The Supernatural in Modern English Fiction

PREFACE
THE
subject
fiction
of
C.
the
mass
book
which
The
type.
in
publish
work
of
Reference
their
many
the
psychic
or
impossible
Even
in
thousand
first
at
of
the
intended
is far
to
ous
volumin-
too
be
probably
my
titles, I
examples
volume,
brought
out
novels
in
novel,
England,
bibliographical
Colton
Williams,
McCrea,
Library
out-of-print
attendance
English
Columbia,
Dr.
English
on
given
some
by
several
Dr.
years
suggestions
Dorothy
Professor
John
for
assistance
the
indebted
am
Columbia
to^Miss
and
in
the
authorities
fiction
was
courses
in
Brewster,
CunHffe,
tion.
Collec-
the
have
Professor
Professor
and
use
increased
J. Carlyle,
from
to
Kennedy
ago.
the
Mudge,
Isadore
permission
the
A.
to
University
to
for
the
prosecute
to
me
save
of
libraries
Society
interest
for
book
City, particularly
helpful
Glenn
available
persons.
York
my
University,
by
the
of
priceless
the
the
will
so
Librarian
My
of
write
of
York
New
during
to
or
given
New
the
three
impossible
been
officials
various
here,
it.
of
save
Tragedy,
manifestly
over
this
it,
ghostly
all
which
with
have
generously
of
connection
would
research
and
bibliography,
to
no
itself.
by
It
list aU
to
included
be
to
effort
no
been
related
is
mention,
numbers
has
Supernaturalin
It
to
there
introducing
enormous.
even
bibliography
made
itself
because
with
deal
to
none
The
on
English
modern
While
and
topic,
work
simply
or
difficult
material.
the
in
supernatural
found
of
fiction
discuss,
later
been
on
of
is
have
the
E.Whitmore's
motifs
to
has
its wealth
previous
Mr.
of
Dean
history
in
Oxford
received
Blanche
Nelson
Talcott
vi
Preface
Williams,
Harvard.
book
in
it,
in
me
of
Professor
Ashley
English
whose
Wright
and
made
others
the
^who
of
only
their
wish
book
the
and
of
me,
published
To
cerning
con-
material
with
is
gratitude
the
to
Department
in
kindly
possible.
aided
of
Literatiure
criticism
have
that
Head
Comparative
"
debt
Thomdike,
H.
stimulating
have
chief
my
advice
the
over
read
kindly
valuable
going
Philip
George
very
gave
of
Kittredge,
L.
Trent,
Wright
and
But
G.
P.
Hunter
manuscript
detail.
Professor
WilUam
Ernest
and
Professor
and
Professors
Krapp,
the
Columbia,
of
Columbia,
encotu-agement
all
of
these
and
"
am
volume
deeply
were
and
grateful,
more
worthy
assistance.
D.
Columbia
University,
April,
1917.
S.
CONTENTS
FAGB
Introduction
CHAPTBR
I.
The
Gothic
Romance
"
II.
Later
Influences
54
"
III.
Modern
Ghosts
8i
"
IV.
The
Devil
"
Supernatural
V.
His
and
Allies
Life
174
"
The
VI.
Supernatural
in
"
VII.
Supernatural
"
VIII.
Conclusion
"
Science
130
Folk-Tales
242
251
281
The
Supernatural
Modern
in
I2.n^lisK
Fiction
INTRODUCTION
supernatttral
THE
It
colors
and
that
elements
how
is
There
old
of
or
new,
any
who
not
has
from
exception
no
and
Shakespeare,
the
are
would
seem
the
Hearn
.English
literature
time
the
of
to
in
I
how
recently
:
says
literature,
his
treatment
believe
there
is
to
poets
And
day.
own
the
books,
the
Anglo-Saxon
our
all
residue,
European
himself
it
to
our
in
in
dramas,
If
of Literature,
author
literature.
wonted
so
from
Shakespeare
from
and
removed
distinguished
In
epics
were
great
supernatural.
the
in
magic.
Interpretations
scarcely
force
and
Lafcadio
feelings!
we
wonder
value
volume.
published
its
our
till
prose
of
in
otir
shapes
unearthly
shrunken
forlorn
our
sense
the
of
ever-present
an
poetry,
our
fashions
lose
we
is
this
introduces
us
fact,
but
books,
there
is
fact
'
The
the
word
is
something
us
consideration
that
which
music,
within
to
do
of
that
relates
ghostly
is
used
great
art,
architecture.
or
to
all
to
and
have
philosophical
great
in
ghostly
general
remember
not
very
sculpture,
of
It
able
remarkin
seen
any
importance:
whether
touches
of
ature,
liter-
something
infinity.'
here
in
its
I
earlier
sense
signifying
spiritual.
Introduction
TViiffrnntinninp
The
alone
spirit feeds
but
frozen
.touch of^f ear,
touched
by the
do, and
create
heaven,
people them
loves
Man
because
perhaps
the
beyond
the
life,create
the
forces
To
his
his
trivial
is
so
^must
rut
narrow
hours
add
trivial
eternity
and
has
so
whatever
in
poetry
supernatural,
excrescence
loose
can
his
days by flight
and
mortal
marshal
firmament
unspaced
his
be
for his commands.

; to
finite,infinity. He
piteously little thaLllfL

in the
and
the
be
the
reasons,
there
has
ghostly in literature, with
interest.
likewise
with
may
of his
tents
gods
; to
him
grant
literature
supernatural.
of the
fall of
of his
companionship,
join the
literature
life
he
yet
look,for JbiaiargerJife in dteams
But,
him, and
in
They
the
widen
unknown
can
of power,
jnoods
for
material
and
and
he
as
more2ten''yarL"h3y7""Df
own
for his
of demons
soul
the
awe
or
suggestion
var5ang
denied.
His
can
universe
can
petty tragedies
He
stars.
greedy
of the
'
the
when
by giving his existence
of powers
center
escape
other
no
elements
supernatural
circumscribed
fancy and
only
beings.
supermortal.
conflicts^
however
terror
Man's
they dignify him
being the
of
the
loves
faery wonder-lands
feeling of infinity otherwise
4gnse
as
highest
no
spectral sotmds
of
of fear
grave.
strange
the
hint
shapes
hell, and
with
pure
imagination
hurnan
beyond
from
The
unmortal.
no
those
realizes
and
is
fact
by
not
Man
supernatural.
quickens the
presences
can
the
without
mystery
lives
there
and
unknowable,
the
by
the
It
mystery.
on
in
basis
jome
soul attoactFus
have
for it and_must
thfijxyptUardemand
The
night side of
JhumaJLpsjzchosiSr--
all.
shows
in literature
weird
the
prgsgnceof
with
Gothic
that
There
and
is in
the
wide
diversityof
that
romance,
yet has
had
enormous
certain
rise
tinuity
con-
and
English fiction, as
modern
drama,
been
great
elements.
curious
extent
of
the
Beginning
architectural
influence
on
our
Introduction
novel, the supernatural

form
every
air"guises,and
serious
answer
in
in
ever;yL-period and
unearthly beings
our
satiric
awed,
or
is found
fiction. The
of
in
us
whether
mood,
every
meet
it
be
humoresque.
or
"
Literature, always
beliefs
for
entrance
made
us,
is
"
Our
supernatural.
reveals
and
aware
of
there
ând
situations,
the
emotions
mock
pubUc
places, and
invite
or
day
-d^gfegaflc^"!e="*te=s"a-any
Our-Town.
Street
of
garden
fence
of the
way
and
chauffeur, but
whirring
to
with
us
price
of butter
is
Island
AAV
its
potent
and
cheeks
We
gate and
may
the materialist
The
is
pass
the
the
may
we
ferry that
demons
by
that
creature
is not
his
an
aeroplane
on
the
to
be
if
Yon
prey.
but
pavement
bear
us
away
tmtroubled
transports
Boat
Sending
old
with
woman
that
presses
that
argument
wear,
shall
the
articles lost in last week's
glitteringeye,
traverse
than
where
Main
on
only
by
wash.
from
us
knew
we
""
erf"
the
hoofs
golden
in
now
street
for
is not
are
across
with
winter
questing
blue
We
discarnate
fetches
presently alight
magic
7*^
the
in
far
the
or
paiies!*"
early fall
souls.
gray-furred
lands
a
%
with
us
upon
That
middle-aged
sedate
Staten
of
thundering
lovely
That
time
the
will
distant
the
for
in
thing
hippogriff that
beside
the
us
reading,
our
Qpntralor
day
the
t"r:|3;^ffi:dtis;::^^
up
with
were-wolf
in Grand
earthly
un-
as
a-ghosting
go
chat
before
us
of
We
dumb-waiter.
suddenly
glooms
pass
by
us,
glide
specter may
to
live in.
we
We
the
us
commonplace
colored
about
us.
of
natural
world
our
given
sense
most
so
imagination,
unbodied
that
the
nothing
is
transforms
moods
The
in
even
us,
Hfe, has formed
spirits,and
countries.
with
ever
with
free
us
immortal
to
of
little ahead
witch
at will
wishful
imagined,
too-pink
August
bargains
will be
in
to
lure
Under-world.
is
that
the
actual
that
the
aeroplane
style
away
by the guardian of the
regions of the
argue
they
the
our
narrow
True,
more
is
velous
marmore
Introduction
thing
is
of wonder
the
was
the
that
hippogriff
ferry
really the
enchanted
would-, write
th'O
than
if he -coiild
lufezna
new
all, af34 4barfe--"ante
boat, after
-safeway
the
see
at-
ruohheu^-bût-thaA4frytotjyer^'Ssue
.
We
would
we
have
might
only keep
than
more
Victorian
our
admit
we
be
to
We
wrong.
be
the
this
discussion
establish
of
better
'"-"In this book

in
I have
them;
them.
love
touched
"am
look
out
in the
they
rain
care
give
and
hear
to
cordial
Gladsome
sympathy,
that
on
are
While
I have
now
devoted
much
more
own,
discussing
in
been
their
so
the
more
last
more
interest
as
the
no
in
than
the
the
Scotch
of it in that
wizards
say.
the
or
time
occult,
dragon
more
no
box.
glides
up
all need
and
as
whole,
fiction of the
so,
than
bogles
'ii^
century
to
years
subway,
stray dog I recognize
poor
nineteenth
thirty
holier-than-thou
mortals, they
us
left
mothers
own
hurdy-gurdy
in every
Like
relations
in the
when
attention
in the
only
mortals.! I
to
whose
me
up
mine, and
more
varigtyiand.am
poor
vampire
shut
Beast.
none
about
causation.
of
gives
sit beside
in
to
large,
much
likeness
devils
or
how-do-you-do
his paw
puts
their
It
banshee
of
-wraiths
night,
to
help
thjg..
Rejected,dog-eared ghosts
for them.
feeling of horror
hoped that
by and
know
their infinite
at
were
all
for
out
may
devils
don't
theories
all, even
if
as
wouldn't
panic
way.
learned
of them
is all
that
It is
ghost-lore
were
ghost-guests
our
newspaper.
ghosts and
__I only marvel
that
with
by their humanity,
fond
if it
singled
report
early-
an
as
But
have
do
us
if
do
we
of values.
sense
no
have
being
should
comparative
impressionistic
an
We
them.
of
proud
of the
I deal
of
ghostly things
with
and
society columns
most
neighbors.
the
associated
should
but
open,
concerning
spectral confidences
to
eyes
to
reticence
scandalous
psychal experiences than
more
because
before.
natural
super-
there
has
Iliere
is
Uterature^^^pduced
Introduction
with
dealing
It
tory.
the
and
psychal
is
short
IhaxLever^hefoxe
powers
in
apparent
in_the
poetry,
I
story.
have
inotir
the
dranaa,
novel,
attempted,
not
his-
in
even
.
bibliography,
my
since
to
would
that
be"
mentioned
however,
here
treatment
revival
of
seeks
wonder
in
characterization
^Êchj
"those
traditions
weird
has
for
where
science
Art,
is
been
the
result
in
fact
once
really
or
men
less
there
is
It
without
in
fiction.
believed
mysterious?
our
genuine
in
includes
material
If
blindly
now
the
effecT^
study
we
in
the
of
its
losing
also
on
carry
the
not
but
supernatural,
of
than
changes
unearthly,
yet
The
rather
beings.
Much
magical.
and
forms,
certain
-strictly
rationalized,
us
various
have,
examples.
with
considered
type,
suggestive
supernatural
are
the
the
that
time,
our
formerly
of
wonder
of
of
be
show
to
thethenies_that
only
of
to
the
of
impossible.
important
meant
and
exhaustive
fiction
manifestly
more
is
the
all
specimens
the
listed
have
include
Black
CHAPTER
TKe
real
THE
GotHic
Romance
of
precursor
literature
English
form
odd
be
called
brief
modern
novel.
Gothic
the
was
might
in
supernaturalism
That
behalf
in
of
banished
since
romance,
Too
century.
of
pendulum
the
inevitably
fiction
it
so
with
was
familiar
And
used
to
Castle
in
change
manifests
of
the
appeared
other
poetry,
novel.
Now,
tired
The
natural
in
and
of
mysterious
of
the
noonday
had
become
supernatural.
being.
Gothic
eighteenth-century
some
Otranto.
form
into
flow
extreme,
any
the
craved
of
is
novel
of
here
terror
materials.
to
itself.
have
eyes
swing
and
The
period.
men
came
of
of
use
Walpole,
conceded
generally
The
the
been
Horace
before
hence
ebb
against
the
invited
medieval
had
There
of
always
must
eternal
the
the
eighteenth
early
the
reaction
novel
designate
with
dealing
As
formalism.
Gothic
the
so
the
restraint
history,
fiction
the
monotony,
to
in
and
literary
bring
Augustan
of
glare
realism
against
protest
liberty.
medievalism
of
twilights
voiced
correctness
great
proportionate
in
result
and
rationalism
of
excess
it
but
the
the
begin
with
The
Gothic
literature
his
in
the
in
however,
folk-tales,
for
English
novel
supernaturalism
the^pic,
not
considerable
distinct
supernatural
but
is
curiosity,
marks
which
fiction
proper
Romantic
novel
the
drama,
in
terror
Heretofore
in
weird
in
element's^!
ballads
noticeably
time
the
and:
in
the
ghostly!
Gothic
The
themes
"with the
vehicle
short
for the
and
in
this
in the
vacillation-
of
materials
This
The
between
and
will
be
comes
ghostly
narration.
epic has
the
is
Fate
distinct
Uturgical plays introduced
Deity
characters
as
Elizabethan
in
drama
we
as
dramatis
persona.
as
metrical
and
so
material
of
present
our
in
early
or
the
to
while
On
of
less influenced
by
through
devils, and
even
to
though
does
heaven
and
of
considerable
the
we
devil remains.
been
revival
Gothic
not
There
able to find, though
popular
so
the
to
drama
Faerie
Queene
stories,
and
lavish
the
the
are
the
use
of
of
no
epic
angels,
m3rthological
fiction,
in Gothic
seen
more
The
romance.
in
that
Tales
tradition, show
hell, the
find
much
to-day.
The
as
dramatic
extent
well
as
medievalism.
poetry
are
and
magicians,
fairy-lore,of magic,
the
the
even
undoubtedly
Deity, the introduction
Gothicism
In
I have
than
figureswhich
and
characters
times.
trace
while
geste, lais, and
hand, the later novels

the
the
classical
closely related
such
to
and
supernatural for complicating
from
strong
more
other
tours
appear
is
or
the
on
logical
mytho-
prose
de
forms, and
the
epic
the
romances,
comes
show
novel
of the
as
element
epic
Comus.
In
alliterative, chansons
romance,
Gothic
The
than
Medieval
in various
in
dramas,
ghosts, witches,
see
Celtic Otherworld,
of the
action.
considerably
forth, drew
older
conflict
and
devils,angels, and
the
such
themes,
demigods,
the
general
of super-
brings
and
powers,
in
in
elements
various
figure
moving
tinct
dis-
of super-
Poetry
certain
divine
is
later.
world, visions of heaven,
and
form
as
corresponding change
characters, gods, goddesses,

like.
of
discussed
the
it
supersede
development
in form
lower
mortal
is to
of the
freely used
has
visits to the
as
weird.
literature
naturalism.
lengthy fiction, contrasted
later
change
in all times
story which
interesting aspect
naturalism
With
in
prominent
most
are
Romance
stories
of
recent
Deity disappears
vampires,
were-
wolf
so
and
far
the
The
Gothic
Romance
lycanthrope
appear,
which
(save
Duchess
of Malfi)
such
in
The
the
as
which
is to
Wandering
become
prominent
Jew
and
in
terror
horrific
and
emphasized
it
Hall
satirize
the
terror
it out
of
laugh
between
ordered
in
the
and
he
castle.
From
his
of
feudal
castles
was
study
writing of
ghost-haunted
author's
terror
Strawberry
at
mysteries
dtranto
is
Gothic
of the
step to the
gloomy
weather
expressed
building
In
of
the
slight degree,
the
as
Gothicism
not
Humor
save
itself
Austen
Jane
effect
is
writers
have
we
and
Barrett_
burlesques that
plan, and
the
architecture,
Everything
fad
in
for
that
Walpole,
medievalism,
extraordinary
Hill, courteously called

Gothic
architecture
that
cloisters
of
the
shotald
medieval
terrors.
dream
a
was
of
the
but
The
the
ancient,
shades
suggested
structures.
Gothic
reproduce
shadows
suggested
is
conformity becomes
enthusiasm
of
ship
relation-
Horace
novel, had
fiction, of morbid
thinking about
Gothic
monotonous.
times, for
outcome
and
tale the
strongly stressed.
romance
and
the
stories
literature.
In the terror
conventionally
father
with
court.
to fit the
time
greatly
associated
itself in delicious
supernatural
and
scenery,
novel
of Gothicism.
Elements
be
Eblis, though
romance,
satire, though
no
of
modern
more
unintentionally.
practically
inanimate
to
to
in
present
are
largely lacking in the Gothic

furnish
pernattiralis
su-
aspects of later fiction, are
Vathek's
in
as
Mechanical
romance.
symbolism
Melmoth
the
mi^thological
the
to
more
and
Allegory
as
the
to
in the
noted
both
of life and
origins here,
Supernaturalism
The
times.
given
power
their
on.
related
animals,
elixir
importance.
uncanny
have
to
further
developed
past
the
later
in
the
and
achieve
stone
and
seem
the
in
comes
seen,
are
supernattiralism
scientific
of
so
elements
beginnings
philosopher's
objects
Other
drama
the
from
absent
were
Castle
by
of
of
the
The
The
Gothic
all the
and
castle
and
vaults
and
chapel,
form
other
in
scenes
medieval
The
harassed
spacious in the
unearthly
the
ghosts
horrific
its architecture.
kinship with
their
invariably lay
astery,
mon-
inquisitional prison.
an
wandering
structure.
And
phenomena
is
through
indeed, the
much
piles of antiquity than
vast
for
that
in
more
lows
bunga-
our
apartment-houses.
or
Mrs.
Radcliffe
fiction.
with
with
black
dropping
in
waving
depicts
the
pieces from
whose
great
pressed
chill
"
surely
gloomy
keys
other
of
the
black
chilled
"
she
marble,
portals of
prophetic
velvet
stairways
the
in
groan
scoted
wain-
romances
treacherous
halls
or
palls of black
with
dust-covered
furniture
with
heart, and
my
upon
and
terror
In
I entered
says:' "When
structtire
with
rooms,
rusty
castle,
rotting tapestry,
age,
castles
decaying
in
winds.
ghostly
mysterious
heroine
with
larch-wood,
to
leading
vaults
to
Gothic
in
structures
shows
Udolpho
0/
hung
rooms
ruinous
many
all
chateau,
secrets,
erected
Mysteries
Her
convent,
and
domicile
forever
of Gothic
for
opportunity
or
is
spectral
castle, a convent,
abbey,
heroine
corridors
midnight
underground
and
class
the
of mystery
visitants
unearthly
close
of
or
its
suitable
buildings,
chateau
effect
revenants,
shows
novels
possessing
as
trap-doors, its mouldy,
supernatural
The
the
passage-ways,
its
throughout
romance
increase
hall is the
feudal
represented
fit setting for the
is
that
secret
dungeons,
it.
haunt
its
Romance
itself
antique glooms
awe,
and
Gothic
locks.
this
my
scarcely allowed
and
One
Gothic
veins,
me
to
breathe."
The
Ancient
of
says
seemed
conjure
terrific
and
'
setting: "The
its
to
In
The
of the
Records
ten
up
imaginary
Romance
of the
damp,
thousand
cold, awe-inspiring hall
superstitious horrors
apparitions."
Castle.
of St. Oswyth"
Abbey
^By
In
T.
Maturin's
Al-
J. Horsley-Curties.
""
"-"
The
lo
Gothic
Romance
bigenses the knights assemble

baronial
hall
outside.
In
and
tell
often, yet it is always

with
its
ruined
diabolical
abbey
marriage
madhouse,
and
horror
In
Zofloya,
is
the
the
'
that
to
of the
its material
has
Gothic
true
the
erects
with
up
crumbling
whose
keeps
them.
dominates
will
In
setting.
convent,
place
show
to
serve
the
laid
its
the
of
of the
becomes
has
of
not
sea
and
was
those
in
fiction
of the
laid
antique
on
that
gables,
merely haunted
character.
personality,
its bounds.
the
Synge's drama.
important
leading
It shows
Hawthorne
or
chateau,
an
malignant
finally gives
brooding,
The
itself but
that
novels
Gothic
such
the
within
character
seven
donjon-
and
architectural
names
built
novels
abbeys,
it seemed
his
meet
abbey
number
the
devil
the
Gothic
romance
castle, abbey, monastery,
events
spell upon
of
his house
power
old
wrote
that
story
the
something
to
Shelley's other
general importance
fact, the
It dominated
\ that
In
inquisitionprison occupied
or
in
likewise
list of the
the
novel
Zastrozzi, which
show
This
for his
and
with
castles, awesome
titles
undergrotmd
an
SheUey
desolate, dear
Roche
in
which
structure
Maria
Regina
characters.
and
castles.
freedom
setting.
same
the
by
incidents
gloom
add
cells, which
by other
boasted
his
celebrant,
the
priest for
imprisoned
is
appropriated
the
dead
castle, the
celebrates
wanderer
supernatural
maiden
changes
scene
ancient
the
inquisition
the
rages
"
the
a
the
storm
terrible, ^the monastery
and
with
significant because
victim
Wanderer
which
by
to
similar
he
the
punishments,
midnight
at
the
cave
tales
Gothic
the
while
ghost
Melmoth,
great fire in the
the
round
relentless
ancient
is the
castle
haunter
as
well.
Not
only
of Gothic
"By
Mrs.
'Riders
is architecture
fiction, but
Dacre,
to the
Sea.
better
the
known
made
scenery
as
"Rosa
subservient
likewise
Matilda."
to
is
the
needs
adapted
to
The
fit it.
with
Before
in
the
fluent
fervent
subjectively
is
the
to show
unearthly
of the
and
and
Like
of
the
scenery,
subjectively
between
harmony
of
as
The
stroke
as
some
heroines
is
and
moods
always
of
itself
seeks
of the
for their
is little of the
but
do
to
do
they
storms
rarely
of twelve
crimes
and
light.of day,
scenes
the
glooms
of
Gothic
novel
is
Mrs.
ever
artistic
an
the
atmospheric
walk
The
the
to
the
generally witnesses
restless
winds
fiendishly
laugh
take
operations
in
most
place
at
in
Gothic
some
on
are
instead
of
of
romances
midnight,
and
fiction.
The
uproar
spirit.
tales start
of
accompaniment
Albigenses
seneschals
Radcliffe's
and
approach
of nature
Whenever
their
fi
the
lightning,supernatural thunders,
usually
of
is
and
peaceful night
appearance
in
There
and
as
the
ters,
charac-
only the
with
in
moods
In
diabolically possessed
is
the
the
ghosts
presaging tempests.
there
imitated
emphasize
to
harmony
announce
devil, and
terror.
tains
moun-
writer
world
treated.
play
roaring tempests
moaning
awesome
novel
the
weather
man's
The
conditions.
the
in
are
tures.
vividly pic-
itself
ordinary nature,
that
so
sufferings.
the
always
There
experiences.
phenomena
in
fitting background
cheerfulness
crimes
reflect
that
fact
successors
Gothic
What
to
features.
impressionism.
Nature
outer
the
dizzy abysses with
her
dark
the
of man,
of
and
general in the
of
she
scenes
crags
thing.
both
by the
scenery
with
represented.
states
combined
to
morose
castles, and
hampered
the
dread
nattu-e
important
and
of
the
by descriptions
mental
on
paid
style for
glooming
genre
all
been
had
the
set
adjectives, and
in
scenery
is not
for
forests, beetling
sketching
The
had
eyes
painted
and
in
laid
never
and
she
at
stories interlarded
notice
But
not
was
ii
her
wrote
of the
romances
She
her
novel.
Radcliffe
had
Radcliffe
Walpole
as
succeeding
Mrs.
Romance
descriptions, scant
landscapes
she
Mrs.
nature
scenery
Gothic
the
midnight
VI
The
12
ramble
"The
that
not
equal that
the
unhappy
suit
to
thunder,
like
accusingly
Monk,
the
the
river's
brink.
and
with
sheeted
the
forests;
into
them
No
the
the
river
writer
Charles
Robert
dreadful
life till he
exchange
search, the
mock
midnight
'St.
with
^
find
can
more
with
despair.
his
after
banners
Oswyth.
tmcle's
after
of
an
As
As
Melmoth,
cloud
"In
Melmoth,
stream,
spot
with
than
soul
reads
earth
both
the
fated
on
whose
march
the Wanderer
and
The
in
his
reflect
alone
sweeping
host
to
willing to
nephew
young
does
doomed
of weather
comes
approaching
now
harmonizing
the
traverses
death
up
the
storms
tortured
the
the
carried
of
outer
him,
rent
despairing monk.
the
preternatural aspects
his
abated,
cliff
clouds,
reached
they
power
some
the
fury
with
is
Lewis's
from
in
and
scene
of
; it swelled
they
of the
Maturin.
"cloud
dark
when
Victoria
This
chapter
black
the
arises
storm
winds
the
last
hurls
Ambrosio
banks;
corse
soul
destinies
last
now
shows
of the
tempests
and
and
clouds,
at
river.
fell in torrents
their
the
the
was
lay, and,
Gothic
and
rain
the
arose;
sky
of black
When
devil
throws
storm
the
fire ; the
Ambrosio
where
devil
over-flowed
waves
in
one
violent
into
weather
plots they make,
sympathetic
body
the
where
Instantly
rocks
top,
her
the
accompanied
The
background
as
the
forest with
nature.
lightning.
himself
sweeps
of
lurid
and
mountain
the
flood
to
against
announces
from
of
thoughts
the
the
in
meetings
dark, unholy
the
they plan murders
Moor
could
in
passed
manifestations
by supernatural
hellish
tremendous,
really the devil in disguise,are
is
is ordered
says:
captive."
who
Moor,
was
which
tempest
another'
And
moment
Zqfloya Victoria's
In
that
at
halls of horror,
and
passages
agitated.
becomes
storm,
Romance
subterranean
through
barometer
the
Gothic
at
script,
manu-
like
the
is for
Albigenses.
destruction."
"Clouds
The
Gothic
Other
references
portentously
go
return
with
heavy
thunder-clouds
shrouds
of
thunder
of
added
In
of
specters
the
effectiveness.
becomes
period is there
Lear
and
the
idea
the
of
murmurs
decided
of
added
in
work
as
the
to
suggestive-
at
are
and
nature
convention,
heath
in
the
used
fiction
with
of
the
Shakespeare reveals,
as
in the
of
pitilessclutch
in his
soul.
inter-relation
of the
passions
original with
little of the
their
is
tragic tempest
of the
is not
to
such
the
Yet,
of
Gothicists, and
inevitabilityof genius, they

effect
supernatural
is less barometric
Origin of Individual
origin of
the
the
individual
Supernaturalism
note.
believed
this
by
method.
less architectural
as
in then
than
at the
now,
they had
present time.
more
conducive
to
unsocial
seemed
leisure ; and
the
of the
Gothic
uncanny
and
Dreams
enjoy
novel
played
Gothic
romances
and
people
and
all the
One
reason
their
gave
the
The
than
great
romances
The
ical
psycholog-
is
probably
radiators.
to
the
Tales.
retailing of
steam
frankly
Gothic
was
telling of ghost stories
than
our
Peals
Gothic.
The
to
and
like the
seem
forces
with
man,
distinct
power
more
they show
fiction
terrible
Nowhere
on
nature
greatly
Later
the
with
the
although
add
dark
exhausted
there
agencies
a
wanders
storm,
though
the
supernatural
varying
man
novel
passions of
This
the
...
greatness.
peal like the
use
events.
where
slowly
motif.
to
war
"The
fury."
advance
Gothic
to
dark
where
ness
of
the
heart."
attempt
reflect
ships
departed
every
general, in the
definite
off like
that
13
illustrate
may
strength and
sounded,
spent
Romance
interesting
generally
more
were
more
folk-tales
for this
open
to
this
be
fires were
of
natural
love
that
more
shudders
eighteenth
to
of terror
may
pleasures of fear, and
rein
given
than
century
the
rise
for the
gruesome.
an
important
part in the
inspiration of
the
tales
of
Walpole
Shall
I waked
I could
(a
castle
staircase
down
saw
dream.
the
and
after
at
the
gigantic
hand
Frankenstein
"Monk"
Lewis
fireside
each
others.
and
The
it is said
girl should
unable
hit
to
discussion
student
had
put
shut
show
eyes
and
signs
of
behold,
looking
him
with
from
The
acute
this
relation
she
the
saw
the
on
the
that
so
compositions
stein,
Franken-
save
that
annoyed
Mrs.
Shelley
after
to
was
hearing
Hfe
create
idea
vision
beside
in
half
saw
the
of
artist
thing
"
the
phantasm
working
The
horrid
watery,
of dreams
Polidori,
write
the
an
mental
hideous
life.
wrote
had
should
attempts
kneeling
arts
and
And
but
then,
awakened;
on
she
of
Byron
evening
one
born
says
first
Darwin's
of unhallowed
out,
At
experiments,
together.
stretched
him.
least
stories
group
much
hands.
much
so
with
was
plot, but
the
the
Byron,
tales
great
my
on
likewise
with
evening
in
grew
negligible
Byron
excel
She
with
"
pale
engine,
work
terror
were
the
knowing
compared
of Erasmus
dream.
saw
of
that
upon
laboratory
waking
member
results
of
interested
German
be
banister
In
was
of
to
romance
mine
armor.
The
had
recital
that
ghostly
by
relate.
or
Shelley's
proposed
mere
in
ancient
an
filled like
uppermost
write, without
to
to say
head
Shelleys in supernatural
of the
for
in
myself
thought
all
of which
dream,
this
of
origin
the
was
from
I had
dream
began
and
Mary
what
morning
that
nightmare.
architectural
an
you
that
was
and
I intended
what
to
natural
very
of
the
as
was,
romance
one
recall
story)
Gothic
sat
letter
initial
result
confess
even
romance?
that
the
in
says
Romance
The
terror.
tells us,
author
Gothic
The
14
stands
of
sleeps
at
to the
story
uncanny
of
the
he
man
powerful
some
but
he
is
his bedside,
yellow yet speculative

her
thing
eyes
man-monster.
tale is
interesting.
The
Gothic
Dreams
and
of
future, played
the
(as they
would
the
authors
visions
attributed
dreams
discover
dreams.
Gothic
fiction.
and
second
sight in the
naturalism
becomes
and
contributes
De
Quincey's
how
in
The
in
The
for
interesting by-path
an
even
^.
It
instances
many
influenced
in
presaging
dreams
and
appear
quently
fre-
agency
novel
terror
their
between
relation
close
'
form
might
investigation. Dream-superin
prominent
more
extraordinary
of
passages
drama
tradition.
the
supernatural
to
the
'
motion-picture scenarios)
in
subconsciously
by
prophetic
in
part
continues
to
were
of material
choice
used
novel
impossible
past and
important
an
widely
now
Gothic
be
15
visions, revelatory of the
are
the
and
Romance
Dream-Fugue
of which
power
mentioned
be
may
fiction
later
as
an
example.
The
germinal
contained
in
doomed,
moment,
resign
to
such
not
"
True,
the
folk-tales
Doctor
dramatic
his
own.
that
man
the
hope
of his
the
drama
of
story
of
could
would,
who
us
the
may
regarded
disthis
at
earth
could
No,. there
is not
bestow
or
salvation?
were
we
will, and
His
of mankind
enemy
to
one
mortal,
forced
devil-pact
to
seek
to
the
by
an
lowe's
Mar-
gives the idea
here
by
another's
buy
with
cursed
across
in
previously, notably
Maturin
in
appeared
had
psychologic poignancy
and
ceaselessly harried
fate, forever
such
of
Faustus, but
the
the
own
offer !
in
twist
being
earth
on
theme
and
one
all
the
author's
present, however
us
disobeyed
Lord,
is there
"
of
one
the
fool
it with
traverse
human
word
accept
aSord,
one
from
departed
for
theme
the
of
one
was
soul.
is there
moment
His
from
Wanderer
the
Melmoth,
suggested
fate-pursued
this
have
for
paragraph
which
sermons,
At
idea
making
soul
to
save
physical immortality,
world
irresistible
by
hounds
the
tirge
to
make
of
his
The
impitiable offer
Gothic
Romance
Maturin's
and
Clara
Reeve's
English
be
that
earlier
tended
the
"We
to
Her
certain
the
to
the
and
work
; and
the
result
Mrs.
Anne
other
was
her
on
later
and
hands,
night,
that
During
all those
she
to
waiting loneliness
that
terrors
nervous
Her
while
keep
and
passages
that
but
she
that
Matthew
Monk
in
by
went
is
midnight
ghosted
mad
she
engage
did
she
an
time
mix
not
voured
de-
was
for
journalist husband
from
describes
whose
that
of
explanation
for him
being
doubtless
wanderings
she
scared.
experienced
being
as
emotional
gone
under-
anguish
through subterranean
There
apartments.
from
to
ability
prob-
air of
sittingup
herself
by her palpitating maidens,

is suffered
attention
manipulator
had
be
may
so
the
time.
literary attempts.
at
required,
pathetic
energetic
which
of
fiction
an
indigestible though
of her
"
annotmced
ingredients
because
frightful stories
wrote
her
wished
appearance
give
of the
rather
was
machinery
she
excite
life to
But
wrote
till late
away
the
to
Radcliffe, that
enginery,
wasting
for
enough
readers
by hungry
Gothic
allow
in its behalf."
heart
well
work, though
of real
manners
paternity.
the
supernatural
degree of the marvelous
of the
enough
disclaimed
impressiveness and
own
She
literary offspring of the
recipe for Romantic
prim
should
that
Walpole's.
than
of the
her
and
Old
ghost story
Walpole
in
The
in
the
its
danger
conceive
can
ghost."
a
defeat
writing
purpose
was
violence
order
power.
realistic
though
that
avoid
' '
book
romance,
deplored
that
to
her
and
high
dreadful
produce
to
was
probable
stated
avowed
Baron
more
She
story has
of
possibilities
tragic refusal, offers dramatic
meeting
always
souls, and
tormented
to
over-much
is
brooding
report
one
on
mormo,
generally discredited.
Lewis
Gregory
reading
Radcliffe, together
the
with
was
impelled
romances
Schiller's
of
to
Walpole
Robbers,
write
and
which
The
Mrs.
triple
The
influence
is discernible
that
in
story
book
of his
indecency
from
Gothic
The
impressed
He
by asserting
he
Shelley,
St. Irvyne,
amounts
actual
to
imitation.
In
stories, and
The
him
the
of
novels.
Gothic
sorcery,
Zofloya,
Mrs.
in
And
novels
known
the
in
times
of the
various
the
to
the
periods
and
of the
the
become
for
specter
glides
"The
colorless
and
and
indicates
Barsis," The
study
of
supemattualism
of
modern
Gothic
bution
contri-
significant,though
is the
Ghost
reader
History of Santon
less
and
developments.
merely
up
ments
experisatanic
in the
The
is
with
science.
and
discoveries
the
by
ing
part in furnish-
of
The
novel.
Gothic
do
to
imitative
interest
literature
the
of the
theme
ha.a
the
novels
performs
plays
ghostly fiction
The
in
was
and
sorcery,
plot material.
Ghosts.
tigation
inves-
supernatural
of the
later
and
seen,
the
Moor,
is much
with
these
apparent
Vathek
science
to
of
"in
was
productions
thought
with
phasesof
genre
slight in comparison
Gothic
deal
number
show
wrote
the
dream,
telepathy,
There
this form
we
diabolical
furnishing
as
The
other
of science
relation
as
Beckford's
in
so
material.
the
he
with
scientific
Mattirin
hypnotism,
chemistry.
when
Darwinian
Dacre's
titles
Shelley said he
have
and
St. Leon
adaptation
the
Even
in
matter.
crude
William
than
Zofloya
the
Frankenstein,
Shelley, and
plot
strongly
so
Dacre's
is
Godwin,
the
Godwin's
is familiar
Romantic,
alchemy,
was
eighteenth century
of
elixir of life.
Mrs.
sickness"
the
outcome
and
turn,
Godwin,
in the
influenceof
his
by William
to
who
one
will contradict
in
plagiarism.
writing
no
took
reprehensible
Rosicrucian, that
intellectual
of
state
The
or
less
is
Monk,
writing his Zastrozzi, and

in his
that
the
defended
Guardian,'' ingeniously intimating
Lewis's
by
17
in his lurid tale.
plagiarized immorality
original material.
Romance
real hero
human
dull
the
Number
ine
hero-
characters
moment
willingness
Guardian,
or
to
148.
relate
The
the
Gothic
story of his life.
shade
in literature
finds
fear
be
the
delight
haunts
in
the
is
ideas
in
horrors,
of
all.
primitive culture,
influence
in
dramatic
the
is
the
Gothic
and
of the
peculiar
a
several
are
pin faith
figment
dungeons
their
"while
of
souls
deliberate
or
the
related
are
imitative
characteristics
have
others
tion
considera-
demise
back
to
to
do
have
only their
wanderlust.
ask
the
Christian
penance
guilty conscience
There
for
own
are
their
; we
sins
castle
appear
premises,
innocent
circumstances
burial
; and
habitation
proper
There
only
ghosts
are
local
in
can
is
; others
Some
reveal
that
retiringshades
will.
and
anybody
the
free
to
ghosts
sometimes
"
for
the
called,
haunt
of
that
specter.
hoax
paged
have
ghost
of
or
to be
and
name
classes
imagined apparition
when
only
own
sent
is the
real
hysterical fear
spirits returning
violent
is the
to ; there
is the
Ccesar
greatly worth
are
clearly marked
There
come
and
and
certain
the
not
Though
poor.
strong
approaching
they
yet
in
study of literary supematuralism.
Gothicism.
that
Macbeth,
ghosts they have
themselves
to
There
there
of
ghost
share
have
Julius
or
altogether
not
are
dramatic
in
The
ever.
phantoms
logue-ghost
pro-
fiction, but
tradition, with
dramatic
suggestiveness
them
of
the
and
The
talkativeness, his
psychologic subtlety of Hamlet
horrific
his
classical
in
as
the
of
animistic
specter.
needed
ghost
its association
of
Shakespeare's apparitions, nothing
of
power
Gothic
not
the
to
the
see
may
prominent
as
The
touch.
we
the
personage,
action, reflect
Senecan
to
is
revenge-ghost
as
addition
ish
child-
trail
the
superstitions, survivals
naturally,
the
In
to
all events,
fiction, and
terror
them
over
ancient
Elizabethan
At
due
be
it may
or
and
emotions
of
pleasurable
the
of
that hiamanity
fact
the
to
sensational.
pages
supernatural
with
the
due
most
truly enjoys vicarious
popularity
continuing
The
may
of
one
Romance
of
meet
in the
their
guilty
place
Gothic
The
of
their
commission;
multiple variety.
and
The
the
shades
times
his
coming
larger than
sword
ghost
which
later
an
foot
and
hand
his
stands
forth
as
the
"is
fashioii
and
mortal
of
see
last
specter
his
in
armor
the
castle, the
the
gloomy
prayer
in
round
discovers
of
There
be
remembered
skeleton
That
of which
interesting
slowly
"turning
in
wrapped
in
kneeling
fleshless
the
he
"
glory."
seen
who,
and
chapel
After
nose-bleed
of
is
and
lacking
is another
who
monk
Frederick
to
sockets
empty
made.
are
he
scene
automobile
singular, considering the weighty material

and
chapters
shade.
the
The
Brob-
few
are
blaze
hall, and
it in.
an
will
with
in
eyes
the
that
Alfonso
"
portentous
afflicted
statue
from
wrapt
seems
he
famous
specter
then
He
hundred
the
first
In
is
ghosts
bear
to
We
limbs
the
imposing
an
receiving Alfonso's
as
the
into
men
match.
to
supplies
of Otranto.
body,
no
parts, after
demonstration,
Castle
sections.
leg, with
enormous
assembles
in
appears
It
of Gothic
helmet,
hundred
prayers
family
crashes
of
inextricably.
cross
enormous
size, which
requires a
himself
dignagian
life
The
an
yield to
exorcism.
lines
of the
ghosts
revenge
resist
the
in
by
are
that
for
giant apparition
19
specters that
are
classifythem,
to
there
genealogical founder
heralds
There
strong-minded
difficidt
is
and
Romance
jaws
a
and
hermit's
cowl."
Clara
the
Reeve's
heir
unrecognized
night in the haunted

a
of
such
two
the
and
woman
appalling
vanish
after
he
cliffe'
introduces
chatty
personage
'
In
Gaston
to
the
estate,
apartment,
other
size
as
the
is estated
the
who
de Blondeville.
his
in
haunts
of
a
spending
though
armor
in
Otranto.
long-lost parents
murdered
baronial
apparitions, one
suitably wed.
and
shade
is
who
revenant
as
English Baron,
Old
two
sees
gentleman
themselves
announce
in The
peasant
young
Mrs.
not
The
and
Rad-
knight,
hall full of
men,
The
20
and
time
another
at
Gothic
Romance
in
engages
slaying
tournament,
his
opponent.
old
shows
Bonhote'
Mrs.
Only think, Miss, of

business
own
him
follow
to
ghost that
In
here
minute
this
land
on
the
romance
heard,
or
minding
at home
be
trouble
castle, taking the
own
four
or
I have
as
can,
should
it has
special business
on
travelling three
However,
miles
Baron's
the
at
that
ghost
the
whom
ghost of
migratory
in vexation
complains
servant
its
us
miles
hundred
the
at
go
communicate!
to
is
nothing
of
rate
to
thousand
sea.
baron
and
vault
visit the
to
goes
has
curdling experiences.
"A
deep
'
You
vocal
the
from
objects
story
same
almost
Thomas,
specter
or
the
at
Castle
Castle
armored
in the
'
In
By
who
fire
his
to
son
has
Gothic
Bungay
Charles
Times,
the
manner
killed
do
an
not
him,
cry
third
"
bones
my
heels, and
departure
ghost
the
spook
The
of
one
pursues
ing
finally vanish-
of brimstone
behind.
shakes
its
Smith,
head
hoary
pistols at it.
shows
son
demanding
and
appears
in
father
Baltimore.
dicating
in-
vengeance.
Count
Roderick's
Philadelphia novel,
anonymous
of his
murdered
murder,
to madness.
"Vindicta!"
and
The
as
scaring
revenge
frequently as
3
By
P.
H.
the
ghosts
Castle.
Lucas,
his
second.
History of Jack
and
claims,
ex-
matrimonial
conceded
odor
an
in
ghost
revenge
telling his
well
oj Caithness^
Castle, or Gothic
king,
his
his
the
voice
pieces, whereupon
and
woman's
Donats,
who
men
in
sees
making
on
and
will crush
burial
apparently
young
of Saint
of
group
from
his wounds
An
has
a
his
to
stamping
rises
coffin
baron
sky-rocket, leaving
The
the
coffin
you
or
decent
Later
she
the
the
demand
though
like
knocks
He
wife, who
the
from
Forbear
me
castle.
venture,
In
"
bones
the
first
hurt
'
powder!
to
issues
groan
P.
in
The
the
but
early drama,
In Ancient
of
Records,
who
nun
wicked
She
Suddenly
the
what
orbits
the
of
of
Scant
and
the
wonder
and
appears
dagger
up
with
angry
the
by
reproach.
dead
infant
baron
forbids
his
Another
interested
brother
with
dreadful
a
becomes
suddenly
for
will, when
has
intent, when
spook
and
countenance
his
specter
Gondemar
Again,
wicked
gestures
ghost
beckons
Gondemar
departure."
who
searchers
and
has
him
his foot
find
headless
over
guilty
on
corpse
Another
of
and
mutilated
soul."
certain
in
to
stone,
recreant
The
young
where
heroine
the
beneath
in the
who
nun,
she
ghastly
investigation,
figure through the

bed
sleep,
subterranean
accusing spirit appears

a
his
shows
On
winding-sheet
convent
J. Horsley-Curties.
him
his
on
from
man
vanishes.
and
Benedicta,
the
wakeg
to
inconsiderate
Another
follow, leads
throat
a
spot.
that
to
punishment
him.
volume
repeatedly
appears
demands
slain
same
his
in
marquis
ing
Accus-
in The
excitement
creates
murdered
parties
vault, stamps
T.
bans.
sunken
beckoning
hovers
hollow
his couch.
on
against her
hollow,
specter in the
"
"
filled with
now
specter
story Rosaline, the distressed
same
the
throat
revenge
Spirit.
wound
The
their
Three
chamber
the
falls senseless
wed
to
from
Oh
departs
By
spirit
animated.
Vortimer!
light.
In the
her
at
"lifts
"
hate.
the
alive
her
dart
anger
horror-stricken
heroine, is about
her
with
specter become
appalling
sulphurous
invisible
'
silent, tormenting
ring pealing through
blaze
story
buried
and
midnight,
at
of the
eyes
flashes
on
shrieks
and
in their
Abbey of St. Oswyth,
with
him
21
relentless
as
wronged
returns
beside
are
The
or
Romance
breast.
her
then
they
been
has
baron
stands
on
Gothic
same
glides
cloisters
"breathed
who
dicated
in-
has
as
and
out
taken
The
22
refuge in the
temporary
cell with
old
derive
the
Another
that
for
understudy
her, who
characters
Ghosts
begin
Gothic
novels.
retinue
of
and
alone
countless
their
sockets, bare
picture of the
of
pressed above
the
soul's
living
Hall
given
of
with
burning
"the
was
enough
;
with
forms
life to be
one
here
hand
forever
own
precious boon,
there
of
'
immortal
carrying his
most
less
eye-
spirits in
shows
his
of Eblis
they regard
him
Darite
that
Beckford
lost heaven's
Hall
toward
unhappy
in
of
women,
Astdsrfrom
Vathek
no
ing
pass-
"clattering bones,
of
in
appear
phantoms
move
heart, each
fleshless
still possess
dfeplorablecondition
in
Eblis.
the
Yathek presents
the
meets
breast, all
souls, each
In
hope!
have
Beckford
grinning jaws."
doomed
his
in later
to
religiouspersecution. Men,
him, having
corpses,
kings, who
forest,
reproach,
is
not
as
poor
impressive description
large number
hell within
so
heels
others'
assembly.
at the
and
the
for
individuals, spooks
one
dark
babes
unspeakable
times
TheAlbigenses,deMontfort,
of his
with
concourse
as
InMaturin's
a
in
nun
an
boldened
least, a ghost-of-all-work. Em-
specters in
maidens,
is
success
through
provides
confusion
Vi/iUiamJi"ckf ord in his
victims
most
each
upon
at
or
pioneer
reader.
romance
mobs.
young
the
for the
No
thousand
niggard^
the
room!
in Lewis's
He
horrors.
impersonates
crowd
to
specters,
by
groups
and
theless,
Never-
the
Nun
Bleeding
can
they may
her
of
one
providing complicating
emergency,
other
ghost,
of Gothic
hall
earth
which
changing
on
of note, is the
apparitions
Monk,
two
cloistered
famous
female
of
girl insists
nervous
the
imagination."
our
an
mysterious
for
that
but
us
by
is informed
over
the
share
to
spiritswho
of
weakness
the
from
injure
to
power
no
has
permissiori to wander
receive
possess
and
room-mate,
damned
that, "Those
purposes
Romance
convent
disturbing
this
nun
The
Gothic
the
are
the
pre-adamite
conscious
another
still
with
of their,
looks
The
of
the
deepest
motionless
beholder
James
As
he
him
lies
We
of babes
that
wi'
When
"the
corpse
its hands
and
stares
round
watchers
body
similar
modern
There
is
number
priests
novels.
forth
story
one
but forgets and

the
firmly
news
thousand
of
The
whose
Mrs.
them
to
But
years.
or
of
bids
strong
will,
incantation, and
imagined ghost
writers
lack
Radcliffe, for
the
the
The
to
in
candle
to
the
away
In
over.
In
for
'
standing
under-
the
up
ter,
spec-
breaks
of feeble
break
to
nounce
pro-
another,
return
cannot
the
visitants.
scare
monies
cere-
priest into hysterics.
the
of the
in many
of their
instance, loves
Spirit of Turrettville.
Ambrose
occasions
and
they
ghostly horrors, yet explains

'
found.
ghosts depart and
scares
courage
face!"
spirits in
restless
bogle, whether
appears
bed,
moments,
of
various
legs
comes
sounds
never
one
troublesome
that
one
is
later
in the
few
in
presently tumbles
priestperemptorily
the
On
his
crosses
in
bodies.
against the
monk
pitiful
its dead
and
bell, book,
with
anathema
for
exorcise
to
attempt
Gothic
come,
of dead
motif
wi'
occurs
evil
supematuralism
sits up
room
instance
stories
some
of
the
is visible.
supernatural
disappears
mysteriously
somewhat
Bierce's
leave
around
the
nothing
effective
dead, the
as
wronged.
women,
invisible
that
the
the
of the
is
man
01
dreadful
so
pawls
the
has
only he, but those
and
sin
in flames.
of very
man
he
bed, though
frequent
so
After
become
his
of those
not
is
of his
enveloped
pleading voices
suggestion
becomes
fiction.
the
Soliman
breast, transparent
heart
wraiths
around
here
have
the
right hand
prophet
Wool-Gatherer,
death-bed,
well, hear
as
cries
his
his
his
tragic words
his
see
The
by
on
lips come
can
Hogg's
life is haunted
The
Through
23
holding
heart."
livid
punishment.
In
his
whose
glass, the
Romance
dejection, each
above
there, from
and
Gothic
to
them
Gothic
tales,
supematuralism.
build
away
up
on
tissue
natural
Gothic
The
24
ghosts that
The
of
The
after
otherwise
ville two
lagging
at
skeleton
follow
old
an
hands
"stalks"
the
on
of
out
occasion.
out
the
singing
But
the
reader,
later
that
she
Accusing
of
means
between
to
apparition
young
anonymous
novel,
veil
attends
aided
to
and
further
formances,
per-
for
composed
thrills,
the
resents
to
of murder.
man
his
the
victim's
life.
for
ghost
up
funeral
midnight
resemblance
strong
mysterious
is constructed
makes
save
while
spook
innocent
makes
man
'
waves
intrusion
such
by
an
dramatically
cadaverous
She
living wife, attempting
bogus
accuse
just in time
unmasked
their
turns
confession.
Spirit
men,
only
see
apparition
skull."
song
music
woman
they
gives
after
is the
phosphorus,
two
the
She
a
see
near,
for
oratory.
frighten the villain into

The
they
draw
rebuke
Turrett-
plaintive
of
and
keys
haughty
however,
In
sounds
they
enliven
to
Spirit of
grinning, mouldering
with
hands
As
restitution
merely
or
The
In
the
harp.
"a
them
finding
crime,
story.
poses
pur-
Gothic
of
into
deserted, spookish apartment,
toward
frighten criminals
further
to
the
for
up
tions
spectral impersona-
the
behind
to
youths
playing
The
spirit around
interesting feature
an
reasons
confession,
till,in
form
various,
are
by
sees
deliberately got
are
deception
methods.
her
he
corner.
every
the
fancies
reader
after the
grounds
Romance
in
charge,
woman
the
in
but
A
is
tall,
in
a
an
black
castle, then
accountably
un-
disappears.
In
Melmoth
the
images
and
burn
mocking
In
'
In
of
fiends, over
sulphur
cries
Lewis's
Ariel, or
persecute
spirits in his
impersonating
with
monks
Monk
as
of
demons,
there
the Invisible
which
assist
to
is
cell.
Monitor.
the
They
they
cover
smear
deception.
seeking
false
despised brother
to
drive
Bleeding Nun
the
by
walls
phosphorus,
They
him
as
utter
mad.
well
as
The
the
bona
fide specter.
various
their
The
period.
appear
through
the
white
blackness
are
then
vealed,
re-
altogether dispel
for
In
origin.)
definite
its
its shade
bells
that
terrify his murderer,
herald
tower
or
by night.
them
light
to
their
coming
the
by
form
of
in real life have
specter in
of
labyrinths. Several
ghosts
"
fiction
walks
ghost takes
many
the
lamps
or
and
the
another,
ing
pliace,haunt-
haunted
of architectural
(Doubtless
cow.
similar
there
and
figure in
candles
romance,'
one
in
has
with
carrying
fondness
In
rings.
novels
not
familiar
castle
apartment
or
Gothic
home
at
is
Every
Several
evince
25
cleverly planned,
stays
demesne,
own
dungeon
other
explanation does
ghost that
its
Romance
impression they make.
uncanny
the
In
spectral frauds
but
the
Gothic
armor
had
to
appears
in
supernatural lightning aids
and
his revenge.
would
It
Gothic
be
fiction
in the
appear
they
not
do
brute
force
that
by
as
impresses
the
from
that
haunt
dreadful
that
the
'
'
The
the
haunting
Spirit of
Ethelwina,
or
specters
with
us
oppress
the
of
death-bed
The
life.
forgotten, but
has
voices
bodiless
are
titanic
in the
ghosts, mouldy
than
We
their
Hall
wronged
and
It
with
of Eblis.
The
that
less
are
egotisticclamor,
is
Otranto
tive
vindic-
appalling
corpse
flamboyant
children
back
to
personality,
may
of other
inescapable.
their
by the
and
women
a
dividual
in-
so
not
less moved
ghostly suggestiveness
power
is
in
bring
whole.
not
adversary
vault,
the
and
fiction,though
later
effects.
us.
the
phantoms
the
spiritsin
the
creepy
and
the
on
Some
be
soon
spirits
of
Castle.
the House
of Fitz-Auburne,
in
They
command,
or
characteristics
some
knight
armored
comfort
to
ghosts
haunting.
definitely personated,
so
realistic
achieve
wholesale
warn,
human
very
are
they
to
all the
designate
to
is
there
plot
and
than
for
have
to
seem
Yet
impossible
by T. J. Horsley-Curties.
the
The
26
Gothic
Gothic
ghosts have
where
be
would
early
and
the
excitement
in
Gothic
the
witch
real
and
genuine
of
In
an
the
there
such
dandy
mystic
and
which
She
is
be
to
stands
"the
the
is to
uttered
by
Albigenses
three
in The
Monk
in the
subterranean
her
unhallowed
of
witch
by
rare
are
Hunt
are
captured
of Eildon,
and
burned
being
of the
and
work
being
the
turns
brink
the
into
futurity,
'Who
holds?'
lover."
or
that
In
not
are
Matilda
own.
of enchantment
all
potions
things
in
James
mischief
They
have
holy
but
last
at
choice
with
and
water
will.
Hogg's
but
the
and
her
to
much
baptized,
works
Vathek, is
in
magic
warlocks
and
she
monastery
her
the
they struggle against
cries
has
spells and
on
appear
power
forces
or
demon
Shakespeare's
convicted.
alive
pit,
question
concocts
who
pected
sus-
who
She
hag Carathis,
witches
the
wrongly
"by
inquirer
Sisters
of
means
novel, the
doctor
the
her
of
daemonic
skill,who
several
The
voice
passages
supernatural
There
to
The
both
spirits.
element."
Weird
arts.
change
have
we
dark
results
into
answer
possesses
little
is
woman
weird
our
imitations
altogether poor
the
shivering
the
to the
fortunes, gives spells against
dropped
whether
The
tells
add
terror
girl who
old
an
beyond
doubtful
be
their
given her from
powers
with
produces
as
yarn
is
the
in
young
alliance
unholy
eye
has
beautiful
ability.
evil
witch
who
is but
tradition, for
reputed
hag
Melmoih,
uncanny
of
the
the
devil, and
all,
equal in
all
at
warlocks
and
There
fiction.
dramatic
of
antique
not
ghosts, witches
to
the
for
but
to-day
of
While
Warlocks.
importance
from
phantoms
the
after
vitality,-ând,
strange
services
Witches
Romance
face
of
wild
the
flames.
Hogg's
In
her
daughter
own
given
the
of Bodbeck,
Brownie
trial
by
is
fire
witch
or
and
water.
Marion
thinks
There
Linton
she
is
believes
should
an
be
innocent
The
witch
reputed
young
sentenced
The
to
death
Devil.
The
figures in
the
Gothic
in
The
for her
art.
devil
the
we
of
epic tradition.
the
magician
than
not
a
the
to
sympathies
later
the
as
Yet
deserves
who
man
just when
he
in
recognized
whole
The
darted
he
of
into
away
his
waved
is
shake
the
to
our
devils
the
to
right hand
psychologic
he
Later
is
his
ascended,
he
fiery
yell that
forthwith
and
As
flames.
in
changed
was
uttered
He
in
similar
him.
creature
shook
and
remember
inspired
its foundations
air, wrapt
king and
can
clever
on
fiend.
strange
the
to
one
a
as
Magdalen.
of the
furious
in
comes
no
thrown
visage
a
abbey
and
ants
interesting vari-
in
perhaps
water
that
all the
made
holy
and
as
greatly fear
nor
familiar
There
him.
form
to
moment
curiously
play, The Eternal
and
is
or
Monk
misunderstood
devil
the
herejwhich
recent
The
appealing
as
appear
him, though
sees
knew
suggestiveness
He
study.
seems
who
rather
Milton.
of
scenes
love
does
of Eildon
yet
everyone
he
our
Hunt
Hogg's
neither
working
wonder-
terrifying, almost
human,
as
the
than
rather
physically
assume
closing
of
case
Faustus
and
lonely, misjudged,
We
demon.
and
idea
Dr.
is
familiar
Calderon's
to
of Dante
does
is he
fiction.
Gothic
he
the
Neither
Zofloya.
to
the
dramatic
is akin
creations
epic proportions
old
the
Marlowe's
personality, though
In
of
in
as
who
of the
one
dread, awe-inspiring figure either
in
is
Here,
He
and
satanic
of Eildon,
incarnate
influence
ghost,
27
Hunt
novel.
terror
see
Romance
locks
at
his
inquisitors.
There
his
about
dubious
nothing
is
personality here,
certainly!
Satan
appears
first visits
Ambrosio,
dramatically
are
made
in
who
has
been
the
led
in
The
form
into
Monk
of
sin
as
well.
attractive
by
the
His
youth.
daemonic
Gothic
The
28
Matilda,
agent,
when
she
comes
soul
selling his
refuses
awaiting
to
see
Then
himself, described
His
thunders;
his
form;
Over
hands
his
and
hair
roll
of
lightnings flashed
to
Ambrosio
with
devil
of
dissolution
mountain
shaven
he
crown,
and
caves
demon
to
height, he released
He
plunges
the
evoked
by
similar
Victoria
who
been
her
her
and
He
appears
lightning flash.
the
bind
Moorish
powers.
holding
where
sometimes
He
comes
he
rock.
The
shrieks.
The
in the
of
servant
grants
is heralded
with
Evil
flood.
One,
impressive
her
conferences
many
like
the
is
Zofloya.
in
occurs
' '
monk.
storm
away
He
dreadful
fell the
to
top
monk's
the
which
herself
the
to
till,reaching
Headlong
him,
release
the
Ambrosio's
body swept
to
signs the
and
into
brink, after
his
special
forest
seemed
bursts
to
from
manifestation
as
Still
pen.
thunder
talons
him
with
river's
enemies,
dark
in the
sounds.
like
to
and
his
aloft
induced
appeared
personality
hostile
devil
held
he
taking his victim
stifferer.
daemonic
has
has
the
to
twined
which
hand
wings;
sable
iron
convention.
with
soar
the
talons.
his agreement
that
us
rang
continued
the
per
to
sprang
mountains
long
one
an
gigantic
his
snakes
In
Almighty's
over
enormous
other
"darting
and
the
of
selling his soul
as
keep
tells
"
itself
living
and
into
doesn't
Lucifer
visitant,
of ^nature.
blood,
his
for Lewis
however,
two
the
him
is overawed
compact
The
in
around
the
announce
waved
and
blue
of
temper
with
armed
frightful hissings.
parchment,
in
marks
spread
supplied by
was
with
themselves
the
were
shoulders
huge
his
feet
monk
repentant
darkness
and
the
by
release
win
he
dread
more
still bore
swarthy
But
departs
follows
as
limbs
blasted
she
so
that
urge
devil.
has
he
to
Inquisitioncell,
in the
death
him
the
to
advice,
her
flame.
is
Romance
wishes
with
by flute-like
flame, sometimes
the
swiftness
of the
The
wind
and
tells
At
last, he
own
hideous
Behold
but
she
The
old
created
in
devil
is
in
loud
be,
to
called
men
Moor
peared
ap-
the
foaming
in
Vathek
laugh,
mangled
he
for
impressiveness,
yells of
weak
are
Nor
of
in
of the
the
has
him
uses
devil
epic
devil
ugly
rather
The
in
of
use
which
human
the
in
of the
or
later
On
the
fiction
lack
dramatic
have
sentations.
repre-
that
appeal
fiction
is
diablerie
tempter.
in Gothic
Wool-
psychologic subtlety, and
they
have
fell,
she
corpse
Hogg
Satanic
of the
either
incarnations
his
Confessions of a JustifiedSinner,
appearances
force
dreadful
preternaturally
James
powers.
the
below.
waters
a"
Victoria,
of
neck
down
daemonic
and
demon,
the
religious superstition, of the
whole, the
the
by
of the
headlong
witchcraft, introducing
not
his
assumes
appeared
nature,
firmly
her
ears;
seen
the
Gatherer, and
of
her
strange
for
story
his
into
with
man
and
semblance
more
whirled
fell
echoed
penchant
which
that
under
grasped
he
received
was
of all
I that
he
she
as
triiunph
him.
summoned
Satan, and
as
longer
no
was
push
"
thoughts
gigantism.
enemy
spoke,
one
abyss!
her
29
thee.
to
with
of
I am,
as
Yes, it
he
that
Romance
himself
form
sworn
Satan.
As
her
announces
me
the
Gothic
make
the
to
our
sympathies.
In
devil
addition
in
the
of
with
horror
novel
beings, but
more
often
to
extends
be
than
his
agents,
in
such
by
to
no
beasts
first announced
by
the
the
as
to
locks
war-
fiction
other
associated
with
Supernaturalism
well.
to
human
Animals
are
ghostly impressions,
appearance
extreme
witches,
confined
means
peculiarly sensitive
and
that
objects.
inanimate
is
the
Gothic
as
the
possessed by
powers
see
we
men,
so
to
daemonology,
and
supposed
unholy
magicians,
and
animals
the
given by him
and
aspects
to
terror
of
of
specter
some
house-
is
Gothic
The
30
hold
pet,
for
noses
ghosts
Ravens
approaches.
of evil powers,
believes
that
spends
somewhat
in
Friday
head
in The
Albigenses
loup-garou,
In this
her
This
of
"
is
motif
together
"
in
that
fancies
There
also
over
In
in
are
are
into
deer
for the
dogs
are
aware
men
are
too
changed
of the
stupid
into
to
hog,
follows
in
a
'
The
him
stampede
Wool-Gatherer,
his
brings
Albigenses
human
being
his company
realize
in
tracks
in
the
it.
in
uses
them
The
eat.
other
affairs,while
clownish
old
drove
and
The
cows
Hunt
is
almost
dog knows
of
the
Croudy
approach, for they, too,

"
snow.
enchantment,
brings amusing
the
transform
of
The
going
ately
immedi-
king
by
to
state
James
from
that
beings then
pathetically,and
at
wolf
were-
he
hare
that
tragic complications into his life. His

and
of the
The
In
bound
unnatural
which
no
beagles
slay human
king and
no
Bisclaveret.
is saved
of
left
reality maidens
to
return
variants
hideous
Sandy
warning
white
two
to
satisfactoryending
the
young
phosis
metamor-
supematuralism
one,'
the
in
wolf.
mad
vanishes, having
forced
who
described,
In
another,^ the
hunting
demon's
gruesome
savage
Gorlogon.
of animal
use
precipice by
after
and
romances.
not
beautiful
frequency
by
story,
is
himself
is much
Hogg's
does
the
little lai, Le
the
shown
Arthur
his
less
charming
medieval
in
lycanthrope
and
one
disappears
with
suggestive
has
of
during his
pieces then
to
Kittridge
Professor
devil
figures extensively
husband
who
de France's
Marie
which
the
case
werewolf
tears
more.
the
story of
the
introduces
werewolf,
or
folk-tales.
is
darkey
Monk.
Maturin's
woman
of
around
writhed
that
forget the snaky coiffure
the
showing
And
torment.
apparition
Southern
ally
keen
very
an
as
the
as
is the
jay-bird
the
every
represented
are
presence
when
lugubriously
howl
and
dogs have
Gothic
animal.
other
or
Romance
sense
him
off
go
the
of Eildon.
The
supernatural
killed for
the
to
spell.
pork,
into
the
consternation
of
with
night in
one
In
the
toast
is
drink
the
and
worked
night before
the
The
ghostly
htunan
to
execution
quite
innocent
proposing
is
his hand.
from
the
by supernatural
tenced
girl,sen-
young
fairy has
her
and
taken
lover
of the
fly out
are
prison
the
eternally on
live
shape
experiences.
thus
because
and
the
shores
to
scenes.
sends
his
father.
head-gear has
The
with
its
plumes
excitement
to
the
at
into place of itself,after

hundred
of
statue
a
having
Alfonso
sheds
turns
the
in its frame
and
and
danger
from
leaps
sword
entrance
of
it,while
from
its
strolls out
nose
into
open.
Pictures
motion
to the
weight
drops of blood
three
round
borne
to
generally adds
titanic
been
fainting under
men
portrait
Later
scenes.
and
villain
ghost^
of his
hopes
heroine
the
the]
in
hall
the
the
and
by their
giant
of voluntary
power
the
the
in
general
portrait of
take
murdered
lively part
man
in The
for it
own,
audibly
into
crashing
agility,saves
by waving
of Otranto,
would-be-bridegroom
around
moves
Castle
well
as
costumes
visitants
clanks
Armor
helmet
immense
the
of their
recognize spectral
The
In
and
Armor
immortality
accouterments.
objects
inanimate
to
animals.
and
material
or
terror
shatter
beings
common
garments
The
An
extends
power
have
to
seem
the
has
that
changed
Idng learns that
till the
dog
birds
is
mortal
cup
enchantment,
white
does
far lake.
and
the
suddenly
he
resume
be
to
Croudy
so
his feline
for witchcraft
into
by
But
may
dog dashes
life.
block
back
king of Scotland
the
his
saved
transformed
is
him
butcher.
relate
story the
death
form
as
the
and
year
poisoned, and
to
of
the
on
fairy changes
repeated several times,
is
put
life. He
his favorite
knowledge
her
endless
same
when
This
is
31
well after his transformation,
cat
Romance
Croudy
when
behave
not
Gothic
in horrific fiction.
Spirit of the Castle
Gothic
The
32
picks itself
while'
at
portrait in
in
nephew
the
desperation
picture
him.
in
might
be
This
Picture
The
of
statue
place with
its
back
come
the
in
room
is
portrait
of the
cry
any
transform
going
is
The
changing
his
movements
to
There
are
volume
preternatural
In
Arid.
The
key
to
diabolic
like the
sound
uncanny
mirrors
after
such
wands
crystal balls that

parts, but
describes
to
be
objects.
powers
Spirit of Tmrettville.
show
magic
read
These
possessed
fashion
he
of
that
used
by
with
power
to
in
as
one
distant
the
as
vice versa,
or
wherein
how
matter
no
show,"
beasts
hieroglyphics
the
The
with
enchanted
are
in distant
other
In
wronged
Melmoth's
magic
watch
and
'
the
till."
to
which
its lock
wishe"
men
on
same
of
by
it, rendering it "spell-
in
he
There
Ambrosio.^
Eildon.
and
groan."
great
ghost
impossible
moving-picture
private
great
grounds obtained
the
person
be, and
may
with
abbey
contains
romance
see
from
moves
all roimd
"march
to
upon
in
stories.
support, and^
again
house
turns
it,
dead.
Gothic
can
old
the
kept,
of
by
and
blighted, unproMc,
later
other
means
curse
burns
Oscar
Walpole's Castle
soil of the
inflicts
who
nun
and
the
as
Wilde's
with
injustice is haunted
gross
and
its
with
its place
the
for
power,
mocks
is said
marble
head
flames, ironically,and
in
visible
into
Oswyth
St.
and
wall,
portrait of
The
its frame
compared
Alfonso
no
eflfigyof black
In
Grey
of Dorian
the
the
its
meaning,
it from
tears
writhes
awful
with
beholder
the
follow
eyes
on
supernatural
-with
been
wags
bed.
the
making
endowed
is
Melmoth
is
who
servant
chamber
has
it
itself back
deserted
where
heap
hangs
itself and
cleans
thrown,
lumber
the
from
up
Romance
The
reveal
not
the
future
Hunt
oj
only what
swords
well,
as
that
bear
only by enchantment
will
to
illustrate
by inanimate
objects
serve
"
In
The
As
in Vathek.
Monk.
The
in
the
is
used
Gothic
literature.
terror
with
could
in
tales, and
besides
the
for
we
magic
potion
There
have
is
the
where
of
order
of
the
to
that
The
gives
Monk,
as
diabolical
of
chemistry
j-gpntriloquism,
into
peer
modern
writes
earlier,of
of
his
see
medicine.
is
her
him
of
secrets
He
laboratory,
into
in
and
Vathek
various
astrology, alchemy,
uses
Romeo
drink
magic
death, like that
course,
an
of prominent
powerful potion.
leads
on
messages
assembly
in
however
mother
and
Vathek,
serpent's oil,mummies,
sciences.
semblance
disease
patent
cadavers
the
In
ghostliness, we
Vathek'
with
up
kindred
the
science
characterization
any
who
their
use
in
idea.
supernatural
cures
curiosity that
to
and
sorcery,
of
strangling an
them
stews
experiments,
of the
uses
have
themselves.
uncurbed
an
later
array
skulls, concocting therefrom

has
istic
mechan-
important
supematuralism.
magician
alchemist
she
the
crude, yet of interest
in the
as
instantly
heavens
in
become
are
We
regular
Indian
industrious
citizens
twists
progenitor
an
high
well
here
see
itself in the
as
that
the
"
motif
supernatural-
astrology, hypnotism,
scientific
where
deadly,
the
philosopher's stone, 'iiifernal

biology,
the
other
is to
his confreres.
alchemy,
search
do not
suggesting
as
novels
and
We
manifests
Gothic
that human
way
effects here
and
Dasmonology
the devil
instances
some
which
the
in themselves
in the
accomplish.
not
supematuralism,
later
In
33
effectiveness, definitely heightening the
impression of the weird

ism
Romance
used
later
in
Juliet, and
and
elsewhere.
-^
^_"
The
He
tells of
do
to
hate
in
Moor
Zofloya
chemical
his
into love
will
or
or
die.
his
love into hate, and
da;monic
loves, then
By
commits
Under
temptress
suicide
in daemonic
versed
experiments
produces semi-insanity.
weds
is well
the
where
can
when
he
he
give
influence
thinking
forces
he
potions
her
wakes
science.
can
a
drug
of this
the
to
woman
the
one
every-
change
which
a
man
he
truth.
The
34
This
reminds
diabolic
In
the
is
neglects
branded
in
birth
whose
in
invisible
The
remain
must
her
story
the
young
in
than
student
the
thrust
suddenly
from
it.
She
of
because
takes
created
The
the
it but
his
that
slow
dear
by him.
of
Frankenstein
recoils
its
shuddering
on
till at
the
remorse
whom
it stands
griefas
it has
doom.
first,is effective, as, in tragic solitude,
the
it, as
on
its
the
ice-floe,it
toward
moves
the
The
harried
of
own
has
impressive.
goes
to
it
struggles that
are
of
who
man
The
last
death, then
away
Mrs.
lonely, tragic thing
in an' agony
weeps
more
intelligence,
it meets,
and
thing
distilled in its heart
hate
only
hate
size
sight of it.
ever
not
body
the
of the
the
visage, its
the
revenge,
being
in
ment,
experi-
supernatural
human
from
treatment
between
soul
in
compounds
study and
of less than
the
all held
and
by its dreadful
world
remain
Matilda
Uquid.
of
harsh
on
wretched
over
into
will
which
morbid
emotions
reveals
diabolic
rend
the
letters
with
gives it life. But
flees in horror
Shelley describes
nizable
recog-
supernatural biology
.of
and
size, its look
be
must
its side
frame
its creator
appalls
who
Frankenstein, the story of
human
babe
experiments.
after
who
child
new-born
chemistry
idea
grotesqueness
human
and
the
story
certain
prescription
same
chemical,
man-monster,
constructs
created
on
subterranean
scientist
hideous
mark,ed
satanic
uses
of the
yet
with
in her
Shelley
Mary
secret
strange
dabbles
evil,potions
and
is
till rubbed
Monk
the
In
point of
the
at
drug whose
peculiar fashion.
with
by
state.
to
emergency,
in
burnt
lying
woman
cured
miraculously
author
is
Castle
of
stories
Fu-Manchu
produce insanity.
that
hypodermics
Romance
Rphmer's
of Sax
us
Ankerwich
death
Gothic
last
desolate
to
sight
ing
tower-
North
to
death.
In
the
characterization
conception,
Mrs.
of this
Shelley
has
being,
as
introduced
in the
unusual
something
The
poignantly
the
mind
for
youths
in
new
of
Gothic
fiction.
twenty
There
is
early
Gothic
in
illustrates
The
the
anew
search
novels
of
relates
the
the
of
story
unlimited
gold by
stranger who
dies
awe-inspiring
an
Brown's
den
had
in
been
"at
the
The
This
Master
Dramatic
that
of the
becomes
The
the
success
account
Godwin's
Last
in
ous
mysteri-
suggests
gives
hypnotism
thought
could
have
moned
sum-
brought
of this
trial
terres-
of Ibsen's
illustrate the
may
is
Brock-
Mervyn
foreshadowing
These
There
Charles
extremity
as
in
the
are
use
of
discovery
are
life.
Laugh.
the
tiresome
Gothic
still. The
be
not
of
story
Godwinistic
'
In
thought
laid
down,
in
fiction
appeared
Struldbrugs,
is
novels.
potion, the
magic
may
has
intolerable
St. Leon
The
the
poignant
more
of
divers
psychological experiences
mortality, life that
Swift's
perpetual
'
intense
burden
before.
Builder.
life is brewed
with
endless
since
of
and
connected
effects
they
faint
produce
life.
Victoria's
further
seems
Godwin,
in Gothicism.
elixir
The
that
"
in various
by
Arthur
Zofloya
her,
York,'
Shelley^ brings in this
while
that
stein
Franken-
to
given him
gift of endless
saying
of the
New
how
ventriloquism
to
he
of science
of
armored
William
knew
formula
the
Moor
globe."
idea
with
of
appears
by
in his home.
use
hj
the
him
who
man
somnambulism.
mesmerism
or
Leon,
novel, Wieland,
in
study
secret
incidentally
power
St.
stein's
Franken-
idea.
the
philosopher's stone
period.
in
duced
pro-
in
of the
recently
Monk
have
horrors
employment
vitality of
for the
awfulness
for
abnormal
could
accompanying
The
The
the
only
museum
play produced
and
through
the
and
novels.
motif
and
in
ghosts. Bleeding Nuns,
startling theme
Vathek
were
curdling
more
35
she went
than
monster
was
years,
psychological conditions
it.
It
girl,as
young
of
Romance
and
the
hero
perhaps
secret
of
is visited
St. Irvyne.
The
36
by
decrepit old
Gothic
man
incommunicability
of
endless
life
nobleman
he
has
what
will
give
wealth.
pledge
on
of
him
the
The
impoverished
power
than
enjoyable
less
consequences
The
theme.
has
discovered
elixir
the
Shelley's later
Mary
rather
of
character
their
the
in
identity but
The
in
immortality
the
Here
endless
becomes
with
him
world
in
offering
his
man
nor
when
will
woman
the
willing
his
offers
wealth
them
win
as
buy
to
the
well
of death
change
He
extreme
tinies
des-
traverses
to
the
sons
per-
torments,
life eternal.
at
of
existence
exchange
as
life
fleshly
power
boon
soul.
suffering the
and
of
us
Melmoth.
in
lay it down
mortal
and
found
the
price of
search
need
give
to
the
of
theme
possesses
can
another
at
direst
to
Melmoth
find
can
right
the
another
as
informing
the
is
wanderer
the
not
burden.
only if he
of
early novels
in
explain it.
to
instance
with
Events
again
Shelley
"
who
eyes,
falls dead
life
to
comes
mitted
adthe
uses
compared
be
villain
troubling
not
book,
Frankenstein.
of
the
as
Shelley
as
burning
life,may
story,
mysterious
in
the
the
life,but
with
but
impressive
most
student
picture
devil
later
Godwin's
of
here,
confused
presence
from
came
young
idea,
whose
romance,'
Stockdale,
same
no
to
anticipated.
to
the
wishes
with
accepts
tell him
who
boundless
and
Shelley's hectic
are
Romance
Yet.
price of
the
soul.
Aids
ringly
found
Gothic
to
as
Effect.
first aids
supernatural
size which
visitants
they
colossal.
St.
Irvyne
or
Gothic.
the
to
is
last
the Rosicrucian.
while
of
others
them
or
Th^^stle
he is
are
belong
interesting aspect
the
more
of the
superhuman
of Otranto, the
size,and
scene
recur-
appear
Some
gigantism,
enormous
In the
themes
fiction.
An
In
assume.
ghost is of
'
terror
equally in later literature
particularly
are
to
Certain
his
accouterments
-astounding :
sational
sen-
The
of
clap
earth
rocked
heard
behind.
thunder
and
.
of
said
an
ruins.
reminds
Mr.
of
one
Isaacs, where
as
the
Moor
incident
Indian
pursues
with
Monk
is
much
of
the
Insanity
affords
many
a
of
the
aweinthe
in combat
evil
to
the
difficulties of
special
of the
curse
to
the
studies
gruesome
gods
various
instances
The
devil in
Zofloya, at Victoria's
Spirit of
the
of its
Castle.
giaiitis
TEe
genii,
giant has
Gothic
place in
use
stage
effect
of
the
torment
or
in
occur
drama,
presentation.
supernaturalism
Madness
psychiatry.
in
seems
only occasionally in
practicallyno
contributing
and
power
along with
the
The
man
superhu-
He
Oriental.nrigiria1^
mere
he has
in
that
creature's
beholder.
but
feet
nine
or
stature,
appearsmFa^ê^,
personages,
fierce
man-monster
the
from
to
devil
enormous
by
and
The
The
sink
Victoria
engages
him.
fiction, appearing
tfom
as
'""
mense,
im-
as
to
seem
mostâses_jjgantisnijConnotes
doubtless
owing
being
of
youth
knight
slays
it round
wraps
eight
awful
to
wicked
handsome
the
arises
kindred
uof
scene
apparition
created
stories,while
In
in
Crawford's
spoken
frequently
excited
flloreTfiabDiisffl: tfiaiTEHe
fade
and
the
and
supernatural
dwart's, and
"
of
Alfonso!"
expands
last
from
as
an~Ortentanigufeand
seems
of
objects
giant who
In
rouses
later
form
appeared
"common
horror
the
size.
is
the
'
represented
Frankenstein
to
was
Manfred
the
Marion
mist
diabolic
monk,
dasmonic
and
In
in F.
magician
down
that
change
gigantic figure.
high
and
heir
true
the
armor
behind
force,
"Behold
an
it is said
presence.
the
sees
castle
magnitude,
Zofioya
"
his
of the
foundations;
mortal
immense
the
cloak.
and
in
than
more
mighty
size, miraculously draws

him
its
to
vision.
the
This
of
walls
with
to
the
castle
37
down
Alfonso, dilated
Romance
the
clank
The
thrown
center
shook
the
were
Gothic
the
from
Gothic
devil
fiction.
request, gives Henrique

'
In
The
Spirit of
Turrettville.
The
38
enchanted
an
time
Lilla whom
he
of what
he
The
In
mad
he
has
in
he
has
dashes
frenzy, he
maniac
prison walls.
dishonor
to
corridors
of the
accusing
specter.
Poor
Bodbeck
is described
as
her
the
and
songs
devilish
talks
the
their
also, shows
us
day
by
Melmoth,
may
be
in Scott's
in
scene
hopeless situation
delight in,
things, of
yellslike
hundred
the
who
mother
the
has
great
voices
alternately
Charles
lost
are
and
Brockden
insanity
for
the
but
her
Another
rivals
supernatural
sane
to
man,
offer
change
ex-
others
by
"
the
^the
all,
reason,
shrieks
impressive figure in
himself
stilled
are
lamentation,
children,
his
mad
go
echoed
cry,
appalling
thinks
blasphemes
ness
mad-
cruelly with
the
her
home,
At
he, too, will
wild
begins
husband,
Brown
him
that
of demons,
preacher who
prays
where
taunts
power
Maturin
visits
Stanton's
hushed.
mysteriously
with
compared
Melmoth
fire.
is
The
supernatural
mad-house,
mother
London
is the
mad-house
hear
those
mad
the
prophecies
and
bride
of Lammermoor.
Bride
Melmoth
We
despair.
of
of wild
of
sings wild, unearthly
whose
husband
of destinies.
use
child's
special effectiveness.
with
confined, whom
is
Stanton,
other
She
his
Brownie
Hogg's
'a beam
"
wedding
wife
of the
idea
young
accompanying
in
'
having
of his
sight
deliriously of incomprehensible
uses
on
when
in
Nanny
sold
through the
madness
the
escape
has
struggles.
insanity of the
from
to
joy of madness.
Melmoth
slain
dungeon
against the
out
who
father
ones
pit of hell,imtil,
brains
shrieking in
flies
daughter
eye,
the
Ethehmna
In
goes
different
the
the
into
his
suicide.
to
misanthrope
that
imagines
hurling him
are
him
drives
be
to
realization
the
to
wicked
the
He
remorse.
awakes
madness
Caithness
murdered
Victoria, imagining her

he
real
temporarily insane,
him
renders
When
done,
of
Romance
marries
loves.
Castle
from
which
drug
during which
Gothic
demon
all
the
and
Lord
Maturin
effect.
in his
The
terrible
demented
The
murderer
and
that
mania
is
the
he
by diaboHc
Brown
human
makes
the
unusual, while
produced
impressive.
on
Romance
Edgar Huntley gives an
in
awe
Gothic
knew
mind
feel
us
of pure
Gothicism
morbid
mentality
could
has
few
subtlety, for haunting horror,

dismembered
What
itself ?
What
he
mania,
voice
feels
of God
is
"
sacrifice
the
which
"
Deity?
Such
intolerably powerful;
gloom-haunted
terrible
to
and
human,
Perhaps
the
is that
of the
tragic
wolf-man
in his
from
the
insanity
illustrate.
has
The
horror
use
romance.
novel
of the
at
portents
are
of
children
of
who
of
as
in later
is
Calamity
be
to
insanity, the
is
more
are
of Gothic
is
real, who
terror
The
wolf
and
mad
insanity and
all
snatched
other
these
at
eyes
head
various
will
uses
of
serve
to
the
natural
super-
literature.
distinct
is
is
reason
Albigenses.
human
anguish.
The
in
the
quist
ventrilo-
mind,
man
pathies
sym-
religious
windings
period, but
between
marked
our
that
gleaming, awful
There
relation
been
himself
lair,glaring with
The
of
is
lycanthrope
graveyard.
to
aspect of insanity in the
imagines
in the
human
set
in upon
with
and
labyrinths
extremity
approach^ him, gnawing
who
when
turned
trick
his wife
here
hideous
most
fiendish
or
Wieland?
appeal
so
midnight
of
psychologic
Brown's
mind
the
the
suffering the
novel
cowers
of
than
studies
vindictiveness
dark
feel that
We
dungeons.
the
ery
machin-
tragedy of dethroned
dread
crashing helmet
with
murder
passages
traverse
For
conviction
the
more
and
In
overwhelming
to
even
unwieldy
racked
is but
religious
suggestion
despair, when,
calling him
to
is
could
torture
Wieland's
as
what
unbalanced
an
exterior
the
equals.
raekings of monkish
against the agonies of
is
achieve.
ghost compared
the
are
its
cumulative
that
awe
never
of mystery
effect of mystery
by slow,
he
with
ventriloquism
creeping
impression
Wieland
the
and
39
characteristic
generally preceded by
of the
some
The
40
sign
of the
of
ment
Gothic
influence
supernatural
dread.
Romance
Crime
work,
at
catastrophe
and
present-
some
forefelt
are
by
premonition
The
of
Accusing
discovery
"Yes,
says,
nature
vain.
a
will be
This
from
three.
awful
is
behold!"
letters
all that
was
it held
which
of
sent
in
story,
dread
signs
final
from
fixed
while
that
that
my
issued
fascinated
laws
announces
from
scroll which
not
appeal, by
no
These
anonymous
foretold
"
hand.
are
and
two
sent
there
approached
in its hand
in
strike
the
the monk
common
portents
messenger
power
fate
"Catherine,
doom,
at
whose
my
lips,but
clock
an
the
In
heralds
at
of the Castle, an
the
dead
night
foretold
awful
Romance
hears
woman
she
The
In
is
when
miraculous;
violated, the
horror.
winding-sheet, and
discovery
dread
are
are
"
in its
corpse
some
phenomena
thunder
Spirit supernatural
of the
of
accompaniment
and
woe
terrific
moment.
the
specter's
irrevocable
my
they
bunal
tri-
appalled
my
sight.
She
her
keeps
might
be
of death
with
compared
Amos
to
and
name,
appointment
Judd
the
to
the
in
promptly.
vision
Her
which
revealed
Mitchell's
James
in
foreknowledge
experience
his date
novel
of that
Eliot's
George
The
Lifted Veil.
In
Spirit of the Castle,
The
knocks
three
times
heir, and
approach
of the
been
the
black
kept by
ancient
"The
VWhen
doors
door
ghost
flies away
heir
in The
fly
the
to
Old
open,
casque
to
exclaims, "What
'
W.
C.
Proby.
concert
mean
the
receive
sees
marquis
the
the
which
he
has
the
doors
these
servants
their
of
cry,
master!"
plumage
with
of the
At
enters.
from
which
old
arrival
English Baron,
upon
in
the
he
as
estate
of themselves
shaken
of the
preceding
Walpole's usurping Manfred
\trumpet,he
By
true
fraud
open
the
on
raven
castle
\miraculous
the
'
the
on
the
brazen
portents?
If
The
have
offended
shaken
still
the
"
At
the
employ
to
be from
omens
thou
heaven
41
point
the
the
helmet
thy
carry
hell,Manfred
or
"
But
cause.
equallycries
these
ness
righteous-
to
bad
bring
omens
wilt
If
power.
trusts
the
is
are
knight, thou
true
plumes
Manfred
leaps in.
art
to
sorcery
protect his
to
this
sword
great
apparition, "If
scorn
Romance
strenuously, and
more
agitated when
to
Gothic
luck
Manfred.
to
There
of the
is much
of portent
use
Wanderer
just before
appearing
predicts the spiritual doom

is almost
brings
The
cry,
is
to
here?"
you
' '
and
walking
when
music
the
sound
where
bride
the
and
the
priest falls dead
preceding
the
derer,
Wan-
the
ous
viper-
turns
in the attempt
Mysterious
in several
of
strains
Gothic
heard
are
devil
priest is unable
bread
power.
of disaster
old uncle
themselves
Melmoth,
communion
death
the
cross
the
inexplicable strains
groom
the
out, "What
' '
specter
old man's
of evU, for the
fiendish
heralds
as
The
As
servants
in his mouth
and
the
dying.
cries
the
portent
he is there
exorcise
as'
which
at
devil
of the
last, he
in his presence,
pray
to
his
breathing
in Melmoth.
novels,
only by the
strange tragedy that
befalls
visitant
terror
them.
At
the
novel
and
of
approach
the
fire
such
portentous
take
drops of blood
while
ridiculed
idea
a
Prof.
evil.
did
not
by
"
The
the
shed
the
from
critics,are
Lyon
William
originate
with
Dryden's
'
'
In
Amboyna,
IV.,
i.
itself tends
to
draws
Phelps
Walpole,
but
of
in
nose
points
as
out^
Beginnings of the English Romantic
Otranto,
portent
that
ill,as referred
instance
Movement,
the
familiar
was
may
Melmoth.
In his
The
near.
simply
meant
This
fire,
for
statue's
superstitionregarding premonition
is
ample opportunity
ghost
in the
there
thermometer
when
path
downward
where
blue,
usually affords
blaze.
three
of
burns
always
great hearth
the
supernatural
p. io8.
be
as
to in
com-
The
42
with
pared
later
the
drama,
The
much
and
The
fiction.
in
the
terror
supernatural
haunter
Gothic
The
the
and
is
the
especially to
stroke
the
appallingly by
sounded
other
birds
adding
the
screech
while
"night
prey,"
In St.
flock
Oswyth,
birds,"
the
corridor
toward
of
night that
sat
similar
portent,
Ashley
Professor
the
Restoration
are
reduced
to
night
Than
romance
three
and
drops
in his
Thomdike,
John
no
sooner
just three
of blood
the drama,
Banks
decorum:
peculiar
' '
and
or,
the
forth.
so
midnight
through
ill-bodingbird
the
of the
prison
Self-Abandoned,
in
notes
his
shows
The
Life
and
Heywood.
dramatist
"Last
These
H.
at
the
"birds
anonymous
birds"
Whicher
Frisbee
George
Eliza
Mrs.
of
Romances
Dr.
as
and
the battlement
Lasselia:
romance,
The
gloom.
bat
steals
on
tales,
owl, the
helplessvictim,
screeching
Heywood's
'Eliza
his
keeper,
time-
as
common
"gloomy
murderer
the
as
or
the
by
is increased
clock
are
aviary
"screeching"
or
the
Gothic
in the
be
medieval
these
general
the
to
to
sure
castle
or
ments
mo-
toll.
to
flyfreelythrough
wings
is
to its services
predisposition
has
principal specimens
of
bell
abbey
some
bell
dark
raven,
o'clock
one
In addition
Melancholy
owl,
or
rusty horologue.
the
their
twelve
houses
crucial
At
of fear.
impression
of
brightest sun,
Certain
night.
at
chosis.
psy-
garish day,
the
the
under
the
over
uncanny
an
love
not
even
darkness
unimaginable
of
add
ghost does
castle, gloomy
terror
triple veil
The
to
of
of grue-
use
usually hangs
silence
and
good
to
effects
the
by
up
suggestions.
and
used
are
cumulative
The
haunted, predisposing
the
and
ghostly
the
carefully built
night, desolation,
of
portents of ill
other
Various
and
accompaniments
/some
Ibsen's, particularly in
and
romance.
are
awe
in
omens
'
of dread
symbols
effect
skillfully handled
more
Galilean.
in Gothic
appear
Romance
Maeterlinck's
as
Emperor
Gothic
I laid
of blood
probably
which
(p. 273),
in
speaking
says:
of the
"Even
the
plays
of
portents
"
was
drops
Tragedy,
have
it would
be
to
rest
fell from
much
more
nose!"
my
extended
interestingto
trace
history in
out.
The
tower,
whose
hoarse
croaking
deter
not
the
prominent
the
of
be
birds
his
clambering
over
light and
adding
vaults
accessories, and
large
skulls
as
The
element
of mystery
family
feature
of
proper
thrill
without
explain
strive
with
astounding
Roche
courage
the
of
are
care
the
the
the
Even
to
noted
to
the
mystification
where,
else-
ornaments
of morbid
persons
exhumed
furnish
to
in certain
seen
of
antique
build
attained
suspense
that
novels
in the
ghosts
Radcliff
Mrs.
this
as
desired
by
end
and
they
they have
tear
Maria
not
the
thrilled
the
and
basis
contain
Regina
have
constructed
natural
super-
natural
down
no
carefully
but, after they have
extent,
is
shall
They
respect.
such
on
plots which
up
is another
There
suspense.
ghostly phenomena
in
that
of the
gruesome
mystification
and
novel
discoveries.
of their
reader
and
all the
away
are
out
Mexico.
in
mystery.
ivy
effect
The
all their
by
be
may
churches
Italy
dark
location
the
mural
as
skeletons
pile of bones
in countless
general gloom.
used
are
instances,
of the
with
doleful
architecture, shutting
graveyards
Enough
temperament.
as
the
the
as
of the
occur
frequently by
and
the
having. caused
Similar
made
library appointments
as
or
is also
to
of
one
Oswyth
cry
anguish.
medieval
is increased
in
for
condemning
use
is
in St.
as
special nomenclature,
in its
scenes
owl"
remorse
mental
Much
horror
in
alive, the
novels.
of
does
Accusing Spirit,emphasizing
suspense,
quaking
Gothic
the
by the
terrifies but
screech
in The
special
buried
without
or
echoed
were
raven"
melancholy
lies
increases
with
notes
ominous
personages
baron
to
nun
of the
43
villain.
moments
wicked
Romance
harsh, discordant
"moping,
The
Gothic
fabric
lously
meticu-
explain everything.
The
with
black
Mrs.
veil constitutes
Radcliffe.
On
favorite
various
method
occasions'
of suspense
Emily
pales
The
44
and
Gothic
quivers before
in the
wind, and
midnight
aside
the
curtain
dropping
decay, lying
to
Many
chapters
further
figure
made
serve
Again
she
fold
shrieks
She
bandits
that
Black
house.
veils
and
romances
arras
when
waves
that
taken
In
The
she
drapes them
likewise
in other
reads, "Oh,
misfortune
reveal
you
them."
the
story of
This
Spirit of the
off:
"Already
close
my
strong
corpse
of my
"Beneath
discovery."
one
I will
But
in Melmoth
that
fate-harried
A
"
against reading
In
in
frequent
most
cases.
that
and
the
ruin
lies buried
the
the
old uncle's
document,
but
whose
clay-cold
says,
recorded
all mortal
from
of
course
is the
of the
he
tortures
will advises
not
avoid
paper
wanderings
those
shall
are
to
of the
St. Oswyth
of the
starts
dagger that
side
to
avenge
impressive manuscript
records
to the
the
to
slight attempt
Oswyth
most
man
codicil
make
expire by the
of
the
the
speak,
you
is
ask
to
you
ask
chance
that
dusty document
foundations
house
of the
to
decaying
are,
wrongs
brandishes
and
deep
its
the
scripts.
(Mysterious manuscripts
Antoinette.
the
avenge
the
tion.
mystifica-
in such
ye
and
much
has
hand
grammar
figures.)
mystery
Castle
my
mixed
to
in
Radcliffe's
discovers
spot,
wrongs
rather
forever.
eyes
on
my
company
of
abound
whoever
this
seen
abode
means
Adeline
to
injunction
though
assignment,
The
direct
may
out
well.
as
also
ye,
its
peers
effectively, while
another
novels
of
one
secret
very
are
sinner.
has
she
in all of Mrs.
tales
of the Forest
which
paper
or
Radcliffe's
Romance
their
in fashion
are
only
it is
up
Mysterious manuscripts
Mrs.
repulsive face
flees, thinking
and
have
ancient
an
wax
inky curtain, watching
of the
later
discovers
for
is
this
that
pall.
the
behind
learns
penance
as
unaccountably,
ghost, but
of
she
and
putrid
corpse,
couch
on
on
in front
shivers
move
her.
at
to
hideous
draws
she
ramble
such
one
on
finds
and
pall uncannily swaying
velvet
dark
Romance
his
he
ized
agon-
nesses.
wit-
nephew
does
read
The
it, since
what
for, but
Reference
written
fill
breast,
which
and
shall
hear
his
he
to
the
curse
to
man
speak
I could
world
and
shun
of this
whole
Inexplicable
music
in
strains
The
heroine's
suspected
of
appearance
theme
recurrence
of the
monotony
of
Groans
and
wails
Maria
Roche's
'
Regina
A
Sicilian
on
is
so
at
to
you
the
bind
ties of
the
develop
elements
constant
been
rence
recur-
victrolas
chiefly instrumental,
a
The
on.
and
Maria
Regina
at
with
all hours
supernatural
the
constant
as
and
that
Roche
doleful
the
Moor'
Spirit of
The
harp
times
some-
performance.
masquerading
in
in
ally
occasion-
violin, though
sounds, and
specter plays
rettville the
'
of
it will
have
musings
devil
the
by flute-like
is heralded
is
on
be
to
forego
Its
Radcliffe
Mrs.
the
accompany
music
harp, sometimes
it is vocal.
to
romances.
must
one,
"
which
of the commonest
one
there
The
times.
a
these
so
in
any
tempt
claims
must,
And
forms
that
suggests
on
"
to
would
ready
sorrow
cries, "Were
those
Time
society.
of mystification
medieval
be
secret
Oswyth
St.
questioned.
Castle
detest
would
mystery
be
my
mystery
seem,
tale unfold
even
You
man.
and
nature
should
In
his
at
of "a
dreadful
"a
on
of cureless
it should
prisoner in Bungay
dimgeoned
of
labors
cold!"
was
in
presentiment
marquis
cloud
there
unwilling
was
told
are
which
the
to
run
as
than
another,^ Vincent
impenetrable
and
we
have
secret
blood
destiny, unknown,
which
liberty
"an
In
novels
otherwise
now
speaks
your
Sir Alfred
over
Gothic
heroine?
or
tale,'
horrid
Abate
in
occur
horror!"
make
that
life
and
elucidation
the
hero
favored
speaks of "a
"
the
secrets
one
with
me
death-bed
hung
In
whose
would
we
dread
to
45
manuscripts
deciphered by
form.
mystery
Romance
mouldy
are
be
to
Gothic
it
sings.
TurThe
acquires
the
tantalizing refrain.
Romance,
of
unexplained origin also
aid in build-
Clermont.
by Mrs.
Radcliffe.
'
In
Zofloya.
The
46
.ing
In
upjsuspense.
that
so
the
Gothic
Gothic
pages
and
open
the
ghosts
horrific
well
Gothic
as
father
forth
says,
gloom,
The
of Mrs.
dominant
imitated
ous
vari-
mystery
"
of gray,
only unrelieved
heroine
Romantic
and
swooning
She
tumbles
but
her
into
worst
supernatural
desks, and
manuscripts
The
In
and
verse
vice
is that
horrors
secret
she
she
she
does
invention
Inquisition and
show
gloating in
are^no
and
restful
white
she
emergency
sketching
of
not
at
lay her hands
on,
Gothic
human
much
is
In
her
given
clad
in
surprised.
search
midnight
belong, breaks
read
ish
fiend-
slightprovocation^
on
curiosity.
wanders
the
characters.
yet always impeccably
hiding-places to
can
temper,
Raleigh,'
monasteries
black
hero
is of Rad-
the
was
peculiar creature,
nocturnal
where
apartments
like the
weeping,
what
matter
is
hero
Walter
be
There
tortures.
the
saturnine
Sir
and
ing
breath-
to oppress
The
officials of the
convents
and
as
fering
inter-
The
in threats
to
not
temperaments
past and
tried
must
scenes.
helpless inmates,
their
over
and
Byron.
Byron
The
cruelty toward
The
terror
are
est
of inter-
center
characters
marriage.
by
that
man
figures in
diabolism
human
frequently
in
of vague
person
the
occupy
relative,brutal
loathed
Radcliffe.
shades
the
'"^There
over.
other
or
and
' '
'
aid in Gothic
castles, tempests,
into
admired
no
volition, doors
assistance, and
human
devils
slaughter, comes
heroine
cliffian
and
romancBj^
lightlypassed
to
tension.
mystification.
in the
or
terious
Mys-
the
alarming
supernatural phenomena
Although
be
with
visible
no
turned.
are
increase
likewise
vanish
close with
other
and
and
appear
they
as
groan
arises
lugubriousness
of
fact, a chorus
disappearances
Lights
Romance
whatever
for
through
open
boxes,
letters
or
behaving generally
yellow journalist of fiction.

