HAMMOND ORGAN COMPANY

DIVISION OF

HAMMOND CORPORATION

1740 N. 25th Avenue Melrose Park,

III.

60160

TABLE OF CONTENTS
Page

INTRODUCTION

iv

SPECIFICATIONS

iv

SECTION
1

1.

12.
13.
14.
1

5.

1-6.
17.
18.
19.
1-10.

- How the

Organ Operates

General

Tone Source

11

Manuals
Upper Manual
Lower Manual

Pedals

1-1

Drawbars
Leslie Speaker
Percussion

Harp Effects

Add

12.

Headphone Jack

Tab

1-13. Phono Input

1-14. Swell Pedal
1-15. Tone Cabinet Outlet
1 16.
Music Illumination
1- 17. Cymbal/Brush Volume Control

SECTION

II

1
1

11.

Leslie

- THEORY

1
1

2
1
1

1-2
1-2
1

1-2
1-2
1-2
1

1-2

OF OPERATION

2- 1.

General

2-2.
2-3.
24.
2-5.
26.
2-7.
2-8.
29.
210.
211.
212.
213.
2-14.
215.
2-16.
2-17.
2-18.
219.
220.
2-21.

Tone Generator
Manuals
Harmonic Drawbars
Pedal Keyboard
Pedal Drawbars
Pedal Switch
Harp Section
Cymbal and Brush Generator Board
Percussion and Reiteration Drives
Percussion Gate Amplifier
Alternate Percussion Gate Amplifier
Preamplifier Board
Active Filters Board
Sine Wave Amplifier Boards
Pedal Keyer Boards
Pedal Preamplifier Board
Swell Pedal Assembly
Power Amplifier Assembly
Reverberation Amplifier Assembly
Power Supply

2-1
2-1
2-1
24
2-4
24
2-7
2-7
29
2

210
210
211
2-12
212
2-13
2-14
2-14
214
215
2-16

SECTION

3-1.

III

Disassembly

General

2.

Removal of Organ Top Assembly

33. Removal of Decorative Wooden Blocks
34. Removal of Control Assembly
35. Removal of Upper Manual
36. Removal of Lower Manual
37. Removal of Pedal Switch Assembly
Removal of Leslie Unit
3 8.
39. Removal of Leslie Two-Speed Motor
310. Small Motor Disassembly
311. Large Motor Disassembly
312. Reassembly of Large and Small Motor
3 13. Small Motor Shaft Operation and Adjustment
3

SECTION

4 1.
42.
43.
44.
45.
46.
47.

IV

3-1
31
31
31

32

3
2
3

32
32

3
33
33
3

33

Maintenance

General
Performance Standards
Lubrication

41
41
41
41
42
42

Replacement of Control Tab

Replacement of Upper Manual Playing Key
Replacement of Lower Manual Playing Key
Replacement of Drawbar or Knob
4 8.
Replacement of Drawbar Assembly
Replacement of Music Illuminator Lamps
4 9.
410. Leslie Motor Cleaning and Lubrication
411. Leslie Drive Belt Adjustment
412. Maintenance of Leslie Rotary Contact
413. Practical Service Suggestions
414. Organ Does Not Play
415. One Key Does Not Play, or a Harmonic Missing
416. One Note is Weak
4-17. One Pedal Does Not Play
418. Harp Circuit Ciphers
419. Brush Does Not Sound
420. Cymbal Does Not Sound
421. No Cymbal or Brush
422. One Harmonic Missing
423. Preset Voicing
424. Hum

46
4-6
47
47
47
48
48
48
4_8

4 25.

Parts Location

SECTION

5 1.

VI

42
44
44
45
45
45

Diagrams

General

SECTION

6 1.

IV

42
42
42

5-1

Parts List

Parts List Index

61

LIST OF

ILLUSTRATIONS

Figure

Page

Frontispiece. Typical

R-100 Organ

23
24
25
2-7
28

21.
22.
23.
2-4.
25.

System Block Diagram

Magnet Locations on Generator
Filter Locations on Generator Cover

2 6.
3 1.

Typical Pedal Circuit

Location of Upper Manual Attachment Screw, Right Front
Location of Upper Manual Attaching Screws, Left Front.

Pedal Keyboard
Harp Keyer Assembly

32.

3 3.
4 1.

Leslie

Mercotac
Parts Identification, Rear of Console
Parts Identification and Lubrication Points,
Rear of Console
Parts Identification, Fold-Out Panel

4- 8.
5 1.

R-100 Organ, Schematic Diagram

R-100 Organ, Wiring Diagram
Pedal System, Board Layouts and Schematic Diagram ...
Preamplifier, Layout and Schematic Diagram
Cymbal/Brush Generator, Layout and Schematic

5-2.
53.
54.
5

Cover Open
Motor Lubrication and Adjustments

Illuminator,
Leslie

5.

32
3

33
42
44
44
45
45
49

Two-Speed Motor Assembly

Control Tab Replacement

Underside of Illuminator

42.
43.
44.
45.
46.
47.

213

410
411
5-2/5

5-5
.

6
7
8

Diagram

56.
57.

Active Filters, Layout and Schematic Diagram

Percussion and Reiteration Driver, Layout and

59

Schematic Diagram

510

58.

Percussion Gate Amplifier, Board Layout and

59.

Alternate Percussion Amplifier, Board Layout and

511

Schematic Diagram

Schematic Diagram
510. Reverberation Amplifier, Layout and Schematic
Diagram
511. Power Amplifier, Layout and Schematic Diagram
512. Power Amplifier, Chassis Wiring Diagram
513. Power Supply, Schematic Diagram
514. Swell Pedal, Schematic Diagram
5-15. Swell Pedal, Wiring Diagram
516. Control Panel Wiring Diagram
517. Leslie Switch Assembly, Wiring Diagram
518. Pedal Sustain Switch Assembly, Wiring Diagram
5 19. Percussion Switch Assembly No. 1, Wiring Diagram
5 20. Percussion Switch Assembly No. 2, Wiring Diagram
521. Lower Preset Switch Assembly, Wiring Diagram
522. Upper Preset Switch Assembly, Wiring Diagram
5 23. Reverberation Switch Assembly, Wiring Diagram
5 24. Harp Keyer and Preamplifier, Schematic Diagram

Location of Parts

in Leslie

16

517
5-17
518
519

20
21
5 22
5 23
5 24
5 25
5 26
5
5

TABLES

page

Table

21.
22.
41.

513
514
515

616

Rotary Unit

LIST OF

512

Generator Frequencies in R-100 Organ

Frequencies Used in Manuals
Performance Check and Adjustment Procedures
:

22
26
43

INTRODUCTION
This manual contains service information for the R-100 organ.

The R-100 organ uses the familiar Hammond tone wheel generator as a tone source. All frequencies
from No. 1 through No. 91 are produced by the generator. Various tone colors are selectable by means
of Preset tabs and drawbars mounted on the control panel. Acoustic modulation of the sound output
is provided by a Leslie (rotary) speaker. No vibrato is provided.

The organ
other

is

equipped with a

Hammond

Rhythm

II

feature.

models. Service information for

Rhythm

built-in

The

circuitry

II will

is

be found

the

same

as the

in a separate

Rhythm

II in

Service Manual,

HO-466.

For convenience

manual is divided
Organ Operates

in locating desired information, this

I

II

III

How

the

into the six sections listed below.

Theory of Operation
Disassembly

IV Maintenance

V Diagrams
VI Parts List
SPECIFICATIONS
Dimensions: Width 48";

Depth w/o Pedal

Height, 43", with Music

Weight: 390

Power

lbs.

Input: 1.1

w/o Bench
Amperes @ 120

Rack

VAC

Output: 32 watts each channel, I.H.F.M.

Clavier, 29", with Pedal Clavier 44";

raised 50".

Frontispiece.

Typical

R-100 Organ

SECTION

HOW THE ORGAN OPERATES

1

1.

in any of
by means of
the PEDAL SUSTAIN tabs. These tabs
are marked STRING BASS I and STRING

GENERAL. This

section contains a desscription of the operating controls and

their

functions.

1-2. TONE S0URCE.-A11

electrical signals in the

Section

organ

equipped

is

with two manuals of 61 keys each, so

arranged that upper manual and lower
manual keys in line with each other
will produce tones of the same fundamental pitch when corresponding drawbars are pulled out. There are nine
drawbars associated with each manual.

MANUAL. In

PRESET

order for the

one of the UPPER
tabs must be depressed. When
to play,

DRAWBARS AND PERCUSSION

the

alone

tab

is

percussion

depressed,

alone, as selected by the

PERCUSSION

tabs will be heard, unless one or

of

the

pulled

nine

CYMBAL

1-7.

DRAWBARS.- A

able

drawbars

nine

to

positions

strength

and

monic,
repeat

his

is

MANUAL. In order

is

the

0),

PEDAL DRAWBARS

more

of the

1-8. LESLIE

nine

order to produce sound. By depressing the BRUSH LOWER tab the brush
voice is added to the lower manual in
legato mode: that is, the brush will be
heard each time a lower manual key is
played, even when other lower manual
activated.
tabs or drawbars are not

b.

is

any of the following modes:

LESLIE ON UPPER tab

depressed, the upper manual tones
only will be heard through the
With

LESLIE

With

ON LOWER

tab

With both the foregoing tabs depressed, the tones of both manuals
be

With

e.

heard

the

all

ing

will

pedal,

With

through

the

Leslie.

LESLIE CHORUS

depressed,
the

uals,

DRAWBARS

The speaker may be programmed

will

equipped with
man-

it has black and white keys arranged

standard octave patterns. One or
both PEDAL
must be
pulled out in order to produce sound.

organ

equipped with a two-speed rotary Leslie

Leslie.
c.

a 25 note pedal keyboard. Like the

in

R-100

manual
tones
lower
depressed,
only will be heard through the

d.

1-6. PEDALS. The organ

SPEAKER. -The

Leslie.

must be pulled out

in

har-

the

lower harmonics, the right (8') gives

harmonics.
higher
the
emphasis
to

a.

depressed, one or

control

monic content of the pedal tones. The

left (16') drawbar gives emphasis to the

lower manual to play, one or more of

the LOWER PRESET tabs must be depressed. If the DRAWBARS tab alone

LOWER DRAWBARS

particular

the
har-

pushed in to its limit (posiharmonic it controls will

not be present in the mixture. The two

in

for

of

indicate

enable the organist to

favorite combinations. If a

tion

is

out.

to

8),

to

drawbar

more

UPPER DRAWBARS

through

(1

relative

the

is

of

set

mix the fundamental tones

and harmonics in various proportions.
The drawbars are calibrated for eight
is

speaker.

1-5. LOWER

sustainable

degrees

is associated with each manual. By sliding

the drawbars in and out, the organist

1-3. MANUALS. The

upper manual

are

PEDAL tab
II. When the
depressed, the cymbal voice sounds
each time a pedal is played, whether
drawbars are pulled or not.

as

II.

1-4. UPPER

selectable

is

Tone Generator

assembly, which contains 91 individual

tone wheels. A complete description of
Tone Generator operation is given in

tones

three

BASS

tones of the organ

except Cymbal and Brush originate

Pedal

tab

organ tones
be heard through

includ-

Leslie

the

LESLIE

tab

depressed,

will

be

heard

ON REVERB

reverberated tones
through the Leslie.

1-1

ADD

When

LESLIE tab is
percussion
tones
are
heard through the Leslie.

the
depressed,

f.

tape recorder when used,

output connected to this jack.

cassette

has

its

1-14. SWELL PEDAL. The

1-9. PERCUSSION. -Five

percussion
voices,
controlled by tabs, are available to the
upper manual (See paragraph 1 4). Any
of the voices may be reiterated by depressing the REITERATE tab. The reiteration rate is controlled by the organist

by means of a

REITERATION RATE

control (potentiometer) mounted to the

extreme left of the control panel.

1-10. HARP EFFECTS.- When

TAIN

tab

is

the

HARP

SUS-

depressed, harp effects are

played on the upper manual keys, second

No. 13) to highest C only.

C (Key
1-11. ADD

TAB. This tab,

LESLIE
depressed,
routes
percussion
to the Leslie speaker.

when
signals

trols the

volume of

cabinet,

when

swell

pedal

con-

sounds produced
by the organ as heard through the main
speaker, the Leslie, and external tone
all

present.

1-15. TONE CABINET OUTLET. The organ

is

equipped with an outlet which permits

the use of a

Hammond

Series 10

Tone

Cabinet as an accessory.

1-16. MUSIC
music

ILLUMINATION

SYSTEM. The

system requires the

use of 14-volt incandescent lamps. The
system is independent of the organ circuitry and has its own power switch, so
that it can be turned on, even when the
power to the organ circuits is "off."
illumination

The
1-

12.

HEADPHONE JACK.- A

stereo headphone
provided. Inserting a headphone
will silence the organ's speakers
and external tone cabinet, if used.

jack
plug

is

1-13.PH0N0
is

phono

input jack
provided for the use of external sound

sources.
its

INPUT- A

Any source used must have

own volume

control, since the swell

pedal does not affect inputs to the jack.

1-2

illumination is so arranged that the

music rack and Preset tabs are illuminated.
Tabs to right and left of Presets are not
illuminated.

1-17. CYMBAL/BRUSH VOLUME CONTROL-A

control (potentiometer) mounted to the
extreme

left

of the control panel enables

the organist to adjust

volume
organ.

Cymbal and Brush

relative to the other tones of the

SECTION II
THEORY OF OPERATION
2

1.

GENERAL In
operation of the

this section the

In case any generator frequency is weak

or absent, refer to paragraph 4
16 for the
procedure to be used in locating and correcting the trouble.

theory of

Tone Generator and each

of the circuits in the organ

is

discussed.

Schematic diagrams referenced

in

this

section are contained in section V. For

interrelationships of various circuits, see

Figure

The output

21.

sist

terminals of the generator con-

of solder lugs

mounted on the rear of

manual cable,

the generator, to which the

2-2. TONE GENERATOR. All

organ

except

CYMBAL

tones

and

of

the

originate as electrical signals in the tone

generator assembly. It contains 91 tone
wheels having various numbers of teeth,
with suitable gears for driving them at
various speeds from the main shaft extending along the center. Each pair of
tone wheels is mounted on a shaft, and
between them is a bakelite gear held between two coil springs forming a mechanical vibration filter. As the gear is not rigidly attached to the shaft, any pair of wheels
which may be stopped accidentally will not
interfere with the operation of the others.
Adjacent to each tone wheel is a magnetized rod with a pick-up coil wound on
it.
These magnets extend through the

and back of the generator, and are

held by set screws which can be loosened
front

in case adjustment is ever necessary. Figure 22 shows where to find the magnet

for

any frequency number. In the

illustra-

tion the dotted lines indicate frequencies

whose tone wheels are on the same

pedal cable, and harp signal cable are connected. The frequency numbers of the terminals are indicated in Figure 23. The
exact frequencies generated are shown

BRUSH

shaft.

On top of the tone generator assembly are

small transformers and condensers, form-

in

Table 21.

3. MANUALS. Musical

frequencies

pro-

duced by the tone generator are routed

through the manual cable terminal strips
on the two manuals, and from the terminal
strips to the

key contact springs.

Each of the two manuals has 61 playing

keys, or five octaves. Both manuals cover
exactly the same pitch range.

Under each key

are a

number

of contact

springs (for the fundamental and

harmon-

key) which touch an equal number of busbars when the key is depressed.
All contact springs and busbars have precious metal contact surfaces to avoid
corrosion, and the manuals are sealed to
ics of that

exclude dust as far as possible. In case a

contact becomes dirty in spite of these
precautions, a busbar shifter is provide in
each manual to slide the busbar endwise,
thus providing a fresh contact surface.

ing tuned filters for the higher frequencies.

They

are not likely to need replacing.

In case a filter does

become

inoperative,

both the transformer and capacitor must

be replaced with a matched set from the
factory. Figure 23 shows the locations
of the

filters.

The output frequencies

erator are

numbered,

of the tone gen-

convenience,
in order of increasing frequency. The
lowest, number 1, is approximately 32 Hz,
and the highest, number 91 is about
6,000 Hz.

The upper manual assembly has

key. Ten

springs under each

12 contact

are

used

and nine harmonics. The additional two contacts are

used for producing the Harp tone and
percussion keying. The Harp effect is
available on the top 4 octaves only (keys
for the fundamental tone

C-2

through C-6.)

for

The lower manual assembly has

10 contact

springs under each key. Nine are used for

the fundamental and eight harmonics.

The remaining contact

the

Brush

voice.

is

used for keying

'

2-1

Table

HAMMOND
FREQUENCY
NO.

1.

Generator Frequencies

GENERATOR
Hz

in

R-100 Organ.

HAMMOND
FREQUENCY
NO.

MUSICAL
NOTE

GENERATOR
Hz

C
c#

32.72727

49

523.63632

34.66667

50

C#

554.66672

36.70580

51

D
D#

38.88889

52

622.22224

41.20482

53

659.27712

43.63636

54

698.18176

Fff

46.25000

55

F#

740.00000

48.97959

56
57

55.00000

58

G
G#
A

783.67347

51.89189

10

G
G#
A

11

A#

58.28571

59

A#

932.57136

12

61.71429

60

987.42864

13

65.45454

61

1047.27264

14

Cff

69.33334

62

Ctf

1109.33344

15

63

1174.58816

77.77778

64

D
D#

1318.55424

2
3

587.29408

830.27024
880.00000

16

73.41176

17

82.40964

65

18

87.27272

66

19

F#

92.50000

67

E
F
F#

20

97.95918

68

1567.34688

103.78378

69

Gff

1660.54048

22

G
G#
A

110.00000

70

1760.00000

23

A#

116.57142

71

Aff

1865.14272

24

123.42858

72

1974.85728

C
C#

2094.54528

D
D#

2349.17120

21

1244.44448
1396.36250

1480.00000

25

130.90908

73

26

Cff

138.66668

74

27

146.82320

75

28

D
D#

155.55556

76

29

164.81928
174.54544
185.00000
195.91836

77
78
79
80

E
F
F#

3321.08096

2218.66688
2488.88896
2637.10848
2792.72704
2960.00000
3134.69376

30

31

F#

32

207.59276

81

34

G
G#
A

220.00000

82

G#
A

35

Aff

233.14284

83

A#

3730.28480

36

246.85716

84

3949.71456

37

26.1.81816

85

4189.09090

38

C#

277.33336

86

C#

4440.00000

39

293.64640

87

40

D
D#

311.11112

88

D
D#

4981.62162

41

329.63856

89

5280.00000

42

349.09088

90

5595.42857

43

F#

370.00000

91

F#

5924.57142

44

415.13512

46

G
G#
A

47

A#

466.28568

48

493.71432

33

45

2-2

MUSICAL
NOTE

2-

391.83672

440.00000

3520.00000

4702.04081

REITERATION
RATE

Q
PERCUSS
REITERATION
DRIVER

D.C. CONTROL

PERC.

PREA"PLIFIER

D.C.

W
ninus

ALT

PERC

CONTROL

UPPER DRAWBARS

PERCUSSION

ADD
LESLIE

MATCHING
TRANSFORMER

'PPER

UPPER MANUAL

>

LESLIE

DN

RHYTHM

UPPER

HARP SUSTAIf
KEYERS

HHP

until

LOWER DRAWBARS

GENERATOR
FREQ.
1-91

LESLIE

LOWER HATCHING
TRANSFORMER

LOWER MANUAL

FLUTE

ems

STRINGS

o
CM

LESLIE
PREA'TLIFIER

I'

D.C.

STRING

STRING

BUSS

BASS

II

CONTROL

8'

FILTERS

PEDAL PREAf'PS.

PEDAL KEYERS

PEDAL SWITC"

DC

1b'

lb'

FILTERS

DRAWBARS

CONTROL

15" SPEAKER
(4 0)

PHONO
JOCK

MAIN POWER

AMPLIFIER

6" SPEAKER
EARPHO'.'E

(en)

JACK

CLICK FILTER

EXPRESS ON
CONTROL

MAIN
PREAMPLIFIER

LESLIE

REVERf.
PREA'T.

REVERB.
PREAMP.

