r
o
f
e
s
s
o
rMatsudao
rP
r
o
f
e
s
s
o
rTakayamaa
b
o
u
t
t
h
a
tp
r
o
b
l
e
m
.

A
s
h
i
t
ai
k
un
a
r
i

a
s
a
t
t
ei
k
un
a
r
i

h
a
y
a
k
uk
i
m
e
m
a
s
h
o
.
Le
t
'sh
u
r
r
yupandd
e
c
i
d
ew
h
e
t
h
e
rwea
r
eg
o
i
n
gtomorrowo
rt
h
e
daya
e
rtomorrow./Areweg
o
i
n
gtomorrowo
rt
h
edaya
e
r
tomorrow?L
e
t
'
sh
u
r
r
yupandd
e
c
i
d
e
.

1
1
8

NARI

-TEWA(DEWA) 1
1
9

2
.I
n
d
i
c
a
t
e
sas
u
g
g
e
s
t
i
o
n
:
o
rs
o
m
e
t
h
i
n
g
.
"

5
.Thee
x
p
r
e
s
s
i
o
nd
a
in
a
r
is
h
on
a
r
i
:
w
h
e
t
h
e
rb
i
go
rs
m
a
l
l
.
"

Mada;
j
n
gaarim
uka
k
i
s
s
a
t
e
nd
eo
c
h
a0nomun
a
r
is
h
i
m
a
s
h
o
K
a
.

S
i
n
c
et
h
e
r
e
'
ss
t
i
l
lt
i
m
e

s
h
a
l
lwed
r
i
n
ksomet
e
aa
tac
o
f
f
e
eshopo
r
s
o
m
e
t
h
i
n
g
?

Kenk
n
ot
a
m
en
it
e
n
i
s
un
a
r
i

g
o
r
u
n
a
r
i

n
a
n
ik
au
n
d
o0s
h
i
t
ah

g
aid
e
s
uy
o
.
F
o
rt
h
es
a
k
eo
fyourh
e
a
l
t
h

youhadb
e
t
t
e
rg
e
tsomee
x
e
r
c
i
s
e
l
i
k
e
p
l
a
y
i
n
gt
e
n
n
i
so
rg
o
l
f
.

.
I
n
d
i
c
a
t
e
st
h
a
taseconda
c
t
i
o
n
h
l
l
o
w
si
m
m
e
d
i
a
t
e
l
yupont
h
e
a
c
t
i
o
np
r
e
c
e
d
i
n
gi
t
:
a
ssoona
s
.
"

S
h
i
n
g
og
aa
on
in
a
r
un
a
r
i

m
a
t
t
ei
t
akurumag
ah
a
s
h
i
r
i
d
a
s
h
i
t
a

Y
a
m
a
m
o
t
o
s
a
ng
ad
e
n
s
h
an
it
o
b
i
n
o
r
un
a
r
i

d
o
ag
as
h
i
m
a
t
t
a
.
Assoona
sYamamotojumpedi
n
t
ot
h
et
r
a
i
n

t
h
ed
o
o
r
sc
l
o
s
e
d
.

T
h
e
r
ea
r
eproblemseverywhere-someb
i
g

somes
m
a
l
l
./E
v
e
r
y
oneh
a
sproblems

w
h
e
t
h
e
rt
h
e
ybeb
i
go
rs
m
a
l
l.

-TEWA(-DEWA)

()
N
o
t
e
:H
e
r
ewea
r
ec
o
n
c
e
m
e
dw
i
t
hwai
nc
o
m
b
i
n
a
t
i
o
nw
i
t
ht
h
e
t
e(

d
e
)
f
o
r
mo
fv
e
r
b
s
.S
e
ea
l
s
owa(
#1
p
a
r
t
i
c
u
l
a
r
l
yn
o.
5
)a
n
dwa(#7).

1
.I
n
d
i
c
a
t
e
st
h
er
e
p
e
t
i
t
i
o
no
ftwoc
o
n
t
r
a
s
t
i
n
g

a
l
t
e
r
n
a
t
i
n
ga
c
t
i
o
n
s
.

D
e
b
i
d
d
os
a
nwa

k
a
n
j
i0k
a
i
t
ewak
e
s
h
i

k
a
i
t
ewak
e
s
h
is
h
i
t
ei
m
u
.
Davidw
r
i
t
e
st
h
ek
a
n
j
iande
r
a
s
e
sthemandw
r
i
t
e
sande
r
a
s
e
s
them[
a
g
a
i
n
]
.

I
I
I
l
)a
n
dt
a
r
a(
#
3
5
n
o
.5
)
.
N
o
t
e
:T
h
i
su
s
a
g
ei
ss
i
m
i
l
a
rto(#6

Assoona
st
h
el
i
g
h
tt
u
r
n
e
d
g
r
e
e
n
t
h
ew
a
i
t
i
n
g
c
a
r
sbeganm
o
v
i
n
g
.

D
o
k
on
id
emo

d
a
in
a
r
is
h
on
a
r
im
o
n
d
a
iwaa
r
ud
e
s
h
o
.

K
a
i
g
a
nn
iwanamig
a

y
o
s
e
t
ewak
a
e
s
h
i

k
a
e
s
h
i
t
eway
o
s
e
t
ei
m
a
s
u
.
Att
h
es
h
o
r
e

t
h
ewavesa
d
v
a
n
c
eandr
e
c
e
d
e
r
e
c
e
d
eanda
d
v
a
n
c
e
.

1.Thee
x
p
r
e
s
s
i
o
nn
a
nn
a
r
i
:
w
h
a
t
e
v
e
r

an
h
i
n
g
.
"

2
.I
nt
h
eformn
is
h
i
t
ewa(
o
r
s
h
i
t
ew
a
)
:f
o
r
.
"

Go

mannak
o
t
og
aa
t
t
a
n
a
nn
a
r
it
o0 h
a
t
t
ek
u
d
a
s
a
i
.
I
ft
h
e
r
ei
san
hingu
n
s
a
t
i
s
f
a
c
t
o
r
y

p
l
e
a
s
es
a
ys
o[
l
i
t
.
s
a
yw
h
a
t
e
v
e
ri
ti
s
l
.

N
i
c
h
b
in
is
h
i
t
ewa

d
e
p
a
t
og
as
u
i
t
ei
m
a
s
un
e
.
F
o
raSunday

t
h
ed
e
p
a
r
t
m
e
n
ts
t
o
r
e
sa
r
en
o
tv
e
r
yc
r
o
w
d
e
d
.

1
2
0

DOKORO 1
2
1

TEWA(-DEWA)

Anohi
waNihonj
i
nn
is
h
i
t
ew

aE
i
g
og
aumaid
e
s
un
e
.
F
o
raJ
a
p
a
n
e
s
e

h
e
rE
n
g
l
i
s
hi
sp
r
e
t
t
yg
o
o
d
.

a
l
w
a
y
sw
i
t
ht
h
er
e
s
u
l
tc
l
a
u
s
ei
nt
h
e
3
.A c
o
n
d
i
t
i
o
n
a
lp
a
t
t
e
r
n
n
e
g
a
t
i
v
eo
rw
i
t
han
e
g
a
t
i
v
ei
m
p
l
i
c
a
t
i
o
n
.
t
.
a
)I
n
d
i
c
a
t
e
sa
nu
n
d
e
s
i
r
a
b
l
ep
o
s
s
i
b
i
l
i
t
yl
e
a
d
i
n
gt
oan
e
g
a
t
i
v
er
e
s
u
l
J

'
H
a
r
ag
ah
e
t
t
ewai
k
t
g
a
d
e
k
i
n
u
"m
u
k
a
s
h
in
oh
i
wai
i
m
a
s
h
i
t
a
.

Youc
a
n
'
tf
i
g
h
tonanemptystomach

"p
e
o
p
l
eo
fo
l
ds
a
i
d
.

ewak
o
m
a
r
u
:
t
h
e
r
ew
i
l
lbeproblemsi
f
;you
b
)I
nt
h
eform t
s
h
o
u
l
d
n
't
.
"

ewai
k
e
n
a
io
rt
ewan
a
r
a
n
a
i
:
yous
h
o
d
n
'
t

c
)_
I
nt
h
ef
o
r
m
st
youm
u
s
t
n
'
t
.
"

1c
a
n
n
o
tr
e
m
a
i
ns
i
l
e
n
ta
b
o
u
ti
sp
r
o
b
l
e
m
.

DOKOROI~~
1
.E
m
p
h
a
s
i
z
e
san
e
g
a
t
i
v
ea
c
t
i
o
no
rs
t
a
t
ea
sa
g
a
i
n
s
tt
h
ei
m
p
o
s
s
i
b
i
l
i
t
yo
fac
o
n
t
r
a
s
t
i
n
gp
o
s
i
t
i
v
ea
c
t
i
o
no
rs
t
a
t
e
:
i
ti
so
u
to
fe
u
n
t
h
i
n
k
a
b
l
e

f
a
rfrom

q
u
e
s
t
i
o
n

K
o
n
o
g
o
r
owas
h
i
g
o
t
og
ai
s
o
g
a
s
h
i
k
u
t

er
y
o
k
on
ii
k
ud
o
k
o
r
od
ewan
a
i
.
I
'
v
eb
e
e
ns
obusyl
a
t
e
l
y

t
a
k
i
n
gat
r
i
pi
su
n
t
h
i
n
k
a
b
l
e
.