pages
The
of the
English Novel,
Gothic
p.
228.
novel
are
smeared
with
gore
The
and
with
turn
nothing
the
ghostly
land
on
tadpoles
Gothic
like
Gothic
Austen's
school
inimitable
written
her
as
till after
her
other
satires
which
might
she
the
it.
well-known
modern
vicious, merely
is not
beauty,
pencil
she
sketch
to
the
mostly
adventures
She
lover
who
all the
with
is the
young
men
the
abbey
Gothic
pered
tem-
is not
not
heir
to
are
has
palpitating
supphed
being
she
Radcliffe's
Mrs.
county
that
through
goes
no
snatch
nor
told
are
lover
has
heroine
sonnets
on
unrecognized
in
present, yet how
The
we
she
in
satiety of
dents.
inci-
with
estates, since
vast
properly provided
parents.
The
the
hampered
is
into
modelled
work
for her
pursuing, repulsive
for
Yet
accompHshments.
no
her
wrote
for her
all
sillybore.
scene,
tor
edi-
the
interfering father
the
roristic
ter-
tive,
story itself is imita-
setting is
topple
appear
so
she
save
are
ill-natured; the
does
nor
begun
comfort;
times,
immortality
won
The
Though
justifythe
meantime
materials
villain, only
the
Jane
is to ridicule the
of her
title of the
The
differentlyemployed!
to
In
been
have
never
romances.
and
ahead
ture.
litera-
is
in 1797, it did not
in itself would
society and
on
literature
Its purpose
was
publish
to
medieval
sold
book
the
school, but
feared
and
best
contribution
valuable
English
yet
the
English
to
thors
au-
humor,
of
one
reader
The
it,Northanger Abbey.
death, in 1818.
and
earth, for
the
of
sense
known
to
satire of
first novel
Romanticists
in
most
made
the
and
whole, is
the
is like
disquisitions.
humor
Perhaps
under
whales
Godwinistic
totally lacking
Conclusion.
conversation
waters
Johnsonian
as
47
The
in the
or
of unconscious
the
Romance
flutter.
novel, taken
specimens
that
sea
under
almost
are
the
or
talk
restless
grows
Gothic
delicious
fiction
of the
between
persiflage in which.
day
two
may
young
be
Jane
illustrated
girls.
Austen
by
bit
hits
of
off
versation
con-
Gothic
The
48
"My
dearest
yourself
all the
the
to
got
"Are
wild
not
"Oh,
would
I
with
assure
have
Dear
have
and
I have
kind
' '
for
from
creature
to
ton;
skele-
reading
life
I would
not
"
am
; and
you
Italian
The
twelve
or
Castle
glad
How
their
you
the
of
"Yes,
when
together;
of the
more
am
same
of the
Black
Horrid
all ? "
they
are
they
in my
are,
Clermont,
Wolfenbach,
and
What
directly; here
names
of
Rhine,
Mysterious
Forest, Midnight
These
Mysteries.
Bell,
will
last
quite
a
"
"
Mr.
of
this
he
has
never
mistaken
as
of
Are
sure
you
as
Miss
authorship,
In his introduction
to
his
out
and
pocket
should
for
doubt, however,
investigation
Miss
in
creatures
the
their
since
of the
volume
like
during
the
of Tales
other
some
existence.
eight have
doubtless
sceptical
as
stating that
romances,
and
Andrews
four
mine,
himself
expresses
of them
one
of
sweetest
catalogue of actual
read
than
the
friend
of them!'"
one
every
Saintsbury"
in his
to
particular
girl, one
sweet
George
list
for
sure;
read
has
authority
of this
all horrid?
they
are
all horrid?"
are
Andrews
well; but
pretty
"Yes,
'
you,
will read
list of ten
meet
"
delighted
am
whole
my
obliged
we
be
me
time."
some
world
out
to
world.
much
Necromancer
Warnings,
they
How
indeed
you,
pocket-book:
us
it for the
Udolpho,
made
been
not
Oh,
spend
to
tell
not
it must
skeleton.
like
If it had
do
But
I know
account.
I should
away
will read
Orphan
you
you."
Have
"I
finished
you
it be?
can
any
on
you.
come
' '
What
it is Laurentina's
book
the
it, I
told
sure
am
Are
world!
the
for
tell
not
"
quite!
be
not
veil
black
that
know?
yes,
I would
delightful! Oh,
How
indeed?
to
I have
"
veil.
is behind
what
you
and
I woke,
since
ever
Udolphol"
with
on
with
doing
been
you
gone
you
it
reading
been
have
Have
morning?
black
you,
what
Catherine,
I have
"Yes;
Romance
He
the
progress
been
others
of Mystery.
is
are
fied
identilurk-
The
ing in
Mysterious
Midnight
1796;
Warnings
Bell
by
Mysteries by Marquis
Austen's
Jane
the
Tilney,
Gothic
to
been
the
hair
standing
the
since
he
end
on
real
of
Gothic
read
cleverness
of the
of
fiction,goes
add
that
there hasn't
The
in two
She
her
sunny
induced
her
on
in
with
no
skeleton
Opening
flickers
her
it is
that
the
prowlings
by
win.
sarcastically
but
tipped
and
give it
because
novel
parody
But
In
The
died
shafts
of
will
oi tortured
nun.
of
his
bilious
the
at
Jane
riddle
time
same
Austen's
remembered,
The
that
she
his
not
she
in
of
such
to
father
is not
immiired
in
delicately
of medievalism
of
permanency
if for
it
wishes
These
armor
of
treatment
read
to
caught
attack.
finds
only result
is
is
the
she
sunshine
esteem
mother
of Gothic
is about
she
her
assures
of ridicule
be
list.
for
wife,
morning
whose
man
young
that
wife-murderer,
dungeon,
the
laundry
she
as
North-
imprisoned
midnight,
at
explbrings is that
suspicious
He
just
In
out.
old
an
chest
but
manuscript,
candle
finds
black
of
search
Tilney's ironic jests satirize all the elements
never
of
excess
visit to
wings
secret
lesque
bur-
because
by
Mr.
her
his
in the
Catherine,
with
rooms,
and
consists
mind
explores
to find
work
that
through
single maniac,
yellowed
Monk,
days with
Mr.
their comment
not
romance.
and
Thorpe,
yawn
Udolpho
Horrid
1796.
Jones, except
experiences
Abbey.
and
all the time.
condition
horrors, only
with
Regina
Parsons, in London,
John
Tom
by Maria
Latham;
bore,
saying
that
the
excited
anger
Mrs.
Francis
stupid
novel
other
romantic
by
is
Grosse, London,
fiction,one
and
But
49
impeccable, pedantic hero,
decent
Romance
antique library. Clermont
some
Roche;
Gothic
it.
nothing
interest
The
Gothic
else, for
her
of it.
Miss
Austen
is not
Heroine, Eaton
burlesque
of it.
It is
the
Stannard
only
satirist
Barrett
interesting to
note
of the
gives an
in this
genre.
amusing
connec-
Gothic
The
50
tion
that
1797
it
while
by
introduction,
the
Cherubina,
one
1813.
epistle,supposed
an
in
the
that
the
and
May
ascends
immediately
arrives
the
at
of the
valleys
By
of
heroines, and
far
as
to
say
was
she
tells her
he
for
reading romantic
tales.
private
that
he
her
"
discovering
She
fleshy agricultiuistthat
the
convex
in
experiences
of the
Radcliffe's
and
She
search
one
Gothic
she
may
of
She
decides
is gone
be
her
father
Maria
scrap
"to
There
pages.
desk
that
note
she
to
wander
parents,"
Roche's
since
in his
with
is much
heroine, particularly those
Regina
that
seclusion, and
torn
imagine.
so
girl, becomes
flies,leaving
her
me
went
some
rvunmages
a
told
lives.
possibly
cannot
desires.
earth
their
on
Rochian
and
and
unwarranted
farmer.
papers,
to
in
kept
the
comic
sisterhood,
design
and
heads
country
fat, funny
interprets
their
imsophisticated
father
is "a
the
on
tant
living inhabi-
Radclyffian
an
heiress
an
the
descriptions
earths
I had
after
is
slur
literary prototype.
I became
tossed
they
till it
becomes
the
to
of the
that
Cherry,
Cherubina
with
others, but
I
that
pertly
of the
origin
Heroine,
I met
moon.
their
landscapes
The
book.
and
air
villages,rivers, hills, and
towns,
owe
of the
give
means
of the
also
moon
writers
all the
the
embodied
precise counterpart
that
of
acquire
flightand
takes
regions
it is
thereto,
therein
sketched
the
is written
attached
spirit which
or
where
the
farther
Know
soul
Finis
or
be
to
through
moon,
living creature,
End
word
1813.
i,
manuscript
mortal
happen
creating
of
quality
which
the
characters
whatever
that
moment
legible hand
endited
be
to
says
Moon,
Know
book,
Barrett's
and
in
published
later, was
sold in
and
written
was
till 1818,
published
not
written
In
Northanger Abbey
while
was
Romance
from
The
tell
over
what
cussion
dis-
Mrs.
girl
The
Gothic
sprinklesher letters
explores deserted
her
ancestral
Garden
castle
and
goes
property.
She
mother,
to
and
whole
insists
it is
amusing,
than
round
she
into
face, which
finds
Cherubina
and
and
that
in
It
In
in
makes
a
of
in
Gothic
shut
of the
the Anti-
in Thomas
Love
satire
By
of
the
excited
of
oaths,
throwing
mortal
the
the
rapee
fashion.
.
in
Gothic
some
ancestor.
an
and
pages
directed
had
giving
ghostly themes
feature
struggles with
of mutton
ludicrous
the
an
to
the
at
novel
Peacock's
small
from
he
Jacobin parodies
infiuenced
however,
the
Radwhole
weaknesses
fiction.
terror
literature, and
it is
spectral apparitions
sputter in
across
general, Gothicism
degree.
the
bone
cotirse,
every
closet, after
the
strange,
seems
that
bone
it for
but, of
"
because
architecture, the Gothic-
delightful parody
pronounced
language, the
him
blade
is considerable
gained
mother.
fat farmer
more
burlesques
It
him
takes
excesses
Likewise
genre
playing
possession
the
theme,
muscular
adjectives reel
up
there
so
locks
as
plays
captive
is her
Northanger Abbey
high-flown
is
heroine
cliffian
she
has
and
furniture, the medieval
of which
garbage
all her
it furnished
She
little known.
so
feudal
his
is
Gwynne's
woman
takes
orders
romance.
Gothicism
fiction, the
one
thinks
demand
fat
that
she
disgust
is Nell
to
enormously
and
she
cellar to find her
weather, the supernatural tempers,

"
she
person
great literary value.
so
terror
that
in the
an
is very
story turns
that
the
to
what
to
madhouse.
on
of
not
around
through storms,
but is told that it is Co vent
amiable
place in
book
parody
that
else's castle
in the
The
decides
drunkenly
style, according
up
She
discovers
that
somebody
London,
51
passes
comes
in
pokes
frogs, who
Leaving
She
verse.
houses, and
Theatre.
niece
with
with
Romance
Gothic
the
ghost and
whole
Gothic
Nightmare Abbey.
tonic
effect
fiction
continental
interest
on
and
fiction, the
English
to
no
excitement
terror
writers
made
popular
romance
has
lost the
never
ghost
various
it.
to
gave
period has found
times,
is
there
effect.
of
Yet
the
achieve
certain
became
conventionalized
later
the
to
ridictdous, the
they
the
host
Gothic
do
class
and
degree
these
to
narrow
absurd
an
the
judge the
we
Though
laughable, while
are
type
is
range
effects.
impressive
examples
made
their
While
to-day.
apply
by which
standards
same
and
naturalness
the
fair to
it is not
from
detracts
lacks
to
audibly
mechanically,
too
often
every
which
on
creaks
unreality that
air of
in
and
Gothicism
move
supernaturaUsm
early efforts
novels
of
specters
is necessary.
then
supernaturaUsm
of
form
Gothic
the
through the
increased
has
since
machinery
general
The
which
interest
of the
some
This
some
the
True,
on
novel
The
that
popular fancy
hold
and
before
been
never
of its readers.
range
of Romanticism
aspects
feed.
Romance
it had
as
the
extended
immensely
at
Gothic
The
52
the
of imitations
has
novel
niable
unde-
an
force.
the
Besides
fiction,which
In
well.
is
distinct
of many
novels
that
and
ridicule
in
far cry
from
them,
but
dreadful
the
Wells's
Dr.
perambulating
with
by which
Moreau,
or
human
over
be
to
the
the
in
measured,
who
clearly enough
Frankenstein's
revolting
utterly to
their
our
arouse
seems
It
Lord
to
stony steps
have
defied
The
seen.
is
monster
vivisections
operations described
beings lose
ginnings
be-
later
excites
Otranto
mortals
on
may
akin
diabolized, given
statue
move
vengeance
close
whereby
in
things that
as
crude
are
laughter, it has great value.
experiments
are
Machen
of
the
power
novel
terror
find
that
special
respects, yet, like other
the connection
created
closely,we
The
benefits
other
supernaturaUsm
stories.
terrible
examine
of
jade gods that
Dunsany's
find
we
develop into
to
are
some
measure
wreak
forms
short
certain
to
gain,
Gothicism, if we
here, but
definitely into
bringing of supernaturaUsm
souls
unspeakable
of
by Arthur
and
become
evil.
The
The
psychic
elements
in
of
psychic
suggestive
the
Barry
Pain,
animal
supernaturalism
novels
is
and
be
to
like
those
and
others.
the
this
the
in
fiction
influence
Its
Lovell
Thomas
Book,
Jest
is
method,
be
impossible
in
the
and
drama
goes
in
its
back.
earlier
that
really
vital
lineally
naturalism
the
the
the
from
or
it
of
the
has
be
Death's
and
It
in
of
our
which
the
drama.
than
of
most
flood
since
from
own
is
attempts.
fiction
would
supernatural
that
to
in
seen
Gothicism
rather
time.
Specter.
well.
the
the
been
materials
as
Gothic
ghostly
to
tragedy,
and
successful
the
The
Castle
in
conventional
are
that
may
Lewis's
beginnings,
of
drama
since
day
Gothic
the
forms
effect
poetry
literature
of
the
romance.
appreciate
or
of
epic
and
Bierce,
impetus
its
the
to
beasts
ghostly
of
Elizabethan
the
descended
of
and
Gothic
Ambrose
extraordinary
and
most
of
The
in
on
Gothic
and
most
followed
and
in
of
knowledge
forms,
stories
fiction
Mother
related
Like
example.
touched
and
drama
nineteenth-century
it
has
romanticism
understand
to
without
day
of
largely
closely
for
yet
Blackwood,
of
tremendous
Beddoe's
while
work
number
least,
gave
Mysterious
conceived,
KipHng,
later
at
the
on
Walpole's
the
greater
in
period
elements
seen
the
germ
the
lightly
Wharton,
fact,
in
of
Dreiser,
in
found
discoverable,
uncanny
horrors
53
crudely
are
only
Edith
In
of
Zqfloya
elaborated
by
Romance
Theodore
supernatural
work
Gothic
crude
of
But
that
the
tations
imiit
time
super-
is
II
CHAPTER
Influences
Later
Gothic
THE
supernaturalism.
had
been
medievalism
was
naturalism
and
poetic,
it
the
fiction
thought
this
is
fiction
the
Gothic
is
case
has
has
retained
and
imagination
the
that
epic,
the
the
But
at
it.
to
has
to
part
credible.
from
developed,
most
ballad,
seem
evidenced
times
terror
introduced,
the
dying
novel
and
channels,
the
admixture
we
out
the
It
is
succeeding
of
the
of
the
might
of
that
period
Romanticism
to
expect
it
since
true
definitely
genre
turning
element,
ghostly
terrorism.
for
the
the
antagonistic
seems
than
the
of
super-
first
That
fact
that
elements
of
greatly
added
known
as
them.
With
the
really
not
for
materialistic
more
supernaturalism
since
then
awe
much
so
novel,
poetry
The
ghostly
the
the
since
to
stretch
unearthly.
made
is
related
form.
specific
into
in
as
prose,
the
were
such
the
and
in
drama,
noteworthy,
dramas
early
to
is
closely
require
not
had
drama,
prose
new
did
credence
give
to
the
the
frankly
over
ghostly
the
or
was
That
more
as
drama
it
thing.
new
seems
prose;
the
brought
epic
metrical
romances,
literature
Gothicism
which
to
the
the
in
of
vehicle
the
times
ancient
In
in
change
expressed
in
Elizabethan
But
marked
period
the
or
54
various
the
disappearance
of
been
overworked
in
prevailing
realism,
was
supernormal
had
see
into
the
of
type
but
supernatural.
with
The
fiction
a
large
super-
Influences
Later
natural
machinery
fiction
the
that
Thackeray,
some
with
using
it.
rationalistic
Man
would
counteract
serve
"
alchemy
of literature
in
We
have
novel
drew
its
which
to
influences
Gothicism.
for
following it
and
veins
of
and
from
sources
plots, its motifs
draw,
Modern
In the
everything
various
fiction
supernatural
that
of folk-lore
field
unearthed
material
and
modem
the
to
"
all
suggested
the
the
England
with
and
respect
became
less
efliect of certain
The
in
their
England
of the
and
in
of
definite
of
the
its range
of
France
interestingbut intricate study.
in
of
unseen;
scientifically,
hitherto
in fiction.
the
greater
writers
the
of
influences
new
Their
work
subject-matter
fiction
our
patient
this world
link
supernatural
by
new
in that
their
supernatural.
outside
influences
America,
of its
supernatural
with
to
to
open
plots; the
languages,
and
methods,
overlapping
not
complications,
affected
were
use
other
miracles
new
studied
the
other
insular, wider
of technical
attempts
The
sources
various
general reading, and
from
America
to
its
of
Gothic
same
had
forces
the
continuing
of translations
range
societies
of
with
extension
earthly
un-
effect.
the
wealth
themes, novel
new
the
scholarly investigations
wizardry of dreams
elements
With
and
the
next;
unknown
the
records
Spiritualism
inexplicable
the
literary inspiration
Psychical Research
sympathetic
might
which
ghostly
addition
in
unguessed
an
one
to
still had
science, with
and
natural
super-
turns
laboratories,.proved suggestive of countless

study
the
other.
or
the
seen
have
tically
prac-
thought, invention,
its force.
almost
form
some
will
"
to
and
explanation, but
it, modern
feeders
as
using
Dickens
even
"
elements
very
in prose
by it, some
and
must
The
established
moved
were
baritering apology
fiction.
science,
well
so
with
in his
suppose
on
become
realists
even
motifs
all
had
55
we
find
the
forces.
the
and
Romantic
Germany,
It is difficult to
movement
form
point
an
out
Later
56
marked
points
Influences
evident, for literary influences

to cry
effect
certain
of
but
it is not
literature.
the
that
If
influence
on
Scott
much
of
evil
and
novel
later
as
in
been
of
this
He
was
kind
are
and
with
student
others.
among
of
German
in his
Avengers,
scholarship
well
as
as
as
he
His
Klosterheim, has
of the
natural,
super-
which
horror
he
was
not
was
German
Tieck.
likewise
Quincey
Scott.
subjects
and
ballads
literature, though
forth,
so
ghostly Lenore,
De
treating
with
Meinhold
German
especially Burger's
translated
ruins, and
dealings
his
between
the
literature
in
an
ghostly fiction.
German
that
midway
the
showed
turn
American
in the
of him
fascinated
but
considerably affected
it in
England,
interested
to
essay
ever.
had
English
critic says
certainty
elaborate
an
magic, apparitions, castles
one
absolute
thing
any-
explain
not
composition for The Raven,
Romanticism
Gothic
was
of
wrote
enigmatic
as
German
the
Poe
cessors,
suc-
or
Shakespeare's plots, would
of
art?
would
so, that
point with
one
to the
reference
with
put the finger on
to
easy
even
every
processes
remains
As
And
could
explain his
poem
' '
be
may-
elusive.
very
contemporaries
their
on
always
one
for
source
analyze his
by
writers
tangible.
very
to
usually
are
Lo, here ! lo,there
"
It is easy
general effect
the
though
of contact,
so
curate
ac-
tale. The
setting and
tone.
There
has
been
Hawthorne's
from
speak
differs
not
charge that
Ludwig
The
from
relation
the
made
fact
of
in
any
discussion
some
Hawthorne
Tieck, saying in
is, he
him
as
his
manner
author
extending
German
to
to
is not
or
of
the
tone,
their
German
question
Romanticism.
drew
his ideas
of
Poe
and
style
criticism:
original in
original mean
the
over
nothing
and
in
than
more
his
acquaintance
Those
sense.
any
"
choice
their
Tieck, whose
of
who
that
he
subjects,
acquaintance
manner
in
some
Later
of his works
is
absolutely identical
The
Influences
critic
single tale by
57
with
that
habitual
(unacquainted
with
Tieck)
Hawthorne
be
may
thorne.
Haw-
to
whd
reads
him
justifiedin thinking
original.
Various
critics have
definite
conclusions.
was
famous
his
Poe
referred
according
his
to
use
allegory
choice
and
of
the
as
for
as
dreamy
subject-matter
spiritualism
supernaturaHsm
an
that
by
the
in
his
Fable
John Bunyan
There
are
between
As
affected
by
influenced
called
the
still
the
by
Tieck.
work
of Poe
and
to
was,
legends and
horror
dreamer,
and
his
to
where.
else-
of the attaining
in
is franker,
and
evasive
of
deep
the idea
to
each
in
is present
Puritan
more
striking similarities
more
Hoffmann's
Germanic
is
speaks
Critics
Fouque,
Hawthorne
German
novel
for
give
supernaturaHsm
suggestion
same
and
Faun,
akin
proved
im-
Tieck.
scarcely found
suffering,is
There
and
effect
Marble
in The
what
some-
from
cloudy symbolism,
charm
the
and
superior
borrowed
in their
human
use
the
in
as
yet in st^'-le
the
have
may
of Hawthorne's
yet
Lowell
is much
theme
Undine.
Fouque's
while
soul
Both
unearthly
Hawthorne's
of
employment
literary form.
individual
are
similarities,as in
truths, and
mystery,
vague
difficulty
of Tieck.
supernaturaHsm,
he
thought, and
teaching moral
Hawthorne
whatever
Hawthorne's
be
may
it with
certain
the
Poe
literature, while
volume
show
very
that
it is
journal, read
a
no
his comments
German
to
element,
legend
same
to
do
dream
medium
of the
the
Tieck
with
remembered
German,
spoke of his struggles with
the
out
knew
writings often
Hawthorne
"a
be
It should
Yet
Hawthorne,
and
this matter
plagiary-hunter, hence
discounted.
in
discussed
Hawthorne
cate,
delicase.
as
"
pointed
be
to
T.
A.
mann.
Hoff-
slight extent,
at
least,
that
of E.
wonder
stories.
various
tales, Poe
Poe
has
German
was
been
and
Influences
Later
58
English
Mr.
critics mention
Palmer
Cobb'
connection
The
with
in the
in
the
the
the
with
the
Mr.
Cobb
theme
the
be
is to
in
last.
thought
like
Maupassant
of
the
his
associated
other
Elixihre
Hoffmann's
the
as
the
treatment
idea.
of
In
hypnotism
'
Hoffmann''
The
Influence of E.
'
In the
'
In
his
In
Die
"t
Doppelganger,
Tale
in the
and
Poe'
T. A.
in
Murr,
was
obsessed
by
and
he,
him,
of
mind,
In
Poe's
of
good,
William
sort
evil.
Poe
the
has
Edgar
Allan
Elixiire
des
In
The
we
find
the
Poe
supema-
Poe.
Teufels.
Oval
here
and
that
story of
of
while
Mountains.
G.
wrote
Hoffmann
combination
relate
on
idea
metempsychosis
same
and
of this
Magnetiseur
and
Hoffmann
Kater
of the Ragged
Jesuit-kirche
the
Hoffmann's
larly
particu-
Markheim,
Stevenson's
represents
dream-supernaturalisni
uses.
in
use
madness.
embodiment
of the
use
Hoffmann,
personality."
self is the
conscience,
incarnate
reversed
of double
with
psychosis
metem-
between
German
conditions
of the
story.
haunting
was
similar
and
same
he
that
ground
tion
conjunc-
similarities
the
of this
soul
in the
exaggerated
double
under
theme
the
Wilson
the
on
that
the
Novalis, and
Hoffmann's
supematuralism
uses
detail
in
existence
the
the
with
examples
mesmerism
personality and
Fouque,
explained
the
in
existence, the
agreement
and
one
dence
evi-
combined
has
dual
evil forces
of
in
out
of dual
found
as
motives
points
stories
and
be
to
motives
same
Poe
of double
idea
is
convincing
most
Notable
combination
the
leading
as
Poe's
of the
struggle of good
and
individual,
of the
exact
Hoffmann.
says
German
to
which
in
forth, in
by
employment
He
The
way
in
interesting facts
metempsychosis,
so
employed
grouping
are
and
element,
dream
the
by
Hoffmann.
to
owes
treatment
authors.
of mesmerism,
themes
some
of the
both
furnished
is
out
he
indebtedness
Poe's
of
of
that
romanticists.
two
similarity
work
debt
brings
the
verification
sought
the
Portrait.
Later
tural
portrait, where
the
painting.
Both
Hoffmann
to
the
in
in
and
individual.
art,
with
artist.
His
his
effect
He
is the
the
the
he
is
genius of compression,
great
as
The
the
cult
work
extent
of horror
of
Chamisso,
literature
as
of
use
dream
ghosts, the
have
to
literary elixir
degree in the
the
A
that
wrote
'
as
Balzac
a
well
title Phantasie
as
Poe's
the
dream
uses
poignant,
as
to
of life
are
"
is likewise
Gothic
in
Germany,
which
bearable.
un-
evidenced
in
Fouque,
and
American
The
grotesque
psychosis,
metem-
theme
reflected
appears
to
certain
lowing
generation fol-
manifest
novel
a
it. "
The
had
as
the
is the
novel
of
Melmoth
fact
that
he
the. English,
phantasy pieces with

'
later
itself felt in
made
Maturin's
interrelations
of his type
in
proof of which
impressed by
definition
Stucke.
more
elements, magnetism,
The
so
was
sequel
Compare
dream
general.
"
done.
romance.
influence
English fiction.
greater
His
English
of life
suggestion.
English ghostly tales of the
Gothic
French
France
elixir
have
have
literature,
on
tales
few
more
in
of the
horrors
as
Hoffmann
influence
his
ghostly
Kleist, Tieck, Amim,
supernaturalism
diablerie, the
than
incomparably
of
in German
an
His
an
are
"
Hoffmann,
had
of
Poe
greater
fewer
his
of thrills
economy
much
employs
Hoffmann's.
owes
original
is
effect
supernatural,
elements, for instance, though

to
with
he
and
Poe
he
to
almost
are
in theme
manner
powerful
Though
because
knows
his
super-
adds
charge that
themes
and
than
tmearthly
awftol
more
of
generic titles
for
sacrifice
that
similarities
In
dramatic
machineries
more
these
uses
contemporary.
crude
are
He
of horror
the
basis
no
the
as
grotesquerie of
element
to Hoffmann.
more
German
is
dies
the
use
spite of
grouping, there
stylisticdebt
Poe
ghostly. Even
But
'
59
wife-model
fantastic
effect of the
identical.
the
and
the
naturaUsm,
Influences
RSconcilie.
Hoffmann's
6o
Later
French,
better
German
and
illustrated
than
and
youth
but
the
and
decaying,
from
Idiot, tell
which
Haunted,
the
is
or
of
the
and
drama
in
as
Gothic
desires, yet each
shrink
perceptibly, with
theme,
symbolic
of the
supernaturalism
that
Hawthorne's
it in part.
often
makes
in the
for
soul
gives the
his
man
the
talisman
decrease.
chose
tinued*
con-
symbolic
pledge of
life,is such
Wilde's
has
is
used
inexorable
Masterpiece
Unknown
Balzac's
wish
Oscar
influenced
doubtless
granted
Strange
supernaturally
theme,
skin
of
Haunters
A
influenced
magic
truth
in the
influence
The
as
suggests
Hawthorne
allegorically as
used
Balzac's
Skin
of the
an
dead
man,
Brain, and
of
have
romance,
heart's
the
old
life
to
itself loose
stories
that
the
gratification. A
earthly
"
Magic
may
application of
theme
supernaturalism
new
and
Balzac's
allegoric symbolism
It is
horrible
brain, shrieking out,
God
in such
the House
life is used.
story
is
old
an
tears
the
to
seen
of which
each
Story, in
abbot
of
that
head
the
if there
now
me
remains
body
Bulwer-Lytton
and
admits
He
is restored
head
the
where
the
bites
and
over
nowhere
are
of Balzac.
work
in the
story of reanimation,
' '
literature
supernatural
inspiration of his Elixir of Life, that
Hoffmann's
church
Influences
This
spiritual idea
and
frequently
Picture
of Dorian
Grey.
is another
example
of his
had
its
suggestive
doubtless
influenced
effect
on
English ghostly fictions.

de
Guy
tales
of
Maupassant
horror
As
the
over
to the
of
mark,
and
supernatural
exercised
more
like
Ghost.
And
of
putting into
horror
definite
F. Marion
hundred
The
it, making
goes
words
O.
Furnished
technique
Crawford's
as
mann.
Hoff-
ence
strong influ-
in its effect.
story,
Maupassant's
surely
few
English
since
and
fatal bullet that
relentless
delicately,perfect ghost
reminiscent
foreign writer
any
short-story form, condensing
economical,
more
than
more
stylisthe
has
seen
it
straight
a
story
Henry's
Room,
in
Screaming
is
The
Skull
Influences
Later
and
Ambrose
from
the
terrible
Bierce's
same
body
corpus
it must
the
mystery,
mutilated
stories
decay,
his
among
his
constant
so
his horrible
the
drowned
miles
down
the
supernatural,
that
so
between
could
out
of
that
parrot
by Poe,
plot material
his
La
of years,
the
do
It ? A
Thing
A
Louquier's Third
Maupassant
Horla
As
subject
reflects
that
Coward.
is
the
cause
unusual
sociation
as-
Who
fiction.
enced
influ-
was
technique,
And
O'Brien's
Fitzjames
anticipated
impress
stories
of
it
on
so
in both
his time
supernatural.
the
story by Katherine
The
Tress,
which
say
since
by
number
Bierce's
The
supernatural
method
Maupassant's
visibili
in-
Gerould,
FuUerton
clearly to indicate
influence, reflecting the

and
The
and
matter
strongly
seems
hundred
Maupassant
writers
succeeding
self,
own
story of ghastly hideousness
swears?
Act,
of his
uncanny
of
recent
ing
objects, mak-
Maupassant's
treatment
and
over
power
insanity and
to
and
of
doubt
master
between
it left its inevitable
so
weird
Such
story.
insane;
is unable
Mystery
passant's
Mau-
mechanically; Cocotte,
him
have
In
from
is terrified
may
English
and
Horla
Was
insane
he
make
both
in
affected
goes
that
madness
Maupassant
a
type
inanimate
one
but
of
this
even
relation
are
find the tragic explanation
and
river, drives
the
style, and
has
hands
brain,
of the
man
effect, illustrate
which
of La
analyses
insanity.
dog, following its
of
curdling story
to
where
his wUl,
where
Damned
of
story
Poe's
to
of
of
we
husband
akin
stories
return
where
do
of what
What
gruesome
qach
in
are
What
same
corruption
reason
beings, animals,
them
as
horror
triumphs
English
wife; Madness,
has
is the
madness,
slow
tottering
Mad,
as
hiunan
he
There
dreadful
various
own
of
of
of the
most
influenced
and
be!
Foot
Hand.
Maupassant's
as
Right
ghost.
of mental
his
the
of
Toe
implacable
same
Maupassant's
tales
Middle
6i
and
tales
the
De
motifs
have
Influences
Later
62
peculiar horror
undoubted
genius and
the
result
have
also
influenced
increasing
his
of
partly
his
of
because
by few, partly
possessed
madness.
Other
French
story in
writers
Theophile
EngHsh.
tales, such
inspired various
Jessie Adelaide
in
beauty
Conan
A.
form,
or
to
Mummy's
life after
of
where
the
This
motif
material
bodies
Amoureuse
has
Crawford's
recall that
and
year,
The
Poe's
the
latter
various
acoustics
the
Invisible
Eye,
Berenice
preceded
latter
a
though
the
latter
of Death,
crab, suggests
In
is
H.
on
account
G.
Wells's
Khaled.
The
"
With
Spider's Eye, by
Intent
to
Steal.
tales,
significant
story by
have
of
Algernon
of
of
gested
sug-
supernatural
hypnotism,
Blackwood's
more
The
has
gruesome.
loathsome,
P.
s
the Blood
Is the
an
story,
The
enchanted
story of the plant vampire.

For
obviously
Ear
spiritual sounds.
story
'
Lucretia
Morte
later
to
Owl's
records
psychically
an
La
work.
Poe's
The
dealing with
Oriental
the
it is
'
life.
menacing
appears
being
fearsome
Crawford,
Gautier's
known
stories.
both
parental claim
'
have
of
over
though
Something
of
power
The
as
to
Gautier's
story,
evident
Waters
fiction.
animated
re-
wake
would
to
prevalence
of
miraculous
Marion
awake
studio
title.
Mummy,
it.
F.
by
well
of
they
vampire
English
another,'
inspired
that
not
resemblance
as
science
of Erckmann-Chatrian
fiction
story
with
Word
suggestive
must
though
of that
horrible
used
the
exercised
Foot, by
masterpiece
preceded
English
recent
match,
so
old
illustrates
in
as
also
in the
is the
the
of years,
is
Mummy's
Poe's
living persons
theme
same
The
of the Mum-my
Romance
thousands
has
unquestionable
an
emphasizing
story
embalming
to
24Q,
Foot, though
fantastic
such
No.
bears
The
Gautier's
the
little
Doyle's Lot
mtimmy,
to
his
uncanny
undoubtedly
Gautier
as
which
Weston,
the
'
Life.
Hale.
The
Flowering of
the
Strange Orchid.
'^
Later
Likewise
Anatole
who
man
with
by
drolleries
Thomas
Bailey
the
France
of
has
once
the
be
such
or
mass,
of
act
an
the
or
written
years
juggler throws
and
worship
by
earlier
and
of whom
he
the
years
tells
' '
is
Lord
of the Penguins.
into
has
baboons
"
And
face
and
hid
themselves
not
The
'
In
'
Phre
Transferred
Antoine's
from
clothing
what
Date
Ghost
Palm.
woman.
hermit,
the
borne
down
little stories
of
startlingly original
by
Anatole
France.
The
of
gods change
lost, because
in
the
Dunsany's
to make
promise
Isle
guins
pen-
priest
story
them
devotion.
little shorter
discern
faun
one
where
"
dead
and
the
while
Yogis, who
arose
in
is
satire
will be
souls
for their
baboons
the
could
of
altar
like
reminiscent
France's
the
to
pray
the
heart
while
seems
Notre
the
much
the wonderful
by mistake,
them
in return
men
In
whose
men
baptized
the
Slept
spectral
sight of the
story
bit influenced
the
before
by
hermit
Dunsany,
seems
Gods
the
"the
suggestive of
respects,
When
His
that
us
Dunsany.
in most
the
and
ones,
Bailey Aldrich,
Thomas
meet
Juggler of
his balls
symbolic
the
may
loved
Celestine,the story of the faun
Amycus
Lord
The
is rewarded
where
celebrate
'
idylls of
love
their
as
plant miraculously springs from
by
for
with
miracles
Scholasticus,
Virgin,
sinned
son,
per-
Stockton.
R.
of Shadows,
clasped hands,
tender
where
Dame,
have
used
are
imagined
an
by Frank
Mass
reunited
church, with
as
delicately wrought
The
who
to
year
several
as
those
and
one
some-
is associated
such
in the story of
Son,
because
person,
supernaturalism,
Aldrich
supernatural,
ghosts
as
of
of the
narrative
existence
actual
imaginary
an
63
Putois, the
an
Mehitabel's
Anatole
in
as
the
Miss
have
him
of
spoke
France's
to
came
Influences
they
and
worshipping, smoother
in the
and
were
The
arms,
herded
and
with
went
away
And
men.
for their bodies
Spectral Mortgage.
were
about
and
men
bodies
of
their
though
men
the
worship
went
Van
of the
/ since
his
yet with
unearthly
an
the
realism, of
plays
we
of
solid
in the
even
visitants
which
breathe
earth,
they
appear
work
there
in the
that
ancient
is
action,
Greek
active
In
agent.
The
are
the
unearthly
same
certain
Tempest,
much
have
we
of enchantment,
use
happily.
realism. and
vehicle
in
influence
The
Blue
Bird.
in the
gian's
Bel-
forms
trans-
grip of fate,
Yet
pace.
in
is very
wrought
different
of
fairy magic
dream-drama'
that
use
is
of
the
the
close
dream
exquisite symbolism.
of
as
aspects of the weird
is apparent
the
The
mixture
fairy play
of Maeterlinck
shows
to
comes
and
of
with
out
and
supernormal,
many
the
supernaturalism,
there
the
is the
Joyzelle,which
Night's Dream
of
little
Interior
to Midsummer
type
Maeter-
least, for Fate
at
effects
But
English writers, particularly of

'
in
scenes
that
Intruder, and
the
same,
poetic symbolism,
for the
combined
The
the
In
while
There
beings,
manner.
the
feel the
drama.
Blind, The
the
similarity
Shakespeare's
supernaturalism
swift, silent
human
elements
the
tragedies, the inescapable calamity
with
the
feel
Shakespeare,
in
witches.
We
of
Maeterlinck's
In
normal,
unreality.
earth,
impression
no
do
at-
an
of
are
certainly, but
fluidic
essentially static
among
with
find
we
actuality,never
or
real, are
to
approaches
linfck's is
ghosts
are
plays
always
we
ghostly enough,
are
ghostly literature
known.
air of
as
of
presence
everything
as
the
acknowledges
he
settings
strangeness,
familiar, the
never
footing
The
supernaturalism.
mospheric
his
In
recognition.
linck's
Maeter-
before
whom
to
strongly affected
has
rise to
ill.
appeared
and
uncanny
and
beasts
fellow-Belgian, Charles
his
by
Flaireurs
whose
indebtedness,
his
Yogis, spiritsof
the
of
souls
still the
were
influenced
Lerberghe,
plays
souls
to
Maeterlinck,
'
Influences
Later
64
Celtic
in the
work
of
school.
W.
B.
Later
Yeats's
faity play,
pathetic
beauty,
countess
who
the
Land
Countess
from
of
traces
The
sells her
be freed
may
Influences
oj Hearts
soul
the
to
his power,
Maeterlinck's
reflects
Belgian's technique
individual
Riders
Crier
eerie
its
Maeterlinck
is at
Sharp, in
called
Vistas,
with
his
literary self,Fiona
of
does
as
in
his
power.
the
suggest
in
Synge
unseen
an
to
seems
by
real
once
Coleridge's
in
dialogue, and
repetition that
stories, show
Bottomley
tragedy
the
poetry
elusive, intangible ghostliness.
produced
monosyllabic
other
Gordon
observable
naivete
people
her
William
influence,
and
that
slightly,though
supernaturalism
Coleridge, with
of
his
Sea,
by Night, that
effect
the
to
Maeterlinck's
of
shows
of
in the volume
plays
Sharp's
power.
Hkewise
McLeod,
his
his brief
tragedy
his
as
methods.
and
own
devil
well
as
its
Desire, with
Cathleen, his
his sketches
the
65
child-like
a
work
simplicity
is
of
in
style,
unreasoning
monotonous,
and
The
unreal.
The
dramatist
has
brought
portents and
lurks
from
over
symbols
just outside.
evident, the
certain
and
symbolism
with
he
the
it in
frankly
of the
who
has
make
an
some
heroes
killed
'
In
that
so
The
In Brand.
the
the
His
one
scarcely knows
unearthly
riding to Valhalla,
voice
with
crying
Vikings of Helgeland.
to
the
king,
out
"He
'
just how
far
extend.
He
his
is the
"
In
God
The
he
vision
own
mother
that
tries to
apparition
the
like
in others
ghost
the
unreal
child's
The
with
of the
question, while
supernatural.
in
has
showing
like transftision
herself,leading them,
than
work
own
open
rather
supernatural
Hawthorne,
of the
an
unholy pact
supernatural
of
that
that
dynamic.
than
fiction.
our
cases
introduces
dead
rather
of
use
disaster
or
ghostliness is subtle,
acceptance
our
prefiguring death
mysticism,
natural,
means
leaves
with
suggestive
same
strongly influenced
and
kinship
poet the
static
drama
drama
our
for
The
Ibsen, also, has

both
the
of
and
the
Love!"^
Pretenders.
66
illustrate
Ibsen's
inexplicable
Peer
symbolism,
its
have
to
seems
such
ironic
had
Etc,
form
the
The
visible
crude
hypnotism,
or
of
phantasms
the
what
or
dead,
evasive, intangible haunting
the
in
dead
in
as
as
The
Lady
dramas
in
mysticism
spirits of Cain
life's
riddles, the
stories
of
and
in
stories
of
in
bringing
in
pathy,
tele-
The
effect
living by
work
the
on
merous
nu-
The
English.
sad
in person,
personality
The
and
Master
at
bolic
sym-
with
of
the
the
of
His
Christ,
Passing of
the
ignorance
souls, foreshadowed
the
the
powers
their
Christ
men's
over
than
Galilean, showing
and
Judas, with
vision
in the House,
Servant
had
of
rather
of the
strange
Sea, have
Emperor
and
power
and
the
from
psychic
the
Rosmersholm,
as
wiU, in
Builder, the
of
power
of ideas
you
idea
uncanny
force
thought, the haunting
unspoken
works,
Ibsen's
sin reflects
children.
Gynt's imaginary
Peer
other
on
personificationof temptation
the
where
'
committed
of
influence
suggestive
seriousness,
satiric
and
laughter
and
folk-lore
of
mixture
its
with
Gynt,
almost
curious,
The
methods.
earlier
Countess
as
in the
Influences
Later
ceasing
un-
plays
The
as
Third
Floor
Back.
Italian
Modern
the
uses
and
the
has
novels
malignant
the
in
'
By J.
In
The
H.
horror
a
in the
story,
Shorthouse.
Woman.
the
evil
undying
in
on
fiction
and
literature.
our
them,
in miraculous
as
madness
handling
ancient
in
action
curse
old
an
of the
of
In
The
has
Bacon,
Sinner
Unburied.
and
the
the
as
Morta,
such
causes
This
unearthly
Cittd,
tomb
play.
The
the
La
by Josephine Daskam
'
with
gruesome,
in
yet
visions,
associated
psychically
more
of
ghostly
its effect
D'Annunzio's
power
revolting
in
and
repulsive,
more
where
by Fogazzaro
essentially realistic in pattern,
are
metempsychosis
represented
the
had
supernatural
supernatural.
is
and
drama,
Fogazzaro's
he
introduces
D'Annunzio,
and
in
literature, as
The
terpart
coun-
where
Saint.
Later
packet of letters
and
their
by
who
woman
of
image
influence
occupies the
and
Rossetti's
the
lie buried
of evil magic
cause
death
that
the
incident, the
natural,
super-
by melting
which
every
the witch
on
exorcised
enemy's
an
hearth
of
uses
borders
that
in
soul
the
D'Annunzio
room.
using
poem
67
corrupt
madness
idea
to
wax
evil lovers
two
subtle
powerfully,
motive
an
from
Influences
suggests
unforgettable
Sister Helen.
Likewise
has
affected
the
language,
by
works,
has
been
introduced
primitive, still savage
shows
fact
that
the
known
to
in
type
Russian.
power
of
early part
interest
generation
the
in
frequent
more
body,
there
Like
is
and
lation
trans-
Russian
and
is
turalism
with
effective
The
the Russian
Sogno
absolute
realism
d'un
Russian
of the
of
that
from
the
d'Autunno.
The
In
best
of
uncanny,
of any
other
singular thing
Sogno
literature
d'un
Mattino
to
of stjpema-
revolting yet
Russian
'
works
fluence
in-
character, it is harsh,
One
realism.
Despite
higher classes, a
peculiar combination
of Jorio.
Tramonto
the
national
sentimental.
it is the
Daughter
In
naturally
superstitious, will
and
different
respects
about
for the
large element
Russians
supernatural.
is written
fiction.
brutal, violent, yet

noted
the
illiterate
national
us
like the
for
literature
some
country.
In
culty
diffi-
English people
to
race
special fondness
large peasant
have
extreme
read
of
this
English
its definite
in the
the
in
so
for
its influence.
having
In
the
extension
the
literature, and
German
literature
fiction
years.
translations
have
to
school
recent
thought
outsiders
began
supernatural
century
of
'
of
few
very
Romanticism
of German
study
the
field
new
Russian
ghostly in
of
EngUsh
be
the
of the
easily accessible, and, because
nineteenth
of
work
that
German
fiction
is
in the
only of late years
of
over
our
it is
people, since
As
force
literature
Russian
been
new
is
fully
dreadnever
di Primavera.
Influences
Later
68
which
the
makes
waited
that
long for fulfillment,
so
give verisimilitude
and
themselves
unearthly that follows.

who
stinted
had
back
come
the
from
The
tremendous
in the
life.
and
stories
of
Marion
F.
Turgeniev's
its influence
fiction,some
'
"set
that
and
known,
affected
element.
As
seems
such
his
the
of
his
as
Reginald
prose
use
In
in Phantoms.
of
the
the
that
of
father.
of
in
The
late
our
Another
suggested vampirism,
where
This
has
scarcely
to
seems
psychical vampirism
find
in
is
man
young
he
woman
We
umphant,
Tri-
of
account
an
had
through
Turgeniev.
torment.
Hodder.
in
much
have
The
of
symbolic, mystical supernattu-alism
dreams,
Knock!
dead
of
ments
ele-
Love
employed
considerably
has
dream
of
Song
imknown
to refiect
dies under
by
The
Dream,
used
spiritof
stories
allegory
the
uses
effectively is that
uses
impressive
an
unearthly
magic
psychical vampirism,
Turgeniev's
besides
of which
till he
Vampire,
"
visions
He
in
as
The
and
been
by
upon"
Bierce
of devils.
of the
fiction.
has
he
of
strain
Oriental
music,
element
motive
of
is
schemes
the
degree,
story
revelatory
dream
and
English
and
son's
effect
same
hfe, expressed by the
wisdom
marked
dreams
of
the Fool
of Ivan
pronounced
on
every-day-
the
Ambrose
and
Crawford.
folly and
to
power,
new
of the
something
and
property
against
Blackwood
Algernon
of his views
utterance
off
set
find
We
symbolic story
Tolstoi's
man's
supernatural gains
thrill when
of sordid
ness
his stolen
claim
to
clerk
Russian
poor
the
of
element
in
necessity all his life would
from
dead
painful
are
the
to
feel that
You
himself
redress.
demand
more
tails
de-
life,the descriptions of pinching poverty, of tragic
of
hopes
In
indubitable.
appear
Cloak, for instance, the fidelityto homely
The
Gogol's
impossible
ghostly horror,
with
its union
in
impressive than
more
visions, and
Knock
1 Knock
'
distinct
1 the
As
in Clara
Oriental
treatment
Militch.
of
Influences
Later
whose
spiritualism reminds
in its initial
skepticism
is to
working
extraordinarily through
is
powerful
more
could
be,
is felt in
tone
for
subject,
is
Turgeniev
less
the
stories
ghostly
The
English.
of
treatment
Russian
the
romanticism
mystical
brutally
it
inspiration for
in
Garland's
The
that
so
means,
been
and
supernaturalism
conventional
mere
Hamlin
instance.
natural
have
may
of
sense
the
spiritualisticnovels
certain
same
than
what
see
we
with
one
Browning's,"
hesitation, the final effect
later
of which
impress
of
somewhat
one
and
69
than
of
of
that
most
of his compeers.
Like
writers
to
use
effect
and
both.
of
writers.
It would
influence
in
or
fiction
such
has
motif
abnormal
The
Black
the
vision
black
be
horror,
Monk,
of
monk
a
a
The
of the
war,
to
envelop
the
thousand
'
In
Sleepyhead.
years
that
Laugh,
to-day,
an
mocking
ghostly
world
it is in the
But
of
analysis
of
sheet of flame.
'
of
story
by
on
of
replicaed mirage
as
of
insanity,''and
The
Ward
the
Its horrors
Queen of Spades.
6.
of
madness
individuals,
No.
work
anguish
get the ultimate
we
of nations
Sludge, the Medium.
of
old.
insanity
in
of
Tchekhoff's
supernatural being,
Red
of
story of insanity brought
weird
of
type
Examples
story
account
they
sant
Maupas-
passion for cards, whose
racking
Andreyev
madness.
of
this
stronger
what
persons.
diabolism,^
sardonic
of Leonidas
is the
fictionists
Pushkin's
in
and
persons,
Russian
the
present-day
wonders
normal
Alexander
are:
resulting from
madness
One
of the
cannot
which
say
tween
be-
heighten
to
certain
over
writers.
association
by Maupassant's,
of abnormal
treatment
Russian
influenced
been
difficult to
certain
surely they
for
be
Russian
the
obsesses
mania
the
as
influence
an
"the
extent
have
may
of madness,
have
to
appear
Poe, the
and
supernatural
the
They
studies
by Poe's
considerable
insanity
Hoffman
and
Maupassant
seems
go
be-
Influences
Later
70
English
which
supernatiiral
of
abnormality
F.
Marion
Crawford's
of
Arthur
Machen
The
for
thought,
yet,
different
has
find
and
harsher
to
years.
stories
other
interested
in
to
on
English
and
Russian
Hteratxire
our
American
just
though the
its terrors,
in
our
radically
effect of it
softened
somewhat
are
the
basis
foreign
case,
the
in
forming
type
pessimism,
transference
language.
Other
this
fields of
literature
need
From
the
by
of
be
tongues
ism
that
give
greater
ease
distant
lands
of
touch
we
Examples
Bottle
Imp,
and
are
should
of
of
find
are
now
than
the
fiction
Cook's
the
and
formerly
of
are
other
opportunity
have
been
write
tours!
of
supernattual-
^not
it in Beckford's
to
Stevenson's
-Marion
^but
New
once-
reflected
later
an
Vathek
"
The
study
monograph
Our
"
no
lands.
points of view.
Oriental,
others, F.
Books
of
Chinese, Japanese,
the
new
Hawkesworth,
within
us
knowledge
our
receiving stories
ideas,
to
cotmtries.
Portuguese,
literatures
tales of John
now.
of
travel, the
one
opened
of
European
new
and
Some
thing, since
we
us
literary influence
Gothic
the
Spanish,
other
strong
other
been
widening
ignorant
and
fiction.
the
freely translated
more
person
have
thought
generation
much
is of
peculiar relish
elements
our
the
realism
is imdoubted.
greatly
are
of
impersonality
stra'nge appeal, and
in the
and
horror,
infrequently the
is not
as
horror
of
readers
now
its
supernaturalism,
awesome
stories
with
its terrible sordid
gloom,
the
various
and
Russian
by
mentioned.
fiction
Russian
its racial
have
be
might
instances
Smile
Dead
The
the
by
preceded Andreyev
life
soldier
with
studies
Bierce's
Ambrose
though
method,
Russian
in
are
influenced
been
have
may
There
reading.
in
insanity associated
of
of stories
number
reels
brain
the
and
words
yond
in
on
work
our
the
has
entirely new
and
more
Arabian
Crawford's
the
pre-
noticeable
Nights,
Khaled
Later
and
Mr.
Meredith's
though
many
fiction
Blackwood's
Isaacs,
George
permits the
character
of
Kipling's
of
illustrates
named.
magic,
sorcery,
tales
in
Elementals,
of Shagpat,
The
and
of
Indian
Oriental
various
ments
ele-
fiction.
ordinary
fondness
our
of
Shaving
be
place
of
out
seem
popularity
The
might
use
71
stories
fantasy,
others
that
Influences
native
The
life and
of super-
for this aspect
naturalism.
from
Apart
a
certain
fiction
foreign infiuences
in the
change
tales
as
had
grown
personalities
While
the
Gothic
novel
Gothic
The
in
the
of
being considered
travel
could
with
the
aided
had
The
since
discussed
shows
yet
in the
of
mass
the
of
under
different
also
classical and
the
a
Gothic
complex,
was,
local
more
crude
was
ghost
mortals
while
ease
not
that
pared
com-
greatly touched
investigations
stuff which
period,
exhibits
times
psychical research,
Gothic
of
Life
as
were
known
un-
neither
hence
writing of ghostly fiction.
ghostly
many
more
folk-lore
societies
as
with
had
and
present
Scientific
fiction.
miles
nature,
communication,
Scientific investigation
snail-like.
moved
times.
in Gothic
manner.
in their
and
the
as
in
Radcliffe,
Mrs.
astounding
thousand
later
of
sive
elu-
supernatural
difference
ventions
con-
by precedent.
the
to
of travel
limitations
into
and
evasive
elementary
and
Walpole
of the
end
mark
those
ghostly
definitely known
an
more
of
forms, yet
hidebound
were
put
were
such
notice
we
entered
earlier
even
genre
sense
ghosts
days
because
is
no
the
superficial,than
more
it
of
fiction, it did
English
in
in
ghosts
as
decline
that
so
up
had
the
over
affect it
methods
and
elements
advance
an
that
materials
New
English.
in
Gothic
the
more
and
same
decided
forms.
has
which
motifs
will
in
be
development
modem
psychological than
English
classified and
succeeding
characteristics
The
in
appeared
of
over
chapters,
the
earlier,
primitive,
supematuralism
the
terroristic,
Influences
Later
72
because
perhaps
nowadays
thought-processes
ghosts,
be
to
as
the
writers
as
than
it is
though
is
thrill
and
lasting in its effects because
its art.
The
apparition
the
Gothic
earlier
times.
attempts
The
of
sense
fear
that
pallid specters
ineffectual
with
On
the
and
Gothicism,
the
elder
One
feature
to-day
The
from
early
that
hand,
strong
Elizabethan
the
thought have
that
been
stories
quick
are
while
of the
opened
up,
discovered
to
utilize.
aje
ghostly
unknown
forms,
ghosts would
not
shows
the
greater
its
at
in
as
visit
least
in
and
which
popular
legends,
as
that
new
the
such,
has
writers
stition,
superor
the
elapsed
fields of
new
sources
Present-day
of
of material.
range
century
novel
tales
uncanny
source
in the
Gothic
The
spooks.
is their
had
invasions
recent
earlier
literature, medieval
been
plots have
in
much
castles
of humor
sense
distinguishes
story
drama,
decay
the
more
horror.
psychic
freckles, which
Gothic
terror
the
so
antique
other
only suggested
classical
since
with
the
the
knights
and
is not
psychic
maleficent
joviality in classical
germinal
of
as
the
Pliny's statement
afflicted
person
armored
There
past.
now,
story frequently shows

in
with
less terrible
once
glide through
compared
modernity.
is at
of the
physical
by
seem
those
than
of
melodramatic
and
cheap
present-day ghost
terrible
of
How
and
spooks
forms
Gerould
Fullerton
of cloistered
clap-trap
the
spiritsevoked
the
instance,
Katherine
and
James
crude
for
in
haunts
simple
comparatively
more
subtle
more
analysis
eludes
that
the
do
Compare,
past.
Henry
of
than
more
memory
it is
it is attained
poignant
by the
for
of achievement
difficult
more
sired
de-
ardently
as
striven
eagerly
when
Yet
formerly.
still wants
cleverly presented
more
ghostly
public, as
reading
ever,
be
must
The
convincing.
by
now
they
intellectual, his
more
Humanity
subtle.
more
but
ever,
is
man
for
ghostly
of modem
science
with
its
Influences
Later
wonderful
development
supernatural
with
the
brought
stories.
its seances,
and
for
with
the
the
drew
its
has
of research
the
constitutes
one
the
early
Huxley,
and
quicken
be
traced
The
has
fiction
in the
as
work
had
the
the
results
While
literary style, yet

studies
mass
of
of material
the
universal
in
students
in
the
effect
in
is
normal
its incursion
aspect
in fictive
is handled
the
present
supematuralism
Spencer,
Darwin,
did
century
and
the
much
effects
can
authors.
folk-lore
methods
tabulated
are
of
last
influence
the
serious
material
thought,
as
of various
appreciable
an
by
well
stories
so
between
of the
interest
widespread
the
influence
scientists
beyond
Every
scientific
crude
far
its exponent
difference
The
novels.
supernatural.
and
the
and
other
of
enriched
itself,under
magic,
had
terror
modern
natural.
which
the
limits
many
science
has
stories.
Gothic.
necromancer's
skill with
point
which
incalculably
is but
the
mechanics
and
from
for
of
parts
ghostly
the
search
Re-
investigations,
many
widened
themes
discovery
stories
serious
these
Modern
like
seems
and
and
conventionalized
furnished
and
ghostly
and
thrilling fiction
into
to
fiction
supernatural.
conditions,
various
plot material
to
has
Psychical
in
for
ism,
Spiritual-
experiments,
The
inspiration, have
of the
restrictions
Science
of
for
sources
supernatural
form,
stuff
effect, added
awesome
of the
advocates
suggestive
different
Modem
stories.
branches
its earnest
collected
novel
and
folk-lore,
associations, has
numerous
its mediumistic
novels
many
Society,
The
the
for
plots
of
study
light fascinating material.
to
inspired
has
of
countless
provided
Comparative
activities
with
world
has
73
in
of
of
the
lowed
fol-
investigation
of
folk-lore
an
analytic
helpful
years
stories
the
on
recent
to
are
scientific
than
rather
parative
Com-
fiction.
folk-lore,by the bringing together of
from
diverse
acceptance
sources,
of
establishes
supematuralism
the
in
fact
some
Later
74
form.
Ethnic
superstitions
similaritybetween
the
widely separated
conscious
has
to
as
influence
scientists.
to
been
Influences
discredit
low
tribe, however
that
has
belief
no
be
to
of
so
or
interest
great
scale,
social
in the
in
races
of imitation
basis
any
enough
is
and
tribes
by
them,
between
No
found
held
ideas
there
yet
vary,
the
beyond
powers
mortal.
Folk-lore
of
literature
effort
and
and
discover
to
childhood.
past and
Such
fascinating wealth
ghostly
show
tales
how
niunber
close
of
find
akin
books
from
which
the
world
is
of
writers
Such
after
of
relating stories
light
to
the
plots.
countless
the
tribes still in
bringing
are
in
superstitions
and
races
activities
of material
may
variant
of the
students
forces
joining
are
classify the
and
the
multiplying and
are
anthropology
legends of the
their
.
associations
studies
all.
brownies,
large
bogles,
fairies,banshees,
wraiths, hobgoblins, witches, vampires,
ghouls, and
superhuman
written
The
or
marked
supplying
widely
used
The
Ireland,
John
Synge, and
folk-tales
of
thrill of the
Lord
to
us,
old
in
making
times
us
work
and
is
and
and
Wales
the
of CoUins's
live
in
comes
of folk-lore
elements
have
drama.
Ode
W.
leaders, have
literature
down
to
and
us
Subject
B.
Yeats,
made
the
this
Popular
the
as
School, with
as
the
the
been
In
on
Considered
National
legends
influence
supernatural
Lady Gregory
Ireland
Dunsany's
ancient
Irish
folk-
in the
Scotland,
is reminded
The
the
merely
are
is shown
Superstitions of the Highlands

for Poetry.
that
for literature
in fiction, poetry,
one
but
of the
matter
revival.
of
connection
fairy stories
for adults.
instance
subject
Celtic
folk-tales
list the
literary versions
most
regent
this
in
appeared.
have
personages
juvenile consumption,
for
loristic
in
including
not
am
other
the
ghostly
undiminished.
particularly brilliant,going
back
re-creating the mythologic beings for
friendly with
the
gods, the
centaurs,
the
Later
giants, and
divers
made
has
Joel
us,
as
of
the
lore
Chandler
Mexico
Aztec
with
the
is
and
of
had
When
so
of
and
fiction.
Nowadays
been
W.
as
it is
considers
in
ghostly
the
out
plot-making.
the
The
much
later
Death,
not
mass
of
to
so
open
tion
associathe
to
give thought
Such
matter.
mention
to
this
In
claims
recent
by
communicated
has
gives proof
that
of
to
as
to
be
of
from
thousands
whether
one
explained
on
that
material
houses
his
of
what
he
killed
son
affirmative
had
felt
ever
ground's
natural
might
been
have
of
for
serve
catalogued
specters taken.
ghostly
apparitions
the
others.
the
father
investigations in modern
affect
note
is
man
of
Lodge,
influence
messages
Haunted
census
to
the
mond,
Lodge's book, just published, Ray-
question
the
Sir Oliver
her
collection
presence
brought
and
that
The
to
answers
attention
to
otherwise
not
and
incontrovertible
battle.
and
considered
interesting
and
Life
known
proceedings
inevitably
living, and
or
stories.
naturally influence
interest
have
daughter
the
at
Research
their
turn
will
up
would
Stead
T.
would
connection
set
The
who
persons
two,
with
folk-loristic
Psychical
widely advertised
so
supernatural
Stead's
for
streets
of Romanticism
for
persons
every
literature.
public that
only
thus
thought
in
thinkers
ancient
classifying supernatural phenomena
of
the
the
conquerors
stimulating ghostly
in
intelligent
currents
to
effect
many
have
Spanish
aspects
Society
the
decided
reflected
of
fondness
marked
legends
the
Janvier in his tales
repeopling
The
for
time.
finding
to
A.
Kipling
jungles live
immortalized
ghosts
women,
the
activities
have
has
the
and
towns
Thomas
specters.
one
present
The
Harris
calls back
courtly
fiction
Indian
negro.
men
75
long-forgotten characters.
of the
southern
of old
and
the
other
Influences
are
not
done
Spiritualism have
literature.
The
physical, but
terrors
of
psychical,
the
and
Influences
Later
76
stories of the
the
allied
Spiritualism. Hamlin
to
WilHam
Howells,
Dean
others
Bennett, and
of
hypothesis
novelist
the
the
at
manipulation
faith
bind
present
effects
of the
would
be
moved.
The
presence
of
sink
so,
of
such
produced
by
German
conflict
might
in
would
be
necessary
for the
though
altogether
One
of
finds
such
of
model
so
plot
and
clashes
would
of will
has
be
possible under
suggest thrillingstories.
havoc.
double
or
the
according
complicated
be
to
crossings
The
ego,
and
struggle
intensely dramatic
one's
selves.
own
interesting in the light

dreamed.
ever
personality
fascinating
his
up
from
and
of
material
these
The
tinctions
dis-
astrahzations,
plain apparitions might
The
structure.
alone
one
call
be
materializations
between
etherealizations
be
story might
than
research
on
might
exciting character.
more
the
in
bent
jealous of his alter
much
be
material
internal, between
himself
in
nature,
own
There
conflictingambitions
all
be
may
youth
agents
resulting
spiritualisticideas.
one
will
skyscrapers,
secret
multiple personalities in one's
and
spiritualistic
nothing
as
in
could, by merely willing
psychological
the
abolished
the
lovelorn
liners, demolish
rival
love, wherein
be
from
aids
mountains
would
physics
the
limitations
of
If
but
of his desires
dramatic
Intensely
tables
powers.
ocean
tempests, and
sensational.
for
as
the
be
the
come
"
Even
grant
up
alone,
employment
only
not
attaining the object

it
open
ghost stories would
dramatic
laws
astrals
of
instance!
highly
then
powerful,
but
one
of
garment
thrillingcomplications might
establishing alibis, for

that
the
vistas
Spiritualism, what
What
skillful
If
touched.
yet been
has
possibilities
Arnold
stories of this
and
of
fringe
the
more
Corbin,
John
Blackwood,
novels
written
have
and
more
Garland,
Algernon
scarcely
material, though
will be
future
probably
the
and
conceived
furnish
good
"sensitives"
the
cosmic
conditions
Influences
Later
Dreams
constitute
plots in
certain
later
modem
in
fiction.
from
best
thrillers
the
fear
and
produced
write.
the
relation
is
dreams."
strikingly close.
asleep.
he
his
dreams
soul has
unable
the
spiritof
the
beholds
of savages
different
The
they
and
the
sensation,
Mrs.
mortals
In
his
to
in
immeasurable
the
for
has
been
sleep,thinks
that
or
him.
^because
"
The
lover
children
dreams
and
reality,
find
to
For
the
top
Interpretationsof Literature.
vivid
as
between
take
the
feeling yourself
The
climax
and
say
can
and
acute
example,
the
is
as
unreal?
and
of
height.
are
ity
actual-
who
And
parallelisms
nightmares,
by
his
in dreams
young
novels, where
mountain
presence
Very
sensations,
the
impressions
wronged
in dreams.
ghostly plots.
Gothic
has
or
literally
feel that
is
one
altogether baseless
is communicated
Dacre's
must
directly
order, believing in the
analyzed
common
falling from
suspense
low
nightmare
be
can
are,
them
life is
dream
our
of her.
they experience
of what
that
of
one
and
natural
super-
not
love, because
distinguish between
to
case
his dead
in search
gone
may
them
embodied
have
one
from
he
"All
of the
obtained
when
awaking
specters of those
the
is to look
story writers
supernatural
night
at
come
dream
feeling of supernatural
guilty man,
The
sees
and
The
always
almost
been
that
says:
treatment
in
write
own
do
to
and
statement,
dreams
of his
so
would
Hearn
Though
of that
whole
between
comes
have
more
theory
who
needs
one
by poets
mystery,
or
indirectly from
'
all
to
language
any
phases
by religiousteachers, in the
accept
in
ghostly
true
was
the
person
the
study
nightmares
own
the
that
appear
great effects
even
this
advances
Hearn'
to
for
source
novel, it is still
Gothic
advises
He
It would
his
While
plots for ghost stories
supernatural
into
the
Lafcadio
dreams.
life.
definite
literature.
extent
all the
another
77
thrill
same
in
devil
hurls
Lewis's
takes
them
of
and
guilty
down,
Influences
Later
78
down.
The
frequently
in
Freeman's
dreams
shadow
than
wall, rather
living
the
Wilkins
Mary
back
accusing spirit comes
the
the
on
ghost, tormenting
illustrated by
is
story where
haunting
suggested
potentialitiesof shadows
horrible
as
ordinary
an
till his
brother
as
shadow
also
portent of his death.
appears,
horror, of nameless
in
is
nightmares
black
itself.
of
Wilkie
nightmare
shown
than
in
wakes
with
knows
that
shut
in
him, invisible
of the
and
Vampirism
since
based
the
where
better
sleeper
the
his
upon
breast, and
dreadful
The
Haunted
and
There
of
be
Life, is
physical
with
attributed
F.
Marion
is
presence
of him
out
have
we
remarkable
supernatural
nameless
be
the
the
Haunters,
gigantism
given
power
evil
debility
to
of
by
loss of blood
Bram
of
from
dreams
Stoker's
the
dreams,
at
the
weakness,
the
story. For
to
to
beside
pricking
caused
Crawford's
probably
thing
outcome
an
sensation
closely related
more
type, though
ravages
the Blood
than
most
Dracula
of
is the
horrible.
most
The
dreams
'
The
nowhere
to
might easily
combined
could
Is the
is
present
the
Thing,
on
vampires.
of
Woman.
are
the Brain.
oppression
one.
which
Dream
some
vision
presaging
objects, the ghostly chill,the darkness, and
intolerable
throat,
horror
yet crushing the life
motifs
menacing
inanimate
rather
room
mad.
nightmare
the House
the
the
often
so
one
disembodied
weight
night
degree in Bulwer-Lytton's
or
is
less
cause-
Room,'' where
haunts
Horla
La
grip of
Red
supernaturalism
of leaden
sense
The
The
Maupassant's
driving him
The
of
awful
assails
illustrates
night after
in with
in
Darkness,
disaster
horror
The
which
spirit. It
Collins
approaching
and
of
personal
any
fear
represented
Fear, the Power
than
The
curious
side
is illustrated
Shadows
on
the
of
by
Wall.
supernaturalism
The
Dream
as
Gown
'
By
H.
related
of the
G.
Wells.
to
Jap-
Influences
Later
Ambassador,^
anese
Solomon's
kins
Vision
Freeman
Bedroom,
of
use
dream
the
the
feelings,are
but
all raised
young
all
of
in
elements
of
attention
to the
and
in
has
result
been
not
have
its
of past
in
stressed
of definite
These
wishes
are
writers
of
represent
the
distinct
ghostly
fiction
classical
or
There
was
'
the
in
of
to
time
Matthews.
when
desires
it will
of the
which
Secret
relation
and
Gothic
the
modem
loss
to
earlier
story
of the
the
additional
later
the
plots. They
their
access
furnish
old.
animistic
in fiction
'
The
Hill
has
The
or
province
inspiration.
thinking along general
reflected
the
as
The
themes, yet has the unlimited
spontaneously
By Brander
has
volume,'
ghostly.
drawn
over
employed
doubtless
from
without
to-day
is
dreams
story
materials, for the
thought
was
have
elements
explicitly calls
Doyle's
of the
sources
advance
medieval
never
more
of
Conan
the
uses
unconscious
or
amusing
an
dreams
occultism
new
present
is
and
some
supematuralism
of
A.
non
Alger-
only
of
fiction, though
inning presently.
of Goresthorpe Grange
gained
experiences
the
pression
give the im-
to
Machen's
theory
the
to
dreams.
but
Arthur
Freud's
mortal.
which
supematuralism
stories, in
cause
be-
brous
slum-
the
not
nightmares
Dream
pthers.
many
invariable
and
fact.
helps
stories
fects
ef-
kept
death, similar
only in
comes
the
of sensuoiis,
picture, on
dreamy
numerous
dreams
Pain's
Barry
the
the
sights, sounds,
above
by Heam,
to
infinity that
Blackwood
in
to
away
story referred
Japanese
in
river
of
effective
Odors,
intensity
an
Hall
horror
more
subliminated
of the
floats
man
to
The
Here
the
the
restraint.
Wil-
illustrations
impressions.
perhaps
Mary
story,
beautiful, with
artistic
description
best
Simeon
by
Sleep.
in
short
the
and
and
enjoyment,
The
of
one
background,
of
Revealed
imagery
alluring
beautiful
more
remarkable
is
the
Love
of
has
which
are
in
and
79
than
now,
of Dreams.
lines
and
Later
8o
literature
supernatural
Like
shows
the
wealth
style,
other
every
of
the
fine
claims
of
phase
all
man's
material
subtleties
of
and
that
for
regions
thought,
complexity
increasing
added
Influences
only
form
abounding
modernity
its
fiction
ghostly
and
own.
the
matter,
richness
can
give.
of
III
CHAPTER
GHOSTS
MODERN
THE
hundred
home
and
changes
out
of fashion.
with
He
and
flesh, but
the
the
well.
at
wraith
as
vaporous
it appears
akin
to
attributed
that
went
time
its
tide.
and
own
the
fiction.
One
is
now
as
to
We'd
point
past and
ghost,
there
case
like
we
The
by
take
rather
no
ever
our
see
of difference
of the
boll weevil
present
like
that
astonishing
an
in
all
death, has
for
season
world
all the
vitality
ballad,
negro
cold, rain
or
closed
the
up
form, too, he
obstinate
an
heat
the
Even
materialization, ethereal
possess
to the
undaunted
on
or
much
yet
that
of this
give
In
be, is yet of
to
to
seems
of
goes
never
citizen
end
forever,
on
substance
It
in the
must
goes
toughness.
he
but
at
romance.
transients.
but
are
rolls of
mythology,
Gothic
or
really permanent
best,
teen
nine-
Lord
our
in classical
legend,
Methusaleh
Ghostly
as
magazines
unapologetically
as
styles in fiction
is the
natural
super-
parchment
the
appears
fiction
of
year
from
medieval
the
earth, for mortals,

athlete
He
hagiology,
He
of the
as
century
of
freshly-cut pages
date
manuscripts.
Christian
and
the
in
absolutely indestructible.
is
seventeen
in twentieth
wears
He
the
bearing
enduring figure
most
glides from
books
ancient
the
fiction.
He
and
is
ghost
or
drought,
for
seasons
spooks.
loves
It is
ghost,
ghosts vicariously, preferably in

than
be
one.
ghostly fiction of
between
the
is in the
matter
8l
of
length.
the
The
Ghosts
Modern
82
Gothic
novel
whose
perusal
succeeded
or
the
well
as
foiled
in
much
leisure
more
than
then
ghost story of to-day is told

most
what
was
when
he
for
than
the
rule
other
of
impression, the
unity
only continuity in reading

that
is
either
poignant
ghost
in diluted
one
The
into
in
distinct
several
there
psychic
the
There
The
to
form.
thrills than
fiction
fall
reference
the
are
of the
the
naturally
the
to
mistaken
there
mental
who
ghost is
interesting
others
of
the
reader.
cheat
the
are
ghosts
with
the
reality
apparitions,
of the
the
by
the
are
state
objective
witnesses,
rhentally prepared
not
the
early
for
romance
a
unearthly
of
most
this
to
used
there
class
using
Recent
to
quently
fre-
was
purpose,
contrivances
visitation.
Mrs.
subterfuge
definite
temperament
other
for
belong
writers
deception
histrionic
of
form,
apparitions
phosphorus, bones, and

impression
old
an
Gothic
In
deliberate
the
with
percipients, and
persons
mistaken
Radcliffe's
of
more
them.
see
and
shorter,
purely subjective specters, evoked

of the
state
appearing
elements.
compressed
more
English
classes
ghosts, independent
to
later
appearance.
are
it is
narration.
apparitions
of their
communicate
can
whether
the
the
which
narrative
other
than
in
possible
treatment
tabloid
The
it is less successful
case,
is needed
ghostly
with
mixed
or
ghostly
effect
of
impressiveness,
length
the
to
The
thrills
desirable
definiteness
the
him
of
surely there
gives.
in
supernatural
altogether
In
loses
long
too
the
more
for
type,
any
for
economy
proper
applies
to
the
before
anybody
than
concerning
dictum
which
story,
tale
his
gave
spooks
of
part
short-story form
in
the
for
necessary
There
Consequently
now.
better
knew
Poe
part.
the
on
ghost
the
designs.
haunting
his
affair in
four-decker
or
aged perceptibly before
mortals
as
three-
reader
was
obviously
was
often
was
the
make-up
to
create
fiction
Modern
is
find
which
for
yet,
where
whose
an
which
is
is
object
officials.
the
Watt,
onchancy,
His
sweetheart
sobs
ghost,"
pore
mortals
the
she
is
dead,
is"
Another
girl
^how
"
thinks
he
death, but
whose
is
to
as
family
'
"
just what
The
has
and
is
he
the
that
she
knows.
By
Eden
By
F.
H.
By
the
Waters
is
The
By Henry
'
As
that
she
man.
deceive
where
'
prairie,
that
is in
from
nambulistic
som-
train?
with
falls in love
luring
perfectly
problematic story that
on
announces
Call^
Night
him
proper
is less
leaves
one
in
modern
to
his
damsel
simple
wondering
is meant.
legion
are
Phillpotts.
living
and
water
"his
to
of Rock,
man
young
of the
wraith
whilst
love
the
wandered
graveyard!"
night
at
know
to
subjective ghosts
Dr.
alone
is
powerful
of
Point
at
girl
revenue
unwittingly
enters
he
the
denied
that
Ghost
who
story where
learns
these,
than
has
Ghost
courtin'
my
confession
she
The
in
stupor,
what
her
'
pseudo-spook
was
a'harntin'
apparitions
beautiftil
did
even
telegraph operator,
young
sees
the
fotmd
are
out
"I
ghosts
clever
evade
says:
business
avowal
an
of
Examples
Unquiet
to
tion
agita-
own
groom,
Spectre Bride-
His
"
"corp,
o'
The
cipient,
per-
Brimpson,
of
of the
burial
ghost.
onquiet
reg'lar line
my
fake
scheme
the
hoax
example
matrimony.
of
his
Miser
of
the
as
well-known
delightful story
in
Ghost
lover, and
obdurate
over
but
occurs
of
part
occasional
are
The
mistake
the
on
does
now
posed
deliberately im-
the
nothing
there
example.
is
cases
and
specter is rigged up
win
to
modern
Yet
Rarely
ghost-seer
nobody
responsible.
83
that.
misapprehension
or
for
even
the
for in most
accident
is
where
story
upon,
by
than
cleverly managed
more
one
Ghosts
"
By
Charles
Egbert
fiction.
Craddock.
Spearman.
Van
Blanche
of Paradise, by
F.
Marion
Crawford.
Dyke.
Williams
points
out
in her
discussion
of the short
story.
They
those
are
them.
evoked
that
so
is
The
love
with
or
of
fear
had
to
beholders
the
melancholy
thought
ghosts
the
had
he
effect must
be
to
"more
reader,
mental
the
beyond
Kipling's They
rather
wings
of
story of
to
loved.
a
a
see
As
is
than
whose
man
the
lose!"
before
him
ghost
his
of
are
rattle
the
subject
supernatural
temporary
It is like
it, but
analyze
for his
other
in the
else the
credulity.
could
see
glimpsing
own
of
gestion
sug-
crushing the
it represents
dead
child
the
enabled
little children, because
told
to
foreground."
put himself
must
least
at
of
and
work,
own
thrill is incommunicable
fact.
woman
the
as
writers
some
extraordinary ghost story
love
own
Banquo,
write,
to
obscure
of the
pale of
an
he
his heart.
on
concerning his
ghostly
spiritsof
blind
speare's
Shake-
what
specter
there
writer,
of bald
spirituallyprepared
or
the
butterfly to
the
and
gross
the
to
over
yet inescapably impressive.
of acceptance
lacking, for
those
as
night
at
given
for
the
in situations
the
well
as
attitude
effect is
him
the
of murder
James's words
interested
who
evil genius, Brutus!"
saw
admirable,
Henry
use
remorse
sleep.
embodied
subtly managed
or
subjective, "selective
"Thy
alone
weight
the
interpretation than
to
he
were
persons
and
asked
who
animistic
usually
troubled
to
came,
witches
it is
well
If done
The
alone
Brutus
and
coming
subjective ghost story is difficult
The
who,
else
the
in
return
in
love
to
large measure
answer
ambitions,
because
be
in
the
saw
secret
would
When
awful
Macbeth
and
or
were
apparitions."
was,
appearing
remorse
romance,
brooding
them
expect
Gothic
and
of
retribution,
cause
when
stories
or
dead
apparitions
The
subjective, born
usually
or
classical
grief
spirits of the
the
see
reproach.
in
beliefs, as
to
cipients
per-
beholding
those
by
morbid
of the
state
realities to
rendered
mind
mental
the
by
become
they
readily prepared
are
Ghosts
Modern
84
him, only those who
them,
them.
for
"you
Thomas
must
he
were
bear
Bailey
Al-
Ghosts
Modern
drich's
Miss
of the
account
born.
the
the
chanced
be
to
about
of
accept her
to
that
disloyalty
Her
her.
returning
tmderstood
grieving her
of
and
arrested
has
prepared
who
for
murders
back
who
by
the
fiction.
The
concerned,
appearing
but
wiU
mother
life mis-
Bierce
to
escape,
of
dead
ghosts
to
be
teUs
but
is
man.
ing
appear-
receptive
illustrate
to
serve
to
not
the
on
begin with,
only
to
those
sceptical of their
have
more
definite
By Olivia
They
That
Mourn.
of
such
are
that, while
the
to
others
prepared
to
corporeality
Dunbar.
'
An
see
Arrest.
well,
them
and
objective ghosts
impressive
more
as
manifestations
The
they
chiefly
persons
the
reality than
more
visibility,
plausibility,a
Howard
mentally
possibility.
subjective spirits. They

is
of
yet visible
are
thinking
not
even
There
those
part
in modern
numerous
very
objective spirits are
others
to
Hkewise
are
subjective
be
may
'
sense
type.
Objective ghosts
is
vision.
in
spirit of the
these
who
a
the
Ambrose
might be given
supernatural visions, but
to
has
mentally prepared
are
all
realizing the truth,
jailer
the
for
spiritof
now,
his
up
you
spiritreproaching
who
her.^
that
days
woman
her
daughter
port
rap-
en
feels such
the
us
already
past
the
"
sister's
shows
of instances
those
to
the
out
brought
number
Any
heart
prisoner
sees
neglected her, but
and
great
were
you
they swept
sister's husband
the
never
had
those
dead
comfort
to
of
Shell of Sense,
Tompkins
to
mood
The
conscience
Juliet Wilbur
is
forces
she
was
ence:
racking experi-
intensely that
so
that
are
had
lingering. And
In
unresistingly."
has
introspective
any
stiU
child
pathetic
Silence, the psychic doctor,
who
man
past
with
once
humorously
ghosts
John
deeply
reconstructed
As
shuddering
"Your
at
is
Blackwood's
subjective.
to
Son
subjective spiritof
Algernon
extent
says
Mehitahel's
85
about
as
purely
haunters.
the
later
Modern
86
apparitions that shows