REVERB

REVERB. DRIVE

UN

LOW PASS
FILTER

EXPRESS ION
CONTROL

LFSLIF
PREAMP

If !li

cntii

HIGH PASS
FILTER

BRUSH &
CYMBAL

EXPRESS ON
CONTROL
I

PEDIl

094-044457A

EXPRESSION EDAL

Figure 2-1. System Block Diagram

LESLIE POWER
AMPL F ER
I

o
33

^^^^^^^^o^o^U^
k >ip k
k k 1 k
k J3> > x

D0
-.

REAR VIEW OF MAIN GENERATOR

^^^^^^^^^^Q^^
k x x X 1 k k > k \& l x

\ x ^ x k k x kk 6>
\

FRONT VIEW OF MAIN GENERATOR

Figure 2-2. Magnet Locations on Generator

Figure 32 shows the location of the busbar shifters. They appear as a small metal
tab with a punched hole, one for each manual. (See Figure 3 2.) They are readily
accessible from the rear of the instrument,
and may be moved in or out to provide a
new surface for the key contacts.

order for a manual to play, its DRAWBARS tab must be depressed, and at least

one of its drawbars pulled out. However,

the manual will play with no drawbars
pulled when one of its associated preset
tabs

is

depressed.

The drawbars

The key contacts

are connected through

resistance wires to the.

strips.

2,

manual terminal

The manual
indicates how

wiring chart, Table

the contacts of each
connected to the frequencies

key are
which supply the fundamental and harmonics of that particular key.

over 17 busbars, representing intensity levels. As the drawbar moves, its contact is touching at least
one of the busbars at all times, thereby
producing a smooth change in the volume
of its harmonic.
slide

The busbars

for each manual terminate

low impedance primary of a matching transformer (see Figure 51). Signals
from the high impedance secondaries of
these transformers are routed through the
Leslie ON UPPER and Leslie ON LOWER
in the

The busbars

of each manual, each one

carrying a specific harmonic, are wired
to the harmonic drawbars for the manual
through the
tab.

DRAWBARS

2-4. HARMONIC DRAWBARS. The

left-hand

group of nine harmonic drawbars is associated with the upper manual. The righthand group of nine drawbars is associated
with the lower manual. By sliding the drawbars in and out, the organist is able to mix
the fundamental and harmonics (or overtones) in various proportions. Each drawbar

is

calibrated with

from one

to eight.

The

KEYBOARD. A

2-5. PEDAL

25standard
note pedal keyboard is supplied with
the instrument. Like the manuals, it has
black and white keys arranged in standard
octave patterns. The keyboard is illustrated in Figure 24.

numbers ranging
calibrations enable

the organist to repeat any desired drawbar

combination at any time by simply setting

up the registration according to the numbers. The further drawbar is pulled out
the stronger its harmonic will sound. If
a drawbar is pushed all the way in its position may be considered as zero, and its
harmonic will not be heard. From the foregoing it can be readily understood that in

2-4

switches to either the main or Leslie sections of the preamplifier (see Figure 54).

2-6. PEDAL DRAWBARS. Two

pedal

draw-

one 16', and one 8' are located

between the two sets of manual drawbars. When the 16' drawbar is pulled,
emphasis is given to frequencies 1 through
25. When the 8' drawbar is pulled embars,

phasis
37.

is

given to frequencies 13 through

The two pedal drawbars may be used

singly or in combination.

2-2.

Table

only

Key
Number

Harm.

Note

Sub-3rd

Sub-Fund.

Drawbar

Drawbar

Drawbar

Drawbar

Drawbar

17
18

D
D#

20

13

25

21

14

22

15

20

2
3
4

16

21

23
24

22

25

18

26
27
28
29
30

F#

23

31

G
G#

24
25

20

26

10

11

A
A#

11

26
27
28
29
30

19

12

lo

12

31

32
33
34
35
36

29

13

30

14

32
33
34
35
36
37
38
39
40

"i

14

ctt

15

16
17

18

19

F#

20

G
G#

21

22
23
24

A
A#
B

95

19

31

15

32
33
34
35
36
37
38

16

ATI

41

76

ctt

27

D
D#

31

Fff

32
33
34
35
36

G
G#

42
43
44
45
46
47
48
49

50

Aft

31

Jl

53
54
55
56
57
58
59
60

Gff

61

A
An

62
63
64

28
29
30

E
F

37
38
39
40

D
D#

41

42
43
44
45
46

47
48

Ctt

F#

49
50

51

52
53
54
55
56
57
58
59
60

D#

61

65
66
67
68
69
70

17
18
19

20
21

22
z3
Z4

41

25
26

44
45
46
47
48
49
50

27
28
29

30
31

32
33
34
J5
36
37

38
39
40
41

42
43
44
45
46
47
48
49

42
43

52
53

54
55

62
63
64
65
66
67

72
73
74
75
76

72
73
74
75
76
77
78
79

77

61

80

Aft

31

32
33
34
35
36

37
38
39
40
41

42
43
44
45
46
47
48

37
38
39
40

49
50

41

42
43

53
54
55

45
46
47
48

56
57
58
59
60

54
55
56
57
58
59
60

53
54
55
56
57
58
59
60

71

27

28
29
30

61

71

G
G#
A

25
26

49
50

52

F
F#

21

22
23
24

56
57
58
59
60

51

50

17

51

68
69
70

Ctt

51

52
53

61

62
63
64
65
66
67
68
69
70

51

52

61

62
63
64
65
66
67
68
69
70
71

72
73
74
75
76
77
78
79
80
81

72

82
83
84

73

85

71

Frequency Number

2-6

7
Harm.

8
Harm.

Harm.

Harm.

Fund.

2nd

ctt

6
Harm.

Drawbar

Drawbar

Drawbar

Drawbar

Chime

10

Manuals.

Upper

2
3
4

i.

in

Harm.

1%

Frequencies used

3rd

32
33
34
35
36
37
38
39
40
41

42
43
44
45
46
47
48
49
50
51

52
53
54
55
56
57
58
59
60
61

62
63
64
65
66
67
68
69
70
71

72
73
74
75
76
77
78
79
80
81

82
83
84
85
86
87
88
89
90

4th

37
38
39
40
41

42
43
44
45
46
47
48
49
50
51

52
53
54
55
56
57
58
59
60
61

62
63
64
65
66
67
68
69
70

5th

41

42
43
44
45
46
47
48
49
50
51

8th

6th

44
45
46
47
48
49
50

4Q
50
Si

59
53

54
ss

51

52
53
54

57
58
59
60

52

55

53
54
55
56
57
JO
59
60

5ft

\ji

57
S8

uz

61

62
63
64
65
66
67
68
69
70

59
60
ft9

64
65
66
67
68
uo
69
70
71

DO
64
65
DO
f\l
U
68
uo
69
70
/

71

72
73
74
75
76
77
78
79
80
o\j

72

72
73
74
75
76

72
73
74
75
76
77
78
79

73

77

80
o\J

OJ

74
75
76
77
78
79
80

78
79
80

8t
O1

8ft

71

81

82
83
84

71

81

89
oz
83

89
83
OO
84
85

81

82
83
84

87
o
/

88
on

Of.
o\j

Q1
71

84

87
o

on
Ov

85
86
87
88

88
89
00

82
81

81

91

84

85
86
87

89
90

80

91

88
89
90

80

82
83
84
85
86
87
88
89
90

85
86
87
88
89
90

81

91

82
83
84

82
83
84
85
86
87
88

80

85

89

91

80
81

81

91

80
81

91

82
83
84

80

85

SWITCH PUSHER

TENSION ADJUSTMENT

Figure 2-4. Pedal Keyboard

2-7. PEDAL

SWITCH.-The pedal switch

actuated by the pedal keyboard
consists of 25 leaf switches, each having
which

two

is

sets of contacts.

2-8.

HARP SECTION.

from

As

Figure 53, the 37

pedal frequencies are always present
at the sine wave amplifier boards. When a
pedal is depressed closure of a pedal
switch will activate one of the pedal
keyers which will then allow the wanted
frequency to pass from the sine wave
amplifier to the pedal output. The pedal
sustain
switches associated with the
STRING BASS tabs provide increased
decay time to the keyers, thereby producing the sustain or string bass effects.
will

be noted

The second

in

set of contacts on the pedal

keyer switches is used to key the cymbal
voice when the CYMBAL PEDAL tab
is

depressed.

(See

Figures

2-5

and

5-1). There are 49 keyer circuits,

one for each frequency. The signal
input to the harp keyers comes directly
the

37 through

tone

generator

These

(frequencies

are apthe transistors

Q501, while a small bias voltage, approximately 0.3v, is applied to the base of
plied to

85).

the emitters

of

each Q501 through 10k

HARP SUSTAIN

signals

resistors.

When

depressed,
a keying voltage is applied to the harp
control busbar. When a key in the range
between the second C and the top C of
the upper manual is depressed, the harp
control voltage is applied through R504
and R502 to the base of Q501. At the
same time, this control voltage is applied to capacitor C502. The application of this voltage causes the transistor to conduct. Conduction will continue
the

tablet

is

as long as the keys are depressed,

and

'\

LU

g
LU

t/3

<

o
h
o
m
O
ro.

O
h
LU

O
z
LU
D
o
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DC

.,..,Mila^'M
MHrn-inr" J.
J fhcm
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co cm
Gl _
(D m
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cm cocn
h^ cm
rH in rH rH
LN U < h
CNC\jCMCNJCMCMfKS__j
n * r
in m
in, ,a m
spo 6 dc a: oc o d:9: oocyte 66* ccccx *r>
>,co

i-h

r. <t>
r-.

CNj CNJ

<

ii-i

<-

fi III

1~\

V:fM
H SW

OO

CN

r-i

t-

CM
inininin

>

i-t l__

ioldH

6io

in

rH

LO

CO
CN CO
CM CM CM CM
lo in
lo
rS

cciiici

CM

Figure 2-5. Harp Keyer Assembly

Hki

O Q
CM^J-^^
.-H

<X)

lt>

lt>

ir>

^*
<*r
CM

K <3
O XO

>mm

continue after the keys have been

for a time predetermined by
the discharge rate of C502. The value of
C502 is 15 uf on frequencies 37 through
58; 8 uf on remaining frequencies. The

collector circuit of Q906 s a broadly

tuned resonant circuit of approximately 8kHz. The output of this circuit is

from the collectors of Q501 are

through Q521 and Q522.

R917, a variable resistor in the collector

circuit of Q902 controls the cymbal output

will

released

signals

then

routed

The

fed

amplifying

the

to

Q903

transistor

and from Q903 to the expression control.

level.

In addition to the above,

the following

HARP

also takes place:

when

TAIN

depressed,

SUSsecond
harmonic busbar signal is connected
through a primary winding on T804.
The result is that any time a key is detablet

is

the

the

pressed,

a signal is generated in the

secondary of T804. This second harmonic
signal (same pitch as harp signal) is introduced at the emitter of Q521. The
purpose of this signal is to enhance the
harp effect by providing an instantaneous
signal in the harp channel.

position of the

ON UPPER MANUAL

main channel alone or

main and Leslie channels.
9.

AND

CYMBAL

through

LOWER

change

basically
"white
noise"
generator
a
feeding two gating transistors, the outputs of which are shaped and fed to a
transistor amplifier.

Transistor Q904 serves as the noise

source. The noise is amplified by Q905,
and regulated by R922.
to be noted that R922 is set at the
factory and will generally require no ad-

the

conduct, amplifying the white noise

to

this

circuit

brush effect
of

governed by the values

R907, a variable

is

C902 and

R903.

Q902
D901

the collector circuit of

resistor in

the

ex-

the

output
negative-going

brush

grounds the
duced by release of a key.

level.

spike

pro-

2-10. PERCUSSION AND REITERATION DRIVER

128-000001 (See Figure 5-7).-This unit
pedal

a keying voltage (approximately 6V) is applied to one plate of

C909. C909 differentiates the change
to produce a positive pulse. The pulse
forward biases D905, charging C910
and applying the keying voltage to the
base of Q906. This voltage causes Q906
to conduct, amplifying the white noise
from R922. The noise is coupled to the
base of Q906 through C904.

depressed,

routed to the amplifying

is

Q903 and thence to the

control. The decay time of

R922

CYMBAL

and

pulse.

positive

from R922. The noise is coupled to the

base of Q902. The collector circuit of
Q902 is a broadly tuned resonant circuit
of approximately 11kHz. The output of

controls
It is

produce

to

The pulse foward biases D902, charging

C902 and applying the voltage to the
base of Q902. This voltage causes Q902

pression

CYMBAL/PEDAL. -With
PEDAL tablet depressed,

tab

transistor

justment. No data for adjusting

are contained in Table 4 1.

BRUSH/

the

the

both

BOARD, 124-000020 (see Figure 5-5).

The cymbal and brush generator is

common

BRUSH/LOWER. -With

tab

GENERATOR

BRUSH

release of a pedal.

depressed, and a lower

manual key depressed, a small negavariation
in
DC voltage occurs
tive
at the base of Q901. This small variation is amplified by 0901 and appears
as a larger varying potential on one
plate of C901. D901 differentiates the

Output of Q522 is routed through the

Drawbars and Percussion switch to the
ADD LESLIE tab. Depending upon the
the harp will sound either through

The decay time of the cymbal effect is

governed by C910 and R914, while the
sustained level is controlled by R911
and R913 as long as a pedal is depressed.
The cymbal effect will be heard each
time a pedal is depressed. D904 grounds
the negative-going spike produced by

operates

two-modes

in

Percussive

Reiterative.

Percussive

can

be

Control" or LEGATO. Reiteration

trolled by REITERATION tab.

and

"Touch
is

con-

mode in standby conQ201. 0204, and 0205

are not conducting, hence their collectors
In the percussive

dition, transistors

are at

+25

The +25V

volts for the three transistors.

potential is a reverse bias for

D204, which

is

therefore not conducting.

Condenser C203

is

charged to

+ 10.5V

via

any one of the charge time determinant

resistors "R".

When
tact

a key

current

follows.

depressed, the keyer conto terminal 3. The

which charges C201, passes

applies

is

+6V

through R203 and produces a positive

at the base of transistor Q201.

pulse

Q201 saturates and its collector voltage drops momentarily below

Transistor

one

volt.

The

resulting

at the collector of

negative

pulse

Q201 discharges con-

denser C202. The discharge current of

C202 passes through resistor R207

and effects a positive pulse at the base

of transistor Q204.

Diode D202 eliminates a negative pulse

at the base of Q204, which would have
resulted from releasing the key.

The

positive

pulse saturates Q204 and

turn saturates Q205. The collector voltage of Q205 drops below one volt
this in

and D204
Condenser

is

of
D205,
another discharge
This cycling continues as long
as a keyer contact is closed. The reiterative pulse is connected through isolation
voltage

forward bias potential.

at

C203

transistors

Q206 and Q207

to terminal 9.

2-11. PERCUSSION GATE AMPLIFIER

117000001 (See Figure 5-8).-A positive DC

voltage from R112 is applied through Rill
to the gate terminal of F.E.T. Q102. This
voltage is adjusted by means of Rl 12 to the
pinch-off voltage of the

Q102 F.E.T. Under

condition the drain to source resistance of Q102 is very high (tens of megohms)
and Q102 does not influence the operation
this

of Q101.

An

audio signal from transformer T101

is

fed via C101 to the base of transistor Q101.

Because of unequal emitter and collector
loads (R104 and R105), the signal across

R105

much

greater than across R104.

R105 is in phase with the
signal at the base of Q101 and the signal
across R104 is 180 shifted in phase. The

The

is

signal across

discharges
momendiode D204, transistor Q205,
and resistor R209.

signals from the collector and emitter of

Q101 are mixed via R107 plus R109, and
via R108 plus R110 in such a way that they
both appear at point 7 in equal level and

This condition is the starting point of

percussion drive ramp signal.

out of phase. The result is that both signals

cancel each other and there is no output
from the gate. This is the condition when
the gate is closed.

via

tarily

After completion of the discharge pulse,

C203 charges again via one of the charge
time determinant resistors.

When
gate

The

dual emitter follower

of transistor Q206

sisting

isolates output terminal 9

stage,

con-

and Q207,
from the timing

source
(a

DC

voltage from the F.E.T.

removed, the drain to
resistance becomes very small

the

Q102

is

few hundred ohms) and

places

C104

in

parallel

this

virtually

with R105.

The

condenser C203.

result

In the reiterative

mode, in standby condition, condenser C203 is charged to approximately +10.5V via resistors R211
and R212.

couples the signal current degeneration

in R105. This, in turn unbalances the
signal null point at point 7 and the gate
has maximum output, or is "open".

When a key is depressed, the keyer contact

+6 volts to terminal 5. A forward

A variable DC voltage impressed upon the

gate Q102 w iH cause a variable signal

bias is thereby placed on transistors Q202

and Q203. Q203 saturates and connects
diode D205 to ground. Diode D205 "fires'*
and condenser C203 discharges through
transistor Q203. C203 charges again
through R211 and R212. The charge speed
is adjusted by Reiteration Rate Control

output from the gate.

of

applies

is

0101

that the signal at the collector

increases, because C104 de-

Transistors

Q103 and Q104 perform

as a

conventional amplifier to raise the output

from the gate to the proper level. R113
adjusts

the

gain

of

the

amplifier

as

required.

R211.

When C203

is

charged to

the

"firing"

2-12. ALTERNATE PERCUSSION GATE AMPLIFIER 117-000002 (See Figure 5-9).-This

amplifier consists of two parts. The oper-

ation of the circuit consisting of transistors

Q301, Q302, Q303, and Q304

to 117-000001.

is

identical

The other portion,

alternate

repeat driver, consisting of transistors

0306, Q307, Q308, Q309 and Q310, performs as follows.

With no input, transistor Q306

and the voltage at the collector

a t cut-off

is near the
supply voltage. This positive voltage is
coupled to the base of transistor Q307
through resistor R325.

Current flow from transistor Q307 through

common emitter resistor R327 maintains
the emitter of transistor
potential.

The

Q306

reverse bias

a t positive

now developed

between emitter and base of

0306 maintains

the

transistor

condition.

cut-off

The high positive voltage

of transistor Q307 causes

the

at

base

to operate

it

in the saturated region.

positive

Q306

voltage applied

the

to

base

overcome the reverse bias

and cause Q306 to conduct. The potenof

will

at the collector decreases

coupled to the base of Q307.
tial

and

is

The

emitter current of 0307 decreases,

lowering the
potential
across
R327.
The emitter Q306 becomes less positive,
reducing the reverse bias and increasing
the

collector

until

Q306

is

current.

operating

This
in

continues
the saturated

and transistor Q307 s cu t-off.

Varying the input voltage from positive
value to zero will cause transistors
0306 and Q307 to alternately turn on
and off and produce a square wave output
at the collector of Q307.
region

Transistors Q308 and Q309 are not conducting until a positive voltage appears
at the base of Q308. The square wave
is
differentiated across capacitor C310
and appears as a positive pulse at the
base of Q308. D301 eliminates the negative part. Capacitor C311 of the differentiated wave shape is charged to the zener
voltage D303 (normally +11 V). When
transistor

Q308 and Q309

are conducting,
capacitor C311 will discharge. Capacitor
C311 will charge again via the reiteration
control at a rate determined by the setting
of that control.*

The

discharging and charging of capacitor

transistor Q310 to conduct, or

C311 causes

not to conduct, producing a pulse which is

delayed compared to the input pulse appearing at Q306. The time of delay is
controlled by the

DC

level set

by control

R323.

*D302 provides isolation between the

charging circuit (located in the Percussion and Reiteration Drive Assembly) and
alternate charging circuit, composed of
R330 and R332.

2-13. PREAMPLIFIER BOARD, 124-000161 (See

Figure 5-4). The preamplifier board cirof two amplifier
main channel and one
for the Leslie channel. Each of these channels is separated into two sections, one of
which is a three stage amplifier, and the
other of which is a two stage amplifier. In
cuitry consists
circuits,

one

chiefly

for the

each case the control section of the swell

pedal assembly (paragraph 218) is in
series between the two sections.

The

main channel

first section of the

preamplifier consists of

Q401, Q402,
and Q403. The signal from the main channel is coupled through an impedance
matching network consisting of R401,
C401, and R402, then through C402 to the
base of 0401, a common emitter amplifier.

The output
rectly

Q401

at the collector of

is di-

coupled to the base of Q402. R409

and R403

in the emitter circuit of

serve

establish

to

Q402

voltage

bias

for

Q401; also as a path for degenerative

feedback to stabilize the circuit.