Anoh
i
t
owas
h
u
s
a
id
o
k
o
r
on
oh
a
n
a
s
h
ij
an
a
k
u
t
e
marud
et
e
n
s
a
i

d
e
s
u
n
I
ti
sn
o
tam
a
t
t
e
ro
f
h
i
sb
e
i
n
gb
r
i
l
l
i
a
n
t
;h
ei
sana
b
s
o
l
u
t
eg
e
n
i
u
s
.

K
o
e
nd
eh
a
n
a0t
o
t
t
ewai
k
e
m
a
s
e
n
.
Yous
h
o
u
l
dn
o
tp
i
c
kf
l
o
w
e
r
si
nt
h
epk.

K
o
k
od
et
a
b
a
k
o0s
u
t
t
ewan
a
r
a
n
a
i
.
Youmustn
o
tsmokeh
e
r
e
.

2
.I
nt
h
eformd
o
k
o
r
ok

an
e
g
a
t
e
st
h
ef
i
r
s
to
ftwop
a
r
a
l
l
e
ln
o
u
n
s
:

f
a
rom;n
o
tm
e
r
e
l
y
.
"

1 1
3
F
u
t
s
uwai
c
h
i
j
i
k
a
ng
u
r
a
ik
a
k
a
r
ug
a
k
i
n
owam
i
c
h
ig
ak
o
n
d
ei
t
e

i
c
h
i

i
k
a
nd
o
k
o
r
ok
as
a
nj
i
k
a
nmok
a
k
a
t
t
a
.
O
r
d
i
n
a
r
i
l
yi
tt
a
k
e
sanhour
buty
e
s
t
e
r
d
a
yt
h
er
o
a
d
sw
e
r
es
o
t
f
;

omo
nehour

i
tt
o
o
kt
h
r
e
e
.
crowdeda

MV411

ab
o
t
h
e
r
]
)
.
b
ei
n
c
o
n
v
e
n
i
e
n
t[
t
r
o
u
b
l
e
s
o
m
e

Konom
o
n
d
a
in
it
s
u
i
t
ewa

w
a
t
a
s
h
iwad
a
m
a
t
t
ewai
r
a
r
e
m
a
s
e
n
.

hF

K
o
k
on
ik
u
r
u
m
a0t
o
m
e
t
ewak
o
m
a
r
i
m
a
s
u
.
Yous
h
o
u
l
d
n
'
tp kt
h
ec
a
rh
e
r
e
.(
L
i
t
.
P
a
r
k
i
n
gt
h
ec
a
rh
e
r
ew
i
l
l

d
)I
nt
h
eformt
ewai
r
a
r
e
n
a
:
i
beu
n
a
b
l
et
o
.
"

Y
U

1
2
2. TOSHITE

Anoh
i
t
qwaE
i
g
od
o
k
o
r
ok
a

F
u
r
a
n
s
u
g
omoy
o
k
ud
e
k
i
m
a
s
uy
O
.
Hei
sgoodn
o
tm
e
r
e
l
ya
tE
n
g
l
i
s
h
b
u
ta
tF
r
e
n
c
ha
sw
e
l
l
.

I
YORII

N
o
t
e
:Y
o
r
ii
ss
o
r
n
e
t
i
m
e
sd
i
s
p
l
a
c
e
dbyn
o
n
s
t
a
n
d
a
r
dy
o
r
lmol
n
d1
0
r
l
.
1
.I
n
d
i
c
a
t
e
sac
o
m
p
a
r
i
s
o
n
:
t
h
a
n
.
"

TOSHITEI

1
.w
d
i
c
a
t
e
ss
t
a
t
u
so
rp
o
s
i
t
i
o
n
:
i
nec
a
p
a
c
i
t
yo
f
"

N
o
t
e
:C
o
n
t
r
a
s
tw
i
t
h0(#18
n
o
.6
)
.

S
h
o
p
a
nwa

P
o
r
a
n
d
on
os
a
k
k
y
o
k
uk
at
o
s
h
i
t
ey
u
m
e
id
e
s
u
.
Chopini
sfamousa
saP
o
l
i
s
hc
o
m
p
o
s
e
r
.

K
o
c
h
i
r
ag
a

k
k
a
ng
a
k
u
s
e
it
o
s
h
i
t
eN
i
h
o
nek
i
t
aH
o
w
a
i
t
o
s
a
nd
e
s
u
.
Th
i
si
sMs.Wh
i
t
e

whoh
a
scomet
oJ
a
p
a
na
sane
x
c
h
a
n
g
es
t
u
d
e
n
t
.

.U
sedw
i
t
h
o
n
e
"andc
o
u
n
t
e
r
si
n
c
o
r
p
o
r
a
t
i
n
g
o
n
e
"
:
w
i
t
h
o
u
t

e
x
c
e
p
t
i
o
n
.
"

Anoh
i
t
o
t
a
c
h
in
os
u
r
us
h
i
g
o
t
owa

h
i
t
o
t
s
ut
o
s
h
i
t
eimonog
an
a
in
d
e
s
u
.
Youc
a
n
'
ts
a
yonegoodt
h
i
n
ga
b
o
u
tt
h
eworkt
h
e
yd
o
.(
L
i

.
t [Of
]
t
h
eworkt
h
o
s
ep
e
o
p
l
edo
t
h
e
r
ei
sn
o
tonegoodt
h
i
n
g
.
)

K
a
c
h
owam
a
j
a
nn
i

i
c
h
i
d
ot
o
s
h
i
t
ek
a
t
t
ak
o
t
og
aa
r
i
m
a
s
e
n

Thes
e
c
t
i
o
nc
h
i
e
fh
a
sn
e
v
e
ro
n
c
ewona
tMajong.

Y
o
s
h
i
d
a
s
a
nwaK
o
i
d
e
s
a
ny
o
r
is
eg
at
a
k
a
id
e
s
u
.
Y
o
s
h
i
d
ai
st
a
l
l
e
rt
h
a
nK
o
i
d
e
.

N
y
u
y
o
k
uy
o
r
iT
o
k
y
on
oh
og
a

j
i
n
k
og
ao
id
e
s
u
.
Thep
o
p
u
l
a
t
i
o
nofTokyoi
sg
r
e
a
t
e
rt
h
a
nt
h
a
tofNewYor
k
.
2
.I
nt
h
eformt
oi
uy
o
r
i
:r
a
e
r
.
"

Anohi
washido-shai
uy
o
r
i

d
o
k
u
s
a
i
s
h
ad
e
s
u
.
Hei
sad
i
c
t
a
t
o
rr
a
t
h
e
rt
h
a
nal
e
a
d
e
r
./Hei
smoreo
fad
i
c
t
a
t
o
r
t
h
a
nal
e
a
d
er
.

A
.
t
14
a
i
g
a
k
un
og
a
k
u
c
h
owa

g
a
k
u
s
h
ai
uy
o
r
is
e
i
j
i
k
ad
a
.
Thep
r
e
s
i
d
e
n
to
fAU
n
i
v
e
r
s
i
t
yi
smoreo
fap
o
l
i
t
i
c
i
a
nt
h
a
nas
c
h
o
l
a
r
.
3
.Usedw
i
t
hi
n
t
e
r
r
o
g
a
t
i
v
ewords
i
n
d
i
c
a
t
e
st
h
a
tt
h
et
h
i
n
gp
r
e
v
i
o
u
s
l
ymentionedi
si
nt
h
es
u
p
e
r
l
a
t
i
v
e
.

o
Konom
i
s
en
oF
u
r
a
n
s
ur
iwa

d
o
k
oy
o
r
io
i
s
h
i
it
oomoima
s
u
.
1t
h
i
n
ka
tt
h
eF
r
e
n
c
hf
o
o
da
tt
h
i
sr
e
s
t
a
u
r
a
n
ti
sb
e
t
t
e
rt
h
a
nany
wheree
l
s
e
.

Y
O
R
I 1
2
5

1
2
4 YORI

J
K
a
r
ewaw
a
t
a
s
h
in
ip
u
r
o
p
o
z
us
h
i
t
ak
i
"
b
o
k
uwad
a
r
ey
o
r
imok
i
m
i
t
t
an
oy
O
.
oa
i
s
h
i
t
ei
r
u
"i
Wh
enheproposedt
ome

hes
a
i
d

1loveyoumoreananyone."

O
g
e
n
k
i
s
od
en
a
n
iy
o
r
id
e
s
u
.
I
'
mg
l
a
dt
os
e
eyoul
o
o
k
i
n
gs
ow
e
l
l
.(
L
i

.
t Yourlookingw
e
l
li
s
h
i
n
g
.
)
morethanan

4
.I
n
d
i
c
a
t
e
st
h
eti
meo
rp
l
a
c
ea
twhichana
c
t
i
o
nb
e
g
i
n
s
:

a
t
.
"
N
o
t
e
:T
h
i
su
s
a
g
ei
se
q
u
i
v
a
l
e
n
tt
ok
a
r
a(#151
1[
t
i
m
e
]a
n
d1
2[
p
l
a
c
e
]
)
a
l
t
h
o
u
g
hy
o
r
ii
smoref
o
r
m
a
la
n
di
smorecommonlyu
s
e
di
nw
r
i
t
i
n
ga
n
d
e
l
e
v
a
t
e
ds
p
e
e
c
h
.

3
S
a
n
j
iy
o
r
ik
a
k
u
g
ig
ao
k
o
n
a
w
a
r
e
m
a
s
u
.
Ac
a
b
i
n
e
tmeetingw
i
l
lb
e
g
i
na
t[
b
eh
e
l
dom]t
h
r
e
eo
'
c
l
o
c
k
.