of the
phantoms
cards, dance,
even
of
specters
his
of
could
out.
The
modern
but
abilities, which
advantage
the
over
gives
orders
only give
for
lost
ghost has
him
human
mere
helpless
gained additional
has
are
deceive
the
terrifying than
more
powers
that
they wotdd
that
that
carry
drink, play-
and
eat
anjrthing they wish,
do
materialization
are
mortal
mortal
that
diaphanous
the
over
early times
living to
the
Ghosts
duel, and
medium,
their advance
past.
lifelike in their
so
Ghosts
none
super-
unsportsmanlike
an
he
being
take
may
issue
with.
James's The
Henry
of
example
best
the
showing
adult
but
of the
and
of the
only by
children
well.
as
that
all
those
him
of
the
all.
at
is
hereafter
in
Emily
agonized ghost
the broken
person
is able
knew
dead, and
By Amelia
the
as
"
who
has
leaving his cigar-case behind
question
more
is
to
Edwards.
to
as
whether
ghosts
window,
her
that
thinking
Shadows
'
him,
smoke
gashing its wrist
is not
and
proof
Heights where
strikinglyobjectified,for
knew
not
on
By Mary
"
in
dent
ghastly inci-
The
one.
Wuthering
the
did
incontrovertible
than
ways
Bronte's
comes
reveals
rately
accu-
man
been
not
not
Four-fifteen
by
seen
so
she
The
In
evil
vmsuspecting
them
in life
is
of
seen
are
even
never
B.
they
by
instantly.
supernatural manifestation.
'
them
Quint
Peter
conspiracy
describe
to
being but
ghost
pane,
who
but
of the
only
not
The
raises the
in
She
who
he
of his presence,
which
they hound
the
philosophical,
type.
real that
so
Derringer's ghost
know
not
of the
of
one
human
diabolical
are
^recognize them
"
Express,'' John
does
their
is
more
psychology
fiction
remarkable
It
only of the
not
children
two
the
governess
of the
most
Jessel with
against the
at
child,
ghost, than
Miss
English, because
knowledge
more
is
objective ghost story.
stories in
ghostly
of the Screw
Turn
she
comes
thinking
the
the
on
to
of any
Wall,'' that
Wilkins
Freeman.
Modern
story of surpassing
method,
for not
mother
but
as
it
see
John
by
seen
the
living
The
apparition,
"
at
instances
might
Whether
be
their appearance
has
of definite
of vapory
sort
pale
as
in his
forpyned
misty
were
plunge
as
'
to
without
an
By J.
H.
the
of
midnight.
at
ous
vari-
by
seen
totally
are
similar
many
who
In
some
which
Gothic
Walpole
Yet
wraiths,
some
resistance.
the
animistic
the
to
the
shade
was
furnished
most
the
when
By Robert
W.
pallid
haunter
Gothic
sword
fragile and
were
eighteenth-century heroine
conception
usually
robust
which
They
the
part the
"nat
being
as
was
one
previous
to
one
specimen
"
shortly
instances
illustrates
through
are
expect
reference
which
for the
demeanor
body, intangible, impalpable,
describes
"
interest
of materialization,
that
was
objective,
or
considerable
closely
pretty
goost,
the
Shorthouse.
in
shade
of whom
those
themselves.
Chaucer
gigantic muscle.
is
'
ghost
guest
the
general
with
specter, though
die
And
and
dress,
yet easily recognized
day, and
to
substance
of the
left him
of his bed
elicited
projection
personality.
the
subjective
Their
spirit material,
of
by
see
some
mistaken,
always
sticks
ghost
to
is
as
transferred
exhibition.
concern
ghosts
modem
sisters
given.
bearing,
become
well
as
Messenger,
part of humanity.
their
idea
way
Strafford
surely the
foot
times,
such
ghosts be
matters
for
the
on
different
for
unprepared
to
the
Lord
having
expecting
not
was
of
vestibule
for
specter in The
persons
the
ordinary
wall, but
the
Stockton's
R.
perch itself
man
horrible
on
his dead
wronged
in the
spirit
burns
Frank
chambier
upper
has
not
on
in the
conscience
objective
an
lad
young
undefended.
is
shadow
Inglesant,^ the
whose
king
who
man
well.
as
In
the
87
suggestion, is objective in its
spiritreturning,
accusing
an
of
power
only
his
sees
Ghosts
it
came
Chambers.
of
ghosts
could
less
helpto
88
real
guilty
of
and
emergency,
the
the
and
that
present
horse
its rider
Dickens's
that
Rickshaw
Scrooge
the
coat-tail
The
Substitute, the
plunge
see
clear
his
back.
can
buttons
at
spirit is said
'
The
is
her
without
is of
such
vapory
him
through
In
to
count
recent
evade
to
ethereal
so
through
Marley
Mr.
stories
some
materialization.
similar
In
innocent.
Kipling's Phantom
and
resistance, and
substance
have
we
in
the
the
frightening
chiefly for
useful
were
consoling
spiritwoman
Ghosts
Modern
her
story.
friend
like
mist.
The
clad
Gothic
in
nothing
still
where
burst
ground
before
the
grinning
the
shrinking
into
over
The
the
Near
teeth
Like
the
it
by
earthly body
it
sobs, breathes,
unfolds
its
the
counterpart
of
him
with
he
I fell
of
on
my
the
my
eyes
knees
mother
Georgia Wood
had
of
lay
Pangborne.
the
spirit of
in
soldier's
and
of
and
the
"In
robe
Elliott
with
ether.
of black
O'Donnell
tent
a:t
night
ghastly fingers
appearing
mother,
in his
kissed
man
wo-
mantle.
worshiped
those
black
in
her
fell
skeleton
wrapped
long-dead
before
but
"a
there
wrappings,
his
and
magnetic
up,
and
blood, showering
of
that
cere-cloth
collapsed
fine thread
was
sits
moves,
and
staring ribs
as
counterpart."
mummy
the
body
a
Messenger,
bog.
remains
earth
tons
Skele-
thing shuddered
is described
ragged
it seemed
the
of black
the
of the
crumbling
story of
By
then
ooze
to
between
skeleton,
skull.
rotting robes
the
The
hideous
torrent
and
the
attached
of which
'
From
as
scowl.
in
as
shows
us.
forth
lurid
us,
out
spurted
black
and
among
from
grasses,
in
this
Zuleika
feet
bones
ghost of Zuleika''
robed
has
his
stripped-off mask
skeleton
the
on
but
perambtdate
the
The
ghost frequently walked
him
to
as
looking
at
boyhood.
"
what?
long-buried dead
Ahrinziman,
by Anita
Not
!
the
Sick
Silvani.
Modern
with
repulsion and
and
me
face
mouldering
But
the
on
fiction, the
Gothic
The
for
his
that
Crawford
rabid
with
The
off for
buried
that
skulls
the
where
of
describes
We
Ghost,
get
one
Glover's
one
every
poor
a
Ichabod
of the Anti-
Screaming
the
his
slept,
cut
well
the
husband,
inside.
The
him, and
who
Crawford
told
shows
and
tion.
emo-
the specter is
ceiling of the
its head
pommel
seen
room
concealed.
body
the
the
rattle, and
visitor
his
with
its
on
headless
lap,
man
horse-
of his saddle
that
of his wits.
out
headless
apparitions
in
Brissot's
Jacobin parodies (ridiculingRichard
of Hosier's
Skull.
on
Crane
of
the
will remember
carried
rabble
ballad
ghost
lead
haunt
Hotel
and
murdered
she
of motion
the
most
murdered
hill to follow
powers
Haunted
of the
of lead
as
floating near
was
his head
frightened
Elsewhere
'
Marion
husband
the
to
definite
in-
casually told story

the
"
lump
up
F.
while
ear
a
in to haunt
uncanny
head
course
with
sets
CoUins's
man
Thackeray^
rolls
has
her
hear
of the
thing
sections, which
man
back
whole
dreadful
in
single bone
skull, one
skull
would
skull
have
that
bodiless
The
in
as
than
require
haunting.
into
form
take
can
of
comes
"
in
not
in
woman's
then
In Wilkie
'
in later
often
as
it. It is
record.
rattle
deadly
he
come
lead
garden
suggestive story.
and
over
fleshless,
appear
heard
diabolical
people
fear
finallykills him,
do
suggestion from
bite him, the
teeth
as
the
does
powers
a
on
de ad
it in the
can
melted
by pouring
guest.
but
its
ghosts
revenge
head
us
face,
varied
more
ghost
story of
in accordance
the
the
skeletons
flightwith
to
ghost
has
are
purposes,
multiplies
with
bending
is not
modern
put the hardiest
there
corpse!
bones
apparitions
realize
of
and
was
whole, though
times.
skeleton
wife
89
times.
early
to
foul
of
up
eyes
my
of the
rattle
Ghostly
and
I looked
fear
into
peering
Ghosts
Ghost)
'In
Notch
on
the Axe.
Ghosts
Modern
90
Sudden
each
A
Each
head
in
(Himself
Stalked
The
Bulwer-Lytton's
In
hand
woman's
without
letters,then
Eyes
other
Legions
they
not
are
tread
on
' '
And
that
but
the
hollows
seen,
note
it up,
they dig
to
body, lacking
had
who
woman
killed
one
find
itself in
disfigurement
lived
section
of
There
soul, for the

in whole
this
the
or
of
body
seems
can
roots
snake
that
mortal
and
to
the
perform
by
In
the
on
in
deserted
that
mystification
the
case
whose
woman's
with
the
had
husband
beside
the
fiction
fests
frequently mani-
porch.
dismembered,
or
adding
no
their
to
porch
been
body
be
feet!
Vine
of
mutilated
has
form
her
Eyes!
Bierce's
refuge in
and
buried
Then
echo
in the
had
as
in part, unaided
In
violently.
there
form,
immortality
haunting.
the
move
"
in Ambrose
covering
ghost in modern
revenge
relentless
and
foot,
her secretly and
The
vine
strange
to
terrible
earth
take
men
in the
seen
ghost manifested
revenge
couple of
unaccountably
shakes
of the
horror.
hideous
Eye
of numberless
tramp
the
Strange Story
Those
Eyes!
individual
an
cient
an-
lofty giant.
some
supernatural phenomena
shows
and
of
legions!
peculiar form.
house
height
"Those
The
he
House
at
the
"seeming
nearer,
appear.
hdve
stories
and
clutch
vast
the Haunted
to
up
in his
as
comes
nearer
ground
while
floor.
and
rises
body
withdraws,
distance, moving
the
wine-stained
Haunters
supernatural manifestation
from
clasping.
the
across
gore)
with
deformed
terrific
his hand,
In
confounding,
fear
anguish gasping
trunk
heard;
were
ghosts appeared;
of
train
grim
with
guest
sounding
shrieks
yells and
Hideous
Then,
staircase
the
up
showing
to
seat
the
of
head
life apart from
itself
horror
in
of
the
ghostly mind
or
its function
the
each
or
the
of
haunting
heart, liljea
main
body.
Modern
Ghosts
91
^
And
this idea
determined
of
detached
for
agent
I haven't
heart, bleeding and

haimt
the
written
physician
dismembered
limb
of
such
if
each
back
tion.
fic-
to
to
will be
stories
await
outraged
seek
to
woman's
would
terrors
as
by itself
all
perhaps
what
came
horror
up
surgeon
or
acting
new
coming
but
think
form
instance
an
broken,
And
soon.
careless
or
found
deserting lover,
the
adds
revenge
yet
as
of
part
the
organ
on
vengeance
him!
Ghosts
of modern
reality than
stronger,
fiction
the
of
early
specters
vital; there
more
more
Ghosts
than
are
used
they
resemblance
in
homely
hair
He
hair,
in
shape,
queer
whiskers
somehow
move
darker
a
mouth
This
that
good
deal.
is wide,
seems
and
his
an
wraith-like, yet
very
ing
distress-
wrinkle, each
photographic
close-curling, and
red
as
his
hair.
particularly arched
His
hope.
governess's description
straight, good
as
are
prospects
over-with
freckle, each
of the
red,
with
same
of the Screw.
Turn
very
the
such
for
of
strong
handsome
more
basis
no
the
to
be
clearness
lifelikeness
the
red
face, long
the
to
carried
are
with
showing
has
gives
detail, each
Quint in The
of Peter
hoped
Fiction
to
Note
proof.
discouraging
have
of appearance
faithfulness
gray
is
that
death,
before
alive
more
before
as
now
of
in these
muscle
active,
more
is
personality
state.
Peculiarities
There
who
persons
future
the
of looks
immortality
of
be.
to
to
healthy,
more
are
strengthening
ghostly tissue, a stiffening of supernatural

days.
They
times.
be
to
seems
their
in
convincing
are
eyes
are
and
features
His
as
pale
little
eyebrows are
if they might
sharp, strange, awful.
His,
lips thin.
imspectral descriptiop,for
a
red-headed
unnaturallywould
be
red
ghost that
alarming.
She
hair is not
lifted
says
its
brows
eye-
of him:
"He
Each
"
in
disfigurement is retained,
Middle
in the
ghostly vine,
make
identification
The
spirits described
lips and
in De
to
him
meet
shameful
from
him.
with
half
cloaked
of
never
stuff
olden
must
be
phantoms
seems
comes
to the
turned
ghost
one
not
and
fewer
by
heavy
of
the
with
as
nite
defi-
as
regarding
more
difficult
than
of humanity,
ably
quite conceiv-
ghostly garments.
And
why
ready
to
well
were
giant
forbids
the
have
clothes
wore
them,
their
familiar
that
it
do
they
and
of every
tilt with
in
Armor
armor.
and
of
extended
is
incongruous
to
accouterments
weapons,
to
The
the
He
Gothic
remembers
one
so
were
knightly spook.
Walpole's novel.
carrying
been
spiritswere
rival ghost.
panoplied
armor
of less radical
masculine
seems
shields
accompaniments
to
of clothes
people
when
and
now
ever
It is
ghosts might
so
be
to
seem
of
times
the
law
us
spectral clothes
of
even
ghostly function, yet

necessary
There
ghost-clothes made?
are
part identified
material
that
interesting feature
an
immortality
tissue
out
stylesthan
in
Oliver's
its face
shows
living fashionables.
itself,but
wear
In
constituted
the
bodily
what
Sir
recognizes her,
figure has
Middleton
horror.
his way
he
to
red, voluptuous
on
that
life,so
in literature.
the
renew
Of
of
spirit of
mausoleum
concerning
understand
for
neglected
tales
have
the
hooded
and
apparel
conventions
garb
Stoker
foot
face.
supernaturalism
to
in
Jessie Adelaide
Ghostly
the
her
as
is
in
toe
lacking
Affair of Dishonor,
An
passes
duel, limps
the
though
he
the
present
and
cheeks,
Morgan's
as
in
Bram
by
missing
Nothing
forth.
so
absolute
pink
mother,
and
Right Foot,
the
of
Toe
the loss of the
as
skull, the
screaming
Crawford's
Bierce's
living,dangerous,
presence.
minor
tooth
this occasion,
absolutely, on
was
detestable
the
Ghosts
Modern
92
ticularly
par-
Nowadays
which
ghostdom
tion
restricas
well.
Modern
Specters
thus
are
scarcely expect
toting
placed
to see
beholder
the
be
noted
shroud,
while
season
men
that
witches
with
the
and
has
of
to
of
three
ghosts, one
and
in
the
is
so
scarcely
know
of
one
of
Matthew
Mr.
Morley's
him
to
see,
we
in
tights and
pig-tail,
They
we
the Stairs.
see
quickly
so
instances.
fiction evidence
shows
Gerould^
of
blue dress, one
warrior
wearing
(We
because
do
they
only
often
not
have
depicts
cloth,
loin-
see
the
shade
a
a
side-whiskers."
which
buttons
that
he
glint of
clad
man
those
'
addition
By
to
glanced through
prim waist-coat.
a
of
ghostly spectacles,a
wears
a
we
In
us
snake,
rattle-
suit, mid- Victorian, "with
boots, and
the
ghosts
compared
change
in later
scowl.
Arnold
observe
tone
their
Modern
stylesnow
Fullerton
Zulu
tweed
coat-tail
is the
of clothes
matter
Co-operative Ghosts'"
wraith
red.
is
wraiths
many
also, whereas
all in most
at
woman
this
why
Gray
choose
the
specters this
that
attired.
ghostly garments
of
ate,
appropri-
suitable, yet
the
and
is
so
of the
ghqst is hopelessly pass6 before he
ghosts, perhaps
modesty.)
On
since
nose-ring, and
In
the
Katherine
variety.
'
in
materialize
their
familiar
black
other
frequently
are
of
thus
One
reminiscent
Most
in
that
figures from
ball.
innocence,
tastes
went
earlier ones,
Examples
in the
and
are
disadvantage
time
nude
Uke
seems
gloom,
modern
decidedly
so
White
the
petrified at
phantoms
gray.
women
forbears
at
cow-boy-
in which
seem
look
now
is gray.
in
Styles
women
youth
color
and
ancient
would
one
Texas
garments
by shades, yet the fact remains
both
are
of
masquerade
connotes
dressed
are
affected
of
as
favored
really
at
is that
black
the
ghosts
in white.
or
well
as
in
last in life.
guests
or
in black
seen
the wraith
even
old-time
that
movies
to
disadvantage, for
appear
them
saw
so
point
at
93
pistol.
Specters usually
death
Ghosts
small
P.
boy's blue
Converse.
In
ling's
Kip-
blouse,
Modern
94
while
Kipling
another
around
in his comical
robbed
of
Other
Ghosts
youngster,
children
soldiers
in the
same
are
I do
not
mold
in
garments,
of graves.
save
Albigenses
The
the
and
The
gatherer.
of
Neither
Gothicism
he
by
him
alive ; she
hand
the
months
dead
in
ghost
Guest
the
'
Heritage
side
the
on
it drove
the
huddled
on
in
red
from
of
in her
bed
to
unbudging
stairs.
another
the
whole
costume
in
have
as
of
much
modern
ghost
ful
dread-
back
Think
his
and
the
and
of
wonder
No
wedding
night
of
ghost
hounds
betrayer of his
red
The
silently
spirit that
variety
Gray
Bacon's
instances
ghost in
oil-skins.
wet
turned.
revenge
us
one
stolidly and
spend
his murderer
ocean
and
We
relentless
in
brown
to
eight
; in The
Daskam
sits
right
shows
has
revenge
its back
husband
young
Crawford
and
her last
saw
long military cloak
Josephine
scribed
is de-
woman
coat
in
Wool-
in her
(A
velvet
wreak
with
Blackwood
wears
brown
' '
left.
and
to
in which
handkerchief
card-case!)
in
an
Kipling's story
dress
tiny
same
in
by
the
ocean
on
the
in
mad
in
wronged
back
the
vest,
daughter,
is
apparition
spook
being haunted
wraith
by the
driven
knee-breeches
of
child
any
The
is dressed
the
Hogg's
wraiths
military boots, while
eccentric
and
baby
card-case
ghost coming
The
I discover
returning Napoleon
and
of gray
on
the
with
purple
soilure
victims
the
same
any
gracefully
'dis-
on
pitiful spirits of baby
"wearing
as
recall
him.
'
the
has
carried
and
did
Englishman
woman
murdered
that
be
not
spectral blood-stains
save
struts
would
he
said to have
story
dirty clothes."
Gothic
which
first trousers
by the German
even
war-ghost/
shirt.
There
appropriateness
fiction
as
in
Broadway
melodrama.
point of difference
Another
and
'
In
'
By
those
Swept
and
Laurence
of the
Garnished.
Clarke.
between
past is in the
the
extension
'
Phantom
specters
of their
Rickshaw.
of today
ave-
Modern
of
nues
approach
varied
more
weU
and
sight
that
Gothic
well
as
seen
and
nowadays
more
they
haunt
and
hearing.
not
heard
The
that
and
worked
the
will.
if
might
haunt
brown
taste
might
Bon
Bon
in
and
of
mouths
the
who
to
instead
of being
merely riotous
appeal
discussed
so
form
be
not
of
supernatural
turn
on
the
stories
has
fact
Man
a.
an
something
as
is
the
that
shut
being
an
room
in
Ambrose
Bierce's
of
story of invisibility,
The
a
dark
that
some
medium
But
being,
that
La
terrible
Damned
something
G.
H.
unseen.
ghost; yet
straight ghost
few
him
In
horrible
is
nightmare
is terrific in its effect.
with
ment
ele-
fiction.
most
not
Horla
the
very
later
is
been
already
of the
eating, drinking, reading, sitting on

mad.
the
is not
and
new
and
yet definite
unseen
in his
that
livers
haunter
power
that
ghosts
here.
human
Maupassant's
invisible
knows
curdling
possess.
story of
is
gastronomic
sight has
manifestation
that
against
through
mentioned
in
spirits
devoured
were
general visibility,some
Invisible
story
victim
need
the
eats
livers?
the
to
invisibilityenters
Wells's
the
ghosts
of
spite of the
tales
of
express
ing
appetiz-
very
knows
itself
striving
of the
haunting dyspepsia
riotous
specter
has
less
doubt-
folk-tale
he
conceivable, too, that
cannibals;
The
what
imagine
sight
as
though
them
says
ill-tempered spook
an
It is
find
and
impression
writers
is
But
them
to
of
There
soon.
in Poe's
One
fiction
sense
that.
open
medium
ghosts and
eat
devil
result
as
out
wolves
of mortals.
could
taste
the
being. Ghosts
touch, the smell, as well
exploited by
it will be
Skibos
the
through
us
are
as
to
sixth
with
content
contact
classical
the
to
is
senses
general only
supernatural
were
of
points
been
yet
and
The
of course,
as,
of
in
the
to
earlier times.
realizes the presence
were
his
in
ghosts appealed
hearing,
95
Ghostly appeal
us.
than
now
the
as
to
Ghosts
The
determined
night after night,
his
chest, driving him
Thing
that
is
gruesome
is abroad
with
Ghosts
Modern
96
".w
unearthly
the
by
light from
the
and
who
Another
seen.
"^
violently attacks
abnormal
has
for
its
the
on
cast
have
to
men
and
is
it dies
tUl
visible.
mold
of
that
is
by
is
the
trail it leaves
never
of
As
seen.
that
anything
brave
invisibilityhave
that
of
One
tender
Strange Land,
his way
on
home
for him.
while
his
dead
at
home
he
he
little
the
make
of
and
hears
He
son
something,
some
with
but
impotently stretching
the
'
"
tell them
messenger
What
By
Was
Katherine
It?
will meet.
them
the
that
he
Fitz-
been
while
is preparing
hurt
joy
when
hear
him.
man
them
O'Brien.
; but
of
They
awed
his
his
enters
whispers
The
to
he
are
No
wreckage
with
is dead.
James
in In
thinks
influence,
arms
stories.
wreck
the
than
invisibility
under
or
is all.
his
in
has
poet's heart
that
out
he
But
see
strange
Mystery, by
Butler.
of
whimsically
swears
and
afraid
intense
his wife
under
mangled
interruption
cannot
aware
lies
home.
some
vaguely
dinner
body
little group
happy
birthday
that
yet it
not
ghost is told
the
know
it and
in other
suddenly
not
ing
mov-
of supemar
more
killed
does
seen
am
stories
man
to
He
spirit hurries
breath
of
it,"I
element
invisible
an
be
never
beneath
spirits is shown
present
The
breathing
it is audible
these
so
tales.
story of
of
plaster
absolutely
grass
chilling horror
ghostly
unmistakably
of
said
man
see!"
can
tural
most
is
behind, for though

a
in
may
along only by the bending of the
that
bed, showing its
is heard
Elemental
never
only by
tied
imprisoned
that
is
being
and
the
on
starvation, yet
Fire
horribly
and
figure
overpowered
taken,
Blackwood's
struggles with
studying it, but
struggles
mattress,
its
which
central
ured
meas-
the
shutSjjX)ff
finally kills
been
has
strength, that
imprint
loudly
till it
be
can
which
grasses,
it passes,
as
men,
man
movements
the
objects
with
the
mangles
of
bending
other
dogs
evil, whose
of
power
the
his
are
by it,
that
stands
till he
he
by,
hears
Modern
Ghosts
variable
are
The
appearance.
Gothic
other
times
specter,
real
at
Gothic
voice
in
such
strains.
surety
the
on
the
incongruous
king's English,
be
for
not
guilty of
the
This
in
look
volumes
explain the
may
classical
variation
and
in the
later
fluent.
All
for
ghost
invisible
The
as
this goes
he
does
ghosts
Gothic
it does
come
as
at
sing'in
case,^
"a
By Mary
duet
Wilkins
their
in A
her
Freeman.
of
Two
ghosts
hear
are
modern
The
do.
music
mysterious
visitation, but
to
be.
Melody,
'
heavenly
is
song
spirit
Voices.
similar
ghosts
to
it used
funeral, and
'
word.
well.
as
Far-away
woman's
by
of the
notion
Ghostly
death.
cases
terrifyingly
are
freedom
than
living alone
where
at
as
by
no
is
the
supernatural
common
issue
some
utter
of
many
fond
of
the
the
matter
non-speaking
voiceless
was
specters be
It would
There
takes
rule
but
the
the
he
times,
spinster sisters
another
'
are
is less
portent.. of
as
what
nique
tech-
on
to murder
in
phantoms
prove
ghostly
proper
dodged
drama.
romance
ghostly music
two
to
accompaniment
an
for
other
of
diSiculty in the
fiction,for
eloquently silent, while
lack
ghost
of threats
Elizabethan
in the
errors.
or
by
in
lay
dialectic
writers
reason
lifted
brief
to let their
The
bosom
overstrong
giving their ghosts brevity of speech,

letting them
speech
usually
the
illiterate
presents
perchance
so
was
to
as
hesitated
an
in his
guilty
for that
were
even
which
he
spoke
writers
have
may
The
fluently.
the
to
reason
authors
they
lest
realism,
he
tions
appari-
faked, frequently
as
as
part
sUent.
converse
ten'or
part of the
they
fluent
well
as
most
classical
impediment
an
well
as
the
sometimes
could
when
Gothic
and
of
he
Perhaps
diction.
seem
had
brought
Yet
utterance.
too
and
song
for
were
and
vocal
sometimes
sounds
to
respect
occasion, and
on
sometimes
ghost
while
talk
97
'
with
early ghosts
silent, yet could

were
Ghosts
In
where
music
heard
back
comes
Crawford's
'
Yet
Man
in
to
ghost ^
Overboard.
Modern
98
constantly
In
whistles
lover's
life
could
Crawford's
and
his way
followed
the
When
the
the
the
comes,
clamor
New
such
of
presence
His
Keeping
invisible
'
In
In A
John
silence.
suggestion.
outer
door,
knocking
who
two
key's
Mon-
from
at
hear
the
are
dead.
breathed,
utter
import than
been.
are
introduced
the
of
ancient
the
that
the
is
modem
is
heavy,
heard, and
of Fire, by Blackwood.
ghostly tales,
manifestation
spirit^ followed
enchanted
Promise
Thing
in
Inglesant.
Nemesis
in the
in its
dreadful
more
body
in The
at the
been
as
supernatural
of
back
has
of
terrible
power
for the
wish
magic
Empty
thud
after
as
come
peculiar hissing
crashing
is
chilling awe
presence
silence
has
the
last
sounds
as
and
is
the
the
loudly
more,
tread
screams
tensely than
knocks
strange
as
smothered
story of superlative
and
occur
heavy, rushing feet,
of
silence
more
thrill of
this
when
silence
the
shown
that
same
that
Then
sudden
gate in Macbeth,
sure
sounds
doll
of the
in Blackwood's
re-enacted, then
ghostly visitant
feel the
we
of
is nowhere
^
and
king,
of
might
one
firm, audible
stairs," after which
effect
Paw,
with
as
voice
feet
scuffling and
is
the
awful
story
mechanical
walks
with
of
murder
down
sounds
the
the
move
noise
ancient
The
appall
ghosts
by
thrown
her
save
peculiar example
children's
Strafford'
to
the
to
in
"
more!
tiny pattering
of its
Lord
House
giriwho
much,
so
Ghost, that
Doll's
fiction, not
click
sounds.
cause
honor
yet humorous,
the
on
I not
preternatural
nor
father's
thee, dear,
love
not
Loved
think,
young
sings sadly,
"T
In
her
betrayed
times
of the
wraith
the
during life.
of
fond
been
had
he
tune
Co-operativeGhosts
Cromwellian
Ghosts
flames.
by
the
In
Blackwood's
creaking
"
By W.
crackling
breathing
stertorous
the
of the
W.
of the
Jacobs.
of
bed
Modern
weighted
down
by
brings
in
of his
Wendigo
of
as
power."
Kipling
are
of "the
his
beyond,"
forth.
These
deeply
The
leave.
story,
the
and
stories,such
dying,
the
oft-mentioned
places, the
not
of
cry
only of the
whole, the
varied
sounds
in
individual
and
haunting
the
their
mocking
banshee
but
body
in modern
types,
than
was
and
sounds
to
he
clankings
are
Gothic
less wailful
their
that
the
soul,
little
which
the
is the
of the
as
supernatural
sion.
expresrecur
bed
in
in
of the
empty
presage
well.
stories
of
On
are
expressive of separate
more
with
the
laughter
which
in
automobile.
an
in
above
feet
the
made
sounds
hood,"
child-
Middleton's
of
articulate
horror, and
suggestion
of
some
they dread
specters
death-rap
in
through
that
ghostly
the
as
speaks
ghosts of Kttle
Richard
modern
more
He
lifelike
earth
few
groans
definite
are
various
more
the
imitations
the
earlier, but
the
There
death
in
introduces
lugubrious
mournful,
than
and
the
boy
child-
evasion,"
himself, invisibly, through
fiction
and
chains
the
ghost
heart-breaking
ghostly
romance
of
from
near
The
of
patter
steps, the rustling of the leaves
and
Later
of
little
manifests
prancing
runs,
homesick,
hover,
touching
giggles of
chuckles
coming
as
and
absorbed
the
essentiallychildlike
pathetic
that
ones
child
and
"joyous
of abominable
to tears.
squeaking
frock
and
children.
speaks
crying voice,
novel
near
of
Freeman
Blackwood
wild
ghostly
chuckle
of
Wilkins
windy,
introduces
"sudden,
rustle
of
sort
yet sometimes
light mischief,"
room
Mary
untamed,
of
utterly happy
"the
"a
and
stories
gay,
99
story, while
having
as
lonely
wraiths
are
in
something
in
so
body.
ghostly crying
sounds
the
the
Ghosts
an
the
intensified
case
with
power
the
of
earlier
forms.
The
ancient
'
The
sense
or
of smell
Gothic
was
not
noticeably exploited
ghost stories,though
Passing of'Edward.
certain
in the
folk-tales,
Hawaiian
as
devil
was
stories
of
the
supposed
to
be
Calderon's
that
while
moderns,
not
attention
but
subjective than
they
have
the
The
awful
an
dead
floating
head,
The
odor.
fumigating
or
of the
sea
lower
berth
There
are
to
the
awful
Wendigo.
El
By
the
one
certain
less
are
tionalized
conven-
cleverly
supernatural
ghost
emitting
foul
supernatural
of
out-door
In
Crawford.
the
with
away
full
odor
that
As
remove.
force
of
something
decaying
intolerable
'
"
smell.
that
with
"ghost
acrid, pungent
the
announces
of
out
in the
man
associated
queer,
Kipling's story*
of
comes
unearthly
called
odor
sea
amount
Thing
odors
when
an
it,the
the
which
no
"
lions, which
and
is
as
ghostly tales,as
of
there
strange, foul
are
mysteriously
man
and
stateroom
in recent
on
itself
Finally
appears
the
animals
thirteen
account,
to
tells of
its victim
carry
preternatural
ghost manifests
can
ceiling and
airing will
Magico Prodigioso.
F. Marion
they
disinfectants.
the
Berth'
definite
like the
smell
'
no
unforgettable strange odor,
an
the
iant,
var-
seem
so
number
room
any
room,
near
gets
supernatural
of
by
Upper
infests
that
of
In
for which
in the
is put
the
of
especially sympathetic
woman
more
more
not
These
Hotel," the
nostrils.
removed
be
cannot
when
effective.
manifestations
Haunted
stench
are
Odors
are
been
lasting quality too, for they linger
very
able
consider-
pit, are
sounds, and
or
But
matter.
fiction
distinctive.
unusually
are
the
through
the
in
novels, but
devil has
of later
of
fumes
and
sights
other
In
past.
odors
ally
usu-
notice
pay
The
odors.
was
we
the
of
ghostly fiction,hence
in
after
the
individual
more
scents
evil
the
than
objectionable
as
partial to brimstone,
so
he
Gothic
the
extent
supernatural
to
dry-cleaned,
the
for
odor,
scents,
of
some
about
be
to
seems
evoked
and
drama,'
bad
in
The
world, speak of it.
lower
sulphurous
by
accompanied
Ghosts
Modern
100
by
a
the
presence
Indians,
whose
man
By WiUde
Collins.
The
of the
Mark
Beast.
Modern
soul has
a
been
stolen
leper priest
and
by Indian
beast's
sickened
are
beasts, and
by
the
when
horrid
doggy
Sometimes
the
ghastly
it flowers
with
the
subtlest
most
O.
and
the
to
for
who
man
is
her, merely
as
through
it is
But
haunting
the
him
having
but
element
has
which
The
departed.
story of this type
girl reveals
the
over
flower
the
is
herself
big city
seemed
familiarities
as
relaxed
she
Of
in
castle
as
stand
ancestors'
hands.
of
taught
As
The
flattened
to
in Here
Furnished
did
Modern
restrain
and
and
he
other
are
their
the
hurl
not
curses.
incline
Room.
ghost
free
easy,
in
less
their
much
out
content
was
to
have
they
so
striking.
to
for
Fortunately
and
have
this
hapless youth
ghosts, however,
There, by Alice Brown.
spectral
crushing specter
instances
Gothic
impulses
in
too
the
the
earlier
spooks
mortals
shade
remembers
one
there
nerves,
of
This
unwelcome
on
presvime
is
loathsome,
their
fiction, but
later
become
that
distance
to
fashion
general thing
at
in
visitant
The
know
to
form
worst
is
stories.
recent
ready
so
the
course,
effectually,and
the
of horror.
dimax
reserved,
have
manners.
Otranto
in
more
those
and
age
that
supernatural
is the
you
not
followed
doubtless
But
be
to
were
of touch
is direful, smelling him
much
in
place better,
'
form
of
brings
woman
mignonette,
Seeing
touch
comes
ghosts
'
of
sense
comes.
terrible,hearing him
on
whiff
heavenly perfume
loved, dead
whiff
as
dead
desperately hunting
a
"such
loved.
most
of
the
visible
the
back
comes
causes
comes
presence
delicately haunting
where
Henry's,^
what
of wild
"
with
spiritin
^his companions
as
he
and
asks
spirit of
in masses,
lingers after
stench
of
curse
"
air and
air.
the
put in its place,
is removed
in the
the
through
intolerable
an
smeU
where
perfvime,'
loi
magic
soul
curse
himself, he snififs the
to
Ghosts
the
not
venture
our
laying
been
on
Ghosts
Modern
102
liberties
RadcliflEian
that
would
romance
have
proved
disap-
of.
The
Damned
stiff
struggle
in
describe.
which
the
O'Brien
that
power
shows
is tied
only
fightsviolently
upper
berth
in my
and
but
gripped
thing.
I fell the
itself upon
face
struck
violent
fell forward
The
but
never
Yet
ghost
goes
away.
the
touch
fiction
loving
of
touches
longing
Fred
is
to
the
as
C.
seemed
him
saw
It
dead
of the
arms
so
me,
to
being, and
throw
to
on
seemed
Psychical
chill
of
or
icy touch
his feet
his
that
he
me
then,
of the
is not
the
supernatural.
he, too,
than
the
incident
well,
burn
only
one
are
living.
in
In
mark
or
in
as
wards,
After-
spirit hand.
There
the
as
only
heat.
well, expressing yearning

with
not
Society
burning
leaves
touch
communicate
Smale.
and
I last
itself upon
hold.
frequently described,
of horror
beautiful
more
By
in the
the
cases
'
touch
supernatural
brings
'
the
horrible
corpselike
left my
me
set.
living,
men
overpowered
fell and
it
long dead
man
ten
its
and
across
of
and
words,
face.
in reports
of
being
be
his
on
and
lips
at
in the
Thing
it thrust
it wound
arms;
When
his
abnormal
slippery,oozy,
thing;
dead
sprang
blow
ghostly
fiction
in
and
the
might,
aloud
captain.
white
the
of
strength
living death,
thing
the
was
the
the
the
my
body
like the
had
all my
last I cried
the
at
And
to
strength.
was
with
neck,
my
As
it with
nearly broke
around
that
and
I wrestled
and
me
It
it moved,
yet
to free itself.
ghostly, horrible, beyond
grasp.
words
effort, and
tremendous
awesome
an
something
was
moved
had
after
in
terrible
of
being
dog
after
master
terrible
Idlls
being
disfigured beyond
is
man
which
It
slays the
later
fight, then
muscular
of
example
an
mysterious
for the
supernaturalism,
a
gives
Thing
tain
cer-
that
introduced
tender
love
and
and
What
They?
could
"I
felt
Modern
relaxed
my
hands
of
of my
palm
to close
And
in
taken
child.
The
d3dng day
my
only
moment
The
Ghost's
course
of
spirit to
but
the
as
The
is least
feels the
widow*
who
is dead
hand
has
and
from
The
the
power
'
A
la
Pair
his
and
new
disembodied
with
The
to
give
to
the
her
Eleanor
The
in
earlier forms,
for
the
of
after
her
having
that
knows
His
cliff where
ghost
he
know
may
lips.
message.
she
has
the
"spiritualkiss"
touch
showing
is
an
pressive
im-
marks
and
fiction
recent
not
hand
and
feels
hands,
on
the
some
that
so
feels.
asks
she
"
of the
edge
killed,
strength
of
access
an
psychological analysis.
and
of contrast
ghosts
of Hands,
when
funds
trust
that
sense
husband's
clasped by
hand
in Poe's
is in the
helpless creattires
'
her
the
point
ghosts
to-day.
of
over
imaginative
older
on
unmistakably
her
Ups of his beloved.
advance
Another
of
mysteriously disappeared
been
lover
motif
an
kisses
seeking
and
over
truth.
for
"
speaks of
reader
return
physically, and
feels her
gently leads
fallen
the
the
clasp of her
absconded
presumably
he
leads
easUy self-deceived, the
sign, the ghost
husband
rested
Collins
to
swear
follows:
as
describes
only psychically but
Another
stole and
Wilkie
Touch,
I will
says,
little hands
long ago."
very
"
widow
further
woman
center
expected
once
devised
soft
^not
"
that
sense
the
occurring in the obscurity of midnight

vision nor
seen
a
searching light of day; neither
as
voice
knowledge through
^revealingitself to mortal
earth
in the
heard
fingerswere
"
the
'
two
It
softlybetween
code
mute
this narrative
ground.
strange
the
în mine!"
"
The
story,
which
story,
that
turned
103
little brushing kiss fell in the
fragment of
similar
and
gifton
as
"
"
hand
Ghosts
the
between
enjoyed by
greater freedom
of
in the
ancestors
our
main
and
by Quiller-Co'uch.
OutiLast Walk, by Hugh
Conway.
and
modem
the
were
Gothic
the
of
those
weak
specter
and
was
Modern
104
tyrannized
such
to
over
call his shade
his
latchkey and
asserted
local habitation
a-days
feminists
Gothic
and
sensitive
they have
Gothic
the
in later
nor
Neither
as
the
was
the
rule
hour
ton
Gerould
come
at
brings
in the
Ghosts
since
each
Wilkins
has
Ghost
but
the
specter
'
By
N.
the
M.
the
in
as
did
for their
occur
lessening of
town
Lloyd.
to
the
the
on
of the
the
of
Fuller-
ghosts
that
Wood
Georgia
seashore
that
dark,
arbitrary
Katherine
ghosts
hours
set
any
as
morning,
noon,
mid-after-
in
in
appear
dependent
not
are
Gothicism,
in
Since
but
modem
family vaults
light
day-
choose
may
household
as
and
story
Charles
located
in Harmony^
is set
complains
loudly
which
has
in
of
ments
arrange-
a
a
the
lost interest
there
such
Egbert
in
any
general thing, and
desert
to
ting
set-
upon
inconveniently located,
part of haunters
ghost
one
Last
of
like.
Freeman
The
mind
as
are
the
on
do
storms
tyranny
removed.
been
fiction
include
cemeteries
tendency
Mary
not
nor
air.
scenery
surroundings they
do
be,
so
lightning for
few
o'clock
one
various
open
in modern
of sullen
or
out
one
Kipling has
and
not
weather
of
interesting collection
an
o'clock
eleven
and
are
tempest
limited
The
Gothicism.
in
shows
Pangborne
certainly no
spiritsof to-day
apparitions,has
for
is
rule of twelve
autocratic
need
to
the
consequence.
the
are
the
comparatively
there
Yet
ghostly thrill in
do not
over
supernatural play
threats, and
fiction.
they used
as
be
to
up
Ghosts
Now-
"caused
have
would
influence
They
setting
have
may
stay there.
to
horror.
now
active
an
phantoms.
wild
with
swoon
acquired
has
He
are
privileges that
dared
hardly
to-day
obliged
women
barometer
materialization
their
spectral
to
such
of
independence.
isn't
he
have
the
to
his
but
wraiths
spook
he
that
extent
an
The
own.
the
even
Ghosts
is
quarters.
Craddock
graveyard,
and
burying-ground,
unsentimental
in
ghosts, and
Modern
leaves
in
disgust.
"
castles, those
and
modem
in the
Likewise
the
105
domination
of the
ghaist-alluringedifices," has
spooks
confined
not
are
They
past.
Ghosts
where
appear
to
Gothic
passed
localityas
one
any
in
they mil,
away
the
most
prosaic places, in cheap lodging-houses, in hall bedrooms,

in
bungalows,
ships, and
of
in
forth.
so
desert
of such
sand
Algernon
bears
Leigh
good
one,
be
as
they
as
The
houses
mere
calls his
own
the
structure
new
house
he
up,
lot, which
is
buUt
ordinary habits
of
section, trying
to
avail.
no
and
the
to
that
its
owner
at
the
merrily
Algernon
Blackwood
haunted
within
by
that
the
Then
is fond
evil
the
limits
As
in Ancient
and
time
Or
spot.
story
if
took
of
the
building had
the
the
ghost
curse,
of
Sorceries.
experience of
place
made
man
horrible
life-like,and
so
by
but
razed
undiscouraged
in
disgust.
localities
where
of situations
the
house
been
left
owner
vacant
section
it down
location
new
no
than
concerns
he
haunts
the
haunts
spirits,' where
the
long-dead, but
'
house
whole
ghosts of long-dead witches,
relates
Yet
localities
If the
and
whole
over,
on.
by
is inhabited
Worship
the
plowed
haunted
are
arrive
to
lessly
relent-
as
certain
his
same
One
When
site
bides
he
spooks.
persistently ghosted
tale
spirit."
reprehensible procedure
more
greater
modern
rooms
over
around
hangs
effect
did.
the
on
woods,
ghost story,
apartments.
or
ber
num-
possible, objects
as
certain
power
down,
is torn
goes
haunt
has
the
preternatural
specter
ghost
give
to
"a
that
One
places.
much
as
do
that
Gothic
ever
than
unite,
life, with
modern
rather
suggestion
should
ghosts
are
similar
set
in the
open,
described, and
events
Hunt's
in
are
in the
out
tramp
on
has
unspectral setting is
to the
out
steamers,
Blackwood
and
wastes,
realistic and
verisimilitude
of
staterooms
thrillingghost stories
in the
here
the
or
Secret
wanders
who
by
village
shipers,
devil-wor-
inhabiting
house
Modern
io6
that
has
been
usual, where
fiendish
the
curse
than
the
house
definite
much
would
be at
every
time
terrible
gained
drama
were
dead
in
than
could
hadn't
the
been
buried
The
moving.
outlook,
so
in later
low-minded
morbid,
the
unlucky
Their
wights
woe-begone
accompaniments
There
'
are
Psychic
some
Invasion.
no
Yet
evident
supernatural
forbears.
ancient
while
the
specters
so
not
they felt it their
the
woe
betokened
unhappy
anything
happier
spiritsin
recent
than
haunt.
to
but
is
ghosts
visages, their clanking chains, and

of
more
gloom
Gothic
business
ever
for-
keep
to
the
much
spirits
there
religion furnishes
manifestations
The
even
spectral police
were
of the
state
entrance
the
beings in
enviable.
means
find
even
The
ghosts
the
since
Hades,
was
couldn't
Christian
considerably lightened.
were
moderns,
by relentless
of
the
velopment
de-
superstition,, and
The
by
The
pallid, colorless
part
was
of
one
his
ancient
hope for then
forced
were
cheerful
most
early times
one
than
main,
of
to be evicted
individuality, more
more
in materialization.
as
mournful
but
the
for
more
who
the
houses
as
study.
survey
ghost has
modern
medievalism,
character
fascinating
histoncal
distinctiveness, in
of
if they had
spectral personality is
from
The
ghosts
is
But
of
down.
torn
was
element
formerly, ghosts
than
now
than
power
new
to
locality rather
fiction.
disadvantage
psychology
of
fiction.
permanent
building
modern
to
lingers on
adds
their
spot where
malignant
this
as
spirit of
the
on
haunts
more
ghost and
less
Ghostly
most
has
supernaturalism
so
facts
house
of
diabolism
spirit that
The
or
built
house
appears
living for
record
is the
a
but
of the
stood, whose
restricted
more
are
haunts
once
room
souls
the
Another'
living.
one
before
years
they entrap
sacrifice.
older
down
torn
frightful evil that

an
Ghosts
other
cheer.
fiction, but
Modern
such
not
large proportion
usually
basis
some
for
general melancholia
the
dead
has
never
wife
with
in
she
death, and
spectral
double
crime
Marley
grieves because
has
he
offered
life has
other
world
the
make
enough
to
like the
burning
bore
of
him
to
asked
surf
by
classical
The
and
waste
time
there
the
many
joyous souls
forget about
the
gay;
Rosamond,
By
M.
By
A.
In
Here
H.
T.
that
Quiller-Couch.
There.
is
and
conscience
is
of Eblis
Hall
is
of
too
with
CoUins's
unhappy
because
theme
frequent
ghosts
later
is
man
answers
but
romance,
rising
come
Wilkie
In
spirits. They
likely to
are
Yet
in
rare
something
are
positive,
more
are
later
philosophical
to
comes
are
their
off
shake
'
In
"
The
The
such
Closed
as
stories,that
gloom
tell her
to
and
paradise
instances,
in various
back
cause
be-
spirits,perhaps
seek
there
children
of childhood
Austin.
and
neglect, which
Each
you?"
simply happy
earth.
resilience
the
of
names.
recurrence
light-hearted spiritsof
with
he
grieving.
in useless
are
that
vision
horsemen,
individualistic,
more
Poor
ties
opportuni-
clear
gmlty
him.
part the
most
the
of the Reef,^ the troop
spirit that
merely unhappy
active,
the
their
Gothic
other
An-
has
and
spirit in the
danined
one
the
own
Roll-call
to
unburied,
the
more
Nor
is
there
stories
For
than
more
of his
is it with
has
sin that
lies
body
fiction.
with
see
each
answer
"How
talC
gruesome
his
that
In
to
name,
deadly
the
heart
others
in
or
soul.
the
see
serve
wretched.
one
any
to
soldiers,infantry, and
of the
out
to
she
life
she
her
on
is doomed
ghost of
in
because
suicide
evil results
in his breast.
drowned
'
and
neglected, being forced
the
in
murder
have
explanation.
an
is wretched
don't
is
because
either
seeking
there
The
is miserable
husband,
back
woman"
of
for it.
grounds
no
her
And
past.
joylessness; they
Readjustment^
comes
107
in the
as
their
understood
that
Ghosts
and
friend
Cabinet.
Queen of Hearts.
are
how
Modern
io8
the
happy
and
life is, the
other
and
ghosts
terrible
than
the
their
purposes.
be
have
that
Every
to
up
'
from
good, judging
fiction.
evil
Has
and
It
of
actions
do
stories
of
evil of
The
Modem
old.
They
haunt
not
are
to
body, and
to
damn
in
drive
the
their
instance, who
in his turn
evil.
dies
as
loathsome
well
the
soul
as
ness
of evil is shown
as
stories,as
"You
In
Blackwood's
bodies.
are
They
now
That
the
Ufe
of the
Mourn.
touch
of their
bodied
em-
by legions.
than
soul
the
they
wicked
well
as
and
certain
'
The
seek
in many
says
violent
and
worker
co-
for
become
souls
and
kill
to
The'
Haunters
their
to
other
psychic doctor
liim,
vampire,
attack, has
on
as
ing
insanity, seek-
eternity
victim.
Lytton's'
with
have
good.
The
pf the
to prey
any
the
by
power
the
Devil-worshipers
the
We
everlasting, making
result
in
to
embodied
soiritual
victim
body
good
of
import, for
through
vampire
the
body?
the
living
soul.
to
The
where
in
the
to
victim, but
awful
their
harm
victim
for
the
much
through
deathless.
complex
in
modern
will, so
gratefuldead
body, but
dreadful
in
haunted
of
that
ghosts
of the
by
more
work
him
merely
not
few
awful
the
The
to
seems
perish with
are
the
more
merely
spiritswill
the
past, but
specters have
on
persons
ghosts outnumber
revenge
it lives
abode
evil deeds
places and
the
of
out
seems
over
employed
fiction.
the
carrying
Evil
strength
to
seem
maleficent
immortality
good deeds
from
but
extent,
of terror.
that
linger round
not
noticeable
many
more
power
so
of
evil
supematuralism
of
proportion
much
so
appear
in
power
centuries, while
would
powerful
more
aspect
the
permanence
more
vivid
most
spiritsof
The
higher pitch
the
are
force, being far
and
ones,
strangely greater
years
fiction.
cumulative
earlier
keyed
more
actively vicious
are
in later
numerous
have
'
mother,
peaceftillycontent
others.
The
to
Ghosts
the
deathlessof Blackwood's
to
man,
emotions,
the Haunted.
Modern
passions,
purposes,
produced
in
that
Few
horror
forget
stories
its
of the
impulses
out
to
has
James
Peter
agents
on
with
reek
ghosts
at
he
wishes
now
as
conceived.
who
Ambrose
know
faces
its
that
in
His
vicious
he
reaches
grave
them
drive
to
Sir
to
of unmitigated
he
matter
predatory
to
some
story
stories
can
are
They
they
are
the
not
villainy
the
"
creature.
a
are
to
goblins,elves,
was
express
one
has
that
ghost, but
of the
he
says,
duty of causing the air
the
story is
well
of this
tion
descrip-
women
Jessel, who,
recognize
know
itsetE to
the
this
when
characters
Miss
specialized,as
How
from
of
of two
his
What
general
hot
of
sense
of the
breath
particularpsychical
capable of everything,
Bierce's
examples
"I
evoked
not
usually confines
those
said
two
us
dire
essence
in this
do
brutality, but
be
says,
in the
spiritualinfamy,
Pit
and
The
to
Smile, with
from
Quint
He
we
of his
distinct
as
betrayed."
had
for
evil.
all,as
does
ever
delineation
by
the
saw
drawn
is laid the
motive
it
after
sin.
whom
imps, demons.
of the
one
prowling, blighting presences."
"hovering,
are
long
is in each
children, seeking
own
ordinary
pollutes the lips of the living
and
death
in the
the
mind
the
McDonald
unconscious
awful, though
above
marks
Dead
he
after
his
evil in
evil personality
if indeed
won
that
women
last
were
curdling intensity,
There
that
chiefly
smiled, he
curse
Henry
horror
"Nurse
dead
two
far
forget them,
smile
dead.
Ockram
hell,
that
Crawford
linger in
evil,as in The
hideous
of the
them
set
to
power
of
tales have
of evil power.
sense
immortality
house,
Marion
F.
They
individual
an
Hugh
that
in vain
their
fellows,
and
His
fiction.
tried
this
powerfxil and
some
equaled
ghost story.
has
in
109
here."
have
supernatural
one
past by
lived
racking
still active
the
writers
modern
Ghosts
the
succeeded
that
worst
in
his
can
effort,
testify.
in many
psychic horror.
instances
The
Death
able
remark-
of Hal-
Modern
no
pin Frazer
Frazer
and
has
is assaulted
choked
of the
mother's
upon
the
him.
This
the
are
the
mind
the
among
wonders
what
evolves
like
situations.
only
not
writer
abnormal.
of such
There
the
on
Another
American.
There
ghost
the
that
funny
the
that
is mirthful
the
of
'
In
mocking
Peele's Old
themes,
stories
gests,
sug-
who
said
that
be
must
of
modern
"his
Yankee
soul
is
laugh
with
Tales.
ment,
develop-
recent
is
for
'
characteristically
not
the
now
with
us
instead
heard
in
busied
have
horrisonous
the
It
sense
and
irreverence
or
we
one
till later.
spook
have
bethan
Eliza-
mirth, but
come
evoke
in
instance, and
connote
coarseness
and
laughter
Wives
to
writers
not
is
later
the
essentiallylaughable,
not
without
and
Jack,
did
to
are
spook
He
burlesque ghosts
seem
Numerous
with
now
of
would
comic
achievement.
Specters
few
Ghost
Ghosts
them
One
person
writer
supposed,
specter
for the
of humor.
be
were
really humorous
remained
plots
such
distinctivelyin
ghost.
might
drama,
make
found
humorous
as
be
stories
mentally, surely
one
might
in
side."
temperament
and
colored
it
mother
morbid
every
horrific
than
more
evil
Macaulay
as
but
and
extreme
is
Hell
is the
fiction
true,
poet
an
literature.
our
slightlyunbalanced
ghostly fiction of whom

open
his
conceives
If it be
every
is
appreciates poetry
every
of mind
dead
him
Bierce's
and
in
of
dead
O'Donnell.
dreadful
most
His
situation
loved
bludgeons
abnormality
such
that
of
body
body
caressed
have
the
to
Tale, bj;-Elliot
Mummy's
upon
is similar
that
dead
the
hate, is thrust
diabolical
hands
night
at
him.
idohzed
has
with
loved
him, "and
spirit occupying
beat
who
mother
own
wood
spiritinhabiting
face, transfixed
strangle
The
evil spirit in
an
death, the
to
man's
by
dreadfulness.
unbearable
of almost
touch
Ghosts
is
their
to
an
pens
ghostly laughter
as
of at
in
us,
other
and
lonely places
types.
instead
we
have
Modern
' '
humorous
hoax
created
that
Richard
their
to
and
the
companions,
and
in
the
middle
and
rum
in
Over
and
.
Olive
cordial
a
ship
was
They
field have
do
they
of
delicious
In
The
had
and
in his hands.
when
they
of
of
Sociable
been
ball
and
to
grow
too
Into
this
itself
captain
riotous
and
his
all,with
time,
comfortably
through
the
night
one
windows
and
then
fiddling
her
on
ttimips
the
windy
with
ablaze
were
the
in landlord's
summer
lights
decks.
landlord's
on
of
New
underneath
and
and
R.
Stockton
of
living
showing
swear
has
as
man,
"
Trinity.
Old
weaknesses,
simper
by
social leader
York
supematuralism,
spook
Ghost.
is invited
who
reporter
play poker, dance,
Prank
drolleries
the
the
some
singing
gormandize,
do.
and
stay of
passed
since
has
learn
They
The
night, anchoring
one
the
on
out.
her
foibles
Ghost, where
'
sits
as
rum.
who
"
human
to
held
tells'
gossip and
used
that
man
After
that
say
tasted
spook
in life.
rise from
village specters
village,ghosts
that
spectral banquet
that
sails
very
moonlight
on
of the
noise
Harper
satirizes
head
villagerslook
portholes
there
men
jokes.
the
Her
the
the
turnip patch,
ading
seren-
some
boys
tombstones
being
heads, sailingvery
was
field.
the
the
our
stars,
of
his
storm
the
shows
girlsand
spooks overhead
ghost ship
demoralizes
and
Ship
play with
favorite
the
several
horseman
general good-fellowship prevails.
the
setting
The
his severed
rebuke
cottagers
headless
Hollow
Ghost
their
over
children
with
wellcurbing
the
as
evokes
Specter Bridegroom,
ghosts.
their
Irving
Sleepy
in his
flirt
graves
noisy,
The
humorous
nights,
in
Middleton
informal
such
excitement
in
iii
Washington
ghosts,
phantom
' '
heart-easing mirth.
Ghosts
and
as
The
to
She
ghosts
they did
kill time
written
as
several
Transferred
the
irascible
Modern
112
uncle
of the
who
lacks
charming
the
to
the
occasion
youth
her
to
the
and
of
that
when
the
mine!"
' '
who
cries
The
Matthews
naturalism.
Rival
into
being brought
and
to
the
one
though
there
between
one
Kendrick
found
pf
living and
one
devotes
must
groom,
them.
cases
Styx, where
together
showing
and
would
The
engage
shades
in
haunt
suppose
ghost is
without
Spectral Mortgage.
of the
and
of
house
harassed
the
This
ghosts,
is the
two
record
marriage
and
some
John
the
to
only
specters,
of
doings
house-boat
departed
great gather
discussions, and
various
frequent
more
giving
the
last
volumes
festivities
types of water-ghosts
humorous
The
the
his sudden
by
at
resent
spectral personage.
several
"I
ancestral
who
and
between
on
were
super-
of
account
wedding
didn't,
of humorous
squabbling
between
various
are
Bangs
the
'
continual
and
"
sayings of spooks, describing parties in
and
on
ingenious
wedding
I have
instance
the
by
stories
ghost
instead
you
comic.
companionship
one
has
sigh, whispers,
bridegroom,
young
The
in
is
later
he
ghost
Heaven
to
being the
enforced
heir.
brings about
several
title,since
invention
to
wish
he
a
that
die
to
to this is also
has
to
expected
melting
Ghosts
spooks belonging
else's
somebody
"I
out,
On
him
to
girl,
proposal
thinks
make,
to
ing
wait-
the
the
hear
announce
was
sequel
Brander
elevation
be
Madeline,
And
yours
am
to
may
man
lover
whereat
to
trying
was
comes
and
of the
waiting
young
you
are
departs in high dudgeon.
specter
got his transfer
"What
the
on
The
way.
you?"
to
say
undoubtedly
embarrassed
speaking
to
ever-
in
breaks
and
by her,
desperation,
nothing
been
has
in
and
ble
porch railing,invisi-
the
disconcerting
most
I have
for?
who
in
last cries out
at
man
inaudible
girl as
conversation
his feet from
suitor
young
audacious
The
propose.
ghost swings
present
terrifies the
MadeUne,
to
courage
Ghosts
lands
of
person
thought
to the
spooks.
than
one
subject,
Modern
for many
Ghosts
writers
have
sharpened
be
from
the
113
their
wits
the
on
comic
haunt.
As
has
may
made
seen
perceptible
apparition
is much
The
up-to-date spook who
mind
than
and
early type,
is much
the
knows
better
illiterate
the
of
The
the
ern
mod-
to talk
inflict
things
over
of the
psychal
He
past.
than
variety.
more
labyrinths
to
ghost
personality
much
adapted
specter
in
chance
the
psychology.
shows
has
and
James,
mentioned,
complex
more
crude
William
in
progress
the
with
examples
man
hu-
terrors
evolve
can
mental
can
tortures
a
downcast
of
to-day
amuse
Stories
Gothic
the
in
There
are,
them,
but
that
This
he
rules
of its
little in
what
to
him.
The
use
in modern
the
too, is dying
occasion
Gothic
for
for
parents,
of his
like
is
body
an
here
incentive
may
be
on
because
valuables,
were
is
since
it
few
that
hence
blithely
longer
no
motive
wont
but
to
that,
The
haunting.
now
put
persons
there
its location
to
the
instances
also
treasure,
to
occasion
It is
or
were
of
dead.
romance.
vanishing
ghosts
concerning
back
of the
of the
one
safety deposits,
mystery
came
Gothic
hiding-place
as
abode
cremation
to
classical
ing
burial, since lack-
fiction, perhaps
Gothic
the
in
spooks
in
keep
to
impelled
the
fiction,for it is
out
treasure
also
becomes
prosaic explanation
their
that
request
Queen oj Hearts
show
between
common
old, if he wishes
into
enter
recent
part.
most
to
return
to
is reconciled
ghost
indifferent
not
appearance.
spirit is less limited, for he has
was
frequently
but
modern
for
could
in
the
over
spectral
motives
he
or
ever,
advance
for
loss of the
earth
the
appears
shown
certain
than
gambols.
decided
principal impulse
walk
to
his
of motives
without
The
varied
by
present-day
new
old.
shades
show
matter
the
and
mortal
it is true,
gained the
the
subtle
more
reveal
is
after
scant
death.
parentage,
frequently mislaid
in
Ghosts
Modern
114
terror
This
romance.
is not
statistics
usually keep
such
instances
do
sometimes
occur.
Ghosts
in
the
romance
observed
the
on
extent
same
requests
take
her
the
Dickens
the
which
several
of
in
who
drag his body

the
and
in
him
the
the
last
the
ghost of
death.
She
is the
author
he
not
her
sees
tell
us.
story is the instantaneous

herself
woman
dress,
'
In
one
The
in the
Substitute.
and
her
One
in
'In
curious
on
sort
A
body,
Idlls
Zulu, the
afterwards,
a
blue
dress,
him
to
what
incident
the
one
in
Island.
his
it
in the
stairs
a
of spectral
Haunted
tiny,
des-
own
hounds
ghostly double,
This
his
fate, too, but
appearance
fatal blue.
the
saw
time
who
own
and
man
afterwards
woman
and
incident
the
ghost of
some
young
marries
presently
does
that
the
him
death,
man's
beholds
man
one
The
spirits of futurity are
spectral snake
destroys
whom
woman
each
into
enters
white
a
' '
it
though
Dickens's
the
scalp
Warning
expedition,
almost
in
crying out,
own.
my
seeing the
that
savage
and
was
hunting
last
used
danger,
fiction
is related
Indians
two
at
influence
to
futurity
as
is
happen.
Specters
presages
story
the Stairs, where
one
"
apparition
the
away,
of
warnings,
"
face
in On
seen
element
Blackwood's
saw
sometimes
in later
lacking
ghostly
the
to make
living against impending
curious
where
Algernon
man
the
to
death, which
murder.
for
man
is rather
these
Man
friend
often
ghost returning
one
trying
The
occurs.
Signal
us
to forewarn
impulse
still
of
is
it does
the
to
affection,
her
back
of their
manner
though
now,
shows
that
jury
to appear
as
case
ties of
asks
spiritscame
the
concerning
often
And
Gothic
not
psychologically
are
who
mother-spirit'
children.
revelations
not
the
by
is still
tendency
simple
to
yet
requests,
spooks, though
interesting, as they usually relate

illustrated
make
to
came
The
formerly.
as
duly recorded,
matters
of later
part
vital
since
now,
petition for burial, which
the
from
apart
terror
important
so
of the
white
warning,
"
Modern
this wireless
hint
of
of the
service
Society
White
also the
The
He
classical
and
A
Beddoes'
active
an
wife, but
the
the
body
so
that
her
beside
the
the
grave,
the
awful
and
impelling
motive
He
appearance.
to,
visible
only
haunted.
different
own
hounds
by
leaving
persons
of
living to
and
and
and
his victim
taken
a
from
for
cotmtry
his
idle
as
body
to
he
on
man
so
the
his
to
stories
above
shape
of fear
objectified as
beside
the
figure that
to
one
strolls
seen
by
interested
only in
relentless
that
country,
on
his
bered
dismem-
as
Detective,
The
sits
and
horror
others
ghost
revenge
force of terror
imprint of
in
streets
so
him,
ghost is both
in the
body
in
even
confront
to
forms,
invisibility,in
in
murderer
rest
no
frozen
various
moned
sum-
secretly buried
revenge
îllustrated
"
guilty,or
pursuits, is
the
in
the
manifestation
apparently casual,
docks
sheer
touch
horrific
real
his
is
He
spiritof his dead
have
The
and
grave
play.
the
may
in
the
having been
phantom.
body
the
The
the
about
him
to
absolutely
seem
his
in
"
from
ample
ex-
ghost of the
the
accusing spiritrises
appears
parts of the
referred
where
call up
to
in
as
principally
are
mistake,
murderer
adds
in the drama.
as
extraordinary
of the
hideous
subjective
objective
portent,
type is in Robert
of the
end
of his victim
of his wife's
instead
death
motif.
figure in Elizabethan
the
magician
such
on
fiction
embodied
of the
instances, and
as
Jest-Book, that
through
ghost story
novel.
example
to
and
news
records
such
appears
large in
back
character
asked
having
The
plots hinging
supernaturalism,
comes
life
to
the
Shakespeare's ghosts
Death's
man
of
in another
terrible
of dramatic
is
of
important
drama,
murdered
hundreds
ghost looms
class.
LoveU
past.
of Avenel
most
link
of the
"Bahr-geist"
the
was
of bad
to
serves
in fiction
Lady
revenge
of that
show
is made
use
Scott's
those
115
conveyance
threatening danger,
Psychical
as
for the
present with
much
Ghosts
at
last
his bed
mattress
at
he
killing
night,
beside
the
Ghosts
Modern
ii6
dead
man
whose
come
back
in
of his
physical embodiment
cold
by
sometimes
and
which
the
through
officer
sailor back
in wet
the
two
the
other
of the
bodies
win
to
wash
story is
turn
of the
revenge
ghost
in modem
of her
than
drama
one
and
remains
the
dead
corpse,
rattle
in forms
varied
more
The
revenge.
in
suggestion
conventionalized
type
dreadful
of the
of the
has
When
dreadful
horrid
subtle
more
who
wife's skull in another
screw
fiction is
the
at
drowned
loved.
newly
ing
strik-
strikes
brother
both
; while
in the
ghostly psychology,
twin
is
one
of lead
times
at
nowhere
sends
girlthey
in oil skins
accusing lump
manifestation,
the
for
roll-call,just
from
slay his
visible
killed
the
Crawford
'
ashore
skeleton
heart.
oil-skins to
him
impersonated
the
spirits
many
sometimes
to
bullet
mysterious
us
soldier
"Here!"
answers,
moment
shows
betrayal
the
avenge
has
He
horror.
revenge,
where
as
unseen,
officer
an
awful
and
to
Bierce
Ambrose
daughter.
animated
mad
rigid with
is
face
most
of
and
of the
forms
of fear.
In
general, the
of power
in
used
well
as
earlier
the
employing
psychology
far
as
ghosts
stories show
modem
greater
limited
were
moved
are
motivationThe
He
needlessly
upon
If he
wrong
done
others
alone.
He
is actuated
'
In
His
Two
They
their
knew
him
The
much
that
his, he
or
modern
in many
cases
Military Executions.
impulses, and
their
Not
far wider
impulses
of
mixed
deserved
with
him
so
he
himself
punishment
haunt
is not
whom
force
connection
ghost
and
about
no
to
range
the
analyze.
to
tried
with
so
reserve
had
that
someone
The
conscience
some
too
those
have
had
motivation.
simple.
difficult to
cases
had
of
complex
more
ghost had
haunted.
past.
by
in many
Gothic
in
earlier forms
that
range
comparatively
was
apparitions of to-day.
motives,
motives
greater intensity
and
his
for
let
considerate.
by sheer evil that
wreaks
it-
Modern
self upon
and
been
within
that
Dark
of
the hosts
in such
who
has
forcing
power
in
With
as
another,' showing
human
in
beings
where
the
and
witchcraft
of
bands
Machen
this
out
holds
side
outlawed
force
any
hostile
The
that
stories
prevent
the
second
interloper
extreme
of the
of
case
whose
man
an
overdose
to
to
prevent
their
loved
an
either
drives
till finallythe
'
The
Empty
after
jealousy
wife
own
call of
accord
from
Here
the
wife
life
the
exceeding
the
man
his
the
ghost
'
to
spare
Secret Worship.
instance
give him
Bennett's
has
who
courtship
most
is frantic
who
suitor
every
abandon
to
in Arnold
spiritof
haunts
and
way
îsfound
"
the
But
ceremony.
to
for
life wretched
make
of the
beyond.
interfering
physician conspired
out
marriage
into
dead
even
"
late, showing
of
over
to
or
the
and
singer begs
House.
the
marriage,
to
the
answer
of their
the
There
society.
common
carried
find
we
opera-singer
him
of stories
number
mischief.
put him
Ghost.
novel. The
where.
elseford,
Craw-
Marion
F.
on
that
act
or
are
even
way,
still another^
or
prey
bravos
man,
emotions
various
In
written
jealous ghost is somewhat

human
same
ghostly psychology, showing
of
of malicious
impulse
an
hypnotic
with
viciously against
Stoker,
have
and
to
spirit of
village in thrall, and
the
and
bring
may
in the
building,
spirits that
spectral bandits
lives
exerted
power
Bierce, Bram
Arthur
bringing
their
certain
Ambrose
are
take
to
horror
the
back
comes
those
is illustrated
This
Steal, where
to
to
believe
us
part
our
us.
upon
himself
have
unspeakable
on
Intent
hanged
others
of
have
itself to
would
weakness
of damnation
stories
man
reservoirs
are
moment
any
down
us
lives
mortality
im-
dangerous
are
manifests
Blackwood
terrible
whose
results
hate
Algernon
all around
gives
those
to
the
discarnate
reach.
that
or
of power
access
117
Death
range.
particularly evil, and
society.
in
anyone
Ghosts
of
or
the
madly
hers
and
kills
him,
man
she
Modern
ii8
loves, which
of
The
by
he
to
humor,
"
than
the
Gray
Ghost
who
and
lovers
haunt
convenience
which
"
inconvenience
Andrew
has
for
pokes
fun
at
perhaps
death
the
cockcrow
enough.
to
and
intense.
cumulative
one
nothing
that
it, so
in his
If
subtracts
adds
the
There
The
of
marriage
of
spook in
is
no
child
and
from
human
there
appearing
and
garments
"
he
Cain
not
find favor
the
shape
The
dead
his
to
asks
in the
the
are
these
but
are
rather
poignant
more
retained
are
with
immortality
of Cain,
Cain
"The
and
the
his
saw
of
mournful
tom
phan-
little son,
Enos.
in
riian
' '
spirit, But
unclean
didst
thy God?-"
is God
of the
In
The
Long
thou
to which
living only.
God!"
'
ridge
Cole-
one
tations.
voice, full of lamen-
sweet
unhappy
Lord
than
revenant
sight of the Lord
another
Psychic Invasion.
winter
ghostly fiction,
terrible
father, "I
uttered
answers,
have
is
but
"
emotion
passions
impressive
to
and
on
terms,
revenge.
more
says
Hamlet,
learnedly
technical
glow-worm
judge from
darker
power,
of Abel
in
may
gives in his Wanderings
In
marriage
a
a
name,
immortal
talkative
spectral impulses
hate, of jealousy and
'
""j the
for the
Shakespeare
little
orphan
an
; the
be
to
materialization, speaking
own
night, and
The
the
frorn
made
out
husband
her
child
has
turned
authors
are
Lang's In Castle Perilous, that discourses
its
on
who
tragedies.
story by that
her
of
spiritual
to other
instances
the
as
sense
greater
no
against his will
woman
be
Comer's
take
to
adopt it, much
that
writer's
Other
A. P
stranger
fiction,such
attentions
her
story !
in Cornelia
impels
asylum
the
illustrated
be
writing vile,debased
to
transferred
in
one
him
is reminiscent
This
may
away
could
there
set
she has
Perhaps
lais.
drive
to
which
and
brutality,
France's
ghosts in modern
comes
than
"
departs.
for appearance
few
who
woman'
de
motives
varying
reference
and
sadly does,
of Marie
one
Ghosts
Chamber.
Modern
"
Cain
the
over
the
after
ran
sands, and
steps of Cain
the
not
One
of
the
during
the
idea
ghosts
for
the
and
that
the
strange
doubles
with
evoke
the
in modem
of advance
double,
resemblance
the
to
in
two
stories
play, where
'
of
is
Wilson
are
alike.
their
that
he
has
duplicate
and
El
slain
cries
Embozado.
explicab
in-
forms
All these
suggestiveness,
one
of the
tinct
dis-
types.
personality,
seen,
It has
by
folk-tales.
with
been
out,
his
better
self, his
"Henceforward
thou
twists
suggested
origin in
of
being
one
different
himself.
tragic story
of
that
Calderon's
Poe's
William
pursued by
man
to
realize
conscience.
His
double, till in desperation he kills him, only
his
sonalities
per-
those
and
of German
germinal
is haunted
man
tense
dual
forms,
have
a
of separate
one,
earlier
Doppelganger
idea, yet much
these
'
the
examples
appearing
psychology
frequent figure in English fiction, bears
to
Numerous
and
constitute
the
over
is
living persons,
complex
in
know
not
It remained
in
memories.
stories, and
uncanny
marks
The
analysis,
elusive
at
Shakespeare's
ghosts of the
into
literature,nor
expertness
personality
ghosts of subliminal
in
detached
safely dead.
his
the
mortal,
I do
Likewise
supernaturally merged
appear
be
death.
classical
in
persons
of dual
cases
at
of
of the
to
late
the
reminiscent
body,
of
personality
double
romance.
writer
to
turbed
dis-
comparative
personality
curiously
permanently
spirits of
modem
of
intricate
dual
to
ghost is
of
psychiatry
the
of
are
in Gothic
all
are
behind
like Abel
was
interesting phases
life and
used
that
mists
"
study
instances
any
shape fled shrieking
like white
rose
projection of his actual
vapory
119
the
feet of him
respect
belief
and
sands
the
stories
supernatural
of
but
With
animistic
the
most
is
specters.
shape
sands.
the
ghost-lore
will
the
Ghosts
art
also
dead,
world,
the
dead
to
didst
exist and
is thine
the
shows
leads
the
to
further
by suggesting
the
weak
than
to
leads
him, Markheim
the
forth
walking
nature,
own
could
writer
than
dissection
in
with
hope
to
been
has
Jekyll and
instance
best-known
this
Dr.
Stevenson's
angel.
physical
separate
express
The
soul.
make
scenes
this
Kipling has given

his
by
His
through
he
found
walked
his
lonely
himself
out
hastily.
in all respects
of
is
man
more
to
given by
double
idea
dramatic
course,
evil
its
The
detail at the
one's
No
own.
powerfully
table.
ingly
seem-
of the
of
The
body
table.
unforget-
man
the
Passage.
as
he
vision
no
haunted
in to
came
of this
of
him
it cast
own
the
form
the End
he
horror
of his
in
tenseness
in story
that
suicide, after which

the
is, of
allegory, this biological
in ^^
the
Except
real."
himself, this
the
this
"When
at
nobler
personality,
the
of
strikingstory
house.
seated
the
of dual
figure slipped silently before
own
to be
Hyde
visitor
tempter,
thrill of suspense,
body,
phantom
own
Mr.
forrfi of
sermon
a
him
lessly
hope-
evil that
the
demonic
be,
it rather
nameless
existence
the
of
will
life is
from
is
sort
in this chemical
done
of the
of this
inexplicable mystery,
closing
back
stranger
The
way
act
his
the
transfigured face shows
tUl at last the
surrender
to
shuddering
suggested, thinking
the
realizing that
Step by step
further.
sin
truth.
of each
involved, decides
and
of self-
him, by showing
to
consequence
despair Markheim,
till in
soul's
offering him
crime
man's
labyrinth
the
by
murderer
relentlesslywhat
him
of
stranger
of
the
through
knowledge
the
tests
of the
person
embodiment
an
him
thyself!"
murdered
hast
thou
me
image, which
this thine
in the
conscience,
examination
escape,
thou
In
hope!
to
by
see
utterly
Markheim
self that
stranger
death,
how
incarnate
nobler
and
Heaven
to
in my
own,
Stevenson's
is
Ghosts
Modern
120
shadow
went
dirmer
and
rose
it
was
haunting specter
and
soul, drives
peculiar twist
of horror
close, of the discovery by his
Modern
of the
comrade,
dead
retina
death.
and
In
the
living
devil, who
person
evil
imptilses that
Kendrick
John
face
with
the
the
to
fullest
and
musician
his
Titbottom,''
he
looks
The
face
shown
are
in her
his
itself
bears
revelation
on
no
mark
at
the
his
end.
face
the
Edith
story of
who
was
horror
places at
once,
in Heaven.
'
Lovers
'
In
The
""
In
George
In
her
Man
'
from
William
Duchess
at
In
the Gods.
Curtis's
Prayer.
also
her
Prue
Hum
and
I.
various
Thurlow's
nature
the
living
the
tragic
represents
showing
statue
by
they
Picture
real
its
on
stricken
own
is
psychological study
seen
phetic
Pro-
between
until
age,
of
the
before
man's
or
the
Wilde's
Wharton'
woman's
spiritualdouble,
in two
of
from
griefs and
relation
Sleep of Auber
White
really is,
to
likeness, while
shame
or
changing
The
countenance.
study
Mr.
pictured futurity.
of this
spectacles
he
face
pictured
painted
of sin
hall.
woman's
of
meeting
as
to
capacity
magic
portrait is in Oscar
supernatural dualism, the

marble
of my
is akin
experience,
strange
face
horror-stricken
in her
the
recognized,
opera
his
where
instance
himself
sees
flees
actual
Grey, that
expressing
an
of
mirror,
Hawthorne,
being and
Dorian
in
to
face
came
the
relates
power
and
impressive
most
human
of
of
of age
revealed
are
bit
symbolic representation
Pictures
marks
in
God,
to
This
sight.
the
through
say,^ "I
double
cleverly masks.
every
Blackwood'
man's
ghost of
self in which
extent,
ghostly
reflecting his image

as
other
his
self incarnate.
ghostly
countenance
his hero
after
chair, visible
the
on
the
on
dead
reveals
double's
showing
that
evil life," and
an
his
has
Bangs
the
evil
own
of Night
living
myself, with
developed
for
is his
opposite and
hours
camera
'
Triumph
the
imprinted
allegory,
standing behind
man
the
by
Hawthorne's
Wharton's
121
photograph
own
reproduced
JuHan
spiritmeets
Edith
man's
Ghosts
curious
of
persons
Christinas
man
who
Story.
Modern
122
knew
him
in each
miles
away
from
bed,
sleep that
"
Distinct
from
bodies, the
subtle
H.
G.
knows
Story of the Late
Wells's
narrative
of
of
transfer
mysterious
drink, by which
of
man's
young
The
Terror
of two
of
personality
old
an
into
The
curse.
by
one
the
his older
idiot
who
of
sheer
back
comes
interloper in
her
Other
Besant;
Henry
by
stories
The
Man
James;
Katharine
Howe's
of
living woman
double
personality
Pullerton
Twain;
Georg Brandes,
this
Achim
the
von
Brentano
'
Elizabeth
In
Queen
Paul's
writings
Amim's
Second
it
of
des
Century
Die
the
Wife.'
Walter
Jolly Corner, by
On
the Stairs,
E. T. A. Hoffmann;
Carnival
Reduplication
of
Crime
in
Con-
Bailey Aldrich;
and
Literature, points
fiction.
in Die
Romanticists,
in Die
the
Wetmore.
Beiden-Waldemar,
comically
of her
become
Stockton;
Teufels, by
the
possess
Gate, by
The
vital
woman
force
Ivory
R.
ling
drivel-
of
and
Fenn;
He
Mehreren
is to be found
Elixire
in
in
des
the
finds
Chamisso's
lence
prevaits first
in almost
Teufels.
Kleist's
WehmiUler.
Psychology,"
out
"It
says:
Leibgeber Schapp'e,and
all
given
neurotic
of Sheba, by Thomas
Bisland
German
M.
Recent
article,"Romantic
in
dies
son
absence
The
are
father's
vitality,his
immortal
Prank
The
tales, reaching its climax
treats
The
in his
motif
expression in Jean
of Hoffmann's
The
of Nineteenth
Currents
of
up
Hawthorne;
Masquerade, by
in Main
Elixire
dead
actually
by George
Gerould;
Doppelgdnger, by
in
Shadow,
Transferred Ghost, by
The
the
the
the
in
supermortally
obsess
to
through
is
describes
grave
possession
inhabit
his
utter
home,
with
necticutt,by Mark
The
the
Blackwood
loses
and
of
result
to
of
power
deprived
Vorse'^
from
jealousy, making
'
inertia
Heaton
Mary
power.
the
brother, while
peculiar
supernatural merging
son
younger
effective.
takes
youth
mind, his personality, all of which

to
the
Algernon
describes
It forms
is
as
man
the
dotard.
of the Twins
natures
insane
the
Elvesham
Mr.
alities
person-
fiction.
tmcannily
is
body, leaving
shell
worn-out
separate
ghostly
and
psychologic study
in two
personality
of two
in recent
appears
one
his
'
one
merging
many
lying asleep in
was
of
expression
train wreck
waking.
no
supernatural
into
he
where
room
the
in
being killed
case,
his
Ghosts
all
It crops
Amphitryton,
in
Erscheinung.
Modern
reincamation
this
motif, with
himself
the
the
to
of
of
study
the
The
that
Return
back
comes
his friend
artist
himself
of the
friend
Feeling this
has
dead
and
In
being.
Granville
the
same
heart
understanding
the
reveal
and
himself
The
and
the
and
beauty
his
artist
alistic
materi-
through
friend
of
part
little
dead
indifferent.
of
his
of
the
who
man
her
existence
is
own
soul
lonely
piece of symbolism,
being
to
wonderful
to which
become
continues
and
sonality
per-
mother
would.
that
wonderful
into
similar
compact-ghost,
sudden
the
the
sweep
manner
Barker's
Fifth, enters
on
spirit has
his
terrible
wood's
spirit. Black-
blinded
knows
man
one
he
been
through
exterior
an
to
world
rapturous
living
that
of the
heretofore
sudden
soul, the
his
promised
through
beauty
of
yield
not
is
dead
and
of death
hour
ago
of
the
example
an
the
long
manifests
realization
is
at
he
as
where
flesh
literally one
are
Morella
merging
living body,
doth
expressed in
Poe's
supernatural
into
child
horror.
ghastly
horror
ghostly
utterly save
"
will
of
"man
death
naturally
story
climax
that
feeble
own
This
is the
unto
nor
123
wife.
its thesis
of his
crescendo
dead
angels
weakness
her
the
Ligeia which
Poe's
suggests
of
of
Ghosts
Souls
has
as
in
the
part
of him.
An
has
It
its
explanation
memories,
moments,
times
records
dead,
their
from
are
us
bliss
past
projections
of
thoughts
into
submerged.
of the
upon
dead
are
the
living, or
from
mortals
actions
of the
their
supreme
the
living
at
the
poignant
personality they
ghosts
prophetic
ancestral
slight spiritual
Some
the
which
memories.
of
which
in whose
These
different
and
of
incarnations
curiously duplicated.
the
reservoirs
are
vital
bring down
may
of subliminal
basis
striking hours,
and
suffering and
are
of the
psychical
stumble
accident
the
on
all around
that
seems
long
type of ghost story is that
essentiallymodem
of
dead
doubles
selves
that
specters of
are
the
future, and
by
obsessed
Parsons, tells of
by
subliminal
feels that
he is his
yet he lacks
the
possessed.
At
frontiersman
no
of
actual.
Arthur
the
sees
Johnson'
and
hears
who
is the
his
double
of
killed
her. lover.
His
leave
bloodstains
as
round
his
wife's
into
which
he
find
his hand
upper
room
he
picks
by
if
Old
her
to die and
have
has
up
alive
lover's
hands
chained
by
before
the
Ancient
In
Mr.
living in
by her
Eberdeen's
waist
her
the
that
so
her
The
the
depicts
the
up
he
cut
skeleton
ancient
in the
cannot
that
of
been
off her
is found
wall.
ghosts
into
waist, and
facts
had
some
goes
her
that
by
and
house, had
he
girl
haunted
she
shut
gray
little
She
same
after
face.
inside
is
to
of the
floor
light the
to
husband
Sorceries
House.
has
Philip'shands
Investigations bring
awakes
shows
around
man
chiffon
gray
concerned.
is fastened
fingers
bloodstained
says
"
having
the
the
She
she
been
off
cut
long-dead ancestress,
"
Clothes
wife
after
man
on
of
scrap
cruel
some
and
He
unconsciousness
modern
memories.
anything
that
cries out
her.
fit of
who
man
his
the
more
form.
and
at
a
the
up
subliminal
around
convulsions
walled
After
experiences in which
of those
save
snatch
accuse
is wounded
they
seem
of
betrothed,
strangely wounded,
obsessed
wall
hand
is
unghostly
vivid
wUdly
own"
falls is over,
Blackwood's
she
his
the
himself
an
case
in
memory
throat.
chiffon!
terrible
the
presents
old
haimting
supernatural
double
own
manifests
he
subliminal
the
pioneer
him
give
fight,rather
makes
old
affairs, the
to
which
this
ghosts of ancestral
sees
forward
existence,
the
military
border
which
one
his
after
scene
prairie,during
setting yet
in
needed,
The
more.
Texas
is
that
manhood,
visibly
comes
that
courage
grandfather, living another
crisis
is
ghost of his grandfather.
self,the
pluck, the
who
officer
army
young
Borderland,
The
clearly distinguished.
are
Francis
He
Ghosts
Modern
124
wood's
Blackburied
Modern
life,of
whole
village enchanted
again the
over
the
witchcraft
psychic doctor,
casually into
Vesin
intense
in
he
that
they
and
past.
other
basis
claims
to be
where
English
figures of Marie
the
daylight
given,
but
these
the
among
and
the
the
conclusion
that
most
study
the
of
ancient
is like
forms.
Ghosts, whether
had
illustrate
the
felt it
so
might
be
the
type.
and
idea
thought
sort
are
is modern
compared
as
times.
in
In
the
some
unlike
some
regarded
to
modern
most
of moderns.
closelyrelated
ers
writ-
saw
power
ghost stories leads
and
of
past,
into
and
The
of later
book
The
instances
haunting
is the
ghost
specter
are
curious
to
no
on
Versailles,
court.
she
Other
sufficient
of earlier
present
subjective,
her
because
ago.
venture,
Ad-
An
daughters
they stumbled
eyes
complexity
simplicity
comparative
the
present
ghosts of the
effective narratives.
most
illustrates
with
and
have
the
The
queen's memories
their
vividly long
and
that
unhappy
and
stories
illusion
at
and
this
In
the
this.
as
the
selves
them-
explained
happening
For
die.
between
teachers
women,
keenly
Such
of
scene
exhaust
to
to
be
of the
ago.
render
to
theory
account
are
again
never
can
Antoinette
before
relived
past
slow
so
sense
magic:
centuries
confused
such
explanation
of the
pocket
are
drops
arising out
over
part
women,
in broad
saw
who
psychical experience,
some
truthful
lived
living
John Silence,
into the
enough
was
Oxford
than
two
offer
of
man
As
ago.
Englishman
said in
and
past
of forces
that
complete
little
two
clergymen,
the
be
the
is drawn
played
story of unusual
by
the
life and
forces
up
not
the
so
That
often
long
vortex
past
may
were
perfect,
the
of
set
they
of
into the
had
actions
strong
tells
125
by
of the
village and
activities
which
case
the
swept
was
Ghosts
as
to
one
the
of ancients
respects
the
conjective
the
previous
or
purely
percipients'thoughts.
Modern
126
Primitive
and
times
the
has
weird
produced
about
'Tis
story.
in
development
intellectual
in
that
ourselves
ghosts
the
of
complexity
and
heightening
supernaturalism
primitive
advance
gradual
brought
Ghosts
thus
are
and
so!
The
than
his
ghost
is
knows
where
The
as
be
of
spook
forbears.
so
he's
at,
and
life
only
Stephen
French
zeal
bled
to
and
been
buried
what
dead
thousand
of any
the
idea
creature,
ancient
their
with
show
are
of
as
are
or
But
primitive
hate.
They
out.
a
woman
for
surety is there
lines
more
Gothic
specter
of the
who
felt
other,
are
he
so
two
for the
just
haunting
of
power
ghost
knew
Gothic
and
only
the
He
that
they
can
adaptability, though
of
the
Gothic
elemental
spooks haunted
was
did
is desired
The
somebody
and
went
one-
not
was
haunt
"
interest
was
spooks.
versatile,
more
of
call to
of
He
later
highly developed specialistsas well.