Between the collector of Q402 and the

emitter of Q401
s
another feedback
i

consisting of C404,

C403, R407,
R406. R407 can be regulated to
provide a proper balance between the
high and low tones.
circuit

and

The output from

the collector of

Q402

routed through a click filter network

and then through C412 to the base of
0403, an emitter follower. Bias for Q403
is developed through R417. The output at
the emitter of Q403 is coupled through
is

C413
is

to

the swell

pedal,

explained in paragraph

whose action

2 18.

After passing through the swell pedal circuitry, the signal re-enters the preamplifier
board at pin 7, and is coupled through C414
to the base of Q404, a common emitter
amplifier. Output at the collector of Q404

2-11

is

directly coupled to the base of Q405, an

emitter follower. The output at the emitter

of Q405 is coupled through C415 to the
main amplifier. R427 in series with the
emitter of Q405 and C415 is used to regulate
the gain of the final stage. The output of

Q405

connected to the reverberawhich consists of Q411 and its

also

is

tion drive,

associated circuitry.

from the Rhythm II cirmain channel

amplifier at the junction of R414 and C412.
The signals are coupled through Q403 to
Note

that signals

cuit are introduced into the

the swell pedal.

The

input to the board from the power

amplifier is at pin 5. The two filter networks

separate the high frequency tones from the

low frequency tones, so that the high frequencies may be routed to the Leslie
speaker. The cross-over point between the
two networks is at approximately 100 Hz.
Resistors Rl and R8 serve to isolate the
two channels from each other.
In the high frequency channel the response
is

governed by the values of CI, C2 and R2,

at the base of 01, a common

with the input

Q2 provides degenerafeedback for Ql to stabilize the gain,

and provides sharp rolloff of the low end
of the pass band. The output is coupled
through C3 and R7 and returned to the
power amplifier at pin 45 of the power
emitter amplifier.
tive

When the Leslie cancel

switch on the swell

pedal is depressed, signals from the first
three stages of the Leslie preamplifier are
combined through R422 into C414, so that
both channels will be combined in the
main output.

amplifier board.

In the low frequency section the response

governed by the values of Rll, R12, C5

and C6. The input is coupled to the base of
is

Signals which enter the Leslie channel are

selected by means of switches associated

with the LESLIE ON UPPER, LESLIE ON

LOWER,

and LESLIE

CHORUS

common emitter amplifier. Q4 provides degenerative feedback to stabilize

03, a

the gain of Q3, and provides sharp rolloff

of the high end of the pass band. The out-

tabs.

Signals selected for the Leslie channel are

coupled from pin 21 through an impedance
matching network and C417 to the base of
Q406. The circuitry of Q406 and Q407 s
identical to the circuitry of Q401 and Q402
described previously. The signal from the
collector of Q407 is directly coupled to the
base of Q408, an emitter follower.

put is coupled through C7 and R15 to pin

6 of the board, which is in turn connected
to pin 43 of the power amplifier board.

In the active

quency channel

emitter signal from Q408 is coupled

through C421 to the Leslie channel of the
swell pedal circuitry. See paragraph 2 18.
From the swell pedal the Leslie channel
signals are coupled through C422 through
the amplifier circuitry comprised of Q409
and Q410. This circuit is identical to Q404
and Q405 described previously. From the
emitter of Q410 the signal is coupled
through C423 to the main amplifier. R447
in series

C423

is

between the emitter of Q410 and

used to adjust the gain of the

board pin 4

is

connected

thereby coupled through

Q5, a common emitter
amplifier, which has a gain factor of approximately 3. The output at the collector
of Q5 is coupled through C8 and combined
with the output of the low frequency channel at pin 6. The result is that the high frequency will be heard in both channels.

C9

The

filters

when the LESLIE CHORUS tab is

depressed. The output of the high freto pin 8

is

to the base of

Pin 7 serves as an input point for external

sound sources such as a phonograph or
cassette recorder, with R16 providing the
necessary input isolation.

final

stage.

The output at the emitter of Q410 i s also

coupled through C425 to the base of Q411.

2-15. SINE WAVE AMPLIFIER BOARDS, 124000139 (Board No. 1) and 124-000154
(Board No. 2). -There is a total of 37
individual transistorized, encapsulated amone for each pedal frequency. The

plifiers,

14.

ACTIVE FILTERS BOARD, 124-000135 (See

Figure 5-6). The active filters board employs the technique of using active elements, in this case transistors, in a filtering
system, in place of the usual L-C networks.

amplifiers are identical. Eighteen are

mounted on Board No. 1; 19 on Board No.
2. See Figure 53.

Each encapsulated network (See Figure

an RC-coupled common emitter

B supply at +20V at pin 3.
DC bias is obtained by means of a voltagefeedback circuit. Base-to-emitter voltage
is approximately 600 mv.

53)

2-

is

6.

amplifier, with

PEDAL KEYER BOARDS, 1 24-0001 38 (Board

No. 1)and 124-000153 (Board No. 2).Each Pedal Keyer board carries encapsuand

8'

No.

carries 12 pairs;

13 pairs.

from the tone

wheel generator. Output from the amplifiers is to the Pedal Keyer boards.
Input to the amplifiers

keyer circuit

lated

16'

Each

Board

pairs.

Board No. 2

carries

of the keyer circuits

is

passive network comprised of resistors,

is

53.

capacitors and diodes. See Figure

Generator frequencies are always present

at pin 1 of each network. The signals are
blocked by the series diodes until keying

Each network receives its input through a

Tantalum capacitor, designated as C601,
Figure 53. Values of coupling capacitors
range from 2.2 uf to 6.8 uf, depending on

voltage is applied at pin 9 of the 16' keyer.

Signal blocking is achieved because the

frequency.

series diodes offer a high resistance path

for the signal. If the signal amplitude

A typical circuit for

one pedal

shown

is

is

great enough, the diode connected to pin

in

Figure 26.

will

conduct on the negative portion of

+20V

OK

220K

FREQUENCY

PREAMPLIFIER

100

,,

47K

I.

T0,fr

aJILJ-

-M-r-W
ri
1

6.8

4.7M
220K
IB'

KEYER
NETWORK

CI

PEDAL
NO.

47K
>AAA-

,1

2.2

150K

+35V

:o3

+20V

TO STRING

BASS

SWITCHES
5

OK

4.7M

220K
.

01

>

02

047

47K

T0

PREAMPLIFIER
FREQUENCY
(

NO.

13

sAAA

R3

47K

22K

3.3

220K

33K
CI

8'

KEYER
NETWORK

Figure 2-6. Typical Pedal Circuit

2-13

the sine wave, with a resultant negative

voltage at the junction of the two diodes.
The negative voltage reverse biases the
second diode, so that the signal is effectively blocked.

When a pedal is depressed, +35V is applied

The 2.2 uf capaccharges to approximately +26V in
about 30 ms. The charge on the capacitor
places positive (+) voltage at the junction
of the series diodes (approximately 0.5V
above ground). With positive voltage at
the junction, both series diodes will conduct, permitting the signal to pass.
to pin 9 of the 16' keyer.

itor

The keyers

are

keyed "on"

in pairs, since

pins 5 of the encapsulated networks have

a common connection. Signal is present at

the outputs (pin 2 of 16' and pin 8 of 8')
as long as the pedal

the pedal

is

is

depressed.

When

released, the 2.2 uf capacitor

discharges. The main discharge path is

through the 150K resistor and the diode
D3 with pin 7 of the 16' network grounded
(non-sustain). The discharge time is about
125 ms. Longer sustain times are provided by the action of the STRING BASS
tab switches, which, when "on," insert
series resistors into the discharge path to
increase the time constant. See Figure

5-1.
Diode D3 in each 16' keyer serves to prevent unwanted keying by isolating the inactivated keyers, since all pins 7 have a

common
The

connection.

keyers differ from the 16' keyers

in that they contain wave shaping elements
and output coupling capacitors. The wave
shaping elements are R3 and CI, Figure
8'

5-3.
17.

PEDAL PREAMPLIFIER BOARD, 124-000137

(See Figure 5 3). The pedal preamplifier
board consists essentially of two separate
two-stage amplifiers, one for the 16' tones,
the other for the

8'

Each stage is of the

with bias developed

sists

amplifier section for the 8' tones conof Q603 and Q604. Between the two

is a pass filter comprised of C657,

C658, C659, and R614. Following the pass
filter is the 8' gain adjust potentiometer
R615 through which the signal passes before being coupled to Q604. The output at
the collector of Q604 is coupled through
C661 and R618 to the 8' drawbar.

stages

Note that there

is no gain adjustment in
the 16' amplifier section. The gain of the

8'

section is adjusted to balance with the

gain of the 16' section.

2-18. SWELL PEDAL ASSEMBLY, 123-000046

(See Figure 5 - 1 4). - The swell pedal assemvolume of the organ
by means of photo-conductive cells which
are acted upon by a light bulb. Between the
light bulb and the photoconductive cells is
a shutter which moves with the swell pedal.
As the pedal is moved forward, that is toward
maximum volume position, the shutter
allows more light to reach the cells, causing
them to conduct more of the signal (decreased resistance).
bly controls the output

While the actual configuration of the swell

pedal circuitry is such that four channels
could be used, only three of the available
channels are used in the R-100 instrument.
Each channel has a compensating network
in parallel with its photoconductive cell

and each complete network is in series

between stages of the preamplifier. See
Figure 514. The compensating networks
are mounted on a printed wiring board,
No. 124-000126.

Two

control switches form an integral

part of the swell pedal assembly. On the
right is a foot-operated switch which, when
actuated, connects the first stages of the
Leslie preamplifier to the final stages of
the main channel amplifier, thereby removing sound from the Leslie and combining both channels in the main output.

tones.

common emitter type,

through a voltage dropping

resistor.

The amplifier for the 16' tones consists

O601 and O602. The output of O601 is
coupled to the base of Q602 through a low
pass filter network consisting of R604,
R605, C653, R606, and C654. The output
of

Q602 at the collector is coupled through

C655 and R610 to the 16' pedal drawbar.
of

The

On

the left of the swell pedal is a footoperated switch which, when actuated,
shunts the output of the automatic rhythm
unit to ground, thereby silencing the
rhythm output as long as the switch is

held in the closed position.

2-19. POWER AMPLIFIER, 124-000162 (See Figure 5 1 1 The power amplifier is a two).

channel amplifier, one channel for main

output, the other, channel for Leslie output. Each channel consists essentially of
a pre-amplifier section, a drive amplifier
section,

The

and an output section.

Leslie channel

input

is

at

pin

13,

coupled through C13

to the base of Q6, a common emitter amplifier. Bias for Q6 is provided through
R35. The signal from the collector of
Q6 is coupled through C15 to the base of
common emitter amplifier Q7, and from
the collector of Q7 directly to the base of
Q8, an emitter follower.

where the

signal

is

From

the emitter of Q8 the signal is routed

through the input of the active filter board
from pin 44 of the power amplifier to pin
5 of the active filter. The high frequencies
are returned from the active filter, pin 3
to pin 45 of the power amplifier. The low
frequencies return from pin 6 of the active
filter to pin 43 of the power amplifier. As
will be noted in Figure 511, only the high

frequencies enter the final amplifier section of the Leslie channel but the high
frequencies may be combined with the
low frequencies when the LESLIE
CHORUS TAB is depressed. See paragraph 214 (Active Filters).

The

filtered high

frequency

is

first

through R52, while degenerative feedback

to stabilize the circuit is provided from the
output transistors to the emitter of Q9.
The network consisting of R55, R56, and

C23 increases

the gain of the stage.

pair

at

the

emitter

of

01 1

gain to the stage.

The output

at

the

collector

of

03

is

coupled to the base of Q4, the first stage

of a modified Darlington pair. Note R70
between the emitter of Q4 and the base
of 05. The output at the emitter of 05
is coupled through Cll to the primary of
push-pull transformer T703. Final output
is obtained
through the secondaries of
T703, one of which is coupled to the
base of Q703; the other is coupled to the
base of Q704.

Note

main channel reverberated

is coupled to the
base of 02 through C5, while the Brush
and Cymbal signals from pin 3 are coupled
that the

signal entering at pin 5,

to the base of

used

Q2

through C6. Ql

in the amplification of

is

not

these signals.

Note, also, that connections at pins 43,

and 45 are in the circuit only when the
Leslie channel is in use.

44,

is

coupled through C24 to the primary of

push-pull transformer T704. Final output
is obtained through the secondaries of
T704, one of which is coupled to the base
of Q705; the other is coupled to the base
of Q706.

Note

and the combined signal is coupled

through C7 to the base of the first stage,
Q3, of the drive amplifier. Feedback to
stabilize the circuit is taken from the outputs of Ql and Q2, and coupled to the
emitter of Q3. The RC network consisting
of R20, R21 and CIO provides additional
use,

The

output from the collector of 09 is directly

coupled to the base of Q10, the first of a
Darlington pair. The output of the Darlington

coupled to

stage of the drive amplifier, Q9,

through C20. Bias for this stage is provided

the

Input to the main channel preamplifier

section is at pin 1 The signal is coupled to
the base of Ql, a common emitter amplifier, through C2. Bias for Ql is provided
through R2. Output from the collector of
Ql is coupled through C4 through the base
of Q2, which is also a common emitter
amplifier. The low frequencies from the
active filter (See paragraph 214) are
mixed with the output at the collector of
Q2, whenever the Leslie channel is in

that in the preamplifier stage of this

channel the reverberated signal is introduced at pin 11 and is coupled to the base
of Q7 through C16. Q6 is not used as an
amplifier for the reverberated signals. The
reverberated signals are present only when
the LESLIE ON REVERB tab is depressed
(See Figure 2 1).

2-20. REVERBERATION AMPLIFIER 117-000003

(See Figure 5 - 1 0). - The signal is fed to the
base of transistor Q251 and amplified. It is
then directly coupled to an emitter follower
Q252 and capacity coupled through C252
to drive transformer T251. The secondary
winding of T251 is to push-pull transistors

Q254 and Q255, and capacity coupled

through C254 to the reverberation drive
coil.

One

side of the reverberation drive

connected to R254 and R264. The

signal is fed back (current feedback) to
0251. After the signal has been delayed
through the spring unit, it is fed to the base
of transistor Q257 where it is amplified
coil

is

2-15

and directly coupled to emitter follower

and then capacity coupled through C259
to reverberation level control R273.

As

the

reverberation unit is always in

it will require that one or both

operation,
of

REVERB

& REVERB

II

tabs be de-

pressed for the effect to be added.

The

secondary which is not center

is filtered by C701, is rectified

third

tapped, and

by a full-wave bridge consisting of D705

through D708. The output of the bridge
is filtered by C704 and then is fed through
a

regulator

circuit

consisting

of

series

Q701 and associated circuitry.

Diodes D709 and D710 serve to provide
regulator

overload protection to the regulator

2-21. POWER SUPPLY, PART OF 126-000066

(See Figure 5 13).
Three separate circuits are mounted on the power supply
chassis; the Leslie speaker relay, the music

Q702

cuit.

fier to

cir-

serves as a differential ampli-

on Q701, thereby
output voltage.

regulate the bias

stabilizing the final

panel transformer, and the power supply

The Leslie speaker relay operates
on
26 volts from the bridge circuit con-

Zener diode D711 provides a reference

voltage for the emitter of Q702. R704 on
the base of Q702 serves to compensate for

D701 through D704. D713 across

the primary of the relay serves to suppress

tolerance differences in the various resistors of the circuit. It is factory adjusted

to bring the output to exactly 25 volts,

itself.

sisting of

spikes when the relay is actuated. When

the relay is actuated the secondary contacts

switch primary power to

Leslie motor.

When

tuated, primary

the

fast

is not acsupplied to the

in

the

field.

the relay

power

is

slow Leslie motor.

T702, the step-down transformer with a

single secondary, provides 14 VAC for
the music panel lights.

The power supply

and should require no adjustment

circuitry receives pri-

mary power through T701, which has four

The first of these is used to

provide 5.4 VAC to the pilot lamp and
swell pedal exciter lamps. The second
winding, which is center tapped, and filtered by C701A, is rectified by a fullwave bridge circuit consisting of D701
through D704 to provide unregulated +26
volt and 26 volt power. Filtering is provided by C702 and C703.

C706 provides final filtering for the +25

volt output. The +25 volts is dropped
through R709 to +15 volts. The 15-volt
output is filtered by C707 and is used by
the power amplifier board. The 25-volt
source is also dropped through a divider
consisting of R707 and R708 to provide

+6

volts

which is used as keying voltage

and Cymbal voices.

for the Brush

secondaries.

2-16

The
+35

fourth secondary of T701 provides

volts,
unregulated, to the pedal

The voltage is half-wave rectiby D712, and filtered by the pi network consisting of C708, R710, and C709.
R711 serves as a bleeder resistor.

switches.
fied

SECTION

III

DISASSEMBLY
31.

GENERAL. This

section

contains disas-

sembly instructions for the R-100 organ.

Removal

of parts

bly sequence.

is

described

in

disassem-

Removal techniques which

are obvious are not discussed.

Where

re-

placement of an assembly is required, disconnect associated wiring before beginning removal operations. In all cases,
reassembly is accomplished by reversing

To remove

control assembly; then loosen Reiteration control assembly by removing

the hexagon nut which fastens the

the disassembly procedure.

3-2.

REMOVAL OF ORGAN TOP ASSEMBLY.

The organ top is to be removed with the
Rhythm II chassis and the music light
assembly attached. Prepare for removal
by disconnecting P802 at the rear of the
Rhythm II housing, and P801, the music
light connector (see Figure 47). To
loosen the top, unscrew two screws from
the underside of the rear top rail. Lift the
top assembly at the front. It is held in
place by two friction catches, one in each
of the decorative wooden blocks above
the tab groups at the left and right of the
organ. As soon as the catches are released,
the top can be lifted clear of the organ.

3-3

REMOVAL OF DECORATIVE WOODEN

c.

to the tab

switches underneath. The blocks themselves are held to the control panel by
one friction catch at the front of each.
Lift the block at the front. Be careful not
to bend locating pins in each end of the
block.

REMOVAL OF CONTROL ASSEMBLY. The

control
tirely,

assembly

may be removed

or in three sections;

left, right,

en-

and

potentiometer assembly to the panel.

Swing Reiteration Control assembly
aside, then remove fourth screw.
Disconnect plug P200 on Reiteration
control assembly (See Figure 47),
and lift out control assembly.

To remove
section,

right hand (front view) control

proceed according to the

following:
a.

Remove

four slotted hexagon head

screws from bottom of section.

b.

Lift

section slightly and insert pro-

cardboard or other suitable

substance between section and stop
switch base.
tective

c.

Remove two

slotted

hexagon head

screws which fasten section to center

BLOCKS. The decorative wooden blocks

must be removed for access

3-4.

the entire control assembly,

proceed according to the following:

a.
Remove three round head screws
from top of stop switch base; two at
right end (front view), one at left.
b.
For access to the fourth round head
screw, pull knobs from Reiteration

section.
d.

Before
1.

lifting right

hand

section:

Insert protective sheet

between

sections.
2.

Disconnect or remove power

switch and pilot lamp.

Removal

hand control section is

manner similar to the
right hand section. Observe all protective
procedures. Disconnect P200 as directed
of left

accomplished

in a

above.

center.

CAUTION

When removing manuals, control assembly, or any of its parts, protect

wooden cheeks with cardboard or
other suitable material to prevent
scratching. Also, protect painted parts,
as directed in the following, to prevent scratching.

To remove

center control section, pro-

ceed according to the following:

a.
Loosen, but do not remove, four
screws which fasten right hand section.
Protect stop switch base and organ
cheek.
b.

Remove two screws

at each end
which fasten center section to end

sections.

Place

between

sections.

section.

protective
Lift

out

material

center

3-5.