K
o
n
o
k
o
k
k
y
y
o
r
imukog
aC
h
u
g
o
k
ud
e
s
u
.
Fromt
h
i
s[
p
o
i
n
to
f
t
h
e
]borderoni
sC
h
i
n
a
./Ont
h
eo
t
h
e
rs
i
d
e
oft
h
i
sborderi
sC
h
i
n
a
.
5
.I
n
d
i
c
a
t
e
sap
l
a
c
eo
rp
o
s
i
t
i
o
nfromwhichana
c
t
i
o
no
c
c
u
r
s
:

f
r
o
m
.
"

D
e
n
s
h
ag
am
a
i
r
i
m
a
s
uk
a
r
a

h
a
k
u
s
e
ny
o
r
iu
s
h
i
r
on
is
a
g
a
t
t
eo
m
a
c
h
i
k
u
d
a
s
a
i
.

At
r
a
i
ni
scoming

s
op
l
e
a
s
es
t
e
pbackfromt
h
ew
h
i
t
eI
l
neand
wai
t
./At
r
a
i
ni
sa
r
r
i
v
i
n
g
.P
l
e
a
s
ew
a
i
tbehindt
h
ew
h
l
t
eI
I
n
e
.

W
a
t
a
s
h
in
oi
ewae
k
iy
o
r
it
e
m
a
en
ia
r
u
.
Myhousei
soni
ss
i
d
eo
ft
h
es
t
a
t
i
o
n
.(
L
i

.
t Myhous
ei
sb
e
f
o
r
e
wheret
h
es
t
a
t
i
o
ni
s
.
)
.I
n
d
i
c
a
t
e
sac
a
u
s
e

r
e
a
s
o
n
o
rm
o
t
i
v
a
t
i
o
n
:
a
sar
e
s
u
l
to
f
.
"

S
e
n
g
e
t
s
un
os
h
i
j
oc
h
o
s
a
y
o
r
iu
g
in
oy
on
ak
e
k
k
ag
aa
k
i
r
a
k
an
in
a
t
t
a
.

Asar
e
s
u
l
to
f
l
a
s
tmonth'smarketr
e
s
e
a
r
c
h
t
h
ef
o
l
l
o
w
i
n
gr
e
s
u
l
t
s
i
g
h
t
.
havecomet
ol

K
a
s
e
nn
oo
s
e
ny
o
r
id
e
n
s
e
n
b
y
og
ah
a
s
s
e
is
h
i
t
a
.
I
n
f
e
c
t
i
o
u
sd
i
s
e
a
s
e
shavebrokeno
uta
sar
e
s
u
l
tof[
d
u
et
o
]p
o
l
l
u
t
e
dr
i
v
e
r
s
.
7
.I
nt
h
eformy
o
r
ih
o
k
ana~ i
n
d
i
c
a
t
e
sal
i
m
i
t
i
n
gofc
h
o
i
c
e
st
o
oneo
n
l
y
:
therei
snothinge
l
s
ebu
t
.
"

K
o
k
omade)
t
t
and
e
s
uk
a
r
a

o
w
a
r
imadey
a
r
uy
o
r
ih
o
k
an
a
id
e
s
h
o
.
S
i
n
c
ewe'vedonet
h
i
smuch

t
h
e
r
ei
snothinge
l
s
et
odobutf
i
n
i
s
h
i
t
./Sincewe'vecomei
sf
a
r

w
e
'
l
lj
u
s
thavet
of
i
n
i
s
hi
t
.

T
e
i
d
e
nd
ak
a
r
a

d
e
n
k
ig
at
s
u
k
umadem
a
t
t
eI
r
uy
o
r
lh
o
k
an
a
i
.
B
e
c
a
u
s
ei
t
'
spowerf
a
i
l
u
r
e

t
h
e
r
ei
sn
o
t
h
i
n
ge
l
s
et
odobutw
a
i
tt
i
l
l

t
h
ee
l
e
c
t
r
i
c
i
t
ycomeso
n
./S
i
n
c
et
h
e
r
e'
sbeenapowero
u
t
a
s
e

w
e
'
l
lsimplyh
a
v
et
ow
a
i
tu
n
t
i
lt
h
ee
l
e
c
t
r
i
c
i
t
ycomeso
n
.

1
2
6

SURA/KOSO 1
2
7

SAE

i
S
U
R
A
I

l
S
A
EI

1
.
E
v
e
n
.
"

N
o
t
e
:l
i
su
s
a
g
ei
ss
i
m
i
l
a
rt
od
emo(
#
5
n
o
.2
)
b
u
ti
sm
o
r
ee
m
p
h
a
t
i
c
.

S
o
n
om
o
n
d
a
iwas
e
n
s
e
id
es
a
ek
o
t
a
e
r
a
r
e
n
a
k
a
t
t
a
.
Event
h
et
e
a
c
h
e
rc
o
u
l
d
n
'
ta
n
s
w
e
rt
h
a
t[
t
e
s
t
]q
u
e
s
t
i
o
n
.

S
o
n
n
ak
a
n
t
a
nn
ak
o
t
owa

kodomod
es
a
es
h
i
t
t
ei
m
a
s
uy
o
.
Evenac
h
i
l
dknowss
u
c
has
i
m
p
l
et
h
i
n
g
!/Amerec
h
i
l
dwould
knows
o
m
e
t
h
i
n
ga
ss
i
m
p
l
ea
st
h
a
t
.
2
.I
nt
h
eforms
a
e.
.
.t
a
r
aors
a
e.
.
.b

ai
m
p
l
i
e
st
h
a
ti
fsomet
h
i
n
ga
d
d
i
t
i
o
n
a
1i
s(
h
a
db
e
e
n
)done
ap
o
s
i
t
i
v
eoutcomew
i
l
l
o
c
c
u
r(wouldh
a
v
eo
c
c
u
r
r
e
d
)
:
i
fo
n
l
y
.
"

5Mog
o
f
t
ms
a
ea
r
a

h
i
k
in
iman
i
a
t
t
an
on
i
.
..

I
fwehadhado
n
l
yf
i
v
emorem
i
n
u
t
e
s

wewouldh
a
v
ebeenon
t
u
n

f
o
rU
l
d
l
i
g
h
t
.

K
e
n
c
h
a
nwaa
t
a
m
ag
ai
i
nd
e
s
uk
a
r
a

b
e
n
k
y
os
a
es
u
r
e
b
aid
a
i
g
a
k
u
n
ih
a
i
r
e
m
a
s
uy
o
.
Kenh
a
sagoodheadonh
i
ss
h
o
u
l
d
e
r
s

s
oi
fheo
n
l
ys
t
u
d
i
e
s
h
e
'
l
l
b
ea
b
l
et
og
e
ti
n
t
oagoodu
n
i
v
e
r
s
i
t
y
.

N
o
t
e
:T
h
i
sm
o
r
ef
o
r
m
a
le
q
u
i
v
a
l
e
n
to
fs
a
e(#51
n
o.1
)i
ss
e
e
nm
o
s
to
f
t
e
ni
n
t
I
v
es
e
n
t
e
n
c
e
s
.
n
e
g
a

5
Y
a
m
a
d
a
s
a
nwaE
i
g
on
o'
o
s
h
in
an
on~ n
i
c
h
i
j
o
k
a
i
w
as
u
r
ad
e
k
i
n
a
i
.
A
l
thoughYamadai
sanEn
g
1
i
s
ht
e
a
c
h
e
r

s
h
ec
a
n
'
te
v
e
nc
a
r
r
yon
ano
r
d
i
n
a
r
yc
o
n
v
e
r
s
a
t
i
o
n
.

5o
Yamad
eu
j
os
a
r
e
t
ah
i
t
o
t
a
c
h
iwa
h
i
r
od
eu
g
o
k
uk
o
t
os
u
r
ad
e
k
i
n
a
k
a
t
t
a
.
Thep
e
o
p
l
er
e
s
c
u
e
di
nt
h
emountainsw
e
r
es
oe
x
h
a
u
s
t
e
dt
h
e
y
cou
e
venmove.

lKosol

1
.Addse
m
p
h
a
s
i
st
ot
h
ewordp
r
e
c
e
d
i
n
gi
t
.

R
a
i
n
e
nk
o
s
o
Y
o
r
o
p
p
e
o
k
os
h
i
t
a
io
m
o
t
t
ei
m
a
s
u
.
Nexty
e
a
rf
o
rc
e
r
t
a
i
n
1amt
h
i
n
k
i
n
go
fmakingat
r
i
pt
oE
u
r
o
p
e
./
Nexty
e
a
rf
o
rs
u
r
e

1hopet
omakeat
r
i
pt
oE
u
r
o
p
e
.

K
o
n
d
ok
o
s
o

g
a
n
b
a
r
i
m
a
s
h
o
.
L
et
'
sg
i
v
ei
tourb
e
s
t i
st
i
m
e
.