the
if
ice-pack
an
what
some
kind
any
admirable
an
simple.
and
to
Alps
there
Was
single-track brain.
purpose
hand
in
The
ghosts.
specters of to-day
The
who
woman
glacier spat her

ghosts?
to-day have
of
simple-souled being
some
been
by
tinent
imper-
crossing the
was
really dead?
has
back
ghost ?
ghost-of -all-work
for
of
body
of those
thereabouts
apparitions
than
the
with
to
his
Yonder,
from
scientist
case
thought
brought
man
Hannibal
status
she
or
years
standing
The
after
hardly
comfort
to
Woman
to
wasn't
person
drowned
glacier till the
the
was
ghost if the
isn't
in
he
is
man
out
where
while
latter-day
that
comes
The
in
Whitman,
death
where
the
brings life back
had
Now,
and
presently;
the
instance, the ghost in such
ghost
have
to
instances
Brown,
his
organization
nervous
circumstances
for
as
higher
many
by
Tryst, by Alice
sweetheart,
In
distracted
drowned
to
to-day is of
it.
turn
and
there
psychology
specter
was
passions of love
the villain
or
villainess
Modern
foil them
to
their
in
misdeeds,
past
ghosts
and
these.
Hke
They
what
do.
mortals
motions
and
psychology
them.
with
They
They
needs
ardent
tempered
love,
conceivable
The
spirit who
wants
to
help humanity,
hands
back
returns
be
tend
to
fiction
wash
to
of the
for many
up
the
Though
the
form, the
lease
and
the
that
terror
human
tales.
mind.
the
undiminished
has
mines
been
and
new
of horror
will
of
the
hard
type.
shifted
of
specter
sends
its
as
malice,
of
its center
of
the
increase.
say,
yet
On
the
we
new
English
tive
representatime
some
past,
one
to
over
say
may
will
story
untouched
on
lost his power
never
within
in that
the
of the
at
Gothic
are
between
pen
to
interest
since
story
most
in
concepts
instances
ghost
perhaps
to
has
even
from
the
yet remain
be
all
sort
that
recently taken
ghost has
of
force.
their
turn
influx of stories
future, it would
exhaustion
has
Judging
popularity
of
philanthropic
new
new
modern
almost
side
The
motivations
compound
short
ghost story,
each
on
the
novel
are
American
writers
write
Honors
George
socialist
the
of
is
of the
more
handy
read
to
as
ghost of awful
basis
to
supernatural
of life.
the
The
narrative
novel
many
much
as
the
among
years,
ghostly
gravity from
times, and
are
the
on
of
do
dishes, the little shepherd lad that
sheep,
only
human
friendly visitor
supernatural.
explained
evil stored
the
the
the
the
scale
world, the
convert
magazine,
and
Billy Sunday
to
the
as
hate, gratitude, and
wants
reads
modern
friendship, curiosity,
revenge,
impulses.
the
to
activity
subtle
by
ghost who
that
of
whole
one
actuated
are
heroine
or
But
van
the
and
mischief, vindictiveness,
other
the
run
hero
for
sit-by-the-firejobs
such
in
punish them
or
interpret their hauntings
to
jealousy,
chaperon
emotions
Meredith.
designs
the
keep
to
127
over
satisfied
not
are
wicked
hovered
or
advise, comfort,
Ghosts
continue
Certainly
there
What
later
times.
for
writers
of the
fear
for the
do
not
contrary,
ghosts
in
fiction
becoming
are
Malthusian
too
fond
for
"the
for
the
of
slow
an
give
the
function
to
mortal
but
him.
We
love
ghost.
We
towards
specters is much
that
Ellis
Ghosts, who
Parker
sees
like that
world, an' all de ha'nt
in de
in
Our
titude
at-
little black
of the
of "all
to
substitutes.
in him.
believe
terrifyingarray
love
willingly give
not
tells about
Butler
content
we
spectral
we'll
the
out
are
plane, but
one
plane through
the
up
on
we
are
them,
surrender
to
ourselves,
For
We
them.
finger tracing
frozen
joy.
another
on
by phantoms
if the
wonders
one
affect
in time
not
of
awesome
present
may
boy
touch
that
numerous
being fooled
adventure
We
so
theory will
spine" is
up
Ghosts
Modern
128
Dey
Ain't
No
sperits in de
de
world, an' all de hobgoblins
in de
world, an' all spictersin de world, an' all de ghostes
in de
world,"
out
come
to
bring
fearsome
to
message
frightened pickaninny.
place
he
like
wet
hand
An'
lay
he
like
ob
de
ain'
that
de
hand
feel
ha'nt
head
ob
cool
ob
ob
li'lblack
what
he
an'
Mose,
an'
day,
turn'
Bloody
name
li'l black
de
Mose
he
he
white.
he
Bones
hand
feel
say
ghosts!"
no
ob
one
ob
on
terrified
alone
de head
on
in de
head
side
so
an'
Mose,
de
hairs
whut
de
on
head
ob
li'l black
white.
de
on
li'l black
he
SkuU-an'-Bones,
heejus sperit whut
"Dey
say
big
de
anudder
yunner
ob
old
name
ghosts!"
on
ain'
An'
head
he
monstrous
turn'
And
de
toad-stool
An'
hand
on
de hairs
hand
"Dey
Mose
ghostes, whut
ain'no
one
An'
de
an'
rag,
"Dey
the
ob
king
De
no
ob
li'l black
he
Mose,
lizard, an' he say
Pa'm
Moldy
name
an'
he
hand
place
he
feel like
de
ghosts!"
through
youngster
night
and
the
assembly.
is loath
demurs
to
go
to the
Small
up
to
demand.
wonder
the
that
loft to bed
Ghosts
Modern
So
ob
he
when
li'l
he
"I
black
mouf
he
he
rub
skeered
wid
erlong
you
Whut
skeered
you
ghosts?"
no
Mose
an'
ain'
"Git
say,
ain'
day
An'
up
she
ma
129
ob
he
de
an'
Scrooge
an'
eyes
he
he
prisintly
whut
ghosts
twist
an'
he
say
right
ca'se
am,
dey
pucker
low
ain'
ghosts."
"
Den
whut
"Nuffin,"
"but
Jes'
jes'
lack
am
say
feel
white
you
de
kinder
folks.
skeered
li'l
black
oneasy
Jes'
ob?"
boy
'bout
lack
ask
whut
de
white
he
ma.
he
ghosts
folks.
name
am
whut
Mose,
ain't!"
no
IV
CHAPTER
The
GHOSTS
but
Mather,
his
fair
the
form
soon
be
He
that
been
for
sporadic
is almost
cling with
cold
shoulder
believe
"
reversion
and
to
The
demon
literature, from
nimble
the
titanic
topheles, passing
in
short
later fiction.
in
as
We
Dante,
human
as
of
has
seen
superman,
him
as
as
forms
an
to
to
and
loathly,
intellectual
ton's
Mil-
Mephis-
impressive
our
in
legend, the
mocking
not.
are
novel, in poetry,
being appealing
130
an
the
supernatural
of folk-lore
been
to
ists
modern-
devils
allegoric, symbolic,
has
demon
turned
many
monkish
save
seems
various
Goethe's
and
epic, the
have
in
nature-devil
He
the
drama,
story.
demon
and
the
into
fiend
that,
mind
and
himself
scarlet
epic, majestic Satan,

figuresin
human
are
mind.
familiar
but
in
daemonic
his
less in the
and
disported
and
imp
ghost
of
added
old
least
probably
state
modern
the
human
all, ghosts
has
the
The
to
will
devil, perhaps because
the
in the
more
after
form.
fondness
as
have
fact, they
at
late, with
type,
to
we
In
htunanities
and
Now
Satan
merely
of
inverted
romances,
our
Cotton
said
to be
scarce.
are
in
Burbanked
removed
new
need
easily recognizable.
vanished
would
devils
extinct
so
characteristics
'
plenty,'
English fiction.
solution, identified
in
has
is
Allies
are
saying
but
become
to
His
devils
present-day
ghosts in abundance
bid
but
few
are
to fit
and
Devil
satiric
ter
charac-
and
the
brutish
satirist,
sympathy.
He
The
has
Devil
gradually lost
He
is not
he
in the
heretofore, and
is
so
In this
with
he
set
forth
the
chapter
his
undoubtedly
Ahriman
of
the
other
of
Zoroastrian
invokes
him
Thou!
Atild
has
The
in
to,
answers
to
Persia
in
the
the
classical
Darkness,
to
is
aliases,as
Pluto
Address
say
and
about
various
of
he
originated, yet
title suit
and
De'il
by
Burns
Satan,
himself
Nick
"
Cloutie!"
or
in fiction
thee,
diverse
under
Black, and
he
is
so
forth, but whatever
known
in
astonishing adaptability made
Lucio,
the
land
every
names,
Prince
Lucifer, Satan, Mephistopheles,
Man
hard
first families
our
Prince
whatever
Hornie,
manifested
Demon,
as
be
devil
system,
his
reference
thus:
"Oh,
He
In
with
later division
under
appeared
titles.
in
the
one
mythology, Satan, Beelzebub,

many
as
close
requires
discussed
theologically in
has
He
b.c.
900
year
born
to
it
It would
where
belongs
been
will be
and
figure
presence.
home.
own
which
to
his personality
appear
that
earth, while
when
certainty
have
devil
on
in
his
prove
does
human.
extent
impressive
so
ambiguously
seen
said to
not
he
his appearances
will be
past, is
131
become
the
to
now
when
to
Allies
epic qualities and
times
at
literary analysis
to
His
present in literature
known
was
his
and
and
has
at
home
in
and
his
himself
he
name
with
every
literature.
devil
The
in
appearance
him
his
as
has
later
ancient
by supernatural
by
so
costume,
cloven
hoofs
whom
anyone
of
in
was
could
it is hard
early stories
he
lightning
and
and
He
red, sometimes
He
form
that
sulphur.
diaboUc.
and
In
thunder
sometimes
indubitably
literature
self.
strong smell
his
changed
dressed
horns,
wore
identify
to
heralded
was
accompanied
in
character
black, but
in
a
forked
for
devil.
Now
always
tail, and
generally unprepossessing
know
of
manner
creature
his
r61e is
The
132
not
typical and
so
evening
aii
tell the
been
devil
from
mind
of
interesting
been
engrafted
very
slowly and
soul
for
Many
The
the
by degrees.
be,
diabolic
element
an
for
me
bucolic
The
in
devil
of
enemy
brings instant
Yet
the
dullness, less clever
the
closely related
to
nature.
surplus
or
his
wrath
of his
stories
anything
plain that
and
springs
he
sometimes
of
the
one
of
nature
Hornie.
the
might
be
to
clinch
him
the
wont
devil
have
hoof
by
Bit
Mountain
In
general,
to
the
of
biting
in
any
off his
down
hard
so
would
drinking
with
very
come
cloven
annoyance
landscape,
of his
cursed
of
as
work
to
pique
fond
is
English folk-lore,
stamp
them
attributed
devil
might
was
mention
"The
he
He
Devil's
instances.
him
print
leaving
as
lies
He
phase of literature,
shows
prankish
rich
legendry
folk-lore
on.
was
him.
least
by disturbing the
vexed
showed
mountain.
in any
He
imprinted permanently.
pure
than
rustic
branches,
Celtic
energy
of
easily imposed
gullible,more
upon
the
from
response
devil
shows
tempter.
thoughtless expletive, such
"
If
and
utterance,
likely
monkish
tireless
devil
us.
folk-lore
in the
out
nabbing
to
any
"
many
down
unwary
iE
especially
of
chance
as
souls,
round
hang
English
here
have
the
legends
any
bargain.
us.
would
of
sort
devil-myths
In monkish
who
person
as
Pit.
Christianity, to fade
come
of his name,
to
of
legends have
wait
and
ideas
of the
religious dragon.
and
pagan
monkish
as
more
the
has
He
story.
devil
of the
difficult
warningly
reeks
satyr
how
note
upon
modern
the
appears
the
of
on
study.
take
hero
wears
parson's robe,
it is sometimes
conceived
if need
years,
field for
in
to
energetic
an
and
He
declarative.
so
gown,
mythologic
It is
was
not
longer
no
Allies
His
ease,
the
and
combination
garb
equal
medigeval
and
scholar's
with
deodorized
The
his
suit,
hunting coat,
to
Devil
be
out
of
sulphur,
and
section
out
Ireland
being
peculiarity of
activities
of
Auld
The
devil
The
word
of mouth
must
worm
always
was
not
his way
that
one
Luther
querie, the
in
display
in
hurled
the
monkish
racial
tradition
folk-lore
of
is in the
and
poems
and
naturalism,
and
more,
literature
the
Satanic
modern
has
Dante
doubtless
The
had
and
honest
sympathies,
our
writer,
"
say
showing
weakened
to
he
him
of
may
so
reflecting the
certain
intellectual
kinship
power.
super-
reflected
it
Milton,
shadows
interest
in
here.
shows
his
own
devil to repent
Browning,
Mrs.
,
in Lucifer
pitying
to
heart
makes
in
appeal
some
Milton's
She
kindly
impulses
misdirected
yet.
shows
have
Gothic
epic
of
it is
that
long
revival
ofttimes
do
and
Dante,
cast
it
find
we
the
has
is still hope for the
of Exile, likewise
her Drama
with
that
time
have
to the De'il
by suggesting that there
trusting
that
its effect
though
devil
the
by
recent
comic
But
that
While
touched
Goethe
in his Address
Burns
heart
fiction.
stories
characters
and
Marlowe,
Calderon,
and
his maker.
of the
in
pranks,
devil-production,
since
In
souls, in rustic
seriousness
fiction.
lightly
merely
creator.
waggish
and
concepts
the
is to
Man
is not
for
mirrors
of
modern
but
was
romance
who
in wait
dramas
dramatic
greatly influenced
grotes-
In his appearance
one
with
the
devil
he
humor
well, reflecting his
personal aspects
epic
these
to
image,
adversary
an
The
largely anthropomorphic.
popular beliefs,he
great
more
and
later.
plays reflectingthe mingled
elements
over
works
then
besides
plays, showing
sardonic
own
as
Since
him
upon
by
folk-lore, but
general.
that
rollicking buffoon
miracle
is
in his
in
miracle
of
devil
devil
but
personal
the
rustic
or
of
sort
round
his cloister wall.
against
in
133
handed
being
emptied
important
more
the
creates
with
legend
been
Allies
pushing, forward
literature
beginnings
literature
the
into
frequently
seen
been
content
have
His
and
in monkish
ink-pots
many
is
has
he
so
person,
Devil
of
Satan
the
yet
Gabriel
The
134
Devil
Allies
His
and
Such
Which
standest,
rounds
Thou
A
thou
as
shalt
the
be
down
And
ideas
of
in
shows
He
is the
devil
Fisherman
he
soul to the
in
young
pale, but
his
and
weary
the
unthoughtedly
the
of
utters
time, the demon

rides
and
with
the
devil.
He
has
his
figure,and
the
bored
afternoon
devils
Grey
in another
is
Scott
'
tea.
Wilde
The
patience
shows
us
'
manner
fisherman
the
the
fiend
the
usual
of
droop
to
lone
little
some
The
face,
alertness
Damozel
of
for
ness
silver har-
proud, disdainful
Blessed
of his stories, and
at
man
mocking
Picture
an
red
of Dorian
of diabolism.
concept
in
of
sort
the
jennet with
the
seemed
He
listless
baffles
velvet
strangely
flower.
a
who
sell his
to
was
When
unlike
weariness
blasS
sad
his
wishes
in
The
darkness
face
red
that
Wilde
suit of black
toying
still with
away,
in
proud
prayer
mounts
of
that
saddle."
Oscar
kings
symbolic story.
his
proud
"I've
like
prince
His
his
figure, whose
says,
how
in
us
leaning back
pommel
he
And
dressed
like
Byron
as
face."
when
The
man
lips were
terrible
fisherman
one"
an
thoughts engraved
to
fashion.
was
is
sarcasm
"
devil is
Spanish
such
He
Soul.
the
is, like Caliban's
of Judgment
his immortal
picfUres
his
good."
from
knows!"
and
to
appears
with
diabolical
below, God
enough
distances
on
"
despair
mark
unfathomable
wrath
wrath
Maker's
gloom,
to
be.
to
light
drear
all souls,
to
"altogether
and
Eternal
with
Vision
himself
"Fierce
work
whence
the
out
Setebos,
conceived
cut
Idea
all ages
devil
in the
melancholy
measure
Byron's
pale
rebel's
an
monumental,
Seen
"
sin,
of the
"Angel
Talisman
Legend of Sharp.
puts
story of descent
from
the
The
Evil
One
in the
spiritsof
by
he
hideous
gained
whose
are
disdained
even
to
clod
heard
have
false.
We
those
at the
earth
of
us
trust
and
the
sage
Origin
of
Good,
to
us
one
will carry
The
the
you
many
who
are
the
on
of
fair tresses
your
miles
to
It is
to those
the
of
Source
of
safety
the
only
not
but
thy
of
Evil.
let each
give
fealty, and
we
where
you
may
his ministers.
and
the
accept
mayest
invocations
death;
of
homage
do
true
are
in token
place
fire,
vengeful only
We
the
my
persecuting.
is called
eve
sister
Thou
man.
wisely worships
which
seven
I and
to
generous,
heard
and
offer
and
become
the
brides
of
spirits of evil.
devil
speaks
in
good
in
meets
the
obvious
though
I have
you
only hand
for
and
says
farther,
In
Red
to
word
for
the
wiU
been
helping
that
get the
Gauntlet.
he
Willie's
Wandering
himself.
unknown
teU
me
sair
miscaa'd
my
When
stranger who
distress, the
"If
woes
Scott's
woods
saying,
'
that
and
midst
elementary
Omnipotence,
affronted.
have
Zohauk
to
maidens
The
his
but
from
defiance
bid
when
Mithrasp,
hair
of
out
the
eldest
world.
it is called
kind
we
sisters
your
of
nature
that
father
subterranean
created
In
the
to
cruel, unrelenting, and
by
us;
the
brought,
is rent
earth
two
himself.
are
immortals.
says
feed
of
beauty
of the
Zohauk,
to
part
the
command
insulted, cruel only
and
cruel
the
who,
when
You
the
leader
because
as
are
of
king
of
of
league with
become
to
The
appear.
brethren
legend
manifestations
Cothreb,
am
the
had
appeals
of supernatural
135
Saracen,
sisters of wonderful
seven
men
Allies
daily sacrifice of blood
that
loveliness
young
His
of the
formed
serpents
day
and
mouth
evil who
which
One
Devil
receipt
due
go
to
in
the
The
to
him,
the
upon
am
also
gudesire
sympathizes
grief, I
freends."
would
the
offers
your
Tale,^
with
help him,
that,
one
world,,
gudesire
am
the
tells his
gates of heU, and

which
the
hos-
The
136
pitable stranger
Scot
canny
wins
gloze
to
shown
his
sins
marked
novel, The
anxious
sympathy
agitated
mind
his
as
charming
and
seems
the
fools rush
Her
"able
to
do
so
notch
rather
made
The
How
by Marie
Corelli
and
the
devil
has
as
appears
"gigantic
human
Satan
he
or
as
to
the
from
turn
passes
lips."
of evil
and
from
all
in
spiritto
again
But
her
to
tion
salva-
own
is
He
man.
that
resists
is backward
fallen !
seem
be
To
to
Mephisto
of
the
of
reading
as
in
daemonic
fiend
Milton,
lures
the
him.
and
eyes,
virtue, yet
the
In
away
to
see
he
bears
comes
his
at
the
presence,
souls
from
good, spuming
with
human
his
him
he
some,
hand-
normal
evil in men's
rabbi
where
hunchback,
setting, though
with
spirit in
Darkness,
seems
by, all the latent

He
away
him.
progress
must
well
He
about
surface.
God,
his
red-haired
being in this realistic Ghetto

sense
soul
brow, cold, keen, steely
clean-shaven
nameless
for every
Walk
Maketrig,
marble
of
hasty
as
that
They
weakness
is Lucifer
what
Cain.
Byronic
ZangwiU's
Israel
of
is not
his
out
characterization
reminiscence
some
Goethe,
forward.
he
some,
lone-
very
According
circles
Her
pictures him
avoid
to
work
to
heaven
indignity!
life's final
shows
of
well
damned.
London
they yield
rhetoric
that
who
martyr
when
grieved
much
Corelli's
wealthy, yet
for the
save
in
than
hero
maligned
do
be
to
nearer
wiles, though
his
Miss
perfervid
would
in crowds
could
get
To
is
theory, the devil is attempting

and
fiend.
much
is
sentimental
expends
in advance
they
This
him.
she
and
persons
that
tendency
where
prince, handsome,
warns
is the
Corelli's
in Marie
mortals
beguilements.
who
he
is
devil, and
humanize
to
the
over
regretfullytempts
to
and
of Satan,
Satan
the
outwits
unscathed.
degree
Sorrows
The
place mentioned.
to the
document,
earth
to
Allies
His
aspect of ;-ecent devil-fiction
over
to
him
the
back
marked
and
conducts
obtains
his way
One
Devil
the
wife,
end
tempter
The
whom
he
be
recognizes
in the
anguish
that
his
Here
with
remind
well
of
us
death,
heart
vassal, the
old
War
Elsa
Parker
but
presumably
from
The
Letters
with
said
be
to
Worship,
up
where
the
them
soul.
the
skin
as
his
over
the
minister.
by
written
Man,
correspondent
His
us
human
souls
they seek
and
body
lost
it,
Stevenson's
Satanic
dignity, yet
Blackwood's
Algernon
in
gigantism
to
date.
to
mournful,
with
him
power
by
in
torture
to
in
hell, shows
in
devil-worship, into which

damn
dictated
Man
Cunning,
to
even
Dead
Living
black
weird
and
causes
how
terrifies
somewhere
superhuman
Secret
and
from
appears
in
man
exercises
grim realism
devil
with
the
servant,
And
Majesty
in
The
extends
shade
to
is in contrast
nature
and
heart
him
mournful
seems
His
human
shows
lightly, his diabolic
so
dark
he
Janet, for
that
jesting that
human
The
lago.
the
to
as
Thrawn
to
he
cold, sardonic
of the
knowledge
is
Stanley J. Weyman's
in
life and
137
There
Maketrig,
loneliness.
fiend
Allies
His
daemonic.
as
of Satan
eyes
of the
Black.
his
at last
in his wild
appealing
play
and
altogether diabolic, and
not
to
Devil
draw
to
One
into
enter
riot
of
living victims,
victim
the
sees
devil
thus:
At
the
end
disappeared
view,
far
A
man.
against
kind
Here,
could
like
some
in
as
statue,
The
and
dark
many
MUtonic
the
the
and
windows
him
beat
mournful,
with
star
the
instances
is
down
its
seems
it
evident
sembled
re-
mightily
soul,
evil.
of
sadness
definite
horrific
spiritual
elsewhere, the
a
of
his
upon
of
powers
emphasized,
influence
that
so
from
into
up
outline
imposing,
radiance
have
to
rose
terrible, the
immense,
gray
seemed
stars, there
glory enveloped
gray
character
The
see
sky, grand
splendor.
diabolic
element.
cases.
the
visage, august
pulsing
the
he
steel-cased
its distant
broken
of
where
room
that
so
in
of the
human
in
such
The
138
has
Kipling
story of
controlled
Devil
by
Subalterns
by
malicious
the
among
inverted
ideas
of the
devil
in
variance
its
the
crude
mountain
the
manifested
these
modem
as
J. H.
soul
mind
that
strange
formula
ancient
unburied
by
corpse
the
man,
the
into
and
pursue
'
In
The
Monk
and
action
dead
the
The
torment
or
he
sea,
the
Zofloya.
has
to
the
turn
air.
power
them
fl3mig soul
apart
the
is
be
to
to
as
from
the
thought
Fiona
introduces
that
person
sins
from
away
if the
an
from
sin-eater
fling the
into
of
shape
Devil.
swept
But
lar
particu-
evil
as
the
in turn
pure
the
Sin-Eater
remove
let them
where
powerful
so
The
sin-eater
can
of the
is
appears
tale, The
Gaelic
such
as
that
bears
drama.
time,
soul, embodying
of its own,
Molnar's
symbolically.
demons
evil
of the
Eve,
sin that
He
birth, as the devil
in Fernac
McLeod's
hates
it
gave
materialized
him
that
existence
independent
an
an
commit.
to
the
violence
advance,
tempted
of the
than
woman
crude
fiction
Countess
form
the
effective
and
man
The
the
and
physical strength
distinct
sin, suggesting
have
with
Shorthouse's
liable
is most
committed
by
show
wisdom
hideous
the
invisible
differently to each
appears
with
keeping
stories
instances
devil
is in
novels
the
or
appearance
fiction, as
Gothic
the Wanderer.
Melmoth,
in
in
and
symbolism
secret
athletically hurls
top,
The
terrible
its
of diabolism
that
and
type
responsible
of money,
tyranny
more
are
fiction,as in
are
of service.
is
diabolism
of
demons
the
value
stories
enginery
from
yet
of the
of
fiend
officers
army
in later
creations
armies, the
in later
muscular
of
of
marshaling
for the
the
impressive
more
studies
symbolic
Ivan, the Fool, where
Tolstoi's
in
mischief.
allegorical and
The
ghosts
priest, while
native
imps terrorize young
the
and
devils
filled with
ground
evil-minded
an
Haunted
their
of
patch
Well Road,
in Bubble
study
dasmonic
curious
Allies
His
and
gressions
trans-
demons
till Judgment
Day.
that
The
One
of
aspect
subtleness
Devil
the
and
knows
miasmatic
for
presence,
certain
on
in
as
alone
night
night, after
she
on,
she
feels
madly
round
She
seen
is
of
and
the
moral
devil
the
is
a
Clownish
prepared
imps
them
devUs
the
way
Elizabethan
were
as
to
that
than
or
the
"
that
drama
not,
but
stories
one
being
of
is
devil,
embodies
the
are
The
ghost,
rather
in
the
and
their
devils
in
tales
of
comic
authors
as
they treated
wonders
why.
miracle
plays
satiric treatment
late fiction.
whether
the
the
that
long before
humorous
and
removes
and
child
comic
appeared
for the
the
character
frequently.
demons
usually funny
such
find
disrespect,
the
opens
world.
dreadful
we
Arthur
in
daemonic
the
hideousness
aspects of Pan
evil in the
older
with
the
the
revolting
leaves
still is the
Worse
alone!
only
brain
the
on
her
soul, since
soul, and
the
away
levity toward
specter
human
operation
contrast
much
the
enter
whirls
most
science
supernatural
keep
find
found
are
paternity is bom
devils
amusing
of the
diabolism
one
to
dancing
The
them.
Pan, where
unspeakable
showed
the
beside
But
sand, with
slippers in the
loathsome
horrible
pleasant
devil
searchers
takes
of the
which
In
and
dance
labyrinth
someone
of men,
diabolized.
composite
hers;
the
to
impelled
she is not
to
God
but
that
cunning
the Great
all the
exhausted
dancing
lure
secret
knows
hoof
sense,
absolutely
from
more
where
makes.
moon
grasp
suggestive
biologist by
white
stories, where
for
Seeing
she
little
of
Machen's
the
hand
cloven
the
dizzy and
hot
no
instances
way
is
prints of her
mark
that
of the
be
can
of dagmonic
that
irresistible
strange
soul,
the
action
Madness,
Moon
reader
on
the
than
is the
The
smear
in
night in the heart
music
mystic
to
after
evil, a
basis
Pain's
by
139
diabolism
of
incidents
Barry
princess is moved
of
other
no
Allies
is suggested.
evil
atmosphere
that
accounted
the
His
stories
recent
by which
feels
and
The
authors
fiction
liturgical
intended
are
quite
conscious
about
of
it.
could
Nothing
he
perfectly
be
His
hands
two
eyes
clerical
Gynt, who
head
and
similar
Devil
woodsman
an
in
and
Tom
his
had
she
had
the
been
devil, yet in this

of it.
Tom
noticed
they
the
had
many
Tom
his
died
prints
of
plucked
been
knew
shoulders
the
his wife's
as
he
the
sincerity.
the
to
the
black
her
hair
at
search
for
as
man
but
match
have
that
for
had
the
for it is said
deeply
shock
prowess
by
husband;
to
feet
coarse
he
as
him
black
however,
of
looked
with
considered
cloven
of
her.
with
game,
in
Washington
goes
appears
handsful
from
in
with
she
have
found
Tom
generally
instance
must
tree, and
woodsman.
shrugged
She
is
devil
version
in
made
deal
his
and
terrifying aspect,
deal
to
girl's.
the better's
shows
fails to find
accustomed
scold
him
Walker
When
Tale, where
mystery
to
over
of the
modern
contracts
he
woods,
female
worst
about
the
probably attempted
the
though
of
like
claims
offered
though
neatly
was
top of his head.
us
is
shirt
stomach,
Friar's
and
miserly wife.
in the
This
Tom
amusing
keeping
his spouse
She
and
the
parson,
was
huriior
of
Chaucer's
whatever
Irving's The
the
as
his
front
reminds
it off.
to
combination
claims
who
but
his
aspect.
appearance;
very
in
over
into
up
also appears
down
parted
was
personage
claimed
The
hair
his
neatly carries
incident
devil
turned
carefully rolled
Peer
an
collar
whole
of black,
clasped pensively
were
were
This
the
while
cravat,
full suit
beholds
of venerable
his
old
When
he
assertion,
than
the
Head.
your
gentleman
reverend
on
and
clean
old
more
had
only
not
white
little lame
rash
his
who
demons
instance,
for
"
Devil
the
Bet
makes
of
figure
humor,
satiric
conceited
rather
are
amusing
several
us
Never
Dammit
Toby
for
shows
in
Allies
His
wit, in fact,
own
curious
gentleman
the
their
Poe
his
display
and
Devil
The
140
stamped
looked
of
the
black
by experience.
the
fierce
if
as
signs
He
of
The
Devil
and
clapper-clawing. "Egad!"
have
must
The
had
devil
tough
antics
the
Belfry,
of the
his
costume,
upset
visitant
He
a
in Bon
but
queue
also
is
such
given
hint
though
not
has
The
for
satiric
fiction.
is to
loses
not
already
get the
certain
soul.
his
He
If the
victim
clutches.
trying things of him, but
work
him
to
complaint,
close
the
that, he releases
away
I
twitching
Daniel
the
and
saloons
the
two
but
on
He
tough.
in modern
seen
who
at
seems
hearing
for which
the
souls
of two
thousand
shrewdly
demands
is game,
he
contract,
building and
the
Rather
one
the
everything
in return
on
forfeits
and
'
eats
contract
do
to
Sunday.
his tail in wrath.
the Devil.
too
demon
balking when
thousand
he
not
are
philanthropic
on
eyes,
they
man
demon
no
that
tears
the
The
has
freshness.
of years,
but
churches, carrying
without
he
conventional
devil
cleverly
to insure
gummy
term
with
remarkable
declares
agrees
expression
most
story of
large,
paper.
a
signing the
only that
endowing
He
alive
has
Field
and
woes,
in
them
weeping
wishes, for
he
flesh.
tion,
sugges-
tail is
devil, like the satiric ghost, is
piece of asbestos
man
of
forked
is that
philosophers, when
Eugene
sympathetic,
mortal's
level
however,
habits.
dumb
Heap
The
The
before, having
facial
His
and
ecclesiastic
an
Uriah
and
curious
place.
to dress
in
Dutch
and
the
century
book.
struck
prefers to buy
taste
with
Devil
old
face
by
seen
The
the
of
as
obtruded.
simply
and
style of
of hoofs
of his appearance,
souls
into
sinister
queer
black
feature
Scratch
is
as
ways,
time
cravat
have
the
dead
and
in the
would
"Old
stranger in Poe's
is likewise
stylus and
as
in various
sacred
shirt, a
no
and
envy,
the
garments
wears
himself,
141
of it !"
audacious
Bon
to
curvetting
comes
village with
Allies
said
mysterious
who
to
time
himself
amuses
the
he
His
and
reform
man
than
souls and
asks
do
flies
The
142
The
most
of the
The
recent,
satiric
devil
Mysterious
and
handsome
to
that
that
he
but
is
his
of
thoughts
his
gifted being. This

old
years
that
Marget
but
he
has
that
Satan
he
says
"
"Oh,
The
his
uncle
and
hoped
Does
and
hell.
sense," which
right
He
to
makes
only
to
later
and
choose
destroy
send
fiaith in God,
her
he
figures
them
them
when
mistress, since
to
she
"not
out
with
hell.
says
a
no
clay and
casual
In
answer
that
sparrow
He
where."
every-
comments
Satan
will
an
between
good
choice, that
the
care
falleth to
old
the
wrong.
gives them
the
tended
in-
"mongrel
ruthlessness
to
on
is
man's
inevitably choose
of
says
satirizingearth,
the distinction
have
day, and
business
his
at
sneers
should
him
makes
little
He
this
"
religion,and
tells him
evil,insisting that
by
"
the
they will,"
be
^he has
stranger
God.
it is from
some
oblique humor,
The
no
tropics, who
expresses
much?
"
has
earthly value,
meet
travel
to
says
and
and
"May
about,
satirizes
of
parody
and
all
goes
theological creeds
moral
uncle
thousand
He
Marget
would
mere
generally
is
in the
down
too.
is full of this
book
of any
support.
his
things by
health
monopoly,
so,
your
he
yes,
heaven,
has
drew
her
Marget.
in business
off, and
he
that
hope
uncle
an
well
is very
uncle
"
the
pipe by breathing
companion.
înfact, none
speak of,
only
reads
only sixteen
"
shattered
is in
papa
is the
wills it so, and
he
charming
his
to
property
when
insists
He
Satan
desirable
perennial boy
^makes
"
sinned.
other
original of
uncle
fire in his
mortals, kindles
and
his
since
has
that
family
the
not
namesake.
and
angel,
suggestion, is invisible
a
youth, charming, courtly,

medieval
village, confessing
nephew
it, supplies money
on
novel,
posthumous
Satan, though
is
unfallen
an
of
member
he
striking, instance
most
Twain's
Stranger.
that
name,
the
is in Mark
in
Allies
His
perhaps
as
appears
boys
two
and
Devil
life,
little
servant's
for her
the
and
ground
The
without
the
His
What's
diabolic
old, the
of
the
wisdom
draw
to
One
of the
diabolic
in
or
It is
than
the
stories.
that
Mephistopheles
Hawthorne's
devil
Hardy's
the
to
The
B. Yeats's
the
peasants
souls
the
to
for
he
where
been
devil
to
situation
is the
This
only
recent
he
was
and
once
Countess
of
Cathleen.
the
has
he
and
of
less
it is in
their
food, but
their
that
a
treated
they
devil
from
The
more
may
poignancy
new
it with
miracle
show's
in various
barter
to
adds
of the
the
sold himself
of Ireland, where
demon
prominent.
with
legend in
use
children
appearance
ghost,
Goethe's
power
famine
sacrifice
later
bargain
occurs
drama
the
well
magician.
is
recent
greater
literature
that
man
or
senses.
in
or
waning
by
to
Yeats
so
life
themselves
Faustus
incident
their
leading figure on
stage, but, like

'
vicarious
and
is
soul
own
human
and
"
recent
life,there
with
driven
buy
in
practically disappeared
has
familiar
of
the
This
'
have
This
theirs.
the
to
drama.
soul?
makes
significant
most
sells her
Countess
save
evil, and
be
wonder-working
elixir
witchcraft, yet
of
frequence.
W.
of
minister
could
little apparent
Dr.
of the D' Urbervilles
Tess
stories
the
secure
of the
of the
engage
character
Felton
Septimius
to
^what
is but
Calderon's
or
barter
world
Marlowe's
with
compare
qualities
frequent motifs
immortal
the
such
no
human
charm.
"
own
of
theme
have
We
can
the
one's
minds
great
Yet
power,
superhuman
gratification of the
or
is
of the
earthly boon, long
some
of unusual
He
traits
the
the
of the
wisdom,
falls,just
it fall?"
sarcasm,
boyish
gift of
.struggle over
it.
that
and
it
composite
him, and
to
is that
or
power,
the
with
devil's
theme
might
the
143
"But
seeing
of
significantand
most
Allies
sneers,
and
men
literature
for the
wealth
he
good
geniality,sympathy,
soul
His
figure,yet showing
daemonic
magnetism
and
Knowledge,"
same!
new
Devil
on
power.
the
stage
English drama,
demon
and
was
EUzabethan
vitality now
The
144
in
fiction.
drama
Devil
The
than
devil
is the
Allies
and
His
an
older
is
ghost, but
he
English
in
figure
played
have
seems
to
of the
devil
great
range,
out.
analysis and
The
in
representation
literature
bestiality of Dante's
from
the
the
to
death, he
Faust's
outcry
"She
says,
"Why
eternal
weakness,
soul
human
each
man
we
sees
devil, or is his
own
his
own
man's
image,
fiend, while
in
and
echoing
tion,
ques-
of
uses
again.
evil
in
yet
pitiful
The
great
their
tual
intellec-
The
the
This
Lovers
devil
double.
of the
great
characteristics, the
are
deeply
can
understand,
we
has
one
is illustrated
in
in the
that
in ourselves.
each
so
symbolic.
comprehend"
can
beginnings
Hamlet,
devil.
the
he
concepts
or
devils
racial
terrible
fall, are
himself,
man
says,
not
his daemonic
others
hears
humanity,
that
Amiel
different
spiritmeets
when
downfall
choice
predestined
devil
have
own
studies
unanswerable
free
creators,
figure in Julian Hawthorne's

dead
One
and
evil in
their
represents him, for, as

nothing of which
climax
The
soul's
time, the
the
creates
man
As
first!
"
Friday's
its
of the
of
natures
satiric
the
Mark
introspection, their pitilesstesting
to
writers, reflectingthe
personal
in
of
the
fluence
especial in-
an
Margaret's
sins, as in Ivan, the Fool.
of social
satire
note
diabolic
again
sad
allegoricalimages
Each
the
the
sounded
dignity, their
the
We
figures, in their essential
diabolic
of
Satan,
kill debbil?"
scheme,
are
sorrowful
his
Man
God
not
Corelli's
over
is not
all literature
through
to
blasphemous
of
between,
Mephisto
Marie
echo
Milton's
to
of variations
Mephistopheles
an
the
Goethe's
stranger.
Goethe's
demon,
answer
of
acter
char-
from
Inferno
the
all sorts
and
mysterious
of
God's
of
humor
merry
Twain's
of
ruins, with
diabolism
pinchbeck
in
Demon
sneering cynicism
the
and
in
angel
mighty
covered
have
as
Heaven,
by
where
"
have
one
the
the
after life, who
Some
his
is
great
keep packs of little,snarling imps
of
The
darkness.
and
might
The
Devil
study
be
useful
Wizard
and
in evil
partners
given
mantle
falls
ancient
are
to
the
Witch.
of the
that
them.
firm
have
kingdom,
belief
the
summoning
real
in
in
The
witches,
described
whom
did
as
the
and
name
the
power
the
him
witch
others
Witch
confront
the
of
their
of
Greeks
Meroe,
In
turn
might
or
warlock,
very
believed
from
Wives'
Tale
witches
times
into
men
is
witch,
Old
beasts,
still believe
persons
and
Appuleius,
classical
to
Endor,
Saul, is
in Peele's
some
"
like
of Lucius
power
with
pact
and
The
Meroe
asses
or
that
have
to
character.
have
to
tigers,monkeys,
women
And
Romans.
witch
pany.
Com-
devil, they have
Testament.
the
and
Devil
a
earthly-
writings of the Chaldeans
Metamorphoses
perhaps
thought
were
Old
his
portion of his dark
the
notably
spirit of Samuel
in the
gets her
of
sorcerer
witchcraft.
figure in the
has
made
and
origin in the East, the cuneiform
showing
demon
figures in literature, and
supernatural
145
diabolics is illtiminating
The
in his power,
upon
Allies
all.
us
persons
share
His
comparative
members
Certain
are
of
and
that
give authenticated
instances.
The
is
variously
literature
other
The
in
his
manly
power,
in those
and
In
warlocks
early
was
Gothic
recent
in
days,
a
through
biologist of
general,
may
primitive times
changing
medieval
or
literature
mean
and
the
figure in early
because,
as
has
the
into
he
works
wizards, while
in modern
many
invasion.
is
witchcraft
famous
be
culine,
maswas
medieval
noted.
The
reduced
in
alchemist
of
gradually
the
so
"witch,"
astrologer and
romance
and
most
in
feminine
that
been
fiction,where
and
it should
man,
he
as
common
more
not
magician,
or
wicca, meaning
word
Merlin,
of
sorcerer
later, perhaps
may
art
enchanter,
was
profession has suffered
Anglo-Saxon
which
called,
than
cases,
wizard,
or
sorcerer,
bacteriologist and
other
wonders.
frequent enough
folk-tales,have
become
The
146
less
of
later
fiction.
with
supernatural
amulet, which, put
an
him
dead, revives
if
and
in
numerous
magician
Devil
given in exchange
Indian
the
elbdr
of life.
the
into
Sax
with
sachem
his various
dead
G.
H.
stories
in fiction
the
most
We
the
the
redskin
from
sorcerers
unites
where
penalty
for
the
the
the
of
paw
Adelaide
stories
dead
Weston,
In
hands
The
by
"
really
He
hair
from
must
"
the
the
power
know,
and
by
mat
has
sorcerers,
'
In
his
in
one
in
bolic
dia-
doubt
his
place;
by
that
Magic,
by
all her
of
hair
mat
the
have
Jessie
supernatural
an
old
Indian
and
is shot
the
over
house
uninitiated
great
as
which
wishes
narrative
obtained
his
sorcerer,
that
graph
tele-
curdling story of
three
into
the
terrible
where
chief
Black
claims
In
and
leaves
his
grants
are
wonder-worker
and
Oriental
an
Oriental
exacts
Jacobs,
himself
has
of witches
Talisman.
W.
with
Debts, by Lumley
Red
victim
sent
persuasion,
telephone
the
power;
who
the
him,
his
monkey
changes
Hair, you
'
in
form, for
Examples
magician
W.
strictlytrue
pains.
being given
of
not
by
given
that
for his
claim
boomerang
are
sorcerer
in the
is not
colored
where
done
has
Paw,
curse
dreadful
as
Chinese
another
together
tinholy art;
wrong
he
Monkey's
of
others.
Indian
to
whether
magic
depict
into
man
by Kipling,
his
appearance
The
fiction
such
magician
over
hoodoo
knowledge
canny
Deakin,
to
passed
Kipling and
along with
as
The
medicine-man,
of Suddoo,
House
cerer
sor-
part.
still have
and
of science.
has
ancient
supernatural investigators
Wells's
but
that
old
an
concocted
has
in
stories
efficacy
has
of the
passing
wonder-worker
Fu-Manchu
in
or
the
see
scientific
Rohmer's
terror,
We
cally
practi-
its
loses
who
power,
means
person
Hawthorne
money.
wizard
of
which
but
at once,
medical'
healing by
of
nostrils
the
has
Scott'
power
to
for
Allies
His
in the
SepHmius
tress.
mis-
of
power
case
Felton.
by
evil
of the
The
evil
ones
the
maidens
in
The
wishes
the
be
right
Hence
full-grown
the
by
do
to
and
steed.
his
if he
he
is bom
to
be
and
After
soul
Khaled
of
is
who
is
He
given
certain
and
twigs into
locust
soul,
into
garments
Arabian
an
he
first
at
equipped,
adventures,
The
angel.
Marion
world, like Adam,
and
a
over
Koran,
love
clothed
supernatural
an
the
the
of
changing
many
from
into
of leaves
the
the
soul.
win
can
F.
art.
reading
with
thrall
head.
magic
magically
transformation
armor,
by
man
so
man,
of
147
their
each
story
mortal
received
from
genii converted
to
woman.
is
Allies
His
who
hair
one
Khaled
the
of
and
Talisman,
by
Crawford's
one
Devil
receives
crescent
flame,
took
immediately
Khaled
few
he
And
himself.
minutes
was
it had
aware
life with
is
entered
shows
magician
times.
Not
like
in
appeared
and
have
the
article.
had
it
at
fixedly
and
disappeared
and
body
own
of
brighter image
looked
of
cases
the
disposition
short
witches
for
before
taken
up
its
cussed
dis-
ghostly doubles
young
witch
have
We
largely
She
is
The
result
adapt himself
to
in modern
We
stories
poetry
of
poetic type
the
have
alive
the
and
witch
imputed
poetry,
much
is very
old.
temporary
con-
the
She
bethan
of literature, in Eliza-
romance,
and
figure.
permanent
fake
the
with
influence
the
to-day.
witch,
genuine
of
the
adaptations
modern
is full
of
Celtic
influence
of witchcraft
the
romantic,
melodramatic,
satiric, showing
English
the
forms
of past literature
additions.
to
change his personality with
story, and
ghost; the
hoax
to
various
in Gothic
great creations
literature.
the
and
the
tragic-,comic, and
and
had
his
the witch.
so
drama,
We
the
previous chapter.
conditions
novel
he
of himself
parallel to
in the
has
became
him.
This
The
when
^the vision
"
and
shape
witchery,
is
on
brought
haps
perour
out
The
148
in such
and
poems
Devil
veil
suggestiveness
symbol
hideous
aspects
enchantress
Belle
Dame
Christina
Rossetti's
of
as
On
Rosary.
also
Goblin
Market
Hag,
the
uglier aspects
and
is
falsely accused
either
is
of her
traffic in
Host
persecuted,
and
the
own.
Brown
Herrick's
Comus, Robert
of Fife
illustrate
of witches
types
in
seen
English
fiction,the first being merely the reputed witch, the

who
La
of enchantment.
definite
two
of the
Lay
Witch
drama
peculiar aspect
The
The
Hogg's
water
all her
charm
the
Keats's
while
shows
Browning's
James
The
unfinished
an
magical
contrary, Milton's
the
are
has
Mrs.
The
There
of
of
none
women.
example
another
as
Merci
sans
magic,
possessing
Shelley's fragment
in
as
appears
woman
weird
other
in
seen
mentioned
be
might
the
loveliness
in
unearthly evil; or
of
sense
of Atlas, where
alluring
of
the
beauty
the
Coleridge's Christabel, where
as
Shelley's Witch
a
Allies
His
and
suspected of black
or
else
or
gains what
evil, like the
Witch, by
Granny
Old
James
she
arts, and
who
wishes
by
Young
in Mine
who
Blythe,
woman
hints
chants
as
charm-rune,
"
A
For
so
that
as
the
witchcraft
or
in
young
are
the
witch's
pity
age
pulchritude
and
lovely.
Item
is
is
also, she
ning
figure winor
infirmities.
always
plications
com-
character
youth,
ever
the
in modern
the
and
and
age
of
principal
same,
beauty
She
type
The
she
whatever
appealing
an
of her
English fiction.
her
numbers
in great
usually the
or
hand,"
conventionalized
of her
because
land
refuse
to
being either
because
of average
person
poor
to
highly
plot
witch
sympathy
touching
and
particularly important.
not
of the
known
water
it is found
and, though
fiction,is
on
is afraid
is
This
lay
thing denied
the
everybody
demands.
motif
shall
curse
accused
very
old
else
No
of
and
invariably has
The
lovers, in the latter
two
which
on
and
is
hang
to
not
real
of
witchcraft
the
while
in
and
distressed
innocence,
in late
Mary
and
her
in
toward
to
heaven
in
one
the
propriety,
her
heart
her
by
rescue
than
more
any
occasional
are
real
of the
instances
handicap
despite her
Desireuse, in Maurice
Gai
le
Prosper
young
woman
might
be
in
called
itself.
witch
of
powers
find
We
who
is
D'Annunzio's
girlis
beset
by
F.
to
breathe
the
Marion
magic,
rather
an
woman
The
cruel
excellent
of
real
witch
grace
scaffold
chapters
there
who
seems
Iseult
as
whom
Lovers,
The
hangman.
Witch
of Prague
she
while
for
does
part attributed
most
than
the
Yet
youth,
the
of
and
art
reputed
individuality,
where
of her
black
the
to
example
because
the
intellect.
Daughter of Jorio,
dangers
equal
really touch
the
charm
enemies
not
Crawford's
hypnotism
prayers
their
Forest
it is for the
lamblike
several
and
from
save
beauties
for
imputed
not
novel
late
her
who
problematic witch,
work
undoubtedly
her
weds
times
does
past
from
Hewlett's
selves
themEven
show
do
"
the
villain,the
who-
away
beauty
of
the
with
lover
at
Colonial
rescued
interest
they
of
delaying
faithful
of
romances.
to
carried
of
some
lover
forgiveness
are
pirate, thus
the
In
pink-and-white
tempters,
or
her
disporting
to
sentences,
the
accuses
of life to
These
is
charmed
pursuing
many
breath
die
used
noble
knowledge
dark
only magic
peg
actually executed,
lover
over
her
one
"
by Kidd,
the
protection and
for
breath, who
and
in
chivalric
speak in Euphuistic
defiance
to
the
Witch.
being
love.
her
by
have
the
human
her,
is
give atmosphere
witchcraft. The
who
victim
We
imparting
as
the
failing to win
fashion
to
romantic
unintentionally
the
with
power
succeed
of
Gothic
Johnston
stories
is rescued
second.
fifty-ninth
real
149
merely
frighten her into
to
she
is
Allies
always
not
having
stories
others
She
In these
witch.
in order
novels
His
case.
villain,who,
and
story,
fair maid
love, the
heart
le
Devil
the
charm
young
and
her
The
150
Devil
lonely condition,
to
her
save
and
and
who
fice
tragic heights of sacri-
rises to
death, choosing
from
lover
death
of
murder.
She
actually convinces
others, that
she
has
that
she
has
himself
witch
it to
white
with
save
one
him
save
her
save
fervor
and
him
to
she
well
powers,
of
that
her
to
goes
the
as
believe
no-word
he
death
complaint,
he should
that
penalty
unholy
him
honor, and
with
the
as
by
made
of courage,
gentle rebuke
him,
him
bewitched
his father
slain
did
to
burned
be
to
paying
from
to
as
Allies
His
revile
not
her.
aged pseudo-witch
The
the
than
instance
modern
no
crone
in
being
The
and
who
her
making,
Merrilies'
Meg
is
sibylline figure,
than
more
Scott
power.
was
limned
poem
concerning
Under
the Greenwood
pricking
experiments
with
the
of
the
to
the
neck
Old
might be
'
her.
of
the
a
man
Of
Scott's
Guy
that
butter
devil.
yet
with
wisdom
and
and
that
Keats
he
witch
wrote
and
of the Native.
in
touching
had
by
majestic,
human,
reputed
been
that
Hardy's
her
won't
witchVarious
work,
withered
hanged,
in Hawthorne's
problematic witch,
Mannering.
the
the
Enderfield, in Hardy's
used
are
woman's
Keziah
Aunt
called
Elizabeth
magic
with
personality
Tree, is
conjurer concerning
forth.
her
in
harried
loving hand,
have
is
superhuman
with
outcry,
witch
witch,
and
tried in his Return
is also
instance
of
her
with
impressed
so
individual
suggestion
compact
for
with
accusation
who
problematic
very
persecuted
is
old
poor
famous
here
woman
the
there
tormentors
Shylock's
makes
a
is
her
see
Yet
as
who
upon
We
old
beings till she
human
realistic.
suspicion and
is.
appealing
more
touching
so
of
their
innocent
an
is
us
she
what
main
more
turns
reminds
that
the
of Edmonton,
clearly how
showing
made
that
Witch
witch
speech
because
one,
young
is in
come,
as
arm
consulting
and
so
Septimius Felton
as
the
woman
in The
The
Witch
by
Eden
cats, and
injures
of
she
The
of
or
thrill.
than
Her
under
view,
have
The
warning
old
called, around
a
by
midst
of her
hand,
and
of
according
the
shown,
from
the
the
Robin
as
the
cattle
merely
remain
not
not
gives
deasil,"
mythology,
murder
other
directions
the
your
on
before
knot
his
panion.
com-
craft
witch-
of
the evil
away
Mungo's
in
In
English
evidences
is
one
sun.
his
for keeping
St.
some
^which
"
enough,
True
is
it
as
the
of the
course
does
by tying
gotten.
for-
soon
Drovers
round
possesses
hag exclaims, "Blood
story
same
genuine
propitiation which
English blood!"
young
In
to
powers
are
she
Two
times
three
incantation
joturney'send
her.
who
figure
the
Druidical
walking
it is
with
may
The
Oig, "walking
him, tracing the
danger, moving
influence
in Scott's
crone
but
fide witch,
art, and
she
cat.
conventionalized
less
impressive
an
reminiscence
performed
are
is
Robin
to
of
conveys
companions
black
her
snake
mummy
and
been
youthful
she
toads
over
associated
individuality. Though
in
think
those
who
anyone
black
bona
frequently
imputation of
the
diabolic
her
the
of
number
witch, possessing indubitable
occurs
of
to
three
be
151
great
incantations
not
to
attributes
those
the
toad, and
may
unquestioned
has
happens
calls
trouble
enchantment,
long
of
may
much
causes
she
carcass
Tab
She
through
goes
skeleton, the
'
Allies
His
dreadful
them;
and
servants
and
Phillpotts.
something
one
Mother
Devil
on
their
tails.
The
for
subject of witchcraft
he
Goodman
between
introduces
it in
shows
Brown
the
devil and
congregations
and
in the
the
his
riding
working
their
on
spells. The
others, and
high
in
young
union
diabolic
earthly companions,
of evil in
Young
instances.
aspects of the
broomsticks
magic
of
number
Hawthorne,
their
forest, reports their sardonic
suggestions
witches
greatly interested
the
unholy
sations
conver-
pictures the
heavens
husband
and
sees
in
The
152
that
convocation
revered
^his
"
the
wife,
Letter, Main
in other
Mother
Shadd
instead
officers'
officer,and
that
in
daughter
does
not
and
wed
gives her
to
incident
where
of
Gordon
women
the
Parcae
where
leave
his
girl seeks
but
that
burning
the
Rossetti's
the
comes
magician,
on
death
who
of the
spell. That
d'un
Sogno
seeks
slay
to
unforgettable
Sister
of
who
betrothed
old
her
her
regain his
to
D'Annunzio's
in
witch
inspires
loves
an
bitter
old
she
Dogaressa
for
of
every
The
from
the
causes
wife
"
an
to
washing
understanding
But
in
slave
die,
Eye
to
reduced
her
Helen,
betrayer
image.
who
enter,
as
the
man
man
theme
girl
being
being based
Bottomley's
well
as
seem
of
play. Riding
partake
to
Shakespeare's
fingers,the hound
show
they
they chant
disappear.
the
that
to
in
years.
of
burnt.
looses
the
bat-webbed
approach,
and
be
to
be
take
When
counsel
probably
the young
old
have
the
and
the
the
loathing, the
d'Autunno
by melting
In
it
is similar
employment
will
Evil
The
daughter.
image
rival, both
after
Mulvany
will be
he
will
her, causing him
of
following
Tramonto
in
spell over
with
an
child
only
Pyle's
cast
think
herself
true
Howard
image kills her
her
their
the witch
by
of
comes
him, and
love
that
will
wife
young
instead
of which
mother
to
his
wives
Courting of Dinah
The
being promoted,
of
that
so
word
Scarlet
mentioned
against Private
malediction
girlhe loves, prophesying
rank
drink
Kipling's
in
Sheehy
pronounces
the
in
is
Feathertop, and
Street, and
The
into
enters
stories.
Old
and
after-life is saddened
all his
Witchcraft
of it.
thought
most
teacher, and
Sabbath-school
that
so
has
he
whom
persons
his
minister,
Allies
His
and
all the
his young
even
by
Devil
Fate
wild
marches
of
Lithend, three
of
the
Weird
nature
Sisters.
bays uncannily
supernatural
prophecy
to
knowledge
doom,
swiftly on
as
then
of
of
They
at their
events,
mysteriously
they foretell.
The
the
The
Devil
and
beautiful
young
ancient
that
who
its victim
the
sent
is
curse
of the Cashmere
in
woman
drowns
forgetful of
the
a
other
and
love
of the
of
mermaid.
of the
makes
nature
strong
appeal
of
man's
suggestive
soul.
into
the
'
In
They
They
is
in
pelled,
com-
how
he
The
tion
illustra-
an
spite of the
the
blood, his
their
time
symbolic figures
appear
as
and
him
full
of
appear
heart
Fisherman
and
his
persons
Soul.
to
both
seem
whispers
by
of
their
him
to
Algernon
effect
his hands
with
hurry
promise
at
unlawful
and
cause
is tainted
who
mysterious
his
put
of the
ment
embodi-
visible
the
the
Shakespeare's
of
terrible
Sorceries, by
Ancient
into
largely
enters
they first
village is
The
is
affection.
instances
the
for love
him
sympathy
our
tempt
when
of
and
In
deed.
his soul
other's
as
shows
longing for
show
to
witch, who,' like the devil,
thoughts,
action.
innocent
ambition,
are
utterances
here, for though

are
Wilde'
Oscar
tragic satire, she
of the
from
who
Macbeth's
of
dreams
herself
drowns
away
symbolism
even
Macbeth,
in
in
wife, impelled by
throws
the
this
iniquity.
witch-creations,
evil
After
in other
to
wife's
place.
entreaties,
and
husband,
her
human
win
the
his
life's
and
here
element
Three
her
of
human
undoubted
The
who
man
deserted
around
before.
with
Curse
shawl
understand,
witch
one
rival, then
her
to
the
and
when
takes
Through
shown
jealousy
the
lays
months
himself
damn
may
after,
cannot
lovely
spite
shawl
rare
curse
in The
as
as
are
when
betrayed
of personality, the
young
in
tomb,
woman
done
has
young
dead
she
urge
the
emotions
project
can
rotting in
where
evil
much
her
ocean,
source,
transfer
terrible
She
Months
the
shoulders, the
gruesome
since
more,
153
as
the
sends
herself.
work
across
Shawl,
India
Allies
can
unrestrained.
more
reaches
His
witch
perhaps
crone,
and
wilder
and
selfish
on
the
Blackwood,
night
by
the
of
power
become
human,
that
Sabbath.
rests
The
cannot
Fires
see
from
the
arid
she
as
words
She
into
of
her
into
endless
toads
night
the
songs
sleep.
of the
water
Her
beauty
is
W.
the
a
the
devil
in
B.
Yeats
of the
tall
woman
of the
the
and
demons,
of
the
some
than
and
with
the
to
grows
dreams
of
in
gray
over
her
washing, washing
the
heart.
of
thing
When
not
are
with
dead
to
of his
he
realizes
for
him, he
the
In
immortal
The
of
that
Curse
another
standing
body
the
ing
march-
pictures
is
with
goddesses
forest.
Yeats
King,
stoops
like the
are
who
the
solitude
as
us,
hair, who
shadowy
gown,
her,
height,
in
in
Moor,
for
strange
his home
Shadows,
of
Wisdom
love
at
powerless
form
armies.
the
is
summons
up
and
flame
witches
men
evil,though
and
that
pools in the
the
and
make
with
midnight
Fires
and
say
her
join in the
to do
in her
whispers
he
and
mortal
growing
of which
say
witch, tall and

river
more
simple joys of life and
disappears, some
haunt
in
counter-marching
the
that
The
hawk,
hawk
mystic thoughts
own
several
gray
gray
Zqfloya,
pictured
with
result
spell
supernatural
the
clasped
royal cradle
child, as
is under
body
crucifix
has
comes
from
suggestion
dies, with
Quiller-Couch,
cresseted
Finally
crone
over
like
goes
the
she
feathers
and
devil, whUe
has
sinner
of drowned
of wish
the
possibly
when
body
bodies
follow
to
tion
ac-
generations.
soul
surface
song.
her
and
vipers, defilingthe sanctuary,
and
accursed, yet her soul is innocent

it leaves
that
curse
the
A. T.
whose
Devil's
thought
of
body
un-
gives rich gifts to the church, but
the
to
of
the
woman
sings her wild
floating
come
out
young
eternal
the
ProfitableGhosts by
and
devil.
offeringsturn
when
of the
dance
quality
undying
reaches
witfch, a
cat-creatures,
blasphemous
cease
dust, but
In Old
horrible
subliminal
of
heritage
symbolizes
story
evil, the
that
become
the
Allies
His
curse,
witches,
dance
upon
and
ancestral
an
memory,
we
Devil
The
154
in
a
the
man.
The
As
the
who
troopers
down
the
church
dead
face
his
all
plunge
There
life.
The
as
of sorcerers,
the
show
their
with
darker
powers
relate
curious
animal
world
with
the
or
her
of
of
daemonic
and
Arnold
uses,^
The
on
the
that
other
hand,
supematuralism
'
In his Forsaken
so
suited
Merman
and
to
The
less
Namethat
in the
the
theme
different
Christian
Hans
sen's
Ander-
cailleachuisge,
The
the
witchery.
souls.
The
while
ha\ang
about
their
Neckan.
to
cursed
are
no
much
the
froths, and
with
them
seriously,inclining more
so
think
They
nun
to
follow
quite
not
of the
awe
Dark
is akin
in their
do
since
foam
sea-beast,
witches,
witch,
between
and
have
The
maighdeanmhara,
live forever
earth
tribal
the
ideas.
of
white
as
in those
live forever
though
kelpie, the
the
beings
the
and
of
as
in
The
to
Mermaid.
forces
forth.
story
This
similarity to
lAttle
the
forsake
are
the
is lost.
the
them
in
as
of
of witches,
in
relations
the
soul
spells and
mortals
call
is forced
and
water-witch,
mermaid,
Stories
for
and
elements
essential
the
spells where
showing
tale
the
they stand
McLeod,
seal
natures,
folk-tales,as well
witchcraft,
her
that
treatment,
enemies.
that
those
Fiona
Matthew
that
of
similar
instances
tales,
folk-
the
over
wrath
natures,
of
and
weaving
knowing
stern
and
One, by
sea,
power
special predilection
tense,
falls in love
has
the
showing
English
nature
Indian, differing in details
yet
they
elemental
more
twilight of
in Indian
occur
of
the
against her
American
Scotch
for
before
moment
burned
recognizes in the
collections
most
evoke
powers
collections
in
and
death.
to
woman
can
unholy
of
abyss
155
friars
man
just
"
weird
of
each
past,
feeling
Allies
the
simpler people, the
and
nature
His
murdered
face,
the
strong
ride
witches
are
and
have
own
over
for the
have
Devil
them
the
poetic
with
When
their
dren
chiltales,
folk-
Irish
their
or
of
quota
take
them
faery forms
natures.
of
The
The
156
beauty
of
sense
poetry
so
magic,
and
than
of
We
enchanted
have
needs
introduces
husband
witch
has
been
She
representations
fly out
with
makes
when
"a
bone
constructs
from
man
hypocrisies of life.Mother
to
up
life and
human
The
man.
his
emptiness,
being
we
meet
Barry
Pain
readily into
witch
has
he
one
materials
shams
sardonic
the
one
witch
in
of
humor,
the
poor
and
mirror
painted
his
as
yearnings
and
falsity and
own
than
man,
many
in life.
or
several
account
of
the
his
very
satiric
masquerading
realizes
more
category,
any
upon
creates, with
in literature
is the
or
she
human,
more
dream-supernaturalism,
Exchange
humanity,
when
horror
is
other
her
an
Feathertop,who
and
than
more
of
figure that
pride, his
sermon
Rigby, with
shows
simulacrum
scarecrow,
in
the
parodies society, holds
cynical comments,
her
with
by
of
example
to
leopard
clothes, causing
Rigby,
In this satiric
scarecrow.
witch
this
on
child
trouble-maker
broomstick
familiar
hands
as
cry
When
her
Mother
whose
choking
best
Wallace,
her
dread
woman
laying
was
as
"eradicates"
The
the
reputed
hear, such
to
is arrested
is Hawthorne's
witch
that
Tarn
ludicrous
escape
the
and
by ghosts."
complications.
the
qualities,a
people by
terrible
humor
officer,she
comic
comic
cures
to
to
the
Burns's
in
Another, by Edgar
magician,
cry
night
at
race
witch,
ghost and
of the
recalled, with
be
with
pursued
of
army
of
rather
beauty
satiric
instance
The
to
wild
causing
once
and
humorous
only
of the
devil.
sense
of
are
innate
loveliness
the
gHmpse
Bones, Sanders, and
powers.
them,
their
and
vivid
so
beings
fiction.
modern
description
for
is
they
the
similar
to
O'Shanter
Irish
their
Allies
His
horror.
in
the
that
correspond
of
of
and
intense
even
devil
Devil
stories
curious
the
stories
realm
supernatural
Fates,
one
that
does
do
of
of
woman,
not
the
not
fall
scientific
unreal.
whether
know,
who
The
She
permits
her
pay
One
surrenders
her
brother
baby
manhood.
The
child, who
takes
into
to
bird
lamb
that
be
after
gray-robed
words
the
are
there."
the
thrill of
his
Death
lives
are
here
and
and
that
he
"I
out,
return
will
to
die
find
is
There
evil she
her
curses
where
the
of
exile
the
evokes
will
has
asks
will
to
die
come
the
his
see
And
fallen dead
that
her
from
will
seems
her, but
somehow
home,
witch, by making
as
a
of
creature
good,
the
cake
cries
he
his
the
mates
back
case
of hair
that
to
all
her, that
of Witch
to
acter
char-
conscious
knowing
come
in the
is
name
ness,
tragic loneli-
yet
powers,
and
tells
his table.
across
dark
own
she
her
presently
all
"
instants
when
infinitely appealing about

She
spoken
measures
climactic
kisses
The
future
that
own,
says
there.
the
the
She
and
tells him
if he
him
which
scene,,
meter
seen
She
now.
body
witch.
her
he
kissing you!"
his
conscious
of
he
something
of the
also
After
joy.
lovely
shows
lies
the
sees
shown.
present
phetic
pro-
supernatural
in
life,the
emotion
an
of
story
She
are
free.
set
which
world
and
Past
shows
She
the
man's
of each
of his friends'
him
of
life
the
white
soul
in
the
that
so
in
turned
into
moments,
man's
all lie there.
"
him.
supreme
ecstasy
moments
supreme
of
loves
being
down
saving
that
college study
stairway
to
of each
instants
it, "All
his
of
turned
seen
life and
suicide
of
be
willing
of
is another
in
of
death,
be
to
fate
comes
glass
man
fate
hour, then
silver
woman
the
her
Moments
old
an
future,
man
into
to
fate
tinies.
des-
enough.
purpose
destined
revealed
young
the
after human
an
of
terrible
case
for
himself
his
is
one
pictured future
his
tortured
157
souls their
of fate, if
each
appears
have
fireplace turn
of
mind
of Supreme
dreams.
highest
her
from
witchery,
mirror,
her
upon
dies
Glass
up
crone
girl may
young
is in
Allies
human
exchange
an
girl gives
love, and
His
show
to
price, which
young
The
and
clad in scarlet rags,
comes,
to
Devil
overcome
Hazel,
her
158
The
rival in love,
brings
drives
her
mad.
to
create
humanity
with
seems
in The
curse
the
on
good,
he
mother
Her
demoniac
such
creatures
and
earth
This
of the
case
some
vampire
upon
nor
the
impress
is
upon
out
an
vampire
Asiatic
English
at
to
the
to
nor
devours
drains
the
note,
human"
the
literature, while
the
and
there
by
is
that
for
has
and
Poe, "neither
quote
and
as
sympathy.
yet
blood
the
them
our
midnight
been
devil, a certain
same,
He
creature
fiction,we
the
from
and
closely related
being,
brute
graveyards.
in
ghoul
ghoul is
stealing
corpses,
appeal
considered
force.
studying
humanize
are
that
between
mind
and
to
ghoul
neither
woman,
dead, while
the
are
The
banquets
The
and
authorities
distinction.
man
tendency
other
beings
In
English
that
and
literature
human
ghost,the witch,
characteristics
give them
in
suzerainty.
alliance
literature.
beings
leveling infi'uence,a
The
in
natural
super-
possibilities,they
other
the
the
to
in his dark
unholy
an
fascinated
of these
his
human
dramatic
and
nor
given
are
share
fiend
of
astonishingly
appearance
the
fiction
to
idea
hell, has
reflected
in the
the
Sunken
always impressive.
werewolves,
as
possess
given interest
early times.
is
acknowledge
well
as
with
compact
Hauptmann's
spirits that
and
mysterious
Closely related
ghotds, vampires,
animals,
through
have
him
by
include
Since
diabolic
certain
of
altogether human
^Vampires.
"
power
in
strange symbolism
Spirits
the
typifying
evil, neither
nor
minister
himself, achieving the good
old Wittikin
the
as
good
Daemonic
are
of
says
Maule's
spiritualshadow
is sometimes
witch
evil ; sometimes
meant
supernatural.
These
the
Yet
casts
harry
to
Matthew
as
Gables
of Seven
House
Bell, neither
force,
loose
him
turn
imagining
dark
each
and
lover
kills her
that
act,
and
unceasing
nature,
devil
evil
demon
Allies
His
tempest
on
Mephistopheles
as
and
Each
a
home.
where
Devil
feeds
loathsome
flesh
of
the
left but
of
the
living.
slight
vampire
has
The
been
back
to
definite
in
vampire
in
still shown
vampire
is
sacrifices, of
cannibalism
is
as
of
living in
the
is necessary
vampires
in
life had
of various
dead
The
extended
The
Greeks
The
but
that
and
belief
it did
in
in
the various
popular
devil, and
and
as
The
the
Vampire,
The
Vampire,
and
Vampire Bride,
The
vampire,
Vampire,
Le
or
has
has
story,
as
on
the
in
the
well
as
as
show
the
on
ghost, the
the
Dorset
the
been,
hold
English stage.
in
two
acts.
(1821),
Vampire, by Alexander
the Bride
here
stories
The
well
John
England
figured
melodrama
St.
Europe,
in
its ancient
as
death.
it is evident
short
appeared
anonymous
play,
central
vampire
and
and
young
their
to
legends.
tragedy by
wolves,
were-
Greece.
of
foothold
same
The
novel
witch, has
an
casts
out-
East
beautiful
in
strong
operas,
medieval
mind.
to become
way
men
young
aspects of the belief and
The
phre, and
vampire
literature.
poetry, in the
folk-tales
tain
Cer-
animals,
by
thought,
gain the
several
for
to
which
blood
general in the
continent, though
influenced
inspiration
drama,
the
on
night
by vampires,
certain
as
was
lured
to
vampire
at
the
attacked
particularly
was
seemed
never
has
it is
lamia, who
woman,
The
others.
of the
thought
human
of
suicides, witches, wizards,
well
superstition
Europe,
to
of
savagery
liable
especially
be
as
as
drain
in
Perhaps
revolting existence.
to
lizards, and
vampire
like.
one
tourists
survival
the
own
been
kinds,
and
the
to
sleep and
such
death,
at
who
persons
their
twelfth
of them;
spirit issuing forth
thought
were
persons
and
prolong its
to
back
goes
and
the
vampire.
animistic
evil
an
stories
of
grave
an
of
Abbey,
goes
Chaldean
on
Newbury,
Melrose
159
superstition
to
several
the
and
times,
attack
of
superstition
thought
Allies
vampire
relates
burned
are
remote
The
William
England,
was
Ireland
His
times, being referred
tablets.
century
and
motif.
ancient
Assyrian
the
Devil
The
Dumas
of the Isles, by J.
R.
The
i6o
Planche,
The
1819,
Vampyre,
the
"
where
write
written
story, like
Polidori's
principal character
of
Earl
there
that
his
be
body
fall upon
can
In
silence
made
of the
earl, who,
society
the
as
by
be
hurried
the
is
the
It
destroyer.
had
they
admits
is
Byron
for
theme,
to
seems
used
in
the
has
he
brings in the
from
who
God
punishment
of the
in
various
life
were
stories.
been
have
addition
he
from
other,
of
French
of the
productions
the
author
novelette
victim
these
of
ceremony
in the
the
the
if
or
drama
play,
but
get his?
Polidori
did
material
the
play
the
The
he
victim, hence
imitated
which
whom
to
new
which
of
turn
requires for his
girl becomes
the
nature
peculiar
father, but
source.
his
getting
where
bride's
common
In
planned.
of
pledge
dead, is ravaging
women,
a
moon
vanishes.
diabolical
the
the
young
asks
man
rash
case
of the
rays
vampire
question
dying
of
case
demands
first, and
written
was
of
and
plot is finished
each
each
mysteriously
from
masculine
the
last
discovers
In
He
wedding
the
risen
In
its
the
Ruthven,
the
complication
blood
married.
Lord
where
for
to, has
vampire.
then
that
man
the
interrupted by
is
is
having
is that
subsistence
the
corpse
vampire.
story
must
The
story there
each
is
placed where
it.
referred
play
death,
supposed
to
Shelley writing Frankenstein.
the
who
each
agreed
Polidori
in
session
ghost
famous
Englishman,
an
Marsden,
is
the
after
ghostly story, Mary
similar
remarkably
is
by Polidori, published
Shelleys, and
the
The
theater.
London
1820
novelette
story
Byron,
in
published
was
Allies
His
the
in
presented
were
latter which
to
and
Devil
in
idea
that
for
his
to
theme
fascinated
his
sin, and
is the
dearest
unsuccessful
vampire
that
the
being forced
to
him,
the
is
Here
a
terrible
most
which
story,
Giaour.
curse
to
vampire
short
The
poem,
the
with
prey
idea
upon
occurs
ment
judgpart
those
in
The
"But
Devil
first
Thy
Then
earth
on
shall
corse
ghastly
And
suck
There
At
the
from
loathe
Must
its tomb
blood
of all
know
the
youngest,
that
That
word
shall
Yet
must
Her
cheek's
with
in life,a
Thy
gnashing
Then
Go
"
Till these
From
Southey
on
this case,
their
him,
in
to
specter
his
who
wedding
seek
to
tear
shorn
worn,
"
thee
and
haggard
sullen
Afrits
and
shows
The
torn
curse
his
shall
drip
lip;
grave
rave,
away
accursed
has been
drain
shall
blood
shrink
Thalaba
day.
blue;
best
ghouls
more
view
spark,
agony!
teeth
in horror
must
was
by
away
own
with
last
when
pledge
stalking to thy
and
eye's
hand
lock
fondest
thine
mark
yellow hair.
of thine
with
"
in flame!
and
its lifeless
of her
Memorial
Yet
her
tinge,
is borne
now
heart
task
unhallowed
which,
of all.
thy
the
o'er
fall,
must
glassy glance
freezes
tresses
But
end
stem.
father's name
wrap
last
last
the
on
crime
thy
with
thou
sire;
cursing them,
best-beloved
thee
Affection's
girlin
for
bless
Of
life;
perforce
for their
withered
Shall
The
of
which
demon
are
The
Then
race;
they yet expire
the
one,
Which
place
stream
banquet
ere
But
the
thy
rent
thy livid, living corse.
flowers
And
be
thy native
As, cursing thee, thou
Thy
i6i
sent
haunt
drain
victims,
Shall
Allies
Vampyre
as
from
the
feed
Thy
His
thy daughter, sister,wife.
midnight
Yet
and
than
us
away
they!"
vampire,
from
impels
lifeblood.
her
her
He
young
husband
to
attack
becomes
The
i62
aware
of the
tomb,
to
truth
await
the
striking
"in
her
let her
of
soul
her
at
"Then
father
heart
fiendish
with
the
with
Greek
young
woman
the
same
theme
employed
von
Corinth.
luring
Lamia,
In
she
by
when
gives
business
is
they leave
suddenly
when
Marion
given
us
who
terrible
is present
element
has
to
vainly
been
of
Turgeniev's Clara
an
inkling of the
him
her
on
loved
Is
Militch, and
rescue
line of blood
red
Life, has
the
dream
yotmg
man,
girl,is after
after
the
his
"
them.
the
The
when
to
go
This
vampires
which
young
her, something
thin
with
degree.
by
form
old philosopher,
crowd
story, in
Braut
vanishes.
and
the Blood
For
Die
his
or
death,"
by the
trick
lamia
spirit in the
circumstances
truth, and
grave,
in
scream
marked
by
Goethe
favorite
in
men
evil
as
to
young
the
vampire
vampirized
death
Crawford,
and
sight
vampire
is accused
terrible
vanishing
F.
demon
in their
of the
lovely, alluring woman,
glory
idea
beautiful
of
to
courage
spiritstood."
the
uses
the
fled.
tenant
garmented
Oneiza's
Keats
all
wound
.
And
the
dispel the
to
appears,
than
has
is
peace.
howling
The
terrible
more
her
death,"
she
When
the
to
which
midnight,
at
vampires.
through
be
forth
him
with
father
her
brightness
lance
for
Allies
His
takes
coming
hour
loathsomeness
strike
and
her
eyes
and
Devil
her
fashion
friends
get
him, they find
trickling from
his throat.
And
the
face
that
eyes
that
life
itself
drop.
flickeringlight of
looked
saw
"
in
ûpon
up
from
spite
the
of death
gleaming
the
lantern
feast,
"
"
teeth
upon
on
played
upon
two
upon
another
deep,
parted lips redder

which
glistened
dead
than
rosy
The
The
the
hawthome
vampire
between
expires
initiated would
was
where
clue
the
It is also
subtle
question
the
at
of the
story, less pronounced

The
of
idea
also
employed
Here
Vampire.
leader
by
of
talisman.
Her
who
band,
ravages
vampires
theory,
who
one
has
he
that
for
is
the
death
physical
his
probably
lifetime
to
long
been
those
only
with
of
dreadful
to
seems
omit
horror
effect.
yet the
his
by
vampires,
"
physical.
believe
their
to
motives
and
off
by
black
to
acts
delay
spiritual
of
means
blood
believes
Review
with
acquainted
than
ward
can
Occult
of
means
it, yet seeks
alive
keep
woman
in life is in death
evil
knows
The
work,
magic
thought
that
in their
comforting
us.
Stoker's
Dracula
modern
story
It is in Bram
most
his
is
Turgeniev
According
He
The
become
acter
char-
Magazine,
wicked
very
can
corpse.
can
some
he
as
asks
Gautier's
possessed by
Occult
his final damnation.
so
in
present.
hopelessly lost and
time
The
in
by
vampirizes
the
to
inextricably entangled
so
reader
really
as
psychic rather
are
in
even
is
power
Theosophists, according
in
used
Hodder
Reginald
occult
an
vampire?
vampirism
peculiar
toms,
Phan-
in Crawford's.
than
occult
problematic here,
is
woman
author
she
woman
gives the
the
the
only the
Turgeniev's
last
dia-
where
story and
like
though
and
similarity
Amoreuse,
at the
close. Was
heart
the reincarnated
bit
suggestion
vampirism,
to
Morte
that
her
certain
last of the
know
163
struggle, uttering
is
La
the
perhaps
terrific
Allies
through
There
tiU
vampire.
after
Gautier's
is concealed
His
is driven
shrieks.
this and
truth
and
stake
human
boHc,
the
Devil
detail
no
is
touched
The
combination
and
other
book
loses
in
of
finds the
one
vampirism.
of terror, for every

upon
of
awful
that
with
brutal
tensest,
This
novel
aspect of
and
pire
vam-
ghastly
wolves,
ghouls, vampires, ghosts,were-
elements
effect
is almost
toward
the
unendurable,
last, for
the
mind
cannot
endure
and
respond
outrage
initial
England
becomes
turn
science
blood
for
and
of
the
Each
science
wild
complications
advised
not
dramatically
are
suitable
as
for
scourge,
with
of
resources
infection
thrilling.
reading
the
the
in
modem
together
rose
pitted against the
are
victim
of
fight
to
transfusion, is interesting. All
modern
after
who,
combination
The
The
transports himself
there.
superstition
sprigs
of horror.
count,
years,
ravages
vampire.
medieval
using garlic
Hungarian
his
start
a
with
is
vampiric
of
pages
impressions
fresh
to
Allies
His
hundred
country
own
to
and
four
here
vampire
terrorizing his
to
Devil
The
64
and
the
book
The
is
sitting alone
one
at
night.
There
other
are
conventional
theme
gives his
Wells
of
types
and
the
introduction
by
in
Flowering of
The
his
collector
Andaman
bulb
botanist
last
there
the
tentacles
dripping
snatched
save
his
watched
violently
and
to
from
the
who
has
orchid
under
him,
carefully
flower.
great tentacles
have
Blackwood,
aspect
of
When
reach
at
out
strangling him.
be
torn
to
The
and
away
plant just
in his story. The
vampire,
stealing the
sponge,
absorbing
others.
The
bleak
touched
supernaturalism,
vampires
hard,
and
his blood
G.
jungle in the
England
to
H.
super-
An
lying
open,
blood
in
the
in
the
time
to
life.
Algernon
terrible
dead
to
vampire
Orchid.
Strange
comes
to
botanical
bulb
till it
sucking
man,
man
to
burst
its blossoms
grasp
of
novelty
strange
brought
is
the
addition
vampirism.
of
unaccountably
Islands, with
which
by
the
is found
occult
twist
customary
naturalism
in
vampirism
the
governess
gives
Transfer.
vital
power
strength, the
describes
face; I noticed
how
us
The
from
him:
thin
upon
one
two
is
ideas, the
he
curious, oily brightness of his steady eyes.
of
types
others,
"I
every
psychic
human
soul, of
watched
was,
And
his
and
the
every-
The
thing he
the
said
Forbidden
know
"
of
growth,
The
says
child
would
comes
the
near
audible
out
forward
the
faded
written
The.
vitality, without
It's
The
of the
lives
real life.
for
and
And
the
so
folk-tales
Indian
Jigar-Khor,
the
for
vampire,
he
in this way,
several
stories
of
loathsome
stories
but
the
of the
as
lore than
incidents
noted
the
haunt
been
even
expression of
an
the
full
of
strong,
English
is
hearts
a
that
the
to
be
can
living.
the
of
Many
the
vampire
the
there
are
explains the
stories
these
corpses,
countries
English
There
with
where
at
filched
one.)
new
connection
countries
which
show
cousin
incorruptible
the
in treatment.
by just looking
is
in
and
Continental
in many
with
very
though
England,
he
as
countenance
common,
most
well.
that
wrinkle
setting in the
English settings
vampire
your
Un-dead,
superstition has
in
be
spirits that
have
in
liver
to
falls
man
eyes,
in theme
vary
steal
liver
man
life."
of India
the
points
with
known
"His
creepers,
appearing
been
the
otherwise
Liver-eater
can
(It has long
you.
are
or
the
lay untouched,
and
stories
vampire
stretches
spot gives
the
was
"it
bursting thick
what
physically, yet without

it
soon
dying
I know
as
across
on
But
It's
yawning
only call
can
implication.
strength when
and
of
midst
vampire
patch.
child
little
the
But
empty,
the
garden,
rose
hungry.
earth
great, luscious, driving weeds

full-fed
and
laughs hideously
man
Corner,
its look
comes
vampire,
in
it wants.
shockingly,
destruction."
soil
call
to
vampire
barren
bad.
plainly what
Forbidden
in
spot; the
middle
dare
and
its secret
cries, then
into
dropped,
was
evil
165
place in the
so
right."
from
human
spot
get the food
silent feelers
out
I may
woman
it, "It's
it feel
make
what
sort,
sore
sinister
so
of
it can't
this
Allies
The
bog.
truth
His
This
another
bald,
luxurious
because
of
Comer,
the
announced
one
dangerous
and
presence."
with
contact
like
did
or
of his
suction
in
Devil
and
are
richer
location
poems,
The
i66
Another
in
point
the
be
to
essential
variants, of
of
case
Devil
there
course,
for
him
by
especially those
dear
The
of
personality
stories
being
death, in the
with
the
The
is
been
Others.
is the
Another
werewolf.
mentioned
of
legend
In
common.
by various
The
current.
become
might
be
tendency,
be
is to
thrope,
victim,
or
between
made
the
"
as
latter
peculiar twist
of
accordingly.
There
of Malfi,
another
in
of
comer
The
the
will eat
thirst
the
gnawing
bestial
of
but
at
skull
growls.
meat
Distinction
the
in
The
mad
where
some
acts
Duchess
wolf, and
crouches
Algernon
and
lycan-
and
snatched
lycanthropy,
raw
atavistic
an
wolf
he
might
of
that
creature
he
account
a
the
animal
an
and
himself
are
with
or
from
werewolf
is
vampire,
God,
himself
Ovid.
wolf
cursed
Like
character
old
very
writers, it
into
on
figure
loup-garou
being
being who,
thinks
who
nothing
of the
suffer
real
human
curdling story
to
practically all
craving for blood.
Albigenses,
its lair,
men
and
where
from
might
is such
graveyard, uttering
has
in
devour.
insanity, fancies
maniac
line
types,
classical
transformed
curse
cannibaHstic
be
to
is
Herodotus,
human
slay and
to
such
innocent
an
stories
is
obligation
forth
goes
one
usual
idea
is found
many
werewolf
the
or
who
Mela,
werewolf
France
same.
daemonic
The
countries, especially those
European
power
the
the
the
his
quench
are
of
variants.
said, including Pomponius
The
man
These
in
lures
must
the
living,
the
vary,
who
who
other
and
may
in
person,
the
life,is much
woman
man
dead
attack
to
in
brides.
are
in fiction
having
one,
of
Werewolf
popular
of
body
vampire
young
other
there
though
the
blood
him
to
than
description
The
urge
stories
numerous
are
divergence
instance.
dreadftil
there
is less
the
of the
agreement
While
spirit tenanting
driving
of
is the
features.
ghosts,
daemonic
noted
Allies
His
and
in
from
the
Blackwood
the
devours
insane
every-
The
Devil
thing living that

that
visitor
he
it up,
gave
also
is
goes
on
he
and
mad,
a
the
of
in
but
with
has
see
soul
that
ends
In
his
the
at
his
young
when
his
in
like
by
to
the
an
insanity
the
the
about
moral
decay
of
of
love
the
that
brute
and
the
"lycanthropy-mathethe
beast
and
least
of
Dissipation brings
wretch
that
thinks
his soul
bolizes,
sym-
four-footed,
naked,
room,
animal
straint.
re-
and
ease
line
The
insanity
his
Tito
artistic
in
gains the mastery
the
This
sensitive, delicate,
outcast.
doctors
into
Frank
is in
character
creature.
of
jungle
master
the Brute.
and
always
man
bestial
runs
he
illustrate
between
first
at
moral
leash
in
Kipling's The
Mark
and
lycanthrope
the
of
uttering harsh,
bestial
for
drives
the
the
raucous
the
brutish
soul
soul
not
change
his
of the
enters
"
while
spirit, and
result, including
does
man
between
midway
his
out
characteristics
odor,
is
story, for while
passes
and
man
the Beast
werewolf
whatever
or
many
servant
to
Wolf -wolf!
cries of
into
in
taking
is turned
body
growling
"
The
akin
man,
paroxysms
and
beast
bitter.
utterly lacking
and
called
madness,
sis."
that
high ideals, gradually through
strains
on
but
lycanthropy
shown
grosser
resistance, becoming
artist
servant,
association
the
self-indulgence,through
ever
confesses
vacuum"
degeneration,
Eliot
We
and
He
novel, Vandover
soul
George
Melema,
old
167
in fiction.
posthumous
a'study
that
of.
tasted
Jew
in
Allies
revolting story of lycanthropy
most
Norris's
his
Stories 'of
rampage.
supernatural
The
is
old
"hides
interesting aspect
and
bite
to
the
His
get hold
can
used
since
and
the
volting
re-
human
form.
While
lycanthropy
fiction, the
werewolf
various
forms
legends
to
of
modem
has
is
never
a
been
common
literature, from
short
stories.
frequent
theme
figure, appearing
ballads
medieval
Marie
de
France,
in
in
and
the
The
i68
Anglo-Norman
gallant
'
and
hiding
he
lover
his
mannered
when
the
of Marie's
Like
the
impels
by
to
personality
with
ravening
with
up
those
spirit,the
is
the
instincts.
This
introduces
in the
around
he
whom
has
tell of
There
are
introducing
his
to
be
By
lay
Arthur
well-
appear,
removed.
of
as
interesting
as
no
curse,
of
and
H.
slay
the
be
point of
his
dear
plot, here
the
being
only
most
The
as
animal
common
Albigenses
werewolf,
slays
his
more.
of
the
werewolf
supematuralism.
have
similar
the
to
of Bisclaverat.
Applier
to
type.
variants
elements
moral
the
jungle beast
it would
to
is not
but
that
in his normal
two
wolf
seen
of the
her
and
Controlled
and
impulse
who,
infection
In
that
obviously tangled
into
to
name
of the Jungle,''we
'
wolf
curse
the
out
plots center,
vanishes
is
element
The
husband
other
motif
trace
Vendetta
"
day
this,
him.
to
superstition here,
stories.
young
bride, then
of
being, that
irresistible
such
given
curse
is under
dearest
The
dramatic
vampire
the
gentle, becomes
interesting, if possible,to
ones
her
One
his wife
version
human
kindly and
vampire
combination.
were
Investigation reveals
werewolf
the
upon
prey
daemonic
an
lais, is charming.
vampire,
him
and
knight
for
has
tame
shows
they
lover.
It is
throats.
if
to
on
werewolf,
She
is called
modern
O'Shaughnessy's
that
the
fetched, and
are
is
wolf.
marries
false
their
truth, the clothes
others
remain
strangely.
till the
he
goes
him
presses
that
by day
wife
his
tree, and
to
acts
tries to tear
Arthur
her
king's attention
and
beast
he
have
the
him
to
up
hollow
clothes, then
long afterward
runs
in
would
steal
and
is
yet
When
absences
reluctantly tells
his clothes
removed
his
that
gentleman,
expeditions.
curiosity concerning
he
Allies
werewolf
kindly
marauding
explanation,
His
writer, tells of
knight
nocturnal
and
Devil
Sidney Warvsrick.
idea
the
of
story,
In
successive
continuation
of
The
vampirism.
has
her
but
Crump-Tiger,
eating
who
kill the
animal
reaches
the
and
eyes
that
wolf-man
wicked
avail, and
The
in
his
beloved
But
when
magic
the
she
if he
heart
remain
that
does
the
men
flee but
come
the
one,
and
spear,
falls,it is
her.
the
to
the
will
go,
strike
True
grove
and
the
to
Harold
man
to
appears
there
day
the
to
is the
that
guilty
is to be
and
begs
come.
he
gives her
wolf
through
the
to the
is
the
girl. All
heart.
dying,
his
destiny
the
"
in
him
werewolf
at
till
stopped
fail, then
who
can
ravages.
his accursed
striking the beast
young
he
lunges
his weapons
spear
sacrifice
certain
lest
she
to
be
has
bears
his
over
cannot
hears
on
away,
of
weapon
that
very
werewolf
voluntary
He
grove
telling her
wolf
he
sacred
insists
the
when
no
soul
magic
The
know
not
his soul.
approaches
girlhurls
and
curse
fury
a
reincarnation
gentleman
old
panic-stricken
as
throw-back.
the
reprehensible grandfather
to
spear,
the
beast's
does
vision, demanding
meeting
The
his
are
by representing
gentle, chivalrous
which
himself
youth
his
he
fire, the
face
idea
marauder,
time
to
gun
to
digest his
to
atavistic
Brunhilde.
is
the
time
the
it is
out
the
brutish
definite
but
country
is that
The
until
one
to
grandparent.
against
offers
man
wolf.
the
legend
some
turn
a
witch
the
life
charmed
as
nothing
to
by
him
given
new
innocent
an
his
heir
left him
do?
in
starts
by
his
the
he
grandfather, yet
from
different
curse
is
from
could
gives
Field
had
jungle
that
he
so
Mrs.
successor
aware
But
score.
levels
him
What
is
has
the
her
second,
husband
at
werewolf
the
of
out
eyes.
Eugene
His
the
look
his
beast
about
not
it is
now
goes
by
eaten
assimilates
that
man
off the
the
jungle
he
devours
The
eaten
clear
to
when
beloved's
she
time
has
So
169
India, is
for
that
say,
affection.
his first wife
meal
soul.
her
In
persons.
in
lady
Allies
His
digestion
might
we
husband's
her
good
body
and
Crump,
Mrs.
tiger, who
only
Devil
who
fied
terriBut
has
The
170
given
himself
In
The
have
Camp
for
While
him.
his
takes
the
to
the
of
their
form
of
goes
from
this
which
he
panther
the
Bierce, in
girl who,
young
of her
his
part
that
she
cannot
of
thinks
eyes
follow
the
glaring into
till
of
an
that
to
animal
human
that
girl promises
Panther,
she
is
teUs
to
She
she
man
is
loves
panther by night.
settler
and
fires.
the
girl dying.
the
of
similar
curse
night
one
and
wounded
sees
When
werewolf
escapes
being
psychic
were-menagerie.
tells the
find
of
wolf.
wholly human.
his window
conventions
the
wounding
leads
since
blood-tracks, they
of
one
this
the
and
mildly insane
her
beast's
him
the
more.
in
is not
nature
the
prenatal
unaware
only curious
no
of
Eyes
because
marry
seen
state
shoots
when
is
The
dual
ance
disturb-
utterly
father
recovers
affecting Elsie Venner,
conscious
hilltop, uttering
hours
suffers
wolf
plays
the
somnambulistic
waking
case
her.
in his tent, his soul
to
in
go
jaunts, till the
him, and
marry
to
is in
in
man
doesn't
equally strong psychic
an
Each
strange
Ambrose
is
By
and
girlis impelled
wounds,
He
wolf
girlwho
questing for
cot
we
gentle, modest,
goes
on
hilltop.
The
sleep he
lies shrunken
young
that
his
Blackwood,
with
in love
madly
In
howls.
the
werewolf,
body
unearthly
The
fellow
The
others.
save
Dog, by Algernon
unconscious
young
care
sacrifice to
is dead.
the
of
another
manly
he
Allies
His
and
voluntary
is lifted but
curse
to
Devil
they
This
story,
the
just
the
blood-trail
the
as
beast
was.
Elliott
in
existence
O'Donnell,
in
London
1912,
of
werewolves
in the
present.
claims
are
life.
that
He
he
in
He
had
the
himself
gives
tells
called
credence
in
pAst
number
instances
the
of stories
of such
experience of
-seen
Werewohes
serious
only
not
authenticated
relates
volume
youth
man
turn
to
but
the
also
of what
he
in actual
beings
who
lished
pub-
told
himself
him
into
The
tiger after
watcher
haste
transformation
She
least
at
her
O'Donnell
him)
to
giving
who
of
have
seen
there
England,
brute
the
and
so
natural
this
is
and
where
seen,
that
the
and
at
or
woman
werewolves
may
is
it
werewolf
the
"
Modernity
the
bined
com-
seems
by
means
of
India
and
might
the
of human
vice
transfer
of
of
between
relation
and
the
Among
of werewolves.
beast
madwolf
legends
Kipling's
attributing
the
to
tribal
close
supernatural
A
enough.
of
as
stories
there
powers
that
of
well
human
and
witnesses
identify
to
various
peoples
knew
folk-tales, the
as
primitive
and
to
flashlight.
of
are
was
superstition here,
pocket
redmen
howl"
persons
similar
House,
right enough.
instance,
collections
American
all
the
the
be
may
Haunted
owl
These
medieval
electric
In
the
saw
by.
for
incidents
times,
recent
of
names
escape.
(according
of authentic
and
state,
in her
in
wolves,
were-
half
man.
noble-
into
change
in
the
tale of
Russian
England
with
woman
animals,
uncanny,
of
when
tree
left behind
stories
Dicken's
persons
with
an
she
The
in
"'ooded
near
married
servant
places
and
beasts.
spoken
be
whom
stories
dates
least, many
of
children
the
must
his
The
tells
partially, remaining
werewolf
the
famous
and
relates several
saw
those
him
Vishnu
O'Donnell
that
171
enchantment.
sacred
children
saw
of
complete.
three
Allies
His
passes
to climb
was
with
devouring
and
preparatory
made
widow
Devil
versa
acteristics
charis
mon,
com-
personality
the
suggest
idea
is
for
werewolf.
Algernon
is
however
thinks
Blackwood
true
it may
that
the
slumbering
world
mind
in
advances
psychical
have
been
werewolf
sanguinary
his
wanders
fluidic
free
fact
from
instincts
the
of
theory
the
that
profound
garbled
is the
body,
the
body
conscious
wolf
were-
importance,
He
by superstition.
projection
of
the
man,
of
of the
untamed
"scouring
desire."
control
the
As
the
of the
wUl
The
172
in
sleep, so
mind
or
its
the
body
of custom
and
craving
O'Donnell
the
dead
slay,
says
that
of
seeks
that
that
to
theory,
inside
him,
rather
such
nature
describe
influence
yet
in
that
rather
with,
In
about
an
agent
vent
to
curse,
gives
with
his
to
with
kinship
we
reflect
treat
him
ourselves
poetry
as
the
or
hero
that
he
Eugene
may
be
day?
in the
drama
ghost,
the
for
The
as
him
who
of
devil, the
of
divine
being
who
feel
at
"
thus
pathy
sym-
safe
estimate
to
as
noble
Blackwood's,
what
knows
other
witch,
what
has
not
we
Or
and
be
may
figured
supernatural
the
not.
metempsychosis
werewolf
have
or
truth
the
now
like
Field's
case
learns
motives
Galahad
like
courteously,
of
from
departure
demned.
con-
represented
is
or
pathized
sym-
utterly
vagaries and
think
ghost,
be
to
victim
his
leveling
becoming
instincts, we
his
lupine
some
the
analyze
We
us.
be
he
tendencies,
understand
figure in fiction, a
renunciatory
be
brutish
We
is
werewolf
when
all the
of the
figure
to
to
form.
same
case
unconscious
he
his real and
seek
distance"
the
has
man
He
beast
be
attempts
the
romantic
a
was
his human
vampire.
even
of atavistic
him.
It
the
in the
Whether
himself.
menagerie
doubtless
observed
is shocked
who
human,
the
whole
society.
suffered
in
would
has
the
latent
intervals, which
changes
than
and
involuntary
an
tion
projec-
According
where
fiction
recent
have
the
of
way.
Wolf,
psychical creature,
more
this
of
kind
cruelty
Maupassant
fiction
have
we
be
may
that
never
devil, the witch, and
the
as
for
The
wolf
werewolf
The
risky
this
as
of the
in
blood.
for
certain
of the
satisfy
to
phantasms
they
might
at
in his story
instincts
that
loose
be
or
peace,
nature,
chap
form
thirst
may
expression
turn
to
exciting but
a
at
phase of man's
one
mankind
be
also thinks
He
wUd
its
werewolves
cannot
Elementals.
slake
to
of
fetters
the
itself from
in elemental
forth
go
Allies
His
free
may
to
that
and
Devil
in
beings,
vampire,
"
one
Devil
The
wonders
analysis
why.
He
might
well
Perhaps
the
had
in
the
of
part
is
they
whom
dramatists
to
shadow
we
close
spirits,
from
minds
our
the
of
of
evils
their
tell
mortals
of
essential
the
truth
the
truths.
definite
as
they
guise
the
tales
of
of
wholly
represent,
fiction.
poets
images
shudder
powers,
good
intangible
us
with
As
the
as
show
neither
diabolic
that
moral
Thus
As
are
the
delegates
are
horrifying
us
in
well
form,
must
with
soul
as
concrete
that
beings
accursed
human,
the
that
of
spirit
things.
the
impressive
apprehend.
can
spiritual
books
the
story-makers
and
forth
of
he
symbols
evil
and
wizards,
and
as
the
in
represented
devil
whom
to
life,
life,
supernatural
The
witches
things
the
stage
literature
of
use
appear
of
of
since
be
must
beings
nor
But
in.
enters
Elizabethan
animals,
reflection
character-
though
poetry
the
the
stories
his
and
times.
power,
mystical
literature
in
with
controls,
infernal
173
difficulties.
recent
enchanted
his
allegories,^
and
he
spirits
vampires,
do
of
for
interest
to
literature
daemonic
its
of
deal
good
beings
revival
figure
themes
have
Allies
His
dramatic
furnish
would
presentation
has
is
and
we
Satanic
animal
shrink
and
cognize
re-
Supernatural
fiction
THE
than
dealing
other
any
deep hunger
stories
as
of
in the
Jew;
of
or
in
the
"
brink
near
them
find
than
to
these
we
Or, looking
give
in
conquerors
"Oh
world
which
we
clutch
174
us
thee!"
thee!
what
would
we
But
since
we
seek
leisured
youth
feel ourselves
touch
spare
with
hours'
beyond.
we
the
would
immortal
can
from
persons
few
above
leagued
youth.
the
Conscious
now.
own
for
we
unknowable,
Inapprehensible,
this after
overtaking
with
death,
life
of life
or
affrighted
our
as
ence
transfer-
feel ourselves
eternal
us
gifts in
past
than
that
is
age
endowed
are
of the
Sadly knowing
vicariously in fiction, and
forgetfulness
joy.
old
youth
body;
and
to
for
yearn
pace
have
long
we
victory.
something
cannot
here
shrinking
we
sting and
worlds
death
craving for something
know
we
another
into
it be
Wandering
preserved
or
elixir of life ; or
our
powers;
swift, relentless
we
all show
like the
persons
spirit in other
immortal
death's
fain
without
death
helplessness
own
grave's
earthly existence
renewed
more
subject, humanity's
Whether
of the
after
what
beyond
us
tales
soul
body's death,
with
of
the
of
shows,
supernatural.
the
supematurally
in the
continued
our
for
life
immortal
legends of the undying
of the
of
with
aspect
continuance
described
and
Iîfe
and
more
Life
Supernatural
We
stories
of
life
of
those
who
beyond
our
of the
future
heaven
and
hell.
We
take
can
it into
The
Faust
into
that
There
Jew.
of the
has
deathless
as
as
lands, though
so
the
of
it
person
Jew, and
not!"
me
for
Samiri
one
"Thoushalt
idea
attain
not
are
similar
occurs
in
thought
condemned
to
while
and
Indian
souls
the
of those
fly forever
wandered
with
an
Arabian
crying, "Touch
a
cursed
man
Buddha
said,
religion lasts."
my
versions
the
that
the
over
story-
trace
is
whom
to
the
The
to
of
account
Nirvana
Chinese
mute
trans-
save
has
There
wanders,
show,
we
sive
impres-
none
and
English folk-tales, where
be
to
for
that
more
impossible
forever
Buddhist
miracles
working
There
is
there
as
who
else's
and
literature.
portrays
it is
of
dream
fiction
legend
no
certainty its origin or first migrations.