REMOVAL OF UPPER MANUAL. To remove upper manual, first remove screws

end, from underside of shelf in

front of baffle. See Figures 31 and
left

3-2.

from lower manual cover (at front of

organ) and allow cover to hang by the
phone jack wires. Loosen one cable clamp
to provide sufficient slack. Then proceed
according to the following:

Remove large 1/4-20 hexagon head

screw from underneath manual at
right end (Figure 31).
Remove two 1/4-20 hexagon head
screws from underneath manual at
left end (Figure 3-2).
Remove 1/4-20 hexagon head screws
from ends of upper manual support
brackets at rear (Figure 47).
If complete removal of manual is

a.

b.

c.

d.

not

required,

wooden blocks

support

manual

Remove two similar screws from

underside of shelf behind baffle.
Loosen (do not remove) five hexagon
head screws on rear of organ front
rail. Lift manual.

b.

c.

3-7.

REMOVAL OF PEDAL SWITCH ASSEMBLY.

To

remove the pedal switch assembly,

remove the pedal clavier. Next, at
rear of organ, open cable ties to provide
slack in pedal switch cabling. Then remove
two hexagon head screws, one at each end,
from the vertical surface of the angle-iron
first

switch

rail.

Pull switch assembly forward

until clear of organ.

on

for access to required

3-8.

parts.

REMOVAL OF

LESLIE

UNIT.-To remove

the Leslie unit, disconnect P703 (See Fig-

ure 46), then remove two screws at top

of unit, and one at bottom, which secure
the unit in place. Grasp unit at top, and
slide
until

toward rear of organ on its tracks

is clear of console. Note that the

it

track at left (rear view) is dadoed into the

organ cheek, while the other track is
formed metal.

UPPER MANUAL SCREWS

UPPER

MANUAL

BUSBAR
SHIFTER
(LOWER)

LOWER MANUAL SCREWS

Figure 3-2.

3-9.

3-6.

3-2

Leslie

Location of Upper Manual Attaching

Screw, Right Front

REMOVAL OF LOWER MANUAL. To re

move the lower manual:
a.
Remove three 1/4-20 hexagon head
screws, one at right

REMOVAL OF

LESLIE

TWO-SPEED MOTOR.

To remove the motor assembly from the

LOWER MANUAL
Figure 3-1

Location of Upper Manual Attaching

Screws, Left Front

end and two

at

unit,

proceed

according

to

the

following:

b.

Push six-pin connector plug through

hole in side of wooden Leslie housing.
Disconnect contact from bottom of
Mercotac. Remove staple which holds
red and black signal wires.

c.

Remove drive belt from motor

a.

pulley.

d.

Remove two wing

and

e.

nuts, lock washers,

washers which secure motor

assembly in place.
Lift motor assembly off angle bracket

TWO SPEED MOTOR

flat

^ 00 o"?
1

on which

it

ASSY.

0)

hangs. Entire motor as-

sembly can now be moved clear of

unit.

3-10.

SMALL MOTOR DISASSEMBLY.

a.

b.

After removing two-speed motor assembly from the cabinet, detach the
small motor and its mounting bracket
from the "U" brackets by unscrewing
the four mounting bracket screws.
Remove the nuts and washers attaching small motor to its mounting
bracket. (See Figure 33.) Remove
lower adjustment nut from the small
motor adjustment screw. (See Fig-

c.

3-11.

ure 3
3.)
Separate small motor from its mounting bracket. Small motor is now ready
for cleaning and lubrication.

LARGE MOTOR DISASSEMBLY.

Remove rim drive pulley assembly

RIM

a.

from the "U" bracket end of the large

motor shaft using a 3/32 Allen wrench

\
.

to loosen the pulley set screw. (See

b.

c.

Reverse disassembly procedures for

each motor, observing the following:
1.
Replace the neoprene "O" ring
of the rim drive pulley if it is
excessively worn. If rough spots
exist

on the "O"

ring,

twist

H
Figure 3-3.

Leslie

Two-Speed Motor Assembly

moving parts thoroughly with solThen replace motor assembly in

the cabinet by reversing the motor
all

until the

b.

FEU WASHER

it

outer edge is smooth.

2.
When installing rim drive pulley
on the large motor shaft, put it
on as far as it will go; then back
it off l/16th inch.
Be sure to align rim drive pul3.
ley set screw with the FLAT
side of the large motor shaft;
then tighten pulley in place.
After reassembly is completed, clean

SMALL MOTOR
MOUNTING BRACKET
SMALL MOTOR
WTTHC SCRE W S

g^MO

Figure 3-3.)
Mark "U" bracket and corresponding
point on the end bell of the large
motor before performing step c. This
permits correct realignment of the
"U" bracket and the large motor during reassembly.
Remove the three screws attaching
"U" bracket to the motor and detach it. Large motor is now ready for
cleaning and lubrication.

3-12. REASSEMBLY OF LARGE AND SMALL

MOTOR.
a.

DFWE PULLEY

IBS

vent.

c.

removal procedure,
Before adjusting the rotosonic drum
drive belt, set small

motor

shaft ten-

sion as outlined below.

3-13. SMALL MOTOR SHAFT OPERATION AND

ADJUSTMENT. The small motor drives
motor at slow speed
through the rim drive pulley. (See Figure
the shaft of the large

3-3

4-4.) The armature of the small

motor is
spring-loaded, withdrawing from
the rim
drive pulley when the small
motor is not
operating. Whenever the organ
is operating with the LESLIE FAST
tab in the "up"
position, the small motor is
activated The
magnetic field created in the
small motor
laminations forces its shaft
into contact
with the
drive pulley to drive the
speaker rotor at its "slow"
speed. To adjust the contact between
the small motor
shaft and the rim drive
pulley, proceed
according to the followinga.
Be sure LESLIE FAST tab
is
not
depressed.

nm

b.

Loosen the contact adjustment

nuts
on the small motor until small
motor
shaft no longer touches
the rim drive
pulley. (See Figure 4-4.)
Grasp speaker rotor to prevent
from turning,

i.

it

Slowly tighten the adjustment

nuts
until the small

to

turn

motor forces the pulley

under the drive belt

(Drive belt must be in
proper adjust(slip)

ment. See Paragraph 4-11.)

NOTE
Avoid excessive pressure on
rim
drive pulley.

SECTION IV

MAINTENANCE
41.

4-2.

GENERAL. This

section contains perfor-

driver against the felt pads surrounding

mance standards information, periodic

preventive maintenance schedules, peculiar replacement techniques, and practical

motor bearings (two in each motor,

Figure 44). If oil is transferred to the
screwdriver, the bearings should not be

service suggestions.

oiled.

PERFORMANCE STANDARDS. The

per-

formance of the organ should be checked

and adjusted in accordance with Table

4-1.
a.

EQUIPMENT

REQUIRED.

VTVM,

Commander Model

Millivolt

870, or equivalent. Oscilloscope, Tel-

equipment Type S54, or equivalent.

PRELIMINARY INSTRUCTIONS.

b.

1.

MAIN CHANNEL
to be

measurements

made

with meter connected

to green wire on bass speaker and

DO NOT DISCONNECT
ANY SPEAKER.
LESLIE CHANNEL measure-

the

4-4.

REPLACEMENT OF CONTROL TAB. In the

R-100 organ there are seven separate switch
assemblies which comprise the control assembly. When tab replacement is necesit is required to work on only the
particular assembly containing the tab to

sary,

be replaced. To replace a tab, remove

external parts of console as required for
access (see Section III) and proceed according to the following:
a.
Remove black Phillips screws which
fasten switch assembly to control

ground.
2.

ments to be made with meter

connected to pins 24 and 25 of
Power Amplifier P. W. B. 1243.

000162.
Expression pedal
tablets in

up

panel.
b.

maximum;

c.

all

drawexcept as directed

(off) position; all

bars pushed

in,

Keys, pedals, and drawbars are

number, beginning
at left ends of manuals or pedal
called out by

e.

LUBRICATION. -The tone generator and

drive motor should be lubricated once
a year ONLY. Do not over-lubricate. Use
its

only the special oil supplied by Hammond

Organ Co. To lubricate the tone generator,

fill

is

necessary, press a clean, dry screw-

Remove

tab.

some instances,

it may be necessary
adjacent switch assembly to provide space for movement of pivot rod.

In

to loosen

4-7.

ing

tab.

NOTE

the tubes. See Figure

The two Leslie motors should be lubricated

once a year; more frequently if the unit is
used several hours per day. Use a good
grade of light sewing machine oil. Do not
over-lubricate. To determine whether oil-

tabs. These clips must be

returned to original positions when
work is completed.
Drive pivot rod as far as possible with
a small, light hammer. Then use a
1/8-inch steel rod (another pivot rod,
if available) to drive rod through tab
to be replaced. When pivot rod has
been driven just beyond tab, pull back
driving rod sufficiently to permit re-

moval of

pour approximately 2/10 oz. of oil into

each of the two oil cups atop the generator.
Pour sufficient oil into each of the motor
oiling tubes to

Remove black spring clip from end of

tab pivot rod (see Figure 41).
Lift switch assembly from frame so
that pivot rod can be moved. Note
between

claviers.

4-3.

assembly

positions of any spring clips fastened

for individual steps.

4.

to

frame.

d.
at

At rear of each switch, remove screws

which fasten switch

and

lift

Move switch to approximately midpoint of its travel. Insert new tab, making
certain that groove in actuating end of
f.

tab engages tab tensioning spring in switch

frame. See Figure 41.

4-1

gj

b.

All

the

4-7.

key replacement operations are

as for upper manual keys.

same

REPLACEMENT OF DRAWBAR OR KNOB.

To replace a drawbar or drawbar knob,
drawbar and knob assembly
must be removed. Proceed according to
the entire

the following:
a.

Push drawbar in to limit. Support

back end of drawbar from underneath, and remove screw which holds
insulator and drawbar to drawbar
contact.

b.

Hold contact at rear. Pull drawbar

and knob assembly out at front.

slider

Slider,

knob, or both can be replaced

easily.

Figure 4-1. Control

Align

g.

new

c.

Tab Replacement

if

reinserting slider and

knob

as-

sembly, be sure studs in insulator

engage holes in slider properly.

tab with holes for pivot

and insert driving rod to retain tab

temporarily. Drive original pivot rod
through tab. Continue driving pivot rod
until it has been returned to its original
position. Driving rod will drop out.
h.
Reattach spring clip removed from
end of pivot rod. Return other spring clips,
rod,

When

4-8.

REPLACEMENT OF DRAWBAR ASSEMBLY. To replace an entire drawbar assembly, proceed according to the
following:
a.

Remove screws which

fasten left

and

right control sections to stop switch

do not remove screws which

end sections to center section.

base, but

present, to their original locations.

fasten

Reseat switch assembly in assembly

frame. Reattach screws removed in Steps
i.

4-5.

and

b.

key, disassemble organ sufficiently for access to upper manual. See Section

III.

Then

proceed according to the following:

To remove

a black key, loosen (do

its mounting screw. Disengage key from screw and lift out

not remove)
key.
b.

To remove

c.

mounting screw and those of adjacent black keys. Disengage black keys
from screws, then lift out white key.
Attach new key by reversing removal

a white key, loosen

its

procedure.

4-6.

REPLACEMENT OF LOWER MANUAL PLAYING KEY. To replace a lower manual key.

disassemble organ sufficiently for access
to lower manual. See Section III. Then
proceed according to the following:
a.
Remove organ top assembly. Do not
remove control assembly. Loosen and

upper manual as instructed in

Section III, but with control assembly
attached.
raise

Tilt controls

III.

back

for access to draw-

bars and contacts.

REPLACEMENT OF UPPER MANUAL PLAYING KEY. To remove an upper manual

a.

See Section
b.

4-9.

REPLACEMENT OF MUSIC ILLUMINATOR

LAMP(S). To replace one or more of the
music illuminator lamps, remove four
screws on underside of illuminator assembly (See Figure 42). Swing cover of
illuminator up for access to lamps (See
Figure 43).

4-10. LESLIE MOTOR CLEANING AND LUBRICATION. Complete cleaning and lubrication are required when motors have been
allowed to run dry or become dirty. It is
not necessary to completely disassemble
the motors for proper cleaning.

A thorough

cleaning job can be done with compressed

air or a vacuum hose after following motor

disassembly procedures given in Paragraphs 3 10 and 3 11. If the motors must

be disassembled completely, smooth the
large motor shafts with crocus cloth or
light filing before removing large motor
end bells. This will prevent damage to the
large motor bearings. Also, mark one edge

motor end bell and its corresponding lamination to assure proper reassembly of the motor. Carefully note the
of the large

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REMOVE
(4

Figure 4-2.

PLACES).

Underside of Illuminator

between the field laminations

and rotor (armature). Reversing the laminations causes reversed motor rotation.
To clean and lubricate, proceed according
relationship

its

After disassembling motors as previously outlined, remove dust and dirt

from end bells of the large motor with
compressed air or a vacuum hose. If
necessary, clean small motor in the

same manner.
b.

c.

Clean all accessible parts with solvent.

Allow motors to dry.
Apply enough sewing or other light
machine oil to soak the bearings felts
of each motor. (See "Oil Hole" and
"Oil Felt" points on Fig. 4-4.) Don't
add more oil than these felts will
readily absorb. This completes cleaning and lubrication of the two-speed
motor assembly.

drum

will

The speaker
then become

noisy or inoperative.
a.

to the following:
a.

well at the contact's base.

in the rotosonic

Mercotac Removal.
1.

Remove

the plastic cap assembly

from the rotary contact by pulling
straight up.

2.

Twist and pull rotary contact off

the rotosonic

b.

drum

shaft.

Checking the Two Circuit Rotary

Contact.
1. While holding the rotary contact
in an upright position, spin the
upper center section three or four
times.

4-11. LESLIE DRIVE BELT ADJUSTMENT. The

rotor drive belt should be adjusted so that
the niotor pulley slips slightly on starting,
full speed in about 15
does not, loosen the motor
mounting wing nut, pull the motor away
from the drum until the rotor drive belt
becomes taut, and gently release the motor.
Tighten motor mounting wing nut with
motor in this position. Re-check adjustment
and repeat this procedure if necessary.

the rotor reaching

seconds.

If it

4-12. MAINTENANCE OF LESLIE ROTARY CONTACT (MERCOTAC). The Mercotac is a

noiseless two-circuit rotary contact assem-

bly providing the electrical connection for

6x9 speaker in the rotosonic drum. It

uses mercury as its contact medium to
avoid the noise usually produced by sliding
the

Mercotac is jarred or inmercury may be dislodged from

contacts. If the
verted,

4-4

Figure 4-3.
2.

Illuminator, Cover

Open

Using an ohmmeter, check for

complete continuity between top

3.

and bottom center contacts; then

top and bottom outer contacts.
(See Fig. 45.) Ohmmeter should
read less than 1 ohm.
Check for no continuity (infinite
resistance) between the center and
outer contacts. (See Fig. 45.) If
continuity is observed and spinning

/-CENTER CONTACT
(TOP 8 BOTTOM)

CASE (GROUND)

does not clear the contact, reseat

the mercury as

you would clear a

fever thermometer. Hold the rotary contact with the fingertips,

the funnel

shaped end pointing

away from the palm

Then apply

c.

centrifugal force,
swinging the arm downward with
a final wrist snap. If this does not
clear the contact, it is probably
defective and should be replaced.
Attaching Two Circuit Rotary

Contact.

should be replaced. Carefully seat the contact on

the shaft of the rotosonic drum. Make
certain the arrow on the contact
points toward the drum. (See Fig.
45.) Press the contact onto the
defective contact

Mercotac

4-13. PRACTICAL SERVICE SUGGESTIONS. -The

following paragraphs describe techniques
to be used in tracing and correcting possible
malfunctions.

4-14. ORGAN DOES NOT PLAY. Be

switch

NOTE

Figure 4-5.

of the hand.

lights

is

sure power
"on." Push music light switch. If

do not go on, check power

line cord, wall outlet. If

ate,

music

wiring,

lights oper-

check organ power switch.

4-15. ONE KEY DOES NOT PLAY OR A HAR-

MONIC IS MISSING. -The cause of these

malfunctions may be a dirty key contact,
a broken connection, or a "dead" note in
the generator.

shaft.

The

following steps will aid

in isolating the specific cause.

WARNING

a.

Do

not attempt to disassemble or

heat Mercotac. High heat could vaporize the mercury. Mercury vapor
is highly poisonous.

play. Reference to Table 2 2 will tell

which frequency number is missing.
b.

OIL FELT
1

1
1

0000

ccoo

JL

>

0000 o

0000
-OIL FELT

POINT

CONTACT
ADJUSTMENT
DECREASE

INCREASE
CONTACT

ADJUSTMENT

Figure 4-4. Leslie Motor Lubrication and

Adjustments

Ordinarily only one of the several frequencies used on the key will be missing. This can be determined by holding a key and operating each drawbar
for the corresponding manual, observing on which drawbar the key fails to

Determine whether the same

fre-

quency is missing where it is required

on other keys of the same manual.
Consult Table 22 for key/drawbar
combinations using the same frequency. If the frequency is missing
from only one key, a dirty key contact
is the probable cause. In some cases
the contact can be cleared by striking the key 15 or 20 times in a rapid
staccato manner to loosen the dirt. If
this is not effective, move the busbar
shifter for the corresponding manual.
For locations of busbar shifters see
Figure 32. Moving the shifter will
slide the busbars endwise to present
a clean contact surface. In extreme
cases it may be necessary to hold
down the faulty key while shifting the
busbars.
4-

If

magnet may have become loose

and moved sufficiently far from the
wheel to make the note inaudible. It
may be adjusted as described in the

is missing on all keys

manual but not on the other

the frequency

of one

manual, look for a break in the cable

connecting one manual to the other.
If the frequency is missing on both
manuals, check the manual-togenerator cable or the generator itself.
The output of any single frequency
on the tone generator may be checked
by connecting a clip lead from any
drawbar to the generator terminal in
question. Pull out drawbar. See Figure

the

following paragraph.

16.

ONE NOTE
a.

IS

WEAK.

Trace the note, as described in the

preceding section, to see whether
weakness is due to dirty contact, poor
connection,

defective

filter,

or

re-

duced output of magnet coil. Check

at each point by comparing intensities
with higher and lower frequency

23 for locations of frequencies on

generator terminals. If the generator
is all right, the note will play loudly.

numbers.
b.

It is

possible that

one or more notes

CAUTION

may be acoustically weak, due to the

room and the furnishings, although

test the tone generator with an

outside source of current such as a
continuity meter, as serious damage

the actual signal level is equal to that

of adjacent notes. This can be
checked by reading voltages of the
various notes on an output meter

Never

may

result to the sensitive filter trans-

formers and permanent magnets. By

the above method, all necessary tests
of the tone generator may be made
with the current supplied by the generator
If

connected
c.

the note fails to play, try touching

the clip to the input side of the filter

coil (not the grounded tap) and the

input side of the filter condenser (Figure 23) in order to check these
parts. Disconnect the condenser to
eliminate the possibility of a grounded
transformer. If the signal is still miss-

means

magnet

that the tone

ing, the coil

is

coil

wheel

terminal,
is

is set at the factory, with

the set screw partially loosened, while

When making adjustment, do

allow magnet to touch wheel.

not

not turn-

defective, or the

mag-

is

same shaft. The wheels may also be

checked by raising the generator and
observing them. Each wheel is located
directly behind its magnet, shown in
Figure 22.
If the magnet coil is defective, the
generator must be returned to the
factory, as replacement of a coil ne-

cessitates dismantling the entire

generator.
It is

Each magnet

CAUTION

it

not properly adjusted.

If the tone wheel is not turning, the
frequency of the other wheel on the
same shaft will also be missing (with
the exception of a few wheels which
are alone). On the generator magnet
location diagram, (Figure 22), the
two frequencies whose numbers are
connected by a dotted line are on the
net

green wire on bass

observing an output meter. Experience has shown that the magnets seldom need adjustment and that setting
them without proper equipment involves danger of damaging both magnet and wheel.

itself.

ing at the

to

speaker and ground.

possible, although unlikely, that

7.

-A

ONE PEDAL DOES NOT PLAY.

missing
pedal note can be traced to pedal switch
contacts, sine wave amplifier, pedal keyer,
or to the generator. Before checking other
circuits, be sure the missing frequency (16'
or 8', applicable) is being supplied by the
generator. See Paragraph 45, e. Also
check wiring to generator. If generator
output and wiring are satisfactory, check
for +35V approximately at pin 9 of the
corresponding keyer when the pedal is
depressed. See Figure 5 3. If no voltage
is present, check wiring to pedal switch and
the switch itself. If keying voltage is present, release pedal and jumper pins 1 and
2 of 16' keyer or pins 1 and 8 of 8' keyer,
as applicable. See Figure 5 3. If note
sounds, keyer printed network is defective.
Replace. If note does not sound, fault is in
the corresponding sine wave amplifier or
the coupling capacitor. Check and replace

the amplifier printed network or capacitor,

as required.
18.

