Guitar Solo.

Agustín P. Barrios
1885 - 1944

Madrigal
Gavota
 Madrigal
Gavota
Agustín P. Barrios

    CVII  
   
Moderato
     
CV

       

4 4

      
4 4

   
2 2 3 3


Guitar
mf    
4 3
2

 

4 3 1 3
3 3
1

  CIX
             
CVII
CIV

        

1
5

            
2

    
3

 
   

4

 
3

  
1


2

   
                
9

             
 
     

            
     
4

      
4 3 4
13 3 1

       
3 1 2



 
2 4
3 1 3
2

f    dim. p Fine

      
       
 
CIX
  
CII

 Scherzando 

              
4
17

       
2

  
 2

    
  
3
 1

con alma

 CIX
    


                    

CIV

21 4

     
0 2
3 3


1 1
4 1 2


1 1
3 0
  

  
                         
 
CVI
25 
      



    
4


2
0 4 3

 


     
CVII
  
   
CII
  
29

          
  

   
3


2
2 1
  2

Transcription by Tony Wilkinson 2009.

 3

                
33

                
      


    
      
      
        
37

               
       

                
41

                
     


        
    
45
         
     
   
  

                
CV CVII CV CVII
    
49

               
    


        
       XII    
CXII CV

53

     
  

   


2

     
3 0
2 1 0
2 1 2
1  
    harm

   CXII
  
      
4


   
CVII 4


 
57 1

     

3

 
    
2 2
2

  
f p

   
       
CX CVII
  
60
   
         

 
    
          
4 CVII

      
CIX
  
4
63
  
3

    
     
2
0
1
ff poco accel. Meno mosso

       
       
      
CIX
  
66

      
       

      
 
CVII

    
CIX
  
4
69 3

 
2

0
1
 
rall.

  
     
a tempo
    
71

       
  

   
  


      
             
74

      
        


 
77
        
       

    
XII

    

harm

           
 
   

    
80
  
         
 f  p 


     
83

   
    

D.C. al Fine