legend of
man's
of.
influenced
that
many
is
Wandering
theme
ignorance
optimists
is made
hope
loathsome
sceptical of anybody
material
raw
sttiff that
Wandering
than
as
of
sort
for
dogs the steps
own
any
indestructible
such
any
that
Our
of
these
comforted
Swift's
Jew.
time
same
from
are
tragedy
credulous
us
the
are
the
Wandering
makes
at
We
own.
die, whether
not
the
or
comfort
strange
see
we
may
Struldbrugs
is
when
mortality
our
snatch
somehow
175
and
plovers
crucified
world,
the
are
Christ,
uttering
their
plaintive cry.
The
first appearance
literature
is in the
reports
the
Albans
by
already
familiar
of the
Pilate's
led
forth
wander
Chronicles
as
Armenian
an
with
wanderer
palace, who
to
come!"
Roger
There
in
a
at
are
Jew
of
the
certain
to
The
whom
1228, but
to
distinct
two
other
brutal
He
English
who
of
monastery
Cartapholus,
Jesus
in
Wendover,
English literature.
struck
death, and
till I
of
bishop, in
it.
is
Wandering
being told
story appearing
the
that
legend
of the
blow
relates
in
servant
as
said, "Thou
is of
hearers
versions
One
a
St.
German
He
was
shalt
origin
176
giving
the
personality
Jerusalem, who
Bowed
for
under
said
look
of
literature
deep
of
and
The
has
and
from
fact
the
is The
as
concerning
God,
supernatural
he
his
later
he
his
"Yet
latter
'
The
he
mien
cheek
is described
Wandering
Jew,
bore
bore
or
the
as
used
it
on
it the
Gothic
in
being
hoax.
ing
Wander-
legend,
times.
of
One
written
teen,
eigh-
at
the
showing
poem
as
reveal, yet
Wandering
Jew
both
Queen
and
summoned
both
In
as
The
in
appears
the
Mob
to
latter
he
poems
testify
give
to
is very
marks
mark
of many
of
being "so
Love's
the
romances
power.
minent.
pro-
by Andrew
only
by
English
most
Song of the
fevered
in
1797,
attempt,
of events.
old, for in the first it is said

port and
has
made
been
it three
character
while
vision
Edgar
play
forms
in
The
used
first Ahasuerus
Hellas, in the
of
Andersen
it has
is here
Jew,
definite
various
fascinated
that
his
Schlegel,
Dutch
in the
engaged
that
Roumania,
where
was
that
of
in
entitled
Wandering
hint
of
long dramatic
weaknesses
France
written
wanderer
Shelley
used
Kingemann,
published
was
poem
his first poems,
"His
but
poem.
in fiction
the
has
Jew,
appears
With
go,
it has
Christian
Hans
appeared
comedy^
Wordsworth
shop, but
"I
answered,
in
Chamisso,
Sue.
has
Franklin, though
with
leaned
faster, Jew!"
Auerbach,
dramatic
long
same
little
Germany
Sylva, late Queen
theme
see
In
Heijermans
literature,besides
we
tha.
Golgo-
to
Christ
cross,
of the
door
Christ
lands.
Eugene
Carmen
for
passed
story is cosmopolitan,
Jew
and
it while
basis
the
reproach,
of Berthold
Julius Mosen,
and
He
as
of
shoemaker
of the
weight
against
many
attention
used
Savior
scornfully, "Go
Wandering
Quinet
Ahasuerus,
till I come!"
tarry thou
The
of
the
the
rest
Ahasuerus
one
mocked
moment's
the
Life
Supernatural
Masquerade,
youth,"
old
he
years.
while
seems
in
to
the
have
Life
Supernatural
outlived
version,
decay."
used
as
in
soiled
world's
in
Lincoln's
Shelley follows
fragment
Inn
177
he
the
picked
Fields, whose
German
and
torn
up
author
he
did
not
know.
Eubule-Evans,
Mr.
released
from
repent,
but
forty
his
he
will
handsome,
supematuralism
appear
as
The
with
is
The
The
And
lo, at
last
like
world's
'
The
to
man
and
plications
com-
of
so
forth
they are!)
more
Curse
and
the
wounds
feeble, clad
in
to
antique
and
hands
failure
Jew
win
feet.
men.
diviner
Jew,
passeth everywhere,
hope
all
men
phantom
the
earth,
is
Jew
The
and
bitterest
as
the
fourteen
of the Wandering
and
come
Christ,
with
despair,
away
and
gray,
footfall."
where
Wandering
days
Gothic
in
definitely once
burning
Jew.
pass
forlorn
desolate
seen
Monk,
his forehead
than
The
power.
on
the
knew.
of the
of
some
old
of that
lo ! while
spoken
Carol,'' retells
yet dead!
fiction,in Lewis's
stay
last
Wandering
is
with
Phantom
Haunteth
and
every
elements
(whoever
Christ, of His
lineaments
That
on
very
of the
Deathless,
bearing
Other
Christmas
stigmata of
That
The
would
naturally suggests
Int'ermedii
and
be
to
symbolic
"For
Jew,
variations
with
raiment,
the
be
youth
angels, demons,
as
could
chorus.
is shown
He
and
Wandering
story
here
used,
siderable
con-
only he
decrepit
love-affairs.
are
."ôns
from
which
who
his
renews
suddenly
htunan
if
immortality
He
gifted youth,
of
the
of
of
poem
story of Theudas,
not.
growing
years,
while
doom
dramatic
long
tells the
'
power,
in
mysterious stranger,
imprinted,
cross
Jew.
in any
one
'
By
He
is unable
place
Robert
appears
but
Buchanan.
to
must
178
forever
view
hurry
of
on.
Rev.
such
as
history
migrations of
The
idea
of
who
in
his
works
and
Rugg,
where
the
collection
his
to
of life,the
He
The
speaks of his destiny and
says
that
avail
Select Party,
mingling
in
of
entertainer
illustrates
time
he
is
that
be
to
in
Sue
An
plague
his
had
"This
by
the beck
at
deemed
be
bit
of
become
satire
that
at
helpless bearer
novel
represents
awful
The
in
the
the
Track
clutch
agent of good
story
anonymous
Wandering
but
Jew,
him
carries
or
of the Wandering
as
the
uses
it
the
others
by
death.
carrying
while
the
wildly
Here
the
he
Renne-
of evil in other
same
idea
further, for
and
writers
some
fate.
toward
minister
Travels
Jew.
of
with
up
of evil and
destiny, yet,
involuntary
an
by
disease,,while
the
his
tangled
is said
heal
to
power
voluntary
association
He
Prolonged.
In
This
of narration
motif.
Jew
family and
ways.
'
hardly
circle."
threads
supernatural
as
appears
the
guests
common
so
appearing
theme
the
remarks:
grown
and
physical
as
of
one
author
could
the
regretting it, powerless
In
he
exclusive
common
plague, knowing
"
as
latterly
society
of
various
are
thought
Eugene
pont
also
the
had
an
Wandering
have
to
how
spiritual as well
appears
of whom
of his hand
touch
The
human
in fiction.
There
the
in
none
of
sense
all sorts
guest
proper
is
aid him.
to
however,
every
elixir
the Wandering
character
personage,
of the
flask
Flying
the
than
himself
ice,conveying
chill.
from
letter
and
door-keeper
is
Man,
includes
Collection,
other
will not
is like
Missing
thorne,
Haw-
to
passages
Virtuoso's
wife, together with
virtuoso
Jew.
prayers
the
In
various
in
theme
notebooks.
Peter
Dutchman
the
sive
exten-
it.
see
appealed strongly
man
with
plays
would
wanderer
bird's-eye
long life and
of the
person
deathless
gives
Clark'
T.
the
where
in
Life
Supernatural
Observations
of the
here
of
the
Bareach
Life
Supernatural
wanderer
is not
like
that
doom
phase of
The
personality but
the
been
religious truths.
immortal
of
wanderer
humanity
their
of God
might
come.
for the
coming
of
religiousmessage.
The
represented
The
real
Christ's
that
who
himself
this book
would
constitute
with
of
piece
is
detail
the
ends
career
describes
many
phenomena
following
enters
vault
from
visited
since
Plaint
he
was
alone
likely
are
in
judgment
has
as
defend
his
the
at
country
given
in
sin, and
of
destruction
great
young,
life is
the
sermon
means
no
unpardonable
suggested
the
Prince
In
Jerusalem,
The
close.
he
there
In
The
'
In
Salathiel the Immortal,
of the Wandering
or
city.
of India
removes
that
a
of the
the
thousand
of
the
place
years
Jew.
Tarry
Thou
and
Christ
of
death
beginning
the
which
'
fate
the
remarking
cases,
mummy
is
The
again.
appears
man
the
thought
lous
supernatural happenings, the miracu-
Wallace's
Lew
his
lace,
Wal-
taken
We
His
her.
accompanying
manifestations
In
with
immortality
his
though
threaten
following
immediately
his definite
book
that
woes
proving
Lew
pictured
to
genuine
the
interesting and
is
appeal
satire,an
literature.
Salathiel
literature.
kingdom
new
which
volumes
part
dominates
Wanderer,
interest, it is by
some
of the
of
hand.
at
of the
dozen
is
idea
justice and
real
enthusiastic, passionate Jew striving
against
that
social
near
theme
novel
symbolic
for his purpose
is
British
the
far
impress
to
concept
questioning Wallace's
for while
impressed
half
a
ourselves
matter,
the
uses
desire
has
"
the
as
democracy,
coming
of the
one
find
to
second
the
book
spirituality. George Croly
how
longing which
earnest
an
thought,
variously
writes
is
life and
shows
Granville^
urged by
whole
plague itself,passing
gone.
utilized
Charles
definite
the
world, which
has
legend
has
legend
story with
the
over
179
Till I Come.
the
the
deathless
story
he
treasure
from
has
been
not
before.
He
i8o
Life
Supernatural
has
monk
that
the
seems
again the
Jew
centurion's
He
youth.
closer
is
of Jesus, and
call to
Wallace
Salathiel
city.
tries
The
toward
each
be
that
friend
of
the
to
Sue's
Eugene
Wandering
Jew
who
as
of the
mission
compared
acts
family, protecting their
Rennepont
into
God,
with
may
others, expressed in this novel,
with
the
men
responsibility,the feeling of
of
sense
of
sons
destruction
material
the
hearing
pictures
and
other
Salathiel's impetuous
to
bring the
to
with
prevent
to
him.
contrast
striving
spiritual truth
seeing
as
reincarnation
old, a philosopher, in
as
such
impressive experiences,
numerous
as
interests
against the wily Jesuits.

The
Wandering
with
ways,
and
as
He
forth
soul
the
of
of
suicide, but
others.
of God's
also that
failure
will
for
the
evidence
the
Jew
he
Besides
writers
is
have
M.
in
made
tinhappy
power
version, for
He
is used
and
to
Christian
of
power
face
of torture
tmdying
is near,
the
To
he
prove
stands
divinity, while
that
race
to
to
wanders
land.
other
of
use
discusses
D.
mission.
coming
in any
the
Buchanan's
Christ's
of that
in the teeth
for
once
Robert
mentioned,
Stoker, who
Impostors;
at
as
of
vainly attempting
as
Uf
own
of Christ's
home
no
face
his
come.
symbol
the
the
as
yet deathless, in the
second
never
those
who
of
Christ's
He
with
as
him
in
show
to
symbolically
forever
show
life
preach
to
anguished
stands
plan, and,
that
ever,
on,
He
typified
prove
others
effort to take
of every
from
living
driven
God,
his
illustrate
to
symbolically
appears
many
psychologically,
life, religiously
He
man.
Shelley and
doom.
in
of
aspects
depicted
beliefs, and
accursed
creature
various
been
in
represented
being, mythologically
and
tenets
been
on
change
and
growth
certain
Bram
has
suffering human
the
the
placed
stress
character.
a
has
Jew
Conway,
him
English
the
in his
who
and
legend
are
assembly
gives various
American
Kipling;
of Famous
versions
Life
Supernatural
of the
story; David
Baring-Gould,
A
Hoffman,
W.
legend closelyassociated
that
of
One
version
while
bore
brings
the
another
who
woman
in
character
feminine
and
with
the
others.
the
as
Kundry
wandering.
doomed
woman,
Parsifal represents
in
William
wanderer.
yet separate, is
of eternal
curse
in his
Sharp,
Christ, gives the story differentlystill,saying that

correctly told in Parsifal.
of
tragic symbolism.
life,mocks
to whom
of my
Christ
He
Passion
forevermore
borne
!
of
His
go
would
curse
Christ
should
of the
Wind
to
give birth
The
be
lifted
from
them
last
of
it has
which
having
had
no
used
fiction, such
young
Jew
as
in A.
T.
Joseph Laquedem,
Brander
The
Matthews's
Holy
Cross
be
to
generation.
then
wherever
of horror.
a
the
vanish
Gypsy
Children
from
while
in the
among
that
is
she
has
been
humorous
Primer
by Eugene
the
concerning
it may
character
story, The
recent
of the
Mystery
reference
Field, where
yet.
come
in very
of Imaginary
in
truly great
No
appeared
with
is different
written
Perhaps
in
rivalling the
frequence
representation.
QuHler-Couch's
the
the
and
marks
literature, yet
reincarnation
or
signs
appear
only when
Jew,
character.
the
the
thy people
prophesies
personality have
of his
piece
Christ.
in
novel
or
tragic,deathless
Only hints
or
Naomi
Wandering
adequate
drama
or
poem
been
sign,
third
dispersed and
Gypsy
the
away,
virgin; but
chapter
the
to
theme
be
evil
feet
the
legend in impressiveness and
Faust
this
bear
of
crucified,and
are
they
of
woman
among
every
earth
shotild
the
In
men.
in
on
born
be
bequeath
fade
to
it is not
of Him
and
never
descendants
horror
hands
her
wounds,
thine
Gypsy
it, it is
demands
and
descendants
wanderers
The
and
shame
of her
ones
thee
Upon
her
by
Various
the
to be
"
stigmata
"To
gypsy
and
Golgotha
tells
Sharp
Kundry,
on
says,
As
S.
Merriman,
this and
Herodias
of
Seton
Henry
Ainsworth,
H.
i8i
to
him
of
in
Geography,
the
wanderer
82
is
pitied by
His
win
After
his
gulf
each
on
there,
out
to
remain
hand
Elixir
in
fiction
the
Life.
of
case
other
theme
Godwin,
has
been
Balzac
of
the
The
for
the
on
Hoffman
treatment.
forms
the
life
was
that
continent,
well
as
Maturin,
furnish
The
in
as
theme
England,
impressive
most
for
favorite
to
time.
curse
basis
by
used
continued
the
fading
is
such
of
has
being
theme
proves
being
since
appears
snow
while, waiting the
Jew
elixir
and
fiction
popular
and
for
that
Gothicists,
dies.
disappear 'completely,
to
Wandering
Shelley,
complication
the
Immortality
the
and
Perhaps
give it adequate
stories.
with
cross
drama,
shall
of
lying forgotten
that
of
various
and
Jew
supernaturally splits a
and
grave
forever.
it is
perhaps
master
of the
in Mexico.
train
tortured
the
earthquake
an
side
in
now
and
forgiveness
death
Cortez's
in
Spanish priest
prayers
or
Life
Supernatural
users
it.
in A
Bulwer-Lytton,
of life
together with
mesmerism,
as
other
give him
shall
crucial
his
from
on
moment
the
lips. The
Flowers
and
all is life,but
lies dead.
many
that
in contrast
myriads
the
of
maddened
Foot,
The
hinting
author
that
being is miraculous.
the
beaker
its force
wastes
of
barrenness
herbage
aroimd
hover round
them,
sought the elixir with

suggests
the
all
the
scientist's
growth
and
at
beasts,
dashes
richness
magic
to
tions,
prepara-
manifestations,
of insects
who
man
elixirs of life,that
all
potion that
mysterious
irreplaceable liquid
up
bloom,
it.
for his story,
dreadful
sands, where
desert
instantly springs
pains
the
the
concoct
stampede
such
gigantic Foot, and
after
elixir
invisible
apparitions,
supernatural
by
forward
urged
life,but
and
incantations,
the
to
the
supematuralism,
Eyes,
attempts
endless
of
spectral
bodiless
Margrave
forth.
forms
magic,
manifestations, awful
so
Strange Story, introduces
such
symbolic meaning
laboratory holds
life
are
magical,
Life
Supernatural
Rider
a
in She
Haggard,
wonderful
life and
who
woman
has
and
lived
its
Ayesha,
the
possesses
for thousands
183
her
only gives
of years,
danger
She
her, and
gains her
essence
or
and
of
well, for her
as
from
away
length of days
reanimate
the
dreadful
to
In
life.
Ahrinziman,
five hundred
by
Anita
existence.
prolonged
life but
he
has
his
wrists
into
the
flesh
him."
of
It
is
like
belonged
Hawthorne
Indian
nuisance
stone
and
obstacle
hammers
light that
dead,
raise
and
drug
he
to
istry
chem-
has
lived
still
more
him
only gives
not
he
sonality.
per-
magic
forward
besides,
wishes
is found
to
them
fearsome
Jelul-uh-din
"On
dead.
giant fingers,scorched
and
of hot
his throat
iron.
which
that
his
the
And
had
on
burnt
evidently strangled
De'U,
the
master,
leisurely existence
so
kill him.
are
interested
got
he
that
two
us
old
to
that
progress
But
smashed
his
when
theme
in the
brews
of
his tribe
so
an
find
of the
Septimius
it in
by
potion concocted
gets
to
impossible
the
have
we
anything
hand
gives
man
permission
secret
elements
not
up
desert
it. Yet
greatly
Felton,
an
fate.
him.
to
He
red
do
short
cut
elixir of life.
The
magic
apparent
was
one
His
marks
in
mystic
call
Silvani,
looks
of
similar
and
impatient
felt
marks
were
the
to
and
hypnotized
marks
were
with
interesting but
an
will
and
other
many
elixir of life.
years
protracted
since
are
the
in
is
protection against
give her mystic force
power
She
the
yielding up
for
There
skeletons
magic potion
partly by bathing
emanations
the
and
dagger glances harmlessly
in association
body,
eternal
young
Her
but
vision, reincarnation,
her
ever
proof against chance
life
beauty.
magic
envelops
is
whose
vapor
supernaturalism
"
she
'
immortal
immortal
She,
rival's
of
secret
beautiful, supernaturally enchanting.

not
sequel, describes
old sachem.
him
great
they gravely request
skull
is
so
they try
hard
to
that
brain
the
him,
84
his
skin
nostrils
with
his
presently
body
to
avail.
day
and
heart
by
bursts
herb
that
grows
from
when
the
youth
thinks
he
lured
him
who
from
cup
have
has
his
her
The
lover, whom
In
The
the
and
the
elements
Grandsir
when
it
glows
like
The
life,as
and
bottle
stronger.
that
man
from
one
the
to
the
cordial
and
it from
grows
the
breast,
youth
the
up
Felton.
elixir
drinks
He
that
he
grow
younger
has
aged
her
to
essence,
finds
visitor;
belonging
as
power,
her
on
to
in
grown
strange
make
Septimius,
of
various
story
of
seems
old
thinking
cordial
strange
his
unknown
one
Septimius
like
draught
bloom
shelf, and
right, snatches
at
flower
too,
demands
ancestral
it down
the
He,
thorne
Hawment
treat-
in
herbs
The
of
grave
that
this
have
in
of
on
In
necessary
youth
would
another
been
garden
seeks
element
the
have
life.
lends
man
mouthfuls
old
an
and
gem
old
did
occasional
in
the
murdered.
symbolic
should
he
the
find
we
the
dashes
poison
has
introduced.
lays
woman
death,
deathless
are
incalculable
the
he
last, just
pathetic fragment
seems
DoUiver's
cheeks.
of
of
youth,
magical
for
It
failing powers,
immortal
old
theme.
At
from
grown
that
his
at
the
scientist
Romance,
strange
destruction
from
has
be
to
right combination,
to
him
by
long endeavors.
grave.
the
on
young
left unfinished
age
has
flower
DolUver
of
is matched
after
mysterious
lips,saving
drunk.
explosion, tearing
ingredient is supposed
a
till
bake,
to
sun
of his
brew
scientist
the
ultimate
the
loud
This
European
an
in
with
Here
woman
him
and
mouth
fill his
Finally they
put
pierce it, and
will
arrows
no
fragments.
to
made
one
that
tough
so
"nothing seems
his
Life
Supernatural
him
to
hands,
violently young,
by
drinks
but
dies
in convulsions.
In
Dr.
Heidigger's Experiment
another
sad
youth.
The
symbolic
old
story
of
the
physician invites
Hawthorne
quest
four
of
gives
the
elixir
aged friends
us
of
to
Life
Supernatural
make
experiment,
an
but
youth,
restore
he
its power
strange potion
proves
and
perfume
that
rose
When
the
old
happy
and
beautiful
like
mantle
and
the
effects
after
sad
and
soon
pass
philosophy
such
Elsewhere
theme.
of life
brew
produce
Birthmark
the
in
chieflyhe
that
drank
is referred
to
in other
dreadful
elixir
collection.
The
in
been
is
In
Dolliver
of
H.
of
G. Wells''
make
him
unknown
to
An
the
leaves
and
frame.
out
Elvesham
"
'
In
In
Dr.
The
of
tragic
but
his
the
Hawthorne
states
Dumas,
since
him,
he
and
subject
precious,
Virtuoso's
of
use
that
The
of the
in
treasures
the
world,
last.
flask
in
it would
that
all the
at
concerning
interest
intimates
as
is
There
tell.
deep
curse
for
symbolic allegories
would,
such
this theme
uses
aged
theme
the
that
he
but
that
his
book
the
But
man.
the
drug
is
Story of the
Late
Mr.
Elvesham.
him
drink
cabined
more
supposed, for it brings death

BuUivant.
The
the
to
soul
man's
rob
magic
octogenarian
young
with
conditions.
to
the
with
bargains
man
fellow, is
old
the
combined
certain
on
young
the
personality
scientist
sion
pas-
only ephemeral,
to
plagiarizing from
his heir
reanimate
to
the
the
them
has
in
was
earlier.
personality.
to
his
plagiarized from
the
years
of
Romance
reality Dumas
many
shows
'
note
accused
how
places, and
one
from
youth.
knows
it, would
and
young
glows again with
and
joy
nature
beauty
to
senility is doubly
life elixir if he
discord
and
share.
to
fiftyyears.
over
drops
expressed in these
alone
The
Age
alas ! it is
of
Hawthorne
In
could
hour
Hawthorne
as
But
wise
become
they
the world
away
snatched
one
for
shall
which
by restoring
more.
and
joy.
is "00
dead
drink
once
cordial
himself
been
has
persons
discarded
color
of
which
The
drink
to
185
youth
purpose,
of his
youth
transfers
body
of
in
the
powerful
to
transfer
both
than
who
the
youth
worn-
Mr.
drink
it and
a
the
bargain
somewhat
in The
the
has
similar
in
young,
girlasks him
gypsy
hates.
He
world
He
the
at
life,the draught
drink
the
he
and
death.
all his
it aside.
of eternal
swift-footed
have
she
man
sets
instead
elixir,or
wrong
kill
to
planned, but
him
brings
poison
waits,
he
While
men.
mortally
im-
become
it and
potion for her
the
time
dying
give her
to
prepares
drinks
of
self.
him-
it all to
keep
to
means
brews
who
alchemist
an
night he will drink
certain
story of
but
life-givingpotion
tragic miscalculation,
of the
situation
has
Pain
Bany
ghastly climax.
Elixir, the
Wrong
On
Life
Supernatural
86
he
Does
been
calculations
wrong?
An
example
fiction
of
is
when
but
him
science
such
as
he
wiU
give
age
at
goes
chooses
and
the
But
away.
that
the
after
sorry
liquid spilled.
This
leaves
the
is
symbolic
flask
halt
did
with
wished
his
their
man
immortal
best,
and,
crystalized, he
not
is shattered
the
in
as
the
for
know
has
of
he
it permanent,
the
flask
magic,
to
man
must
when
thought.
which
youth,
Towers
drink
to
youth,
scientist,and
of
who
one
all God
not
greatly
is not
but
make
to
Duchess
stranger
his decision
though
and
room
black
is not
elixir of
the
of Youth,
his
answers
magician,
the
immortal
drug will enable
he
The
life decides
mind
is not
This
year
dream-life.
and
him.
Ibbetson
Peter
the
read
to
he
and
into
upper
an
gift of
enters
old
Elixir
in
man
the
compounded
has
to
any
that
; that
had
he
black
in
stranger
teUs
He
that
wishing
of the
transferred
in The
seen
Paine.
Bigelow
magic
the
been
has
times, is
in modern
Albert
alone
in which
way
supematuralism
scientific
by
of the
real
and
wisdom
the
of
Hfe.
The
frequent
deathless
youth
the
with
loved
of
use
youth,
theme
illustrates
pathos and
singer
the
of
shrinks
how
from
Ireland, whom
of the
elixir of
clutches
humanity
Red
age.
W.
B.
life,of
at
Ranrahan,
Yeats
creates
Life
Supernatural
for
old
when
age
in
definite
he
feels it
creeping
stories
of
other
Various
appear
use
life elixir.
French
Whitman,
of
body
soul
exists, where
had
that
relinquish
at
the
command
humorous
application
in
where
the
criminal
kiU
But
their
succeed
in
only
for him
so
forth, but
he
has
electricitythat
he
dug
The
by
than
soul
his
Fiasco,
Amigos
wishing
with
kill
to
the trite rope,
try
to
big dynamo.
that
body
it
man
peculiar effect.
an
the
deathless
Los
town,
out
regions did
of the
idea
it is
They
ble
impossi-
try shooting, hanging, and
They
the
is
reviving body?"
the
have
such
of
access
an
unscathed
out
comes
resembling
till she
animated
re-
in
buried
queries, "If
in connection
gained
been
of
magnetizing
die.
to
revived,
blood-transfusion,
frontier
efforts
amateur
Yonder,
What
method
by putting him
him
the
been?
the
other
some
Alps,
Doyle's
of
citizens
by
of
Conan
A.
the
writer
The
interfering scientist.
seen
has
restored, by
miraculously
the
years
on
from
us
who
crossed
based
Woman
shows
of
length
those
The
woman
glacier since Hannibal
is
supernatural
of the
against
curse
him.
on
fiction, besides
English
by Stephen
and
makes
unforgettable words,
with
us
187
ancient
vitality from
through
sachem
so
thing,
every-
Hawthorne's
in
novel.
The
Flying
folklore, of
shore
only
round
Cape
the
Virtuoso's
The
wandering,
'
In
M.
Myths
of
seven
in
spite of
letter from
the
accursed
Skinner,
of
of
Legends 0/
man,
Our
he
he
who,
Land.
swore
hell.
to
Kendrick
in his Pursuit
There
ship.
to
Dutchman
is another
Harpwell
is
stories in
condemned
and
John
parody
Ship
seas
heaven
for
theme
the
because
collection, and
Dead
and
the
years,
the inevitable
furnished
C.
in
Horn
preserved
forms
wanderer
once
has
by
Dutchman
for
similar
a
cruel
touch
would
Hawthorne
his
wife, in
Bangs
of the
has
boat.
House-
story of
legend
murder
tcdd
of
88
condemned
servant,
was
his neck
and
Stoker
specimens
of
other
lived
and
fresh
if he
as
live
to
spirits rather
are
The
who
of
Lair
at
was
of years
once
old.
the
The
years
with
others.
He
is
alluringwoman
and
is
high white
The
Haunters
seems
no
we
may
He
know
which
^he retains
Andrew
Walpole
have
to
over
gaze
these
stories
him
about
teasing mystery
much
in
in
and
career
Notch
the
on
playful satire,
whoUy
burlesque,
realism
his
to
his
doesn't
one
"
German-Jewish
person
who
iti real
his
why,
whole
his
of
tmtold
that, throughout
his
the
tells the
nor
series of lives
always
mentioned
has
fact
describes'
original of
him
makes
Lang
stories
touch
the
long-continued life,or
the
out
personality of
his
in
It is not
adds
the
about
similar
hero's
been
can
whence
Thackeray,
enjoy his theme.
"
it goes
through
passes
life and
while
description by
hvunorous
woman
the Haunted
knows
man
strangely,
suppose.
and
over
power
of mystery.
to
thousands
when
and
tower,
who
being
Axe, burlesques this and

yet
large that,
so
Dracula.
was
snake
them
trees.
as
shroud
tells of
hale
pires
vam-
of
most
Stoker
appears,
disappears
all
course,
life, but
be
to
Worm,
strange
who
as
mysterious
Of
on
human
snake
Bulwer-Lytton's
of
Dracula,
beings
like
tops of the
story
lease
White
an
with
centuries, is said
forty.
than
the
walk, it looks
to
life for
were
in
count,
interesting
tangled
life, always
The
strange
several
with
us
supernatural
vampire
round
halter
die.
to
motives.
his
always
wear
furnishes
uncanny
has
to
unable
was
Bram
In
Life
Supernatural
letters
his
may
life.
and
life and
cent.
ac-
have
Horace
he
career
seems
that
talked-of
.
Edwin
Lester
Oriental
an
"
In
St. Germain
'
In
The
Arnold^
setting
Strange
tells
and
story of continued
mystery.
Edward
the Deathless.
Adventures
of Phra
the Phoenician.
life with
Bellamy's
Life
Supernatural
Looking Backward,
makes
to
into
see
Twain's
a
live far
man
the
introduction
the
by
future, while
Connecticut
Yankee
and
of
something
live
in
in
of the
tabules,
it were,
magic
furiously
I wiU
storm,
of
resting, and
of the
symboUc
theme
prepared by
has
that
The
symbolism
and
than
satire
and
has
we
fiction.
to
in
elements
essential
aspects
destiny.
old
motifs
The
ventional
con-
thrill
magic
potion
earthly
mortality
im-
its treatment
supernatural
added
is
This
same
the
with
less
the
up-to-date
more
of
him
changed
its
symbolism,
endow
the
see
to-night
own
of the
one
He
pursued by
by its
thought
of the
most
Austin.
seeing his home.

pursued
and
Myths
home
laboratory, yet
shall
of another
in
see
flies forever
given place
theme
fiction,for though
Alfred
by. the
imparted
man
by
in modem
investigator in the chemical

is
utilized
elixir of life is
alchemist
of interest
told
soul
retained
supematuralism
is
never
haunted
of the
story
He
The
moments.
is that
will
story
live fast and
man
saying, "I
it!"
see
hero
time
in another
does
Missing Man,
and
storm,
never
never
The
Land,
into
out
or
Our
uses
his
makes
crucial
at
whose
wanderer,
Legends of
goes
the
WeUs'
G.
he
makes
powers
Rugg,
he
as
that
tenfold
story of Peter
immortal
as
accelerator
with
H.
hours, compressing
few
has
Court
existence, in Arthurian
dual
idea, in that
same
long time
very
into minute
the
able
Mark
in
youth
the
be
and
span
America.
present-day
magic sleep
King Arthur's
at
magic length of life,living a
England
of
the natural
beyond
distant
189
in
elements
of
modern
remain
the
same.
Metempsychosis.
thought
into
pass
that
at
The
death
another
animal
in
English fiction.
'
In
his Time
or
even
Machine.
the
mortal
an
idea
of
soul
body
or
plant, has
This
Oriental
of
the
metempsychosis,
a
into
been
human
lower
used
belief
has
being
may
stage, into
considerably
its basis
in
antiquity,in
the
earliest
that
animistic
'
seemly,
so
being
descends
The
to
was
city.
He
himself
He
is
counterpart
of
arrow.
exact
dreamed
while
mistake
leech, and
similar
the
in
passage
that
wouldn't
in
saying
is used
but
her
that
that
the
into
to
live
likeness
nameless, since her father, for

hesitates
to
before
the
father
causes
The
give
altar
him
her
to
any
be
to
put
name.
Transmigration of a Soul.
for the
on
Morella
the
wife,
But
he
some
Morella.
at
fight,
horror,
the
theme
greatly
once
but
cannot
of
brink
the
husband
daughter
mother,
reason
cept
con-
babe
of
tells her
The
of her
temple,
the
central
In
her.
christened,
call her
applied,
new-bom
the
deathbed
contracts
conventionally
a
is
as
Bedlo,
are
much
up
man
where
after
of
in the
Poe's
the
feature
her
on
on
body
that
Mr.
arrow.
of
discoveries.
loathed,
will
wound
by
man
perished
leeches
cal
tropi-
temple
Virginia,
poisoned
power,
supernatural
into
of
named
is substituted
sangsue
connection
child
of
of which
psychic
telling
now
Benares.
is not
psychical
with
in
expected
the
that
tremendous
loved
be
makes
he
by
soul
of the
easy
but
caused
stories
other
battle
dies
patient
that
to
who
cure
In
stories.
elderly
an
Oldeb
poisonous
the
Mr.
mountains
the
influenced
death, in
on
by
recognized
fever, for the
and
by
in
in
wandering
cold
but
of
in
die, struck
theme
man
young
by
extraordinary vividness,
battle, of confusion, ending
manner
'
the
of
dreams
the
extent
it in several
employs
life of
sees
till it ends
used
certain
itself
behaved
not
Hoffmann
Mountains,
experiences, in
poisoned
up
German
Ragged
has
is
Hawkes-
John
of Dr.
spiritual scale
the
Poe, who
the
of
Bedlo
in
that
fiction
English
in
of
One
culture.
primitive
theme
soul
supernaturalism,
Tale
the
of
account
an
flea.
his
the
in
of the
appearances
repeatedly, and
by
ideas
middle-eighteenth-century story
worth's,
Life
Supernatural
90
grows
remains
analyze,
last, as she stands

force
outside
the
Life
Supernatural
What
than
more
and
overspread
that
scarcely
earth
ancestral
our
The
with
first in the
An
of
chamel
novel. The
to
child
grows
even
showing
off
cut
cat,
the
collectors
stolen
In
to
us
the
and
scientific
revivify
angels
weakness
of his
in
the
Rowena.
husband
hour
an
watches
wine
he
is
presently dies,
tomb.
The
the
that
a
the
by
combined,
body
the
mummy,
girl is found
dead,
princess
has
her
her
her.
husband,
bed
to
the
only through
the
himself
and
as
midnight,
he
sickens
at
When
again
marries
husband
mysterious
some
Ligeia
worshipped
The
soon
from
quoted
as
yield
save
madness
by
of metempsychosis,
studies
will."
bride
offering
princess,
When
experiments
not
utterly
of
alone
the
the
morbid
drops of ruby liquid fall from

the
tomb.
reanimated
doth
The
baby
own.
feeble
own
of
itself upon
revenge
young
the
soul
Egyptian's familiar,
clearly announced,
death
dies, and
Lady
that
"Man
unto
nor
the
of Poe's
Glanville:
Joseph
and
Bram
the
body
marks
life to
disturbed
is
the
rifle her
The
to
suppose
theme
in
violence
girl'slife for her
the
Morella."
of
to
Ligeia, another
of the
Stars, where
who
says:
traces
no
second
into
the
of
laughed,
story. is found
have
try
; and
I found
the
father
wrists
mysteriously disappears,
leading
tomb
enters
hand.
incantations
magic
the
the
comes
archaeologists who
slabs
of
mummy's
mummified
black
perfect duplicate
her
on
to the
Poe's
explorers
the
and
as
from
eyes
here"!
of Seven
princess
into
the
of
Jewel
of the
one
her
child,
starting at
as,
the
on
of my
glassy
dead
I laid
imitation
bom
death,
her
am
be
laugh,
where
features
turned
"I
to
I bore
bitter
Egyptian
an
found
hands
obvious
Stoker's
she
of
falling prostrate
girlis
and
the
hues
vault, responded,
long
the
sound,
and
own
my
convulsed
with
audible
young
"With
them
heaven,
to
fiend
191
the
alone
source,
Lady
with
the
sees
into
Rowena
her,
sees
the
undergo
corpse
reanimated,
but
of
her
but
the
Ligeia, who
deathless
The
climax
think
has
with
of them
back
over
which
fiction.
as
physical being
the
story
for
the
poison
as
influence, in
The
Second
Here
again the
but
in this instance
dead
the first wife.

felt
the
by
the
the
noticed
by the
human
will, indestructible
mortal
flesh
where
did
she"
the
and
the
transfer
living but
are
caused
spirit,is found
dies, that
before
that
there
from
the
strength
of mind
this
dies
hopeless
dower
of
In
The
Death
power
and
to
the
mother's
Frazer.
the
itself
over
But
"she
the
"
both
of
o'
the
help
his
elder.
makes
body
lives
and
it to
of
he
pass
powers
vitaHty,
his
persoiiality,and
on
carries
an
Twins.
before
bring
the
dead
single heir
will
his
elder
the
of
madness
body,
persons
evil
an
of
younger
Bierce
he
his
By
and
Here
whUe
instead
he
the
Ambrose
of Halpin
in
from
of
dead
pray,
Terror
that
one.
horror,^ when
possession of
'
only
and
complete,
say?
The
majority
soul
idiot
go,
malignance
fact
and
access
being.
of
climax
be
of
personality
personality.
of
would
swears
filches
he
gives
a
their
shall
Pit
him,
to
supplanter,
asserts
soul, effected
the
resents
born
are
soul
by the
is
death,
Blackwood's
in
father, who
twins
of
Vorse.
die, but without
the
it
transfer
Worth
evident
an
mother-in-law.
by
wife's
second
Ligeia struggling
her
not
and
the
to
we
Heaton
oust
before
and
effects
Patience
as
similar
husband
no
gradual but incontrovertible,
is
herself
woman
to
person
change
The
are
shows
Mary
interloper does
becomes
dying merely
dead
least
at
comes
perhaps
slay the living Rowena?
Wife, by
wife
rival.
her
drops,
ruby
to
Ligeia's story is reflected, or
of
has
closes
elixir of life for the
an
again by exerting
life
to
the
As
being, or
to
back
come
is
of Rowena,
that
lives is not
that
It
transformation.
awful
an
body
will
parallel in
Life
Supernatural
192
The
younger
with
this
evil
slay
double
idea
to
spirit take
her
son,
who
Life
Supernatural
his
recognizes
that
eyes
loved
glare
strangling him,
fiend
in her
The
motives
Rider
of her
bath
all
agitating to
close relation
The
atavistic
on
Orientalist
by
of
'
gives
"
Soul
13
witch, who
She
inoculate
to
to
has
This
century.
Several
is
him
without
But
the
proves
too
mankind,
mere
also
the
on
Fire.
of
has
cure
are
in
that
bearing
Another
remote
effected
of
by
novel
by
alizes
re-
ancestress,
the
mental
novel
cured
title-name,
terrorized
of her
ism
hypnot-
of troublesome
cases
woman
young
reincarnation
a
and
reincarnation
is cured
hypnotism.
life,with
modern
in
of the Turkish
metempsychosis
stories.
Williams,
sorceries.
means
author,
stages
thousands
kissing her, which
personality or
Fenwick
her
of
means
reign together
can
herself to be the reincarnation
with
known
determines
they
psychotherapy''. Theodora,
an
by
periodically and
other
some
between
in various
is shown
Frances
sequel, Ayesha.
again.
dies
he
has
dies
of
She-who-must-be-
him, since her divinity is fatal
for
much
he
so
of life
interruptions of mortality.
insists
lover
impatient
its
beauty
she
she
so
that
troublesome
those
and
whom
again in
so
and
combination
having the advantage
lady,
immortality
with
so
the
curious
elixir of
fluid, recognizes in various
medicine,
over
of the
with
up
witchcraft
dread
youth
lover
Not
patent
bom
be
to
the
before.
or
her
tangled
use
and
the
magic
existence
of years
are
hideous
supernatural continuance
woman,
the
in
the
given
elixir,in She
keeps
who
bathing
that
it is
is found
fiction, the
has
and
of the
obeyed
in
Haggard
wonderful
The
it is her
hands
that
dream-supematuralism,
metempsychosis,
means
that
her
know
metempsychosis
life,hypnotism,
by
him,
at
cannot
yet
"
of
other
forth.
fiend-like
face, knows
corpse.
theme
various
mother's
193
by
witch
country
hauntings
the
same
character
by psycho-analysis.
Life
Supernatural
194
The
young
which
curse,
influences
is removed
subconscious
the
investigations concerning
and
pre-natal
of
study
after
only
of
heiress
the
be
herself to
discovers
woman
self.
As
is
by
seen
and
fiction
witch
the
returning
Sorceries,
Ancient
on
but
the
who
lived
once
there.
in
metempsychosis
where
several
characters
in
lived
have
and
Another
existence.
Wave,
for
has
much
drawn
child
who
some
of
experiences
her
around
of
the
far
lived
have
is
in
Woman,
is
enters
be
to
recognized
though
lovers
and
loved
fiction.
other
each
sin
of
before,
previous
Blackwood,
of
cipal
prin-
has
been
in
now,
in
reborn
but
in
has
"
it.
they feel
previous
its basis
Fogazzaro's
Italian,
of
for the
novel,
woman
the
those
of her
of
his
reliving
while
unaware
other
of
personality
in
fiction, that
each
psychosis
metem-
instance
an
companions
are
The
the
many
ancestress,
the
as
Antonio
good example
into
poignantly
they
of
us
the
long-dead
literary bromide
recurrence
they
Blackwood
gives
suffers
that
past,
remark
fatuous
they
are
and
it
he
herself
else
one
realizing that
subjects in general and
Clothes
knows
Vallon, is
Le
chief
by
them.
particular, for
Old
In
numerous.
are
reincarnation
by
psychic
to
in
stories.
the
realized
characters,
novel
theme
instances
the
with
expiate
recent
its
the
once
action
must
of mob-
case
reincarnation,
collective
they
other
no
wizards
and
novel, Jules
associated
been
village being
witches
at
dramatic
the
feeling that
and
of
of
story
wood's
Black-
Algernon
fiction, but
recent
of
powers
whole
of
reincarnated
are
on
of
know
English
recent
witch-metempsychosis
long-dead
I
Blackwood's
Algernon
based
of
reanimations
In
have
we
population
large scale, the
form.
other
some
in
unusual
have
characters
life in
to
close, since
is very
metempsychosis
craft
witch-
between
relation
the
examples,
these
life
The
that
ence,
existin
The
feels
Life
Supernatural
that
she and
who
have
morbid
her lover
suffered
idea
The
is
Jew
young
striking story
in
England
recall
and
their
each
The
character
for
in
us
of the
that
he
tapholus, Pilate's
faster, and
go
Here
he
Israel
Kafka
is made
he
is
as
through
has
a
is
idyll,The
in
life
childhood
complete
their
the
dreams
even
familiar
names.
and
motives
very
dual
and
skillfullyin
young
man
youth
dead
and
be
anew.
chosis,
metempsy-
called
each
piece of
girlwhen
and
other
they
the
panions
com-
dream-life, and
adolescent
have
They
minute
people
Kipling's charming
youth
memories.
to
the
tures
tor-
his
by
die his death
may
in
makes
psychical
killed
stories.
recognize
Witch
Uoma
and
dreams
for the
nation
combi-
The
in
experiences of
Boy,
Jew.
is another
hypnotism
between
Brushwood
real
of their
same
Jew
in certain
dream-metempsychosis,
first meet
young
to
Car-
continuous
where
physical
close relation
seen
than
this
to
of
Wandering
the
the
the
destiny
Jesus, bidding Him
as
heard, and
never
cruel
reincarnation
rather
By
known
interest
Crawford,
Marion
have
metempsychosis
and
They
him.
they
struck
lives
Christian.
pass
loved
becoming
given additional
be
similar
Abeles,
a
to
of whom
prose
who
through
go
becoming
There
porter,
for
lions
together.
is immortalized
F.
of Simon
for
to
the
tragic death
is
here
successive
by
die
themselves,
separated by
they
man'
hypnotism
of Prague,
be
to
Somewhat
of
the
to
Quiller-
T.
girl,a farmer's
in
wherein
is said
who
lives
existence.
lives
last
at
and
princess who
other,
time, but
other
Jew led
Roman
which
reincarnation.
half-witted
each
successive
loved
each
in
A.
by
dual
of
and
young
Christian, and
selves
tragic madness.
daughter, recognize
in
of Joseph Laquedem,
personalities of
long-dead
tragic experiences together,
culminates
Mystery
Couch,
of
reincarnations
are
195
details
of
dreamed
tion,
conversa-
combines
Du
Maurier
his
novels, for it is in
the
two
succes-
sive
dreams
that
Joscelyn telling
the
him
of
to
write
genius, before
she
takes
She
in
dreams,
be
born.
and
the
she
will
come
but
she
will
live
in the
They
again
their
We
and
could
be
Gatienne
each
when
"
it, and
constituting
only
does
Peter
dead
and
let them
share
in his
woman
dead
prison
as
for
Peter
man,
long
over
only
see
both
not
be
to
never
will
himself
living
killed.
in
describes
past, but
of
life,so
had
never
Dream
dream-future.
future, till he
He
hers,
but
comparative
ancestors
Ibbetson,
in A
Wells
story of the
sees
see
of
personality again
reader
lost
think
personal
sees
his
He
different
himself
his
of
mortality
im-
over
again in
dreamed
as
dreams
part
die
experiences
as
French
English
an
Towers,
life.
own
gives
in consecutive
man
then
present
Mary
of in her
of Armageddon
the power
his
to
Gatienne,
travels
or
he has
that
generations, lives
seeing things she

G.
to
them.
(though
own
of
live in the
these
H.
our
of
to
so
not
become
space
if the
germ
able
are
dream
last
at
but
portion
transport
to
They
earth.
on
Not
the
past, while
the
griefs they knew
resumed
it
life
ancestors,
they
for
phenomenon
strange
the
women,
we
with
back
joys
common
until
men
the
and
childhood
sub-consciousness,
sub-dreams,
is to
of
joys, the work,

their
that
the
life their
plumb
child
golden yesterdays,
cruelly apart.
long-dead
carried
again
them
more
no
will their
reality
shadowy
together) and
we
at
him
their
dren.
chil-
of his
Ibbetson
again
of
books
"
one
to
Peter
over
find
to
happy
the
ago.
dreams
live
keeps
to
hear
dual
able
in
call back
these
in
are
present
and
that
Towers
know
in
earthly life
up
him
for
writing
or
Barty
to
planet, and
another
on
that
of
together,
life
tells him
And
Duchess
her
"
herself
reveals
Martian
him
inspiring
us
Life
Supernatural
196
of
in
that
the
his
given
he
world,
second
in "a
curious
visions
is another
far
in
the
personality.
dream
so
ac-
Life
Supernatural
that
curate
afterwards
forgotten."
He
his dream-life
than
suffers
of the
his actual
real
"him
o'
him,"
teUing
the
different
version
Immortal
beloved
of
Gymnasts,
human
as
by
and
beings
has
the
power
of
him
into
the
minds
and
of
see
"cloud-currents."
transmigration?
found
the
in
various
and
others.
every
serious
motif
in
The
the
soul
of the
might
into
of
body
lives
of
freed
day
herself, "I
of
enables
by
means
we
actual
Heroine,
which
There
put.
is not
of
Last
to
use
say
life is
The
Rebellious
The
are
men.
shall
"
into
that
is
no
in
parodied
bars
for
up
for
soul
and
tortured
is set
soul, she
glad I
the
wrath,
body
free.
sees
was
As
the
never
Barry
different
to
peace
loved.
He
the
that
it
passes
beating its hopeless wings

with
woman's
into
he
larly
particu-
describes
he
right
strongly
style.
transmigration
its
giving
a
itself
lends
symbolic
of
captive bird
witch
am
theme
treatment,
ease
of
then
the
aspects
as
man
is
metempsychosis
allegoric and
shows
old
girl goes
young
the
of mortals
later
or
here
which
fantastic
literature
conventional
of the
the
to
against the
mark
sooner
fiction,as
purchase
the
the
in
for
Kipling's
as
Bangs'
treatment
Exchange
from
hearts
shown
other, if only by suggestion.
or
in recent
well
Pain's
is
vision
characters
illustrates
theme
symbolic
evident
fictive
supernatural
form
some
present
live among
to
question
Kendrick
It
man
Columbine
and
come
stories, such
Stories,John
the
is
Cher,
magic
This
of
"
Marie
Harlequin
Harlequin
to
the
was
of the
man
metempsychosis
trio, Pantaloon,
embodied
What
him
his friend?
to
story
that
real to
Worth,
business
the
had
grief,so
time.
own
Patience
quote
or
and
infinitelymore
is
of his
to
dream-future,
The
future
little details you
of love
tortures
existence
of the
remember
you
197
of
she
pain and
thirst,
while
soul
the
by,
in the
piteous bird, and

a
bird."
of the
lamb
snow-white
passes
as
that
state
says
to
Algernon
of
story
Blackwood,
himself
from
without.
magic
and
beauty
doubt
that
his
to him
when
he
part
of
this
souls
have
he
calls the
after
that
' '
to
figure
prairie, and
instead
into
enter
personality, and
a
her
new
whom
asks
She
her
carry
imspaced
has
away,
she is veiy
soul, he
expanse
for
consent
little
of
sense
soul
see
comes
going
since
the
presses
feels
that
of
poem
Yohu,
them
symbolic
of
being,
become
forever
the
Yohu
his
that
earth
lures
to
once
the
shadows
more
old
sometimes
king's
play
the
part of
Life
to
play
the
and
he
sendeth
beggar,
part
for
sends
them
again
to
out
gives
him
to
with
sometimes
or
of
to work
polish.
and
Lives
where
Usury,
shadows
to
to
little prose-
called
lives
gleaming
Lives, sending the
was
beggar's
Yohu?
them
beauty
new
touches, has
spirits,lures
evil
brighter still; and
Life
he
of the
ever
brighten
theme
strange,
metempsychosis,
one
And
lends
symbolic
by giving
him
who
Dunsany,
supernatural
every
knows
He
of
reluctant
to
woman,
souls.
in the
gives
her
his
Here
part of his.
Lord
he
life.
his
into
there
heart, then
his
to
her
into
souls
power
speaks
he
unbodied
of
become
him, and
of
that
to leave
not
take
not
but
"
around
When
come
Fifth.
on
recognizes, the
' '
wilderness
will
her,
Soul.
begs him
this
wide
some
leave
Little
time, she
if he
Souls
with
has
two
natures,
Barker's
sympathy
strange
lonely in
her
Granville
to
impressive example
most
two
beyond
promised
his soul
the
to
knows
he
that
linger earth-bound
that
to
to
of
merging
suddenly acquires, or
man
the
The
being.
personality
miraculously
and
and
peculiar
materialist
new
artist, who
died
gives
selfish
with
world,
the
died, has
in
the
opened
friend, the
sudden
where
are
eyes
of
own
is found
one,
a
his
of
Return,
reinforced
suddenly
His
The
in
metempsychosis,
finds
Life
Supernatural
198
king.
make
shadow
it down
he
What
to
to
sendeth
careth
Life
Supernatural
Spiritualism and
of
modem
of
of
late
of
be
interest
than
more
in
though
called
science
here
get in
to
Research
of
and
various
treatises
of
The
of My
of
return
pins
and
wash
in the
that
he
so-
of investigation
that
so
yet the
ing
liv-
the
Psychical
and
authentic
much
their
results
.may
since
In
the
will
die
he
she
he
is
it, for
at
He
lost soul
sticks
well.
as
in hell.
full of
baby
clothes
from
piece of squash
mediums
by
the
in this
pie.
In
definite
tell
hour, but
and
In
tortured
is still interested
seven
day
fictional
her
of the
the
the
Mrs.
account
spirit actuated
story
certain
to
of
treat
for him.
satiric
folds
requests
depicts
it had
he
tree, and
previous
in Blithedale
Spiritualism
gives
literary
as
notebooks
in addition
of corpses.
shape
Ghost
in his
up
she
says
Spiritualism
of it is introduced
takes
Death
ties it to
Kentucky's
in
fascination
deserves
life,however,
malice.
the
heaven,
doubtless
He
lines
dead
in
"
passages
spiritwho
For
Psychical
supposedly
and
Phelps Ward,
Stuart
Day
the
different,
discussion
showing
Elizabeth
the
enlightened,
interested
was
matter
spiritsof
are
subject will
Spiritualism endeavors
classify the
to
flected
re-
together.
material, since
the
be
religion and
"
communication,
Hawthorne
Romance
so-called
parallel
and
approach
discussed
them
among
religion and
While
the
comforted
such
methods
be
with
attempts
of
ments
move-
closely allied.
are
of
and
similar.
are
be
form
always
not
touch
may
cases
is
"
are
cially
espe-
that
aspects of the
they
science,
new
persons,
two
the
on
marked,
inevitable
many
since
Spiritualism
a
so
These
together
Research
Research
been
be
influence
ordinary intelligence, should
fiction.
treated
has
It would
years.
The
Psychical
supematuralism
which
many
Research.
Psychical
Spiritualism and
literature
199
he
man
lives
cheerfully on.
William
Dean
Howells
has
given
study
in his usual
kindly
satire
of
and
Dr.
assisted
by
daughter,
after
physically prostrated
her
father
usual
to
place, where
spirit hands
jocular,
and
is handled
and
with
Howells
well
as
doctor
and
looks
seeks
far country
soul.
Garland
has
his
to
The
Shadow
Howells's
in
victim
has
fallen
or
When
as
the
may
former
also
with
genuine
into
than
Davis
has
he has
of
by fanatics,
in
half
the
been
contributed
exploitation
an
aware
by
able
that
she
of
her
is
which
has
written
and
is made
as
preacher
to
take
victim
leaves
fraud
she
lover, the New
with
in life.
with
York
of
in doubt.
her
that
after
Harding
similar
plot, the
Here
is to
part
Richard
beautiful
course,
and
and
the
author
and, of
the Medium.
he
in
himself
preacher kills himself
to do
Vera
interest
girl is made
whether
voliune
of the
like
communication
innocent
conclusion
away
off the
closer
truths
error
considerably
mother
the
the
of the Dark
is
She
scoffers
his
commit
to
young
her.
medium
him
girl casts
the
Tyranny
fanatics, her
in love
come
death
than
of
here
realizes
Bible
belief,
only when
question, but
spiritualisticmanifestations,
fraud
he
The
novel, for
innocent
who
World.
he
refuses
it. The
dealing with
novels
two
opinion of the
own
false
considerable
shown
take
messages,
each, the
It is
that
He
the
sincerity of each
with
in the
his fiction.
and
superstition and
fanatics.
faith
by
where
characterization
the
out
face
begs
forth
so
air
The
sympathy
the
of the
Spiritualism in
as
in
know
to
Hamlin
real
death
the
in
of
misguided
the
levitation, and
bring
web
medium
as
delivered.
are
in the
shows
as
acts
is
and
performance
wave
skill to
involved
person
She
rapping, table
effects of
grave
her.
spare
each
seances
girl who
delicate, sensitive
omena
phen-
zealot, holds
mistaken
the
Undiscovered
in The
mesmerism,
and
Boynton,
his
seriousness, of
sympathetic
SpirituaUsm
Country.
at
Life
Supernatural
200
the
in her
be
girl is
girl
more
last seance,
carried
phantly
trium-
district attorney,
Life
Supernatural
she
dramatically
getter, she
pleads that
her
grandmother
cut
off from
Martin
and
told
has
that
been
When
certain
the
as
is
other
world
also
yield
Whether
years.
thinking
usual
and
The
Last
of
saying
hold
headed
was
interest
the
place.
Mark
though
that
And
The
word
back
to
the
modern
material, but
novels
the
miserable
are
subject receives
Nelson
of
its
Lloyd's
who
specter
of
entreated
had
his
the
heard
lage,
vil-
spooks
Spiritualism
bring about
Sandy's
of late
they
not,
or
revival
mournful
Stormfield, that
and
of
quit
comment
he
wished
Spiritualism,
so
he
to
there
could
folks.
of the
association
he
would
recall
in that
Proceedings
twofold
various
we
it
best
enters
of fiction
story
had
though
recognize
spiritsall got discouraged
Captain
Twain's
send
and
way
as
the
the
adults
stories,as
he
with
from
are
unimaginativeness
little while
ghosts, the
something
was
in
that
the
The
the
Harmony,
pricked
Spiritualism
in
it.
sleeper
back
works
many
in various
is
^for children
"
We
living, and
guidance.
about
scientific
and
of
comes
of the
believe
the
for
out
drama
portion of the sleeper's
eventually
"
his
to
turn
in
and
radio-photography.
body
Grimm
him,
sees
writing
Ghost
complains
to
of
means
actions
people
humorous
kitchen
Great,
Grimm,
shadow-self
shadow
indirectly into
or
the
Peter
or
Peter
animals,-
and
directly
by
the
child
save
the
been
closet."
of
"envelope"
bleed.
had
spiritualistic manifestations.
direct
to
only
sensitives
him
Return
because
she
round
Alexander
china
part of the
to
seen
first
play
to
sympathy-
mediums,
cheek, the corresponding
body
at
used
As
lonely, that
very
were
our
photographed
pin,
in
upon
the
was
and
The
novel, is based
are
"I
lived
Belasco's
deception.
mother
Pocahontas
Luther
David
her
she
society.
with
stove
confesses
201
Psychical Research
with
and
instances
literature, for
stories
recorded
been
are
Society
not
only
inspired by
similar
have
have
such
in many
the classical
to
cases
Greek
in his
number
and
of
be
book
by
instances
that
soul
held
as
romance,
Elizabethan
true
ghost
revenge
the
along
There
are
spiritwho
promise
to
ghost
returns
in
based
is
so
living man,
beyond
dispute.
ghost returning
name
is called
to
the
From
something
the
all
appeared
the
same
have
may
quired
ac-
Algernon
theme,
one
friend
does
him
to
and
Afterwards, by
the
case
dream
he
bedroom.
friend
some
several
gives
curious
where
the
is not
the
Later
he
is
present, for his heavy breathing,
covers,
attend
to
Blackwood
not
with
accordance
himself
the
compact-ghost,
in
impress
Fred
C.
neighborhood
by mistake, he takes
speaking through
is
of
case
beliefs, for
they
death
assigns
the
classics.
the
ghosts have
much
just after
lifelike his
of
Gothic
personality is largely the
life,to manifest
and
there
have
times, and
invisible,yet undoubtedly
movements
dead
of
that
on
in
was
undertaker.
these
instances
skeptic.
some
stories
aU
recent
modernity.
many
made
human
however
of
veneer
or
and
emotions
elemental
grateful
Ger-
body
about, is
us
that
in
humanity
in
as
his
appear
Perhaps
in all lands
same
tells
befriend
to
the
well
as
Peele
it would
and
if its
world
other
H.
inability of
The
ancients, is reflected
whom
to
line.
the
G.
introduces
stories.
drama
back
comparisons
inherently
classical
the
by
ghost of Jack,
these
search
Re-
stories
modem
many
Personality, while
in
rest
ghost coming
of
source
riously
cu-
Great's
the
Gregory
Grateful Dead,
like
are
unburied,
The
of
are
Psychical
the
by
are
which
souls
of
Book
Human
The
have
to
Fourth
"There
says,
comparative study of CoUison-Morley's
volume,
Stories
collected
double
Myers's
and
the
The
found
ould's
the
CoUison-Morley
Lacy
passing
of those
Society, in
may
Ghost
of the
some
Dialogues."
ghost stories.
Roman
stories
like
Life
Supernatural
202
lips of
young
part
man
on
the
Smale,
club.
on
the
bed
are
shows
When
his
program,
present,
who
Life
Supernatural
off
goes
in
j'-outh,who
of
cataleptic
is
ignorant
note
he
has
felt
story of
the
at
nightingale
music, gives
lover
runs
while
the
central
he
novelette
by
and
spiritualpresence,
lonely
is with
she
does
not
their
loved
to
realize
of
death, and
waits
to
thin
Basil
to
to
she
of
tells
body
accomplish
effects
it
carries
most
earth
murdered
to
see
goes.
vision
is
dies
out
the
effective
hover
So
when
she
hers, she has
her
of
of
trying vainly
At
living
suggestion psychically given.

recent
the
accounts
life of the
destiny, is
in
EUen
of
unable
means.
a
living,
worlds.
two
in life but
physical
mind
horror
no
to the
soul
done
comes
in life. ^The
as
dead
near
grieve, but
not
separates the
wrong
by
dead
beside
veil that
purpose
the
of the
of
hundreds
does
nearness
is Wee
playmate
she
by impressing the
to influence
control
been
she
right
to
on
companionship
chief
Her
poignant story
her
her
is
spiritsof the dead, though
smiling
the
of his
home
Her
them.
lover
story is the
King
in
her
stand
texture
return
who
the
him
of the
theme
the
when
father's
her
is conscious
world.
the
is able
strange
after
its
for
strange sensitiveness
that
so
wherever
what
see
other
has
she
ones
with
up
the
who
before, and
years
the
hasn't
He
phenomena
dying mother
recognize
Elsbeth,
Brown
in
Burnett, called
Hodgson
her
people,"
so
ghostly tryst
life.
to
psychical
Scotland,
"white
the
his
keeps
says
sweetheart
like Ahimeas
child, born
from
in
estate
he
relates
his
to
back
Frances
grows
manifestations
wakes
Brown
come
little
when
discussing
all.
has
People,
he
who,
him
bring
interest.
to
discussion
and
Alice
ready, and
at
tragic death
to
is
drowned
White
touch.
death, but
rescuers
recent
When
on.
the
coma
technical
semi-tones
promised
of
before
really been
The
and
who
moment
Bible,
chill
trills
this
During
trance.
notation, analyzing diatonic
the
to
of
203
woman
One
spirit'sreturn
living,to give
Glasgow's
messages
The
last
of
to
or
Shadowy
Third.
Here
stepfather
the
has
ghost of
done
his death
cause
in
trip
up
him
in the
impressive
an
Henry
Screw,
based
The
central
Ghost,
is
loved
in
Blackwood
in
of the
is eaten
up
life shall
stories
of
the
the
Society, and
much
to
the
subject.
in
story
legend
written
the
to
volume
by him
angels
Mons.
at
back
the
while
another
Germans
defending
heroes
of
minister
His
the
if
voice
fires;and
was
be made
he
file past him
hushed.
vesture
of
lifted
For
was
who
to
to
as
great sword
piece
for
soldier
drink
the
to
Allies,
wounded
He
of
for his valor.
at
was
dawn,
of flame.
in
long-dead
and
looked
rose
natural
super-
army
the
praise him
he
of fiction
relating
his
hour
sees
changed.
starlight,of the
up
of
one
contemporary
and
the
comrades,
In
story of the
George
vision
ing
interest-
are
of material
is
save
wine
short
tale
the
contributed
Bowmen.
mass
Saint
the
gives him
of his
fashion
armor
his
England
the
less
number-
just published
that
how
us
woman
Algernon
his
has
The
ghosts
mentioning
has
The
child.
novel.
in
often
from
and
describes
battle
The
of
of
else.
Lang
shows
One
intervention
drive
is
of the
lest the
material
called
evolved
has
This
revenge
one
Machen
since
up,
mind
war-apparitions
he
built
be
some
Andrew
specimens,
the
may
for
Arthur
of
of stories
psychical
the
jealousy
supernatural,
of
collection
of
Psychical Society,
rabid
most
psychical
work
must
Turn
Bennett's
with
care
much
uses
he
his death.
the
to
Arnold
one
specter,
little
figure in front
to
corrupting
woman
literature,who
he
reported
character
to
her
where
ghost story, The
his
incident
an
on
throws
phantom
headlong
returns
money,
She
her
ghost.
revenge
James
her
sees
her
stairway
the
girl whom
little
way.
on
to fall
so
spectral old
in
he
gloom,
for
unusual
an
in it when
child,
death
to
skipping-rope carelessly
of
Life
Supernatural
204
the
minister
all in
and
armor,
of sunset
Life
Supernatural
'
Full
in the
Another
of
of
fighters who
they
are
of
his
descriptions
long-dead
Greeks
the
struggle which
their
These
instances
of
influence
seen
of
one
of
and
snap-shotted.
but
the
of
to her
friend
Mrs.
very
of
leads
to
because
the
stories
that
in many
in
most
fiction
They
Society
ing
claim-
the
"lies
that
at
stridently claim
to
the
that
reader
Mrs.
one,
either
like
her
newly
fingers,
then.
lack
or
to
for
his
account
being
merely
The
modern
the
interest
impart, and
that
throat
as
recent
missed
Research
taste
fact
but
reportorial
real
down
as
of
dress
truth,"
is able
his
scription
de-
the
story has usually been
it is
Veal
with
shortly before
her
like
be
who
Veal,
conversed
between
exist
loses
it is rammed
impress
and
Psychical
for
published
ago
time, which
the
tions
appari-
tion
problematic fic-
written
This
not
instances
don't
appeared,
is much
rubs
organization did
because
many
to
story of Mrs.
heaven
believe
current
the
cases
the
traceable
long
Bargrave,
Defoe's
to
one
ghost story
reported
her
of
one
Defoe
friend
lifelike conversation.
evidence
reluctant
are
of
realistic, with
and
as
they
part in
of actual
sort
religious book
certain
seems
have
This
that
silk, which
her
take
among
accounts
since
scoured
regarded
'
few
fiction
kind, the
her, gravely telling her
She
in
fact,
however,
best
in
ghost stories
fiction
the
that.
only
are
that
to
descendants
thinks
employs,
knows
arisen
strange
He
Britain
minister
modern
of
English.
that
have
experience
war.
new,
appeared
the
not
is not
the
aid
supernaturalism
volumes
be
to
tells
who
stories
of the
Certain
battle, who
tribesmen
the
the
share.
is the
in to
are
to
apparitions
in
come
some
from
Apostate's pride."
collective
have
of Red
brandished
the
soldier, wounded
but
trampled
case
Cross
Michael
Triumphant
And
his
midst,
205
sort
for
fiction.
of
fact.
One
of
relating
the
that
claim
psychography
to
decrease
The
back
sent
lacking that
the
perhaps
strikes.
she
Anita
claims
which
SUvani
has
written
were
statement
dictator
she
furnishes
"as
described,
if
of three
romances
inner
literature
asked
theosophy
on
since
bias.
previous
Mrs.
letters
in narrative
dictated
late
was
her
to
sitting
by
in
writing began.
has
but
on
nothing
the
These
that
subject.
pen-name
has
put
which
she
She
Paris
for
could
into
X,
the
of
the
"
well,
scenes
These
her.
well
be
to
Judge
present
read
to
the
or
to
be
is
another
out
two
free
makes
any
natural
super-
from
any
of
these
were
ghost of the
that
while
day, her
it, and
of
volumes
affidavit
states
hand
the
like
included
she
was
automatic
is another
spooks, but
contribution
According
is
stuff, as
not
one
spirit-writerstell
is
her
before
Campbell-Praed
that
ing
accommodat-
spirit,the
pencil thrust
Mrs.
nothing
anthology.
Barker
in
room
stenographers
left
mind
disembodied
Her
advance
of California.
her
violentlyseized,
feminine
form,
Hatch,
Judge
her
she
semi-trance,
Spiritualism
Elsa
for
literary mediums,
in
or
they wished
that
quite peculiar productions.
are
her
But
volumes
visions
passed"
worlds
voices
for
inner
dioram
in
will doubt.
have
grammar
by literary
several
was
illustrations
would
she
says
she
master
being made
of
resentment
published
while
the
necessary.
tired
grow
their
reader
no
consider
world.
other
spellingand
over
great
show
the
marked
genius lack
editors
and
boys,
dead
control
be
must
reaches
one
by
spirits of the
messenger
there
that
low, earth-bound
which
The
it appears
messages
instances
expect unmortals
might
we
intelligence when
of
style, even
for
what
not
number
is the
years
spirit-inspired. These
be
to
are
indite, but
in recent
matters
literature
the
of
interesting aspects
most
psychic
to
of books
of
Life
Supernatural
2o6
of these
the
in
rest
a
she
literary
us
of life after
to
existing ignorance
Hatch,
war
has
whose
its
death,
mortem
post-
parallel
Life
Supernatural
in
conflict
of
spirits, and
confusion
because
the
must
slain
of
the
astral
overcrowding,
through
go
207
world
that
so
the
and
torments
is in
dire
souls
of
struggle with
demons.
The
by
most
of the
way
of which
of
dictated
Worth
stories
why
says
that
insists
that
her
style
a
output
the
interest
bring
us
no
is
the
author?
other
informal
when
one
considers
and
seems
slow
velous
mar-
movements,
have
to
seem
literary value, though
from
messages
it
compositions,
the
Yost
stories,-lyrics,
communications
certain
Mr.
Elizabethan
any
written
them
Patience
but
Elizabethan,
has
took
ago.
unlike
ial
editor-
of Patience
name
Curran
and
Elizabethan
the
us
ouija-board
if Mrs.
as
She
The
of the
if the
long time
with.
ouija-board.
himian
But
conglomeration,
long drama,
of
lived
language
familiar
am
Casper Yost,
appear
to
comes
Louis, the authenticity
plays, giving the
Yost
she
curious
and
Mr.
does
Worth
rather
by Mr.
spirit author, and
the
as
for
St.
Globe-Democrat.
the
the
psychography
of
ouija-board from
is vouched
staff
down,
instance
recent
they
section
of
eternity.
'
Automatic
writing
ier, where
his
the
sleep
hours.
The
Bangs
spiritfrom
Mars
books
write
to
type
in The
appears
has
by
him
to
parodied
by
Typewriter, which
in his
An
Other
Angel Message, Being
Received
Dead
by
Man,
Stranger
Jolly,
the
Elsa
machine
Her
of Phoebus;
Vagrom
in Paradise,
with
The
spiritsas
Letters
War
James
rapid
The
Heretic; An
Leaves
Lee.
in
This
from
Soul
across
from
Living
Man;
The
gentleman
W.
Life
Through
Autobiography
Robert
Living
by Straford
Bridegroom;
last-named
as
Dead
Crawford;
the
from
are:
Communications
of the Moor,
Astral
composition
worked
from
Letters
of Vision, by Hope
Spirit, and
by Robert
Holy
in
waking
inspired by spirits
be
and
Angelic
L. Lewis;
Hour
to
Campbell-Praed;
Mrs.
and
Barker,
and
Car
The
be in touch
claim
of
Series
Fiction, by Mary
Lymond
Mists,
Soul
by
The
that
books
Lady; Nyria, by
than
Ida
Elysian;
to
of the
examples
Maur-
Kendrick
John
industriously recording telegraphic despatches