HARP CIRCUIT CIPHERS. -There are 49

harp effect keyers, starting at C2 (playing
key 13) of the upper manual, and ending
at key 61. These harp keyers will be referred to as numbers 1 through 49 for the
sake of simplicity, although they do not
correspond to the generator frequencies
used to produce the harp effect, nor to the
frequency numbering system. Locate the
harp keyer number by starting at either the
high end of the keyboard, or C2 (key 13),

whichever

is

closest to the pitch of the

cipher. Depress the HARP SUSTAIN

tablet and count the number of keys between the starting point and the key which
zero beats, in pitch, with the cipher.
Example: The fifteenth key above C2 (key
13) zero beats in pitch, with the
cipher. C2 (key 13) is Harp Keyer
#1. One plus 15 =16. Therefore

Cymbal keying and Harp keying busses.

In most cases, no voltage will be read and

may be

the transistor in the keyer circuit

replaced.

Insure that

all

removed wires are soldered

back on.
(See Figures 5- 1
and 5 5). If the Brush does not sound
when the BRUSH
tab is depressed, and a lower manual key is played,
the fault could be in one of the following:
keying transistor Q901, tab switch contacts or wiring, playing key contact, D801,
C805.

4-19. BRUSH DOES NOT SOUND

LOWER

To

isolate the fault, check the circuit as

outlined below.

a.

is missing from one key

check key contact and 220K
resistor at keying bus. If sound is
missing from all keys, check further.
Connect an occilloscope to pin 1 of
Brush and Cymbal board 124-000020.
Set vertical response for 0.2 v/cm;

If

the sound

only,

b.

Harp Keyer #16 is at fault. Conversely, if key #5 (counting down

from key 61) zero beats, in pitch,
with the cipher, Harp Keyer #44
is at fault. (49 minus 5 =44.)
Position Harp Assembly so that all termi-

sweep

for

LOWER

2ms/cm. With

BRUSH

depressed, waveform
(keying pulse) shown in Figure 5 5
should be seen each time a lower
manual key is played.
If the pulse is present, the fault is
probably in Q901, the keying
tab

nals are easily viewed, and

so that the
shielded cables are at the bottom left of
the harp frame.

c.

The Harp Keyers

d.

transistor.

are

numbered from top

bottom with the 49th keyer the bottommost of the group of 5 keyers on the lefthand printed wiring board. Keyer #1 is at
to

top right of the frame. See Figure 2

With no key depressed there should

5.
e.

There are two terminal posts for each keyer.

The one on the left side of the P.W.B. is
the signal input the one on the right

Two

be approximately 550 mv D. C. at pin

1 of board 124-000020.
If DC voltage is missing check D801
for open condition.
put to D801.

f.

keying. All wires to signal input terminals

are of one color.

If the pulse is not present, check tab

switch contacts. Check C805 for short.

colors are alternated

keying cabling. No specific colors

are given, since they may vary.

in-

heard when playing one

silent when key is held
down and other lower manual keys
are played, check dressing of 220K
on key being held. The bus side of the
resistor may be shorted to ground.
If

Brush

is

key, and

in the

Check +22V

is

Use a jumper with alligator clips at each

end, and ground the signal input terminal
of the suspect keyer to the generator frame.

The cipher should now

stop.

Next, unwind the wire-wrap to the keying

terminal of the suspect keyer and check for
voltage between the disconnected wire and
ground. There should be zero volts with
no key depressed. If voltage is present
(approx. 100 V DC), this indicates an internal manual short between the Brush/

4-20. CYMBAL DOES NOT SOUND. (See Figures

5-1 and 5-5). If the Cymbal does not
sound when the CYMBAL PEDAL tab is
depressed, and a pedal is played, the fault
could be in one of the following: Pedal
switch contacts, tab switch contacts or
wiring.
a.

Check for +6V at pin 6 of Brush and

Cymbal board 124-000020 when a
pedal

is

depressed.

If

voltage

is

miss-

4-

ing,

check tab switch and associated

Also, check primaries of T101, Figure

5
1 for continuity.

wiring.
b.

Cymbal

missing from only one

pedal, check pedal switch contacts.
If

is

4-21. NO CYMBAL OR BRUSH. -If checks

4-22. HARMONIC MISSING (UPPER MANUAL).

To check

for a missing harmonic, interconnections between keys, tabs and drawbars must be checked. To locate the
missing harmonic, so that further search
can be localized, proceed according to the

following:

Depress upper manual

AND PERCUSSION
b.

Depress

CHIMES

manual key No.

DRAWBARS

tab.

tab and play upper

25, holding

down

the

key after the voice decays. While

holding the key down, pull each of
the nine upper manual drawbars, one
at a time. Each drawbar should produce one of the harmonics. If any of
the drawbars fails to produce a tone,
the contacts associated with that
drawbar and the tab should be
checked.

The

third

through sixth drawbars

4-23. PRESET VOICING.-Each

of the organ preshould have a distinctive sound,

corresponding to a specific drawbar registration. If any of the voices does not
sound normal, check in the following
set voices

manner.
Refer to Figure 51. Above each of the
tabs, its corresponding drawbar registration is indicated. In order to check a preset, set up its registration on the drawbars
for the manual being checked. Play a C-E-G
chord on the manual, using the preset tab
being checked. Listen carefully to the tone
quality. Depress the DRAWBARS tab and
repeat the C-E-G chord. The tone quality
should be unchanged.
the sounds are not identical, look for
misadjusted tab switch contacts.
If

4-24. HUM.a.

in

the group of nine are connected to

their associated switches by means of

color-coded wires. Check all switch

contacts connected with wire of the

same color

as that

connected to the

b.

drawbar.
If no sound is produced by the first,
second or ninth drawbar, check connections at P803, and at the switch
actuated by the DRAWBARS & PERCUSSION tab. The same checks apply
to the remaining drawbars, if examination of the color-coded connections does not reveal the source of

trouble.

Repeat above, depressing four remaining percussion tabs, one at a

time.

of

paragraphs 419 and 420 do not reveal

source of malfunction, the Cymbal/Brush
board circuitry must be checked.

a.

c.

loud 60 Hz or 120 Hz hum in the

speaker may come from some nearby
electrical appliance. It may be picked
up by the matching transformer, or
the console wiring. It may be eliminated by moving either the console
or the appliance.
Any other 60 Hz or 120 Hz hum must
originate within the console and can
generally be eliminated by replacing
one or more of the electrolytic condensers in the power supply.

4-25. PARTS LOCATION. -Figures 4-6 through

48

serve as a guide to the locations of

parts in the organ.

Figure 4-7. Parts Identification and Lubrication Points, Rear of Console

4-10

(J

SECTION V

DIAGRAMS

5-1.

GENERAL. - This section contains schematic diagrams to illustrate the text and provide information
necessary to proper organ servicing.

5-1

5-2
Figure 5-1. R-100 Organ, Schematic Diagram, Sheet

of 3

CTMML SIGNAL

PEDAL SUSTAIN SWITCHES

nn

S.B.

STRING
BASS

5TRIN6
BASS

II

CAN BE DEPRESSED AT ONE TIME

FROM PEDAL

KEYER SWITCHES
VIA

P603 UD P604
INO

Dl

~1
T

F#

-o^

G*

Al

^^ ^
B

L-o^

PEDAL

Ur^

C#

D#

>

Pi

Of

VER SWITCHES)

KEY

<r

f
>-00OO37

Ur-

CYMBAL SWITCHES

,T0 SWELL PEDAL BD.

124-0OO046 PIN 10

_^ TO ON LOWE R
TABLET
SEE SHEET 3 OF 3

R800

E R

BDS.

4>

Or

PEDAL PREAMPLIFIER

BD.

124-OOO^T

P60F

PEDAL SYSTEM SCHEMATIC

FIGURE 5-3

MASTER PEDAL

MORE KtVE RS

BD.

124-000136

PEML

SI&NAL,;

PEDAL DRAWBARS

8'

16

39o

ISO
loo

35 V

68
39
^7
\S816pTR8I5
I

6V

20

\r

IHfER MANUAL HARWKIC DRAWBARS

I

KIT INC

i
i

R801

PERCUSS 10* KETIN>

R802
5.tK

R603

4*

hb4l.t>

A -

--i

UNLESS OTHERWISE
(a) BLL RESISTORS
(b) all camciTon:

--

--

SYMBOL""-

--

SYMBOL

FROM TONE GENERATOR

--

FREQUENCIES 37-85

SYMBOL

5.

COMPONENTS
COMPONENTS
COMPONENTS
COMPONENTS
COMPONENTS
COMPONENTS
COMPONENTS
COMPONENTS

HARP SUSTAIN KEYERS

I

BOARD ASSEMBLY
I

--

4.

->>I24-OO0I63

mm
NUMBER!
NUMBED!
NUMBER!
NII'IBERI

NUMBER!
NUMBER!
NUMBER!

COHPONWTS iWMBES

COMPONENTS NUMBER!
COMPONENTS MIINSERE

5-24

FIG.

OTHER KEYERS

---

HARP KEYING FROM

UPPER MANUAL

k.

B.C.

7.

ALL IWICtTEO O.C.

e.

EXTERNAL

VOLT/USES

r
NON SUSTAIN HARP

@.

0
@

V*V.

(
I)

P102

P103

PERCUSSION

(MM)

AMPLIFIER

II7-OOOOOI

rrt

feTH. HARM.

(R.P

SIGNAL

^Xl

0ENO1

6 DEMOl
a DE01

-U4-

FIG.

5-8

5TH. HAS*.
PERC.

LEVEL

4tu. harm.
PERC.

HARM

PTJ.

uD. Jarhi

GATE
CONTROL

144-3

i
Fum-d-

Harm

KG

PERC.

-\>

CUTOFF

r
-

is
TO PERC. DfcCAY

RESISTORS

-4*"

REIT. P.C.
LJtjAJtt

CONTROL
tUN
RATE
nn
I fc

KEYING
tt.C>

4L
/ J

oToTl

-i

TO LESLIE ON UPPER SWITCH

\
TO ADD LESLIE

UNLESS OTHERWISE SPECIFIED:

U) ALL RESISTORS 1/2 WATT WITH THEIR RESISTANCE VALUES
(b) ALL CAPACITORS WITH DECIMAL VALUES IN Ml CROFARADS

--

SYMBOL""

DENOTES NUMBERED PI" ON P.W. BOARD.

SYMBOL

DENOTES NUMBERED PIN

IN

PLUO OR RECEPTACLE.

SYMBOL-^ 7

DEMOTES NUMBERED PIN

IN

STRAIGHT ON CONNECTOR

COMPONENTS
COMPONENTS
COMPONENTS
COMPONENTS
COMPONENTS
COMPONENTS
COMPONENTS
COMPONENTS
COMPOMS>|T5
COMPONENTS
COMPONENTS

KEYER3
SEMBLY
1163

24

NUMBERED
NUMBERED
NUMBERED
NUMBERED
NUMBERED
NUMBERED
NUMBERED
NUMBERED

400
500
BOO

mmEM

TOO

0 THRU 99 ARE LOCATED

IN THE

100 THRU 199 ARE LOCATED

200
250
JOO

NUMBERED 800
NUMBERED 900

VOLTAGES (R.M.S

THRU
THRU
THRU
THRU
THRU
THRU
THRU
THRU
THRU

THE-

249 ARE LOCATED

IN

THE

ARE
ARE
ARE
ARE
B99 ARE

IN

LOCJ1TE0

LOCATED
LOCATED
LOCATED
LOCATED

T99 ME LOCATSB
899 ARE LOCATED
999 ARE LOCATED

MEASURED

THE
IN THE
IN

THE

IH

THE

IN

THE

1)1

THE

AN.D ACTI>/E FILTERS.

,
PERCUSSION AMP CIRCUIT.
PERCUSSION 1 REIT. CIRCUITS.
REVERB AMP. CIRCUIT.
ALTERNATE ERC BD. CIRCUIT.
PREAMPLIFIER CIRCUIT.
HARP CIRCUIT.
PEDAL SYSTEM CIRCUITS
PtwAER S0PPL1'C F* RT OF AMPLIFIES. CMA^Vi.')

EXPRESSION PEDAL.

7.

ALL INDICATED O.C. VOLTAGES ARE MtAtB*ED TO GROW). USING

. EUTERUAk- VIEW OF

all PLUGS

AW

00

PERCUSSION - REITERATION
DRIVE ASSEMBLY
128-000001

FIG. 5-7

A*

IN

MA* POSITION

V.T.V.M.

RECEPTACLES -SUCWN

THE CONTROL S MISC. CIRCUITS.

IN THE BRUSH S CYMBAL CIRCUITS.

A.C.

IATVTH

IN

t.

10*.

SWELL PEDAL POWER AMPLIFIER

|N

299
J99
499
599

OHM?

IN

SEE SHEET 3

'

SWITCH

Figure 5-1. R-100 Organ, Schematic Diagram, Sheet 2 of 3

FROM

SHEET

BRUSH

AND CYMBAL

RHYTHM

RHYTHM
CANCEL
SWITCH

MAIN

TONE

CLICK
FILTER
I

FROM

LESLIE

SHEET

FROM
SHEET

FROM
SHEET

ON
UPPER

LESLIE
ON

LOWER

ADD
LESLIE

LESLIE

TONE

-yx&

[>
L

5-4

Figure 5-1. R-100 Organ, Schematic Diagram, Sheet 3 of 3

PREAMPLIFIER

BD.

124-000161

FIG.

5-4

WW ^-

-AaaV

II
^^v-

AVA-

-0-1

T
i

PHOTOCELL

r
L_
LESLIE

TONE

19

"AAA/V

VWV
PREAM

124-000161

FIG.

5-4

I
i

LESLIE

CANCEL

I24-C

L _Fi?

SWITCH

SWELL PEDAL
124-000126
FIG. 5-14

BDJ

1
r

MAIN

POWER

LEVEL

AMPLIFIER

BD.

I24-000I62

-1

.43

[>-4

{>
REVERB.
UNIT
I2I-000I2S

REVERBERATION

AMPLIFIER

LO-PASS
FILTER

LESLIE

LEVEL

t__
I

44'

{>
PREAMPLIFIER
i

CANCEL

PASS
FILTER

HI -

FiG.

5-4

3l

f45

BD.

I24-G00I6I

LESLIE

_l
I

ACTIVE FILTERS

(__FIG1 5-6 _

SWITCH
I

POWER AMPLIFIER
I24-OOOIC2
FIG. 5-

BD.

BD.

LESLIE

CHORUS

I24-000I35
.J

CONSOLE POWER
SWITCH

T-702'
120 V

AC

^Nj-I

(&(^(^ LAMPS

LIGHT
SWITCH

TONE
CAB.

PLUG

PLIFIER

BD.

124-000162

FIG.

5-11
i

29^

MAIN

MAIN

12

TONE CAB.

.T-703

42

^7

IS.

39

>-*d

REVERB
LEVEL
R8ie

REVERB.

UNIT
121-000128

REVERBERATION

AMPLIFIER

WW
REVERB

117-000003

FIG.

5-10

LO-PASS
FILTER

PHONO INPUT
r5

PASS
FILTER

HI -

23

FILTERS

000
3.

BD.

'
I

(CASSETTE)

T-704

27^ LESLIE TONE

CAB.

CONSOLE POWER
SWITCH

-26 V
17

<@<3<@ LAMPS

UJJJLQJ
LESLIE

RELAY

POWER

GEN.

SUPPLY
FIG. 5-13

LIGHT

SWITCH

TONE CAB.

LESLIE
FAST

FAST

MOTOR

SLOW
MOTOR

094-043501 -2C

Figure 5-2.

R-100 Organ, Wiring Diagram

011-04A345

COBLE ASY

r"
REV-^
LESLIE

REVERB

REVERB

LESLIE

LESLIE

01

II

FST

CHORUS

UPPER

TT

IT

=1

CL

CL

t3
HI

aLj

LJ

LJ

Si

da

]3

122J

1SY 011-043502

660666 Odd
8-5

-0O00

Fft

tQ

IN

MO
.

UPPER MANUAL
M11/RED

OOOOOOOOOOOOOOOOOOOOOOO OOOOOOOOOO66666060
FREQ wn,
91

LOWER MAt'UAL

JOT

IT
GRA
GEM.

^iq^ooUt

GENERATOR

CABLE St

M1-04M37

ASY

0H-O5O2

CABLE

TO 0110*4^3 0
c6.a<-t as*.

MUSIC LIGHT

oo 00000000066606666666666
FRECJ
V.LR

MAMUAL

n.

91

78

6666 6 6 66 66 6 666 66 666 6666 00666666666006006666666 666666666666666666661

77

55

P605

P604 DC

5-6

Figure 5-3.

124-000139

Pedal System, Board Layouts and Schematic Diagram

PEDAL BOARD ASSEMBLY

S\HE WAVE AMP TSD*

SiiJE.

063-044315
CfeSL
I

WAVE. AMP. Bfc.*2

^ssi*r

Pfc02
L!-~=-

HQ:@ @

Pedal KE-^ER BD.*i

PEX>AL

<l

qH

P*?J

_JPfc?4-_

KE^S-R^

TzJT-'oobTa*
+15 V

PEDAL PRE AMP. BD.

124-

ooo|37

4V
FROM
GENERATOR
(FREQUENCIES
37 WIRES

THRU 137)

4>
25 WIRES FROM

PEDAL SWITCH
(PEDAL KEiER COHTACTS)

8'

OUTPUT

16

OUT POT

To 5TRIN/& bass
Pfcog

D (2

FREQUENCY NUMBERS

eta?

"Ft. 8

4-

b05 _LCb06

cfeo;

"TTfc.3

-pi. 8 ~pf..E ~p*-8

.
'

Rgl |1 R51 [6l ri K

SCHEMATIC 094--0444-0
BOARD ASSEMBLY
063-04431

AMP.

-PfeQl

*1

(TYP.THRl AVP. .57)

1

OUT FREQ

\)
/

JQEUE.RATOR.
< FRElUe.WCV

^NUMBERS

6-

Pfe02

PEDAL KEYER
PRINTED NETWORK
058-043892

lb'

D(8XD@@@(D@Oi=---

R3

'

4.7M

'

te>^k>wd^]}l4<

R2
220K

'

R5

._f*?J

^00^^==

['SO*

'(

2.2

ZbOl
(TrP.T'iS

JpEDAI- KEV MUM6ER5 A*1T>

FRESIUEHCV UOMfcURS

Z625)

C602

0 0

Pfe?^

d>f| |C!>h ld>h

VTO PEDAL SH.

8'

16

OUTPUT

FREQ.

IN

>

>1

OUT POT

To 5TR1M& Bass swn-cfVgs

PEDAL KEYER

8'

01

PRINTED NETWORK
038-04421
TRU
058-044216

oh----

047, 120!!

II

47K

VWV-i
0rJ

R1

R4

220K

55S

(PER
r-(PER

Zb26{TYP.
T
u Zb50 '

SPEC)
SPF.d

r"
R(03
'

Rb02
470K
Rfcl

C651

82

AA/W

10K

+7.0

rAAAAr

.0

QbC1
001-02

Cbb2
500

RbOl
10K

PRI-'.'TFD

WIRING HOARD ASY

-GOO
24-/C001

NOTES
1.

UNLESS OTHERWISE SPECIFIED:

(a) ALL RESISTANCE VALUES IN OHMS tlOV
(b) ALL RESISTORS 1/2 WATT.
(c) ALL CAPACITORS WITH DECIMAL VALUES

2. SY'B0L
3.

4.

SYMBOL

CD

(t)-

X-

094-044401
IN

MFD

DEMOTES NUMBERED PIN OF PRINTED NETWORK.

DENOTES NUMBERED PIN

DE.A/OTES

IN

STRAIGHT ON COM"ECTOR.

AC VolTA&E
with PGDAL

13

DEPRESSED

^#

37

30-261

*^c,

Hz)

*tt,
27
1

i29
*i

*co
<28

:>u,
130,

.32

>jm
>31

uq

t>>,
.3
J,

.34,

,
#35.