1
2
8

NE

NB 1
2
P

2
.I
nt
h
ei
d
i
o
m
a
t
i
ce
x
p
r
e
s
s
i
o
nk
o
c
h
i
r
ak
o
s
o
:nota
ta
l
l

t
h
ep
l
e
a
s
u
r
ei
sa
l
lm
i
n
e
.
"

Domoa
r
i
g
a
t
og
o
z
a
i
m
a
s
h
i
t
a
.
K
o
c
h
i
r
ak
o
s
o
.
Thankyouv
e
much.
Thep
l
e
a
s
u
r
ei
sa
l
lm
i
n
e
.(
L
i
t
.
I
ti
sp
r
e
c
i
s
e
l
yme[whos
h
o
u
l
dbe
t
h
a
i
n
g
y
o
u
]
.
)

S
u
b
a
r
a
s
h
i
ie
n
s
od
a
t
t
awan
e
.
Thatwassuchawonderfulc
o
n
c
e
r
t
.
N
o
t
e
:H
e
r
e

wai
n
d
i
c
a
t
e
st
h
a
tawomani
ss
p
e
a
l
d
n
g
.
2
.I
n
d
i
c
a
t
e
sagreementw
i
t
ht
h
eo
t
h
e
rp
e
r
s
o
n
.

H
o
n
t
on
is
od
e
s
un
e
.
Y
e
s
t
h
a
t
'
sq
u
i
t
et
r
u
e
./T
h
a
t
'
ss
ot
r
u
e
.

SENTENCE-ENDINGPARTICLES
l
e
r
e emanys
e
n
t
e
n
c
e
e
n
d
i
n
gp
a
r
t
i
c
l
e
si
nJ
a
p
a
n
e
s
e
.Usedcommonlyi
nt
h
espokenl
a
n
g
u
a
g
e
theseparticlesalongwiththe
t
o
n
eofv
o
i
c
ei
nwhichtheya
r
eused
helpconveyemotional
nuances

oenw
i
t
h
o
u
ta
c
t
u
a
l
l
ya
l
t
e
r
i
n
gi
nanywayt
h
ee
x
p
l
i
c
i
t
c
o
n
t
e
n
toft
h
es
e
n
t
e
n
c
e
:e
.
g
.
o
n
e
g
a
is
h
i
m
a
s
u

o
n
a
g
a
is
h
i
m
a
s
un

e
ando
n
e
g
a
is
h
i
m
a
s
uy
oa
r
ea
l
ls
i
m
i
l
a
r a
t e
ye
x
p
r
e
s
sar
e
q
u
e
s
t

b
u
ta
r
es
o
e
nedo
re
m
p
h
a
s
i
z
e
sbyt
h
eappendedp
a
r
t
i
c
l
e
.F
u
r
t
h
e
r
more

c
e
r
t
a
i
ns
e
n
t
e
n
c
e
e
n
d
i
n
gp
a
r
t
i
c
l
e
sa
r
eusedpredominantly

o
t
h
e
r
sbywomen.Somep
a
r
t
i
c
l
e
shavebothe
n
d
o
f
s
e
n
bymen
t
e
n
c
eandm
i
d
s
e
n
t
e
n
c
eu
s
a
g
e
s
sucha
sK
'

k
a
k
a
r

a mad

en
o

k
e
r
e
d
o
m
o

n
on
i

k
u
s
eni -t
a
r
a
;mono0
moy
a
r
l

O
s
s
h
a
r
ut
o
r
id
e
s
un
e
.
Y
e
s

i
t
'
sj
u
s
t yous
a
y
./Yo
u
'
r
eq
u
i
t
er
i
g
h
t
.
3
.S
o
f
t
e
n
sar
e
q
u
e
s
t
.

D
e
k
i
r
e
b
az
e
h
io
n
e
g
a
is
h
i
m
a
s
un
e
.
I
fp
o
s
s
i
b
l
e
p
l
e
s
ebes
u
t
o[
d
oi
t
]
./Ifyouwould[
d
ot
h
a
t
]
I
'd
t
.
s
u
r
e
l
ya
p
p
r
e
c
i
a
t
ei

K
a
n
a
r
a
z
ut
e
g
a
m
i0k
u
d
a
s
a
in
e
.

NEI
N
o
t
e
:Nei
ss
o
m
e
t
i
m
e
sp
r
o
n
o
u
n
c
e
dn
e
.
1
.I
n
d
i
c
a
t
e
semotiono
rf
e
e
1
i
n
g
sofa
d
m
i
r
a
t
i
o
n
.

K
i
r
e
in
ah
a
n
an
e
.
Wh
a
tap
r
e
t
t
yf
l
o
w
e
r
!

Bes
u
r
et
ow
r
i
t
e[meal
e
t
t
e
r
]
.
4
.I
n
d
i
c
a
t
e
sar
e
q
u
e
s
tf
o
rc
o
n
f
i
r
m
a
t
i
o
n
.

Anoh
o
n

m
o
t
t
ek
i
t
ek
u
d
a
s
a
t
t
ad
e
s
h
on
e
.
Youb
r
o
u
g
h
tme atbook

d
i
'
tyou[
a
s1a
s
k
e
dyout
ol
?/
1supp
o
s
eyoubroughtt
h
a
tbookf
o
rme.

1
3
0

NE

YO 1
3
1

H
a
r
a
d
a
s
a
n

k
y
ok
u
r
ui
t
t
an
d
e
s
un

Haradas
a
i
dt
h
a
th
e
'
db
ecomingt
o
d
a
y
r
i
g
h
t
?/I
twast
o
d
a
y

w
a
s
n
'
ti
t

t
h
a
tHaradas
a
i
dhewo
u
1
dc
o
m
e
.

5
.I
n
d
i
c
a
t
e
sam
i
l
da
s
s
e
r
t
i
o
no
f

o
rv
a
r
i
a
n
c
ei
n
o
p
i
n
i
o
n
.

S
od
e
s
uk
an
e
.
Oh
i
st
h
a
ts
o
?/1w
o
n
d
e
r
./Yout
h
i
n
ks
o
?

H
o
n
t
on
is
o
n
n
ak
o
t
oo
k
o
t
t
a
nd
e
s
h
ok
an
e
.
Hmm
Iwonderi
f
t
h
a
t
'
swhata
c
t
u
a
l
l
yhappened[
i
f
s
o
m
e
t
h
i
n
g
l
i
k
et
h
a
tr
e
a
I
l
yh
a
p
p
e
n
e
d
]
.
6
.I
n
d
i
c
a
t
e
sam
i
l
da
s
s
e
r
t
i
o
n
.

o
Anoh
i
t
o
t
a
c
h
i

n
a
n
i0k
a
n
g
a
e
t
ei
r
un
ok
aw
a
k
a
r
i
m
a
s
e
nn
e
.
1
j
u
s
tc
a
n
'
tu
n
d
e
r
s
t
a
n
dwhatt
h
e
y
'
r
et
h
i
n
k
i
n
ga
b
o
u
t[
w
h
a
t
'
sg
o
i
n
g
oni
nt
h
e
i
rm
i
n
d
s
]
.

W
a
t
a
s
h
iwaH
o
k
k
a
i
d
on
oh
g
a
s
a
m
u
io
m
o
u
nd
e
s
uk
e
d
on
e
.
1wou
1
dt
h
i
n
kt
h
a
tHokkaidoi
sc
o
l
d
e
r
.

iYOI
1
.U
r
g
e
sac
o1
ir
s
eo
fa
c
t
i
o
n
.

Mod
a
i
b
ua
r
u
i
t
ak
a
r
a

k
o
n
oh
e
nd
ec
h
o
t
t
oy
a
s
u
m
oy
o
.
L
e
t
'
st
a
k
eab
r
e
a
ka
b
o
u
th
e
r
e

g
u
y
s
.We'vea
1
r
e
a
d
ywa
1
k
e
dq
u
i
t
eab
i
t
.

Anot
e
n
r
a
n
k
a
iei
t
t
em
i
m
a
s
h
y
o
.
Comeon
l
e
t
'
sg
ot
ot
h
a
te
x
h
i
b
i
t
i
o
n
.
2
.I
n
d
i
c
a
t
e
sar
e
q
u
e
s
t(
s
o
m
e
w
h
a
ts
t
r
o
n
g
e
rt
h
a
nn
e

#
5
4
n
o
.3)
.

K
o
n
o
s
h
s
h
i
k
a
d
e
k
i
e
nk
a
r

az
e
h
io
n
e
g
a
is
h
i
m
a
s
u
Y
o
u
'
r
et
h
eo
n
l
yonewhoc
a
nh
a
n
d
l
et
h
i
sj
o
b
s
o1 a
l
l
ywantyou
i
t
o
n
.
t
ot
a
k

W
a
t
a
s
h
in
oi
en
imok
i
t
ek
u
d
a
s
a
iy
o
.
Comet
omyh
o
u
s
e
t
o
o
.
3
.I
n
d
i
c
a
t
e
sas
t
a
t
e
m
e
n
to
fc
e
r
t
a
i
n
t
y
.

1
3

eK
e
i
k
o s
h
o
endem
h
i
t
a
k
a
r

a mj
u
s
a
n
s
a
id
e
s
uNo
K
e
i
k
og
r
a
d
u
a
t
e
dfro~ e
l
e
m
e
n
t
a
r
ys
c
h
o
o
l
l
a
s
ty
e

s
os
h
e
'
s
a
I
r
e
a
d
yt
h
i
r
t
e
e
n s(
)
l
d

yous
e
e
.

Kyowak
i
n
'
y
o
b
id
e
s
uy
o
.
Todayi
sF
r
i
d
a
y

youk
n
o
w
.(
S
t
a
t
e
d

f
o
re
x
a
m
p
l
e
a
f
t
e
rsomeone
h
a
sc
l
a
i
m
e
do
t
h
e
r
w
i
s
e
.
)

1
3
2

KANA 1
3
3

WA

I i
n
ki
twouldbeb
e
t
t
e
rt
obuyi
ta
ta
n
o
t
h
e
rs
t
o
r
e
.I1
t
h
i
n
kyou
hadb
e
t
t
e
rbuyi
ta
ta
n
o
t
h
e
rs
t
o
r
e
.