"
Du
Barty Joscelyn
causes
impossible
been
in his Enchanted
Martian
of
seems
Chambers.
2o8
the
The
Styx.
Boswell.
the
of
period
of
hours
six
the
following
from
print
things get
of it?
when
ridicule
their
ghosts
after
And
plays by
style fails
to
to
the
and
unearthly,
fast mail
fate
the
in
out
the
made
discover
to
effect
out
the
supernatural
of
ghosts
the
as
"various
animals,
in
wandering
from
of St.
minister
of
date
enter
to
hear
B.C.
anybody
'
Plays
is
300
the
hearing
of the Natural
bull
and
in
three
the
save
Supernatwal.
has
train,
effects
characters
force
animals
is
the
red
them
The
brought
howling
of
Spring Recital troops

of loathsome
of
of
ghost
1631,
the
is
four
an
monk
priests of
He
fish,birds,
dead
newly
organist play.
his music
and
died
the
committed.
and
and
street," the
the
Giles, who
Thebaid,
on
he
ghost with
been
child
psychic
fauns, clouds
living
shadow
and
open,
and
In A
twists
after
wastrels, "persistences"
and
spiritsof hags
and
hamadryads,
and
the
by.
volume
new
lures
The
manifestation
pass
beings and
has
of
in
peculiar, the
human
that
bellowing
here, in the
dogs
the
specifications.
track,
child.
spirits,a wraith,
much
to
shadow
gate
more
poor
personce, typifying
The
the
even
murder
nymphs
of
kills
circle round
who
dramatis
the
the
gives curious
railway
leave
are
including various
eyes,
the
do
Sphere, where
drama.
to
to
Dark
the
old
human,
the
is found
Blue
The
among
on
elders
very
In
are
of the
idea
monstrosity
caused
in
as
break
to
praise,and
up
He
standing
trying
are
hands.
unseen
all, what
come
Dreiser.'
Theodore
machine
royalties,scant
No
Interesting psychical material

of
by
during
o'clock,
four
type-writing
many
days.
these
out
and
itself
evolved
has
pages
library, manipulated
astonishing how
It is
Jim
as
name
midnight
of
gives his
operator
states
months,
of my
corner
into
writer
substance
between
invisible
The
The
in
Life
Supernatural
Isis
unaware
human
spirits
English
of the
of
2840
that
beings
Supernatural
who
have
happened in.
These
Uterary plays, impossible

and
in their
the
late
curious
German
August
English
Life
and
these
places.
thought
to
classical
life.
in
shows
he
knows
references
famous
in
heaven
his
ideas
of mercy
and
hell
and
no
heaven
Hades,
English
fiction
of
and
Dante
lays
person
pictures his
real
as
of heaven
out
in the
"Up
Wid
with
while
and
to others
hell
14.
have
de
his iron
he is
been
as
so
definite
To
some
Yet
fit his
to
appropriate
of
Bunyan,
it is in
fiction.
places, while
the
devil
is
to
as
folk-song, where,
stepped
up
heU
of mind.
darkey
Tearin'
wise
like-
Celestial
inferno
own
desires,
own
and
states
are
has
Milton.
his
they
strong
Ixion, Tantalus,
as
suit
others
drama
with
for
think
and
Elizabethan
coloring the conceptions
Some
after
of the
and
to
for
thing,
accounts
beings, changing
instance,
gives much
new
justice,peopling them
and
concerning
definitely expects
underworld,
in
thinking each
City for himself
is
in
ing
by the epic supernaturalism, reflect-
and
own
and
interested
represented
Modern
Tityus.
the
especially frequent allusions
are
sufferers
influenced
been
the
to
of
plays
form
little
he
interest
There
influence.
certain
but
earth, and
the
the
immensely
is full of doleful
to
of
some
the American
traveler
early English stage
Sisyphus, and
as
born
to
stage,
lately.
This
not.
or
many
the
is
the
on
as
purely
are
extreme
an
countries, whether
addition
Senecan
to
is
mythology
The
hell
Mankind
distant
to
there
go
Death.
man
such
that
evidenced
But
course
likeness
in
has
hell, though
of
show
material
psychic
209
presentation
show
They
drama
heaven
of
supernaturalism,
toward
after
dramas
character
Stramm.
tendency
Life
de
an
debbil
wooden
shubbil,
yearth wid
iconoclastic
treated
in
his
new
every
big-toe nail!"
thought.
conceivable
Heaven
way
in
Life
Supernatural
210
English fiction
and
conventionally, symbolically, humorously,
"
satirically,so that
There
Among
the
hell
Mrs.
Her
works
had
Elizabeth
when
death
of the
pictures of heaven
to
the
and
the
to
bread
earthly
his
small
her
butter.
and
eternity and
him.
In
there
are
and
she
such
Te
read
leaves
are
which
must
all sorts
She
occupied
lack
earth,"
brook
and
in
by
earth
and
low
Bodies
projections;
and
that
she
hears
bird
is
each
are
the
lived
sing
may
and
duet, and
compared
and
spiritual.
spirits
who
ways,
away."
"They
in
nothing
with
the
holds
nothing, believed
for
Language
heaven
selfish
get
things
sing
earth-bound
themselves
be
remembers
Universal
many
to
for
iences.
conven-
birds
soul, and
coarse
momentum
cultivated
which
she
Beyond,
pleasure in simple
learned
near
nothing,
"
Gates
to
with
problems
occupations, material, mental,
that
they
by
vaporous
mignonette,
There
"spiritual
loved
of
vocal.
be
embarrassed
improvements
earth, takes
also
the
adjust himself
to
discovers
woman
smell
of
says
up-to-date
on
while
Deum,
not
of
instead
spiritual heaven.
earth,
on
girl her
Between
Gates
series. The
she
fulfillment,
young
of earth's
yet
Her
hospitals, universities, telephones,
dead
the
as
those
all
The
the
material
very
museums,
concerts
what
of
the
to
how
many
in
wish
himself
know
brings
third
like
much
are
at first
the
describes
doesn't
He
living
comforting, for
The
physician, suddenly killed, finds

immortality.
the
ginger-snaps
In
Civil
the
of this.
than
are
books,
child
that
more
dearest
own
said to have
are
many
Ajar
his
youth
so
world
Gates
in
ambitious
piano,
other
prominent.
period following
claimed
each. person
to
assures
immortality
in the
had
is
Ward
Phelps
and
heaven
traditional
the
Stuart
vogue
thinking
were
of
contemporary
on
around.
go
portrayers
tremendous
War,
to
type he prefers.
the
choose
may
kinds
enough
are
one
the
but
thing,
no-
the
state
Life
Supernatural
of
the
souls
Fifth
on
211
described
Avenue,
Granville
by
Barker.
Mrs.
and
Ward's
conventional
to
must
be
considered
her
time.
She
the
theology,
her
She
did
represented
she
have
by
New
remark
pastor, that
the
homelike.
more
as
be
may
trated
illus-
recently delivered
of
reading
him, that
over
generation than
day,
sermon
rigid
against the
heaven
her
of
religious thought
older
an
make
in
from
great influence
of
influence
appreciated they
reaction
to
be
to
the
to
concepts
wished
an
York
exerted
in relation
sentimental
seem
may
to-day, yet
us
stern
and
own,
of heaven
pictures
had
books
her
made
they
by
heaven
for him.
over
Mrs.
Cook's
tours
started
by
Ward.
in
worlds
of
soul
comforted
is the
account
wrong
that
another^
gives the
she
when
her
hidden
but
she
her
asks
matters.
French,
town
inhabitants
strange
gloom
in
of
"
The
open
the
Door.
the
their
is
is
earth
to
a
'
hosts
The
Portrait.
is distressed
she
authorities
righting
of
story
are
nuns.
the
bells
church
allowed
eternity withdraw.
'
Old
Lady
the
out
cathedral
on
has
less,
penni-
left
some
citizens
from
Still
drive
who
flaming signs appear
invading
heaven
and
peculiar
place, the
the
happy;
because
thereby
be
to
who
cruelty toward
penance
story'
from
celestial
dead,
the
One
away
woman
various
City
future
doing another.
heaven,
returning
pervades
much
of
niece
of
besieged by
because
is
in
young
Beleaguered
doors, till after

and
herself
advice
ring of themselves, and
return
husband
her
sent
spiritreturning
the
purgatory
and
experiences
finds
will and
from
minister
of
finally succeeds
and
old
destiny.
back
comes
the
by
right
to
that
Mrs.
by
describing
to
fictive
fashion
the
modernized
mortal
to
of
hell, after
and
voluines
relation
conductors
and
Milton,
devotes
their
another^
and
Dante
the
of
heaven
through
She
tells
is another
Oliphant
Mary.
to
Life
Supernatural
212
In
story,
one
Mrs.
'
of heaven,
ideas
her
Oliphant gives
the
place of light,of rest, of joy, of service, where
Pain
angel
picture,
where
she
shows
that
tears
regulated,
of the
world
earth.
various
punishments,
from
platform
as
which
counter-
dead,
world
filled
hell
the
nicipality,
mu-
terrible
most
delivered
are
well-
as
German
"
great
unhappy
it is
Yet
disciplined
thoroughly
as
lecture
In
wisdom.
to
hell, the
drip from
with
being
souls
cruelty, selfishness, suffering,
are
with
the
helps
as
eternal
addresses.
These
would-be-realistic
somehow
leave
however
much
Heaven
them
hell
in
else's concept
Other
and
afraid
from
the
who
husband.
roses
open
motives.
since
the
human
man
go
about
'
The
Little
In
No
the
has
cannot
one
somebody
grasp
the
sees
form
and
the
doesn't
his affairs
Pilgrim
in
Strange
Land.
the
as
the
senses
many
by
he
Howard
is dead
like
but
'
The
Land
hears
the
things
known
un-
human
must
be
mortality,
attempts
usual.
Unseen.
of
jealous of
very
death
life much
that
back
psychosis
is
not
Here,
come
wind,
suggests that
after
realize
of
kind,
friend
Olivia
she
is actuated
beings, yet
Butler
because
and
garden,
death.
super-
like
to
in
as
the
is much
gives the
heaven
of
tell her
of love
power
after
spirit-
of
types
stories
to
There
of Sense
to
recent
comes
because
the
point of view
several
of the
go
She
process
the
In
dying,
Katherine
painless
authors.
among
who
Shell
in
to
sincerity of the
mortal
woman
cannot
her
MUton,
death, given from
pit of blackness
The
woman
and
the
Brown
of
are
symbolic
Dunbar's
to
from
Alice
another
even
Dante
sufficiently to
of life after
than
showing
be
hell
and
provinces that
vast
imagination
stories
naturalism.
to
such
are
ghost stories,
one
feel the
may
heaven
in story.
angle rather
most
cold, after
reader
one
and
chart
in
the
of
stories
of Darkness.
Supernatural
The
symbolic
death
is
the
effective
more
conventional
Oliphant's.
merely
to
glory
gives
emits
blasts
find
her
angel whispers
in
Paradise.
in search
her
the
on
reach
her
"the
Satan
had
heaven
of
far
beloved
slope of
the
devil
love
lost
engineer
is
him
in
in
struggles
to
is
He
before
sees
he
can
double,
own
wherein
me
just dead
modern
God
of
concept
him, and
save
the
Heaven
man
his
part of
maturity
long before.
quite
whom
to
heavenly hill,but
to
and
tells of
to
grown
the
angel where
ago,
Lovers
self, the
own
This
But
he
heaven
describe
an
long
babe,
Celestial
Field'
life,where
appears
of mine
diabolism.
after
The
to
asks
dead
is the
the
of the
share."
no
she
who
effective
symboUsm.
or
in
Eugene
than
describe
to
rnore
is
after
Mrs.
between
ApoUyon
Julian Hawthprne's
symbolic picture
goes
imagery
little- baby,
that
it is
Bunyan's
of smoke.
and
able
is
road
just entering
may
Ward's
Mrs.
pictures the
on
life
literary art
more
symbolic morality
characters.
realistic
mother
she
and
of
of
thought by allegory
he
hell, drawing
landscape
shows
213
theme
despair, hence
or
us
where
the
vocabulary
the
suggest
Railroad,
and
human
of
Hawthorne
and
pictures
No
immortality
of
treatment
Life
he
resists
his evil self.
by Anita
Ahrinziman,
the
world
soul
to
the
sees
passion
birds
and
fills the
his
and
vultures
air.
they fight and
pieces.
the
later
Two
Worlds
In
The
soul is
The
and
'
of
beasts
biology,while
for
Mother
the
attendant
some
odor
In
come.
is
Dark
hover
to
progress
Marie
mortal
foul
astral
peculiar substance,
other, some
each
Star.
of
astral
to
and
the
symbolizing
unknown
overhead
spiritsare
Star
horrible
are
combinations
supposed
in Paradise.
of the
There
nature.
slay
queer
Inferno
pictures of
genii of his life,each
The
Golden
lurid
Silvani, shows
being
toward
Corelli's
torn
the
Romance
production, preaching the
to
Silver
of
doctrine
Life
Supernatural
214
of
is to
which
psychical electricity,
magician, and
be
and
next.
Vision
man's
his
of Judgment,
sins, and
side, stark
God's
of all
hyprocrisy of
beautiful, with
bodies
all
forth
the
God's
and
the
about
him.
shallowness
This
The
House
in
speaks
And
God,
will
send
the
soul
closing the book

thee
into
robe
of
austere
and
in
clean
against
set
as
is like Oscar
of
piece
soul
before
by
has
who
God
to
bolism
symbeen
judged.
be
ness,
vileness, his cruelty, his selfish-
of his
all of which
to
last
side
allegory setting
terrible
ceited
con-
and
men
of wisdom
words.
at
comes
him
to
charity
few
of
judgment
of Judgment,
expressed
altogether evil
souls
after
God
of
land
symbolic
of human
the
picture
behold
enlightened
sat
of
on
proud of
saint,
two
shadow
The
they
clarity of vision and
Wilde's
God
last the
illusions,in the
vanish
throne
destiny
so-called
"At
charity, like brothers."
satire
folly of Ahab,
pettiness and
the
of
and
character
his self-torture.
over
the
the
showing
Wells, is
G.
by H.
of sin and
judgment
death,
world
this
for
radio-activity,a theosophical cure-all

the
gives theories of
she
novels
in other
working
of wonder-
sort
Hell.
Even
guilt.
Life, said, "Surely
man's
of the
of
confession
makes
Hell
unto
will
send
send
thee
thee."
And
the
And
God
cried
man
said
the
to
Hell, and
for what
"Because
in Hell
to
And
there
was
And
after
that
And
the
And
God
unto
always lived," answered
I have
in the
God
space
thee
Surely
unto
Heaven
cried
Heaven,
and
to
out,
the
house
of
and
said
spake
send
said
I not
can
reason?"
silence
man
not!"
canst
"Wherefore
man,
not
I may
Heaveii.
out, "Thou
man,
tor what
into
"Thou
canst
"Wherefore
reason?
"
man.
judgment.
the
to
Hell, I will
I will
the
send
man,
send
"Seeing
thee
into
thee."
not!"
can
I not
send
thee
Life
Supernatural
"Because,
imagine it !
And
answered
there
The
fact
hell
is
and
never,
"
the
that
in
out
Smith, by Elizabeth
day.
How
the
know
that
you
book,
The
Case
died
there
Hell
lie
examples
of
realities.
the
heaven
phrases
symbolic
by
Granville
represented
Avenue,
some
in
in
some
cruelty.
The
huriiorous
rise above
drift
instance
horny
with
There
are
the
level
of
tarnished
but
squares
are
ideals
of the
down
the
with
gilt,some
of slanderous
selfishness,some
few
dead
and
blisters
or
Fifth,
on
the
endlessly up
cowardice,
with
lines
of
mostly irregular
hell
on
of
treatment
and
hell, are
other
phases
of Dante
the
handled
are
and
in
The
is
Milton.
back, make
ridiculous
of life after
treatment
of heaven
subjects
sacred
the
spirits of
real
the
remarkable
the
distinctly modern.
are
devil
into
where
form
of
words,
inevitable
penetrate
most
soul's
life,of the
after-life is in Souls
purely humorous
pictures
and
cognizing
re-
of sin.
shapes
comic
not
symbolism-we
of the
to
the
to
The
life,and
plague spots
secret
to
unable
as
have
seem
us.
Barker,
held
and
that
treatment
they had
thoughts,
these
for
hell
of
white
of
Some
and
How
only in
allegory and
other
fatal
that
Heaven?"
as
get suggestive impressions of the
the
and
dreamed?
you
one
Perverse!
and
elsewhere
not
may
character
typewriter
Peevish
not
which
your
recent
many
"Oh,
his
at
his
or
of John
central
the
working
have
you
Heaven
this
In
recent
Bisland, where
that
to
judgment.
heaven
says,
this is not
of
his
message
you
house
make
while
know
able
thoughts
revelation
The
been
man.
man's
have
place,
no
silence in the
was
brought
receives
in
215
fun
one-time
of
of
cry
Modem
of the
in
way
from
the
writers
archangels
sacred
with
piece
the
supernaturalism,
flippant
far
death, the
and
which
heaven
slap the
appeal
situations, with
freedom
that
would
have
instance, St. Peter

that
he
is
The
in
his
who
says
that
can
have
any
I met
him
the
Jew
its
he
was
the Styx,
on
From
their
House-boat,
the
But
they
fair.
in
as
appearances
shows
us
on
the
fiction, and
Hades
of
is terrified
being
and
Crawford
begs
gives
by
over
shade
by the
of
hide
us
Kidd
after
in his
Last
the
and
limbo
another
the
in
his
of lost
devil
from
persons
Master.
has
home
luminous
many
himself
us
of the Stories
Rabelais, the
face
ture
recap-
own
him
process.
his
exciting
visit
we
in
he
ofE
behind.
men
Paris, they
The
large
of the
makes
discussed
tortures
characters
to
each
Pursuit
literaryendeavor,
various
the
and
The
him
Kipling recognizes
sees
to
Kipling's
many
death
stories
see
we
and
recently given
modern
heath,
earth.
tongue.
obeisance
In
Walter
it
to
has
previous chapters
characters, presided
of fluent
Wells
Carolyn
shades
life after
and
Styx
put
Bangs,
toward
in
that
has
the
Kidd,
Captain
the
his native
on
Pluto
Kendrick
Captain
new
says
Elizabeth,
buccaneer
from
Anthology.
devil
He
that
Styx.
of his
proud
Queen
situation
bold
the
across
ladies, leaving all the
the
reaching
River
town,
ferry
of
speaks
now,
John
redoubtable
the
follow
the
comic
with
attitudes
the
the
ship and
adventures
Styx
characteristic
as
he
get pictures of the
we
continues
He
only person
brings together
persons;
them
Matthews
and
storage battery."
Raleigh, Socrates, Xantippe,
with
jokes
many
Geography,
is the
very
improvements.
illustrious
other.
the
keeps
and
with
modern
many
of
so
of Imaginary
"who
his House-boat
and
For
gasp.
Brander
lighted by electricity and
now
others.
of
butt
whom
Wandering
last month
in all the
of
the
satisfactory chats
launch
is
Puritans
the
been
Primer
Charon,
electric
hell
has
Dutchman,
Flying
knowing
made
really hackneyed.
introduces
in
Life
Supernatural
2i6
All
do
Kipling
brought into
from
them.
F.
glimpse
of
literary
Marion
eter-
Life
Supernatural
where
nity,"
discuss
life.
recent
in Hades
It is
and
his
guests, and
he
they like,
"
tiresome.
He
Extract
from
hearty
old
finds
are
likes, yet
tires
he
off for greater
wings
meeting
of
of
the
Jersey City. He
be
to
it's
send
the
Again
folks
of
Something
William
In Among
word
on
an
the
in his
A
heavenly
do
what
takes
pleasures
with
his
and
the
the
from
points, saying
be
to
in his
says,
own
ain't
that
something
friend,
miserable
his
in
bartender
got
he
paradise
prophet,
or
bluff,
The
and
many
contrast
,"I wish
Spiritualism
so
we
it."
combination
in Nicholas
Enters
from
again, "Happiness
about
same
Booth
the Immortals.
that
of
with
thought
his
man's
Sandy,
in
the
is found
earnestness
'
only
something
could
see
and
pleasant."
was
to
couple
different
to
converted
it
very
crown,
finds
his views
happy,"
"
there
of
changes
thing in itself,
General
them.
patriarch,
entry
find
to Heaven.
he
things
He
ease.
instance, "I begin
ain't
the
their
of heaven
for him
wishful
occasional
an
excitement
heaven
views
of, lays aside his harp and
consisted
for
of
to
fiction.
descriptions of
polite set,
they wiU
celestial regions
the
an
to heaven
go
different
Captain Stormfield'sVisit
salt
as
on
iconoclasms
is very
He
and
Jiian and
given humorous
has
traditional
the
Don
Man
attractive
constraint
that
of conventional
Twain
citizens
with
liable
most
represented
him
them
warns
boredom.
personage
Mark
from
only
be
hell
least
free to leave
are
is
make
to
the
not
converses
air of courteous
sinister
Pit
mortals, uttering Shavian
blas6
other
tries
exercises
would
l^se-ma]est6, for in
of the
Host
who
They
movements.
if
Mine
gentleman
for
logue
dia-
Cressida.
who
devil
the
by
Superman,
affable
Shaw
meeting and
and
and
meet
personages
describes
Chaucer
Bernard
possibly
learned
poem
between
prosecution
to
spiritsof
the
217
Vachell
into Heaven,
of
humor
Lindsay's
and
poem.
2i8
Life
Supernatural
"Booth
led
Are
you
The
saints
Are
boldly with
washed
big bass drum,
in the blood
smiled
washed
you
his
gravely
the Lamb?
of
in the blood
come.'
they said, 'He's
as
the Lamb
of
(Bass drums)
Walking
Lurching
bravos
Drabs
from
Minds
still
Unwashed
He
He
you
with
Madison
heaven,
his
us
rusty
the
shoes
dreams
where
schoolmaster
the
and
H.
G.
the
of
Wells, in A
side of the
picture, for
first of
Rose
in
tramp
pigeons
and
has
The
gardens, where
among
the
stands
home,
still
battered
and
in
room
Wonderful
draws
at
fact
with
reminds
are
the
The
of
us
Hannele,
angels,
somehow
Visit shows
an
next
hat.
derby
Hauptmann's
is confused
he
another
devotion.
fancy
little
in
seen
the
in
tramp
of heaven,
sordid
?"
is also
loves
and
"
Pigeons, by William
him
old
down.
idealism, of homely
with
the
celestial
the
Hannele's
the Lamb
of
who
face
to
pictures,the
two
knelt
holy place.
symbolism,
Garden,
with
face
in that
with
crown
crowd
the
realism
Man
for prayer
and
robe
^they were
"
of
conamingling
heaven
flag-filledair.
in the blood
goldhaired angels
quaint
the
clustering around
ever
wearing
through
a-weeping
Square
instruments)
curb
knelt
shows
the
Jesus
The
poem,
"
by
King
celestial
death,
of the Lanib
soldier, while
washed
Benet, who
is of
the
of
ways
^no
"
with
gently
combination
recent
them
Master
came
Are
frail !
breath,
mouldy
in the blood
Booth
his
he
dank,
drug-fiends pale
and
the
halted
And
details
with
while
saw
This
saints
sung
Booth
ditches
alley-ways
(Reverently
Christ
rank,
on
passion-ridden, soul-power
washed
saw
For
the
legions with
you
And
from
the
Vermin-eaten
Are
rank
lepers followed,
angel down
and
united.
us
another
and
lets
Life
Supernatural
him
tell the citizens of the earth
I make
the
of
attempt
no
the
just
never
they
that
the
on
angel
thrusts
formal
him
the
vicar
believe
not
vicar
of
basis
guest.
The
all true
in
popular misconceptions
is
surprised
since
he
lovable
fold
he
says
has
character.
his
hippogrif
"
conformity
boots
as
he
sadly, symbolizing
the
angel
live
among
The
is sent
the
James
France's,
away
painful
the
world's
from
the
of
and
Revolt
humor
The
human
naive
make
"
ments
com-
at
to
"
till he
looks
"has
hoofs
vicar, and
The
process.
to
satire
him
to
like
like
he finds
novel
for
to
broken.
be
may
and
go,
him
unworthy
is almost
the
which
stupid harshness,
Demi-Gods,
0} the
dows
glass win-
thought
village as
his heart
Stephens's
The
he
to the
people, and
type
same
that
plaintivelysays
convention
to
so
on
This
ioners
parish-
compels
custom
incongruous
his
there
coat
of the
are
is
life difficult
his heaven
any
village
under
The
smiling wonder
to
of
time, and
some
and
mortals
seen
But
put
that
never
shining wings
hunch-back,
ends
learn
to
regard
instead,
angel shows
his
the
wing.
they make
humor,
earthly conventions,
on
earth
in
but
"
in stained
quaint philosophy
of
sky,
broken
save
and
and
supposes
village life.
angels
Wells's
of
satire, and
he
guest for
Sunday,
his
that
humor,
in the
the
present
manifestations
at what
the
book
social
with
as
in
in
on
and
is the
which
the
upon
in church
or
down
that
importance
insincere
flash
complications
do
sense
rainbow
spirits
creatures
This
pot shot
the
are
of heaven
is
and
tumbling
comes
introduces
in
It
concerning
For
of
from.
comes
decide
man.
satiric treatment
takes
bird, seeing
rare
he
be
special point
religion. A vicar
for
could
simply angels.
are
he
pre-Adamite
or
supematuralism.
burlesque
an
they
never
constitutes
modem
angels, whether
of the
example
an
to
perfect
and
were
purpose,
is
made
land
of the
in this discussion
of
personality
219
in
found
Anatole
Angels. Stephens's novel
contains
insert
an
of
published,
in
hand
heaven
and
several
life
considered
angelic.
fighting celestials,gives
cherub.
There
necessity
The
of the
fallen
for
wings,
and
complication
and
revolters
while
his
the
who
by
They
and
in
engage
inimitable.
back
At
the
good-bye,
farewell
his
tears
electing
sake
with
cherub
to
stay
It is
religion, these
not
become
back
and
The
for
tears
one
them
with
the
tinker's
corrupt than
is
novels
with
are
a
and
of
going, he
him,
from
do.
to
on
on
with
whimsicality
Wells's
the
satire
amusing,
angels remain
men,
say
cart, for
blasting
go
word
demi-god-like thing
which
are
to
and
his
over
casts
France's
decided
more
and
life
tramp
crowns
shreds
satire, yet
antagonize.
more
turns
English
two
of
measure
wings
book,
Irish
three, having
really quite
France's
ass.
an
pipes, eating cold
and
their
earth
on
panied
accom-
stealing the potatoes.
the
to
and
conventionally
not
corn-cob
life,
tinker
philosopher,
joys
Seeing her
shining wings
Unlike
does
don
Mary.
of love.
certain
last when
the
by
Parisian
up
itinerant
an
ideas
heavenly
heaven,
to
and
necessary,
between
contrasts
join
smoking
as
potatoes, and, when
feminine
marred
take
sad-eyed
activities
archangelic, such
life furnish
added
is not
novel
trio
removal
journejdng aimlessly about,
are
cart
the
nudity.
France.
French
in the
of
state
the
novel
of Anatole
Stephens's angelic
daughter
with
interest,
embarrassment
human
to
two
seraph, and
earthly garments,
adaptation
the
to
certain
arriving in
ones
donning
imaginings
The
stories
take
affairs not
in
addition
archangel,
an
Stephens's
element, though
unclean
us
is in both
clothes, the
over
in
Stephens,
his
novel
and
heaven
it, engaging
find
they
as
In each
him.
from
down
tumbling
come
mish
skir-
left in
had
has
eternity with
to
viously
pre-
preliminary
corpse
heaven
of
story
depicts
coin
taken
angels
short
which
over
has
earthly
up
and
Life
Supernatural
220
that
earth
wonderful
Life
Supernatural
visitor
is
alien.
Stephens's archangel
after
their
of
charming
whose
absurdity
taken
can
France
prove
appeared
and
it would
Wells
and
clear
alibi
number
of
Earth
recent
down
suggests
to
New
crept
On
into
even
Brooke
there
Certain
ridicules
another.
better
illustrates
life
several
are
that
trivial
after
in
his novel
others.
is
The
Heaven
Byron's
satiric
Psychical
vitriolic
death, sneering
at
entitled
Research
return
thrust
it
Society,
to
the
with
earth
to
and
them,
to
at
has
by Rupert
One,
attributed
messages
angelic
immortality
studies.
spirits would
angel
peculiar
of
volume
recent
more
an
has
type
satirize
the
he
or
Wells
event
the
new
to
for in
poetry,
Heaven,
Stephens,
in any
where
tendency
idea
the
these
apartment,
Proceedings of
the
deliver
York
The
psychology.
of
discover
to
Ticket-of-Leave Angel, brings
and
experiences
and
of
case
interesting investigation. A
an
The
story.
all
instances.
gratifying
before
years
humor,
reveal
imitation, since
to
as
of
interesting
an
but
"
with
human,
in many
by Wells
France,
possible inspiration for

and
ideas
be
influenced
was
earthly
we
devils,
conventions
together constitute
literaryparallelism
Stephens by
of
and
sense
mortal
In
that
angels
are
piquant
on
leveling
same
ghosts
angels
understand
to
of
back
his
heart.
the
case
heaven
to
woman's
of the
The
and
personality
three
whether
in the
back
turns
notice
we
undesirable
an
go
cherub
break
books
as
seraph
the
witches.
attempts
The
and
than
heretofore
and
essential
village
in characterization
observed
werewolves,
the
these
shown
tendency
the
vacation, while
three
have
from
glory rather
mmortal
all
banished
221
of
hope
unpleasant
imagery.
One
of
hereafter
act
drama,
the
recent
is Lord
where
gate of heaven
to
instances
Dunsany's
Bill
and
get in.
of
The
Jim,
Sardonic
satiric
pictures of
GlitteringGate,
two
burglars,
laughter
crack
sounds
the
one-
the
while
Life
Supernatural
222
they
are
engaged
in
what
heaven
wondering
mother
will be
"I
don't
would
sing,
they
if
to the
and
soothe
won't
have
effort
will be
they
want
angels
and
if
them
brought
me
would
When
the
glitteringgate
nothing
be
empty
in their
Bill
like
Very
nothing
the
cries out,
It is
them."
the
and
absolutely
"
sardonic
"
they
"
they?
swings open
find
and
space,
ears.
will
to.
of heaven
when
(Suddenly) Jim,
cross.
them
who
there
at them
against her,
like
just
smile
were
eagerly, they
enter
but
sounds
his
that
in
mother
good
sit and
up
"It
toughs
and
entrance,
an
Bill thinks
like.
they
Jim:
two
effect
to
there.
know
be kind
the
laughter
just like them!
like them"!
Very
Was
suggested
this
not
Brooke's
Rupert
by
poem.
Failure?
In
the
future
life
life
illustration
by
order
that
and
find the
we
we
devils
either
illustrated
as
The
life
humorously,
simple,
of
heaven
or
considering
these
is described
in
of
other
hell
satirized
as
rather
past.
to
than
flat after
seems
are
supernatural
treat
subjects is liable
treatment,
tialities
poten-
mankind
follies
the
Angels
mortal
symbolically,
methods
serious
this
of
is to
now
satirically or
of great
any
show
the
eyes,
image
to
little better.
absurdities
tendency
treatment
to
men,
The
conventional
and
Eternity
time
by angel
seen
devils.
the
like
way.
by
with
understand
made
are
other.
of the
may
reality to be
in
purpose
of the
hiunorously
treating satirically or
stories
than
place
Commonbe
factory,
unsatis-
symbolically
Dante
and
Milton.
In
with
supernatural
various
types
life, whether
of
stories
continued
dealing
beyond
the
mortal
up
in
fa,cts
span
on
another
seem
to
earth, renewed
world
appear
after
with
by reincarnation,
death,
reference
we
to
find
that
or
taken
several
the type chosen
for
Supernatural
by
treatment
So
versa.
far
instance
do
not
found
not
know
of
who
of
being
heaven
hell
or
by
round
Yet
where
world,
it
by
that
deeply
thought
are
be
heaven,
or
Can
this
life
the
merely
citizens
existence
doubtful
on
than
of
of
pictured
to
it
life
earth
and
women,
other
any
but
reaching
satiric
there?
this
as
an
theme
thought-life
the
men
of
are
cling
to
their
it
women
Are
or
clusions
con-
more
that
world?
a
in
the
sure
and
directly.
or
our
that
curve
here
used
were
be
ously,
humor-
part
preferences,
the
of
ideas
method,
one
of
write
seem
have
it
woman
women
most
other
if
I have
have
reflect
drawn,
of
Elixir
but
approach
racial
used
conventional
the
men
no
characterization
continuing
as
the
only
They
or
found
exist,
the
vice
has
men
for
does
tenaciously
of
skeptical
or
of
to
Jew,
well
be
in
truly
more
the
interesting.
interested
more
it
elixir
fiction
might
would
basis,
done
an
as
Jew
Where
of
individual
our
woman
hand,
stories
question
Since
frequently.
the
than
like
being
other
rather
of
means
ever-living
and
the
symbolically.
or
is
up
the
have
subject
the
is
women.
they
satirically
Sylva
taken
of
most
have
instances
such
On
Jew.
heaven,
heaven
has
gone,
Wandering
no
and
women,
where
Carmen
Wandering
often
the
that
say
all
at
has
hterature
them.
of
the
of
motif
the
Life.
search
my
English
in
either
as
223
from
distinct
as
men
Life
men
symbolic
in
CHAPTER
The
Supernatural
folk-tale
THE
is
of
element
Yet
story.
sake, but
own
with
is
folk-lore
in
has
fiction
and
and
of
various
is found
The
The
learned
societies
to
be
of any
childhood
delight in,
magic
and
It revels
forms
race
tales
of
wonder.
in the
demi-gods,
of
the
are
literary form
large element
the
Many
the
fictions
folk-lore
like
the
the
224
of
the
recks
of
to
stories
mystic.
demons,
of folk-literature.
down
come
Folk-literature
and
to
pletely,
com-
care
comparative
marvelous,
romantic,
giants
vanish
they
are
science.
stories that
and
traditions
in
is evident
folk-lore
recording with
are
tribes, and
engrossing
supernatural
of
says,
day
our
superstitions of peasants.
and
and
an
forms
before
appeared giving
races
of
up
scarcely
fact
defensive, which
various
literature
its
for
Kittredge
Scholars
the
been
not
is
presence
Professor
elsewhere.
legends
It has
consideration
its
as
the
on
novel, and
apologized for, covered
that
so
in
have
volumes
important
the
drama,
merit
to
rather
down
them
fiction.
in
an
in solution.
however,
as
eagerly hunting
preserve
been
been
longer
no
long constituted
enough
Now,
recognized.
myths
it has
materials,
other
fashions
new
ballad, in the
important
thought
the
literature,constantly recurring in poetry,
the
in
particularly
FolK-Tales
in
of
one
True, folk-lore has
short
VI
us
from
that
the
children
impossible,
of
little of realism.
Tales
of gods
fairy-folk,of
and
animals
The
endowed
with
human
supernatural
saints, and
English
only
in
earth
is
lands
have
written
nations.
This
primarily
folk-tales
deals
from
down
the
they
taken
are
"WTierever
in
traditions
fiction
fact
the
Scott's
and
Avenel,
and
work, relating
in
superstitions
Withered
Arm
to
attempt
of
corpse
'
In
The
Talisman.
In
The
Two
In
The
Monastery.
IS
spoken
appearance
who
Drovers.
peasant
class
present
Walter
the
on
racial
to
Scott, and
in
supernatural
in
have
we
is
good deal of
is
example,
For
Oriental
supernatural vision,^ superhuman
and
her
man
of
folk-lore, that
be found
This
volume
"stirs,"''the
already
gives
cure
their
as
the
stories of Sir
it does
as
the
superstitions, taboos,
unearthly
forth
so
languages, but
English, though,
value
likelyto
bahrgeist, ' besides
the
and
consideration
into
it is for
supernatural.
wonder,'
foreknowledge,
the
tribes
many
transcripts from
life of
of
alone.
work
magic
is
write
might
one
of
comers
other
in
their
the
form
the
degree in the
marked
from
gone
here.
up
of
take
not
But
for
definitelytreated, there
folk-lore
legends of
are
people.
in
distant
appearing
English fiction, not
as
colonizers, have
the
does
they
collections,
these
in
supernatural- folk-tales,
of
translated
cases,
of other
for
race
and
those
in many
dialects
fiction.
of such
English-speaking countries
of
fields
discussion
only with
course,
sections
of
cunning,
and
frame-work
especially rich
English, being
many
speech
225
fauna, of ghosts, devils, of
as
the
are
fortunate
the
far
well
as
the
are
of
powers
miracles,
themselves
but
flora
literature
for not
in Folk-Tales
Supernatural
his
almost
of
affliction
craft,
diabolism, witch-
Hardy's
life,is rich
to rustic
the
of
by touching
hanged,
Aunt
'
In
My
"
In
Woodstock.
"
In The
The
peasants.
account
been
of
Lady
Thomas
wholly
gruesome
has
of
discussed.
traditions
a
use
White
her
the
a
arm
to
the
complicating
Margaret's
Betrothed.
woman's
Mirror.
The
226
horror
being furnished
husband's
secret
coach
for
butter
come
forth.
Similar
and
Lorna
and
writers
of
the
American
fiction
of
the
Thomas
of
sense
Cable's
novels
in those
of
of
and
their
in
of
legendry
of
In
has
fiction
which
is inherent
so
are
heed
'
In
us
but
used
to
Tess.
them
and
mountain
others.
in
to
has
found
the
Irving, who
in
in Helen
Dutch
also
Mexico
super-
gives
certain
his ideas
of
'
Children
in
us
life of
of
amount
simple
superstition
soul.
in life that
a
brief
of the Mist,
we
glance
The
his
miracles.
There
fate, of luck, of taboo.
elements
fiction, yet
and
the
us
Thomas
for
truly the
practically every
these
in
Alice
Freeman,
traditions
Cooper,
represents
W.
George
Egbert Craddock,
Indian
antique
The
superstitions
Wilkins
saints, of devils
that
will be
there
of
and
stories, the
recreated
work
in the
Harris, Ruth
appears
Washington
the
with
as
Chandler
Mary
material.
such
contact
supernatural
J. Fenimore
people
one
in
degree,
followers, the
ghosts
most
on.
Dromgoole,
in
of
work
the
Jacobs' stories,
so
Charles
and
sections.
Spain in his tales of the Alhambra.
Janvier
stories
Allen
Dartmoor
Heights
in
life in
Joel
mixture
large ad-
other
W.
rich
marked
England
Jackson,
naturalism
equally
Fox, Jr., and
John
W.
so
novels
his
the
of
life,and
Page,
and
New
Brown,
A.
to
the
in
showing
Stuart, Will
Creole
Hunt
it
Nelson
McEnery
those
is
South,
reveal
negroes,
of
stories
as
sea,
instance, tales of mining
Stories
of
guild superstitions reflected
are
and
Wuthering
Doom,
novels
of
shows
folk-supernaturalism
other
various
for
Phillpotts'fiction^
do
as
refractory
making
others
in
occur
family
bewitched,
is
natural
super-
the
in
events
for
as
churn
elements
the
numberless
There
the
Eden
of
certain
securing love
when
stories.
peasants,
heralds
of
story
is her
youth
the
that
fact
gives
He
son.
that
life, charms
by the
Folk-Tales
in
Supernatural
is
no
We
scarcely pay
at
Witch,
books
and
will
others.
The
recall their
marked
frequent
degree.
the
poetry
Now
for
So
Absolute
folk-
linking
no
it to
of
the
fiction
and
so
poetry,
has
past,
compare
trasting
con-
purpose
my
of
fiction
the
folk-
particularly.
comparative
originalexamples
many
we
to
and
But
presence
As
we
feel
the
English.
the
as
its
bogles, giants,
variants
prose
language affords
no
taken
phenomena
fascinating than
more
an
tion
multiplica-
possible
it
the
literature,in
in
merely
heroes, of supernormal
make
show
it
symbolic
stories, the
is to
literature
on
and
what-not
science
no
folk-lore and
oral
of
stories
were
ethnology
And
present.
our
apology
no
heritage of the
folk-supematuralism.
of
supematuralism
of
oral
would
desire.
truth, has
of
velous,
mar-
loss in
we
of
plants, of fairies,banshees,
discussion
is
thing
science
in the
disseminated
widely
There
The
gods, demi-gods,
and
this
moral
recording
types
in
teaching
for
saints,miracles, and
the
the
supernatural
make
to
life of the
of volumes
animals
of
keen
to
poetry
such, with
as
attempt
interest
our
feel
last
tale,told frankly
wider
of nature,
227
color
sense
of the
is the
literature.
our
brought
should
we
realism
unreality,
in
the
elements
vague
allegory or vehicle
place
fact, without
us?
to
the
its
They
appearance.
In
if all the
effaced.
Folk-Tales
unreal, the wonderful, the magical, what
mean
fiction
in
Supernatural
its
study
fluence
in-
of what
truth
Tylor says':
Little
by little,in
more
comprehensive
begins
romance
inherited
has
land
The
'
In
materials
been
more
and
Primitive
built
each
over
each
anything
Culture, vol. i.,page
273.
of
and
of
and
story of
the
poet's
peopled.
of wonder
else
poetry
fancy,
province
renascence
fiction,
spontaneous
sources
for
cause
which
from
than
most
the
of
study
disclose
shaped
the
seems
Celtic Re\'ival, the
done
has
to
what
to
awaken
in
Ireland,
modern
The
228
love
of
for
antiquity, to bring
and
gods
Of
and
the
the
"a
to
the
drama
to
romances
its
of
which
powers
is in
enriched
has
will
literature
of
bush
every
perhaps
most
supematuralism
is
primitive mind
needs
for
rest
nature
itself.
as
or
belief
the
in every
hill-top,in
yellow primrose,
hawthorn
the
of
likeness
to
but
is the
fair woman,
the
in
Celts
gods,
and
barking
so
Icelandic
on,
to
style the
passion
and
the
valley.
effect
on
form
for
bird
ever
of
hounds,
which
court
feeling of
every
temperament.
every
blossom
dear
the
aspect,
primrose is vastly
"the
of
manage
spirit,in
or
The
theories
can
life and
a
folk-loristic
nature.
Every
with
of
one
ordinary
of
of
it
is
there
every
divinity of being.
a
and
proof
personality.
saw
as
lake
with
scientific
These
tears.
ancient, divine
of
every
concerned
no
past
lost.
is endowed
power
pantheism
cloud
or
With
mighty
phase of her
Celtic
that
ancient
"streams
interesting aspects
since, given
causation,
the
and
figure is expressed
fancy
be
never
glooms
sense
bog,
universal
the
One
and
felt its
immortals
and
some
has
calls
forms."
concrete
of
yet fiction
pedestrian prose
beauty that gives
Yeats
likened
voices
the
laughter, its
fact
poetry
been
has
vision, and
Each
verse.
poetic symbols,
about
in
bardic
"
of the
its
not
with
more
Ireland
"
of late
magic,
with
liftingwings
Ireland
prose,
land
written,
are
poured
itself
in storied
us
us
folk-tales,but
in
with
The
for
again
up
years."
singing birds," though
well.
as
space
thousand
sadly silenced
influence
yields
misty
concerns
than
of
been
gleams
twice
movement
nest
have
legends
the
literature
into
over
men
"Beyond
While
Folk-Tales
in
Supernatural
some
earthly
un-
than
more
golden
leek
spring
folk";
is the
tear
poetic speech bears
poetry.
This
figurative
The
suggests "an
sense
lingering yet
never
the Celtic
the
Lady
stories
Wilde,
legendry,
we
opened
God
by
receive
earth,
playful
find
explanations
swallow
classic
hurled
of
as
who
man
into
of
the
of
irate
legends of diabolized
nature,
his
the
phemer
blas-
the
up
yawned
to
tributed
at-
are
; as
of
be
of
the
work
frolicsome
is
and
of
large body
changing
of
to
breast-works
were
sulphurizing
the
demons,
said
There
as
destroying
nature
massive
titans
off.
of
later of demons
giants,and
show
to
of
which
anger
that
aspects
The
giants.
in feats
for
chasm
of rocks
masses
(Speranza)
the
caught
cyclopean walls,
gigantic
phenomena,
incurred
the
Celtic
great chasm
whirlwind
him
of
Wilde
combat
to
Synge, Yeats,
many
Lady
Him
activities
by
the
folk-literature
John
of
such
to the
delighted
to
their .passionate
chroniclers
occurrences.
Many
or
It lends
to
other
no
other
him.
or
in
various
appearances,
piling up
the
find
we
supernatural
and
akin
symbolism
and
to
Druidism
unearthly beauty,
Gregory,
challenging
crops.
glens where
Lady
tells of natural
was
as
of
of diverse
accounts
nature-worship
time.
present
In
old
229
by Christianity."
mystic
such
the
and
fjords
overcome
and
and
mythology
of the
the
folk-tales their wild,
poetry
Folk-Tales
after-thoughtof
about
quite
was
in
Supernatural
of the
scape
land-
springs, and
the
cursing of localities.
folk-tales
supernatural
enchanted
of the
forms,
and
Celtic
The
successive
been
as
'
the
stories
many
aspects of
other
Many
told
an
oral
In
Ancient
nature
too
droll-tellers
the
weird
invasions
and
the
heritage
Legends
of
and
the
tales
basis
mention.
many
have
Stories
country
with
for
in various
appear
have
They
else in almost
the
Cornish
through
peat fire.
or
water
associated
superstitions and
beside
to
numerous
bird, music, and
of
made
are
tell
out-of-doors.
lived
on
through
centuries
been
have
preserved
illegiblemanuscripts
Superstitionsof Ireland.
The
230
in
antique libraries,from
into literature
of terror
as
by the
and
Celtic
mind.
these
pantheistic,
It
Catholicism.
In
ism
we
in
English
Hawaiian,
do
can
drama
the
than
more
forces
of nature
Blackwood's
story. The
goblin
in
spirits,or the
form
them
of
he
life, and
loristic aspects
the
His
for
he
trees
more
contends
that
that
the
true
one
He
them
are
foe.
the
man
His
going is symbolic.
'
In
The
with
Man
the
Whomthe
Viking
Trees
soul
Loved,
The
and
folk-
trees, the
the
call
comes
takes
sea
definite
of
In
dead, but
sea
Sphynx
the
stream,
their
earth, especiallythe sea-gods. The
the
can
Sand
majestic
takes
did
woods
worshiper
In
live,personifying
the
not
them,
stressed this
bring
emotion, and
upon
gods
that
power
meet
embody
wind, the
than
move
to
degree.
that
the
or
signify diabolic
has
mythology
the
Algernon
Ernie,
bodily
out
makes
in
power
in
of Lord
powers.
as
awesome
they actually do
that
strange, compelling
deities
personality,with
are
flame
marked
and
life
snow,
the
Blackwood
to
of nature
forces of out-door
alive,with
going
sinister
sand, the fire,the

all
have
of ancient
other
voluminous
tales, that
incantations
forces, evocations
to
that
desert
stories,
awful, brooding Fate,
an
and
of his
supernaturalism
shows
in the
as
Mexican
so
Regeneration
destruction.
to
is
wind
drawing them,
men,
luring
that
sea
another
trees'
Irish
folk-supematural-
given supernatural
are
the
or
is
of
suggest the field.
fiction,as the
trees
material
of the
of
face
legends of nature,
similar
have
well
as
obstinacy
the
of
put
sense
heritage
the
in
bodies
The
powers,
a
note
to
stories
other
But
no
and
interesting
many
is
beauty
be
to
letters.
darker
in the
of
druidic
Synge's drama,
over
belief
taken
are
Indian, African, Canadian,
the
Certain
in
is
elsewhere.
one
they
patriots of
all-enveloping feeling
an
and
which
Celtic
of awe,
Folk-Tales
in
Supernatural
are
being.
Dunsinane,
The
Sea
merely
them
him
drawn,
with-
back
in power
to
Fit
to
for
itself.
The
the
Uttering
turned.
he
wave
gone.
into
the
The
the
in
singing sound
fallingwaters,
The
In
fluid
the
burns
in the
artist
trying
flame
breaks
out
heart
of the
earth
paint
to
is constmied
he
embodied
his
to
as
death, with
but
combination
of
turned
of the
bodily
out
become
of
out
lips
The
and
stories,and
of
than
more
well
as
dramatist, has
of his
the
and
ancient
given
The
supernatural
form,
^sop's
the
Reynard
fond
how
with
an
the
fables, the
humanity
human
powers.
by
Fire.
Heath
In
The
Temptation of the Clay.
estate,
own
he
Nature
of
has
is
here
has
Poe
to
warning.
Pain's
Barry
Stramm,
the
sinister,
the
German
moor
in
character
as
embodiment
terrible
one
well
as
of nature's
powers
back
goes
to
revivifying influence.
has
always
been
beloved
-beast-cycles of medievalism,
Reineche
story
Naturally
The
his
spirit
the
and
one
principal
is of the
In
curious
with
force
German
"
man
the
menace
in
This
draw
child, expressing through
power
beast-tale
Fox, the
of
action.
with
appears
lovely woman,
locale.
uncanny
as
shiper
Fire-wor-
snow
woman
August
it the
phenomena
mythology
as
The
fever, and
shows
described
power.
plays, making
phases
seen
where
psychically, because
as
message
maelstrom
setting for the
tries to
ejected by
with
harmony
human,
She
dead
is
man
given diabolic
the
away
fire that
the
of
The
Blackwood
soul
hands
is
moon
and
hearts.
flame.
charm,
sentient, emotional, possessing

her
sands
revealed'
are
picture
woman.
dsemonic
place, 3 where
ward,
for-
falling
being slipped
in men's
and
white
demon.
snow
of the
intense, rapturous
an
is like
luring
like
itself,the inner
of
great
by
dies his face
bent
Sea.
potentialities of fire
uncanny
internal
as
his
wave-like,
231
he
over
glistening surface
form,
of the
Being
of
Folk-Tales
instant, curving
next
along
swept
was
Supernatural
'
In
one
The
Fuchs,
that
endows
thinks
Glamor
of
of
all show
animals
Kipling's
the Snow.
The
232
Jungle
Tales
stories
well
Of
the
as
known
cycles
found
are
by
the
form
his
in
handed
and
in which
Harris
boyhood.
They
than
he
could
form
in which
Amazonian
they
Bleek.
believe
learned
from
basis
no
for
Pamela
Hindu
like
He
either
shape
primitive
there
is the
and
the
animal
is often
being,
as
candid,
in
crude
are
nearer
human
are
given
the
gulf that
sonian
Smiththat
led
originally
were
there
thought
tales of the
being,
was
Mary
African
old
supernatural
English lubber-fiend, who

fox
and
as
well
like
as
the
jackal
and
man
and
in
element
of
that
and
races
the
childhood
close
finds
one
dearer
to
is
man
the
human
in
child
in
can
than
attributes
civilization
has
in
folk-lore
tended
between
is
the
sensations
man's
to
peoples
child-life.
like
more
in
of
association
simple, hunger, love, hate, fear.

lifted
I.
will.
at
animals
nearer
spider
F.
H.
Stories, by
careless, unreflecting. His
are
turn,
is
Charles
animal
or
the
tales
by Theal,
Indians
stories
Anansi
troll
of
the
Harris
mysterious
races
same
but
includes
those
stories.
assume
In
various
are
Africa, by W.
among
theory.
Scandinavian
tricks
plays
is
dialectic
investigations for the
Remus
men,
such
Anansi
like
man
red
Milne-Horne,
type.
man
the
South
legends
Uncle
the
There
tales, collected
in
in his
found
given in the
in
more
any
brought together by
the Fox
Powell
Institute
to
myths
Reynard,
J. W.
him.
in the
firesides
edited
or
but
Kaflfir
series, as
"
"cooked
to
cabin
the
by
tells us,
came
Africa
through generations
them
not
are
tortoise
Hart, and
him
heard
stories
from
brought
were
down
help, he
this
to
but
Remus
Uncle
the
that
beast-
countries.
other
of
folk-fiction
America,
to
slaves
similar
the
so
are
Similar
mention.
but
it is understood
native
not
need
to
Remus
these
and
examples,
modern
Uncle
Harris'
Chandler
Joel
best
as
course,
are
and
Folk-Tales
in
Supernatural
An
human
animals,
and
tions
emo-
Animals,
thinking,
in
and
which
bridges
fix between
man
The
and
animals, and
union
that
whatever
Bums
and
with
the
The
of
one
the
world,
folk-fiction
of
forms,
reptiles and
who
We
also
in
colder
the
their
bear, and
large element
magic
climes
of the
Hawaiian
born
beings
life,and
Field's
of
stories
supematuralism,
Gaelic
seals
stories
wed
without
to lose their
Seal-Wife, by
and
to
This
Eugene
Nameless
was
weave
cursed
fatal
One,
with
be
may
fox, the
adventures
who
enchantments.
the
the
are
animal.
or
of
sea-beasts, forever
The
with
Forsaken
the
Pagan
Andersen's
tells the
The
seals.
creatures
Christian
of
natural
super-
children
mortal
by
of
folk-
and
their
compared
penalty
human
Lady.
Moon
show
either
became
are
Several
mortals
McLeod
fishes
Hawaiian
The
The
find
with
women.
into
wolf,
we
women,
McLeod
and
who
nun
the
certain
countries
from
women
Fiona
a
become
as
recount
and
Field, Hans
Arnold.
well
associated
exercised
and
turns
diabolic
as
or
the
and
be
may
in
by
say?
as
beings and
story of the little mermaid,

Matthew
island
between
human
men
souls.
In
drawn
Fiona
souls, who
turn
may
have
men
of enchantment
power
we
Eel-king, and
of
the
appear
beings living a normal
existing
may
forth,
sharks
are
The
as
relation
Dark
of
tropic countries
we
stories
sharks, devouring
Eugene
by
stories
women,
supernatural
themselves, by turns, human
sad
dealing
tropics elephants, lions,
so
confreres.
sea-animals.
sea
shall
in the
see
insects, while
the
In
mortal
marry
gorillas,and
The
of
of the
in
snakes, who
were-snakes,
tigers, baboons,
beings
childhood
gives
section.
supernatural
as
men,
evil powers.
The
social
stories
that, like the devil,lose their divinity and
creatures
The
is in these
country
that
to
stories
various
of
of the
sense
primitive simplicity
each
of
common
have
and
There
233
supernatural.
animals
reflectingthe
naivete
of
more
longed for.
country
race
we
gives
Folk-Tales
in
Supernatural
Merman,
story of the
prey
living under
mermaids,
of
the
the
seal
sea
kel-
The
234
the
pies,
and
sea-beasts
have
with
The
turning him
black
that
seal
Murdoch.
for social
Great
The
The
hers.
Smith, is
The
In
the
the
Old
flit in
of the
Sidhe,
These
their
of the
but
sent
to
because
brought
some
The
Mermaid.
soul
the
by
the
body
into
must
follow
like
those
J.
hell
it had
pity
it
was
who
the
allowed
water
have
tells
'
bird
In
that
she
so
must
into
birds,
with
two
land
a
far
away
touching story
that
the
on
and
cursed
was
in
in its bill to
Sea
go
golden chains.
sufferer
The
of the
that
by
two
fly up
to
in
dweUing-place
Christ
mortal
into
majrfly
them
enchanted
of the
cooling drops of
from,
turns
it mocked
on
Lugh
fiftymaidens
Pearce
of Paradise,
because
of
together
H.
learning,
meditation
which
to
Her
live in the
ones.
Crow
him
lead
of
men
drinks
spell that
that
describes
world, like passing
magic
Dechtire
birds
parching tongue,
"
tells of
creatures.
Yeats
useless
Benjamin
by being turned
in
stand
B.
as
life with
unearthly
old
cursed
were
flocks, linked
save
loved
Little
the
on
it
'
ashore
mortal
of
of
play
comes
Seraph, by William
fairy people.
a
beautiful
from
and
or
nine
silver chains,
mermaid
contrasts
that
and
under
fly in
that
his
cup
his soul
employs
solitary flight cross
the
drinks
G.
a
laughter
the
Wells
as
forever,
written
Twilight, W.
the
must
puts
drops into
her
the
water
recently
combination
Gregory
Hand
with
and
that
sighs. Lady
Long
Beyond
inflicted
herons
or
where
Druids, who
ancient
pools
satire^
of
enchantment
gray
H.
maid,
sea-
her
live with
to
and
stories
of the
hideously with
motif, and
Men
The
out
up
beast,
has
unusual
immortality.
maighdeanhmara,
coming
and
them
McLeod's
Fiona
the
souls, drawing
their
Sheldon
Merman
an
of
laughs
using the mermaid
from
up
into
Edward
vehicle
give
Murdoch,
bewitches
to
of God
Judgment
seal and
human
several
in
appears
over
power
lure
strange
kelpie
in
fatal
sea-beast,
half
half-human,
all
are
Folk-Tales
in
Supernatural
cross,
hell
cool
light on
Lady.
and
his
the
The
walls
of Paradise
The
story
careless
wear
life-blood
red
and
the
So
we
shield
possessing
each
on
often
no
of
of
rare
other
as
yet feel
these
animal
of
see
of human
sense
of life
pervading
them
Lord
Dunsany
in
animals
of
to
to
young,
find
remembers
in
which
with
his bride.
having
his
modern
from
the
and
man
find
we
animals
stories
be
would
stupid,
in the
and
stories
their
to
are
Rabbit,
Bre'er
nation,
damIn
remorse.
significant qualities
tragedy,
mysticism,
underlying
philosophy
of
mythology,
aspects
classic
in its
not
are
material, brings together

He
accustomed.
two
creature
Algernon
been
though
mythology
Blackwood
centaur
experiences
has
hundred
caracoling off the end
goes
his
deep
We
relishinga joke
mortals
of the
as
man,
from
curse
Remus
sorrow
most
frolicsome
who
metempsychosis
to
all.
part
we
and
romance,
altogether Celtic
centaur,
years
find
we
symbolic poetry,
perhaps
and
lure
must
sent,
undoing.
tragic symbolism
who
stories
drawn
as
thought decide,
literature, humor,
perhaps
has
keener-witted
extreme,
the
supernatural
aid
an
Uncle
must
casts
beast-tales
of
The
the
We
she
rose-tree.
for his
beasts
bird
lover
the
as
comical
man.
first
at
beasts
unhappy
and
on
wit.
mean
of the
in
might
we
the
or
the
tragic
because
that
richer
acts
cycles
humor,
sense
laughable
who,
is
different
element
of
last she
folk-fiction
into
Wilde's
expressing the kinship between
as
the
her
the
at
protection for him,
or
red
rose
under
animals, which
to
In
large
in
beings turned
gods for sin

nature.
But
Oscar
symbolic
loves
jewels that
the
everywhere
and
human
see
poet who
235
tender-hearted
white
ball.
is
the
nightingale lies dead
given
power
the
wears
see
forever.
the Rose
stain
the
to
rose
aside
while
and
to
told
Folk-Tales
it remains
sacrifice, where
girl has
rose
vain
his
gives
where
Nightingale
of
genius,
in
Supernatural
and
of the
tells of
and
of
lives
that
in
man
story
fifty
world
who
memory-
far-off
time.
The
236
introduces
Dunsany
the
as
us,
beside
bride
her
beauty,
whose
mother
There
is the
bird
is
the
that
the
bige from
of
dwells
dragon
with
the
up
London
must
forget
not
that
eats
Old
Man
Who
Looks
for
joy.
His
of
malignity
dawn,
earth
rider
past the
"like
sky
the
that
mortals
is
away
of his
fancy
the
to
and
romance,
we
The
the
find
World,
The
of
the
Well
in
who
world,
of the
synonym
Gladsome
Beast
There
the
are
far
the
City
halter,
sunlight,
the
is
is "a
doom,"
trunks
of
Dunsany
its
carry
are
unearthly
look
in
that
watch
trees
and
looses
far, ancient
pure
There
silence
which
over
to
of Never.
the
lands,
to
the
the
bear
reins
show
were.
it
of
manifesting
Morris,
Wondrous
the
prose
as
End,
supernatural
well
and
Isles, The
World's
the
itself in many
recurring again
at
the
is the
the
magic
alluring element
enchantment
Water
whirling
into
of William
romances
eternal
cabbages
the
bowl.
Lord
never
find
we
in
him
an
Cub-
till Ackronnion
agate
spoken
fate.
that
forms
Magic
to
holes
carry
wonders
the
of
edge
cease
never
Miss
Beast, he
destroys the
ghoul,"
their
to
the
at
scales
ancient, soundless
Gladsome
the
high house, whose
than
worse
the
by
with
Pits
of
through
them
In
Under
touch
There
whirring flight,bathing in the
caught
gnoles in their
the
us
with
be
to
one
off to
an
and
hippogriffs, dancing
to
her
time, when
into
tears
great
coming
carries
joyous chuckles
sings of the
weeps
seizes
Fairyland, but
after
neither
both.
like
and
and
men
sphinx.
is
streets
fairyland,
god,
glittering golden
far away
lying
underneath
beast
and
balcony
the
who
beast
temple
half
and
lion
to
immortal
and
Maharrion,
gray
her
of
centaur
desert
weird
romance
the
of
high-priest of
her
We
sea.
half
was
child
loathsome
rattles
lands
father
cat, but
nor
in
seeks
man-horse
the
lake-sepulchre, Sombelene,
sad
whose
beasts
curious, unfamiliar
other
whom
Folk-Tales
in
Supernatural
poetry,
again,
Wood
and
as
ways.
as
in
beyond the
others.
Yeats
The
said
that
Morris's
style in
prose
he
his
work
greatly.
the
Witch-wife,
such
as
and
People,
the
prison
the
power,
the
it
White
and
of
antique
of the
the
the
the
Stony
boat,
bars
which
with
the
to
mighty
Valley
ing
drink-
one
the
power,
changing
the
of
Grey-
swoon-dream
witches'
Morris's
in
is due
prose
the
howls.
wordless
the
to
rune-like
words, the
forgotten
the
golden
Birdalone's
of
characters,
enchanted
gives
Black
as
it influenced
runes
magic
most
quality
rhythm.
Yeats
tells of
immortal
youth
of the
prince
so
Tower,
weirdness
tone,
the
which
and
that
the
us
magic
vision
the
was
Wood-wife,
with
Might
237
unearthly
shows
unearthly,
is
the
the
cage
forth.
so
Palace
Part
of
Water
Wailing
weathers,
has
maidens,
three
supernatural
skin, the
He
He
the
Boat,
read, and
ever
forth.
so
Sending
had
Folk-Tales
old stories
these
beautiful
own
in
Supernatural
that
he
knees
beauty,
and
fairies ; of the
loses
the
by
whereby
magic
his wits
fire to
hares, of fire-tongued hounds

the
across
of
she
that
"with
his
that
of
powers,
the
gifted
on
death";
of
the
sink
little gray
the
mortal
his head
follow
with
wed
may
falls
world, of whistling seals that

darker
of bat-like
that
so
remains
day
is
woman
glamour
and
the
his
on
shadow
lost
soul
great ships,
doves
of the
good.
Dr.
of
in his Paudeen
Hyde,
of
sun-myth,
haunted
naturally beautiful,
robber, "Why
did
five hundred
of the
of
forest, of
the
witch
bring
you
away
princess super-
who
complains
gold that
my
gathering through
years
the Weasel, speaks
the
hills and
the
to
for
was
hollows
world?"
Lady
Youth
0' Kelly and
tells
Gregory
touched
him
could
look
upon
Miach
who
put
inconvenient
the
on
him
the
of
Diarmuid's
forehead,
without
eye
results, for
of
love-spot,
so
giving
cat
in
that
him
man's
no
her
where
woman
love; of
head,
with
The
238
when
he
would
start
the
or
an
sound
Druid
the
Druid
us
mists
of
healing
tells
it
wanting
was
in
be
to
stire
was
to
a
of
makes
the
Happy
square,
has
of the
pick
out
of the
the
on
dark
from
go!
of
sight;
of
desperate from
and
can
barter
it
the
they
forth
lead
and
the
because
he
them
who
buried
to
lost his
in
flowers
his
which
by
fisherman
are
as
take
wonder
strange
appears
The
Crier
in
lure
can
in the
uncon-
that
poetry
this
are
That
if he
Then
I will follow
tangle
worn
Crier
him
and
to
of hidden
in his
follow
its
often
out
of
steal
to
The
woman,
aid, says:
soul
things
chill hair
and
follow
and
as
present.
story
its waters.
invokes
body
the
by Night is
as
the
to
pool, coming
into
jealousy, who
with
the
altar.
lurks
use
of
on
swallow
Coleridge's Christabel
that
of those
of
speaks
send
Bottomley's
evil presence
of
eyes
jeweled
her, when
from
heart
his
mermaid
sacred
Prince, high
sends
enchantment
prose,
To
"I
others
one
people, and
He
ones.
love
"For
birds,
wound.
whereby
the
to
Gordon
into
turn
allegories,
ground,
the
for years;
and
shield
ancient
symbolic
bodies
The
that
Wilde, in his fairy stories and
suffering
placed
sometimes
Come!"
from
every
misery
secrated
kisses
that
armies
cure
on
for
lasts
the
let
birds
of wells
messenger
soul
walls
and
into
of grass;
magic,
the
armies
of
stone;
mortals
stalks
pedestal
souls
he
change
saying, "Come!
that
Oscar
that
envelop
invisible
that
magic
the
when
eye
flight of birds,
the
or
it is then
sleep that
screaming
go!";
sees
rods
that
of them
the
mice,
rushes; and
the
rest, it is then
his
of the
gathering,
win; of Druid
some
in
or
army
take
squeaking
of the
shows
heroes
the
at
and
sleep.
She
of
sleep
to
movement
watch
of
wanted
Folk-Tales
in
Supernatural
follow
an
the
The
Supernatural
Past
where
And
turn
the
to
dramatists,
and
and
to
Milton
dislodge despite
than
the
Little
established
in the
Irish
she
as
Sidhe.
of
woman
earth
their
at
free
own
little
fairies, and
fallen
be
not
angels."
others
wanting
folk,
W.
as
Y.
Celtic
in
of the
existence
Fairies
the
Countries
exist,
as
same
puts
Sidhe.
because
the
If it
have
has
were
to
stories to
The
think
the
type
the
believes
peasantry
there
believe
in
not
are
the
small
Fairy Faith
volume
for
the
they
recognized by
now
collective
units
calls soul-stufE
or
to
appear
of
be
logical
psycho-
ness
consciousindividual
more
apparitions.
of
any
of
I'd
them
as
as
fairies
stories
since
Many,
in fairies
believe
units!
veridical
himself, but
fairy
himself.
not
soon
his faith
juvenile consumption,
loves
ghosts who,
and
And
his
an
water-horses,
essentials
thus
James
substantiate
volumes
all
they
left to me,
seen
never
be
William
like veridical
units
in
in
of
says:
intelligentforces
researchers,
like what
He
belief
his
loyal argument
up
as
Celtic
are
the
in
the
asserted, "There
and
that
who
and
firmly
is
trapsin' about
go
who
learned
qualities
Twilight, tells
reason."
to
more
difficult
fairies
hell, or
among
Wentz,
in
religion
to
leprechauns,
more
E.
in
figure
no
ethereal
Celtic
will, but
fairies,"for they stand
in
his
up
permitted
Everybody
and
poets,
Spenser,
more
sections
Yeats, in
B.
with
being
is
belief
The
daring unbelief
held, would
"
world!
There
delicacy
give
soon
W.
light
folk-literature, none
their
239
Shakespeare,
Gaelic-speaking
would
peasant
dark
time.
People.
in
past the
from
present
in
ebb
favorite
romancers,
the
Folk-Tales
the
been
always
firmly established
to
stars
under
water
fairy has
The
ringed
in
he
Mr.
tells
as
Wentz
number
of
in them.
are
the
or
by
modern
most,
no
means
adult
of the
all for
dearly
stories of
The
240
Supernatural
fairiestold frankly for children

of
continental
folk-legends.
has
fairy-literature
Dim
People
Celtic
soul.
The
round
fondly
them
Lady
Celtic
fairy-lore,and
sweet
thrill that
of the
primitive
bird
and
and
small
Field
has
and
written
and
Charles
Kingsley's
of most
of
in
us
of
nonsense
Barrie
in
confessed
beings
marvels
before
tells
how
us
in
the
fairies
to
Fairies
and
He
bits
shows
and
the
us
skipping
went
folk
wee
by the ignorant they

and
those
with
and
green
garments
W.
given
B.
Yeats
him
unseen
things,
pipes and
People,
the
in
song.
his
is
poet
ot the
dower
to
He
tales
with
of
hear
us
many
dramas.
their
broke
into
one
fairy.
where
children
flashing faces
the
beds.
pansy
fairies,for they have
vision,
faint, musical
tells
Barrie
Gardens,
the
the
see
have
flowers, but
see
the
magic
the
and
for
fairies among
favorite
each
M.
to
over
Bird
they
that
J.
not
we
^that
can
charming
world
Kensington
heart
its
impossible.
about,
mistaken
are
the
in
imagination
with
origin in the first laugh of the first baby

million
Eugene
of Pesth, and
Little White
"
great
adventures
the
doubtful
be,
every
for
recounted.
years
The
In
wild,
same
the
enriched
adult
and
the
prose
in nature,
fairy-folk, for did
came
Singe,
poetic thought
which
the
the
eyes?
our
of
Babies
won
Yeats,
fairy personality.
are
possible
Pan
faith
the
The
own
in
Bulbo
or
B.
fairy pantomime
story
Water
its
says,
Prince
youthful
Peter
feel.
he
as
gather
lyric
know
us
tree, with
charming
made
most
and
Wilde, John
and
the
to
than
W.
stories.
undying
peoples everything
races
Giglio
beings of beauty
peasants
children,
of Prince
innately poetic
have
the
has
Thackeray
more
the
of
the
lore, for
Celtic
the
variants
or
literary side
more
given in poetry
have
blossom
The
Wilde, Oscar
Gregory, Lady
McLeod
adaptations
supernatural beings
to
delicate,
Fiona
are
of all
Irish,
cling more
races,
Folk-Tales
from
come
dearest
are
in
to
voices
stories
The
glimpse
Land
of
of
the
the
fairy
Dim
of Heart's
The
Desire, the
mortal
soul
forces
by which
her
and
or
the
of the
Uve
Rose
doings of the fairy-folkwho
slay
in
men
when
malice, and
mortals
James
world
realitywith
of
in love
with
with
stolidly true
to
fairies
when
he
he
cares
no
the
unable
the
This
and
to
fit
is
modern
and
16
knoll
for the
the
closed
fairy bride
romances,
that
of the
we
find
survival
the
motif
so
for
of
the
him
of the
and
is
love
to
by
he
wretched,
reopen
his
mortal
in mediaeval
Celtic
But
fairyland,
whose
he
is
until
coarse
unable
often
he
life.
seems
so
Dim
queen
town,
mortal
upon
the
their
is home-sick
inexorably
version
girl of
life and
asleep
him, but
woos
elfin creature
mortal
man,
English-
by
where
of wonder,
Been
falls
kidnapped
to
in the
seen
Had
woman,
sleep
he
is
Who
village girl who
with
again into
that
the
in
of the
union
middle-class
vainly
kept in the land
doors
a
back
the
repulsive compared
might have
She
bachelor
of the
The
country,
thick-ankled
him
on
more
their
him.
send
wakes
to
leprechaun, and
Man
young
is
supernatural,
people
wee
Wells, The
night and
him
falls in love
the
of the
satire.
of the
ordinary
one
side
hill-
moonlit
mingles delightfully
philosophy
social
G.
an
take
People who
Gold
crude, materialistic
fairy knoll
of
elements
droll
that
of H.
A
Fairyland.
on
the
charming
little story
sad
in
make
to
man
especially
away,
by
insects, the gods,
with
combining
fantastic
of
Beauty,
dances
Crock
other
talking beasts, and
Pan,
Yeats
heart.
brides, of evil fairies who
of the
The
in
fairy-lorewith
as
pathos,
asleep.
are
Stephens
of
steal mortals
new-wed
or
the
while
"where
land
poignant
the
fairies,
hearth
in the
touches
claim
of the
the
by
and
divine
to
triumph
forever
that
Imperishable
babies
Sidhe
poor," has
or
sorry
beauty
new-born
the
falls lifeless
to
away
wild, dreamy
of
and
girl'sbody
gets old
of
powers
241
the
struggle between
wife
spiritspeeds
tells
the
young
the
nobody
a
story of the
of the
in Folk-Tales
Supernatural
wish.
lover
lads
bal-
wonder-lore.
The
242
Arthur
Lewis
human
stories
frankly
life.
in
They
the
with
associated
Crimea
by
with
is
he
woman
loves
Whether
it is
lorists
have
volumes
fiction.
opened
under
their
the
after
magic
from
away
Southern
the
We
find
romances
stories
of
force.
It would
their
been
and
Some
flood
their
one
the
fairydo
can
of the
various
no
Sidhe
land
Man
whose
have
of faerie
in the
mind,
Who
Looks
parlor
"empties
Phill-
writers
some
Old
of
fairy in English
lover
caves,
world, and
of
his
gods, demigods,
in folk-tales
been
and
windows
slops
be
sources
or
in the
sheer
into
the
and
interesting if
one
discover
influenced
by
could
how
how
note
of
they
distinguish
tale
heroes
heroes
literature
folk-supernaturalism
and
and
difficult to
converted
and
suggested
The
place the
house
People
fairy stories, Eden
them,
gods, demigods,
ultimate
Little
again it is interesting to
and
has
Celtic
of
that
in
the
folk-
and
with
faithful
It is sometimes
them,
hero-myth
of
in secret
stories
many
influenced.
between
the
of
state
Cross."
tangled up together
have
us.
says
the
in
folk-tales
was
some
lives
or
before.
presence
of
to
Dunsany
Fairyland
to
the
beauty.
own
long catalogue, and
much
ground,
Lord
look
Celtic
her
romancers,
than
us
collections
written
to
the
feeling,as
place
interest
to
Lang
many
potts has
actual
an
besetting sins,
of
fairy of
the
new
make
Andrew
made
and
suggest
winds
still open
nearer
would
than
more
and
be
recounting
lore alone
on
aroused
come
may
by
province
the
on
is lured
fairyland
mind,
who
blown
presences
ate
Passion-
symbolic fairy
novel, the fairies being figures of the man's

bodiless
earthly
an
The
beings.
Thurston,
daily
with
contact
stories
unearthly
Temple
E.
into
symbolic
little
philosophic
writes
fairy tales, attempting
of
guise
impossible
weird
are
Tales
Fairy
London
bring the
to
wisdom
in
Folk-Tales
in
Supernatural
of
the
god.
give
many
superhuman
trace
much
classical
them
they
to
have
mythology.
The
In
Fiction
numberiess
the
whose
kings
and
Kennedy
also
Stories
the
the
of
did
the
Yeats, in his Stories
of
an
Irish
of human
W.
that
drank
into
was
her
her
wine-cup
bound
by
the
of
Lady
married
out
of
fight with
Conchobar,
beauty
for
his
hill of
a
with
the
whom
Red
the
of
Hand,
Mayfly,
carried
shine
druids
that
so
with
away
When
about
and
he
as
anger
head,
his
had
natural
super-
battle.
Cuchulain,
the
Branch
have
the
high
Sidhe; of the
Sidhe, whom
they
king, that
loved
many
Dechtire
mother
has
that
filled
wonder.
for
shadow,
the
in
Cuchulain,
book
lovely birds.
of the
nature,
song.
Strong
and
W.
glimpses
us
of
best
of
light would
assisted
of Muirthemne,
his
form
of
strength
of the
Etain
the
arts
tells
Gregory
the
hero
Ulster, and
of Ireland
legendry
the
sea-
others.
saga
of the
the
deeds
gift of
was
given
wandering
Cuchulain
It
flock
and
beauty
divine
Lugh
in
all the
understood
enchantment
as
him
upon
Hound
of
soul
fifty maidens
came
he
the
of
man
"perhaps
calls
slew
many
wonderful
of Ireland."
out
come
she
Yeats
and
Ireland, in
of
B.
ever
flew
tells the
Gregory
and
sonages
per-
of the
was
Ranrahari, gives
Villon,
Frangois
hero-god
which
of Red
of
earlier, who
and
doughty
many
frailties,yet with
Lady
the
fairies
In
legends.
Fergus, who
Immortals,
B.
bards.
legendary history
King
the
ancient
exploits
times
of the
by
the
third
the
stories
Ossianic
relates
antique
who
the
druidic
to
power
powers
he
stages
Cormac,
the
of
of
favorite
the
by
sung
many
back
as
supernatural
monster;
as
in
the
are
Heroes
or
flourished
were
243
Kennedy,
Eironn,
really
adventures
remote
people, such
by
whom
chiefs
Patrick
Fianna
of Ireland
dating
reflect
the
retells
Folk-Tales
Celts, by
of
of
some
and
Bardic
Irish
stories
century
of
the
of
Ireland,
in
Supernatural
candles
king
nine
to
could
Deirdre
of the
of
Ireland
who
pipers that
fight
with
be
not
of the
Gael
were
came
was
to
killed; of
burning
blown
The
244
out;
of Cruachan,
than
the
magic
with
the
Dim
who
fairies
and
People
whole
province
with
not
follow
him.
Gods
and
tells of
divinities
ancient
Oisin,
know
to
come
; of
country
the
where
god
Medhir
never
invisible
gods promise them
the
tells
who
monsters,
tells
killed
three-headed
harsh
and
screeches.
of
daughter
and
writer
told
have
and
gods
Aldis
heroes, who
and
Arthur
his
sorrow,
no
of Under-
care
who
with
fought
bodies
Cuilinn,
with
that
who
raised
one
among
fought
Diarmuid,
shapen
mis-
country
who
Finn,
headless
Wave,
wonderful
somehow
his Table
and
Dunbar,
of the
us
the
raised
married
house
the
by
a
chantment,
en-
Grania, of the fatal beauty, loved.
whom
Curtin,
Jeremiah
no
divine
desires, as the
in
Lein, and
meet
Under-
King
over
great serpents in Loch
nine
We
king
all their
of
Loch
at
hag,
is
We
equals.
country
that
us
many
Shadow-shapes
and
there
She
gods.
Etain
Queen
old, that
grows
the
to
could
Gregory
fought against
who
called
are
is
cover
they
as
men
Finn, who
of Dea
Men
met
to
Lady
Men
fight
to
and
that
so
snow
Fighting
that
of
son
Men
Fomer.
Wave
deep
able
was
them,
overcome
the
In
he
that
so
greater
enchantments
druid
knew
of the
Folk-Tales
in
Supernatural
Round
or
of the
legends
seem
Celtic
human
more
of the
any
another
many
than
English mythical
heroes.
It is Lord
times.
recent
in
idols
this
the
at
men
He
Inn, where
an
who
but
some
mountain
with
have
where
gods
come
doubt.
come
sinister
stolen
But
down,
menace
in
in
in gods
specializes
divinities
another
and
His
his
emerald
beggars
life,and
at
last
terrible
some
the
dramas
silent
The
eye;
masquerade
of the
seven
figures of
in
demons,
connection,
jade idol slays with
seven
to
who
creatures.
mentioned
are
Mountains,
mountain
fairly revels
out-of-the-world
and
nature
Night
however,
Dunsany,
of
as
horror
Gods
of the
as
the
people believe
gods
green
from
the
stone, and
point terrible fingers at the beggars,
The
who
stiffen
Uke
the
stone,
as
that
gods.
true
them."
turned
The
Gods
of Pegana
In
Time
the
lavish
the Gods
and
the swart,
sinister
The
gods
dream
with
domes
for
"
white
and
dreams
the
river
new
the
gods
weep
god that
comes
ancient
million
of all the
and
He
gods
one
The
gods
him
of
they
Wind,
forever
The
the
mind
well
the
of
us
of
Slid,
stars, past where
thrones,
as
that
so
Umborodom
again
again and
prophet
knee-deep
showing
who
the
saw
in
stars,
higher
for
and
power.
that
he
of
moon
and
they rob
flies
sky, of butter-
things.
And
last
him, from
the
has
ball
golden
her
as
it
the
all lovely
of Wonder
haloes
hunting-belt;
smitten
sun
seek
gods,
roam
city
seen,
which
they make
waste
spaces
so
they steal
the
of
the
South
world,
unremembering.
Book
wears
to
this
whereat
their
sea,
strode
jealous of him
from
the
hand,
of the
stood
and
arose
the
on
the
of
us
mighty
away
mournful,
In
as
flowers, and
his soul
knew
night
knowledge
and
his
to
are
with
must
whispers
them
above
hound
power,
him; of Inzana, the daughter
it falls into
when
his thunder
her.
plays
magic
tells
He
seated
behind
who
gods
weeps
with
who
march
maliciously.
Time,
tears.
servant
slcy,all shimmering
the
striding through
are
immortal.
their
have
hateful
grievous
calls
Sardathrion,
But
by
divinities
waves
and
doubted
Dunsany
makes
pinnacles the dreams
visions, is overthrown
mighty
that
the
were
tales
them, but
serves
to
fantastic
many
and
them
turn
we
gods, with
many
morning."
the
to
marble
are
genius
who
Time
between
proudly
up
see
we
because
before, whom
of
ease
and
"They
say:
stone
to
of
heard
never
life with
images,
people coming
have
of divinities
to
the
the
245
feet under
their
of
They
In
Folk-Tales
pedestals, draw
on
cross-legged posture
so
in
Supernatural
at
those
the
which
still other
are
of other
gods
Sphinx,
little
things
at
which
golden
on
as
leer, that
now
man
Hlo-Hlo,
hooks
"remembers
who
boys
gods,
stands
along
in
she
her
once
aghast";
The
246
the
certain
disreputable
will
and
would
consent
ever
become
that
of the
told
the
Gibbelins
regions,
try in vain
way
"And
without
of those
that
though
"
which
on
of the
white
There
should
that
is
Michael
Banim
in such
The
write
works
the
and
come
of
mentioned,
Peer
Scott
Catholic
country,
doesn't
He
abound
the
where
he
had
the
his
couple
are
since
glad
literature
meet
at
him
now
Oscar
by
Winkle;
the
saints
in that
as
from
the
he
housing.
our
tale
fiction
Selfish Giant,
Blackwood,
and
occasionally
in frank
this
The
Oriental
in
The
told
thing,
of
appears
Wilde's
large repudiates
of any
Janvier has
scheme
he
and
City of Mexico.
modem
novel
origin, but
in
of the
on
the
A.
ing
appear-
Stephens's
fiction, since, poor
the
Gothic
of stories
to
from
with
only sporadically, as
Thomas
as
and
play pranks
van
about;
loss, of
John
Eve, and
literature
legends
faded
well
into
came
in his
almost
fit in
such
super-
pixies,as
Irving's Rip
tells
people.
banshee, the
and
trolls that
in Celtic
and
deUghtfuUy
has
mountain
that
that
giant
the
and
miracles
so
Baring-Gould's
Gynt
"worrie-cow"
about; the
of
founded,
was
the
one
legend
folkloristic
of death
presager
is
enough
rule the
as
for
they
tale
Aztec
God,
Fair
elements
much
S.
as
of Gold;
Crock
Ibsen's
We
to
was
be
that
But
novel. The
cannot
creature
ending."
forget
not
other
many
the
soul; the fetches, ghosts of the living,whom
the
in
happy
smiUng
and
"
Alderic
waiting
are
even
or
wall,
burglars
instead.
they
word
outer
divinity who
naturalism
of
not
but
are
beyond
is
many
death
them
the
Wallace's
are
wailful
evade
We
home
treasures
meet
saying
we
Lew
to
quakes
earth-
them.
whose
men,
whose
only
on
have
eat
and
to
him
neatly hang
gods!
steal
to
crafty
him.
that
rival
raise
and
temple
who
Sheemish,
and
and
other
their
destroy
known
tries
each
respectable god
no
hear; Chu-chu
to
with
angry
that
prayers
of etiquette
nothing
knows
who
god
grant
Folk-Tales
in
Supernatural
few
others.
folk-tales
favorite
of
our
The
youth.
He
would
reasons,
and
realism
Lord
Tonker,
the
to
only
tells of elves
of the
the
ancient
very
Arthur
chiefly from
the
thing.
diabolic
Alanna
In
the
Sabbath,
unclean
The
rocks
and
the
Great
that
God
Pan
ancient
tell
obsidian
heaven,
giving
an
power.
One
reading
called
This
than
literature.
of the
molded
legends
rendering
he
flinty
tell of
his
stones
stone
man
like
on
black
the
of
ages
rinse
brings
black
murders
vast
earth
enigmatic
mind
after
out
tion
collec-
Impostors.
taken
any
other
There
of
nymph
stories, particularly the
has
of
that
come
to
Hand
figures that
should
one
Three
any
old
an
pool of fire.
women,
treasure,
the
seems
the
power,
of
in
comes
Red
magic
impression
supernatural
its
of
and
men
slimy
under
hands
to
other
reads
fairies
menace
The
In
buried
Machen's
than
of
One
by human
woodland
with
whorl
discussion
folk-fiction
more
The
world
moon
of
material
dances
white
timeless
years
feels
Arthur
his
incantations
mystic
vile.
thousand
street,
obscene
great
souls
of
London
dance
clay made
the
runes
secrets
ten
that
loathsome
pool in the
unbelievably
together
of
at
again, corrupting the

them
folklore
most
the
Images
life, and
turns
aspects
spirits of ageless evil.

are
which
sinister
the
upon
opened
things
take
to
caught
for.
care
wholesome
seems
Moomoo,
that
other
wise
let loose
to
window
strange,
He
of the
gnoles that
of many
with
us.
Pit,
influence
of the
very
the
People, who
Witches'
to
to
of unnamable
whose
the
unlike
the
White
Mouse,
deals
reveal
247
stage, for obvious
gnomes,
Thuls, of the
or
Machen
writers
the
on
and
world, and
young
supematuralism
horde
called
of the
magic
well
Folk-Tales
rejects him.
sword
magic
suit
not
Dunsany
of the
in
Supernatural
left
its
of
English, but
into
literature
the
of
Celtic
influence, because
group
hundreds
are
in
other
it has
note
more
imprint
volumes
the
that
Celtic
is its
on
of
modern
folk-tales
Revival
own
has
excuse
The
248
for
being.
In
mysticism,
which
forms
like
wild
the
keening of
of the
Celtic
like
now
lament
for the
In
the
of the
the
survivals
with
that
comes
poetic
romance,
The
pagan
poetry
future.
Divine
back
In
are
from
that
stories
Coming
reflect
may
where
as
chronicles
the
Body
of
the
do
of the
WUl
we
get similar
The
past,
medieval
spirit
of the
years
soul,
as
alike
"silent, sad-eyed foreigner, the

of Yeats
throbs
of the
out
veiled
and
love
dim
the
symbolic
the
that
moralities.
from
they
save
ate,
passion-
and
on
through
so
But,
teaching
lives
appear
are
truth.
people
old
the
allegories, the
at
symbolic
they
mystic
are
Adventure,
the
Yet
myths,
interwoven
outburst
race
showing
timeless.
They
the
Gaelic
woe
and
moral
heritage of
and
awe
druid
moral
attempt
no
McLeod's
past, they
legendary
is
paganism
religiousbrooding.
they
of romances,
Sometimes
late-learned
of the
in Fiona
mystical figures of
that
wistful
wedding-song,
mixture
become
the
beauty.
rapturous
poetry
in rapturous,
a
the
like
essential
overlaid
spontaneously,
and
import,
some
The
traditions.
tell
to
get
beliefs
savage
themselves
which
again
unguessed
hymn,
of the
croon
days, the ancient
part, there
most
dead.
we
Christian
later
wonder
over
chant,
of barbaric
myths
the
itself forth
folk-tales
legend being used

for
pours
legends,
the
pagan
their
lyric
peat-fire,some
hero-gods,
beside
the
terrible
of
heighten
to
lost soul.
Celtic
pagan
of
battle-cry
soul
music,
beside
prose.
effect of super-
like the
are
cradle
runes
women
impassioned
employed
where
any-
rhapsodic
such
in
part of the
stories
her
by
barbaric
like
some
wild
passionate
scarcely
find
we
save
is here
get
we
Quincey's
large
so
of the
mother
peasant
that
prose,
De
in poetry,
Some
prose.
of
some
naturalism
school
of this
English
in
as
Melody,
work
poetic symboHsm
else
passages
the
Folk-Tales
in
Supernatural
dim
of
the
in
The
shrink
Soul."
effects,the
weird
The
of the
power
sight,
past the
the
old
broken
catch
to
power
discordant
the
Song
of
catch
fleetingglimpses
Immortal
druids, the
discern
yet deep, such
as
children.
see
centered
lovers
of the
who
have
feel
the
faces
like
We
terrible
are
have
side
the
the
with
dream-stuff
feel that
with
their
up
see
us
only
the
and
thought
A
Oscar
a
Wilde's
with
sometimes
that
Dunsany
happy
a
a
soul.
suggests
grace,
sometimes
lyric rhapsody.
His
we
makes
He
has
its
own
living thing,
that
us
follow
to
demon.
flowers, in
of fantastic
evoked
of
Some
poison
lend
to
seems
fiction.
like
if
us
doves
subtle
joyously
of
writers
wild, exotic
like
us
taken
shows
of style
of strange
writes
He
silver
or
element
unfold
and
like
like
have
thinking
world
by
makes
Yeats
divinity or
writers
sentences
Lord
the
side
is all about
that
doom.
seems
poetic vision.
hounds
life at will
beauty
perfumed
heart.
into
black
of the
some
the
thought,
supernatural
certain
itself to
to
which
again
of
day
poets
faery
wandering
create
soul, bring
the
of
lack
out
some
can
of
goes
possessed by
land
we
actuality
being
vital
the
But
see.
of
hearts
years,
Yet
dead, but
not
are
sweet
bygone
symbolism
spiritualimport.
the
in
that
and
and
mysticism,
divinities
abode
romance,
would
deep
old
the
druidic
the
of
eternity.
like
sighs.
in
self-
instead
us
of
little
the
of
throughout
happy
mysticism
old
We
and
mirrors
colors
blown
trumpets
modern
that
as
the
fluttering bird-wings, like
they
heroes.
drifting past
falling rose-leaves, bright with
the
again
of animals
images
poetic thoughts
whispers,
see
and
heart-shaped
own
the
sadness, dim, unreasoning
symbolism
such
with
faint
People,
hears
world,
of the
trembles
bards
in the
see
that
sense
hear
Dim
ancient
hearts, seeing only their

We
We
249
gift of second-
music
"that
literature
we
the
moment
Powers."
Celtic
We
spiritual
sounds
culdees, the
in the
Folk-Tales
bards, the
curse-making
spiritual vision, the
in
Supernatural
at
the
tures
crea-
liltinglaugh,
beings
are
The
250
sportive
or
stories
beast
of
have
blown
reflect
the
sadness
stern
modem
the
of
the
as
of
fiction
have
romances
past
the
Scotch,
the
aroused
and
made
the
is
to
of
of
These
Irish
soul,
of
folk-lore
so
science.
the
has
lished
pub-
these
interest
wondering
folk-lore
sad
flesh,
subtlety
psychic
feel
We
the
supernatural,
of
think
us
world.
the
old
an
man.
of
study
Uke
with
carelessness
sweet
the
winds
loathly
some
makes
unclothed
the
on
And
English.
influenced
legendry
of
of
style
hostile
forces
feelings
spirits
trail
slimy
Blackwood
Algernon
emotions,
folk-tales
Morris's
elemental
awakened,
bodiless
the
like
Machen's
Arthur
unclean.
never
William
while
rune,
formless
effect
an
serpent.
or
Norse
but
awesome
Folk-Tales
in
Supernatural
in
the
CHAPTER
VII
Science
Supernatural
THE
application of
or
of
of
the
Ghostly
in
Darwin,
much
of
was
so
nineteenth
thought
literature
Almost
to
and
dabbled
a
divine
in
that
supemattu-al
Now
in
contributes
once
The
each
sorcerer
in
advance
plot material,
has
wholly
of
the
given place
botanist, the marvels
of
to
each
phase
devil
the
251
Zofloya
are
created
of
into
isolated
has
"
had
the
now
its
stances.
inflection
re-
of research
elements
scientific.
bacteriologistand
have
the
astrologer
incursion
an
almost
some
discovery
the
stars.
as
with
sought
science
while
fiction
Frankenstein
are
supernatural flction and
considered
the
noteworthy
they
little
associated
elixir of life while
biology, yet
written
was
alchemist
chemistry, and
was
reflect
to
Gothic
was
destiny by
human
diabolic
man-monster
the
that
extent,
The
effort
as
lines.
other
what
of
did
comparatively
science
only
the
work
the
in
scant
times, and
noticeable
philosopher'sstone
to
but
rapid
the
co-laborers
as
it made
astrology.
for
romance
made
the
any
and
alchemy
in
that
with
investigation in
their
and
one
literature.
recent
century,
of the
unconvincing
with,
tried
had
science
crude
and
knowledge
quicken
impress.
dealt
the
of
science, is
definite turn
and
new
Huxley,
Previous
the
supematuralism,
to
modern
to
features
Spencer,
to
even
distinctive
scientific
part
science
supernatural
fiction took
advance
latter
the
modern
the
displaced miracles
basis
as
for
that
rather
from
than
Science
the
curdling tales, but

tales
it is
will
swallow
and
no
miracle
will be
in its reaction
as
in the
as
is
ghostly
The
work
of older
The
gradual.
research.
about
and
G.
the
and
science
itself
ghostly
stories
not
seem
wholly
old
and
the
Heidigger,
rivals
in
is but
natural.
young
Gaffer
who
wife's
conventional
scientific
the
fsought
stories
are
and
more
forces.
in
Nights'
stories
stand
the
in
modem
of
in
Tales
modem
between
the
Rappaccini,
Dr.
Felton
youth,
treatment
Modern
Arabian
Septimius
efface
to
of molecules
erriployment
the
of
been
wizard
the
knowledge
science, his
elixir
has
lock
war-
its
so
cheek, being related

type
while
narratives
DoUiver,
for
his
than
of
types
the
supernatural,
upon
power,
The
Hawthorne's
new
of
supernatural-
present
supermortal
marvelous
search
husband
his
miraculous,
investigations.
novels
wizard, the
in the
scientist
seems
more
thought
equally effective
in
the
sorcerer,
relied
aid
to
tory.
labora-
realism.
laboratory applies
gases
Wells, for instance, where
the
to
be
terminology,
scientific
others, and
cold
to
bait
supernatural-
naturalistic
the
accept
for it.
if the
in
sorcerer
modern
to
excuse
No
modern
chiefly diabolic, agencies for his

of the
modern
shown
on
fiction
willing
it is
from
transition
is
natural
super-
believing
for
is that
of H.
grafted
hang
rejected if its setting be in
Zola, the plays of Brieux

ism,
for
fiction
upon
realism, such
situations
expressed in technical
peculiar thing
One
past.
excuse
Man
evolved,
in the
to
improbability
psychical
if it is
hook
an
given
wildest
the
or
is incredible
as
incredible.
He
ism
charnel-room
excellent
an
impossible, if he be but
science
now
extraordinary
the
labeled
are
for it gives
upon,
however
anything,
and
furnishes
only
not
vault
the
stories
ghostly
the
it is from
plot material, and
unearthly
laboratory
in
Science
Supernatural
252
well
as
birthmark
theme
to
in method
the
and
as
from
to
new.
and
the
his
the
his
older
Poe's
material.
Science
Supernatural
and
in
fact
the
idea
he
of
laws.
His
other
the
modem
an3rthing
that
had
Wells's
G.
narratives,
aftermath
of the
his
stories
unearthly
consequences.
him
into
With
with
of
power
every
he
fight his enemies,

