ESTTICA DE LA

IMAGEN
Mtro. Francisco Rodrguez

ENCUADRES
COMPOSICIN
VECTORES
PROGRESIN DE
TOMAS

ENCUADRE:
Area de captura de una imagen delimitada por los
bordes de una pantalla;
SEGN TAMAO

TIGHT
TIGHT SHOT
SHOT
EXTREME
EXTREME CLOSE
CLOSE UP,
UP,
CLOSE
CLOSE UP
UP
MEDIUM
MEDIUM SHOT
SHOT

KNEE
KNEE SHOT
SHOT O
O PLANO
PLANO
AMERICANO
AMERICANO
FULL
FULL SHOT
SHOT
LONG
LONG SHOT
SHOT
EXTREME
EXTREME LONG
LONG SHOT
SHOT

SEGN NGULO

ENCUADRE:
Objetivo significante.
Lenguaje: Sintaxis y gramtica
Historia / Narrativa visual

EXTREME
EXTREME LONG
LONG SHOT
SHOT

LONG
LONG SHOT
SHOT

LONG
LONG SHOT
SHOT

FULL
FULL SHOT
SHOT

FULL
FULL SHOT
SHOT

KNEE
KNEE SHOT
SHOT

MEDIUM
MEDIUM SHOT
SHOT

CLOSE
CLOSE UP
UP

EXTREME
EXTREME CLOSE
CLOSE UP
UP

TIGHT SHOT

TWO SHOT

THREE SHOT

GROUP SHOT

TWO
MEDIUM
SHOT

THREE
MEDIUM
SHOT

NGULO:
Relacin de perspectiva del sujeto hacia cmara o
visceversa.

TOMA PICADA

CONTRAPICADA

CENITAL

NADIR

OVER THE SHOULDER

CROSS SHOT

BUS SHOT

TOP SHOT

PLANO HOLANDS

TOMA SUBJETIVA

ESTTICA DE LA
IMAGEN
Mtro. Francisco Rodrguez