4
.I
n
d
i
c
a
t
e
ss
c
o
l
d
i
n
go
rcontemp
t
.

Anohi
washigogad
e
k
i
n
a
iway
o
.

Hej
u
s
tc
a
n
'
tdot
h
ew
o
r
k
!

W
a
t
a
s
h
in
oh
og
aw
a
r
u
k
a
t
t
aw
a
.Gomenn
a
s
a
in
e
.
I
twasa
l
lmyf
a
u
l
t
.I
'
ms
os
o
r
r
y
.

N
o
t
e
:H
e
r
e

t
h
ec
o
m
b
i
n
a
t
i
o
no
fw
ayoi
n
d
i
c
a
t
e
st
h
a
tawomani
ss
p
e
a
k
i
n
g
.
S
e
e
#
5
6
.

K
A
N
A
I

T
a
n
i
s
a
n

s
o
n
n
aw
a
r
u
ik
o
t
oo
.
s
h
i
t
ewai
k
e
m
a
s
e
ny
o
.
Tani;yous
h
o
u
l
d
n
'
tdoa
n
y
t
h
i
n
g[
b
a
d
J
l
i
k
e a
t
!

N
o
t
e
:U
s
e
dp
r
i
n
c
i
p
a
1
l
yb
ym
e
n
;t
h
ew
o
m
e
n
'
se
q
u
i
v
a
1
e
n
to
fk
an
ai
sk
a
s
h
i
r
a
(
#
5
8
)
.
1
.I
n
d
i
c
a
t
e
su
n
c
e
r
t
a
i
n
t
y
:
Iwonder."

1
W
A
I

N
o
t
e
:(
1
)S i
sw
r
i
t
t
e
nw
i
t
ht
h
ek
a
n
a (
o
r) op
t
o (
o
r

)
u
s
e
df
o
rp
a
r
t
i
c
l
e#
1
.(
2
)Wai
su
s
e
dm
a
i
n
l
yb
yw
o
m
e
n
.

K
a
c
h
o

n
a
n
j
in
ik
u
r
uk
an
a
.
Wh
a
t t
h
es
e
c
t
i
o
nc
h
i
e
fc
o
r
n
i
n
g

1wonder.

1
.I
n
d
i
c
a
t
e
semotiono
rf
l
i
n
g
sofa
d
m
i
r
a
t
i
o
n
.

K
o
n
'
y
an
oo
p
e
r
awa

h
o
n
t
on
is
u r
a
s
1
i
i
t
t
aw~
l
eo
p
e
r
at
o
n
i
g
h
twasa
b
s
o
l
u
t
e
l
yf
a
b
u
l
o
u
s
.

T
a
g
a
k
u
nwa

k
o
n
os
h
i
g
o
d
e
k
u
r
uk
an
a
.

1
.

1wonderi
f
T
a
g
acandot
h
i
sj
o
b
.
1CouldTagahandle i
sj
o
b
?1
wonder.

2
.I
n
d
i
c
a
t
e
saq
u
e
s
t
i
o
nt
oo
n
e
s
e
l
f
:
Iwonder."

Konoi
k
e
b
a
n
awam
i
g
o
desuwa.

T
h
i
sf
l
o
w
e
ra
r
r
a
n
g
e
m
e
n
ti
ss
i
m
p
l
ys
p
l
e
n
d
i
d
!

Kyowan
a
n
y
o
b
id
a
t
t
ak
an
a
.
Hmm

whatdayi
st
o
d
a
y
?

t
.
2
.S
o
f
t
e
n
st
h
et
o
n
eofas
t
a
t
e
m
e
n

Hokan
om
i
s
ed
ek
a
t
t
ah
og
aiomouwa.

T
a
n
a
k
as
a
nt
oa
un
owan
a
j
id
a
t
t
ak
an
a
.
Now

whatt
i
m
ewasi
ta
t1wasg
o
i
n
gt
omeetTanaka?

3
4

NA I

KASHlRA

3
.I
n
d
i
c
a
t
e
sahopeo
rmutedr
e
q
u
e
s
t
:I
w
o
n
d
e
r
.
"

K
o
n
osh~ to t
a
n
o
n
d
eik
an
a
.
1
w
o
n
d
e
ri
f
Ic
o
u
l
da
s
k[
y
o
ut
od
o
]i
sj
o
b
./C 1a
s
ky
o
ut
ot
a
k
e
c
a
r
eo
ft
h
i
sw
o
r
k
?

S
Konnas
u
t
e
k
in
ap
u
r
e
z
e
n
omorattinokashira.
1wonderi
f1s
h
o
u
l
da
c
c
e
p
ts
u
c
hal
o
v
e
l
yp
r
e
s
e
n
t
./Oh y
o
u
s
h
o
u
l
d
n
'
th
a
v
e
./Oh
w
h
a
tal
o
v
e
l
yp
r
e
s
e
n
t
l1d
o
n
'
td
e
.
e
r
v
ei
.
t

3
.I
n
d
i
c
a
t
e
sah
o
p
eo
rmutedr
e
q
u
e
s
t
:
Iwond
e
r
.
"

A
s
h
i
t
an
oa
s
ah
a
y
a
k
uk
a
i
s
h
an
ik
i
t
em
o
r
a
e
r
uk
an
a
.
1
w
o
n
d
e
ri
fy
o
uc
o
u
l
dcomet
ot
h
e0 c
ee
a
r
l
yt
o
m
o
r
r
o
wmoming.
f
f
i
c
ee
a
r
l
ytomorrowmoming?
/C
o
u
l
dy
o
ucomet
oeo

5
Konbanw
a
t
a
s
h
in
os
h
u
k
u
d
a
i0t
e
t
s
u
d
a
t
t
ek
u
r
e
r
uk
a
s
h
i
r
a.
1wonderi
fyouwouldh
e
l
pmew
i
t
hmyhomew
r
kt
o
n
i
g
h
.
t/
00
y
o
ut
h
i
n
ky
o
uc
o
u
l
dh
e
l
pm~th myhomeworkt
o
n
i
g
h
t
?

SHIRAI

5
K
d
n
p
y
u
t
an
ot
s
u
k
a
i
k
a
t
a

o
s
h
i
e
t
ei
t
a
d
a
k
e
r
uk
a
s
h
i
r
a
.
1wonderi
f
y
o
uc
o
u
l
dt
e
a
c
hmehowt
oo
p
e
r
a
t
et
h
ec
o
m
p
u
t
e
r
.
/C
o
u
l
dy
o
up
o
s
s
i
b
l
yt
e
a
c
hmehowt
oo
p
e
r
a
t
et
h
ec
o
m
p
u
t
e
r
?

N
o
t
e
:

l
eu
s
a
g
e
so
fk
a
s
h
i
r
aa
r
ee
s
s
e
n
t
i
a
l
l
yt
h
es
a
m
ea
st
h
o
s
eo
fk
an
e
x
c
e
p
t
t
h
e
ya
r
em
o
s
t
1
ye
m
p
l
o
y
e
db
yw
o
m
e
n
.

1
.I
n
d
i
c
a
t
e
su
n
c
e
r
t
a

t
y
:
I
w
o
n
d
e
r
.
"
5
S
h
a
c
h
o
s
a
n

onanjin
ik
a
i
s
h
aei
r
a
s
s
h
a
i
m
a
s
uk
a
s
h
i
r
a
.
1wonderw
h
a
tt
i
m
et
h
ep
r
e
s
i
d
e
n
tw
i
l
lcomet
oeo
t
o
d
a
y
.

N
A
I
l
.I
n
d
i
c
a
t
e
se
m
o
t
i
o
n
.M
o
s
t
l
yu
s
e
dbym
e
n
.

N
o
t
e
:Nai
nt
h
i
su
s
a
g
ei
s0e
nl
e
n
g
t
h
e
n
e
dt
on

5
Konok
i
k
a
in
ot
s
u
k
a
i
k
a
t
a

g
o
z
o
n
j
id
ei
r
a
s
s
h
a
i
m
a
s
uk
a
s
h
i
r
a
.
1wonderi
fy
o
u
'
r
ea
c
q
u
a
i
n
t
e
dw
i
t
hhowt
h
i
sm
a
c
h
i
n
ei
sr
u
n
.

Anoh
i
t
owas
u
b
a
r
a
s
h
i
in
a
.
S
h
e
'
sr
e
a
l
l
yg
r
e
a
t[
s
o
m
e
t
h
i
n
g
]
!

2
.I
n
d
i
c
a
t
e
saq
u
e
s
t
i
o
nt
oo
n
e
s
e
l
f
:"
1w
o
n
d
e
r
.
"

o
K
i
r
e
in
ah
o
s
h
id
an
a
.
Wh
a
tab
e
a
u
t
i
f
u
ls
t
a
r
!

5
Mok
a
e
t
t
emoin
ok
a
s
h
i
r
a
.
1wonderi
fi
t
'
sa
l
lr
i
g
h
tt
ol
e
a
v
enow[
i
f
Ic
a
nl
e
a
v
en
o
w
]
.

1
3
6

i
A t
a
7

NA

2
.A
s
k
sf
o
ra
n
o
t
h
e
rp
e
r
s
o
n
'
sagreemen.
tUsedbymen.