The
they
about
supernatural
simplicity
lurks
problem.
unsolved
is
for instance,
of
magic
of
that
dead
possessor
one
one
monkey,
the
the
symbol
the
old
of
right
operations with
of the
ancient
of
his
his
with
of
science
the
Chinese
entered
to
nearness
alliance
unites
aspects.
with
means
society'as
which
mere
no
intensified,
intellect
all
old
an
in its various
and
festations
mani-
later
evil,that
unholy
of
have
magic
cunningly
so
to
sorcerer
them.
W.
W.
of the
could
ifebelieved
three
the
seeming
Monkey's
The
by
horrors
the
to
an
Paw,
stories
shriveled
some
wishes
inescapable destiny,
tragedy, though
nothing
question,
The
of.
the
on
effectivelyterrible
conceive
have
that
this
unanswered
Jacobs's
most
that
to
an
behind
of
power
natural, with
Yet
mystery,
skillful
contrived
plausible and
seem
scientific
do.
suggestiveness, being
surface
for
its hideous
with
connection
cunning
stories
modern
to
way
and
Fu-Manchu,
ravages
could
fiction
early
of
the
paved
science
knowledge
technical
rather
mechanical
an
to
of modern
knowledge
wizard
of
who,
supernatural.
than
in
spirit of
and
burying-ground,
in which
stories
example
birth, because
his
at
machinery,
physical
supernaturalism
embodied
terror, the
of
tales
in
given suggestion for Arthur
An
Rohmer's
Sax
Found
manner
hypnotism
have
must
revolting
in
of
of scientific
use
the
Poe
ghostly
stories
of horror
of
and
for
its diaboHcal
it.
preceded
use
as
with
invention
MS.
in the
mechanistic
Machen's
is
novel
were
the Pendulum,
to
H.
Maelstrom,
real
scientifically
the
and
is akin
stories
the
plausible by
the
into
originalityof
of
fiction
Descent
they united
Pit
claim
making
Bottle,and
The
made
253
paw
give its
granted, becomes
Weird,
that
follow
or
Fate
upon
of
the
wishes'
rash
utterance
unforgettable.
another
elusive
who
be
alternatives, might
brains, yet the
enough
the
on
the
has
The
occurrence
merchant
haunting
will die soon,
hands
and
coffin,asserting that
the
to
shop
ends
leaving, he
He
of
his
that
supernatural
events?
hands
The
occurring
where
the
the
The
problems.
fiction
in recent
a
story since
has
its
with
an
almost
the
patients and
the
paranoiac,
supernatural.
insane
more
the
so
of
Dr.
instances
specialist,
of
explanation
stUl
by
and
the
greater
ghostliness
of many
crux
but
the
the
he
We
is
person
who
uncarmy
of
sanity
outsiders.
than
of
Miracle, for instance,
of
every
he
slight
Cases
brain
asylum,
of the
which
course
famous
The
goes
On
shows
forms
funeral.
Bacon,
us
for
poison, of fear,
insanity
Bacon's
convince
none
cofiBn
but
natural
aside
between
paranoia
Of
confronted
be
specialistthat
and
significant and
Mrs.
Poe.
setting in
happenings
agree
is
of
might put
relation
methods
his
Strange
Daskam
to
story
lips, feeling
the
The
clientele
supernatural, only
the
later
man
own
in
or
plain
ex-
passers-
dealer, after
his
to
called
materialist
The
his
of what
"
the
could
among
for
the
hand
suggestion,
among
it.
for
with
Stanchion, by Josephine
simple
seems
advertisement
merchant
night,
series
is not.
who
an
will need
of sick
figment
grounds, yet
man
contract
puts
dies
the
shakes
unconsciously
sting.
rebuke
to
signing
by
he
dreadful
literal-minded
know
to
as
its power
supernaturalism.
able
be
to
given
such
the
as
story-
solitary Fate,
Coffin Merchant
the
be
owes
the
she
normal
on
claims
of
that
surface, and
peculiar
by
knows
reader
Middleton's
Richard
that
offering them
conceived
the
might
witch-woman,
persons
natural
on
makes
Exchange
Pain's
The
to
is what
problematic magic
of
mystery.
appears
explained
enigma
Barry
example
be
may
insidious
The
grounds.
to
Science
Supernatural
254
come
more
or
scoffs
at
the
to
less
the
Supernatural
Another
fiction to
This
the
and
atoms
themselves,
them,
motif
is
than
effects
used
it in
been
all
his History
of
used
of his
Duncan
line
hoax
stories,especially in the
The
modern
The
tells of
an
result.
Two
of
experiment
students
studying
from
The
the
discover
first,while
usual,
as
left,that
is
what
"
thousands
eye,
has
nerve
sees
the
companion
In
that
hideous
rage,
as
because
Another
Kendrick
his
the
this
from
companion
Bangs's The
of
for
strange
the
pose
pur-
his
men
young
has
removed,
taken
place.
ings
surround-
own
is his friend's
with
at
his
severing of the
sympathetic
right
optic
between
vision
double
curious
sight results.
peculiar situation, the

sees
his
on
is
the
to
never
and
left
with
distorted
is dead
on
power
are
which
"
farsightedness
Speck
of
Hartley,
the
bandages
The
and
eye
in
ently
appar-
weird
eyeballs
looking
it, which
saw
instance
is
face
own
is full
produces
right eye
this
second,
of his
friend
the
When
his left
the
so
eyes,
kills the
image
his
friend
disturbed
as
operation, leaving the
the
away.
quarrel arising
man
left
of the
with
also
of miles
not
makes
extraordinary thing
seeing with
even
well
as
is based
vision
unimpaired.
an
Defoe
folk-lore
optics that
operation and
that
producing
Patch, by Randolph
effects
case
for
Highlands.
exchange
the
right eye in each

recover
in
impression.
in its
means
supernatural
Black
machines
manipulates
pamphlets,
science, which
striking.
more
of
use
natural
on
who
and
resides
power
of fiction.
Campbell,
effect
scientific
and
gases
natural
super-
or
the
ghostly
person
as
along the
number
the
modern
sight
since
more,
the
in
all its former
subtly haunting
more
sight has
uncanny
they
of second
and
in
255
magic
of
still retains
molecules
rather
which
Second
first
is that
give the idea that
to
seems
such
transfer
unearthly, perhaps gaining
twist
in
the
scientific basis
vision.
of the
of
aspect
Science
will
is
murderous
be
see
effaced,
no
told
Lens, where
eye. the
more.
in
John
man
has
Supernatural
256
such
a
lens
he
back
own
head
two
men
Remarkable
which
is struck
himself
in
world
of the
glimpse
is
speck
the
on
supposed
are
have
to
of this
and
after
side
of the
given by
and
space
the
in
the
"It
says:
possibilities of
spending
world, ships,
queerly, for he
begins
theories
that
thinks
of
poles
The
magnet,
electro-
the
in his
mental
sudden
force
of the
lightning.
in
to
in
the
the
most
oddest
side
other
vision
of
of
operations
back
comes
around
things
As
future, of
secret
fields
two
retinal
the
the
on
our
the
see
of
dreaming
one
Davidson's
apparently
as
instead
sands.
He
intercommunication
eyes."
but
twist
sets
unexpected
piecemeal,
the
finds
he
learned
Dimension.
world, of being watched
by
shock
sea,
on
intercalary five minutes
an
laboratory
queer
the
in
the
professor turns
transference
surroundings,
stooping between
through
author
his
Fourth
experienced
elements
scientific
new
by lightning,
visualize
G. Wells,
Eyes, by H.
of Davidson's
working
other
Davidson,
him
vision
by
overlap
time.
Brander
Matthews
an
instrument
vision.
The
as
dancing,
of
Achilles
future
"
life, has
witnesses
the
The
price
the
future
"
the
between
^but
he
magic
past,
of
combat
magician
duces
intro-
show
glimpses
the
tourney
Leopard.
^for
from
scenes
from
Hector,
that
eyepieces
sees
as
of the
Kinetoscope of Time
with
Esmerelda,
and
Knight
his
well
The
in
beholder
literature
him
thinks
is
to
explanation
the
the
gets
through
looks
he
Davidson
unable
the
sees
for
he
which
Case
vision.
magic
the
when
world, and
interesting example
an
of
the
that
power.
The
of
his
Only
that
is
round
sees
of
lens.
left eye
extraordinary
an
Science
from
Salome
between
Saladin
offers
is wise
to
and
show
enough
to
refuse.
views
Magic
aspect
of
the
of
supernatural
constitute
vision
in
an
modem
interesting
stories.
Science
Supernatural
The
Lifted Veil, by George Eliot,
who
has
him,
warn
knows
will
be
his
alone, deserted
He
own
availingly.
This
which
curious
second
the
of
scientific
Indian
an
his
finger
descends
Amos
the
marking
persuade
him
an
by
is
assassin.
an
out-of-date
in
to
that
stage
of
and
to
because
son
of
in
his
birth
the
far
past, has
rajah's ancestors,
on
future
will
pictures,
happen
him.
to
which
on
stands
him
all is
house
strange
lying
friends
His
they think
visit to
beside
by
4th.
find
of his line.
one
date, and
They
calendar
un-
of
some
desk,
the
he
but
type
country
the
at
live past
to
their
on
called, is the
so
date, November
the
it.
gift of magic vision, which
see
dead
off
sorcerer
of the
one
years
can
die
help
transition
ignorance
the
hundred
day while
one
is killed
with
old
of his
of
with
lying
calendar
he
the
clearly everything
himself
well, till
the
Vishnu,
brow
him
in
of
in
up
will
beforehand,
Judd,
out
therefore,
Judd
sees
sent
he
he
Judd, by J. A. Mitchell,
Amos
brought
on
once
beholding
He
ideas.
endowing
thereby
to
less
power-
cannot
yet
man
who
that
attendants
Amos
seem
woman
aware
detail
farmhouse.
England
laid
both
is
the
instance
rajah,
revolution, and
New
with
suggests
the
servants,
every
sight, related
new
he
his
by
knows
marries
and
djdng,
concerns,
is
he
doom,
even
himself
sees
since
of
account
an
of his fate, which
prophetic glimpses
to
is
257
at
him, marking
desk,
ber
Novem-
4th.
Barry
the
Pain
future,
endows
to
story by that
because
threatens
he
has
those
forestalls fate.
child, he
reveal
disaster
name,
is
he
loves, and
In the
is bitten
by
way
out
of the
the
it.
oppose
bulldog
knowledge
his
by
to
power
Zero, in the
greatly
of any
canine
foretell
valued
evil that
sagacity
end, in protecting his master's

a
supernaturally foreseen,
only
and
common
supernatural
with
bulldog
mad
dog,
and
he
he
little
whose
coming
he
has
commits
suicide
as
the
difficulty. Arthur
Machen,
in
The
Science
Supernatural
258
vision
dreamy
he
is shown
childhood
the
afterwards
when
he
important
of the
past
his
find
to
the
he
times
for
This
is
an
not
instance
an
with
dreams
visions.
and
of mirrors
use
in
appears
Scott's
where
is
Ha-wiihorne
inner
the
has
vision, of
instance, when
look
country,
another
the
animated
scarecrow,
looks
into
not
the
figure the
world
beholds
thing
of
sticks
minister
and
shrinks
says
has
beings by
the
means
symbolic glimpses
appear
to
that
of what
they
the
himself
revelation
in
of
are
he
sees
but
the
is, as
the
black
own
where
elsein
ghosts of
selves.
our-
Curtis's
the
souls
instead
mirror
his
man,
of the
spectacles and
For
reflection
William
are
soul.
Hawthorne
seeing into
magic
he
of the
of
symbolic
him,
that
wears.
George
of
fatal duel.
mirror
in
reflections
in
as
reflection
voice
his
be, beholds
aghast from
the
our
power
of
he
that
as
the
the
sham
mirrored
Titbottom,
Mr.
I, who
the
of Echo
speaks
mirror, and
from
of mystery
veil, symbol
the
straw,
sees
make-beKeve
the
brave
her
sees
realities of the
the
she
woman,
witnesses
Feathertop,
poor
early instance,
extensively
into
fiction.
glass wherein
another
mirrors
significant
modem
an
altar with
to the
used
is
seeker
stop the marriage, and
stranger
in
ways
Mirror
place in
his way
on
of
shows
taking
-vision is
supernatural
Margaret's
magician
what
husband
in
number
Aunt
My
the
sees
and
enters,
does
door, but
his death.
in to
goes
he
place
some
the
sees
in
who
life,at several
reach
to
he
appointment,
by which
in
Later
future, but
and
door
who
man
garden- where
secret
suggestive supernaturalism associated
The
an
of
special haste
Finally
enter.
into
it often.
seeks
is in
supemattiral
war.
wanders
book
is unable
he
though
the
of
stories
Walt, by H. G. Wells, depicts a
in the
Door
his
with
associated
The
and
Others, tells varied
and
Bowmen
and
Prue
of hiunan
catching
of what
shrinks
nature.
they
back
Barry
Science
Supernatural
Pain's
story, referred
mirror
wherein
the
man
alone
nerves
on
strange
of
set
looking-glass in
The
conscience,
hand
secrets,
future
The
Fourth
interest
the
concerning
it, but
twist
their
of
it to
he
which
where
they
tells of
they
lost.
are
fall,unable
heard,, neither
no
power
and
of life
but
stories
or
He
of short
solution
to
living
uncanny.
number
these
space
who
In
some
see
or
nor
Bierce
the
of
has
pockets
It is all very
as
power,
the
person
the
as
the
of nowhere
or
to
space
be
is
mysterious
basis
which
air.
in
space"
that
represents the
and
from
"in
in
ideas
collection
dying, since
mystery
make
thought
hear
ghostly
to
seems
different
to
theme
the
effective
They
seen,
the
uses
of the
hearts
"non-Euclidean
be
of
disappearances,
strange
to
of
sort
an
transferred
are
mirror.
power.
the
Bierce
has
than
that
have
play with
some
of death."
stories
leave
to
is
motif
mysterious
persons
calculable
known,
ghostly
to
also
show
rather
of
has
has
prophet
to
soul
betrayer
and
Ambrose
with
dealing
stories
only
not
he
old
an
ways
seem
to
glass
that
ghostly tales.
and
they like
whim.
in
symbol
is another
ways
the
it,but
the
diverse
of recent
of it in various
use
calls
strange
Dimension
writers
be
to
supernatural suggestion,
of
means
in
employed
It is
body.
or
mirror
Matthews
forgotten past,
a
ecstasy
Scots, and
seems
Markheim
of the
of
overstrained
that
images
reality,reflecting
in
are
re-created
It is also
well.
as
they
as
revealer
those
antique
an
Brander
fiction
as
with
later
of
Queen
with
in
finds
of Rizzio.
story concerned
young
Doyle, represents
sees
and
Mary,
murder
of
moments
Conan
books, who
to
and
own
night, working
re-eriacted
scene
the
seen
a
night after
to
dreams.
A.
by
reveals
life,his
highest
of dear
Mirror,
belonged
once
the
fulfillment
Silver
man
of
shows
connection,
visitant
of
moments
others, pictures
The
another
supernatural
supreme
despair, of
in
to
259
In
for
offer
some
no
of
crying out,
being heard, but
and
has
happened
which
the
According
only
be
can
as
in which
know
the
to
it,
into
out
world
absent
world
the
in
Wells's
the
The
in
into
unknown
picture
trick
twist
who
but
enables
in
the
to
has
him
to
sees
through
Fourth
from
his
G.
gazing
form
the
uses
Machine.
Fourth
it.
project
centuries.
the
himself
will
He
He
Dimension,
happen
lives
years
or
in the
persons
machine
has
space
or
ferent
dif-
scientist
of what
future
what
found
with
that
idea
constnicts
the
be
the
be
to
never
may
into
disappear
Here
into
employs
theme
no
at
of previous
case
vanish,
ordinarily have
solved
what
Wells
Time
is the
of
off
drifts
nightly plays
to
so
simi-
sion
Dimen-
Middleton
seem
is
lightning stroke.
conjurer who
his wife
He
infringement
in the
Richard
room
returned
boarder
return,
been
has
working,
is
the
happened
instances
H.
time
he
past, and
in other
has
as
talk of the matter

that
to
never
story of
fiction.
that
where
is, and
Other
again.
that
extraordinary
the
of
with
night she actually does
One
in recent
result
of space
out
happens
he
the
body
body.
has
where
deals
public, causing
space.
where
that
been
of
This
is the
of the
in
idea
in
insists
days and
Bedroom,
wall,
occupants
same
for nine
laboratory
space,
and
inversion
Freeman
the
on
Dimension
Other-World.
Hall
clean
by-
sides.
solid
Plattner
curious
Dimension
Wilkins
of
left sides
story of Davidson,
Fourth
Mary
seen
explosion in the
to
larlj'
the
Fourth
similar
told
are
space.
Case,
changed
ordinary existence,
outside
the
the
experiences
an
of
out
what
nor
happenings
we
body
is invisible
Plattner
has
says,
that
by taking
with
from
he
right and
it somewhere
turning
moved
the
is
changed
we
Plattner
mathematics,
to
way
that
is
Bierce, gives
extraordinary
the
theory
he
where
of
he
because
go,
Wells, in The
G.
influence
explains
advancing
can
knowing
H.
obvious
an
He
him.
to
shows
case.
help
no
intangible, not
and
on
Science
Supernatural
26o
it
is,
which
into
the
happened
of
few
Science
Supernatural
and
moments
has
expeditions.
be
may
thought
awaiting
to
of
by
number
into
Machine,
of
agency
The
of
glimpses
and
miraculous
scientist
finds
Dimension.
with
its invasions
that
of life in
section
future
in the
inaugurated,
weeds
Mankind
of
degenerate
into
underground
nature,
while
the
The
Butler
suggests
coming
care
ages,
for
are
returning
that
machines
the
of master
which
men,
servant
as
now;
as
He
which
tastes
of steel and
that
slaves,
dire
his
the
will
have
He
says
noxious
exist.
soft
classes
to
balistic
canni-
lower
classes
effeminate,
are
only by rushing
Samuel
time.
real rulers
only
to
that
and
in the
feed
attained
in the
upon.
an
depraved
and
natural
super-
mechanisms
culture, and
steam
wait
The
own
preserved
and
been
passages,
fate
engines will wed

must
have
horrible
higher
to
power.
discovers
strength, while
of
will be
will be
man
will, and
he
as
wards,
for-
or
higher
no
the
and
acquire feelings and
will be
the
of
method.
the
conditions
vegetarian.
escapes
sensibilityand
will
the
involution, the
up
while
machines
the
caused
traveler
that
by
living in stibterranean
apes,
machine
his
eternity
established,
two-fold
grown
others
hideous
relaxed.
to
has
from
known
un-
reforms
strange
fiabby beings
blind
like
are
yet
having
race
the
wishes.
medicine
and
life
of
speed
visits many
undergone
conditions
he
age
he
preventive
has
his
are
Time
backwards
travel
can
any
which
eradicated,
The
future.
trips into
accelerating or retarding
get
supernaturalism
the
he
could
tea
green
vehicle, illustrates
that
fails
story tells of
into
its
time,
too, for he
of
scientific
just mentioned,
space
inescapable destiny
or
it, gets him
Fourth
stories
with
Fate
quantities
the
which
Dimension,
trips. Another
drinking
of
concerned
with
temporal
his
on
Fourth
terrible
of his
one
project himself
A
as
dally
from
who
man
finally the
all who
return
adventures
amazing
But
261
that
man
future, instead
rear
families
262
Prank
R.
certain
and
the
into
things
of the
that
have
Scarlet
since
far
of the
and
scourge
of civilization.
G. Wells
H.
showing
Dream
the
in
human
of Armageddon
another
him
his
and
actual
the
over
to
these
modem
a.d.
work
society,
His
2100.
to
said
of
prophecies
he
him
in
come
more
now
while
rent
another
age.
with
fiat
seem
father
the
differen
in-
grows
Backward,
that
be
man
life becomes
Looking
to
experiences will be in
place around
miracles
be
in
existence, and
Bellamy's
might
us,
satirizes
That
griefs
into
tour
science
he
his
future.
mechanistic
tame
modem
torch
the
story of futurity wherein
taking
Edward
course,
of
of what
the
events
emotion
social
in
than
to
with
visions
life far
to
is
of
by
away
on
carry
of affairs
state
swept
account
life, and'
topsy-turvy
continuous
Of
miracles
to
barbarism,
to
been
gives
="
London's
Jack
returned
failed
some
yet unrealized
are
have
have
others
futurity, wherein
revolutions
earth
the
while
pass,
actualities.
inhabitants
the
to
come
impossibilities
as
imminent
as
from
Plague pictures
most
real
since
tific
scien-
supernatural
future, showing
changes prophesied
apparently
has
gives another
Stockton'
glimpse
Science
Supernatural
of
its
and
most
of
futurity. Samuel
scientific
Butler's
Erewhon
in relation
not,
contains
life,and
to
satire
time
satires,
to
ingenuity
transform
in
Mark
They
evince
King Arthur's
taking part
'
In
The
'
In
in the
Great
Stone
Story of Days
the
type
the
life of the
prophecies
mechanisms
social
of
of great
man
of the
managing
much
are
Connecticut
far past,
and
that
examples
in his
as
weaknesses
imagination
Court, for he shows
perhaps
intended
of
not
are
impossibility
These
main
vivid
the
contriving
reverses
the
analyses
life,yet they
Twain
in
are
symbolic
as
life.
present
come
of
society,though
on
strictly speaking, supernatural.
of the
at
is
elements
many
to
fiction.
Yankee
present
parody
of Sardis.
to Come.
'
In
When
the
to
Sleeper Wakes.
Science
Supernatural
both
H.
mediasvalism
G.
Wells
and
is
particularly
unused
forces
of
happen
under
other
speculation
greatly
has
value
Views
the
of other
the
on
destiny,
the
astronomer
by
different
fate
times
of mortals
cause
describe
their
elsewhere.
the
earth
organization
earth
the
to
inevitable
a
globe
In
'
in which
The
Mars.
"
in
at
other, and
the
they
are
visible
with
'
In
The
War
on
that
The
Crystal Egg,
of the Wenuses,
book
suggests
that
or
C.
on
the
L. Graves
by
reflected
to
as
is
Mars
in
the
both
moving
so
that
peculiar
pathy
sym-
planet
E.
the
describes
and
one
other
and
conquer
scenes
in
Mars
suffered
crystal
scenes
else that
globe
by
the
of
wonderful
theories
two
which
in
Wells
see
as
struggle
they
has
stationary in
it reflects
earth,
companion
and
can
and
here
stars
people
This
remaining
once,
The
out
of modem
yet they have
gazer
the
out
figure
to
depicts
it.
either
Martians,
enter.
the
yet with
find
Wells
he
the
placed
re-
literary ken
our
of resources,
author
possibility of this,
worlds
and
been
stories
G.
ever
human
on
has
than
on
besides.
fixed
eye
to
Many
only
not
stars
wishes
of the Worlds
upon
as
super-
worlds
the
H.
of creatures,
prey
not
interest
of modern
He
into
ease.
command
parody.
curious
from
and
swim
to
elements
repulsive horde
are
of
influence
scans
He
people
supernatural
many
does
us.
earth.
with
War
his
he
his
planets rather
the
citizens
In
between
who
planets
new
their
among
fiction.
on
that
other
on
discern
of other
would
scientific
are
fiction, with
more
in
purpose
life of citizens
the
ancient
no
what
his stories
sets
in hell but
appears
the
studying
of
feature
now
stars, seeking to
once.
play
stories
which
at
of fiction.
writer
and
of
astrologer
His
many
planets form
earth, in heaven,
in
fancying
conditions.
tendencies
naturalism, for the
The
and
himself, but
now
character
interested
world
produced
certain
showing
Yankee
the
263
V.
Lucas.
it shows
its
on
hinted
surface
what
that
Martians
in order
In
the
The
have
changed.
These
conditions
who
Mars,
on
intelligent.They
of
damage
as
to
done
changed
the
by
destruction
the
passing
of
in the
of
literature, but
The
Maurier's
Du
of
with
of
is
young
a
a
supernatural visitant
whom
she
She
writes
letters
to
which
she
tells of
her
to
man
code,
in
Mars,
of the
beings, descended
from
unusual
of
acuteness
sort
of orientation,
she
imparts
London^
where
finds
In
the
story
central
himself
The
her
to
tells
First
Men
to
in
the
from
Mars.
sea
with
prot6g6,
tian
Mar-
inhabit
in his
of
private
incarnations
on
animal.
added
an
sixth
magnetic
Barty
They
have
sense,
current,
Joscelyn.
which
Jack
interplanetary metempsychosis,
will his
Moon.
dream-
extraordinary amphibious
feeling of
of
ments
ele-
books
sort
of
astronomy,
to
previous
small
senses
in
stances
in-
the
The
wonderful
him
are
character,
able
ghostly
dictates
who
Martians
of
covery
dis-
much.
writing, and
spirit comes
whose
woman
young
dreams.
idea
in.
lack
no
combines
automatic
the
tions
condi-
the
usually worth
which
Martian,
been
has
not
are
metempsychosis,
supematuralism,
tells
they
there
the
Other
gravity.
resists
life
is ushered
possible by
moon
given, for
be
might
of
social
millennium
which
substance
theories
instead
but
story, the
other
the
to
voyage
amount
earthly
shows
Comet
comet,
and
vastly improved
makes
lunar
of
described
are
Wells'
Days
The
Mars.
the
to
as
yet
men,
earth, satirizinghuman
the
to
mers
astrono-
from
different
strange
radically
by the
conclusions
draw
future,
conditions
observed
are
beings
are
passing of
the
and
is convulsed
earth
life.
our
story of the
another
By
of
earth
the
crystal to
the
is
It
world.
other
glimpses
planetary influences.
on
the
sent
gives yet
Star, Wells
star, life
very
in
happens
they might catch
that
of other
"
Science
Supernatural
264
prisoner in San
body
to
die
'
at
In
The
Quentin,
times, thus
Star
Rover.
Science
Supernatural
releasing
his
spirit to
fly through
265
and
space
reUve
its
experiences in previous incarnations.

Pain's
Barry
insanity
and
the
It contains
and
inversions
journey
beneath
space
what
he
and
has
send
seldom
of
and
known
them.
The
of love,
measures
the
end
of
insanity, leaving
phantasy
pure
of
mad
its
times.
Hypnotism
to
the
in
this
considered
as
recent
public
used
is
story
must
one
symbolic
satire.
The
of it is
brain
how
much
ity.
actual-
mind
for
it affords
into
or
is
or
Intelligence Office
sorcery
connection
to
and
that
it has
thought
helpful ends.
It is
complications
in
of
so
as
to
science
the
of
on
the
as
realm
to-day
it should
only
used
witchcraft.
been
a
modem
be
for
It is
mysterious
plenty for the
which
was
only
in
may
in its power
novelist
sidered
con-
unlawful
rehabilitated
science
as
traditions
stages hypnotism
its earlier
with
of
considered
on
it carries
distinctly diabolic,
times
be
not
past, that
for
In
fiction
closely
so
of the
the
may
related
so
being associated
purposes,
more
for which
The
not.
what-
or
much
it borders
supernatural.
of the
of power
or
of Hawthorne's
may
and
uncanny,
as
One
how
largely
enters
supernatural, yet
well
nothing
symbolic supernaturalism.
Hypnotism
of the
they
wondering
man's
It is reminiscent
with
one
sells
sad, effective
bodies
two
unselfishly hopeless,
blend, however,
earth, with
in
from
experiences.
or
ingredients for himself.

ideals
is
earth
though
shop
literary fame,
of
is
requited
on
different
wash,
celestial
laughs,
the
have
there
the
and
and
everything
to
two
on
is taken
man
stars
People
alternately
Happiness
the
finds
setting
talks
of
phantasy
its
that
the
sees
before.
political success,
of
horse
is
only abstractions, emotions,
buy
mix
with
natural.
world,
them
concrete,
may
of the
him,
wear
cab
another
to
Grocery
supernatural,
planets.
other
Celestial
The
and
in
the
be
that
has
utilized
been
Marion
in
than
more
living
with
off and
cut
in
man
intervals
do
prolong life. She
is
at
tissue
live
to
of the
and
break
the
in
peace
The
in
spell,and
day,
same
gains her
the
with
party
D.
it is
the
true
Howells
is
of
moment
is
her
ments
experi-
to be
loathsome,
experimenters.
a
curious
study of
self
true
supernatural
and
ment,
state-
allowed
is her
the
further
into
away
who
state.
bom
youth
only
tion
connec-
the
on
only through his hypnotic aid that

and
of
combines
one
supernatural-
be
to
of the
eyes
woman
themselves
story
course,
latter
tongue
months,
MacDonald,
subject by having
The
his horrible
between
personality
submit
telling
W.
and
to
Revelations
in the
he, pleading
before
of
This, of
of scientific
death, falls suddenly
exists
life.
human
hoping
state,
Waldemar.
seven
somnambulistic
of soul
him
condition, dead, yet undecaying,
Portent, by George
when
an
necessary
cause
subject, Mesmeric
After
hypnotic influence,
can
embalmed
of M.
in that
liquid putrescence
him
embalms
things
if she
see
is mesmerized
dead."
am
find
glass heart
She
the
of eternal
of the
man
remains
"I
at
this
speaking, repeating with
and
to
revolting instances
most
ism, for the dying

death
trying
Facts in the Case
The
brain."
mechanically
secret
stories
of
means
make
to
expect
death
of
would
her
hypnotic lethargy, recalling
in
it the
Poe's
suggests
and
forever
through
learn
rabbit's
to
only
living by
continuous
should
further
to
"You
of her;
is
which
life and
of
has
Unorna
art.
uses
ideas
man.
it is associated
hypnotism
she
says
thinking through
old
which
someone
of
mummy
his head
and
and
black
through
scientific
Strange
here, and
seen
are
as
P.
as
cases,
some
of Prague,
held
gained
hypnotic,
ends.
own
Witch
and
power
In
ways.
The
evil power
unearthly
an
various
Crawford's
still with
to
Science
Supernatural
266
sanity.
a
group
to
be
his
L.
James
of persons
in
hypnotized
life while
mesmerism
in
Ford
in
that
with
an
she
plays
evening
turn,
each
condition.
spiritualism
Science
Supernatural
in his novel,
hypnotism
medium
where
'
the
rather
stances
than
thinks.
H.
really
are
Wells
has
the
result
revelation
supernatural
G.
267
the
as
this
used
of
theme,
as
.
almost
other
every
without
marked
however,
form
remains
modem
the
older
the
elixir have
often
furnished
his
waste
have
the
among
find
the
he
and
of power
that
The
the
gives the
scientist
Barry
the
and
loves
learning
Pain's
new
stubborn
back, he dreams
'
The
'
In
Undiscovered
The
The
Love
types
of
makes
of
as
is
the
scientist
student
turbing
gold is dis-
bringing injury
illustrates
the
recent
Doyle'
making
and
formula
secret
the
to
transference
scientist, for the magician
potion
to
not
the
As
that
Philter
his
restore
a
diabolic
forces
youth
tells
agent, but
that
are
he
care,
Doings of Raffles Haw.
to
at
the
the
old
says
to
chemistry.
he
asks
will
aid
him
of
surely
asleep in the desert,
his love
Country.
so
potion that
lies
both
is related
supernatural
doesn't
gives him
heart.
in
not
intelligence.
who
woman
who
woman,
to
utilize
to
does
Conan
destroys his
sorcerer,
A.
and
art
of Youth
sorcerer
is not
he
so
magic
altogether ceased,
of nature
stranger
of any
command
of the
help,
Elixir
the
He
of
efforts
his
useless, for the research
balance
to
meant
he
than
many
endeavors
not
theme,
merist
mes-
feature
brew
to
stories.
chapter.
the
discovery
from
that
him
previous
nice
dies.
and
vain
have
favored
science, and
of
these
efforts
worse
his
that
those
in
time
last to treat
his efforts
finds
the
plots for divers
his
in
seen
ingredient for
was
fiction
no
Svengali.
outdo
to
philosopher's stone
stories, though
we
alchemist
supernatural
discover
to
The
the
hypnotism,
Trilby, for
able
forms
chemistry
story.
been
has
of
prize story
Maurier's
Du
in this fiction
ghostliness,though
scientific
The
success.
stUl
Uncanny
of
that
on
man
win
wise
the
his way
love gained
Supernatural
268
such
by
sand.
When
been
would
not
stories
of
by
he
with
in
claim
and
is
the influence
dead
of
yet
blending
of
English
it has
an
the
of
supernormal
By
effect.
He
to
which
the
to
person
after
it to
life
England
die
body
by
another
Stevenson's
best-known
and
own
instance
his
the
skillful
all intents
has
by
another
By
been
of
and
chemistry
of
diabolic
Jekyll
of
and
which
chemical
respectable Dr. Jelcyllhis

him
to
give
he
Hyde
the
to
man
at
least,
can
restore
"
terrorizes
him.
oppose
perhaps
form
his criminal
the
Here
body, evolving
self in the
converting
or
is
cause
supernaturalism.
baser
rein
instantly
can
He
killingoff
only changes
methods.
as
needle.
Mr.
and
counter-injection
for days he
powers,
for
up-to-
ends
purposes,
prick of the
Roh-
tative
represen-
forces
needle
buried
the
not
and
Sax
instantly drive
can
give, but
magic drug
enabling
dream-
is
name,
leading intelligencesthat
Dr.
fessions
Con-
its
in
all the
save
the
Hyde,
with
use
compass
can
by his infernal
slavery the
to
story
curiously
are
wonder-worker
injection he
the
the
sees
her
chemistry by seemingly natural
to
"
nervous
dream-supernaturalism
employs
to
reason.
of his
Quincey's
De
its
modem
only Fu-Manchu
restores
relives
personalities
of
insanity incurable
acute
and
of
who
he
between
ill of
woman
bearing that
the
hypodermic
has
Twilight,
relation
the
she
because
indifferent.
on
the
distinction.
of
miracles
is another
Opium-Eater
Chinese
science
the-minute
Roses
suggests
with
stories
example
Blue
years,
power
uncanny
Fu-Manchu,
series
reality
insanity has
him
opiates,continually
the
inevitably
an
wonders,
that
so
This
loves
to the
of
for
that
and
based
novel
tells him
supernatural.
the
eyes,
merged.
works
wrongly.
woman
her
mer's
dreams
on
liquid
the
pours
woman
magic that bring love
trouble, under
before
her
Danby,
spirit of
his
he
so
the
returns,
him
Frank
morphia
love,
is not
means
Science
from
of Mr.
instincts
Supernatural
without
subtle
time
bringing reproach
the
Jekyll
fix the
to
power
is used
drug
the
ascendence
seems
yet
Arthur
hideously
powder
in
the
unspeakable
The
application
of
Three
invisible.
chemistry
to
ghostly
be
seen.
he
His
clothes
themselves
may
see,
time
we
whom
the
he
escape,
the
man-chase,
the
nothing
the
his dreadful
figure
of
genuine
invisibilityas
the
result
of
the
supernatural intervention, affecting

spirit, makes
even
in
than
These
are
chemistry
effect
the
the
case
of
of
been
put
results.
seeks
to
steps,
yet
eyes,
see
in fiction.
new
This
of
is
modern
invisibility
the
ghosts, showing
with
running
of
compound,
not
living
not
supernaturalism
man
vivid
more
ghosts.
only suggestions
has
for
only in death
idea
chemical
and
one
persons
their
is
by
As
tragedy
of
thrill that
with
cannot
around
creature
visible, but
connection
in
stark
hunted
science
absolutely
prominent
the
finds
man
it, he
completely again.
seen
gives
uncanny.
before
form
transferring to
prominent
are
thud-thud
becomes
gradually
man
method
is
Here
the
of scientific
walking
soon
the
as
hear
people
else.
be
to
but
that
of
mystification of
in contact,
comes
unusual
an
drugs
portion
possibilities
are
the
in
style is that
with
complications
over
In
certain
living tissue
appear
bloody footprints
watch
so
the
indulged,
sharer
fiction
its
render
swallows
comic
laugh
During
The
and
nature,
life.
human
Wells, shows
By experimentation
When
and
evil forces.
G.
will
if it be
man
H.
that
each
force
Impostors, where
by
combination
the
that
dual
on
soul
has
supernatural chemistry
peculiar effect of reality because

realism.
stronger
of
soul, maldng
Man,
sermon
uses
orgies of ancient
Invisible
evil, so
nobler
Machen
the
perverts
The
Active
over
of
given
appallingly real story
an
similar fashion
most
is
269
reputation, but
personality
This
ot evil
his
on
Hyde
is weakened.
Science
in
of the
varied
producing
uses
to
which
ghostly plots
and
utilizingin
stories.
novel
These
would
have
better
prepared
the
or
he
each
branch
of science
ordinary reader
Supernatural
stories
one
not
chemical
the
similar
various
tangled
naturalism.
instances
in the
the
by powerful drugs the mark
usually the
A.
Conan
with
can't
case
in
be
of
and
killed
in
any
story
of
an
effect
those
to
in
of
kill
are
super-
of
case
to
cheek
remove
succeeds
supernatural-
boldly stated,
Fiasco
shows
is
as
man
Sax
that
escapes
to
body,
by connecting
Rohmer
murder
super-
the
electricity on
him
magnetizing
so
exposed
effects
work.
mysterious
gas
in the
biological
is
the
than
Amigos
wa^^
imprisoned
poisons
Los
trying
succeed
dynamo
the
on
as,
In
There
seeking
Here
Hawthorne's
in The
based
lynchers
Manchu
means
with
Doyle
naturalism
for the
case
causes
the
motifs.
of the
are
his wife's
rather
is
but
from
symbolic, suggested
ism
so
betvveen
of scientific
husband
death.
doing
of
fiction,
the
Birthmark
her
in
modern
tissue.
fiction
The
biology, where
chemical
in
is uppermost,
Hawthorne's
to
store
together, and
living human
upon
man,
fiction.
biological
up
Jekyll
invisibilityjust mentioned,
which
say
to
of
intelligence
mental
the
is
and
imagination
differentiate
and
the
invisible
his
side, for the experiments
drugs
certain
large
personality and
readily
to
to
now
of Dr.
popular
gain
looms
easy
are
the
added
chemical
two
of dual
may
of
the
cases
of
distinct
always
of
predominance
many
is
biology
it is not
though
the
slight basis for
widening
they
ignorant
man
throes
of
experiences
have
Each
upon.
and
the
would
for the
than
facts
scientific
about
nothing
care
now
older
of
because
ago
appreciate them.
to
would
century
more
complicating
because
build
knows
popular
more
motifs
conventional
are
half
been
reader
chemistry
the
ways
themes
average
or
Science
Supernatural
270
tells
that
one
committed
from
him
he
Fu-
by
mummy
it,and, in another, he
Science
Supernatural
introduces
diabolic
poisonous
Wells's
red
insect
bites
orchid, that
The
Island
of Dr.
vivisection.
Two
other
inhabitants
human
for
measure,
of
sort
make
to
they
jimgle
teach
The
and
revolting
animal
end
animals
than
revert
before.
to
The
of
stories, The
god Pan,"
wherein
In
have
to
another,
which
soul,
"
takes
diabolism
and
horrible
than
for here
moral
influence
Elsie
the
of
on
in
who
Venner.
The
a
horrible
fright
over
Pain's
the
removes
jewel,: and
"
and
curious
scientific
of
They
where
event
some
of
panther
of such
character.
one
brain
mind.
stories
shock, is associated
Barry
in
associated
Eyes
is
great
more
are
man-monster,
evolved.
various
of
the
an
supernaturalism
These
the
story
see
wonderful
voliune
one
of Frankenstein's
are
given because
woman
mother's
smear
monsters
Bierce's
most
bestial
' '
instances
supernaturalism
Ambrose
young
of
advanced
creation
occurs
is
result
leave
all
In the
more
to
united
character.
are
of
them
In
of ancient
form
the
the
Medicated
twist
the
be,
can
Machen's
victim
are
is
biological experiments
cutting of the
delicate
stories
revolting
devil
effect
human.
of Souls.
enables
in
observe
to
never
even
in Arthur
House
the
diabolizes
utterly
becoming
revelations
and
Pan
of the
dreadful
brain
and
deprive
any
described
are
the
on
adding
and
yet the
human
not
succeed
do
man,
experiments
most
fiction
operation
by
savagery,
in recent
short
down
on
training the
and
talk
to
no
experiments
They
beasts
are
without
dignity
they
the
laid
sickening.
these
human.
with
island
grafting
and
in
ghastly study
remote
of
scent
victim.
try unspeakable
them
law
is
the
by
marked
the
on
animals, trying by pruning

living tissue
attracted
Moreau
scientists
271
The
the
out
for
with
supernormal
ordinary.
story of
part of the
the
Undying
of wolves
prenatal
of the
Panther,
complications,
pack
with
snake
Thing
for
time
as
nature
of
is
of
one
because
monster
is
of
born.
neither
wolf
mortal
John
A.
is
story of
than
bigger
The
for its
theory
other
are
other
branches
witches
and
and
run
the
which
Gaffer
glow
of
to the
that
Rappaccini's
flowers
of subtle
entered
into the life of the

those
to
menace
poison,
human
her
tells of the
possessed by the
out
after
men
the
cedar
as
protect him
The
Man
the
the
his
from
like
to
jewels and
on
their
is the
effects
and
Rohmer's
attempting
Trees
Loved.
Chinese
poison
power
living
of
her
on
the
wood^
Blackemotion
exercises
fate.
of
has
venom
and
to
is full
Algernon
forest
creeping malignant
lend
victim
of
from
woman's
garden
that
their
grave,
flowers
worn
the
us
stories,
secret
the
beings sympathetic
man
and
of motion
the
and
shows
or
as
highly psychic
novels
death.
power
luring them
Sax
whom
in the
trees, where
friendly to
from
She
means
uncanny
and
Fu-Manchu,
In
kiss
human
upon
her.
well
as
girl,rendering her
young
experiments
body, and
force
insidious
so
around
daemonic
father's
Daughter
modern
genre.
are
when
them,
near
in
in fiction
power,
shine
There
plant vampires
plant growing
garden
living face
In
of
poisonous
strange
prehistoric
Hawthorne
emotions.
terranean
sub-
destroy.
the
yet
countryside.
animals
flowers
and
plants in several
DoUiver's
breast.
Trees
bear
from
to
have
we
of Blue
survival, in
ghostly plots
mysterious
has
it is
illustrate
to
its
gamut
as
suffice
devUs.
the
supernormal
of science, for
supernatural
such
of
furnishes
Botany
like
in its blindness
examples
fiction, yet these
animal,
ravages
the
upon
Terror
long-extinct type,
curse
die,
to
cave
The
Doyle's
that
secret
neither
marl,
nor
fulfil
monstrous
out
comes
in
to
being is that
of
cave,
times, that
Conan
elephant,
an
animal
living,
not
house.
Gap
neither
It is hidden
though
on,
ancient
human,
nor
immortal.
nor
yet lives
'
Science
Supernatural
272
netic
mag-
them, going
He
but
describes
in vain
to
of the forest.
horror,
performs
Supernatural
various
He
"cperiments
develops
in the
botany
acquire certain
darkness.
that
released
drive
ripe
second
When
the
them
the
over
them
and
in
the
describes
stinging or biting
forth
him.
sends
them
into
he
in
greenhouse
the
The
of Silence
that
has
orchid
wishes
when
it is
us
of
to
bloom
luxiuiant
give
its
is
curious
to beautiful
motives,
devilish
designs.
them
of soul does
plots, and
if
18
of
white.
not
enter
vampire
soul, the
human
with
magic
instead
usually black
it had
of
diabolibal
The
out
orchid
murderous
the
way,
murderous
jungle, and
the
seeking
the
grip
slay him.
to
attacks
reminds
vampire
into
in
that
This
been
soil,
loathsome
barren.
effect
supernatural
cunning
human
and
with
to
murderous
psychology
associated
One
the
into
of
story of
of
then-
Flowering of the
burst
orgy
before
flowers
put
flower.
story
heightening
endow
to
in the
or
psychic
where
flower
project its vampiric
Blackwood's
after
deaf
man
this
and
of'
handled,
its tentacles
out
to
bulb
he
habit
roughly
The
in
men
wrapping
uncanny
or
is the
sends
power
shriveled
Algernon
which
It
the
the
silence.
kills
England
has
Flower
first makes
botanist, drinking his blood
This
ing
magically, spread-
grow
In
eternal
that
vampire
upon
snow
and
Strange Orchid,'hy H..G. Wells,

plant,
them
makes
powdered
introduces
of those
air in the
for the
oxygen,
it is broken
Fu-Manchu
are
of the mad-men
poison that
sleeping-rooms
and
orchid
when
with
fungi
shrouds.
strange
sending
horrible
murder,
ceiling above
giant Empusa,
writhing bodies
ghostly
the
fall like
them, the
on
he would
men
From
instantly. They
victims
kails
the
mad.
of the
spores
through being
powers
light is turned
cellar,being surcharged
germinate
ends.
his dreadful
to further
fungi explode, turning loose, on

fumes
273
species of poisonous fungi till they become
giant in size and
kept
in
Science
and
botany
wonders
is
if transmigration
subconsciously into these

is not
blossom
trailingoff of
a
a
revenge
ghost
expressing
fiction
in that
There
effect
of
under
come
of
forms
of
of the
any
research
the
suggest
natural
laws
weird
to
furnishes
fiction
only
that
enables
that
something
in his
package
effort, but
infringement
a
The
Poe's
of
looking
falls madly
in love,
as
his
at
do
as
discovers
drop
only
unspoken
laws
of
little
without
of
amount
into
of
staying
the
second-
illustrates
another
several
stories
making
where
acoustics
astounding
Oriental
'
In
The
"
In
The
magic
in
of
modern
is used
Seven
an
those
to
Lucretia
Stars.
water
opera
mentality
fight
P.
house
the
man
who
reads
applies
spirituality,
Stoker
in his
books,
Hale,
under
He
Bram
the
he
and
him.
and
whom
evaporate.
story of
around
science
to
the
away
giant
with
fade
in the
discoveries.
Spider's Eye, by
Jewel
her
tells of
through
water
see
enters'
thoughts of
superstition with
O'Brien
lovely woman
eyes
sound-center
of
watch
to
despairing
the
of
drop
Supernatural acoustics
the
Breath
law,
means
With
the
fish him
to
of
Loss
in the
sees
the
substance
motintains
Lens, Fitz-James
microscope
lens
of
finallyrises instead
has
of
Stockton's
R.
gravity.
miscalculates
natural
mentioned
fatigue by
climb
the
as
Inversion
Frank
aU
of
can
and
be
discovery
law
man
move
Diamond
who
man
to
its
tions
applica-
diverse
may
do
being loses his shadow.
human
In
discoverer
the
window.
story
the
earth, till his wife
the
on
inverts
in
himself
save
pocket
required
energy
to
few
that
The
as
are
as
"
of Negative Gravity with
science
employed.
plots,-
Tale
man
the
supernatural gives
discussed.
of themes
variety
the
supernatural
heads
phases of investigation and

to
and
imagination
with
of
reality.
varied
are
much
combined
exactness
plots in this type
The
way.
with
wrought
peculiar
not
himself
are
scientific
a
Science
Supernatural
274
encroachments
combines
as"
where
of
an
Science
Supernatural
evil force
life,while
to
mummy
the
away
subtle
together
of
vampires.
in
who
woman
thousand
The
Human
based
are
all
bodies
are
but
to
thing,
or
He
that
Deity
seeks
in
would
be
the
of
nature
is deformed
woman
a
expanded
room
dwarf
or
his
by
giant
own
He
name.
destroy the universe.

their
at
leashes
in the
But
in
effort
He
his
to
destroys
which
Letters
recent
to
momentary
The
'
Occurrence
In Dracula.
back
furnishes
or
along
Owl
and
Creek
as
name,
walls
the
of himself
of
could
re-create
sounds
ing
speak-
that
Name
mighty
heaven
or
strain
convulsion
see
an
he
of
nature
awful
in chariots
pronounces
mis-
fire in
of flame.
interesting contributions
some
the
change
gigantic, wonderful.
rooms,
to
the
methods
captured
the
persons
can
make
can
beholders
instantaneous
at
He
sound
terrible
The
him.
fiction
has
call upon
escape
Psychology
him.
He
that
secret
it, bringing
which
with
God.
as
anything by calling its
says
call the
to
pronounce
can
will, by different
at
of that
chord, four
soul, who
the
has
become
to
one
his voice.
shapes,
visible.
who
able
be
to
mispronunciation,
by
that
is master
human
divine
claims
made
he
name
that
and
arid become
or
that
enable
to
voice
to
as
name
form
the
and
novel
^for forms,
"
of sound
its proper
person,
two
is
sounds, which
believes
bring together
to
harmony
awful
of
of
here
story,
glacier for
Blackwood,
activities
thing by
in
everything,
are
into
enters
life.
to
vibratory
worker
call
of
name
of
powerful,
research
power
buried
psychic values
sounds
The
has
Chord, by Algernon
the
on
French
is recalled
years
also
the
Whitney's
Stephen
been
keep
to
combat
to
transfusion
Blood
'
the
transfusion
brings in blood
He
bring
to
employed
is
respirator
also
as
mummy,
superstitious symbols,
supematuralism
where
odor.
with
ravages
from
emanating
275
line
of
what
might
Ambrose
plots.
Bridge
is
be
called
Bierce's
good example,
"
where
lives
is
man
from
drop
the
Yet
second
Warning,
case
of
few
who
man
home
of
current
of his
and
poetry
as
Perhaps
rather
is
short
most
this
is
than
because
rather
methods
than
in
visits another
Algernon
into
few
which
poetry
for
its
destruction
and
of
elements
veiled in mists
beauty,
and
are
of
human
general
extremely
of
of poetry
the
by
because
and
and
But
science
sense
the
are
of
Flower
a
poem,
need
for
analyzing
mysterious
vaguely
with
The
vagueness,
the
Nature's
and
poetic.
pure
The
accuracy
The
orchid
in
intellectual.
coldly
fitting title for
tissue.
imagination
laboratory methods
studies
emotions..
destroyed
art.
intellectual
or
effect.
species of
in
ghostly
meticulous
greatest
be
genus
into
over
requires suggestion,
poetic effect would
stating the
cross
or
in
only
are
that
clear-cut,
exactness,
an
scientific
the
altogether different.
but
and
time
of the
feelings
are
are
demands
forms
from
purposes
methods
mystery
in
is removed
and
not
brain-problems
be
forces
the
appear
situations
the
Silence, for instance, would
its
in
with
do
other
of the
province of science
the
of
life,while
themes
They
emotional,
mechanisms
to
these
that
stories.
do
scientific
point
he
in connection
point
noteworthy
novels
the
experience
great
during
dreaming.
supernaturalism
veiled
the
changes
the theater
the
shows
to
carried
from
bridge.
the
country
story where
children.
from
another
ashore,
and
Bacon,
strain
has
compresses
minutes
hostile
in
drives
man
Blackwood
Science
lives years
mental
wife
he
escaping
swimming
swings
body
Daskam
Pain
Barry
planet and
One
lifeless
of acute
paranoia.
his
greet
Josephine
by
moments
which
his
to
neck
adventures,
dramatic
last
at
The
and
the
breaking of
the
between
instant
in the
by fallinginto the river and

home
and
bridge
long
reaching
in
and
being hanged
the
through
his pursuers
the
Science
Supernatural
276
considered,
of vastness
notebook
and
antagonistic
to
Science
Supernatural
277
poetry, though they fit admirably into the requirements of

fiction,whose
Another
know
poetry
them
in
with
are
We
have
adapted
yet
we
have
shock
An
have
to
instance
shown
in
the
Yet
than
Noyes,
is
by
poetry.
in prose,
It
into
gives
poetry.
sentiment
setting is
we
is
physics
find
may
the
into
of science
mystic alchemy
more
intellectual
transmuting
Creation, by Alfred
verse.
discussion
comic,
to
concepts
materials
raw
magic
impressive
an
wealth
of evolution
as
related
God.
to
another
Perhaps
been
utilized
harmony
true
are
greatest
observed
They
that
in
too
abrupt,
and
present
must
and
come
make
poetry, and
in
too
from
proportion
solution
The
great
They
the
magic
miracles
concepts
that
are
and
by
the
while
and
Magic
steal
admirably
of the
in
form
the
laboratory
intellectual
upon
upon
adapted
wonder
element
not
appeal through the emotions.
supernaturalism
an
of the
save
strain
fancy.
of artistic
sense
it were,
fantastic,
are
is
not
fantastic,
too
are
and
have
Strangeness
as
inconceivable
too
with
the
themes
they
requires.
science.
imagination.
concerned
of
art, but
is because
lack
poetry
elements
these
why
reason
in poetry
bizarre.
too
of
the
into
veritable
than
decades
more
yet known,
of science
problems
amazing
with
the
itself,and
any
is
introduced
realism
we
and
old
poetic ideas.
where
few
of poetry
wonderful
of
poem
eagerly converting
essence
to their
our
clash
in
pass
as
the
to
fiction
prose
concepts
new
recent
to
molded
this
of
laboratory.
poets
thus
not
not
possibilitiestragic and
brain-cells
our
do
There
emotions.
actuaHty.
methods
clings
experiments,
suited
more
scientific
poetry
dramatic
yet they
these
themes
scientific
and
of
impression
an
that
and
conventions
of romance,
us
be
new,
interest
give
these
may
are
established
human
why
reason
into
over
is to
purpose
analysis,
of
powers
true
Thus
to
the
poetry
wonder
the
are
in
is
verse
imagination
some
the
forms
province
of
such
poetry,
angels
the
the
as
that
supernatural
instances, the
Yet
may
they
Nor
Plays
the
of
certain
motifs
persona
clear
in
human
to
producers
Nitrous
mean
would
which
Acid,
unable
as
into
not
of
of
Laughing
Gas.
be
Dreiser's
even
elements
they might
would
off stage, but

are
lose
found
Many
for
on
one
the
of
Physics,
as
were
Bird, which
And
what
universe,
sounds
These
where
would
be
many
difficult
stage trail off.

be
be
can
fancies.
not
of
of modem
of the
drama,
instance, could
the
used
not
effect.
play?
presentation
of
impossible
Blue
which
Fate
embodied,
rhythm
supernaturalism
play
child.
Power
the
in closet
Fate
are
are
their
hardly that,
for
one
wizardry
show
to
do with
manager
enters
the
altogether
is
science
they
Even
These
latter
in Maeterlinck's
they
Sharp's Vistas,
In
stage.
save
that
impossible
'
is that
characters
stage
managed
or
be
would
symbolic
would
the
on
the
and
several
as
stand
which
of
dramatis
Acid),
destroying
motifs
extent
any
representation
other
and
where
as'
not
to
of
use
the
are
seem
MaU
Fast
these
why
reason
drama
themes
by
volume.
vagueness.
Sphere,
In
save
makes
well
as
of
destiny.
characters, menacing
One
the
Physics),
yet they
libre.
recent
cold.
us
drama
(Nitrous
Blue
motivation,
to
represented
active
or
The
in
as
scientific
modern,
and
personages
in
the
operating-table,
of
Power
isolated
vers
Supernatural,
(a
interference
in
into
Demyaphon
here,
is also
over
the
the
on
mysterious
as
come
including
Shadows,
Shadows
next
of
sense
leave
in the
striking
are
would
The
the
occur
Dreiser, in
and
that
goes
Alcepheron
that
used
Theodore
Natural
physician
be
the
but
poetry,
poetry
situations
instances.
rare
to
to
come
these
do
in
peculiar problems
if transferred
forth.
so
appeal through
us
move
research
and
witchcraft,
universal
have
of
spirits,visitations
of
presence
ancient
demons,
or
elements
in
Science
Supernatural
278
shown
liam
Wilon
Science
Supernatural
the
stage, yet the little plays in that

dramatic
supematuralism
and
devils
Elizabethans
and
biology
miraculous
the
that
machinery
Time
We
Machine
notice
of the
has
formerly
similar
these
case
of
who
have
normal
scientific
made
in
only
plants
strange
slay
form
physical
men
an
well
well
as
tales
bring
The
interesting phase
with
endowed
chemicals
of minds.
and
and
plants.
It creates
The
hellish
similar
yet
in folk-lore.
which
horrors
powers
have
We
cunning
of
modern
fiction
and
type
of
botany
and
give
things
concrete
strength, as well
of fiction gives to
intelligence,a
and
that
smiling loveliness
Inanimate,
machinery
normal
super-
orchids, flowers
ghostly
new
given
supernatural
dasmonics
of
been
diabolized.
all the
unearthly
gases
with
vampire
with
human.
in.
humanized,
ways
woman.
animals
these
have
and
psychic
as
gifted
are
the
are
from
enchanted
trees,
in secret
animals
ance
appear-
Likewise
to
the
forth,
so
attributes
as
thrill to supematuralism.
animals
in
seen
well.
elevated
different
animals
are
as
human
as
Sense
ghostly
as
been
by the
murderous
treacherous
as
its
scientific
but
spirit
only 'in
not
activities
things,
possessed
has
Not
well
material
to
those
than
man
notice
we
human
have
as
powers
the
and
elements
extended
of
influence
leveling
more
in erhotions
Supernatural
Science
the
include
to
activities
Here
of the
widening
ghosts, devils, witches, angels, and

been
scientific
to
of
Fancy
It is extended
case.
The
ease.
'
the
but
the
supernatural
with
stories
and
super-
stage action.
at
fiction.
interests
been
that
to
and
handles
balk
ghosts
scarcely support
gases
staged, for instance
in
more
fiction
visible
atmospheric
it could
and
would
sphere of supernatural
are
but
of
good deal
the
the
to
of wonderful
are
stand
kinds, from
Maeterlinck,
of
volume
can
presentations of chemicals
botany
new
drama
of various
of the
naturalism
the
The
power.
279
diabolic
gives it
an
excess
force
of
force,
supernatural,
and
spiritualized
some
like
are
This
mortal
life, not
of
aspects
heaven
and
latter
the
interesting
fictive
effect
that
millennium,
fiction.
science
This
of
spirit.
and
too
removed
by
its
investigation
and
an
for
medium
finds
illustration
in fiction
and
for
of
as
with
curiosities
the
which
expressing
the
fitting expression
the
such
widening
is
of
has
range
significant.
has
the
over
realism
in
for
methods,
produces
realm
of
drama,
fantastic
science
of the
pure
and
aspects
be
to
hitherto
prose
an
of poetry,
in
dramatic
in
scientific
purposes
the
more
power
of
the
the
no
bring
things
in
world
the
mankind
presentation
association
tragedy,
of
its
for
elusive
and
of
scientific
gained
not
science
had
effect
material
intellectually cold
abstract
appropriate
the
plays
that
for
do
strong
nity.
eter-
ways,
immediately
strange
on
verisimilitude
Too
modern
of
daily life.
some
though
exercises
of
imposed
in
not
not
of
not
to
stimulating
not
shows
too
science
will
other
intelligence
century,
And
because
supernaturalism
chief
the
of the
effects,
time,
supernatural
of what
in
still
type
of
are
nineteenth
than
science
supernaturalism,
of
the
with
earthly,
immediately
supernaturalism.
learned
effect
of
itself
its
are
exaggerated
almost
half
in
clear, cold
prospects
would
investigation
some
concrete
the
and
do
as
problems
applies
the
over
up
while
futurity
how
wild
enthusiasm,
sprang
its
is
into
shows
miracles
The
It
incursions
form
The
philanthropic
concerns
immortality
hell, and
or
with
supernaturalism
genre.
Its
spiritual.
been
souls.
with
the
are
times
some-
have
Machines
engines
damned
cunning,
human
daemonic.
some
scientific
than
more
sometimes
helpful,
in
Science
Supernatural
28o
been
very
the
supernatural,
fiction.
It
is
supernatural
CHAPTER
VIII
Conclusion
the
previous chapters I have
IN
continuance
and
give
to
There
has
the
to
been
present
literature.
interest
There
Of
in it
of
amount
stories
to
of the
are
or
beyond
hesitate
occultism
the
number
the
Katherine
to
The
and
hoax
this
at
has
war
of
been
revival
last two
life
for
reason
Within
much
to
in
this
of these
the
forces
I
dominion.
sudden
with
last
gorical
suggestive, alle-
are
it
the
the
Some
human
do
in the
astonishing
an
years,
particular time, but

had
the
and
poetry
frankly accept
and
our
absent.
of interest
appeared.
others
in
carefully studied
has
has
found
wholly
in
drama,
variety, others
while
the
Beowulf
from
periods when
magazines.
the
mortal
suggest
been
never
who
material
rising tide of
clear
seems
it.
I have
to
me
found
supernatural productions directly associated
struggle.
Fullerton
story of horror'; The

^
in
in
of literature,
not
was
have
definite
anyone
symbolic,
man's
ghostly
forms
history
our
yet it has
appearing
ghostly
in
the
of its manifestations.
variety
there
especially in
years,
with
the
publications
recent
when
present
fiction, evident
that
period
waned,
supernatural
few
no
show
to
supernatural
the
in other
as
of the
course,
the
is at
well
idea
some
of
persistence
EjigUsh fiction,as
and
endeavored'
them
Among
Gerould's
Second
might
be
mentioned
extraordinary,
Coming, by Frederick
Eighty-Third.
281
elusive
Arnold
Conclusion
282
Kummer
and
battlefields
slaughter of
till
on
goes
the
that
by
Napoleon
the
Arc
returning
descends
her
from
Real
Ghost
from
other
Stories,a volume
different
by
the
writers,
seen
by soldiers
The
Bowmen,
last
volume
way
in
affords
which
in
Carl
Mons.
the
use
the
eyes
are
heroes
of
battle
in
'.Swept
The
and
Dead
past
recent
are
they
the
with
by
slain
resurrected
the
in the
May,
is
temporary
con-
Angels
at
Vida
for
dead.
to
1916, Texas
When
battlefields
that
is natural
visions
of
refusing
Various
life
shows
Sutton,
to
fight,
martial
give inspiration in
stories.
Singing,
the
into
drama.
toward
are
The
war.
it
Garnished.
Are
instances
the
reality, it
peasants
that
Machen's
the
for
up,
in
Come,
Kingdom
the
with
themselves
occupy
unaware
phantoms
the
striking play,^ showing
turned
ever-present
an
spirits of Russian
specters
'
the
death.
after
the
of
is
of stories
Arthur
with
war-supernaturalism
thoughts
human
has
of
death
and
Barker;
striking fictive
connection
Hauptmann
world
; and
built
are
of
Letters
Elsa
interesting glimpse
an
legends
legend
War
number
of
associated
crowd-supernaturalism
of
by
some
battlefield
of
victory
to
professed psychic
of
containing
collection
dren
chil-
spirit of Joan
world,
describing
the
on
of
girlof to-day, enabling
series
so
Guest, showing
things for her countrymen

Man,
heard
people
my
forces
the
the
last,
at
Give
French
where
beside
heart
Gray
French
young
Dead
communications
the
carnage
its specters
The
lead
to
upon
Living
his
sinned!
the Maid
do wonderful
to
have
the
stands
the
Kaiser
rioting people
softens
Germans;
crisis;Jeanne,
Christ
Kipling's ghost-story,' with
slain
in
"Lord,
vain, and
in
of the
roar
outside, and
says,
peace!";
the
with
streets
he
the
the
with
pleading
but
men,
Easter, when
dying Emperor,
in
Eve,
walks
Christ
Janes, where
Christmas
on
stop the
to
P.
Henry
Review.
Conclusion
But
whatever
ghostly,
for
the
the
be
fact
phantom
is
always
few
with
years
days
of
confreres.
even
in
sword
the
has
been
struggles
the
closet
drama
rise
for the
The
form
and
that
than
the
in the
us,
dozen
psychal
Hound
as
as
Poe
'
In
his Heaven.
some
his
that
Francis
"Nature,
manifests
particularly
with
supernatural,
different
periods,
general fondness
and
exists
everywhere.
predilection for
of the
old
with
satire
the
spirit of
sonnet,'
faith.
on
spiritualepoch
in
the
Thompson
poor
or
In
""
there
poems,
are
linck
Maeter-
supernatural.
are
canny,
un-
ballads, while
Brooke's
collected
the
we
likely to
period in English literature.
sardonic
with
is immensely
literary history
more
Rupert
feeling that
As
of Heaven,
Suggested by
in
said
While
venturous
ad-
Morgan's
in De
drama,
the
manner
in
dealing
the
is
fiction
poetry
in it at
strong
of Brooke's
powers.
'
the
pen.
than
it is
now"
ghostly is treated
as
volume
expressed
upon
the
in
Recent
solution
detachment
other
any
rather
it,as
upon
of
slashing
psychographic
than
playlet.
ghostly
The
realism
so
there
is in
instances
recent
about
the
shows
skepticism
with
while
likewise
now
at
sometimes
critical
occult,
"fall of interest
poetry
other
are
continuity
supernatural
Recent
the
more
and
and
it is apparent
by
earlier
surpassed
never
fiction.
tures
adven-
the
and
they
Gothic
overlaid
clearly the
certain
which
single example.
weird
the
now
never
"
tendency,
shows
the
before, and
give
same
of
of
supematuralism
the
striking survival
displaced
popular
to
his
popularity
as
work,
and
now
day
manifestations.
hero
but
the
romanticism
While
swashbuckling
most
distinctly the
is
different
in
of
revival
this
this
it appears
heyday
crucial
in
his
romanticism,
regained
have
and
the
have
The
that
the
ago
for
reason
remains
us,
seemed
the
283
is
midst
says
step-dame,
perhaps
of
great
in
his
cannot
of the Proceedings of the Societyfor Psychical Research.
Conclusion
284
slake
which
thought
lead
Spiritualism
as
of
feature
of
length.
the
Of
in
ghostly
while
longer,
brief
in
preferred form
novel.
latter
vehicle
for
be
may
attained
playlet than
form
lengthy
whole
The
through
be
to
'^
Recently
that
much
novel
the
the
length
scarcely be
wotdd
mean
several
is
claiming
bars
in the
story, in" the
narrative, dramatic,
of
the
work
than
of Dr.
forms
and
mortal
with
William
for
Cleaver
more
its
as
the
of
power
found
novels.
to beUeve
one
limitations
Now
own.
appears
in the
of
no
in the
playlet, and
Even
the
entirely vanished,
Wilkinson
earthly,
un-
supernatural
leads
the
even
not
of
Stoker's
lyric poetry.
has
story
sometimes
Bram
drama
as
ghostly
short
up
the supernatural, which
in
more
all
the
weakening
dealing
transcending
it
necessarilyincluded.
tiiis is
of
novel
for in the
made
of novels
number
occult
and
as
in
as
is
noticeably increased, which
literary type
the
unity in
matter
into
come
displacing
of
long drama,
or
outside
that
case,
has
novel
short
the
commend
to
effect
more
exaggeration, though
the
themes
in
for
supernatural
much
The
much
plot could
for
has
uncanny.
with
particularly the
favor, though without
to
the
Gothic
the
play has
the
years
stage
was
century
one-act
as
matter
the
drama
decidedly
was
Brevity
the
the
century,
the
no
expressed
held
epic
times
last few
forms.
the folk-tale
the
nineteenth
returning
shorter
and
eighteenth
recently
in the
be
to
seems
the
is
literature
periods, is in the
but
preference
more
But
vogue.
the
the
half, the
story, while
in
there
in
present.
ballad
form,
search,
re-
interest
arousing
supernatural
Elizabethan
as
During
at
psychical
or
all events,
of other
the
course,
of
at
modem
that
science
action
But
the
from
distinguished
or
reflex
literature
uncanny
One
folk-lore, or
the
of
lines
certain
in
writing of supernatural fiction,
subjects themselves.
lack
of
interest
the
to
or
have
may
the
The
drought!"
our
epic
as
attests, but
Conclusion
popular
The
does
taste
ghostly
is
brevity gives
chance
difficult in
play
in
The
dramas
of
Sharpe, Gordon
is
the
work
liness
of
than
playlet
for
marionettes
Lord
Dunsany
that
of any
idols, for instance, that

themselves
dramatics.
work
in
Algernon
Another
later
the
greater
ghostly
stories
number
and
drama
to
considerable
relied
for
The
revenge-ghost.
with
ghost,
one
of
use
no
however,
into
gathers
service
to
up
angels
adapted
and
other
and
save
"
the
and
for
the
on
and
Elizabethan
and
strong
was
The
fiction
has
of
employment
discoveries
utilized
botany,
biology
brought
supernaturalism
all the
are
puts theni
old themes
Gothic
now
made
fiction,
and
scientific
the
wolves
were-
but
modem
new
the
for
Jews, occasional
to these
Diabolic
supermortal
employed.
witch
personages
the
is in
Gothic
sporadic satanity,
laboratory
supernaturalism.
chemistry;
The
astrology
investigations of
with
"
the
astonishingly, the
types.
practically new
alchemy
varied
with
devils, angels, and
while
divinity.
In addition
the
materials
romance
all of these
up
freely.
date
of
or
showing
in connection
of
chiefly
and
in
significant
more
with
Wandering
lycanthropes,
and
noted
extent,
Gothic
two
or
be
introduced
its thrills
touch
new
power.
variety
had
are
jade
revenge
else, his prose
compared
as
early religiousplays
divinity
to
His
life and
doing
is
anyone
eerie
as
peculiar ghost-
terrible
to
Blackwood
well
as
show
linck's
Maeter-
dramatist.
mortals,
significantfact
the
TS
wake
effect.
more
present
psychic fiction than
poetic beauty
The
furnishes
presumptuous
on
weird
Dreiser
especially powerful, but
are
other
Gregory, William
Theodore
for
one-act
connection.
this
Synge, Yeats, Lady
possibilitiesof the
plays
rise of the
The
and
intensity of
and
significantin
Bottomley,
forms, where
shorter
compression
vehicles.
favor
epics nowadays.
to
run
in the
seen
for
longer
popular
short
the
often
more
force
really
not
285
appear
and
and
embued
psychological
in
recent
Conclusion
286
fiction.
The
countless
optics, dietetics,
and
while
shows
astronomy
dreamed
of.
early
and
The
to
while
come,
with
Mark
King
Arthur's
we
Twain's
realist like Mark

No
province
material
and
small
or
for the
Fifth
Dimensions
science
the
uses
into
has
brought
laws
own
time
that
as
visits
homespun
failed to furnish
in
Fourth
plot complications.
as
enchanted,
are
will to
at
the
even
bewitched, mirrors
its
reverses
into
supernatural is significant.
of science
are
are
it in
far past,
the
which
to
ghostly fiction,and
new
never
aberration
trips
Yankee
extent
corner
Microscopes
and
transported
The
Twain
kept
strange
return
us
Connecticut
Court.
astrologer
in late narration.
gives
be
may
to
plots,
for
on
place and
given
are
fiction
the
their
conduct
futuristic
levied
are
knew
acoustics,
sciences,
wonders
us
they
unaccountable
The
what-not
stars
but
romance,
and
arts
suit the
weird
demands.
Another
the
of
age
material
modern
There
is
realism
car
is
house
clicks
and
Hans
new
o'clock
for
in
accelerator
a
man
the
his
that
to
this
of
out
magic
and
away
with
extraordinary
dreams
and
between
that
midnight
Stockton's
R.
balloon
the
to
is
specimens
typewriter
Frank
trip
through
runs
Other
dark,
morning;
condenses
crowd
that
enchanted
the
Prescott
romanticism
negativing gravity; Poe's

makes
Pfaal
enabling
Bangs's
in
Harriet
living purposes.
psychograms
three
machine
for
legion.
are
tragic experiences.
with
itself
erects
is
by ghost-
run
reproduces
combining
connection
Kendrick
off
that
Lady,
idea
that
enough
John
in
long-dead voice,
an
In
are
This
spook
reliving previous
is
surely!
substantial
are
the
Ford
phantom
mechanical
Mad
its occupants,
engines
even
the
mechanistic.
automobile
The
tube
speaking
with
A
of
haunted
the
Spofford's story.
its
and
machinery,
Examples
power.
is the
in
moon;
which
Wells's
intensifies vital energy,
the forces of
week
into
an
hour
287
Conclusion
of
the
inventor
will, to
at
project himself
to
spend
in Hawthorne's
delicate
that
it life and
This
fiction
and
imbibing
toy
etherealized
well
as
the
as
ery
machin-
of
voluntary
tion.
mo-
in modem
is manifest
wreck
that
constructions
diabolic
it, the
spiritual essence
power
machinery
past
butterfly
conceived
beautiful
and
beauty
the
or
The
era.
any
magnetism,
futtire
of
spiritualization
the
of the
artist
poor
gives
in
story shows
the
as
week-end
the
into
permits
that
machine
his time
likewise
as
emergency,
ruin.
Inanimate
as
Poe's
as
the
the
objects have
ship that is said in certain

told
trees
picture.
bloodstained
are
painting
told
overhears
in
the
picture relates
and
photographed
haimted
and
the
to
children.
everywhere
well
ghosts
in
as
seen,
found
In Poe's
; and
the
that
wife, the
his
and
who
man
leaving him.
the
has
the wife.
to
vicious
later
painting
There
is the
living
the
to
that
in
no
attention
coming
they
should
one
is haunted
ones
Metzengerstein.
dead
the
ghostly
to
front
demand
fiction.
individualized
In
to
paid
the
of
the
particularly in Ainerica,
supernatural
man
little
distinguished from
as
is the
are
only twice.
specters of
'
and
curiously related
nowadays,
natural
groups
novels
literature
Youngsters
it is but
as
is
of the
aspect
occult
earlier
hands
whose
long dead.
Another
stage
that
tapestry'
to
lines
Likely Story,
husband
sent
copy
her
the
the
murder
artist
an
story
and
commits
between
quarrel
its face
on
Morgan's
De
in
grow
portraits,as
show,
Dorian
when
of
bears
not
wrongly suspecting
woman
The
does
that
haunted
that
Grey
in size,
increase
to
Blackwood
various
are
living face
the
sin
There
in later fiction
power
seas
by Algernon
of
Dorian
picture of
of
strange
to
In
the
children, and
of
James
on
his
because
be
children
Hogg's
him,
heard
Gothic
death-bed
of
so
short
by
but
the
they
288
Conclusion
nameless
are
bigenses
and
indistinguishable.
relentless
lonely forest,
the
sees
death, little children

and
But
women.
character, but
here
babes
he
has
figures, hence
group
as
to
men
givienseparable-
not
are
done
breast, as well
at the
again they
merely
passing through
of those
phantoms
and
are
while
p^secutor,
The' At-
Matwin's
In
do
not
count.
There
is
ghost-child mentioned
dale Romance,
children's
The
but
ghosts
it is not
among
the
human
and
little
lovable.
of
In
several
killed, natural
has
crucified
insanity by
specter of
for the
child
little
because
him
help
the
story of
the
unquiet ghost
his
house.
the
little
"
He's
boy
took
poignantly
and
'
Swept
'
In
Thi
'
In
who
has
child
leading
Petavel
into
to
is driven
do
housework
reminds
of,who
ing
havback
the
relates
wont
to
man
who
the
dead,
for
pray
haunts
mother
sees
and
says,
safety. Perhaps
that's
by
and
peace
the
neglect, comes
been
to
shows
tells
wicked
is
who
hand,
him."
pathetic.
story
The
of
little
little
chap
ghost-boy
comes
back
Garnished.
Monstrance,
Pair
and
Algernon Blackwood
Petavel,' a
Middletbn's
Richard
soldier
hands, who
father's
butes,
attri-
pride in his first
door
night
at
have
childish
German
Middleton
the
him
the
us
Germans
his
slender
two
as
sheep.
of
with
returns
little child
After
leading
God
why
shows
appealing
church
of his drunken
the
very
spirit. Quiller-Couch
girlthat
tend
child-creations,
the
tells of
against the
baby
the
are
whom
boy
Machen*
They
story,' he
with
that
individualized.
Kipling's
his
war
shfepherd boy Richard
died
to
small
living,visible only
of the
us
of
youngsters
Arthur
trousers.
in
children
especially the
and
Blithe-
fiction
recent
more
ones
wonderful
most
phantoms
until
personated
enter
exquisitely shy
in Hawthorne's
of Hands.
another
story of the
war.
*
The
Passing of Edward.
is
to
Conclusion
play
with
his
by
his
joyous
imitations
MacMillan
"out
because
of
have
Frances
little
her
save
to
Burnett
and
Ellen
story of confused
them.
shows
unborn
us
they
that
enter
so
mother
man
him
to
that
spiritsof
the
dream-drama,^
wait
child-souls
life.
In these
there
is
stories
always
In
Clairvoyance.
I
A
.
woman
assume
real that
wish
play
to
Algernon
The
women.
wood'
Black-
reaching
the
hood,
potentialitiesof motherthere
the
be
the
his
sees
babes.
and
were
to
the
which
room
never
may
borti. children
angel
Land
to
pathos,
'
The
sad
Blue
in
of the
with
the
beauty
Bird.
ghosts
be
are
linck's
Maeter-
Future,
them
summon
associatingchildren
dead
own
These
appealing.
'
Bacon,
with
spirits,
baby
the
Bailey Aldrich's
son.
where, in the
tender
his
into
so
who
of Thomas
among
never
the
cause
they
become
children
sleeping
for
of
lisping voices, spiritsof
with
yet
till
had
They
of
and
sacred
seems
of little children
like the
to
enter
were
Mehitabel's
childless
haunt
return
us
multitude
that
back
to
with
play
to
comes
never
other
reminds
wraith
revenge-ghost
never
she
by
pattering steps,
arms,
that
for her.
child. Miss
imagined
Elsbeth
Children, by Josephine Daskam
being
This
young."
so
describes.
Glasgow
finally seen
with
know,
the
us,
are
by her father
back
terrible
the
children
personality and
are
to
ago
comes
that
Brown
shows
his
Mary
you
paranoia and supernaturalism
the
over
they
Wee
are
by her stepfather,who
late stories,as in The
the
who
torture,
spirits of children
grieves
earlier,being
Hodgson
from
death, whom
bed
ghosts,
girl pitifullyslain centuries
slain
The
to
go
older
ghosts
living playmate;
child
chug-chug.
the
child
recent
very
than
night
at
they
whom
automobile's
an
and
bracken,
speaks of the spiritsof little children
earlier
Two
of
the
through
dancing
known
his presence
grieving sister,making
feet
gay
289
to
ghostly
that
is
Conclusion
290
spectral insect
The
before,
sufferings in
shows
is
makes
ghostly insects, a death's
head
justice,while
to
spectral insect
example,
Marsh's
of
priestessof
as
scarab
human
has
mesmeric,
the
is
dog
more
than
so
seems
horse.
very
dog
on
shows
much
earth
complicating
by
terror
his
cavortiv-e
kills the
over
lost soul.
be
one
Baskervilles
Kerfol by
The
Ghost
terrible
of
earth
young
of the
is
Edith
Moth.
in
Fisk
that
Judgment
Conan
'
of
the
In A nother
Day
drama
his
dog
the
each
baby
that
is
thought
of the
legendary
power.
of five
Little Heath
Evil
being
Hound
ghosts
dog,
Phillpotts
pursue
Day,
Ambrose
Eden
Doyle's
terrifying canine
shows
in
by
revenge-ghost,
^
the
ghost-
archangelic.
while
dog
us
Decoration
girl'slittle unbaptized
Wharton
has
accompanied
master,
till the
she
Howe
spectral dogs
number.
a
march
Isabel
of his
pack
the
to
shows
Ward
while
heaven,
apparently
not
the
possibly
save
any
Phelps
Raphael
one
murderer
represents
in
master.
canine,
evokes
than
back
coming
fiction,
occult
of
subject
Stuart
Archangel
the
Bierce
human
home
at
beside
parade
'
and
mortals
over
animal, perhaps because
other
any
Elizabeth
Mrs.
dog
to
lively
This
beetle.
power
the
frequently
nearly
more
One
life alternately
plot.
The
as
shape-shiftingfurnishes
its sensational
to
and
magic
ling
curd-
whereby
mysterious, horrid
her
being
story'
most
superstitions of Egypt,
Isis continues
The
Beetle, a modernized
novel. The
ancient
the
in
Swanson
of fate.
brings
entomological supematur-
of the
however,
alism, is Richard
version
Frederick
that
moth
butterfly that
minister
of
Chambers
W.
gnat
tell its murderer
to
hades.
of disaster, and
presager
murderer
back
cases
of
ghost
Robert
insect
the
several
us
of the
Vergil's Culex, the story
as
occasional
been
have
thoughtlessly coming
killed
its
there
fiction, though
recent
in
innovation
is another
animal
or
Hound.
dogs,
Conclusion
each
carefully indiAridualized,
brindled
large white
pointer with
grayhound.
killed
by
These
her
on
of the
They
the
day
with
showing
of
great
heaven,
strange
had
the
for
wife
in
that
have
been
it without
laying
versary
anni-
the
on
year
slew
desperation
silence
of
habit
and
follow
is
Kipling's dog Harvey
what
he
I have
represents
Gate
the
is
never
recent
dogs just outside
of
black
cheerful
once
gaze.
At
mongrel,
small
and
undoglike
concourse
unwilling
he
the
most
animals
cared
which
on
of
and
ear,
appear
"
determine.
to
"
beast, but
supernatural
able
pillow
preserve
beholder
been
specters
pet his wife
every
word
him.
brown
one
sleeve-dog,
white
long-haired
jealous husband
strangling
a
bulldog,
Chinese
"
rough
291
story,
portals
the
to
enter
till their
in
Poe's
Metzengerstein
masters
to
come
join them.
The
diabolic
of
composite
and
to
the
victim
and
carries
studies
beings
shows
in
whose
ghosts
That
adds
fiction
addition
only
of
are
the
to the
weird
ghosts for ghosts'

element
to
teach
some
but
uncanny
stories
sake
is of
truth
humorous,
or
and
"
tiger, while
Burns
stories
in
of human
suited
introduced
types
told
with
are
in
the
to
so
where
importance,
some
satiric methods
fallacy.
abound
later
the
stressed.
direct aim
tales
are
secondary
ridicule
death.
death!
to
new
there
and
Miss
animals
materials
new
through
bears, bulls, hogs, and
as
terror
new
relates
as
appear
flies
white
spooks, and
deceased,
a
that
in Wen-
insanity
of
ghost
object,
Blackwood
to
Shropshire folk-tales
of the
Not
the
curious
sufficientlyterrifying
animal
away
elephant
personality
forth.
men
is
inanimate
Algernon
supernatural
assorted
are
all events
at
pursued.
a
Rideout
Henry
there
it
created
air
the
haunted
metempsychosis,
straight ghost, but
digo has
her
horse
and
the
art
"
natural
super-
being
The
In
used
bolistic,
sym-
in modern
Conclusion
292
of
that
of
with
them
earlier
in
symbolism
In
of
change
instant
their
old
have
the
world
over
the
who
is told
that
he
the
it
back
who
plays for
him,
have
clung the
golden
that
he
The
Book
gone
the
dust-heap
a
tear
He
make
The
in
to
peculiarly
made
antique mythology
distinctive
the
note
allegory.
are
story of the
who
goes
with
the
meant
that
and
again
whereof
He
monkeys
after
man
Wilde
the
The
on,
is
trails
to
some
is making
Serpent,
questions,
Maker
make
to
learn
are
through
all
the
complete, He
have,
that
the
ask
so
lasts.
Creator
look
trying
harp
music
while
means
the
stories
artists,and
with
stories of Oscar
while
Serpent
stuff for
of
comes
happiest hours,
symbolic
Grasshopper
harper
strings
dust-heaps,
years
mournful
the
hoar
his
fables.
The
as
of
bygone
past,
golden second,
one
the
to
tells
the
all
touch
king
When
palace,
seconds
fantastic
of
not
no
lo!
over
comments.
experiments
man,
and
are
attained
moral
Dunsany
poetry.
his
Serpent
prose,
Turtle, and
offer
of
unearthly
modern
into
keeper
of
to
them
lives
experiments
and
of
back,
pathos
has
the
Gothic
power
him
interesting
of Lord
weird
king
in
present
of
the
save
the
they have
have
cannot
delicate
poems
the
seeking his lost yesterday, his dear
by
of
to
Shakaspeare,
one
stories
instance, the
For
Hawthorne
poetic fiction, spiritual
it is
force
Yet
in
no
of
cases
stories
real.
own.
much
mythological
the
and
and
in
certain
plays and
symbolic
for
Mystic
art.
appears
writing.
has
manifest
achievements,
in
stories.
as
machinery
suggestion,
ghostUness, though
really modern
The
of
deUcacy
The
effect,
the
continued
crude
the
to
double
behind
purposes
art, have
contrast
horrors.
to
subtler
the
have
impressiveness, and,
supernatural
consummate
form
hinted
done
legends, spiritualallegoriessuch
Moralized
wrote
well
when
primary
addition,
and
and
fiction
occult
the
drops
mothers.
how
best
makes
of them,
to
woman.
a
beauty
Conclusion
like
that
of
jeweled words,
that
prose
and
The
his
Nightingale
The
of
of
heart's
own
that
A
days
may
be
the
words
poet's
the
stained
and
song
with
forms
the
Andreyev's
story.
instead
of
holy
silence
that
ghostly
sounds
basis
soul
the barriers
love
is almost
loved
But
'
love.
that
would
here
there
be,
and
of
miracle,
of
Something
his
by
is
father
daughter's
in
expressed
and
cries
remorse
out,
terrible
more
dreadful
more
revealing
death,
is horror
is
grave
Unseen,
grave,
more,
the
the
hope
waiting
once
the
dream-poem
denies
in the
voice
When
from
issues
of the
within
body
for this
unbearable.
father's
the
as
The
Wedmore.
to
to
stories
such
tiptoe for
on
of expectancy
of
in
seen
return
the
element
supernatural
the
Frederick
may
father's
that
hear
to
soul
of
is
by
the
sense
theme,
same
grave
death
in
beauty
the
transcending
the
passion
own
unearthly, the
sense
mortal,
shows
sorrow
expresses
with
after
love
idyllic
moonlight
gives the
It
prose.
a
by
suggestion of the
belief that
ancient
with
Rose, where
of Provence,
Dream
in
music
full of
of his
the
that
which
few
and
think
one
style,
ornate
of poetry,
verge
its
blood."
delicate
suspense
the
on
light, makes
"builded
was
and
Wilde's
mystic figures.
trembles
color
in
its
missal, with
illuminated
antique
some
293
in its
the
than
supermortal
suggestion.
purely
The
a
The
old
Peele's
Ghost
thing.
new
devils, and
but
not
at
early drama
in
humorous
or
Ghost
humorists.
The
'
free
Silence.
and
religious dramas
of
easy
fiction
Ship,
work
manner
of
had
Frank
John
was
moderns
comic
ous,
humor-
nothing
of Richard
Stockton's
Kendrick
of the
be
to
rollickingfun
R.
essentially
used
There
sense.
like the
or
is
Jack is supposed
all in the modern
Middleton's
the
supernaturalism
Bangs
toward
spectral
illustrates
ghosts,
Conclusion
294
them
picturing
of
them
all
their
of the
wraith
for which
maiden
she
dignity.
ancient
punished by having
is
as
is
original revenge-ghost, with
an
of h's, who
haunts
her
discharged
their
ghost club,
and
their
toward
confreres
satirical
literature
of
been
him
for
while
him,
being
is too
Heaven
is
Deity
have
the
inversion
baron
in
spooks
mortals,
on
flippancy
modern
now
escape
the
respect
held
personage
of
light
in
No
ragging.
of
arrows
fun.
angels,saints, and
considerable
has
satirized,
which
Satiric
fiction
recent
scant
tenderfoot, the
the
treatment
is
even
in
as
campaign
to
done
is
puncture
of
of
Gilmore's
Haynes
for woman's
employed
conceits
extent
aspects
document
is
anecdotal
what
to
Various
Inez
and
Irishman,
body
gone.
supernaturalism
truths,
well
supernatural, showing
are
many
have
we
devil
subjects for jesting,conventionalized
is
the
The
cases.
in for his share
to
There
Angel Island,
when
sporadic
that
so
comes
become
life
suffrage.
in
save
Late
new.
daring familiarity
ghost, formerly
sacred
of
is also
subject for laughter, but
the
levity of
mortal
before,
mother-in-law,
literature
and
the
with
everything,
at
satiricallyexploited,and
forth.
home
Bangletop
convivial
supernaturalism
still more,
great respect,
the
of
play pranks
examples of
of
ancient
an
ridicules
so
who
astrals
are
use
laughs
undreamed
with
his
ancestral
medieval
His
wages.
pique,
supematurals.
The
has
without
the
villainous
the
us
fit of
haunt
to
because
estate
an
in
spectral cook
His
shower-bath.
house
shows
He
herself
drowned
who
divesting
and
situations
in unconventional
of
to
drive
all kinds,
effective,for laughter is
clever
weapon.
The
earlier
advance
of
is nowhere
effectiveness
of
the
later
seen
with
supernatural fiction
more
which
distinctly than
it manages
emotion, its skill in selectingand
the
in
over
the
the
creased
in-
mechanics
elaborating the details
Conclusion
by
which
day
artist
tones
of
and
of the
uncanny
of
writer
unearthly.
for
as
that
Quincey
The
Gothic
has
weather
This
possesses
power
it is
than
it used
produces
story
the
purges
soul
foreboding
more
much
less
be.
by
his
weather.
is
of the
and
show
more
fiction
had
much
to
and
weather,
Yet
of
sense
the
ple
exam-
supernatural by
characters.
with
of
graph
para-
notable
of
profound
skillful
nature
However,
it still
method
harmonizing
of terror
means
while
introductory
of Usher
in
of
characters.
common
Poe's
subject.
the
of the
fiction, and
of
purposes
of
impressiveness
terror
power
Macbeth,
supernatural,
on
its
including phenomena
special
and
of the
for
none
employment
emotions
creating athiosphere
shows
of the
by representing aspects
the
to
seemingly
in
gate
in his essay
scenes
The
atmosphere
of the
largely
Fall of the House
details
modem
are
ghostly
in
of skill in
moods
relied
overworked
in The
Hardy
out
with
technique
various
pointed
horror.
the
the
at
varied
the
of that, but
effect
an
harmonize
to
was
knocking
produce
novel
emphasizing
on
to
to
the
present-
fear, the deep
of
master
perfect example
of
care
up
was
The
incident
De
utmost
make
to
Shakespeare
instance, is
strike
to
Shrill notes
with
go
how
crashing chords
chooses
of his time.
natural
the
The
produced.
are
knows
the
awe,
trivial details
other
awe
supernaturalism,
diapason
skillful
terror
295
allusions
selective
many
and
awe,
reference
no
the
to
at
all
made
now
than
power
of
old.
Gothic
that
gloom
circled
and
specimens.
prey," "a
such
vague
portentously
ghosts, but
The
they
fowl
were
term.
their
ominous
ancient
melancholy
castles
generic and
bat,"
Natural
since
of
always spoken
was
night bird," "a
generally known
introduce
over
say
those
birds
"an
history
times
with
and
more
individual
"a
as
owl,"
has
filled with
not
of
birds
bird
by
or
become
writers
of
of
some
more
to-day
definiteness
and
Conclusion
296
window
in
ledge
of
symbol
whole
the
individualized
Poe's
in
is
raven
overhead
the
Gothic
as
particularly foreboding
"On
the
glare
of
dark
the
horrible
fiction
buzzard
that
of the
buried
no
shrieks
and
is not
the
This
bird
is
produce
him
with
toward
buzzard
that
of
little negro
where
faint
the
last
he
thinks, close
at
all that
at
for the
the
child
find
he
this
tinkle
lies
bear
can
he
hand,
time
picked
derer
mur-
body
that
hears, but
has
his
of the
example
awe,
At
to
belled
the
leading figure in
marsh
only
the
is in recent
than
fate, and
horror.
"
There
and
terror
confession,
land.
the
against
excellent
he
in
brings
ghostly disaster,
import
an
the
over
terror.
black, motionless, its
the
minister
soars
belled
cowbell
of
is
specimen
any
Chambers
in
makes
hearing it, as
his
out
thing
heaven."
Cobb
to
paralyzes
more,
old
it
as
definite
it turns
dreadful
name.
in the
of its bell
novels
cormoiBnt,
more
natural
sees
his
portent
when
toward
Irvin
story by that
use
sat
raised
bird
no
of
glistening cliffs,silhouetted
sea,
head
another
of
that
kite
W.
vampire,
of evil than
Robert
times
is
the
to
the
bird
clings
as
more
aviary.
several
cormorant
in
becomes
vastly
novel
situation,
horrible
and
that
bat
Stoker's
Bram
menacingly
soars
repulsive
The
appropriateness.
only
up
it
an
in the
barnyard!
Robert
give
as
shadows
of
favored
phantoms
indicate
a
"
effects
of life and
spiritsor
of persons
shade
for
and
fated
conditions
they
strange little allegory, The
writers
effects.
have
used
similar
disaster
gray
"
as
white;
is
gray
for witches
destiny.
or
to
for
to
Quiller-Couch
Magic Shadow,
methods
of
speaks of
perfectly black,
are
of
He
be
whether
to
descriptions
to
may
effect
sometimes
by
character.
shadows
ghostly
differing
early stories contrives
his
symbolic
supernatural
his
again
in
supernatural
varying
shadows
has
Chambers
W.
produce
and
other
uncanny
Conclusion
The
Gothic
supernatural,
and
which
with
part abandon
clock
forever
the
winds,
the
story is
adapts
it
that
mark.
prophetic
of
the
fleshly
the
spiritbelonging
reminds
give
somewhat
us
Beddoes's
The
a
horrors
of
ghastly
chill
incalculable
the
is
stories, as
minister's
The
Wharton's
eyes
look
art.
uncommon
insanity
in
and
the
how
tellingthe story
left
We
do
much
of his
to
will
find, is
that
meets
Ambrose
not
aweful
more
which
of
in
to
apparitions
of
mystery,
of
the
super-
in many
technique
Hawthorne's
bolic
sym-
revolting suggestion
a
like
is haunted
man
physical
the
effect
of
snail, is built
how
much
up
obsession, his fears that
bad
with
is due
supernatural, when,
as
in
by
a
"
realize
the
avail
impression
veil
black
not
of
gate
fiction
of
an
method
smear
the
life in Thomas
to
visible
effect
giving
"have
laughter
produce,
modem
Eyes, where
that
that
so
case,
spirit,perhaps
come
that
unspeakable
The
later
Book.
soul
recognized
story.
smell, whose
the
to
Likewise
the
hideous
Jest
The
repulsiveness of
could
corpse
invisibilityin
element,
naturalism
two
of the
Death's
rarely impart.
Edith
the
loathly effect
burns
within.
are
purely psychic phantom
any
Lovell
it,with
to
they
nothingness,
by
that
sardonic
what
describes
reanimated
corpse,
wizard
ghostly effect, and
to
they
of his stories
some
the
than
when
or
forth.
so
cracking
imagining
gaze
fire
particular
emptiness, the
astounded
in
the
are
Gothic
no
spirithands
instance, the
burglars
get in, and
to
Bierce
For
was
"
of
each
to
old
ghostly horologue !
such
specter, and
the
as
^there
"
nose-bleed,
desired
means
sounds
their
of
stories for the
portents, the dear
one
tolls at touch
ently
differ-
well, but
as
modern
selective in its aids
more
the
heaven
or
to lack
as
statuesque
the
hits
does
The
striking twelve
approach
at
fiction
of the
of portents
use
conventional
the
bell that
abbey
much
skill.
impoverished
so
blue
later
greater
most
castle
made
romance
297
to
after
climax
Conclusion
298
will
he
his
like
become
reflection
in
"He
gaze.
and
the
the
incident
an
where
with
in
seeks
man
whom
he
question
hate
of
suggestions
modern
The
effectiveness
occult
children
than
of the
herself
right
to
known
to
little child.
for
In
is
arms
short
zio's
drama.
Animals
of
presence
fear.
with
This
only
given
of the
alert
the
make
to
only by
the
first
of
in
baby
better
than
is
another
return
Blind, the
of
blind Anna
ghost
is the
boy
of the
that
the
blind
linck's
Maeter-
approaching
in D'Annun-
City.
to
tions.
perceive supernatural manifesta-
are
shown
perhaps
witches, while
noticed
in
of
quickly
of
sensitive
the
by
use
more
sense
presences
others, or
Dead
of the
The
is conscious
who
the
realized
little
to
one
grandfather
ghosts
Lytton's story
be
stories
many
and
the
play
unearthly
in fiction
is
only
peculiarly
are
presences
person
Maeterlinck's
quick
are
Cats
alliance
The
are
is aided
trying strenuously
grown
old
any
nettle-
surpasses
by
Oliphant's story
the
plays,
before
Death
that
stories
in
see
Sometimes'
the
as
We
Belasco's
women.
person,
might
given
that
persons
wrong,
of the
aware
and
men
the
In
with
that
unearthly
Mrs.
long time
Grimm.
woman
These
ghostly
supernatural
in
as
made
calling aloud
grave,
supematuralism
impressions.
adults,
Peter
or
perceive the
returning
and
his
on
is, "the
of modern
suggestiveness
the
be
might
fiction.
"sensitives," animals
to
with
for the unknown
instances
of
technique
other
published literary drama,
love, and
she
numberless
in Gothic
anything
the
in
who
Mention
world
the
fallen
to
as
recently
over
has
"
each
sees
dreadful
their
meets
confronted
image
suddenly
man
lips replied, 'It is I, Death!'"
bearded
of
in
and
mirror
glare of slowly gathering

of
Eyes, the
those
in
haunted
as
because
dogs
and
many
house
being
of
at
their
horses
stories,
where
ease
the
in
the
uncanny
wild
go
as
in
with
Bulwer-
dog dies of
Conclusion
terror
in the
face
told
of
Doctor
to
goes
house
and
cat
him
to
the
In
Blackwood's
which
difference
of
him
with
reveal
action
spirits long before
of the
they
are
for him.
general, there
later
stories, who
uncanny
their
by
presence
visualized
"
in
Psychic
The
ghostly phenomena.
possessed by evil spirits,takes
dog
of the
299
ghostly
is
stories
more
than
subtle, the technique
of
power
in the
earlier.
The
skillfullystudied,
more
in
suggestion
is
art
the
more
artfully
more
accidental.
There
that
is in modem
of many
well
as
associated
the
line
with
is
brain, and
this
"
is haunted
girlwho
because
is
aloud
that
he
Another
would
that
recognizes
in
wife, who
comes
and
vanishes
by
Bacon
of
analyses of the
idSe
of insanity
cause
in
the
day
or
the
keep
to
its effect
effect
lover
for
law,
of the.
obsesses
the
cries
her
if
does
who
spirit of his
him
These
on
has
him.
asylum,
the
mistake.
himself
insane
of his death.
fixe in
her
is of
who
nurse
and
her
housekeeper
grave
alienist,
psychic
frees
man
mysterious
the
on
Strange
instances
by
when
unknown
which
medicine
curse
trates
illus-
instance
One
insanity
the
some
from
on
as
of
take
transference
is
alone!
wrong
border-line
could, which,
effect
Maupassant's,
famous
the
studies
stories,The
by the ghost of
the
given
the
on
do
of
practice
paranoia
not
are
of
unbalanced
an
Daskam
of
volume
occurring in the
yet they
She
element
as
Josephine
recent
the
of
just where
Stanchion, the plots centering round
paranoia
died
he
in
tell
ghostliness. ) Poe's
unearthly,
others.
genre
of Dr.
young
the
of
closely
is
not
broodings
is real
on
and
much
of the
much
verge
Hoffmann's,
of
result
how
of madness
("Onemay
just how
drawn,
German
type of supernaturalism that
insanity.
is the
uncanny
Cases
writers, Russian, French, and
recent
English,
as
of Poe, and
fiction,notably the work
company
are
human
supernatural.
curious
mind,
Barry
Conclusion
300
Celestial
Pain's
nian
whose
him
inverted
real
things, all
novel
Grocery is
carries him
madness
Ibbetson
that
madness,
showing
in
the
and
relive
to
a
touches
past
fifty-two,since
she
as
There
with
the
Arthur
Machen
literature
The
and
shows
As
Primavera.
"
We
in
^the
giving
of
makes
and
unearthly
force
writers
by certain
is
is raised
to
nth
the
The
alone
localities
are
the
Stoker, and
and
power
ghosts
foreign spirits,
surpass
where
in
significant.
carrion
by the Gothic.
The
human.
shown
as
the
In
haunted,
than
diabolized
the
others
mere
the
Gothic,
to
power
ence
leveling influaccess
work
of horror
described
of
Bierce,
supematuralism
shudders
Psychic
apartments
by undying
of
aspects
two
possible thrill is
chamel
say
Pit?"
Bierce, animated
Algernon Blackwood's
rather
can
characters
every
of
the
di
Mattino
terrible
more
hand
other
more
Blackwood,
Machen,
and
the
on
them
of the
or
Fogazzaro's
distinguished from
as
cumulative
ghostly beings, and