*<fc.

}?,

X^

4?

Lc b21

Si

-"-

22

[cSl

Xr^6 X24_L25_Lcfc2fc Jj"? _L28_I_Cf,29

rcb]

rq

[oi rSi

ro]

_LCfc30

[~i

I
*
4
I
I
XC431 _[_C02 J_Ci33 J_Cb3^Xc635"Xcb>i J_C637
s

[S] r&i [o]

[cbi

rin r&i

"

m >
P

ASYS

(SINE WAVE
AMPS. #1 & #2)

fJ

ifJ LfJ Ifj

m
STB WO

,7m
STF

EJASS
I

CE>h

Cl>fj
|

CEH-i

<s4i

LfJ Lfj
PEDAL
OUTPUT

INT-

PEDAL
SUSTAIN
LOCATED
ON CONTROL
PANEL

SUfTAIIf CCPS.I

;T|Ring Bass

RSI 4

-WW
S.2M

R8I3
2.2f!

-AAAA/
R812

ul > D

if

l|

FREQUENCY OUTPUTS FROM #13 TO #37

8'

5>h

OUTPUTS

LfJ

P.W.B. ASYS. 124-0001381

24-0001 53
PEDAL
KEYER #1 8 #2)
SUSTAIN CAPACITORS

8,

JSUSTAIM CAPACITORS

'

PEDAL DRAWBARS

Z 6

Z 6 3

l2)

O O O O

Z6M (o Q

10

(p\

o)

o)

to

O
23

oo

63f (o

o)

(o\

6 otZIEl-o CHZZK)

zc:

(p

O Q O O

zg

Z 6 4 4

Co

oo

crf^de

^BB

01 >

(THH
iN

o o o o

^B

BBk.

'

If)
BBB*

-Cj

Z 6 2 0

Z 6 4 5

C 6f,3

Q)cH Ru0C|-O
P

Z 6 2

(6

l-Q
Q601

C C 5 2
-

z/#/(S

n
O O O O

io

in o>

w
Z-B2

(O

C65I

Ozou

(0_

ZB23

(OQ

O
Q
0

.
7 6 48
4 8
Z6

qZ62

1
QZ

6 4 9

Oz

i_
,

6 2 3

4,

a,

0>

O
w

(O
(5

u7

(CT

JIEII
(boo
_

(O

01

0>

O O O O

O
(o

oo

e
-i

O Q O O

ui

Ul ft

ft

Aa

O)O-(~+CB01

(ooo

**

o)

oTh

1601

ooo

o)o{^}o

J
;

"

~
E
o)c^77}o

ooo

|A82

ooo

j^o

f+^ d

A R 3 7

FREQUENCY NUMBERS

.31

.4,

NOTE: COPPER PATTERN AS VIEWED

"

FROM ETCHED SIDE OF BOARD

28 27 26 36 35 34 33 32 8 Gnd

+20v

LESLIE

LESLIE
ESt.IL

ON

ON

horus

LONER

UPPEN
0

CL

AMPLIFIER
>UTS

La

Hj

:y

nos.

WHl

66

Gnd XX XXX

oo 6o

MP.

66 6o oo

91

nc X Gnd XX XXX +20v

as viewed
side of board

;rn

:::::

TO M-044 Z30

Mia

TC (37 {30-261

Hz)

#25,

#26,

#27,

#28.

<29.

#30.

<31

.32.

#33.

.34.

#35.

AST

2SV

RHYTHM II INPUT

R408

niot
100K

10K

C403
.0033

CI

C404

( 84-

'

'

R41

10K

R JCfc

vwv-

4.7K

001-0211;

?0K

AlQ

0402
001-021 133

R4C3
39CK

VVW

Q401

R4C2
8.2K

R113
1

.0

+.71

.0022

cic2 (_/.6/niv)
1

C407

22

R407
50K
TONE

+1.75

C40b

R/'

1H

82

cioe
.001

R4C'
'820

L4C1

R409

t.lfcV

82!;

-r\ASV\r-

_1_ C4C9
.0039

C40S
IK

LESLIE CANCEL SWITCH

ON SWELL PEDAL
'

25V

BE

TO LESLIE

SHELL

NOTES

UNLESS OTHERWISE SPECIFIED:

a. ALL RESISTANCE VALUES IN OHMS
10%.
b. ALL RESISTORS 1/2 WATT.
c. ALL CAPACITORS WITH DECIMAL VALUES

1.

2.

DENOTES NUMBERED PINS ON P.W.

3. (
4.

")

IN

MFD.

BOARD.

DENOTES A.C. VOLTAGE.

ALL B.C. VOLTAGES TAKEN W TH 4'DRWBAR APC

I

Kh Y

#25

DEPKESSF.!).

+ i 3.S V

TO MAIM
SWELL

|lO/15

FROM MAIN
S'^ELL

C414

R42 o
100K

.0

\AAAr-

R419

R421
'

17CK

33CK

HI

MAIN

OUT

FROM LESLIE
CANCEL SWITCH

TO REV.

DRIVE

R441
OOK
1

FROM LESLIE SWELL

(13)-

~V\AA/~
'

R44

70

ZfeMv)
LESLIE

OUT

094-044300B

Figure 5-4.

Preamplifier,

Layout and Schematic Diagram

5-7

(0{9C8Q)

Qpj7(

0)00-001

/" 6

(O

EIK)

90

30

oflo
Qr ?osQ

Q)

5^9

o-TiEI^Xo
-

6) o-T

^ho

M-e- (Q'"'~[o )o- fs3c7

5-8

Figure 55.

Cymbal/Brush Generator, Layout and Schematic Diagram

o-(>

2.

UNLESS OTHERWISE SPECIFIED:

ALL RESISTORS ARE IN OHHS, ; 10*. ,/l WATT;
ALL CAP AC TORS ARE IN MICROFARADS
I

C906

_j

C905
.0047

094-034464C

<i

CI
1

.0

10%

>R1
>

(
IWPUT
Cf BOM

oo mv)

(5>

TERM

4^V

R8
IK

'

R9
1

OK

13.5V,
'
I

10

7V

R11

R12

IK

A/VW

IK

"WW

All/)
5

7V

hf

JOOl-02113

5S

NOTES
1.

UNLESS OTHERWISE SPECIFIED:

a. ALL RESISTANCE VALUES IN OHMS
10%.
b. ALL RESISTORS 1/2 WATT.
c. ALL CAPACITORS WITH 0 E C MA L VALUES
I

2.

DENOTES NUMBERED PINS ON P.W.

IN

MFD.

BOARD.

3jf2) RMS WLTA&ES TIXKE/V WITH UB#4 KEY

DEPRESSED AMD LESLIE OW UPPER

4.QSTEP

R13
5bK

3 PLUS LESLIE

CHORUS

IS

01

001-021170

R24
14V

-(7)

^25V (14MB)

CIO
100NIFD/25V

R7

ww33K

HIGH

OUT

on ?ur Ayr.)
.

R15
12K

WW-

(b) LOU OUT

^-'(To TteM. 43
Of* PmR MP.-,
.

R16
100K

PHONO

IN

(CASSETTE)

094-044246B

Figure 5-6.

Active Filters, Layout and Schematic Diagram

TO TOUCH PERC.

SWITCH

L201
190(1

R201
I

OK

O.C. KEYING
VOLTAGE INPUT

IVi

ov-

R205

0v*XiW

ov

NOTES:

2.

SYMBOL DENOTES TERMINAL

IN

PLUG

UNLESS OTHERWISE SPECIFIED:

ALL RESISTORS ARE IN OHVS, i 10%, 1/2 WATT
ALL CAPACITORS ARE IN MICROFARADS.
PULSES DURING PERCUSS CM MODE
PULSES DURING REITERATION MODE
I

Figure 5-7.

Percussion and Reiteration Driver, Layout and

Schematic Diagram

KK.MIK

+25V(RE ITERATION ON)

(REAR view shown)

094-034460A

SYMBOL DENOTES TERMINAL

1.

2.
3

2>

s "OL

IN

PL

DENOTES TERMINAL ON PR

UNLESS OTHERWISE SPECIFIED:

4. 'AC

ALL RESISTORS ARE IN OHMS. |

ALL CAPACITORS ARE IN MICROFA
VOLTAGES DEPEND ON R ts OF Q 102

AMPLIFIER

C A T E

PLUG PI 02
(REAR VIEW SHOW)

p LU(i

P101

(UH| TE

PLUG PI 05 (BROUN)
(REAR VIEW SHOUN)

BOARD.

WATT

Figure 5-8.

Percussion Gate Amplifier, Board Layout and Schematic Diagram

5-

Mr

TO REIT.

(VV

1.

(J)

2.
J.

4.

-0

094-034461

CONTROL

SYMBOL DENOTES TERMINAL IN PLUG.

SYMBOL DEMOTES TERMINAL ON PRINTED WIRING BOARD.

UNLESS OTHERWISE SPECIFIED:

ALL RESISTORS ARE IN OHMS, 1 10*. 1/2 WATT

ALL CAPACITORS ARE IN MICROFARADS
OF QJ02, F.E.T.
A.C. VOLTAGES DEPEND ON R

Figure 5-9.

Alternate Percussion Amplifier, Board Layout and Schematic Diagram

o-

C302

-|

4-c3i

tj

m s
\n 2tn

*]

CHB328|-0

OHfi 3

o)

iH)^>OW0-(R3T?l-0

o-OHQ-o

O-IB 3

3i

CH3 33l-0

-Q CH3

**

le

HO
O^BTiT}-o
(O

C305|O)
Q302

o
6
Q|

C304

'

Q301

O-4B3 03K)

(Q1C3DI oj o-EiIl-o

124-000004

g
*
o

124-000007

:'000
;(D0
k(D

00

PLUG P251

(REAR VIEW SHOWN)

'

On

'

R251

>

R253

1ME0

<

22K

0.9VAC
Q252

13V.

001-021134
P251

Or

<

0.25V*10OOH;.
1

0251

0.8VAC

001-021154

[R252
A7K

^R254
<1000

JR255
,1200

<R25fc

S'ooo

I
12.8V.

R269
100K

-AAAA/V-1
20MV(>1000Hz.

C258

"0

C257
.0022

i 1

NOTES

1.

(^)

2.

3.

R2b7
22K

SYMBOL DENOTES TERMINAL

IN

PLUG.

SYMBOL DENOTES TERMINAL ON PRINTED WIRING BOARD

094 -034456B

UNLESS OTHERWISE SPECIFIED:

ALL RESISTORS ARE IN OHMS, 1 10X,
ALL CAPACITORS ARE IN MICROFARADS

1/2

WATT:

25V

>-P252

PLUG P252
(REAR VIEU SHOWN)

Figure 5-10. Reverberation Amplifier, Layout nad Schematic Diagram

R41

FROM ACTIVC
FILTER LoW FRCQ

NOTES
1

UNLESS OTHERWISE SPECIFIED:

(a) ALL RES STANCE VALUES IN OHMS OSS
(b) ALL RESISTORS 1/2 WATT.
(c) ALL CAPACITORS WITH DECIMAL VALUES
1

2.

5-14

SYMBOL

|*1 5V"]

IN

MFD

DENOTES CONNECTION POINTS OF SAME VOLTAGE (FOR REGULATED VOLTAGE ONLY).

3.

4.

COMPONENTS ENCLOSED BY DASH LINES ARE SHOWN FOR CLARITY ONLY AND ARE NOT MOUNTED ON BOARD ASSEMBLY

DENOTES PIN NUMBERS.

6.

ALL A.C. VOLTAGES TAKEN WITH

) DENOTES A.C.

VOLTAGE.

VOWWWR

AND

Kt

Y*25 BEPkESSF!).

Figure 511. Power Amplifier, Layout and Schematic Diagram

(^)

GND.

1
LINE VOLTAGE

LIME VOLTAGE

p-120V-|

p240V|

-(XgKWMgK>

240V
50/60 Hz

120V,

003-044243

FOR 126-000067

LINE VCLTAGE

LINE VOLTAGE
"

"*

220V
1

120V,

220V,

240V

120V,

220V,

240V

50/60 Hz

50/60 Hz

003-044240

003-044240

FOB 126-000067

FOR 126-000068

121

FOR

118 OA.

BU

BLU

9"

TEL.

9"

GA.

18 OA.

10-1/2"

126-000088

oo:

(ITEM 77)

ITEM 80)
I

TEM 79)

i
BLK (ITEM 75)

ORN 8-1/2

TE-1

90)

WHT/VIO
ACTIVE FILTER
BOARD AST

124-000135
,28
.5

r2
3 )

2^

0 20
08

vi>
18 OA.

BLK

12"

(ITEM 78)

120V, 80 Hz

003-044238

T701

FOR

VIO 2"

128-000

(ITEM 92)

*VEL 5-l/2"( ITEM 83)

SEE NOTE

NOTES:
1

2.

126-000068 AS SHOWN.

126-000067 4 126-000068
POWER TRANSFORMER PR MARY LEAD LOCATIONS ON
SEE DETAIL VIEW FOR CORRECT WIRING.
126-000066:
DIFFER FROM
I

3.

MAINTAIN COMPONENT LEAD LENGTHS AS SHORT AS POSSIBLE ON THIS TERMINAL STRIP.

4.

WIRES MARKED

TO BE 22 GA

1/32 THK.

INSULATED WIRE (CAT. 255)

CABLE ASr

011-044296

NOTE

Figure 512. Power Amplifier, Chassis Wiring Diagram

'

'

5-15

Figure 513. Power Supply, Schematic Diagram

GE (FOR REGULATED VOLTAGES ONLY)

OARDS.

MAT NG PLUG END

1

HI]

-0
H3
^(Tj)

TO RHYTHM II

M9j

-26V

jTTj

-26V

1
1-

-Q

ACTIVE FILTER BOARD

124-000135

H3

POWER AMP

15V

*6V

BOARD

TO C1MM_ 05
IN

^H^U)

124-00016.2

PD<M-.*UJ.TCH

150V TO PEDAL SWITCHES

TO LESLIE SWITCH

00
00

/~,

0 0J

0
0

0
0

P701

P703

P704

(POWER VOLTAGES)

(LESLIE)

(MUSIC LIGHT)

NT

r'

LESL

MAIN CHANNEL

(SWELL

124-000126

PRINTED WIRING BOARD ASSEMBLY

PI

CHANNEL
CI B

CIA

4h
33pF

ww-

R2B

R1B

fcBK

-V\/w
33K

R3B
390

'

C2B
.22

L-@

OUT

<'

(3

(g_

R4B
12K

^E)

(3)

6
p

pi

P1

Pi

9.

L-^VyV

PHOTOCONDUCTIVE CELLS

RIGHT

(D'JI

SHUTTERJ=_|

LESL

CANCEL FOOT SWITCH

OPZ

LIGHT BI'LB
NOTES:
1

UNLESS OTHERWISE SPECIFIED:

a. ALL RESISTORS 1/2 WATT.
N OHMS, 110%.
b. ALL RESISTA"CE VALUES
VALUES IN MF
c. ALL CAPACITORS WITH DECIMAL
I

DENOTES NUMBERED PIN

2.

SYMBOL

3.

SYMBOL- -@- DENOTES

NUMBERED

IN

PU'G OR RECEPTACLE.

ON

P.W. BOARD.

Figure 5-14. Swell Pe

<*

al,

Schematic Diagram

YEL

LESLIE
FOOT SWITCH

GRfl

VIO
uuj
GRN
YEL
ORN
RED
URN

^
>

RHYTHM CANCEL
FOOT SWITCH

/3\
RED

BU

BRH

PI

I!L
BLU
12

Git

0R

B I

BLK

GRM

NNi^lMG DIAGRAM

IU

10

110

SCHEMATIC
VIEW b-B

Figure 5-15. Swell Pedal, Wiring Diagram

5-17

Figure 5-16. Control Panel Wiring Diagram

ro brush
CYMBAL. BOAKO

^sorrow v/w

WHT

or isppek logs on sw/rcnss

H
,

BLO

20-000044D

TOP VIEW
I

LESLIE

LESLIE

LESLIE

LESLIE

ON

ON
LOWER

CHORUS

FAST

UPPER

j)

008-043874-B

BOTTOM

VIEW

Figure 5-17. Leslie Switch Assembly, Wiring Diagram

v T

S.6

STRING

STRING

BA&S

BASS

5-20

'

TOP VIEW
Figure 5-18. Pedal Sustain Switch Assembly, Wiring Diagram

5-22
Figure 5-20. Percussion Switch Assembly No. 2, Wiring Diagram

008-043873-A

if Si
-3-:==

&
[ti

OH
nm an f**
r

-=

BOTTOM VIEW
Figure 521. Lower Preset Switch Assembly, Wiring Diagram

008-043871-B

TOP VIEW

REVERP
I

LESLIE

REVERB

RCv ERB

R817

I2K

OOC-043875-A

R8IS>

isa-

il

tT

BOTTOM VIEW
Figure 523. Reverberation Switch Assembly, Wiring Diagram

O
>1

g 5

o
H
fa
O
Eh
PS

III

I"

O
00

0="

l/\

IN

or

rsi

H-WVV_|||

cc
111

ad

<

LU tO
t-

>

LU

<_>

*-*

to O*
in

I
o:
z
lu o
2 hI

ex.

oc
U. UJ

LU

LU LU
cc
u_

oz
o

to

z
o z u

O Z
o Ql
LU
Z
O
O

(_>

LU
O- O.
=X

5-26
Figure 5-24. Harp Keyer and Preamplifier, Schematic Diagram

SECTION VI

PARTS

LIST

INDEX
Page

CONTROL PANEL ASSEMBLY

Control Switch Base & Support

6-3

Control Switch Assemblies

6-3
6-3
6-3

LOWER MANUAL ASSEMBLY

6-6

UPPER MANUAL ASSEMBLY

6-6

Assembly
Manual Stop Switch Assembly (Drawbars)

Key
End Blocks

6-6
6-6

Playing

GENERATOR & MOTOR ASSEMBLY

6-6

PRINTED WIRING BOARDS

6-6

Preamplifier Board Assembly

124-000161

Cymbal/Brush Board Assembly

124-000020

Power Amplifier Board Assembly (Mounted on Power Amplifier)

Active Filters Board Assembly (Mounted on Power Amplifier)
Harp Sustain Keyer Assembly

124-000162
124-000135
124-000163
124-000046/47
1 24-000165

Harp Keyer Board Assemblies

Harp Keyer & Preamplifier Board Assembly
Pedal Board Assembly 063-044315
Sine
Sine

124-000139

Wave Amplifier Board Assembly No. 1

Wave Amplifier Board Assembly No.2

124-000154

Pedal Keyer Board Assembly No. 1

124-000138

Pedal Keyer Board Assembly No.2

124-000153

Pedal Preamplifier Board Assembly

124-000137

Pedal Master Board

124-000136

Percussion Gate Amplifier Board Assembly

24-000003 (P/O

1 1

7-000001 )

1 1

7-000002)

1 1

7-000003)

6-6
6-7
68
69
6-9
6-9
6-9
6-10
6-10
6-10
6-10
6-10
6-11
6-11
6-11

Alternate Percussion Gate Amplifier

24-000004 (P/O
24-000007 (P/O

124-000126

6-12
6-12
6-14

PERCUSSION GATE AMPLIFIER ASSEMBLY

117-000001

6-11

ALTERNATE PERCUSSION GATE AMPLIFIER ASSEMBLY

117-000002

6-12

REVERBERATION AMPLIFIER ASSEMBLY

117-000003

6-12

PERCUSSION & REITERATION DRIVE ASSEMBLY

128-000001

6-13

POWER AMPLIFIER ASSEMBLY

126-000066

6-14

Board Assembly
Reverberation Amplifier Board Assembly

1
1

Swell Pedal Board Assembly

WOODWORK

'

6-14

6-1

Page

MISCELLANEOUS
Swell Pedal Assembly
Leslie Speaker Assembly

Speakers

Music Illuminator Assembly

LESLIE

6-2

TREMOLO UNIT

6-15

6-15
6-15
6-15
6-15
6-15

CONTROL PANEL ASSEMBLY

120-000044

Control Switch Base and Support Assembly

061-043485

Hand)

Control Panel Assembly

(Left

Control Panel Assembly

(Center)