5
.I
n
d
i
c
a
t
e
sap
r
o
h
i
b
i
t
i
o
n
.Usedbymen.

Anokurumawas
h
i
n
s
h
ad
ay
on
a
.
That
'sanewc
a
r

r
i
g
h
t
?/That'~ anewc
a
r

1b
e
t
.

Z
e
t
t
a
in
ia
i
t
s
un
ia
un
a
.
S
t
a
yawayfroma
tbum

youh
e
a
r
./Keepc
l
e
a
ro
f
t
h
a
tg
u
y
.

A
s
o
k
owas
a
m
u
in
a
.
I
t
'
sc
o
l
d e
r
e

i
s
n
'
ti
t
.

o
Moa
n
ob
an
ii
k
un
a
.
D
o
n
'
tgot
ot
h
a
tb
a
re
v
e
ra
g
a
i
n
!/Nomoreg
o
i
n
gt
ot
h
a
tb
a
r

h
e
a
r
.

3
.S
o
f
t
e
n
see
f
f
e
c
to
fana
s
s
e
r
t
i
o
n
.

Anoh
i
t
owan
a
k
a
n
a
k
ar
i
p
p
an
ah
i
t
od
at
oomoun
a
.
1r
e
a
l
l
yt
h
i
n
k[
I
'ds
a
y
]t
h
a
thei
saf
i
n
e

u
p
s
t
a
n
d
i
n
gp
e
r
s
o
n
.

Konoe
i
g
away
o
k
un
a
k
a
t
t
an
a
.

A
s
h
i
t
an
oT
a
k
a
h
a
s
h
i
s
a
nn
op
a
t
in
iwa

m
o
c
h
i
r
o
ni
k
us
a
.
I
'
mg
o
i
n
gt
oT
a
k
a
h
a
s
h
i
'
sp
a
r
t
ytomorrow

o
fc
o
u
r
s
e
.

T
h
i
smoviej
u
s
tw
a
s
n
'
tv
e
r
yg
o
o
d
.
4
.S
o
f
t
e
n
sacommando
rr
e
q
u
e
s
t
(r
s
te
x
a
m
p
l
e

awomans
p
e
a
k
i
n
gw
i
t
ht
y
p
i
c
a
lk
u
d
a
s
a
in
ap
a
t
t
e
m
;s
e
c
o
n
de
x
a
m
p
l
e

am
a
n
)
.

N
a
r
i
t
amadei
t
t
ek
u
d
a
s
a
in
a
.
N
a
r
i
t
a[
A
i
r
p
o
r
t
]
p
l
e
a
s
e[
i
f
y
o
up
l
e

e
]
.

A
s
h
i
t
ak
a
n
a
r
a
z
uk
o
in
a
.
Bes
u
r
et
ocomet
o
m
o
r
r
o
w
.

1
.S
o
f
t
e
n
sana
s
s
e
r
t
i
o
n
.Usedmos
t
1
ybymen.

S
o
r
ey
o
r
i

k
o
t
c
h
in
os
e
t
an
oh
og
ao
k
i
is
a
.
T
h
i
s
s
w
e
a
t
e
r
'
sb
i
g
g
e
rt
h
a
nt
h
a
tone

I
'
ds
a
y
.
2
.I
n
d
i
c
a
t
e
sac
r
i
t
i
c
a
lr
e
s
p
o
n
s
et
os
o
m
e
t
h
i
n
g
.

Annamunon
as
h
a
i
n0i
r
e
r
uk
a
r
a

k
a
i
s
h
ag
an
o
b
i
n
a
in
os
a
.
I
t
'
sb
e
c
a
u
s
ee
yh
i
r
ei
n
c
o
m
p
e
t
e
n
tp
e
o
p
l
el
i
k
ehima
tt
h
ecompanyd
o
e
s
n
'
tg
r
o
w
.

Anohi
noy
a
r
i
s
n
ak
o
t
o
s
a
.
I
t
'
ss
o
m
e
t
h
i
n
ghewouldd
o
./I
t
'
sj
u
s
tl
i
k
eh
i
m
.

1
3
8

KOTO

.
KkB Ug

l
KOTOI

N
o
t
e
:K
o
t
o

a
sas
e
n
t
e
n
c
e
e
n
d
i
n
gp
a
r
t
i
c
l
e

i
su
s
e
dm
a
i
n
I
yb
yw
o
m
e
n
.
1
.I
n
d
i
c
a
t
e
se
m
o
t
i
o
n
.

Konoh
a
n
an
oi
r
on
ou
t
s
u
k
u
s
h
i
ik
o
t
o
.
Wha
ta
ne
x
q
u
i
s
i
t
ec
o
l
o
r i
sf
l
o
w
e
rh
a
s
!

O
i
s
h
i
io
r
y
o
r
id
e
s
uk
o
t
o
.
Whatm
a
r
v
e
l
o
u
s
l
yd
e
l
i
c
i
o
u
sf
o
o
d
!
2
.I
n
d
i
c
a
t
e
sas
u
g
g
e
s
t
i
o
no
ri
n
v
i
t
a
t
i
o
n
.

Dokok
aeo
h
a
n
a
m
in
ii
k
i
m
a
s
e
nk
o
t
o
.
S
h
a
l
lweg
of
l
o
w
e
rv
i
e
w
i
n
gs
o
m
e
w
h
e
r
e
?

I
c
h
i
d
oK
u
i
n
e
r
i
z
a
b
e
s
ug
on
in
o
t
t
em
i
m
a
s
e
nk
o
t
o
.
_
S
h
a
l
l
w
ej
u
s
to
n
c
egoa
b
o
a
r
dt
h
eQ
u
e
e
nE
l
i
z
a
b
e
t
h
?

-KKE
N
o
t
e
:K
k
ef
o
l
l
o
w
sV

a
n
dA
d
j
t
af
o
r
m
s
.I
nf
m
i
n
i
n
e.
p
e
e
c
h
t
h
ev
e
r
bC
o
r
m
.
t
e
n
dt
ob
ed
e
s

ud
e
s
h
i
t

a d
V
m
h
i
t

1
.I
n
d
i
c
a
t
e
samutedq
u
e
s
t
i
o
ni
nc
a
s
e
swhent
h
e
r
ei
si
n
f
o
r
m
a
t
i
o
n
s
h
a
r
e
dw
i
t
ha
ni
n
t
e
r
l
o
c
u
t
o
r t
h
es
p
e
a
k
e
ri
st
r
y
i
n
gt
or
e
c
a
l
l
.

A
s
h
i
t
an
ok
e
k
k
o
n
s
h
i
k
i
'wa

n
a
n
j
in
ih
a
j
i
m
a
r
u
nd
e
s
h
i
t
a
k
k
e
.
Wh
a
tt
i
m
ei
st
h
ew
e
d
d
i
n
gg
o
i
n
gt
os
t
a
r
tt
o
m
o
r
r
o
w
?IThew
e
d
d
i
n
gtomorrow-whatt
i
m
ew
a
si
tg
o
i
n
gt
os
t
a
r
t
?

A
n
a
t
an
oi
ewad
o
k
od
a
t
t
a
k
k
e
.
Now

w
h
e
r
ew
a
sy
o
u
r
h
o
u
s
e
?IWhe
r
ed
i
dyous
a
y
y
o
u
rh
o
u
s
ew
a
s
?
i
n
gom
2
.I
n
d
i
c
a
t
e
st
h
a
tt
h
es
p
e
a
k
e
ri
sr
e
m
e
m
b
e
r
i
n
gsome
t
.
t
h
ed
i
s
t
a
n
tp
a
s

Konoh
e
nn
ig
a
k
k
og
aa
t
t
a
k
k
e
.
D
i
d
n
'
tt
h
e
r
eu
s
e
dt
obeas
c
h
o
o
l oundh
e
r
e
?
J1
s
e
e
mt
or
e
m
e
m
b
e
r
a
tt
h
e
r
ew
a
sas
c
h
o
o
la
r
o
u
n
dh
e
r
e
.

Anohi
t
oy
o
k
us
a
k
e0n
o
n
d
a
k
k
e
.
B
a
c
ki
nt
h
eo
l
dd
a
y
s1
u
s
e
dt
og
ok
i
n
ga1
0
tw
i
t
hhim.11
rememb
e
rg
o
i
n
gd
r
i
n
k
i
n
gw
i
t
hhimq
u
i
t
eab
i
t
.

1
4
0

T
I
'
EBAI

EBA1
1
.I
n
d
i
c
a
t
e
sannoyan w
i
a
n
o
t
h
e
rp
e
r
s
o
n
.

A
s
h
i
t
amaden
id
e
k
i
n
a
k
e
r
e
b
ak
o
m
a
r
u
t
t
e
b
a
.
I
'
mt
e
l
l
i
n
gyou g
o
i
n
gt
obet
r
o
u
b
l
ei
fi
t
'
sn
o
tdoneby
tomorrow.

MONO 1
4
1

Why'
dyougo f
a
ra
s[
a
l
lt
h
ewayt
o
]S
h
i
n
j
u
k
u
?
o
K
i
n
od
o
k
od
en
o
n
d
a
nd
a
i
.
Wh
e
r
e
'dyougo i
n
k
i
n
gy
e
s
t
e
r
d
a
y
?

MataA
m
e
r
i
k
an
is
h
u
t
c
h
ok
a
i

t
a
i
h
e
nd
an
a
.
0t
ot
h
eU
.
S
.onb
u
s
i
n
e
s
sa
g
a
i
n
?Hangi
nt
h
e
r
e
.