that
divine
Italian
it, "Who
preceding chapters
supematuralism
Bierce, of
d'un
of
says
in
her
associated
school.
Sogno
Dunsany
it be
noticed
have
modern
Lord
to
phantom.
insanity
modem
of the
the
woman
come
own
significant instances
whether
insanity,
of
her
story
from
the
of Ambrose
D'Annunzio's
and
Woman
of
work
of
more
as
power
that
changes
no
can
effects
others
some
else's life,is
ghost
come
in the
supernatural
sanity and
someone
the
and
must
extraordinary
are
live
to
died
did, but
once
between
spirit of Mary
has
she
joy of Peter
interesting aspect of
of twenty-eight
dream-lover
lover
the
line
to
even
One
where
point
and
anguish
thin
pathetic
dream-metempsychosis
his
striking example.
is the
"
the
only
the
are
Maurier's
Du
passion and
the
portrajang
emotions
shadows.
else but
of
story
planet, showing
another
to
life,where
of
aspects
example,
recent
evil
ployed.
em-
by malignant
produced
Invasions,
or
houses
influences
Conclusion
with
compound
forces
of
will, are
wind
and
unlike
of.
anything
Horace
thrills like those
with
man,
animal
or
Bacon,
is
ghost, however
aboUsm
Pit
in
general,
many
complex,
more
Machen's
While
the
intense
it is true
create
supernatural
power
beyond
hand
there
previous
to reduce
the
here,
frequently,
as
refuses
ghostly beings
believe
to
having
ahead
seems
human,
their
ancient
have
as
look
been
pointed
of
garments
riding-habits
have
lost
phantoms.
look
Now
projections as they
mogenetic
spooks.
shades
of
are
used
to
They
are
not
"
are
red
be,
now
losing
late
in
made
of
any
They
everyday
seems
"
angels,
before,
and
gray
witches,
as
and
khaki
the
they
distinguished early
merely
than
more
vaporous
merely phantas-
healthy, red-blooded
are
tongue-tied
clad
and
literature
ever
shirts
than
more
but
are
than
pallor that
they
apparitions,
well
as
Ghosts,
in
though
"
for
that
from
colors,
other
Fiction
previous chapter.
ball-gowns,
to
shade
favored
in
normal, they
more
varied
Ghosts
characteristics
out
the
on
to
evil
of
general belief,
yet without
man,
more
excess
forth
so
thrill.
mortal
human,
more
to
to
power
of the
more
has
like
more
In
tendency
th,ehuman.
of
and
witches, devils, werewolves,

more
an
altogether evil.
in the
significant tendency
to
nearer
are
beings,
and
equally strong
an
portrayed.
show
uncanny
of
obscurely
Gothic.
writers
characters
the
is
certain
di-
The
characters
the
in evil than
that
revenge
mere
has
ghostly
later
bat
Josephine
by
any
drama
or
as
vampire
reeks
is
well
"Vindicta!"
work
epic
than
of
than
it shrieked
Arthur
into
no
who
as
Unburied,
The
horrific
more
much
horrible
more
will.
at
prey
himself
change
to
werewolf
ceived
con-
knew
Dracula
Count
and
demon
novel
terror
Radcliffe
Mrs.
Stoker's
evil, a vampire
of
Daskam
and
Walpole
power
early
the
their
work
fire to
that
of Bram
immemorial
an
and
wave
the
control
that
Elementals
his
power,
301
as
their
ancestors
were.
Conclusion
302
but
are
interested
are
their
in, from
of
range
would
in
as
that
Edith
about
it
is that
was
thinks
a
ghost.
chance
terrible
victim
have
are
caller is the
living revenge-ghost,
both
motions
coming
to
have
of
more
Likewise
if any
have
the
than
angels
with
of
of
under
of
excess
activities, retaining
with
souls
their
and,
angels
that
them
very
renders
for
is
charming
in
Mark
avidity
an
and
and
masculine
in
grow
aU
sorts
James
tastes.
cherub
for cold
youth
crowns,
engage
that
Twain's
and
and
harps
more
being
winged
individual
seraph,
Stephens's archangel,
cordial
democratic,
angels
rest,
to
higher
The
little for
care
mortals
little
be.
the
as
ghosts
hence
realistically mortal
are
They
to
gunning
goes
satire,
heaven
tastes.
fidgety
they used
vicar
naive
story
in
Wells's
are
of humor
sense
his
them.
only
now
Seraphs
men.
developed
G.
are
takes
sympathetically,
more
fellow-feelingfor
yet dead,
Modem
men,
wife
the
finally
like
them
knows
one
not
man
him.
emotions
regard
the
certain
that
who
with
away
and
interesting than
H.
spirit of
where
suit whom
gray
ghosts,
as
haunting
to
normal
so
Afterwards,
in the
It
applied
are
long afterwards
man
mysteriously
been
recognizes them
apparition
till
The
has
test
story
And
immeasurably.
widened
one
no
they
war.
specters
the
it is not
present
Modern
Wharton's
peculiar thing
house
often
everything
on
the
to
literacy
fiction.
in appearance
"
has
the
recent
views
socialism
interests
that
seem
ghosts in
forth
chatty, giving
very
chatty,
are
and
potatoes
Irish
companionship.
The
demons
influence
as
in
their
raised
to
the
modern
black, only
felt
at
pleasant
the
ghosts
the
leveling
same
and
least, that
mottled
gray
We
the
are
devil
angels.
the
thing is reversed, and
grade of humanity.
fiction,
a
the
case,
have
by
experienced
Only,
in
weU
they
coming
is not
like ourselves.
to
are
see,
really
Satan,
Conclusion
in Mark
Twain's
devil
is of
parting
no
comic
there
of
the
humanized
life.
forth
in
These
Another
natural
given
of
in Hawthorne's
wooden
image,
the
witch
Twain's
incident
The
The
Duchess
at
horror
that
sany's
jade
living
idol^
that
moor
to
in its presence,
has
peripatetic
statue.
Mountains,
of which
play
which
shows
an
Science
realize
to
'
The
has
the
of
one
in Edith
the
with
an
Wharton's
The
Otranto's
of the
is the
Greek
facts
and
Night
at
fiction
an
only
years,"
drama.
for startling situations

possibilities
ÎtiA
less
help-
men
in twenty
me
across
Gods
"It
says,
in the
revealing wonderful
four
and
Dun-
steps
thrill than
Dunsany's
to
Lord
or
on
intense
Harris
loathing
stony
vengeance
fatalityas
Mysterious Stranger.
Mark
destroys with
wore,
anything
meant
inexorable
is
Frank
that
in
god, remind
century
more
Lord
Satan
that
statue
comes
several
seen
Feathertop,
countenance
exact
mate
inani-
image, Browne's
life,then
gence
intelli-
changes its expression, shpwing
through
face
desolate
the
The
Prayer that
the
of
the
plants, and
is
scarecrow,
carelessness
so
in
seen
endowing
of
snow
clay figures
mythology.
from
is
feeling, and
idea
with
current
Finis.
author's
an
some
angels, and
personality
models, endues
its marble
on
and
ages
person-
a/continuing
motion,
The
vivified
makes.
novel
by
stories,as his
the
fine, casual
the
life
though
feel in
We
objects, machinery,
animals, in late literature.
times
of
sense
found
vampire,
fiction.
short
power
figures with
the
speed
to
I have
guest.
leveling influence
inanimate
to
cut
of the
aspect
than
more
be
willing
devils, witches,
ghosts,
Shaw's
stories,yet all these
modern
stories
real to
too
are
witch
of the
Bernard
of
or
young
namesake
name.
coming
werewolf
affable
an
courtesy,
the
comic
supernatural
recent
that
is
'
and
nephew
by
welcome
several
are
of
known
to
as
use
are
the
Chesterfieldian
the
be
to
best
personage
novel,
posthumous
fellow, claiming
303
Inn.
is
quick
in every
Conclusion
304
field.
So
diabolic
with
himian
with
immortality
fiction.
or
And
the
to
come
In
the
man's
thought
and
is
than
more
force
in
and
awful
as
wind
and
the
in
or
for
in
wait
of
the
of
evil.
where
Synge's
where
Moor,
Gothic
with
the
way.
The
aspects
been
raised
to
or
the
of
level
did
other
well
as
in
appearance,
hand,
plants,
plane
the
and
is
sea
vital
are
as
in
the
of
mortals,
for
or
This
strength.
in Maeterlinck's
as
terrible
in
Daughter
compelling
the
of
less effective
literature
recent
becoming
humanity,
character
phenomena
action, yet in
nature
foe, lying
The
Stramm's
associate
his
are
inanimate
access
of nature,
of
power.
makes
have
mortal
or
This
like
On
powers.
raised
angels,
made
objects, and
are
his supernatural
Ghosts,
humanized,
passions, and
phenomena
given
now
image.
own
devils, witches, werewolves,

man
lure
ously
vari-
elements
are
drama,
fiction,man
in
characters
to
as
evil, or
of
man's
the
is
moor
of
terrible
divine.
general, in modern
In
the
of the
moods
is shown
that
August
the
fiction
nature
else diabolic
in
or
man,
story
this
stresses
in
"
silent,invisible,yet dominant
is the
Death
and
"goblin trees"
from
well
as
"
resistless
all
to
Poe's
it is
setting,
the
steals
natural
super-
superior
in
characters
soil that
illustrated
where
force,
with
power,
of
power
his
far
mountain
the
on
vampire
be
may
other
bilities
impossi-
given
new
Egypt
where
or
the
flame
supernatural
in
of
any
given
Blackwood
where
uncanny
human.
maelstrom
Algernon
power,
is
force
of the
part of the
stories,as
all
new
The
a
make
sometimes
action.
to
significant class
is
"
interest
nature
gifted
sometimes
"
that
level
equal,
merely
in his
new
the
to
way
action.
presence
general,
them
same
becomes
inspire
pass
In
raise
to
add
"
machines
new
stories.
things,
well
as
craft
human
than
more
endowed
specimens, animals
botanical
the
animals,
to
the
as
human
leveling process
Conclusion
democratizes
make
the
them
The
in fiction
published
ably
is
volume
and
that
the
the
Elizabethan
tragedy, and
This
may
drama
of the
to
and
few
illustrate
on
the
by
Edward
earlier
time.
of
with
its
of
its
of
to
a
scope,
of them
extent
being
which
to
in
Locke,
alter
expel the
The
trates
only illus-
adaptability
to
in
in
from
the
is the
will
used
are
most
study,
laboratory
the
"
ments
experi-
girl,a chronothe
make
dramatic
setting
instance
of Dr.
dramatization
'
critics to be
by
Prince's
Morton
revolving mirrors,
course,
York,
New
is said
used
intruder
But
in the last
personality is represented
of Dr.
evil
dynograph,
plays
Jerome
In
This
Jekyll's
ego.
The
'
frequency
in the
ghostly motifs
play which
dramatization
kind, of
of the
and
melodrama
its
seen
the
Double
truly psychical.
seem
in
and
of the
its appearance
plays produced
psychological apparatus
where
tragic drama,
makes
tragedy.
sphere
its best.
assertion
the
decrease
of the
some
stage of to-day.
virtually a
in
use
of the
now
no
is at
thesis
of art.
most
the
associated
occult
extent
classic
Greek
tragedy
The
has
Tragedy,
frequently
make
far to
too
though
survey
years,
most
periods
widening
forms
brief
is
recently
His
of
present
effectiveness
varying
in
as
England.
in
age
where
going
comedy,
the
in
Whitmore,
is found
considerable
in
even
true
be
C.
and
drama
in the
subject, especially in the
with
yet it would
marked
Supernatural
supernatural
be
supernatural
in the
as
E.
The
on
the
are
Mr.
poetry.
treated
period
of interest
in literature
or
-to
equal.
revival
its appearance
tends
and
elements
supernatural
almost
present
305
"t
The
of
Charles
are
akin
Case
of Becky.
Servant
to
in the House.
the
Kennedy
Rann
old
mystery
and
plays
Jerome
in
that
K.
they
'
The
Disassociation
of a Personality.
"
The
Passing of the
Third
Floor
Back.
Conclusion
3o6
divinity
personate
influence
of
sinful
on
Edward
Milton
William
M.
Cohan.
and
does
Vida
play by
turns
on
of
dead.
faith
Others'
and
from
rescue
satirizes
such
Grimm,
do
for
their
belief
and
the
latter
the
is
war
stage
that
at
they
miracles
of
first-named
piece of
the
on
themes
danger, though
spirits,
while
realize
not
plays
George
with
ghosts
who
have
and
converse
four
in
occur
power,
Peter
shows
basis
the
as
Bjornson,"
Moody,
astonishing phantoms
once,
are
Sutton'
and
Thomas'
Supernatural healing,
of- divine
Return
Christly
of
hypnotism
denouement.
Another'
Belasco's
miracle
Augustus
introduce
Vaughan
s
the
hearts.
intervention
by
as
show
Royle^
complication
miraculous
and
play
Catholic
propaganda.
Magic,
forces
G.
Peter
changing
of
in
ancient
upon
an
myth
with
We
light from
of
supermortal
soul
as
Bernard
shows
the
us
Hauptmann
gives
Frankenstein
theme
The
Witching
The
Faith
The
Miracle
'
As
"
Peter
Pan.
The
Blue
The
M.
in
has
devil
Hour.
Eternal
Bird.
The
in his
used
Healer.
Man.
hamadryad
B.
been
visions
of
provoke
In
The
""
Beyond
'
Kingdom
Mystery, by George Jean Nathan,

' "
The
Land
"
The
Mermaid.
and
of Heart's
and
town,
heaven.
laughter
Unwritten
Their
' "
staged,"
home
'
senting
repre-
Yeats,
own
to
Spiritualist.
as
mirror.
even
Hannele's
is
Barrie, ' W.
mermaid
us
The
is built
Rhodes,
phantasies, such
contained
the
psychic
And
manner.
Harrison
novel,
other
legend, relating
and
while
distinctive
fairy plays by J.
Shaw
various
Japanese
other
have
and
and
blue.
to
green
Maurier's
Du
such
happen,
to
and
Maeterlinck,"
"
electric
supernatural
Benrimo
woman's
made
dramatization
delicate
Willow_ Tree, by
In
the
introduces
are
dream-supernaturaUsm,
effects
'
things
strange
Ibbetson, the
shows
The
Chesterton,
K.
whereby
the
as
by
Law.
Strength.
Come.
The
Rosary.
Desire.
Conclusion
mixed
with
thrills.'
man's
better
dream-drama,
naturalism.
Owen
angel,
shows
while
symbolic
of
piece
super-
been
already
have
plays
bolize
sym-
Magdalene,
Eternal
The
another
Davis"
Robert
and
Dunsany's
Lord
307
mentioned.
Yet
the
drama,
supernatural,
restricted
of
forms
in
and
fiction.
the
the
fiction.
ghostly
The
is
the
on
closet
their
does
not
limitation, for in effect it is almost
closet
akin
drama
makes
The
in
their
personce
white
to
girl he
loves.
"
of
persistenbes
Shadows,
a
Instances
'In
The
Any
Mail
Fast
stage), and
In
Blue
Last
so
is prose,
he
In
as
Dreiser's
Sphere,
(though
Power
trains
in
the
accepts
on
his
upHfted
Padraic
hand,
yields
of bread
for
short
plays
bring
and
of
have
the
birds,
As
gift,a
price
on
its
insists
who
wildly protests.
representation
fish, animals,
with
Raphael
includes
another,
the
ghostly
the
uses
the
in
stage,
symbolic
Physics, Nitrous
been
used
on
the
forth.
from
recent
Laugh, by
House.
is closer
than
goddess
pain he
Heaven.
of
troduce
in-
to
The
poetry
another
moon
human
impossible
creatures
and
Theodore
this
fiction
Archangel
the
fairies' power
the
himself
"
and
butterfly poises itself
flits toward
many
presences.
supernatural
soul, at which
suffering and
symbolic
Acid,
shows
bar
natural.
more
faun
giving the faun
through
"
the
miracles, while
dog, working
then
use
One
ways.
dramatis
on
of
ties
necessi-
under
as
literary playlet,so popular just now,
many
his
forms
occult
the
come
free
as
poetic form
in
usually
certain
to
which
is
but
more
place naturally
invisible
mystical, symbolic, and
the
inevitably
take
drama
it, is
of
popular,
stage
that
art
of
forms
aspects
psychic drania
presentation
of
Many
of the
revival
definite
illustratingvarious
than
and
appear
though showing
Paul
drama
German
Dickey
and
Charles
might
W.
be
Goddard.
given,
Conclusion
3o8
the
as
and
of
work
ill-starred
the
fallen
as
says
of the
world
the
be
and
wind
likewise
On
join in
dreadful
one
from
example
Old
beings
human
malicious
likeness
field of the
the
silhouetted.
manifold
Woe
unto
But
of
as
dead
dead
if
as
the
victorious!"
said, these
I have
fiction
is
subjects from
the
on
than
arise, and
dramatic
way
be
presented
truly of the province

a
jeweled
such
as
agencies
Sancla
beauty
and
the
on
may
be
Susanna.
"
In
'
King-Hunger.
than
effects
stressed
instance,
and
'
are
judged
For
the
and
choice
which
could
of
as
come!
impossible
drama.
which
used
are
seen
dull, distant,
is the
stage, but
melody
invisibility,for
they
over
is
heard, "We
its range
in
of poetry,
a
standards.
supernatural
suggestive, symbolic, mystic

any
that
so
infinitely freer
the
is
tinuous
con-
remote
Death
literarydramas,
are
stage,
the
slain, but
figure of
underground,
murmur,
literary rather
part
the
only
are
men
motionless
the
But
presentation
bearing
starving
The
Death, and
distorted, "one
and
monstrosity
man."
to
mentioned
be
principal actors, while
the
are
arise
enemies.
their
King-Hunger,
all deformed
are
against
of
and
dead
the
striking play-' might
Bell-Ringer,
time
cludes
in-
He
nature
of death
the Russian.
of
waves
Hauptmann^
of
forces
of hate
chant
Andreyev's
Leonid
Carl
Blossoms.
battlefield
the
the
to
Spider, Nightingales,
elemental
the
super-nature.
an
and
in
of earth."
flames
characters'
Wind,
shows
in
beauty
these
believed
passions
human
Literary
all the
felt behind
and
has
revolution
article in the
passions
water,
his
MoonHght,
as
and
light
among
to
of
projections
Brooke
Rupert
Irish
An
"he
its elemental
like
the
war.
that
of Stramm
Digest
of
poets
to the
sacrifice
who
Stramm,
August
most
of
The
more
that
various
analyzed
in
fiction
Are
Singing.
The
Dead
has
Elements
poetry.
and
In
in
not
are
in prose
by
occult
as
Conclusion
would
be
between
impossible
insanity
shown
as
the
be
thus
the
in the
forces
of
better
stage
they
seen
weird
novel
the
imaged
the
story,
How
could
citizens
in the
of
which
heavens?
be
Likewise
it
popular
be
said
vehicle
for
might
present
the
on
the
fiction
varied
more
dramatic,
as
that
current
literature
and
with
and
Bible
are
the
'
'
or
in Marie
cardinal
The
Second
finds
Coming.
in
the
the
doubtedly
un-
English literature.
which
rising tide
The
all
drama,
affords
literary forms,
in the
epics
few
short
itself in countless
story
in
ways
inviting lines of investigationsuggest

to
various
aspects
especially related
as
used,
is introduced
Christ
novel,
often
of
lyric poetry, with
interesting field for research.
an
offers
expression
itself in
manifests
reference
supernatural
The
shows
art
full presentation
achieved,
be
form, that
in the standard
It
themselves
best
the
fiction
for effectiveness.
narrative,
novel.
in the
as
in
playlet as
in the
the
chances
unearthly
of the
"
is likewise
looming
stage.
reviving supernaturaHsm
And
his
as
Devil
can
or
Invasions.
in fiction
supernaturaHsm
be
novel
in the
instance,
his Giant
or
ence,
influ-
not
Psychic
or
thus
delicate
could
action, for
impossible
conclusion,
most
such
scientific
would
that
Elementals
if
with
suggested
on
meant
are
impressive
most
can
seen
and
represented
turning into witch-cats
mightily
In
be
may
stage
one
be
can
be
they
Banquo,
presences
Blackwood's
as
like
drama,
agencies
to
if
tively
effec-
more
in the
need
effect, even
they
boards
much
incalculable
Ghosts
relation
close
story than
corporeal for the
too
in fiction
on
the
best
Supernatural
reserve.
be
can
short
or
The
stage.
apparitions"
are
while
the
mystery,
have
to
the
emphasized.
"selective
as
and
on
309
as
in
in other
CorelU's
the
Lew
The
satire
child
'
The
and
on
Master
from
Ben
places,
Hur,
as
Episcopacy,
outside
study.
religion offers
miracles
Wallace's
times
Christ
to
of its
the
Christian,
the
^
the
and
war
where
cathedral.
Conclusion
310
The
than
more
of
experience
Two
to
the
in
Howells.
in
One
might
ghostly
well
as
being
to
rather
than
help
to
phase
late
as
in
supernatural
of
modem
plots
by
of
on
George
William
aspect
the
out
or
Dean
the
subject
drama,
present
complete.
It
and
fiction
is
shall
interest
literature
and
in
lead
others
and
of
be
gratified
to
the
sions
preten-
no
significant
festations
mani-
treatment
to
be
the
melodrama
makes
meant
its
study
including
This
of
appearances
might
one
English
further
our
by
this
trace
tragedy.
exhaustive,
arouse
God,
poetry,
the
their
'
modem
in
fiction.
Kerith,
Brook
on
profitably
in
comedy
touched
article.
previous
The
forth,
so
modern
base
importance
Leather-wood
have
in
the
prayer,
and
miracles,
extent
religion.
The
and
Moore,
of
to
answers
spiritual
novels
miraculous
as
considerable
recent
very
elements,
conversion,
present
are
mortal
suggestive
if
and
pursue
it
may
vital
the
investigations.
"
and
"Religion
Expositor.
in
Recent
American
Novels,"
in
the
January,
1914,
Review
INDEX
Anti-Jacobin, The,
Any House, 307
Apuleius, Lucius,
Accusing Spirit,The, 21
Address
to the De'il,An,
131
^sop, Fables, 231
Affair of Dishonor, An, gi
Afterwards, 102, 202
Afterwards, 302
Aliasuerus, 176
Ahrinziman, 88, 183, 213
Aids
to
Gothic
Ainsworth,
Eflfect,36
H., 181
W.
Amazonian
Applier, Arthur,
Jungles, A,
Arabian
Amos
Judd,
40,
Amphitryton,
Amyous
217
257
122
21
Sorceries, 65, 105,
124,
153,
194
Andersen,
176, 233
The
Hans
Little
"Christian,
Mermaid,
155,
Lester,
Strange
the Phcenician,
ofPhra,
188
Matthew:
Forsaken
Merman,The,
155,233
Neckan, The, 155

Arrest, An, 85
and
Gorlogon, 30
Hound,
Mervyn, 35
Artist of the Beautiful, The, 287
Astral
Bridegroom, An, 207
At the End
of the Passage, 120
At the Gate, 201, 291
Auerbach,
Berthold, 176
Austen, Jane, 47, 49
Northanger Abbey, 47, 51
ing
Austin, Alfred, Peter Rugg, the MissMan,
189
Austin, M. H., Readiustment, 107
Avengers, The, 56
Ayesha, 183, 193
Bacon, Josephine Daskam,

Children, The, 289
94
Heritage, The, 94
Miracle, The, 254
Strange
The, 254,
Cases
of Dr. Stanchion,
299
Unburied, The, 66, 301

Warning, The, 276
Bahr-geist, The, 115, 225
Castle, 34
Little Heath
122
176,
Andreyev, Leomdas, 69
King-Hunger, 308
Red
Laugh, The, 69
Silence,293
Angel Island, 294
Angel Message, An, 207
Ankerwich
24
Beiden
Die
155,
233
Another
The,
Arnold,
252
8 et seq.
Monitor,
von,
Edwin
Adventures
the
Arthur
and
Oswyth,. 9,
the Invisible
Achim
Arthur
Celestine, 63
Anansi
Stories, 232
Ancient
Legends and Superstitionsof
Ireland, 229
Ancient
Records
the Abbey
or
of St.
Ancient
Gothic,
Ariel, or
Arnold,
of
168
Amim,
Waldemar,
et seq.
Vendetta
Nights' Tales,
Architecture,
Myths'2j,2
Tortoise
Metamorphoses,
145
Albigenses, The, 9, 11, 94, 168, 288

Aldrich, Thomas
Bailey, 63
Miss
Mehitabel's
Son, 68, 85,
287
Plre
Date
Antoine's
Palm,
63
Queen of Sheba, The, 122
Amboyna, 41
Amiei, Priedrich, 144
the Immortals,
Among
51
290
31
Index
312
Bierce, Ambrose,
de, 182
Elixir
of Life, The, 60
Magic Skin, The, 60
Balzac, Honors
Masterpiece, The,
Unknown
Kendrick,
Bangs, John
112,
Typewriter,
Enchanted
207, 286
House-boat
Arrest, An, 85
Damned
Thing, The, 61, 92
Death
Frazer, The,
of Halpin
60
293
of
the
Middle
Styx, The,
the House-boat,
The, 61, 92
Mysterious
The,
The, 197
The, 255
Christmas
Story, 121
and
Others, The,
Water-Ghost
112
The,
Stories
Bardic
"
Disappearances, 2^9
Creek Bridge,
at Owl
Two
Military Executions,
Vine
on
16
A, 90
the House,
Birthmark, The, 185,
243
S., 181
Eve, 246
Letters from
Right Foot,
the
34
Barker, Elsa, 206,

a
207
Living Dead
Man,
Letters
from
Living
Dead
270
Bisclaveret, 30, 168

Bisland, Elizabeth, The Case of John
Smith, 21$
Bjomson,
Bjomstjerne, 306
207
War
170,
Biology, Supernatural, 270

Biology, Supernatural in Gothicism,
99
of Ireland,
Baring-Gould,
"
The,
The, 275
Heroine,
the Lens,
on
of
Toe
Occurrence
Thurlow's
Banshee,
the Panther,
of
Eyes
271
on
112, 187, 216

Rebellious
Speck
192
no,
The,
112,216
Pursuit
300
290,
Reconcilie, 59
Melmoth
116,
61, 109,
53,
Black
Beyond Their
Magic, 146
Strength, 306
Monk,
The, 69
Patch, The, 255
R. D., Lorna
Doone, 226
Blackmore,
Blackwood,
Algernon,
68, 76, 79,
85. 96, los, 166, 171, 235, 273,
285, 287, 300, 304, 309
Ancient
Sorceries, 65, 124, 153,
Bla^k
Man, 206, 292

Barker, Granville, 123,
198
Souls
Fifth, 123, 198, 215
on
Stannard, 8, 49
Barrett, Eaton
Heroine, The, 49, 50
Barrie, J. M., 240
Little White
Bird, The, 240
Peter Pan, 240, 306
Baynim, John, 246
Baynim, Michael, 246
Beckford, WiUiam,
17
Vathek, 8, 17, 22, 25, 29, 33, 37,
Black
194
of the Dog, The, 170

Clairvoyance, 289
Empty House, The, 98, 117
Glamour
The,
Snow,
of the
Camp
70
231
Beddoes,
Lovell, 53, 297

Jest Book, 53, 115, 297
Thomas
Death's
Beetle, The, 290

Return
of Peter
Belasco, David,
Grimm,
The, 201, 298
Beleaguered City, The, 211
Bellamy, Edward, 189
189, 262
Looking Backward,
Belled Buzzard,
The, 296
with
the
Rose, Man
Benet, William
218
Pigeons, The,
Ben
Hur, 309
Bennett, Arnold, Ghost, The, 117
Beowulf,
281
Berenice, 62
Besant,
Walter,
Island, 4, 114
Fire, The, 231
Human
Chord, The, 275
Jules Le
Vallon, 194
Keeping His Promise, 98
Man
from the Gods, The,
Haunted
Heath
"
'"
Man
Whom
The, 230,
Loved,
of the Fire, A, 98
Clothes, 124, 194
Psychic Invasion, A, loS
Regeneration
Ernie,
of Lord
The, 230
Return, The, 123, 198
Old
Gate, The,
Sea
230
Fit, The, 230
Secret
Worship,
Temptation of
122
Betrothed, The, 225

Beyond Their Strength,306
Trees
272
Nemesis
Sand,
Ivory
the
121
231
105,
117,
the
Clay,
137
The,
Index
(Continued)
Blackwood, Algernon
Terror
of
The, 122,
the Twins,
Lay
148
of
Transfer, The, 164
Wave, The,
Brushwood
With
Intent
Bleek, W.
H.
South
194
Steal,62, 117
to
the
I., Reynard,
Fox,
Africa, 232
Blind, The, 64, 298

Blithedale
The, 188, 199
Romance,
Blue-Bird, The, 64, 278, 280, 306
Blue Roses, 268
Blue Sphere, The, 208, 278
and
Host
Mine
Blythe, James,
the
The, 124
272
et
seq.
Gordon, 65, 153, 285

by Night, The, 65, 238
Riding to Lithend, 152
and
Bowmen
Others, The, 204, 258,
Crier
282
Brand, 65
Brandes, Georg,
Personality, 122
Brentano, Die Mehreren
Wuthering Heights, 86,

Brook
Kerith, The, 31c
Brooke, Rupert, 308
In
226
283
Proceedings of the
Research
Society, 281,
loi,
211
and
There, loi, 107

Tryst, The, 126, 211
Charles
Brockden, 35
Brown,
Mervyn,
Edgar Huntley,
Arthur
35
39
Wieland, 35, 39
Brownie
of Bodbeck, The, 26, 38
Browning,
Drama
Elizabeth
No
Strange Land, 96,
No
212
Lord:
Cain, 136
Giaour, The, 160
and
Heaven
Earth,
Vision
of Judgment,
and
Certain
Here
Ain't
Parker, Dey
221
4,
134
The, 38
of Lammermoor,
Brieux, Eugene, 252
Brissot's
Ghost, 89
86
Emily,
Bronte,
Psychical
283
Alice,
Brown,
Ellis
Butler, Samuel, 262

Erewhon, 262
of Paradise, 83
By the Waters
122
On
213
Ghosts, 128
Butler, Katherine,
Wehmiiller,
Bride
Failure, 222
Heaven, 221,
Haunted,
the
291
Byron,
122
Reduplication
Romantic
Bunyan, John,
Burger, 56
Butler,
The, 70
Imp,
Bottomley,
Bottle
Christmas
Lenore, 56
Prances
Hodgson, White
Biumett,
People, The, 203, 298
Robert, 232
Bums,
Address
131
to the De'il, An,
Tarn
O'Shanter, 156
Miss, Shropshire Folk-tales,
Bums,
Another, 156
Bonhote, Mrs., 20
Bungay Castle,20, 45
Book
of the Serpent, 292
Book
of Wonder, The, 245
Supernatural,
and
Haunters
Witch, 148
Bon, 95, 141
Bones, Sanders, and
Botany,
69
The, 195
Well Road, 138
Bubble
Robert, 177
Buchanan,
Jew, a
Wandering
Carol, The, 177, i8o
Boy,
The, 60, 78, 188, 299

Strange Story, A, 90, 182
Bungay Castle, 20, 45
Bon
Borderland,
The,
Rosary,
the Brown
Browning, Robert, 69
Sludge, the Medium,
192
in
313
Barrett, 148
of Exile, A,
133
Cable, George W., 226

Calderon, 27, 133
El Embozado,
119
El Magico
Prodigioso, 100,
Camp of the Dog, The, 170
Campbell-Praed, Mrs., 207
Nyria, 207
Captain Stormfield'sVisit
Extracts
from, 201, 217
Car ofPhcebus, The, 207
Carmen
Sylva, 176, 233
Case
of Becky,
to
143
Heaven,
The, 305
of John Smith, The, 215

Castle of Caithness, The, 20
Castle of Otranto, The, 4, 8, 16,
Case
31. 36. 40. 52. loi

Castle of Wolfenbach, The, 48
Castle
Specter, The,
53
Celestial Grocery, The, 265, 300
25,
Index
314
Yankee
King Arthur's
Celestial Railroad, The, 213,
Connecticut
Celtic
Court, A, 189, 262, 286

Converse, P., 93
265, 300
Revival, The, 227
Celtic Twilight, The, 239
Robert
W., 87, 290, 296
Chambers,
The
Messenger,
88
Chamisso,
59, 176
Erscheinung, 122
Chansons
de Gestes, 7
Chaucer, Geoffrey, 87, 140, 217
Friar's
Tale, The, 140
Chemistry, Supernatural, 267
Cher, Marieri97
Immortal
Gymnasts,
The, 197
Chesterton, G. K., 306
Magic, 306
Children, The, 289
Children
of the Mist, The, 226
Christabel, 148, 238
Clairvoyance, 289
Clara
MiUtch, 68, 162
Clark, Rev.
T., Wandering
Jew, or
the
Travels
of Bareach,
the
longed,
Pro-
The, 178
Clarke, Laurence, 94
Grey Guest, The, 94, 282
Clermont, 48
Cloak, The, 68
Closed
Cabinet, The, 107
Cobb,
Irvin, Belled
Buzzard, The,
296
Cobb, Palmer, Influence of E.T.A.
Hoffmann
Edgar
on
Allan
Co-operativeGhosts, 93, 98
Conway, Hugh, 103
Our
Last .Walk, 103
Conway, M. D., 180
Cooper, J. Fenimore, 226
Co-operative Ghosts, 93, 98
Corbin, John,
Corelli, Marie:
76
Master
Christian, The, 309
Romance
of Two Worlds, A,
of Satan, The, 136,
Sorrows
Roderick's
Count
Times,
Castle,
213
144
Gothic
at
20
Countess
Cathleen, 65, 143

Shadd, The, 152
Courting of Dinah
Coward, The, 61
Charles
Craddock,
Egbert, 83, 104,
226
His
Unquiet Ghost, 83
P.
Marion,
Crawford,
68, 94,
37,
109, 116, 117
Among the Immortals, 217
By the Waters
of Paradise, 83
Detid Smile, The, 70, 109
Doll's
Ghost, A, 98
For the Blood Is the Life,62, 78,
162
Khaled,
Foe,
62, 70, 147
Overboard,
Man
97
Mr.
The, 58
Cocotte,61
Coffin Merchant,
Isaacs, 37, 71
Skull, The,
Screaming
The, 254
Cohan, George M., 306
Miracle
Man,
The, 306
Taylor, 65, 118
Coleridge, Samuel
Christabel, 148, 238
Wanderings of Cain, The, 118
Collins,Wilkie, 78
Dream
Woman,
The, 78
Ghost
Touch, The, 103
Haunted
Hotel, The, 89, 100
Qtieen of Hearts, The, 107, 113
Collins,William, Ode on the Popular

Superstitionsof the Highlands, 74
Collison-Morley, Lacy, 202
Greek
and Roman
Ghost Stories,
202
Comer, Cornelia
Ghost, The, 118
Comus, 7, 148
Confessions of a
A.
P.,
Little
English Opium-
100
of Prague, The,
149,
195,
266
Crawford,
Her
Hour
Hope, Ida Lomond

of Vision, 207
and
Creation, 277
Crier by Night, The, 65, 238
Crock
of Gold, The, 241, 246
Croly, George,
179
Till I
Salathiel, or Tarry Thou
Come, 179
Crystal Egg, The, 263
Cuchulain
of Muirthemne,
243
Culex, 290
H., Patience
Curran, Mrs.
John
Worth,
of
153
Curse
'
an
Berth, The,
Upper
Witch
Curse
Justified Sinner,
60, 89,
92
Grey
29
Confessions of
Eater, 268
at
of
197, 207
the Cashmere
the
Fires
and
Shawl,
the
The,
Shadows,
The, 154
Curse
of the Wandering
Curtin, Jeremiah, 244
Jew, The, 177
Index
Curtis,George William,
Prue
and
315
On
258
121,
the
Knocking
at
in
the Gate
Macbeth, 295
I, 121, 258
into the Maelstrom,
Descent
D
The, 231,
253
Devil, The, 138
Dacre, Mrs., 10,

Zofloya, 10,
"38,
53.
Damned
Danby,
Daniel
17, 28, 33,
35,
Thing, The, 61, 92

Frank, Twilight,268
the Devil, 141
D'Annunzio,
Gabriel, 66
Daughter of Jorio, The, 67,
La
37.
154.251
and
Cittd, Morta,
Sogno
d'un
Dickey, Paul,
66, 298
di Prima-
Mattino
Sogno
Dante,
27,
d'Au-
Tramonto
133,
144,
209,
One, The,
Charles, 73, 251
215
Vera, the
Harding,
Die
Die
Adventure, The, 248

BulHvant, 185
Dr. Faustus, 15, 143
Dr. Heidigger's Experiment,
184, 252
Dr. Jekyll and
Mr.
Hyde, 120, 268,
Dr.
305
The, 267
Romance,
The, 183, 184
Doll's Ghost, A, 98
Door
in the Wall, The, 258
City, The, 298
Ship of Harpswell, The, 187
Dead
no,
192
Death's
Jest Book, 53, 115, 297

Defoe, Daniel, 205
Veal, 205
Apparition of Mrs.
History of Duncan
Campbell,
The, 225
Demi-gods,
242
Demi-gods, The, 219, 221
Daemonic
Spirits,158 et seg.
Dffimonology, Gothic, 33
William
Frend,
The, 291
Dolliver
Dead
The,
Harvey,
Doings of RafflesHaw,
Dead
Smile, The, 70, 109

Deakin, Lumley, 146
Red
Debts, 146
Death
of Hatpin Frazer,
of a Personality, The,
305
Divine
Dog
Day of My Death, The, 199

Days of the Comet, The, 264
Dead
Are
Singing, The, 282
Morgan,
House, The, 171

The, 1 14
Beiden
122
Waldemar,
Brant
Corinth, 162
von
Mehreren
122
Wehmutler,
Disassociation
155
Darwin,
Darwin, Erasmus, 14
Daughter of Jorio, The, 67, 149
Daughter of the Moor, The, 304
and
Davis,
Robert,
Owen,
Any
Doppelganger, 57, 119

Doppelgdnger, The, 122
Dorset, St. John, 159
Vampire,
The, 159
Personality, 305
Doyle, A. Conan, 79
Doings of Raffles Haw,
Double
Hound
Affair of Dishonor, An, 91

Likely Story, A, 287
Quincey, Thomas
Avengers, The, 56
English
Confessions of an
Opitlm-Eater, 268
Dream
Fugue, 15
Klosterheim, 56
The, 267
of the Baskervilles,
The,
290
Amigos
Los
Fiasco, The,
187,
270
No.
Lot
Secret
40,
62
of Goresthorpe Grange,
The, 79
Silver
Terror
92,
283
De
Haunted
Die
Nameless
House, 307
Davis, Richard
Medium,
200
The, 307
Charles:
Signal Man,
d'un
130,
307
Laugh,
Dickens,
tunno, 67, 152
De
Last
149
67, 300
vera,
Dark
and His Allies,The, 130 et seq.

Devil, Gothic, The, 27 et seq.
Devil and
Tom
Walker, The, 140
Devil in the Belfry, The, 141
Dey Ain't No Ghosts, 128
Diamond
Lens, The, 274
Devil
77
272
Dracula
Dream,
Dream
Dream
Mirror, The,
of Blue John
259
Gap, The,
^.^
7S^m, 188,,301
1 ke,VS
Fugue, 15
of the Japanese
Gown
sador,
Ambas-
The, 79
Dream
Dream
Dream
of Armageddon, A, 196,
of Provence, A, 293
The, 78
Woman,
262
Index
3i6
Dreams,
13, 77
Dreiser, Theodore:
Bltte Sphere, The, 208, 278
In the Dark, 208
Laughing Gas, 278
the
and
Plays of the Natural
Supernatural,
Spring Recital,A,
Dromgoole, Will Allen,
John, 41
Dryden,
208
Le
Vampire,
Eternal
159
Trilby, 267
Aldis, 244
Dunbar,
Olivia
Howard, 85
Dunbar,
Shell of Sense, The, 85, 212
Lord, 52, 63, 235, 243,
Dunsany,
244, 247, 249, 285, 292, 300
Book
The, 245
of Wonder,
Glittering Gate, The, 221, 222
Gods
of Pegana, The, 245
Gods
of the Mountain, The, 244,
303
Night
at
Time
and
Inn, A, 244,
an
the Gods,
303
245
Usury, 198
When
the Gods
Slept, 63, 74
Edgar Huntley, 39
Edwards, .Amelia, 86
Four-fifteen Express, The, 86
Eel-King, The, 233
Eighty-third,The, 61, 281
El Embozado,
119
Elementals, 300
Eleonora, 103
Eliot, George, 167, 257
Lifted Veil, The, 157
EUxilre
des Teufels, 57
Elixir of Life, The, 35, 182 et seq.
Elixir
of Life, The, 60
Elixir
of Youth, The, 186
Elizabethan
Drama,
The, 139
El
Prodigioso,
Mamco
Venner,
100,
143
170
Elves, 247
Emperor
Empty
Magdalen,
Curse
of
The, 177
Eve, 246
Evil Eye, The, 152
Exchange, The, 153,
from
Extract
and
House,
Galilean, 42,
The, 98, 117
66
Fits-
Jew,
156, 197
Stormfield's
Captain
An,
Eyes, The, 297

Eyes of the Panther,
Fable
of
Wandering
the
Visit to Heaven,
300
286
122
The, 27
Mystery, The, 306
House
the
or
Ethelwina,
Auburne, 25
A. 177
Eubule-Evans,
226
George:
DuMaurier,
Martian, The, 196, 207, 264
Peter
Ibbetson, 186, 196, 206,
Elsie
Erewhon, 262
Ersckeinung,
Eternal
Amboyna,
41
The, 121, 303
at Prayer,
Duchess
The,
Malfi,,
8, 166
of
Pfere, 159
Alexandre,
Dumas,
207,
62
Erckmann-Chatrian,
Invisible Eye, The, 62
Owl's
Ear, The, 62
Waters
of Death, The, 62
208
Duchess
Typewriter,The,
Enchanted
217
The,
170,
271
for Critics,A, 57
Fables, 2^1
Facts
in
the
Case
of
M.
Waldemar,
266
Queene, The, 7
Failure, 22
Fair God, The, 246
Fairies
of Pesth, The, 240
Fairy Faith in Celtic Countries, 237
Fairy, The, 239 et seq.
Faith Healer, The, 306
Fall of the House
of Usher, The, 295
Melody, A, 97
Faraway
Faust, 143, 175
Feathertop, 152, 156
with the
Penn,
George
M., Man
Shadow,
The, 122
Fiction
of the Irish Celts, 243
Field, Eugene, 141
Daniel
and
the Devil, 141
Eel-King, The, 233
Holy Cross, The, 181
Moon
Lady, The, 233
Mother
in Paradise,
The, 213
Pagan Seal-wife, The, 233
Werewolf, The, 169, 172
Finch, Lucine, Butterfly,The, 307
in the Moon,
First Men
The, 264
and
His
Fisherman
Soul, The, 134,
153. 236
Faerie
Fisk, Isabel Howe, 290

Flaireurs,64
Flower
of Silence, The, 273
Index
Fiowering of the Strange Orchid, The,

62, 164, 273
Flying Dutchman, The, 187

Pogazzaro, Antonio, 66
Ghost Moth, The, 290

Ghost
Brimpson,
of Miser
The, 83
Ghosts,
Augusta,
57,
Ghost
59
57
Four-fifteenExpress, The, 86
Dimension, The, 256
Fox, John, Jr., 226
France, Anatole, 63
Amyous and Celestine,63
Foiirth
Isle of the Penguins,
"
Revolt
of
the
The, 63
Angels, The,
220
ScholasHcus, 63
Frankenstein,
17,
14,
34
Franklin," Andrew,
"
at Point
of Rock, The, 83
Ghost-children, 287 et seq.
Ghost
Putois, 63
Undine,
Ghost, The, 60
Juggler of Notre Dame, The, 63

Mass
of Shadows, The, 63
Henri
176
Jew, The, 176
Wilkins, 78
Wandering
Freeman,
Mary
Melody, 97
Faraway
Hall
The, 79, 260
Bedroom,
the Wall, The, 78,
Shadows
on
104,
99,
226
Gothic,
Tyranny
of
Market, 148
Charles
of Ghosts,
Garments
The,
92
Gods,
200
The,
200
Gods
Gods
et seq.
242
and
Fighting Men, 244

of Pegana, 245
of the Mountains, The,
Gaston
Gods
Gates
Godwin,
de Blondeville,19
Ajar, The, 210
Gates Between, The, 210
Gates
Beyond, The, 210
Gautier, Th6ophile, 62
Morte
La
Amoreuse, 62, 163
Foot, The, 62
Mummy's
Romance
of the Mummy,
The,
William
Heaven,
German
244,
303
William, 35, 182

St. Leon, 35, 36
162
Goethe,
133,
Die
Braut
von
Faust, 143,
Gogol, 68
Cloak, The,
Corinth,
162
"
175
68
Gothic
62
General
W., 307
The, 307
Laugh,
Last
200
the Dark,
seq.
Gnoles, 247
Gnomes,
347
Goblin
World,
Shadow
et
Ghouls, 158
Giaour, The, 160
Gigantism, 36
Gilmore, Inez Haynes, 294
Angel Island, 294
Glamour
of the Snow, The, 231
Glanville, Joseph, 191
Third, The,
Glasgow, Ellen, Shadowy
Goddard,
"
et seq.
81
The, 157
of Supreme Moments,
GlitteringGate, The, 221, 222
of Hosier's
Glover, Richard, Ballad
Ghost, 89
Hamlin, 69, 76,
18
Ghosts, Modem,
203
Glass
Freud, 79
Friar's
Tale, The, 140
Fu Manchu
Stones,
Furnished
The, 60, loi
Room,
of the, 256
Future, Magic Views
Garland,
61,
Eighty-Third, The, 61, 281

Louquier's Third Act, 61
On the Stairs,83, 114, 122
of the White Tiger, 291

Ghost
Ship, The, ill, 293
Ghost
of Futurity, 1 14
of Jack, The, no
Ghost
Ghost
Touch, The, loi, 103
Ghostly Doubles, 119
Ghostly Odor, 100
Ghostly Perfume, loi
Ghostly Psychology, 106
Ghostly Sounds, 97 et seq.
FouquS,
'"
H., 202
Gerould, Gordon
The, 202
Dead,
Grateful
FuUerton,
Katherine
Gerould,
71, 104
Saint, The, 66
Sinner, The, 66
Woman,
The, 66, 194, 300
Folk-lore, 73
L., 266
Ford, James
Forest Lovers, 149
Forsaken
Merman,
The, 155, 233
Is the Life, 62, 78, 162
For the Blood
"
317
Booth
Enters
et seq.
Romance,
Granville, Charles, 179
Plaint
217
Romanticism,
into
67
The, 179
of the Wandering
Jew,
Index
3i8
God
Great
Stone
Greek
and
144,
121,
213
Stories,
Ghost
Roman
Heaven,
in
Lovers
The, 247
of Sardis, The, 262
Pan,
Great
Nathaniel:
Hawthorne,
of the Beautiful, The, 287
Artist
202
The, 185, 270

The,
Romance,
Birthmark,
Gregory the Great, Dialogues, 202

Gregory, Lady, 229, 234, 237, 240,
Blithedale
188,
199
285
and
Gods
Grey Guest, The, 94,
Dr.
184, 252
282
49
Mysteries,
of Seven Gables, The, 158

Howe's
Masquerade, 122
IntelligenceOffice, The, 265
House
Main
Marble
Pictures, 121
Rappacini's Daughter, 252, 272
Scarlet
Select
P., Spider's Eye, The^
Hale, Lucretia
62, 274
The, 79, 260
Hall Bedroom,
Hall of Eblis, The, 8
Hamlet, 18, 118, 144
The, 61
Hand,
Hannele, 218
Prince,
Hardy,
Thomas:
Return
Tess
Virtuoso's
Young
Heam,
Tree, 150
The, 225
the Greenwood
Brown,
151
Lafcadio, i, 77
I,
Interpretations of Literature,
Ftre, The, 231

283
221,
and
Earth, 221
Heaven
Heijermans, 176
Hellas, 176
Henry, O., Furnished
Arm,
Sociable
Ghost, The,
60,
III
Harris, Joel Chandler, 74, 226

Remus
Tales, 232,
Uncle
Amazonian
Charles
F.,
Hart,
Myths, 232
Hartley, Randolph,
Black
235
toise
Tor-
Patch,
The, 25s
Haunted
Hotel, The, 89, 100
Haunted
House, The, 171
Haunted
Island, A, ii\
Haunted
Subalterns, The, 138
the Haunted, The, 60,
and
Haunters
78, 188, 299
Carl, 282
Singing, The,
282
Gerhardt
:
Hauptmann,
Hannele, 218
Sunken
Bell, The, 158
Hawkesworth, John, 70, 190
Transmigration of a Soul, 190
Hawthorne, Julian, 121
Room,
The,
lOI
There, loi,
Heretic, The, 207
Heritage, The, 94
Here
Are
Collection, A,tj8
Goodman
Heaven,
Harper, Olive,
Dead
150,
143,
77
Heath
The, 238
Withered
Hauptmann,
Fdton,
Septimius
of the Native, The, 150

143
of the D' Urhervilles,
Under
Letter, The, 152

Party, A, 178
183, 252
286
Happy
Street, 152
Faun, The, 57
Prophetic
193
Ayesha, 183, 193

She, 183
Pfaal,
156
Feathertop, 152,
Mannering,. 150
Gypsy Christ, The, 181
Hans
183,
184
49
Guy
Hag, The, 148

Haggard, Rider, 183,
The,
Romance,
DoUiver
Grosse, Marquis,
Horrid
Railroad, The, 213

Heidigger's Experiment,
Celestial
243
of Muirthemne,
Fighting Men, 243
Cuchulain
and
Herodotus,
Heroes, 242
Heroine,
107
166
The, 49, 50
Herrick, Robert, Hag, The, 148

Hewlett, Maurice, Forest Lovers, 149
Heywood, Eliza, Lasselia,42
His
Unquiet Ghost, 83
Campbell, The,
History of Duncan
255
History of Jack Smith, or the CasUe

of St. Donats, 20
Hoax
Ghosts, 82
Hodder, Reginald, Vampire, The,
68, 163
Hoffmann, David,
Hoffmann,
182,
190,
E.
T.
181
A.,
199
Doppelgdnger,58
51,
59,
69,
Index
Hoffman,
E.
T. A.
Elixiire
des
(Continued)
Teufels, 58
Kater
Murr, 58
Magnetizeur, 58
Hogg, James:
Brownie
of Bodbeck, 26, 38
Confessions
of a
Justified
Sinner, 29
Hunt
bfEildon, The, 26,
27, 30,
319
Strange Land, 96,
In
No
In
the Dark,
In
the House
of Suddoo, 146
Inferno, 144
Insanity and
the
Supernatural, 69,
299
Insanity in Gothic Fiction, 35

IntelligenceOffice,The, 265
Interior,64
et seq.
Interpretations of Literature, i, 77
32
of Fife, The, 148

Wool-gatherer, The,
23,
Witch
Intricate
29,
30.32
Holmes,
Oliver
Elsie
Wendell,
Ven-
170
ner,
Holy Cross, The, 181

Horrid
Mysteries, 49
Horsley-Curties, T. J., 9
Ancient
Records
St. Oswyth,
or
House
Abbey of
and
269
95,
62
Tom
no,
226
Walkei, The,
Van
Winkle,
246
Specter Bridegroom,
The,
83,
no
290
the Alhambra,
226
Moreau,
The, 271
Isle of the Penguins, The, 63
Italian, The, 48
Ivan, the Fool, 68, 138, 144
Ivory Gate, The, 122
In the Track
of the Wandering Jew,
178
Tales
Island
Gables, The, 158

Dean, 76
Leatherwood
God, The, 310
William
Country,
89
Rip
the Styx, The, 112, 216
Undiscovered
The,
Eye, The,
Irving, Washington,
of
of Seven
Howells,
Man,
Invisible
Specters,
Legend of Sleepy Hollow, The,
the
9, 12, 21, 32, 42,43

the House
or
on
119
Invisible
140
Fitz-Auburne, 25, 38
Hound
of the Baskervilles, The,
Hound
of Heaven, The, 283
House
of Judgment, The, 214
House
of Souls, The, 271
House-boat
of
Personality
Devil
Ethelwina,
of
of Dr.
The,
267
200,
Howe's
Masquerade,
Human,
122
Jacobs,
Chord, The, 275
Personality, 202
Human
Humorous
Ghosts, no
Leigh, 105
Hunt
ofEildon, The, 26, 27, 30, 32
Henry, 73, 252
Huxley, Thomas
Dr., Paudeen
O'Kelley and
Hyde,
the Weasel, 237
Hunt,
W.
W., Monkey's Paw, The,
98, 253
James, Henry:
Jolly Corner, The, 122
Turn
of the Screw, The, 86, 91,
'-
109
A., Legends
Janvier, Thomas
City of Mexico, 226'
Jealousy of Ghosts, 117
The
Jerome, Jerome
Ibsen, Henrikj 35, 42

Brand, 65
and
Galilean, 42, 66
Emperor
Lady from the Sea, The, 66
Master
Builder,
35,
66
Pretenders, The, 65
66
Rosmersholm,
Vikings of Helgeland, The, 65

and Her Hour
of Vision,
Lomond
207
Immortal
Gymnasts,
In
Castle
Perilous,
In
Mr.
Eberdeen's
The, 197
118
House,
124
of the
Maid, 282
K., Passing of the
Third
Floor Back, The, 305
Jewel
of Seven Stars, The, 191, 274
Jigar-Khor, The, 165
John
Inglesant, 87, 98
Eberdeen's
Johnson, Arthur, In Mr.
House, 124
Johnston, Mary, Witch, The, 150
Jolly Corner, The, 122
Joyzelle,64
Jiidgment of God, The, 234
The, 63
Juggler of Notre Dame,
Jules Le
Vallon, 194
Julius CcEsar, 18, 84
Jeanne,
Ida
212
208
Index
320
Jungle Tales,
Cittd, Morta,
La
232
66, 299
the Sea, The, 66
Lady from
K
La
Horla, 61, 95
The, 188
of the White Worm,
Lais, 7
Lamia, 162
Morte
La
Amoreuse,
62, 163
Land
of Darkness, The, 212
Land
of Heart's Desire, The, 65, 240,
306
Lang, Andrew,
118, 188, 242
Lair
Kaffir Tales, 232

Kater
Murr, 58
Keats, John, 148
La Belle, Dame
Merci, 148
sans
Lamia, 162
Keeping His Promise, 98
Kelpie, The, 155
Kennedy, Charles Rann,
the House,
Patrick,
Kennedy,
Servant
in
In
Bardic
Fiction
of the
Kentucky's Ghost,
0/ Ireland,
Irish
243
Ghost
Last
Celts,243
147
Kingdom
Come, 282, 306

176
King Hunger, 207, 308
Kin^sley,Charles, Water Babies, 240
53,
71,
99,
Soul
104,
the
Passage,
120
Boy, The, 195

Bubble
Well Road, 138
Courting of Dinah
Shadd, The,
152
Dog
Harvey,
In
the
The, 291
Subalterns, The, 138

House
of Suddoo, 146
Jungle Tales, 232

Last of the Stories,The,
Mark
of the
Beast,
197, 215
The,
100,
167
Phantom
Swept
Rickshaw, The, 88,

and
Garnished,
94,
94
of a
Paradise,
207
Soul
in
Paradise,
207
Life Elysian, The, 207

the Mists, 208
Through
Vagrom Spirit, The, 207
Legend of Sleepy Hollow, The, 89
Legend of Sharp, i4, 134
Leprechauns,
239
Letters from
Living
Dead
Man,
207
Le
Vampire, 159
Lewis, Arthur, 242
London
Fairy Tales, 242
Lewis, Mary
L., Stranger than
282,
288
in
James:
Astral
An, 207
Bridegroom,
Car of Phcebus, The, 207
Heretic, The, 207
Leaves
from the Autobiography
Brushwood
Haunted
215
Lee, Robert
180
of
104,
Influences, 54 et seq.
Latham,
Francis, Midnight Bell, 49
Laughing Gas, 278
"031 of the Brown
Rosary, The, 148
Leatherwood
God, The, 310
Leaves
from the Autobiography of a
Kingemann,
the End
The,
Harmony,
Later
Kinetoscope of Time, The, 256

King, Basil, 203
Old Lady Pingree, 203
King Lear, 13
At
in
Laugh, The, 307

of the Stories, The, 197,
Last
199
Kipling, Rudyard,
the Deathless, 188
201
Last
Kerfol, 290
Khaled, 62, 70,
Perilous,118
Lasselia, 42
243
Stories
Castle
St. Germain,
The, 66, 305
tion,
Fic-
207
Lewis, Matthew
'
Gregory (' Monk
")
,
They, 84, 93, 288

Kittredge, George Lyman,
Arthur
and
Gorlogon,
14.
30,
Knock!
Knock!
Belle
Dame
Monk,
30
Specter, The, 53
The, 12, 16,
22,
24,
26, 27, 30, 33, 34, 35, 37, 177

Ltebgeber Schappe, 122
Knock!
Frederick
Kummer,
Coming, The, 281
Kundry, 181
Le
CasUe
224
Kleist,59
Kloslerheim, 56
16, 77
sans
Life
68
Arnold, Second
Merd,
148
after
Death, 209 et seq.

Lifted Veil, The, 257
lAgeia, 123, 191
Likely Story, 4, 287
Lindsay, Nicholas
Vachell, General.
William
Booth
Enters
into Heaven,
217
Little Crow
of Paradise, The,
234
Index
Little
Gray Ghost, The, n8

Mermaid, The, 155, 176, 233
Little Pilgrim in the Unseen, The, 212
Litae
White Bird, The, 240
mony,
Lloyd, N. M., Last Ghost in HarLittle
The, 104,201
Locke, Edward,
Case
0/ Becky, The,
305
Lodge, Sir Oliver, 7^

Raymond, or lAfeand
London
Fairy Tales, 242
London, Jack:
Scarlet Plague, The,
Death,
75
321
Magic Skin, The, 60

Magnetiseur, 58
The, 155
Maighdeanmhara,
Main
Street,152
and
Man
Superman, 217
in Black, The, 137
Man
Man
from the Gods, The, 121
Man
Overboard, 97
Man
with
Man
Whom
262
Man
Rover, The, 264

Long Chamber, The, 118
Looking Backward,
189, 262
Los Amigos
Fiasco, The, 187, 270
Loss
of Breath, The, 74
No.
the
Pigeons, The, 218

in
been
Fairyland,
Bottle, The, 253

The,
Faun,
57
Marie
de France, 30, 118
Bisclaveret, 30, 168
120
Markheim,
Mark
the
Beast, The; 100, 167
of
Christopher, 27, 153
Marlowe,
Doctor
Faustus, 15, 143
Marsh, Richard, Beetle, The, 290
Martian, The, 196, 207, 264
Mass
of Shadows, The, 63
Master
Builder, The, 35, 66
Master
Christian, The, 309
Mather,
Cotton, 130
Brander:
Matthews,
in
found
Marble
Act, 61
Philter, The, 267
Lovers
in Heaven,
121, 144, 213
Lowell, James
Russell, Fable
for
Critics,A, 57
Lucas,
Charles,
History
of Jack
Smith, or the Castle of St. Donats,
The, 20
Lycanthrope, The, 39
Lytton, Edward
George, Earle Lytton
Bulwer-Lytton, ist baron, 60
Love
Gown
Dream
of
Primer
Macbeth,
Maclien,
258,
Babington,
18, 98, 153, 295

Arthur,
52, ;o,
247.
250.
Bowmen
79,
300, 301
and
Others, The,
no
House
of Dreams, The,
of Souls, The,
117,
Three
Mad,
Mad
79
271
God
Pan, 139
Impostors, The, 247, 869
61
Lady, The,
286
Madness, 61
Maeterlinck, Maurice, 6, 42, 64, 299
BUnd,
The, 64, 298
Blue-bird, The, 64, 278, 289,
306
Interior, 64
Intruder, The, 64, 304
Joyzelle,64
Magic, 306
Magic Shadow, The, 296
"
Albtgenses,
168, 288
204,
The, 288
Monstrance,
Hand,
The, 247.
the Greai
Japanese
Imaginary
graphy,
Geo-
9, 17, 38,
59. 182
Red
Seeing
the
A, 181, 216
Rival
Ghosts, 112
-Maturin, Charles Robert,
282
Hill
of
The, 79
Ambassador,
Kinetoscope of Time, The, 256
Thomas
230,
The, 241
Third
Macaulay,
122
TreesLoved, The,
had
Who
MS.
62
4g,
Louquier's
The,
Shadow,
the
272
with
Man
Star
Lot
The,
9,
11,
94,
the Wanderer,
8, 10,
26, 36, 41, 44, 138
Maupassant, Guy de, 60, 69, 299
Cocotte, 61
Coward,
The, 61
Ghost, The, 60
Hand,
The, 61
La
Horla, 61, 95
Mad, 61
Madness, 61
Tress, The, 61
Wolf, The, 172
Melmoth,
12, 24,
McDonald,
George,
Portent, The,
266
McLeod,
Fiona:
Dark
'"
Nameless
One, The, 155

Adventure, The, 248
Judgment of God, The, 234
Divine
Index
322
{Continued)
Fiona
McLeod,
Sin
Water
Supematuralism,
286
Well
End,
The,
World,
The,
World's
the
Wood
8, 10,
the
Metempsychosis, 180 et
287, 291
Metzengerstein,
Mosen,
Julius, 176
Mother
in
Paradise, The, 213

Appearance, 113
Mr.
Isaacs, 37, 71
Mrs.
Veal, 205
Mummy's
Foot, The, 62
Tale, The, no
Mummy's
My Aunt Margaret's Mirror, 225
Myers, Human
Personality, 202
Mysteries of Udolpho, The, 9, 48
Mysterious Mother, The, 53
Mysterious Stranger, The, 142
Mysterious Warnings, 49
and
in
Mystery
Mystification
Gothicism, 43
Mystery of Joseph Laguedem,
The,
181,195
Myths and Legends of Our Land, 187
I2,
Motives
26, 36, 41, 44, 138
Toe
beyond
236
Meredith, George, 71, 127

Shaving of Shagpat, The, 71
Merlin, 145
Mermaid, The, 234
Mermaid, The, 306
Merman
and
the Seraph, The, 234
Meroe, 145
Mesmeric
Revelations,266
Messenger, The, 88
Metamorphoses, 145
Middle
at
236
etseq.
Meg Merrilies,150
Meinhold, 56
Melmoih
Recondite, 59
Melmoth, the Wanderer,
24,
Isle,
Wondrous
The, 23.6
Eater, The, 138
Mechanistic
the
of
seq.
of the Right Foot, The,
61,92
Middleton, Jessie Adelaide, 92

Ghost with Half a Face, The,
Middleton, Richard, iii, 288
Coffin Merchant, The, 254
for Ghost
92
N
-"
Ghost
Ship, The,
Nathan,
11, 293
Passing ofEdward, The, 99, 288

Midnight Beh, 49
Midsummer
Night's Dream, A, 64
Milne-Home, Mary Pamela, Anansi Stortes, 232
Milton, John, 27, 133, 239
Comus,
215
Mtne
Host
and
Miracle, The,
Miracle
Man,
Miss
148
Lost, 144,
the
209,
Bet the Devil

Your
Head,
Accelerator,The, 286
New
Arabian
Nights, The, 70
Night at an Inn, A, 244, 303
Night Call, The, 83
Nightingale and the Rose, The,
211,
Witch, 148
Nightmare Abbey,
254
Norris, Frank,
Brute, 167
Ghost, The, 62
Mitchell, J. A., Amos
Judd, 40, 257
Molnar, Fernac, Devil, The, 138
Monastery, The, 225
Monk, The, 12, 16, 22, 24, 26, 27, 30,
37.
140
235,
293
The, 306
Mehitabel's
Son, 63, 68, 85, 287
35.
tery,
Mys-
New
Mistaken
33.
Eternal
Never
7,
Paradise
George Jean,
The, 306
Neckan, The, 155, 233
Nemesis
of Fire, A, 98
51
Vandover
and
the
Northanger Abbey, 47, 51

Notch
the Axe, The, 89, 188
on
Noyes, Alfred, Creation,277
Nyria, 207
177
Monkey's Paw, The, 98

Monstrance, The, 288
William
Moody,
Vaughn,
Faith
Healer, The, 306
Moon
Lady, The, 233
Moon
Madness, 139, 231
Moore, George, Brook Kerith, The,
310
Morella, 123, 190

Morris, WiUiam, 236,
O'Brien, Fitz-James, 61
Diamond
Lens, The, 274
"
"
What
Was
It?
Mystery,
61,96
Occult
Magazine,
Occurrence
at
The, 163
Owl
Creek
Bridge.
The, 275
Ode
250
the
on
the Popular Supentitions of

Highlands, 74
Index
O'Donnell, Elliot,88,
Old
Old
Clothes, 124, 194

English Baron, The,
Old
Fires
Old
Old
Old
Passing of Edward, The, 99,

Floor
Passing of the Third
no
Tale, The,
Mummy's
Werewolves, 170
323
no
The, 66, 303

Crime, The, 242
16, 19, 40
Patience
ProfitableGhosts, 154
Lady Mary, 211
Men
of the Twilight, The, 234
Paudeen
Tale, no,
145
Oliphant, Mrs. Margaret:

Beleaguered City, The, 211
Land
of Darkness, The, 212
Little
The,
Old
Mary,
Door,
The,
Portrait, The,
On
Certain
of
Society,221
Proceedings
Psychical
at
the
Knocking
Macbeth, 295
On the Stairs,61, 114,
Open Door, The, 211
Origin of Individual
the
the
in
Gate
122
Tales,
Gothic
290
Ghost
of
Witch, The,
Pit
226
of
The,
32,
134
the
The, 253
Jew, The,
Wandering
179
Pain, Barry, 53, 79, 157

Blue
Roses, 268
Celestial Grocery, The, 265, 300
Exchange, The, 153, 156, 197
Glass
Moments,
of Supreme
Planche, J. R.,
160
the Bride
of the
or
Vampire,
Isles, 160
Plattner
Case, The, 260
and
the natural,
SuperPlays of the Natural
208
The, 157
Philter, The, 267
Moon
Madness,
139, 231
Undying Thing, The, 271
Wrong Elixir, The, 186
Zero, 257
of
Bigelow, Elixir
Paine, Albert
Youth, The, 186
Pair
of Hands, A, 103, 288
tute,
SubstiGeorgia Wood,
Panghome,
Love
The, 88
Lost, 144, 209,
211,
215
Pliny, 72
Poe, Edgar Allan, 58, 69,
Berenice, 62
Bon
Bon,
Descent
The, 231,
Devil
41,
into
253
in the
95
the
252,
Francis,
Borderland,
The,
124
M., Mysterious
ings,
Warn-
299
Maelstrom,
Belfry, The,
141
Eleonora, 103
Facts
in the Case
The, 266
mar.
Fall
of the
House
of M.
Walde-
of Usher,
The, 295
Parsifal, l8l
49
226
Grey,
the Pendulum,
and
Plaint
Seal-wife, The, 233
151,
of Dorian
60, 121,
Parsons, Mrs.
The,
Brimpson,
Miser
83
Picture
Parsons,
the Mist, 226
of
Children
Walk, 103
Oval Portrait, The, 58
Ovid, 166
Owl's Ear, The, 62
Paradise
Hound,
Heath
Little
Another
Nelson,
mantic
Ro-
Movement,
41
E
den,
83
Phillpotts,
Last
Thomas
202,
145,
no,
Phantoms, 68
Lyon, 41
Phelps, William
Beginnings of the English
168
O'Shaughnessy, Arthur,
Pagan
Page,
Tale,
Date
Palm, 63
Ibbetson, 186, 196, 206, 300
Peter Pan, 240, 306
189
Peter
Rugg, the Missing Man,
Phantom
Rickshaw, The, 88, 94
13 et seq.
Our
145
Wives'
Old
Peter
211
On
237
293
Antoine's
Phe
211
Research
Weasel,
The, 234
298
211,
the
Love, Nightmare
Peacock, Thomas
Abbey, 51
dise,
of ParaPearce, J. H., Little Crow
Unseen,
the
Worth, 197, 207

O'Kelley and
Peele, George,
212
Lady
Open
in
Pilgrim
Back,
Passionate
and
Wives'
288
Pfaal, 286
Ligeia, 123, 191
Loss
of Breath, 74
in a Bottle,253
Found
MS.
Hans
Index
324
Revelations, 266
Mesmeric
Metzengerstein, 287,
Morella,
Bet
Never
(Continued)
Allen
Poe, Edgar
190
123,
the Devil
Radcliffe, Anne,
291
45,
Your
Head,
140
Portrait, The, 58
the
Pendulum,
Oval
Pit
The,
and
Pomponius
Portent, The,
Romance,
Portrait,The, 211
Powell, J. W., 232
Pretender, The, 65
Primer
of Imaginary
9,
of the Castle, The,

A, 45,
Romance,
50,
Sicilian
301
The, 46
Rappacini's Daughter,
The,
Geography,
Debts, 146
Red
Hand,
Prince, Morton,
Red
305
of
Personality,
305,
of India, The, 179

Proby, W. C, Spirit of
Prince
the
Castle,
121
and
I, 121, 258
Psychic Invasion, A, io6
Prue
Psychical Research,
272
73,
122
The, 247
Ranrahan, i86, 243

Reeve, Clara, 16
Old
English Baron,
The,
16,
19,40
The, 40
Prophetic Pictures,
252,
Death, 75
Readjustment, 107
Real Ghost
Stories,282
Rebellious
Heroine, The, 197
in
necticut,
ConCarnival
Recent
of Crime
39
Red
Disassociation
44
Raleigh, Sir Walter, English Novel,
The, 181, 216

Primitive
Culture, 227
The,
44,
Raven, The, 56
Raymond,
or
Life and
266
in Gothic
Portents
43,
de Blondeville, 19
Gaston
Italian, The, 48
Mysteries of Udolpho, The,
Romance
Meia.,166
16, 23,
48
253
Raven, The, 56
Tale of the Ragged Mountains,
A, 58, 190
William
Wilson, 58, 120
Polidior, Vampyre, The, 160
9,
46, 71, 82
Regeneration of Lord Ernie, The, 230

Reineche
Fztchs,213
Novels,
Religion in Recent American
310
Remarkable
199
et seq.
of the House-boat, The, 112,

187,216
Pushkin, Alexander, Queen of Spades,
The, 69
Putois, 63
Pyle, Howard, Evil Eye, The, 152
Pursuit
Case
of Davidson's
Eyes,
The, 256
Return, The, 123, 198
Return
of Peter Grimm, The, 201, 298
Return
of the Native, The, 150
Revolt, of the Angels, The, 220
Reynard
Reynard
the
Fox,
the
Fox,
231
in
South
Africa,
232
Willow
Queen Mab, 176

Queen of Hearts, The, 107, 113
Queen of Sheba, The, 122
Queen of Spades, The, 69
Quiller-Couch, A. T., 154
Magic Shadow, The, 296
Mystery of Joseph Laguedem,
The,
181, 195
Old
Fires
and
ProfitableGhosts,
154
Pair
of Hands,
of
Roll-call
107
Quinet, Edgar, 176
A,
the
103,
288
Reef,
The,
Benrimo
Harrison,
Tree, The, 306
Leihgeber
Paul,
Richter, Jean
Schappe, 122
Rideout, Henry, Ghost of the White
Tiger, The, 291
Riders
to the Sea, 10, 304
Riding to Lithend, 152
Winkle, 246
Rip Van
Rival
Ghosts, 112
Roche, Regina Maria, 10, 43, 45, 50
Clermont, 45, 49
Chronicles, 175
Roger of Wendover's
Rohmer, Sax, 146
Flower
of Silence, The, 273
Fu-Manchu
Stories, 253, 268,
Rhodes,
270, 272
and
Index
Roll-call of the Reef, The, 107

Romance
325
Secret
Worship,
105,
117,
137
Castle, The, 40
of
Seeing the Great God Pan, 139
the
Select Party, ^,178
Romance
62
The,
of
Mummy,
Romance
Two
Worlds,
Selfish Giant, The, 246
of
A, 213
Romantic
Movement,
Sensitives, 298
55
Romantic
and
Reduplication
chology,Septimius Felton, 143, 150, 183, 252
PsyServant
in the House,
The, 66, 305
122
Shadow
World,
The,
200
Rosary, The, 306
the Wall, The, 78, 99,
Shadows
on
66
Rosmersholm,
226
Rossetti, Christina, Goblin
Market,
104,
Shadowy Third, The, 203
148
Sister
Shakespeare,
Rossetti, Dante
Gabriel,
13, 18, 56, 84, 115, 119
Hamlet, 18, 118, 144
Helen, 67, 153
Julius
CcBsar, 18, 84
Milton, Unwritten
Royle, Edward
Lear,
Law, The, 306
King
13
Russian
Macbeth, 17, 98, 152, 153, 295
Literature, 67
Midsummer
Night's Dream,
64
Tempest, The, 64
St. Germain, the Deathless, 188
Sharp, William, 65, 285
St. Irvyne, the Rosicrucian, 17, 35, 36
Gypsy
Christ, The, 181
St. Leon, 35, 36
Vistas, 65, 278
St. Oswyth, 12
Shaving of Shagpat, The, 71
and
Man
Tales
Shaw,
George,
of
George Bernard,
Saintsbury,
Mystery, 48
Superman,
217, 306
She, 183
Saint, The, 66
Till I Come,
Salalhiel, or Tarry Thou
Sheldon, Edward:
The, 234
Mermaid,
179
Shell of Sense, The, 85, 212
Sancta
Susanna,
307
Satire on
Gothicism, 47 et seq.
Shelley, Mary, 14
Satirical
Frankenstein, 14, 17, 34
Supernaturalism, 294
Scarlet Letter, The, 152
Shelley, Percy Bysshe, 17, 35, 176,
the
Scarlet
Plague, The, 262

Scenery, Gothic, 10
Schiller, Robbers, The, 16
Schlegel, 176
Scholasticus, 63
Science, Gothic, 33
Science, Supernatural, 251 et seq.
Scott, Sir Walter, 38, 56, 115, 225,
246
Betrothed, The, 225
Bride
The, 38
of Lammermoor,
Guy
Mannering,
150
Monastery,
The, 225
My
Aunt
Margaret's
Mirror,
225
Talisman,
The,
134,
146, 147,
225
Drovers, The, 151, 225

Woodstock, 225
Screaming Skull, The, 60, 89, 92
Sea
Fit, The, 230
Sea Lady,
The, 234
Second
Coming, The, 281
Two
Second
Secret
Wife, The, 122

of Goresthorpe Grange, The,
79
180, 182
Unfinished
of an
Fragment
Drama, 48
Hellas, 176
Queen Mab, 176
the
St.
Rosicrucian,
Irvyne,
17, 35. 36
Witch
of Atlas, The, 148
Wandering Jew, The, 1 76
Zastrozzi, 10, 12
Shorthouse, J. H. :
Countess
Eve, 138
John
Inglesant, 66, 87, 98
Shropshire Folk Tales, 291
Sicilian
A, 45, 50, 301
Romance,
Sidhe, The, 242
The, 114
Signal Man,
Silence, 293
SHvani, Anita, 88, 207
Ahrinziman,
88, 183, 213
Silver Mirror, The, 259
Sin Eater, The, 138
Sinner, The, 66
Sister Helen, 67, 153
Skinner, C. M., 187
"
"
Index
326
Skinner, C.
Transferred Ghost, The, 63, 87,
(Continued)
M.
and
Myths
Legends of Our
Land, 187
Smale, Fred C, Afterwards, 102, 202
Merman
and
the
Smith, Benjamin,
Seraph, The, 234
Sociable
Ghost, The, iii
Sogno
Mattino
d'un
Primavera,
di
d'un
67. 152
Solomon,
Revealed
Tramonto
d'Autunno,
Simeon, Vision
in Sleep, 79
of
Love
Sorcerer, The, 145

Sorrows
of Satan, The, 136, 144
Soul of the Moor, The, 207
Soul on Fire, A, 193
Souls on Fifth, 123, 198, 215
Southey, Robert, Thalaba, 161
F. H., Ghost
Spearmen,
at Point
of
Rock, The, 83
Speck on the Lens, The, 255
Specter Bridegroom, The, 83, no
Spectral Mortgage, The, 63
Spencer, Herbert, 251
Spenser, Edmund,
239
Faerie
Queene, The, 7
Speranza (Lady WUde),
229, 240
Ancient
stitions
SuperLegends and
of Ireland, 229
Spider's Eye, The, 62, 274
Spirit of Turrettville,The, 23
Spiritualism, 73, 199 et seq.

Spoflford,Harriet
Prescott, 286
Mad
Lady, The, 286
Spring Recital, A, 208
Star, The, 264
Rover, The, 264
T., 74
Stephens, James, 219
Crock
of Gold, The, 241,
Demi-gods, The, 219,

Stevenson, Robert
Louis,
Bottle Imp, The, 70
Jekyll and
Markheim,
Mr.
Arabian
Stone
Spectral
The,
122,
243
The,
185
August, 209, 251, 308

Daughter of the Moor, The,
Sancta
Susanna, 307
Adventures
Strange
of
Phosnician, The,
Strange Cases of Dr.
254.
Phra,
304
the
188
Stanchion, The,
299
Strange Story, A, 90, 182

226
Stuart, Ruth
McEnery,
Styx River Anthology, The, 216
Subjective Ghosts, 83
Substitute, The, 88
Sue, Eugene, 176, 178
Wandering Jew, The, 176, 180
of the Proceedings
Suggested by Some
of the
Psychical
Research
Society,
283
Sunken
Bell, The, 158
Supernatural
in
Folk-tales,
233
et
seq.
Supernatural in Tragedy, The, 305

Supernatural Life, 174 et seq.
Supernatural Science, 251 et seq.
Sutton, Vida, Kingdom
Come, 282,
The, 290
35
246
221
70
Hyde,
Tale
120,
of Negative Gravity,A, 274, 286

of the Ragged Mountains, A,
58. 190
Tale
Tales
120
Nights, The,
Thrawn
Janet, 137
Stockton, Frank
R., 293
274, 286
Worm,
of Red Ranrahan, 186,

Story of Days to^Come, A, 262
Story of the Late Mr. Elvesham,
Swift, Dean,
268,305
Tale
White
306
Star
Great
of the
Lair
188
Swept and Garnished, 94, 282, 288

Synge, John, 10, 229, 240
Riders
to the Sea, 10, 304
Swanson,
Frederick, Ghost
Moth,
Stead, W.
New
Jewel
191,274
Stramm,
Song of Love
Triumphant,
The, 68
Songs from a Vagrom Spirit, 207
Song of the Wandering Jew, The, 176
Dr.
78, 92, 117, 180

78, 163, 188, 301
Stars, The,
of Seven
Stories
67, 300
Sogno
122
III,
Stoker, Bram,
Dracula,
70
of Sardis, The, 262
Mortgage, The, 63
of Negative Gravity, A,
of the Alhambra, 226

of Mystery, 48
Talisman, The, 134, 146,
Tarn
O'Shanter, 156
Tales
Tchekhov:
Monk, The, 69
Sleepyhead, 69
Ward
No. 6, 69
Black
147,
225
Index
Mysterious Stranger, The,
Gothic, 46
Temperament,
Tempest, The, 64
Temptation of the Clay, The, 231
Terror
of Blue John Gap, The, 272
Terror
of the Twins, The, 122, 192
Tess of the D' Urbervilles,
143
Thackeray, W. M., 55, 89
Fairy
Pantomime,
Notch
on
the
Two
188
Machine,
Tolstoi, Ivan,
Under
Undine,
of
Undying
221
100
Vampire, The, 159

Vampire, The, 68, 163
Vampire Bride, The, 159
of
Vampire, or the Bride
Vandover
122
Soul, The, 190
Tress, The, 61
Trilby, 267
Triumph of Night, The, 121

Tryst, The,i26,2ii
Turgeniev, Ivan, 68, 69, 163
Clara
Militch, 68, 162
Dream,
The, 68
Knock!
The, 306
the
Isles,
Vampires, 158 et seq.

Vampyre, The, 160
68
Law,
Upper Berth, The,

Usury, 198
245
Ivan, the Fool, 68, 138, 144
Knock!
68
Phantoms, 68
Song of Love Triumphant,
Turn
Country, The, 200, 267

Masterpiece, The, 60
Thing, The, 271
The, 159
They
Juliet Wilbur,
Tompkins,
That
Mourn, 85, 108
Tragedy, 42
Transfer, The, 164
Transferred Ghost, The, 63, 87, iii,
Knock!
57
Undiscovered
Unknown
The, 189, 260
Transmigration of
301
Tales, 232,' 235

the Greenwood
Tree, 150
Remus
Uncle
Unwritten
the Gods,
Time
The, 66,
Unburied,
and
116
Voices, 97
Culture, 227
Tylor, Primitive
of the Dark, The, 200
Tyranny
42
Angel, The,
Ticket-of-leave
Tieck, Ludwig, 56, 59
in
Two
Thrawn,
Janet, 137
Three
Impostors, The, 247, 269
Through the Mists, 207
Thurlow's
Christmas
Story, 121
E.
Thurston,
Temple, Passionate
The,
Crime,
242
Time
Drovers, The, 151, 225

Military Executions,
Two
Hour, The, 306

Hound
Francis,
The, 283
Ashley Horace, 42
Tragedy,
Crime
122
Twilight,268
Witching
Heaven,
Thomdike,
of
Carnival
Recent
Connecticut, The,
Thalaba, 161
Theal, Kaffir Tales, 232
Theodora, 103
They, 84, 93, 288
85, 108
They That Mourn,
That
in
Walk
They
Darkness, 136
Thomas,
Augustus, 306
Thompson,
142,
303
A, 240
Axe, A, 89,
327
Van
and
Dyke,
the Brute, 167
Henry,
Night Call, The,
83
Lerberghe, Charles,
Van
Flaireurs,
64
Vathek, 8, 17, 22, 25, 29, 33, 37, 70
Vendetta
of the Jungle, ^,168
200
Vera, the Medium,
Vergil, Culex, 290
Views
of Other
Planets, 263
Vikings of Helgeland, The, 65
Virie on the House, The, 90
Virtuoso's
Collection, The, 78
Vision
of Judgment, A, 214
Vision
of Judgment, A, 134
in Sleep, A,
Vision
of Love Revealed
79
Vistas, 65, 278

Heaton,
Verse, Mary
of the Screw, The, 86,fsi;1io^ The, 122, 192
'^^'
The,
Second
Wife,
'rwam,'Mark,
142
Yankee
Connecticut
Arthur's
Court, A,
Extracts
field's Visit
from
to
King
at
189, 262, 286
Captain
Heaven,
Storm-
201,
217
Wallace,
and
Edgar,
Another,
156
Bones,
Sanders,
Index
328
The,
God,
Fair
The, 256
of India, 179
Jew, The, 8, 175 et seq.
Jew, The, 176
Jew, The, 176
Jew, The, 176, 180
Jew, A Christmas
Carol,
Prince
Wandering
Wandering
Wandering
Wandering
Wandering
Remarkable
Letters
Man,
207,
Mother,
Time
185
Machine,
The,
189, 260
of Judgment, A, 214
of the Worlds, The, 263
Wh^n
the Sleeper Wakes,
262
Visit,The, 218,
Wonderful
from
Living
W.
Wentz,
The, 53
Fairy
Dead
221,
Y.
E., 239
in Celtic
Faith
Countries,
239
292
of the Wenuses, The, 263

War
of the Worlds, The, 263
Stuart
Ward, Elizabeth
Phelps,
Werewolf, The,
War
199,
166
et seq.
Werewolf, The, 169, 172

Werewolves,
170
Jessie Adelaide, 146

Magic, 146
Mummy's
Foot, The, 62
Weston,
290
My Death, The,
Gaies Ajar, The, 210
Day
of
Black
199
Elizabeth
Bisland,
Gates
Wetmore,
Gates
pelgdnger. The, 122

Weyman,
Stanley J.,
Between, The, 210

Beyond,
The, 210
Kentucky's Ghost, 199
Ward
No. 6, 69
Warning, The, 276
Water
Babies, The, 240
Ghost and Others, The, 112
Water
Water
Isle, The,
of the Wondrous
236
Waters
262
302
Mysterious
War
A,
Elvesham
,
The, 122,
Vision
Mr.
of the Late
Story
52,
lOI
of Davidson's
Case
The, 256
Sea Lady, The, 234
Star, The, 264
Story of Days to Come,
The, 6, 8,
16, 17, 25, 31, 32, 36, 40, 41,
in Fairyland,
Eyes,
War
of Otranto,
Been
Accelerator, The, 286

Case, The, 260
New
188, 309
Castle
Had
241
Plattner
The, 177
Jew, or the Travels
Wandering
of
Bareach, the Prolonged, The, 178
Wanderings of Cain, The, 118
Walpole, Horace, 6, 8, 11, 14, 71,
92,
Who
Man
Wallace, Lew, 179
of
Death, The,
Wharton, Edith, 53,

Afterwards, 302
Duchess
of Dr. Moreau, The,
271
121
Prayer,
at
The,
121,
303
Eyes, The, 297
Kerfol,290
Triumph of Night, The,
Wave,
Island
in
Man
Black, The, 137
62
The, 194
Webster, John, Duchess
of Malfi.,
The, 8, 166
Wedmore,
Frederick, Dream
of
Provence, A, 293
Well at the World's
End, The, 236
logy,
AnthoWells, Carolyn, Styx River
The, 216
Wells, H. G.:
Crystal Egg, The, 263
Days of the Comet, The, 264
Door
in the Wall, The, 258
Dream
A,
of Armageddon,
196, 262
First Men
in the Moon,
The,
264
Flowering of the Strange Orchid,
62, 164, 273
In the Days of the Cornet, 264
Invisible
Man,
The, 95, 269
Dop-
What
It?
121
Mystery, 61, 96
the Gods
When
Slept,63, 74
the Sleeper Wakes,
When
262
Whicher,
George Prisbee, Life and
Eliza
Romances
of Mrs.
Heywood, 42
White
Lady of Avenel, 225
White
People, The, 203, 298
White
The,
Hum,
Sleep of Auber
Was
121
Stephen French, Woman

from Yonder, The, 126, 187
Whitmore, E. C, 305
Supernatural in Tragedy, The,
Whitman,
305
Wieland, 35, 39
Wilde, Oscar, 32,
Fisherman
134. 153,
Happy
240, 249
and
His
Soul, The,
236
Prince, The, 238
Index
Oscar
wade,
(Continued)
House
of
Legend
329
Wood
Judgment,
The,
of Sharp,
-^
and
the
Woodstock,
214
World,
the
beyond
The,
Wool-gatherer,
134
The,
236
225
23,
30
29,
Nightingale
23s.
of
Picture
60,
121,
Seliish
Dorian
of
The,
Newbury,
Williams,
The,
Witch,
The,
Witch,
The,
Endor,
Gothic,
Intent
to
26
Wonderful
Men
Stories
the
of
of
Wisdom
149,
195,
266
of
Goodman
Young
The,
Twilight,
The,
Ranrahan,
Red
186,
the
The,
King,
Brown,
154
151
Steal,
et
Zangwill,
62,
66,
Walk
in
Zastrozzi,
17
seq.
257
Zofloya,
194,
Yonder,
Visit,
That
They
136
225
172
The,
Israel,
17
Darkness,
The,
145
seq.
306
Zero,
from
Desire,
306
340.
243
145
et
The,
Arm,
The,
Woman
154
Heart's
150
148
The,
Hour,
The,
The,
of
the
157
Witching
Woman,
148
The,
Prague,
Withered
143
and
Fires
234
The,
The,
Witches,
Wizard,
239
65,
seq.
The,
Fife,
of
the
of
Shadows,
Old
et
145
Edrrurndton,
Hazel,
248,
240,
The,
Cathleen,
154
151
Witch
237,
Twilight,
Curse
65,
Witch
226,
149
Atlas,
With
Celtic
"Land
of
of
B.,
"
of
of
226
86,
285
The,
King,
Witch
Witch
Heights,
W.
Yeats,
83
306
Witch
Witch
176
186
193
the
the
120
^,193
The,
Tree,
of
of
Song
The,
The,
Countess
Theodora,
Witch,
Jew,
Elixir,
Wuthering
Penwick:
Fire,
on
Wisdom
William,
284
Colton,
Frances
Soj4
62
159
58,
Blanche
WiUiams,
A,
Mummy,
Wandering
246
Cleaver,
Wilson,
Willow
with
Wrong
William
William
The,
Grey,
134
Giant,
Wilkinson,
William
Word
Wordsworth,
293
32,
Wolf,
The,
Rose,
The,
10,
300
The,
126,
187
218,
221,
302
17,
I54.,25i
Zola,
Emile,
252
28,
33,
37,
38,
53,

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PREFACE

.touch of^f ear,

for his commands.

piteously little thaLllfL

ghostly in literature, with

look,for JbiaiargerJife in dteams

by giving his existence

they dignify him

feeling of infinity otherwise

novel, the supernatural

articles lost in last week's

Hfe, has formed

by the guardian of the

all, af34 4barfe--"ante

'"-"In this book

stray dog I recognize

__I only marvel

psychal experiences than

Uturgical plays introduced

able to find, though

Deity, the introduction

geste, lais, and

hand, the later novels

supernatural for complicating

world, visions of heaven,

characters, gods, goddesses,

lengthy fiction, contrasted

Hill, courteously called

largely lacking in the Gothic

aspects of later fiction, are

piles of antiquity than

trap-doors, its mouldy,

fit setting for the

cold, awe-inspiring hall

bigenses the knights assemble

often, yet it is always

castle, abbey, monastery,

terrible, ^the monastery

great fire in the

dizzy abysses with

plots they make,

they plan murders

really the devil in disguise,are

inevitabilityof genius, they

telling of ghost stories

peal like the

pleasures of fear, and

yellow yet speculative

visions, revelatory of the

gives the idea

by her palpitating maidens,

degree of the marvelous

literary offspring of the

recipe for Romantic

tragic refusal, offers dramatic

writing his Zastrozzi, and

Guardian,'' ingeniously intimating

in his lurid tale.

story of his life.

study of literary supematuralism.

ghosts they have

psychologic subtlety of Hamlet

Shakespeare's apparitions, nothing

truly enjoys vicarious