061-030592
061-043488

Control Panel Assembly

(Right Hand)

061- 043486

Matching Transformer and Bracket Assembly-Upper Manual (T802)

003-043908
003-043909

Matching Transformer and Bracket Assembly-Lower Manual (T801)

Percussion and Reiteration Driver Assembly

128-000001

Lampholder Assembly

016-034444
016-031454
042-020820
013-031468

Pilot Light

Felt

Lens

Washer

Push
Pilot

On Clip
Lamp

(For Lens)

016-022885

Cap (Black)
Hex Nut
I
p or Mounting Reit. Chassis
Shakeproof Lockwasher J

999-001208
999-000848

Knob
Knob

031-025912
031-025911

025-024968

Plastic

(Brush and Cymbal Control)

(Reiteration Rate)

Manual Stop Switch Assembly (Complete Drawbar Assembly)

120-000045

Manual Stop Switch Assembly (Upper Only)

Manual Stop Switch Assembly (Lower Only)

120-000017

Mounting Block Assembly (Pedal Only)

Contact Spring Assembly

063-043506

120-000018

012-033222
025-040198
036-032553
028-032049

Drawbar Stop
Stop Slide Insulator
Stop Slide

Stop Channel

025-027829
901-030514
846-010414
031-034331
031-034332
031-034333
031-034334
031-034335
031-034337
031-034338
031-034339
031-034340
031-034341
031-034342
031-034343
003-028651

#4-24 x 3/8 Round Head Screw (Drawbar Knob Mounting)

Screw (Drawbar Stop Mounting)

Stamped Stop Knob

Brown 16'
Stamped Stop Knob
Black 16'
Stamped Stop Knob
Ivory 8'
Stamped Stop Knob
Brown 8'
Stamped Stop Knob
Black 8'
Stamped Stop Knob
Brown 5 1/3'
Stamped Stop Knob
Ivory 4'
Stamped Stop Knob
Black 2 2/3'
Stamped Stop Knob
Ivory 2'
Stamped Stop Knob
Black 1 3/5'
Stamped Stop Knob
Balck 11/3'
Stamped Stop Knob
Ivory 1
Harp Coupling Transformer Assembly T804
Mounting Bracket
Coil and Bobbin
Cup Core (Ferrite)
Ferrite

062- 030006

003-030075
024-022427

Washer

024-022451

Spring
Truss

Head Machine Screw (For Mounting Switch Assemblies) (Black

PERCUSSION SWITCH ASSEMBLY #1

Phillips

Head)

012-041491
845-070318

008-043869

Switch Panel and Bracket Assembly (Chimes, Marimba, Xylophone, Guitar)

008-027668

Switch Panel and Bracket Assembly (Banjo)

008-030047

Control Tab

CHIMES

Control Tab

GUITAR

Control Tab

Control Tab

MARIMBA TWIN MALLET

XYLOPHONE TWIN MALLET

Control Tab

BANJO

Tubular Clip

031-034629
031-034619
031-034631
031-034632

031-034620
013-028002

6-3

020-037239
044-030602

Shaft

limit Spacer

Lever Mounting Bracket

035-024351
839-040214
035-024335

Sems Round Head Machine Screw

821-040314

Mounting Bracket
Flat

Head Machine Screw

012-038938

Over Center Spring

Resistor
Resistor
Resistor
Resistor
Resistor
Resistor

R806
5600ft
R802
8200ft
R801
470K
R804
1.5Meg R803
2.2Meg R805

600-021561

4.7ft

600-020671
600-020711
600-021131
600-021251
600-021291

PERCUSSION SWITCH ASSEMBLY #2

008-043870

008-030047

Switch Panel and Bracket Assembly (Reiterate)

Switch Panel and Bracket Assembly (Harp Sustain)

008-027679

Switch Panel and Bracket Assembly (Add Leslie)

008-027678

Switch Panel and Bracket Assembly (Cymbal-Pedal)

008-027671
008-027670
031-034639
031-034624
031-043461
031-037542
031-037543
013-028002
020-037239
035-024351
044-030602
012-038938

SWitch Panel and Bracket Assembly (Brush-Lower)

Control Tab

REITERATE
HARP SUSTAIN

Control Tab

ADD

Control Tab

CYMBAL-PEDAL
BRUSH-LOWER

Control Tab

Control Tab

LESLIE

Tubular Clip
Shaft

Mounting Bracket
Limit Spacer

Over Center Spring

mfd C805

Capacitor, Mylar

.2

Resistor

3300ft

413-010292
600-020611

D801
Head Machine Screw
Round Head Machine Screw

001-024050
839-040214

Diode
Flat

821-040314

UPPER PRESET SWITCH ASSEMBLY 008-043871

Switch Panel and Bracket Assembly (Drawbar-Percussion)
Switch Panel and Bracket Assembly (Strings

Full Tibias 16' Theater Brass 16')

008-027667

Control Tab

DRAWBAR AND PERCUSSION

008-027674
031-037524

Control Tab

STRINGS

031-043448

Control Tab

FULL TIBIAS 16'

THEATER BRASS

Control Tab

8',

8'

031-037526
16'

031-043449
060-037190

Canceling Linkage Assembly

035-024205

Mounting Bracket
Lever Mounting Bracket

035-024335
013-028002
020-037238

Tubular Clip
Shaft

Wire Guide

045-030169
012-038938
044-030602

Over Center Spring

Limit Spacer

Head Machine Screw

Sems Round Head Machine Screw (Switch Mounting)
Sems Round Head Machine Screw (Cancel Bracket Mounting)
Flat

839-040214
821-040314
821-040714

PEDAL SUSTAIN SWITCH ASSEMBLY 008-043872

Switch Panel and Bracket Assembly (String Bass
Control Tab

STRING BASS

&

II)

008-027679
031-034633

control

dajj

oIiviinvj

13.D

031-034634

11

Mounting nrat Kcl

U3 5-0Z4 Z05

snait

1)20-037240

Tubular Qip

01 3-028002

Lever Mounting Bracket

035-024335
044-030602

Limit Spacer
Flat

Head Machine Screw

839-040214

Round Head Machine Screw

821-040314
012-038938

Over Center Spring

Rpsistnr

Mpo R814

Resistor

2.2Meg R812

Resistor

8.2Meg R813

OUlrUil Zl 1
600-021291
600-021431

LOWER PRESET SWITCH ASSEMBLY

008-043873

Switch Panel and Bracket Assembly (All 4 Same)

U(J5-Uz/o74

mi
niacin
jjU
U31-U3

DB4WR4RQ

Tah
iaD

Cnntrt\\
control

i/ix.Avy i>.\i\;>

rLU

COnirOl IdD

dlKlnuo

nil 04^140

control ido

iidi/\l3 o

nil 017^1^

control ido

ciNoijiviDLc, o

mi
O/ii/ici
U.51-U434D3

iviounung BracKet

niTi
on
UoU-Uj
/ I VU
m/i inc

Lever Mounting Bracket

U3 D-UZ433D

a/ta

Cancel Linkage Assembly

Tubular Clip
OlYdlX

UZU-U3 1 Ido

Wire Guide

045-030169

Round Head Machine Screw

821-040314
839-040214

Flat

Head Machine Screw

Limit Spacer

044-030602

Over Center Spring

012-038938

LESLIE SWITCH ASSEMBLY 008-043874

Switch Panel and Bracket Assembly (On Upper and

On Lower)

Switch Panel and Bracket Assembly (Leslie Chorus)

switch ranel and Bracket Assembly (Leslie hast)
Lfc5>Llfc.

control lao
control lao

LtsLit uin luwiik

LtsLit ttiUKUa

control lao

ctacm rAM

UIN

008-027671
AT
A/I
AH
031-043462
031-043463
031-043464
n-)
CIA
A c
031-043465
035-024205
035-024335
01 3-028002
020-037238
044-030602
821-040314

UrrUK

control iaD

Mounting Bracket
Lever Mounting Bracket
Tubular Clip
Shaft

Limit Spacer

Round
X till VX MHead Machine
IC Screw
LJVvl
1

*/

Flat

II 1

V*

TT

Head Machine Screw

Switch Panel and Bracket Assembly (Reverb

II)

Control Tab

~i

REVERB I
REVERB II
LESLIE ON REVERB

LCM1C

%Jll

Allien
008-027670
008-0276/3
fins m7(iT)
ftYic

i)

Control Tab

008-043875

^witcn ranei ana oracKet Assemoiy v^-everu

UllCl allU UlatlVCL r\aaCHlUiy

"3

012-038938

REVERBERATION SWITCH ASSEMBLY

821-040214

Over Center Spring

JWIlLll

008-U34548
AA
O A "\ *7 "7
008-027672

IxCVCI

\J

031-034637

Mounting Bracket

031-034638
031-043450
035-024205

Control Tab

Lever Mounting Bracket

035-024335

Shaft

020-037238

Limit Spacer

044-030602

013-028002
Tubular Clip

012-038938

Over Center Spring

839-040214

Head Screw
Round Head Screw
Flat

Resistor
Resistor
Resistor

2K
56K
IK
1

Capacitor Ceramic .02

821-040314
600-020751

R817
R819
R818
mfd C802

LOWER MANUAL ASSEMBLY

600-020911
600-020491
425-010572

119-000050

UPPER MANUAL ASSEMBLY 119-000051

Hand End Block
Right Hand End Block
Bracket and Key Channel Assembly
Sharp Key (Black)
"C"
Natural Key (Ivory)

025-043984
025-035707

Left

Natural

"D"

Natural

"E"
"p"

Key (Ivory)
Key (Ivory)
Natural Key (Ivory)
Natural Key (Ivory)
Natural Key (Ivory)
Natural Key (Ivory)
Natural Key (Ivory)
Key Comb 1 2 Keys
Key Comb 13 Keys

(All

060-033392
025-032672

Same)

025-042279
025-042280
025.-042281

025-042282
025-042283

"G"
"A"

025-042284
025-042285
025-042286
057-037989

"B"

"CX"

(Last

Key on Manual)

057-037990
850-000002

Screw (For Mounting Keys to Channel)

GENERATOR AND MOTOR ASSEMBLY

Generator Assembly

120v

Generator Assembly

120v
220v

Generator Assembly
Generator Assembly

220v
120v

Synchronous Motor
Synchronous Motor

<

120v

Synchronous Motor
Synchronous Motor

220v

Motor Capacitor

120v

220v
120v

Motor Capacitor
Motor Capacitor

220v

60Hz
50Hz
60Hz
50Hz
60Hz
50Hz
60Hz
50Hz
60Hz
60Hz
60Hz

112-000040
112-000041
112-000042
112-000043
021-033801

021-033802
021-033803
021-033804

or

120v

or

220v

Terminal Panel Assembly (AC Panel With GY. BL. YEL.)

Motor Mounting Bracket

Capacitor Clamp

035- 027354

036- 024328

Panel)

044-031434

Terminal Cover

End Cap (Motor

006-024326

013-024427
012-029132
017-024242

Post (For Mounting Cover)

Oval

499-033805

013-024313

Motor Clamp
Motor Coupling Spring
Motor Coupler

(AC

499-033806
499-033807
115-000001

Generator Cover Assembly

Insulator Strip

50Hz
50Hz

Capacitor)

041-022076
041-024838

PREAMPLIFIER BOARD ASSEMBLY 124-000161

023-044291

Printed Wiring Board

R409,437
R405, 433

Resistor

82ft

Resistor

820ft

Resistor

1000ft

R401, 410, 424, 438, 454

Resistor

1500ft

R426,446

600-220231
600-220471

600-220491
600-220531

Resistor

4700ft

Resistor

8200ft

Resistor

10K
15K
22K
33K

Resistor
Resistor
Resistor

R406,418, 434, 439

R402, 430
R408,411,414, 436,453
R425, 445
R416, 424, 444

R449
R419,428,440,448
R452
R450
R412

47K
56K
68K
82K

Resistor
Resistor
Resistor
Resistor

100K
180K
220K
270K
330K
390K
470K

Resistor
Resistor
Resistor
Resistor
Resistor
Resistor

C403, 418

C409
C401,416
C402,417

Capacitor Electrolytic
Capacitor Electrolytic

lmfd25v
8mfd 25v
lOmfd 15v
500mfd 3v

C412.414, 422
C404,419, 426

Transistor

C413,415,421,423
C405, 420
R427, 447
5K
R407, 435
50K
Q401,404, 406, 409

Transistor

Q 402, 403,

Master Oscillator Coil

lOOOmh

Capacitor Electrolytic
Capacitor Electrolytic

Potentiometer

Potentiometer

600-220911
600-220931

600-221111
600-221131

.0039mfd
.0047mfd
lmfd 25v

Capacitor Tantalum

600-220891

R 431, 433

.0033mfd

Capacitor Ceramic

600-220811
600-220851

600-221031
600-221051
600-221071
600-221091

Capacitor Ceramic

Capacitor Ceramic

600-220771

R413
R451
R415,423,443
R422

Capacitor Ceramic

Capacitor Mylar

600-220731

600-220951
600-220971

Capacitor Ceramic

Capacitor Mylar

600-220711

R420, 424, 432, 441,455

R417, 421,442
C411
.lmfd
.22mfd
C406, 407, 425
C408, 410
.00 lmfd
.0022mfd
C407

Resistor

600-220651

405, 407, 408, 410, 41

L401

CYMBAL/BRUSH BOARD ASSEMBLY

412-110522
412-110532
426-010502
426-010582
426-010622
426-010642
426-010662
414-040092
407-060449
407-060419
407-040429
407-010279
676-00001
676-000019
001-021070
001-021133

003-043232

124-000020

Capacitor, Mylar

.Olmfd lOOv

C901, 904, 906, 907, 908, 911, 912, 914

023-032934
007-028499
600-020171
600-020391
600-020731
600-020971
600-021051
600-021211
600-021291
600-021331
600-021351
600-021391
600-020291
600-021411
413-110072

Capacitor, Mylar

.lmfd

lOOv

Capacitor, Mylar

.33mfd

lOOv

Capacitor, Mylar
Capacitor, Disc

.05mfd lOOv
.00068mfd

Capacitor, Disc

.0047mfd

C910
C909
C902
C903
C905
C913

413-110142
413-110172
413-110212
426-010462
426-010663
407-060259

Printed Wiring Board

Pin Connector

R905, 916

Resistor

47ft

Resistor

390ft

R920

Resistor

10K
100K
220K
1 Meg

R907, 918
R902, 909

Resistor

Resistor
Resistor
Resistor
Resistor

Resistor
Resistor
Resistor
Resistor

R908
R904
R903
R915
R919

2.2Meg
3.3Meg

3.9Meg
5.6Meg
1

50ft

R921

6.8Meg

Capacitor, Electrolytic

Potentiometer

R911
R901,910, 912,914

80mfd 25v

50K

R906, 917

676-000019

Potentiometer
Coil

676-000027
676-000015

R913
250K
R922
20K
L901.902

Potentiometer

003-030753

Assembly
Choke Assembly

Filter

Diode
Transistor
Transistor
Transistor

003-027183
001-026010
001-021133

L903
D901.902, 904, 905
Q901
Q902, 905, 906
Q903

Q904

Noise Transistor

001-021134
001-021135
UUI-UZIZI

(Clip Collector Lead)

POWER AMPLIFIER BOARD ASSEMBLY

124-000162

023-041224
007-028499
600-021521

Printed Wiring Board

Pin (P.W. Board)
Resistor

1
ID
Z.Zil

Resistor

2 l\l

L\
D 1/: 25, Ol
1
K2o,
Oj
Kj4, oy

Resistor

47i

K24, 5V

600-020171

Klo, 2U, 52, 7U

CdL
Ol
KZI jo
di
Kl

600-020251

Resistor

lOUiZ

Resistor

linn
55\J\L
i nnn
3VUiZ

Resistor

600-020111

600-020371

600-020391
600-020511

Resistor

12UU1Z

K22, j

Resistor

oiUUii

K4o

600-020611

K25,oU

600-020652

K4, 3

600-020671
600-020731

Resistor
Resistor

5oUU

Resistor

CHS
1UK.

Resistor

12K
15K
22K
27K
33K
68K
150K
270K
470K
820K

Resistor

Reisstor
Resistor
Resistor
Resistor
Resistor
Resistor

Resistor

600-020751
600-020771
600-020811

R9

600-020831
600-020851
600-020931
600-021011
600-021071
600-021131

R17, 53

600-021191

R2, 35

600-021331

R14.45

600-020531

R3, 36
R8, 16,41,51

R5,38
Rll,42

1500S2

Resistor

KlJ
R13,44
R19.54
R12,43

3.3Meg

Resistor

0*7 Afi
/ 4U

Resistor

Resistor

22fi lWatt

R32, 67

600-030091

Resistor

330ft lWatt

R33, 68

600-030371

Resistor

120ft

Resistor

R55

600-020271

.47ft2Watt

R30, 31,65, 66

Resistor

150ft 2Watt

R23, 58

600-040021
600-040041

Resistor

390ft

Watt

5% 3Watt R27,

Capacitor Ceramic

47pf

C6

Capacitor Ceramic

lOOpf

C9,

Capacitor Myl ir

.33mfd

29, 62,

C22

Capacitor Mylar

.lmfd

C25
C20

Capacitor Myl ir

.22mfd

C4,

Capacitor Tantalum

.33mfd

C7

Capacitor Electrolytic

lmfd 25v C2, 13

lOOmfd 3v C10, 23
800mfd 25v C8, 21, 24
lOOmfd 15v CI
500mfd 25v Cll

Capacitor Electrolytic
Capacitor Electrolytic
Capacitor Electrolytic

Capacitor Electrolytic
Transistor

Ql,2, 6,7

Transistor

Q3,4,

Transistor

Q5,ll

Heat Sink

8, 9,

10

64

5, 12, 15,

16

600-050092
426-010172
426-010252
412-110552
412-110142
413-110162
414-040042
407-060449
407-010369
407-060289

407-040299
407-060399
001-021070
001-021133
001-021110

041-028952

ACTIVE FILTERS BOARD ASSEMBLY 124-000135

Printed Wiring Board

023-043978

Pin (P.W. Board)

Resistor
Resistor

820ft

Resistor

1000ft

Resistor

10K
12K
15K
22K
27K
33K

Resistor
Resistor

Resistor
Resistor
Resistor

Rl,6,
R3,4,

47K
56K

Resistor
Resistor

100K
220K
270K

Resistor

Resistor
Resistor

007-028499
600-220391
600-220471

R2
R19

390ft

11,12, 14,24

8,

10

5, 9,

600-220491
600-220731

R15
R18
R22
R20
R7
R17
R13
R16
R23
R21

600-221051
600-221071

600-220751
600-220771
600-220811
600-220831
600-220851
600-220891
600-220911
600-220971

Capacitor Mylar

lmfd

CI, 2

406- 010292

Capacitor Mylar

.22mfd

413-110162

Capacitor Mylar

.39mfd

Capacitor Mylar

.lmfd

C8,9
C6
C3

413-110382
413- 110142

Capacitor Electrolytic

lmfd

25v

Capacitor Tantalum

3.3mfd

lOv

Capacitor Electrolytic

lOmfd
1 OOmf

15v

Capacitor Electrolytic
Transistor

Ql,3,

Transistor

Q2,

C7
C5
C4
C10

50v

HARP SUSTAIN KEYER ASSEMBLY

124-000046

023-039576
007-028499

(PWB)

Resistor

47K
IK
10K

Resistor

2.2K

Resistor
Resistor

R502
R504
R503
RS01

Capacitor Electrolytic
Transistor

600-220891
600-220491
600-220731
600-220571

15mfd

20v

C501,502

Q501

124-000047
023-039576
007-028499

(PWB)

Resistor

47K

Resistor

Resistor

IK
10K

RS02
R504
R503

Resistor

2.2K

R501

Capacitor Electrolytic

Capacitor Electrolytic
Transistor

407-050169
001-021133

Harp Keyer Board Assembly (2 Used)

Printed Wiring Board
Pin

414- 240122
407-040429
407-080069
001-021133
001-021172

124-000163

Harp Keyer Board Assembly (2 Used)

Printed Wiring Board
Pin

407- 060449

600-220891
600-220491
600-220731

15mfd
8mfd

20v
2Sv

C501
C502

Q501

Harp Keyer and Preamp Board Assembly

Printed Wiring Board

600-220571
407-050169
407-060129
001-021133
124-000165
023-039579

Resistor

330ft

R525

600-020371

Resistor

470ft

R541

600-020411

Resistor

IK

R504

600-020491

Resistor

1.5K

R513, 529

600-020531

600-020571
600-020651

Resistor

2.2K

R501

Resistor

4.7K

Resistor

6.8K

Resistor

10K

R516, 521
R511.512, 514
R503, 526

600-020691
600-020731

6-9

Resistor
Resistor

Resistor

150K
180K
220K
470K

Resistor

2.7K

Resistor

33ft

Resistor
Resistor
Resistor

R515
R502
R524

39K
47K
68K

Resistor

600-020871
600-020891

R523, 528

600-020931
600-021011

R531
R527

600-021031
600-021051

R522

600-021131

R517, 540

600-020592
600-020132

R518

Capacitor Mylar

.068mfd

C521

Capacitor Mylar

.lmfd

C513, 524

Capacitor Mylar

.Olmfd

Capacitor Mylar

.02mfd

C511
C525

Capacitor Electrolytic
Capacitor Electrolytic
Capacitor Electrolytic
Capacitor Electrolytic

Capacitor Ceramic

lOOmfd
2mfd
8mfd
15mfd
3900pf

406-010182
407-010029

C523
C522
C502
C501

407-060109
407-060129
407-050169
425-010642
676-000015
001-021133

C512
R530

Q501, 521, 522

PEDAL BOARD ASSEMBLY

SINE

25v
25v
20v

20K

Potentiometer (Harp Level)

Transistor

3v

406-010122
406-010142
413-110072

063-044315

WAVE AMPLIFIER BOARD ASSEMBLY

NO.