R
a
i
n
e
nd
ewao
s
o
s
u
g
i
r
u
t
t
e
b
a
.
Nexty
e
a
rw
i
l
lbet
o
ol
a
t
e

I
'
mt
e
l
l
i
n
gy
o
u
.

Anohi
'

g
e
n
k
id
a
k
a
i
.
Howwass
h
e
?/How'
ss
h
eg
e
t
t
m
ga
l
o
n
g
?

2
.I
n
d
i
c
a
t
e
sani
n
d
i
r
e
c
tcommando
rp
r
o
h
i
b
i
t
i
o
n
.

S
o
n
n
ak
o
t
o0s
h
i
t
a
r
a

damed
a
t
t
e
b
a
.
I
'
mt
e
l
l
i
n
gyou a
ti
t
'
snogoodi
fyoudos
u
c
ha /Iwo

do i
f
Iwereyou.

K
o
n
p
y
u
t
a0t
s
u
k
q
w
a
n
a
k
e
r
e
b
d
e
k
i
n
a
i
t
t
e
b
a
.
I
'
mt
e
l
l
i
n
gyoua
tyoucan'tdoi
tu
n
1
e
s
syouu
s
et
h
ec
o
m
p
u
t
e
r
.
/Youwon'tg
e
tanywhereu
n
1
e
s
syouu
s
et
h
ecomputer

I
'
ds
a
y
.

MONol
N
o
t
e
:l
ep
r
i
m
a
r
ym
e
a
n
i
n
go
fm
o
n
oa
sas
e
n
t
e
n
c
e
e
n
d
i
n
gp
a
r
t
i
c
l
ei
s

b
e

u
s
e
"o
r
t
h
er
e
a
s
o
ni
s

"
d ei
n
d
i
v
i
d
u
a
lu
s
a
g
e
sb
e
l
o
w

w
i
t
ht
h
e
i
r
s
p
e
c
i
a
lc
o
n
n
o
t
a
t
i
o
n
si
sm
e
a
n
i
n
gi
ss
t
i
l
lv
a
g
u
e
l
yf
e
l
t
.

r
:Indicatesanexcuse
ad
i
s
s
a
t
i
s
f
a
c
t
i
o
h

onfd
e
s
i
"t
obei
n
d
u
l
g
e
d
orpampered.Usedbywoman.
a
)Reasono
re
x
c
u
s
e
.

1
"
'

1
.F
o
l
l
o
w
i
n
gd
aor i
n
d
i
c
a
t
e
sani
n
f
o
n
n
a
lq
u
e
s
t
i
o
n
.Usedm
o
s
t
l
y
bymen.

Dos
h
i
t
eS
h
i
n
j
u
k
umadei
t
t
a
nd
a
i
.

Anoe
i
g
awao
m
o
s
h
i
r
o
k
un
a
i
nd
e
s
um
o
n
o
.Dak
a
r
a
i
k
a
n
a
k
a
t
t
a
n
o
y
o
.
Th
a
tmoviei
ss
l
yt
o
ob
o
r
i
n
g
.Th
a
t
'swhy1d
i
d
n
'
tg
o
.

ZE/
ZO 1
4
3

1
4
2 MONO

Dos
h
i
t
et
a
b
e
n
a
i
nd
a
i
.

k
i
r
a
in
a
nd
e
s
um
o
n
o
.
Konor
y
o
r
i
Wh
ya
r
e
n
'
tyoue
a
t
i
n
g
?

ZEI

N
o
t
e
:A
d
d
sf
o
r
c
et
oas
e
n
t
e
n
c
e
.
Wh
e
ni
to
v
e
r
l
a
p
swi
t
hz
o(
#67
)
i
ti
ss
ome
w
h
a
tl
e
s
se
m
p
h
a
t
i
c
.
z
ei
su
s
e
dm
o
s
t
l
yb
ym
e
n
.

1s
i
mplydon'
tl
i
k
et
h
i
sf
o
o
d
.

1
. Usedt
omakead
e
c
l
a
r
a
t
i
o
nt
osomeoneo
ru
n
d
e
r
s
c
o
r
eap
o
i
n
t
.

b
)D
i
s
s
a
t
i
s
f
a
c
t
i
o
n(w
i
t
hawomans
p
e
a
k
i
n
g
)
.

S
a
k
ini
i
k
uz
e
.

K
a
c
h
on
os
h
i
g
o
t
oway
a
r
i
t
a
k
un
a
iw
a
.S
h
i
t
an
omonon
it
s
u
m
e
t
a
i
n
d
e
s
umono
.
1don'twantt
oworkf
o
rt
h
es
e
c
t
i
o
nc
h
i
e
f
.H s
oc
o
l
dt
ot
h
o
s
e

I
'm g
o
i
n
gona
h
e
a
d.
IL
e
a
v
i
n
gnow.S
e
eyoue
r
e
.

S
o
n
os
h
i
g
o
t
o

k
i
m
in
it
a
n
o
n
d
az
e
.
I
'
mc
o
u
n
t
i
n
gonyout
odot
h
a
tj
o
b
.
/
l
t
'
s[
ej
o
b
'
s
)upt
oyounow.

workingunderh
i
m
.

T
a
k
e
u
c
h
i
s
a
nt
owai
s
s
h
on
is
h
i
g
o
t
o0s
h
i
t
a
k
un
a
in
oy
o
.
C
h
i
t
t
omo
h
a
t
a
r
a
k
a
n
a
i
nd
am
o
n
o
.
1don'twantt
oworkw
i
t
hTakeuch
.
iHej
u
s
td
o
e
s
n
'
tdoan
h
i
n
g
[
d
o
e
s
n
'
tw
o
r
k
)
.
c
)D
e
s
i
r
et
obei
n
d
u
l
g
e
do
rpampered.

D
e
k
a
k
e
m
a
s
h
y
o
.Taman
iwas
o
d
es
h
o
k
u
j
ig
as
h
i
t
a
i
nd
e
s
um
o
n
o
.
Comeon

l
e
t
'
sgoou
t
.I
'dl
i
k
et
oe
a
to
u
toncei
na
w
h
i
l
e
.

A
r
eh
o
s
h
i
id
e
s
um
o
n
o
.K
a
t
t
emoide
s
h

.
1wanti
t[
s
ob
a
d
l
y
)
.l
t
'
sa
l
lr
i
g
h
ti
f
Ibuyi
t

i
s
n'
ti
t
?

G
a
n
b
a
r
u
z
e
.
I
'
mg
o
i
n
gt
og
i
v
ei
tmyb
e
s
tsho
t
./I
'
m hangingt
o
u
g
h
.

lZOI

N
o
t
e
:z
oaddsf
o
r
c
et
oas
e
n
t
e
n
c
ei
nam
o
r
ee
m
p
h
a
t
i
cm
a
n
n
e
rt
h
a
nz
e
(
#
6
6
).
U
s
e
dm
o
s
t
l
yb
ymen.
1
.I
n
d
i
c
a
t
e
sacommando
rt
h
r
e
a
t
.

S
o
r
o
s
o
r
ok
a
i
g
i0h
a
j
i
m
e
r
uz
o
.
Le
t
'sg
e
tt
h
emeetingunderw
a
y
.

1
4
4

N
I 1
45

MONOKA

Annah
i
t
oi
s
s
h
on
is
h
i
g
o
t
og
ad
e
k
i
r
umond
e
s
uk
o
.
1w
o
u
l
d
n
'
tworkw
i
t
hh
e
ra
g
a
i
ni
fmyl
i
f
edependedOni
t
.

Kondos
o
n
n
ak
o
t
o0s
h
i
t
a
r
a

z
e
t
t
a
in
iJ
r
u
s
a
n
a
tz
o
.
I
f
y
o
udoa
ta
g
a
i
n

I
'
mn
o
tg
o
i
n
gt
ol
e
tyoug
e
tawayw
i
t
hi
t
./I
f
youdoa
n
y
t
h
i
n
gl
i
k
et
h
a
ta
g
a
i
n
y
o
u
'
r
eg
o
i
n
gt
opayf
o
ri
t
.

S
o
n
os
h
i
g
o
t
o

k
i
m
in
it
a
n
o
n
d
az
o
.
I
'
me
x
p
e
c
t
i
n
gyout
og
e
tej
o
bd
o
n
e
./You'db
e
t
t
e
rg
e
tc
r
a
c
k
i
n
g
ona
tj
o
b
.

l
N
II
N
o
t
e
:N
icommonlyf
o
l
l
o
w
sd
a
r
o

d
e
s
h
o

d
Vt
a
r
o

a
n
de
s
s
e
n
t
i
a
l
l
yh
a
st
h
e
s
a
m
em
e
a
n
i
n
ga
sn
on
i(#30n
o
.2
)
a
l
t
h
o
u
g
ht
h
el
a
t
t
e
ri
sm
o
r
ecommon.

2
. Addsf
o
r
c
et
owordso
fs
e
l
f
e
n
c
o
u
r
a
g
e
m
e
n
to
rs
e
l
f
u
r
g
i
n
g
.
1
.E
x
p
r
e
s
s
e
sr
e
g
r
e
ta
ts
o
m
e
t
h
i
n
gi
so
v
e
randc
a
n
'
tber
e
g
a
i
n
e
d
:

d
e
s
p
i
t
et
h
ef
a
c
t a
t

i
fo
n
l
y
.
"

G
a
n
b
a
r
u
z
o
.
Ic
d
oi
t
!/Makew
a
y
.Here1c
o
m
e
.