124-000139

Printed Wiring Board

023-044000
005-043888
005-043889
058-043890

Connector and Terminal Assembly (6 pin)

Connector and Terminal Assembly (3 pin)
Printed Network (Sine

Capacitor Tantalum

Capacitor Tantalum
Capacitor Tantalum
Capacitor Tantalum

SINE

Wave Amplifier)
lmfd
25v

C618, 619, 625,626, 627,

C628, 629, 630, 631, 632, 633, 634, 635, 636
6.8mfd
lOv
C606

2.2mfd
4.7mfd

lOv

C617

lOv

C607, 608

WAVE AMPLIFIER BOARD ASSEMBLY

NO. 2

124-000154

Printed Wiring Board

023-044001

Connector and Terminal Assembly (6 pin)

Connector and Terminal Assembly (3 pin)
Printed Network (Sine

Capacitor Tantalum

Wave Amplifier)
lmfd
25v

005-043888

Capacitor Tantalum

3.3mfd

lOv

C620, 621, 622, 623, 624, 637

C610, 611, 612, 613, 614, 615

Capacitor Tantalum

4.7mfd

lOv

C609

Capacitor Tantalum

6.8mfd

lOv

C601,602, 603.604, 605

Capacitor Tantalum

2.2mfd

lOv

C616

PEDAL KEYER BOARD ASSEMBLY NO.

Network 16'
Printed Network 8'
Printed

Printed Wiring Board

Connector and Terminal (6 pin)

Connector and Terminal Assembly (3 pin)

6-10

Printed Network

8'

Printed Network

8'

414-020132
414-020142
411-020112

023-043997
005-043888
005-043889
058-043892
058-044216

Connector and Terminal Assembly (6 pin)

Connector and Terminal Assembly (3 pin)

PEDAL KEYER BOARD ASSEMBLY NO.

005-043889
058-043890
414-040092
414-020122

124-000138

Printed Wiring Board

Printed Network 16'

414-040092
414-020142
414-020112
414-020132

124-000153

023-043997
005-043888
005-043889
058-043892
058-044214
058-044215

PEDAL PREAMPLIFIER BOARD ASSEMBLY

124-000137

Printed Wiring Board

WJ WJOOO

Connector and Terminal Assembly (6 pin)

Connector and Terminal Assembly (3 pin)

R615

Potentiometer
Resistor

82ft

Resistor

10K
22K

Resistor

Resistor

82K
220K
407K

Resistor

lMeg

Resistor
Resistor

lmfd 25

Capacitor Electrolytic

Capacitor Electrolytic
Capacitor Electrolytic

005-041880,
UUJ Uf J007

250K
R619

676-000017

R601, 603, 605, 606, 609, 610, 613, 617, 618

600-220731

R611
R607
R614

600-220951
600-221051

R602, 608,612,616

600-221131

R604
C65 1,652, 656, 661

600-221211

600-22081

Capacitor Tantalum

.lmfd

Capacitor Mylar

.lmfd

Capacitor Mylar

.039mfd

Capacitor Polyester

.022mfd

C662
25v
C660
C653, 654
C657
C658, 659

MASTER PEDAL BOARD ASSEMBLY

407-070159

414-040012
413-110142
413-110332
412-110482
001-021133

Q601 602, 603, 604

Transistor

407-060449
407-060479

2mfd 25v C655

500mfd
30v

124-000136

9 pin)

005-043885

Friction Lockwasher Assembly (12 pin)

005-043886

Friction Lockwasher Assembly (15 pin)

005-043887

Friction Lockwasher Assembly

NOTE:

Friction lockwashers are the female plug

connectors mounted to master board. These

plugs are to be changed in the near future.

The numbers for replacement purposes

are:

9 pin)

005-044532

(12 pin)

005-044533

(15 pin)

005-044534

PERCUSSION GATE AMPLIFIER ASSEMBLY 117-000001

Percussion Transformer and Plug Assembly

T101

041-031510
063-038635

Wire and Plug Assembly

PI 03

011-031564

Chassis Pan

Mounting Clip (For

PW

R113
R112

100K
10K

Potentiometer

Potentiometer

025-031671

Board)

676-000105
676-000143
124-000003

Percussion Gate Amplifier Board Assembly

023-031523

Printed Wiring Board and Pin Assembly

Capacitor Mylar

lmfd

lOOv

Capacitor Mylar

.02mfd

lOOv

C104
C107

Capacitor Electrolytic

lOOmfd
500mfd

50v

CI 02

Capacitor Electrolytic

5v

CI 08

Capacitor Mylar

.lmfd

lOOv

C101, 105

Capacitor Mylar

.22mfd
.lmfd

lOOv

C106

25v

CI 03

Capacitor Tantalum

420-010113
413-010312
407-080069
407-010279
413-110142
413- 110162
414- 040092

1.2K

R117
R120
R106

600-02051

Resistor

2.7K

R101

600-020591

Resistor

6.8K

R109

600-020691

Resistor

10K

R104, 111, 118

600-020731

Resistor

82012

Resistor

IK

Resistor

600-020471
600-020491

6-11

Resistor

5K
47K

Resistor

100K

Resistor

82K

Resistor

Resistor

150K
330K

Resistor

82ft

Resistor

5%

Potentiometer 100K

R110

600-020771

R102, 105, 107, 116

R115, 121

600-020891

R108
R103
R114
R119
R132

600-020951

600-020971
600-021011
600-021091

600-020232
676-000023
001-021070

Ql 01, 103, 104

Transistor

Field Effect Transistor

Q102

001-027010

ALTERNATE PERCUSSION GATE AMPLIFIER ASSEMBLY

117-000002

041-031592
003-031605

Chassis Pan

Two

T301

Primary Matching Transformer

011-043670
025-031671

Plug and Wire Harness Assembly

Mounting Clips (PWB)

Potentiometer

Potentiometer

00K
1

R313,323
R312

OK

Alternate Percussion Gate

AMP

676-000105
676-000143

Board Assembly

Cmiapitnr
Mvlnr
;I V 1*11
V tl pt-IL l

lmfd

f^nnapitnr
v^tijJai-iUJi

\~^a

Fl^ptrnl
vtif*
yJiy
liv.
ciccil

UaVI IU1 U>ICLlIVJIjlH

lOOv

00m fd

50v

SOOmfd
\J\Jl 111

3v

VJ

24-000004

023-031604

Printed Wiring Board and Pin Assembly

C304
C302
C308

420-010113

413-010142
413-010162
414-040242
425-010752
413-010312

407-080069
407-010279

Pnnaritnr
Mvlir
iviyiai
1 ui

.lmfd

lOOv

C301, 305, 312

fn nQpi tnr
lily itii
LdUatJ
i\Ji Mvl'ir

lOOv

Capacitor Tantalum

22mfd
lmfd

Capacitor Ceramic

.Olmfd

500v

Capacitor Mylar

.02mfd

lOOv

Capacitor Tantalum

lmfd

25v

C306
C303
C310
C307
C311

Resistor

ion

600-02001

Resistor

82ft

Resistor

220ft

R334
R319
R329

Resistor

470ft

R326, 327, 336

600-02041

Resistor

820ft

600-020471

Resistor

IK

Resistor

1.2K

R317
R320
R306

Resistor

2.7K

R301

600-020591

Resistor

6.8K

R309

600-020691

R304, 31 1,318, 324, 328

600-020731

V-tl J./ul

10K
56K
15K
47K
100K
82K
180K
150K
330K
120K 5%

Resistor
Resistor
Resistor
Resistor
Resistor
Resistor
Resistor

Resistor
Resistor
Resistor

Zener Diode

lWatt

lOVolt

Transistor

D301,302
Q301,303,304

Transistor

Q308, 309

Transistor

Q305, 307, 310

Diode (Silicon)

Field Effect Transistor

25v

600-020331

600-020491
600-020511

R331

600-020911

R310

600-020771

R302, 305, 307, 316. 333. 338

R315, 321

600-020891

R308
R325
R303
R314
R332
5%

600-020951

REVERBERATION AMPLIFIER ASSEMBLY

Wire and Plug Assembly

600-020031

P252

600-020971
600-020131
600-021011

D303

600-021091
600-020992
001-023039

001-026010
001-021070
001-021100
001-021133
001-027010

Q302

Chassis Pan

414-040092

17-000003

041-031306
01 1-031524

Wire and Plug Assembly

Mounting Clip (For

Potentiometer
Capacitor

PW

P251

011-031525

Board)

50K

R273
C260 (Mounted Between

.0022mf

025-031671
676-000103
Pins 8

& 9)

425-010582
124-000007

Reverberation Amplifier Board Assembly

Printed Wiring Board and Pin Assembly

023-031522
25v
25v

C252

407-060119

Capacitor Electrolytic

Imfd
500mfd

C254, 255

407-060399

Capacitor Mylar

.Imfd

lOOv

C251

413-110142

Capacitor Mylar

.22mfd

lOOv

413-110162

Capacitor Ceramic

2200pf

500v

C258,259
C257

Resistor

12ft

600-020031

Resistor

150ft 5%

Resistor

39012

Resistor

82012

R265
R259,262
R272
R270

Resistor

IK

R254, 256

600-020491

Resistor

I.2K

Resistor

1.8K

600-020522

Resistor

4.7K

R255
R258,261
R271

Resistor

R253, 267

600-020811

R252
R269
R268

600-020971

Resistor

22K
47K
100K
330K

Resistor

lMeg

R251

600-021211

Resistor

2.7ft

R264

600-021531

Resistor

5.6ft

R260, 263
T251

Capacitor Electrolytic

Resistor

Resistor

57r

Transformer Assembly

425-010582
600-020292
600-020391
600-020471
600-020511
600-020651
600-020891

600-021091

600-021571

Q257

003-030865
041-028952
001-021070

Transistor

Q254, 255

001-021111

Transistor

Q258
Q25 1,252

001-021133
001-021134

Heat Sink
Transistor

Transistor

PERCUSSION AND REITERATION DRIVE ASSEMBLY 128-000001

Chassis Pan

041-031549

Miniature Terminal Strip Assembly

Miniature Terminal Strip
Filter

Choke Assembly

Lug
Assembly 12 Lug
L201

Potentiometer (Dual Construction)

R217, 218 Dual

006-031552
006-031553

003-037670

500K

676-000267

Shake Proof Lockwasher

Capacitor

999-000801

.Imfd

Imfd

Capacitor Tantalum

25v

5%

C201

413- 010142

C203
R216
R209
R214
R213
R2 1 8 (Part of Brush and Cymbal
R201,204, 215
R208
R206

414- 040092

Resistor

3300ft

Resistor

22ft

Resistor

470ft

Resistor

2700ft

Resistor

3300ft

Resistor

Resistor

10K
15K
33K
47K
100K

Resistor

220K

Resistor

100K
5%
Q201 202, 203, 204, 205, 206, 207

Resistor

Resistor
Resistor

Transistor

5%

R205, 219, 220 (On Control

R202,207
R203
R212

600-020612
600-020091
600-020411

600-020592
Circuit)

for Brush

600-02061

600-020731
600-020771
600-020851

and Cymbal)

600-020891
600-020971

600-021051

600-020972
001-021135

Zener Diode

D205
D201

001-026050
001-023033

Diode

D202, 204

001-026010
011-031555

Silicon Control Switch

Wire and Plug Assembly

6-13

POWER AMPLIFIER ASSEMBLY

126-000066

Chassis Assembly Riveted

Transistor Heat Sink (For output Transistors)

AC Cord and Plug Assembly

Strain Relief (For AC Cord)
Teflon Insulators (For Heat Sinks)
Power Transformer and Pin Assembly T-702 (120v 60Hz Music Light)
Power Transformer and Pin Assembly (120v/240v 50-60Hz Music Light)

T-701
120v 60Hz
120/220v 50/60Hz
Main Channel
Leslie Channel

Power Transformer
Power Transformer
T703
Transformer

T704

Transformer

Power Transistor (4 used

Silicon

in

Insulator (For

Output)

Power Transistors)
Mounting Power Transistors)

Compound (Apply

to

Relay (For Leslie)

Relay Insulator
Silicon Rectifier

IK
D70 1

Diode Zener

22volts

Diode

D709,710

Potentiometer

thru

R704
D708 D7 1 2 7 1
D711
10%
,

C704
C702

35v(Sleeve)C703

Capacitor Electrolytic

3800mfd
4000mfd
4000mfd
lOOmfd
500mfd

Capacitor Paper Mylar

.lmfd

600v

Capacitor Ceramic

.02mfd

lOOOv

Capacitor Electrolytic

Capacitor Electrolytic
Capacitor Electrolytic
Capacitor Electrolytic

Resistor Wire

Wound

Resistor

470ft

Resistor

2700ft

Resistor

3900ft

Resistor

47 ft

Resistor

4700ft

Resistor

6800ft

Resistor

10K
22K

Resistor

Power Transistor Regulator

Transistor

50v
35v
50v

40v

Ohm 2Watt

R701,R702
R709
R706
R712
R705
R708
R710,711
R707
Q701
Q702

Power Amplifier Board Assembly

Active Filters Board Assembly

SWELL PEDAL BOARD ASSEMBLY

Miniature Pin Terminal (20 Used)

Resistor

Resistor
Resistor

001-026010
450-080040
450-010081
450-010082
407-080069
407-090329
419-040052
425-020770
601-040092
600-02041
600-020591
600-020631
600-020171
600-020651
600-020691
600-020731
600-020811
001-021180
001-021100
124-000162
124-000135

124-000126

Printed Wiring Board

Resistor

C706,707,708,709
C705
C710,711
C701,701A,712
R703

009-043894
041-041056
011-033233
013-034994
036-032018
003-044242
003-044243
003-044236
003-044240
003-030905
003-042899
001-012050
097-029624
036-030552
003-031191
036-031018
676-000107
001-024051
001-023031

023-043029
007-031196

12K
68K
33K

R4,4A,4B,4C

600-220751

R1,1A, IB, 1C
R2, 2A, 2B, 2C

600-220931

390ft

R3,3A,3B,3C
C2, 2A, 2B, 2C

412-110532

33pf C1,1A, IB, 1C

426-010132

Capacitor

.22mfd

Capacitor Ceramic

600-220851
600-220391

WOODWORK
R-124

111-000118

Cabinet Assembly

R- 1 82

111-000117

Cabinet Assembly

R-195

111-000120

Case Assembly

R-124
R-182

050-001900
050-001800

Cabinet Assembly

Case Assembly

6-14

Case Assembly

R-195

Top Panel
Top Panel
Top Panel

R-124
R-182
R-195
R-124
R-182
R-195

Music Panel

Music Panel
Music Panel

R-124, R-182, R-195

Rear Cover

Bench Assembly
Bench Assembly

R-124
R-182
R-195
R-124
R-182

Pedal Keyboard Assembly

R-182, 124, 195

and

Grille

Cloth

and
Baffle and

Grille

Cloth

Grille

Cloth

Baffle

Baffle

050-002200
050-001934
050-001835
050-002220
050-001943
050-001839
050-002223
056-043949
052-043931
052-043933
052-043934
152-000050
152-000049
153- 000017
050-001856
050-040261

Swing Out Wood Panel

Harp Keyer Rack

MISCELLANEOUS
Rotary Tremolo Assembly

120/60

121-000124

Rotary Tremolo Assembly

120/50

121-000125

Rotary Tremolo Assembly

Bass Speaker 15"

220/50

Treble Speaker 8"

8.0

Hand

4.0

121-000127

Ohms
Ohms

014-044213
014-028677
060-043865
008-044229

Assembly
Phone Jack Assembly (Stereo)
Lift

116-000027
008-030134
121-000128
116-000027

Pedal Switch Assembly

Pedal Switch (25 Used)

Reverb Unit Assembly

Swell Pedal Assembly
Photocell Housing Cover

025- 032483

Shutter

041-043035

Photoconductive Cell (2 Used)

040-043387
016-030153

Diffuser

016-038542
016-031748

Light Bulb Socket and Pin Assembly

Light Bulb (For Swell Pedal)

124- 000126

Printed Wiring Board Assembly

Top Cover Assembly (Rhythm

Top Cover Assembly (Rhythm
Top Cover Assembly (Rhythm

Lamp Holder

II

and Music Light)

and Music Light)

II

and Music Light)

II

125- 000057

R-124
R-182
R-195

125-000058
125-000059

016-042766
016-031749
125-000049

(17 Used)

14v
Lamps (17Used)
Rhythm II Unit
Lens (Music Lamp) Upper Lens
Lower Lens
Diffuser Lens
Tempo Knob
Embossed Logo

TREMOLO UNIT

Drive Belt,

016-043749

C803

Capacitor (Crossover Network)

LESLIE

026- 043744

60Hz
50Hz

Pulley,

Mercotac Rotary Contact

Dual Contact

Mercotac

Plug Housing, 6 Circuit Molex, Natural

Contact, Insert, Male

Motor

Pulley,

50vNP

(See Figure 6-1.)

Bracket, Stabilizing

Motor

lOmfd

031-042578
038-025935
407-080269

60Hz

Screw, Machine, 10-24 x 3/8",

Round Head

011700
014324
014704
015941
015958
023259
023309
024307
025460

035600
028019

60 HZ -011700
50 HZ -030601
052548

60 HZ -024307
50 HZ-014704

050658
17 V., 60
117 V.,
V.,

234

HZ-052738
50 HZ -052746
50 HZ -052753

L 023259

052696

014324
050641

026633
050625

015941

028019

035600

Figure 6-1

6-16

Location of Parts

in Leslie

Rotary Unit

Lockwasher, Domed, 1/4" x 1-1/8" x .040"

Flat Washer,

#10

Screw, Machine, 10-24 x

Flat Washer,

Lockwasher, Internal,
Drive Belt,

1/2",

Round Hd w/Int. Lockwasher

#10
#10

50Hz

Screw, Machine, 10-24 x 5/8",

Round Head

Wing Nut, 10-24

Bushing, Shoulder

Grommet, Z Motor Mount Bracket

Z Motor Mount Bracket
Bearing Assembly, Lower

Drum Grommet
Flat Washer,

5/16" x 7/8" x 5/64"

Protective Bracket, Mercotac

Bearing Assembly, Upper

Shaft and Pulley Assembly

Drum Assembly, w/ 6"x9", 8 Ohm Speaker

Two Speed Motor Assembly, 1 17V, 60Hz
Two Speed Motor Assembly, 1 17V, 50Hz
Two Speed Motor Assembly, 234V, 50Hz

026328
026633
026344
026690
028019
030601
035600
050625
050633
050641
050658
051102
051326
051342
052456
052522
052548
052696
052738
052746
052753

6-17