Hokan
oh
i
t
og
ay
a
t
t
a
r
a

m
o
t
t
oh
a
y
a
k
ud
e
k
i
t
ad
e
s
h
on
i
.
D
e
s
p
i
t
et
h
ef
a
c
tt
h
a
ti
tc
o
u
l
dh
a
v
ebeen6
n
i
s
h
e
dmuchs
o
o
n
e
ri
f
someonee
l
s
ehaddonei
t

[
u
n
f
o
r
t
u
n
a
t
e
l
yt
h
a
twasn
o
tthee].
/I
tcouldhavebeenf
i
n
i
s
h
e
dmuchs
o
o
n
e
ri
fo
n
l
ysomeonee
l
s
e
haddone

Kondok
o
s
os
e
i
k
os
u
r
uz
o
.
I
'
mg
o
i
n
gt
omakei
ti
sn
e
./T
h
i
st
i
m
eI
'
m comingupaw
i
n
n
e
r
.

l
MONOKAI

I~

N
o
t
e
:Ment
e
n
dt
ou
s
et
h
ef
o
r
m
sm
o
n
ok
aa
n
dm
o
nka;womenm
o
n
od
e
s
uk
a
a
n
dm
o
nd
e
s
uk
a
.
1
.E
m
p
h
a
s
i
z
e
sad
e
t
e
r
m
i
n
a
t
i
o
nn
o
tt
odosomethingbymeans
ofar
h
e
t
o
r
i
c
a
lq
u
e
s
t
i
o
n
.

Annak
o
r
o
moi
k
umonk
a
.
1w
o
u
l
d
n
'
tbec
a
u
g
h
tdeadg
o
i
n
gt
h
e
r
ea
g
a
i
n
.

Mo~ukoshi m
a
t
t
eitar~ amegaya
!
l
d
a
r
.
an~~ .
D
e
s
p
i
t
et
h
ef
a
c
tt
h
a
ti
fwehadw
a
i
t
e
dal
i
t
t
l
el
o
n
g
e
r

t
h
er
a
i
n
mighth
a
v
es
t
o
p
p
e
d[
w
ed
i
d
n
'
tw
a
i
t
]
./I
fo
n
l
ywehadw
a
i
t
e
da
l
i
t
t
l
el
o
n
g
e
r

t
h
er
a
m
ighth
a
v
el
e
tu
p
.

I
n
d
e
x 1
4
7

1
4
6

i
14 4
1
i
e
b
a
98
i
e
n
a
i(
t
o
m
ot
o
m
oi
e
n
a
t
)1
1
3
i
r
u
19
tU
35

INDEX

Numbersi
nb
o
l
di
n
d
i
c
a
t
em
a
i
n
e
n
t
r
i
e
s
.
a
d
j
e
c
t
i
v
e
so
fa
b
i
l
i
t
y
2
2
2
0
a
d
j
e
c
t
i
v
e
so
fd
e
s
i
r
e
a
d
j
e
c
t
i
v
e
so
fe
m
o
t
i
o
n2
1
a
d
j
e
c
t
i
v
e
so
fn
e
c
e
s
s
i
t
y
19
a
i
s
u
r
u
64
b

a 97-99
1
2
6
b
a
k
a

i
r 7 81
8
4

8
6

b
a
k
a
r
in~

81

bakash~ 78

b
a
k
k
a
7
8

bakkash~ 78
t
6()...6]

d
a
.
iS
e
e
-.
i
d
a
in
a
r
is
h
on
a
r
i
119
d
a
k

e 8
18
4
8
6
8
7
d
a
k
ea
t
t
e
82
d
a
k
en~ 82
d
a
k
en
ok
o
t
owaa
r
u
82
d
a
n
o
104
1
1 1
7
d
a
r
on
i
145
d
a
t
t

e 30

j
o
z
un
a
22

49-52
d
emo
30-33
1
2
6
-demo(
t
em
o
)29-30
dew

a 12
d
ewa(
-t
ew
a
)1
2
1
1
9

2
1
d
ewai
k
e
n
a
i
120
d
ewak
o
m
a
r
u
120
d
ewan
a
r
a
n
a
i
120
d
e
k
i
r
e
b

a 98
d
e
k
i
r
u
18
d
e
s
h
on
i 145
d
o
k
o
r
o

121-22
d
o
k
o
r
ok

a 121

g 1
0-1
1
1
32
6
9
0
9
3
9
5

g
u
r
a
i(
k
u
r
a
i
)75-76
h
a
y
a
ik
a(V+g
ah
a
y
a
ik
a
)26
h
e
t
an

a 22
h
i
t
s
u
y
od
a
1
9
h
o
d
o
77-78
h
o
s
h
i
i
20

k
a
45-49
1
1
7
k
a 133

34
k
a
i
.S
e
ei
.
k
a
n
a
s
h
i
i
21
k
a
r
a
6
1-65

7
3
8
8
8
9
1
2
4
k
a
s
h
i
r

a 1
3
3
1
3
43
5
k
e
.S
e
ek
k
e
.
k
e
d
o
90
k
e
r
e
d
o
90
k
e
r
e
d
o
m
o
90-9
1
9
3
9
5
k
i
k
o
e
r
u
1
9
7
0
k
i
k

u 3
5
6
4
k
i
r
a
id

2
1
k
i
r
i
8
5
87
-8
8
k

n 22
-kh
1
3
9
k
..
r
h
i
r
ak
o
s
o
128
k
o
s
o
127-28
k
o
t
o
138
k
o
w
a
i
2
1
k
u
r
a
i(
g
u
r
a
i
)75
7
6
k
u
s
en
i
94-95
m
a
d
E
6
5-68

mademon
a
;
67
m
e
i
r
e
is
u
r
u
64
m
i
e
r
u
1
9
7
0
mo
26-29
monk
a
144
mono
141-42
monod
E
8
9
monok
a
144
monon
a
r
a
1
0
-0
4
monon
o
95-96
mono0106-07
n
a
135-37
n

a 135
43-45
n
a
d
o
n
a
g
a
r
a
107-08
n
a
nnan
118
n
a
n
k
4
3
n
a
n
z
o
43
n
a
r

a 102-03
nan
117-19
n
a
r
u
34
n
a
z
o
"43
n
e
1
2
83
0
1
3
1
n
e
128
n
i 5
2
6
0
6
0
6
3
1
4
5
n
im
o
t
o
z
u
k
u
59
n
in
a
t
t
ei
r
u
57
n
is
h
i
t
ew
1
1
9
mw

1
2
n
iy
o
r

u 59

I
n
d
e
x 1
4
9

1
4
8 I
n
d
e
x

n
o
17
6
8
7
1
n
o
d
t
64

8-8
9
n
o
m
l
85
86
n
o
m
in
a
r
a
z
u
8
6
i 9394

94
1
4
5
n
on
01
2
72-75

omou
35
onomatopoeia
35
p
o
t
e
n
t
i
a
lformofv
e
r
b
s
18

s
a
137
s
a
e
126
s
h
i
110-11
s
h
i
k

a 85
87
s
h
i
k
a
r

u 64
s
h
i
n
p
a
is
u
r
u
21
s
h
i
r
a
b
e
r
u
64
s
u
g
u
37
s
u
k
id
a
21
s
u
r

a 127
s
u
r

u 12
1
9
73
t
a
g
a
r
uformo
f
v
e
r
b
s
73
t
a
iformofv
e
r
b
s
20
73
t
a
r

a 100-02
1
2
6
t
ar
i
1
0
8-10
t
a
r
on~ 145
t
e
b
a
.S
e
et
t
e
b
a
.
t
emo(
d
em
o
)29-30

t
ewa(
d
ew
a
)12
1
1921
t
ewai
k
e
n
a
i
120
t
ewakomar

u 120
t
ewan
a
r
a
n
a
i 120
t
o
33-39
4
1
t
oi
l
g
a
24
t
oi
uy
o
r
i 123
t
ok
a
42
1
1
4

1
1
6
t
o
s
h
i
t
e
w
l
1
1
9
.S
e
ea
l
s
ot
o
s
h
i
t
l

t
oW
4
0
t
o
k
o
r
o
80
105-06
t
o
k
o
r
od
e
92-93
t
o
k
o
r
og

96-97
t
o
k
u
in

a 22
t
o
m
o
111-14
t
o
m
oa
r
onoun+g
l
1
1
2
t
o
s
h
i
t

1
22.S
e
ea
l
s
os
h
i
t
e
w
l

t
t
a
r
a
101
t
t
e
b

a 140
ureshi~ 2
1

v
e
r
b
so
femotion
21
v
e
r
b
so
fn
e
c
e
s
s
i
t
y
19
v
e
r
b
so
fp
e
r
c
e
p
t
i
o
n
70
v
e
r
b
so
fs
e
n
s
a
t
i
o
n19

wa
10-13
wa(
c
o
n
t
r
a
s
t
e
dw
i
t
hg
a
) 13
1
4

1
5
1
8
20
2
1
22
wa(
s
e
n
t
e
n
c
e
e
n
d
i
n
g
)132-33

wayo
132
w
a
k
a
r
u
18
y
a
41
1
1
4
y
ai
n
ay

a 41
y
a
r
l
1
1416
y
o
131-32
y
o

i
r 12325
y
o
r
ih
o
k
an
a
i
125
y
o
r
ik
1
2
3
y
o
r
imo
123
z
e
143
z
o
143-44