editedbyJovinoSantosNeto/2011

HermetoPascoal
75anosdesom
75yearsofsound

Ebbook

HermetoPascoal
75anosdesom
75yearsofsound

PartituraseditadasepreparadasporJovinoSantosNetoparafestejar
os75anosdeHermetoPascoala22dejunhode2011
ScoreseditedandpreparedbyJovinoSantosNetotocelebrate
Hermetos75thbirthdayonJune22,2011

2006HermetoPascoal
Apenasparausonocomercial
Onlyfornoncommercialuse

Fotodacapa/coverphotobyJovinoSantosNeto
Design:LuziaGrobdosSantos

Introduction75YearsofSound

HermetowasbornonJune22,1936,andwithhimtheworldgotasourcefromwhichmusicflowsasifit
wouldbeholywater.Theironscrapsofhisblacksmithgrandfather,thebirdssongscapturedinthe
papayaleafstemflute,IndianssinginginthenightofAlagoas,thepiouswomeninthelittlechurch,all
wasSound,anditcontinuestobe.Hermetolearnedhowtolearnwiththesoundsoftheworld,andhis
musicalconceptshavegrownandtravelled,goingmuchfartherthanwhatourearthlyearsmight
apprehend.FromtheremotecornersoftheUniversehebringsusunexpectedcolors,flavorsand
timbres,alwaysperfumedwithanaturalandspontaneousBrazilianfeeling.ThankstoHermetoPascoal,
allthemusiciansoftheworldcanreachthehighestlevelsofindividualandcollectivedevelopment.His
legacyisthegreatesttreasureofourartinthelast75years.
75yearsoflife,75yearsofSound,withacapitalS,auniversalforcelikeLight,FireandGravity.The
ChamphasnotimetonotmakeMusic.Awhileago,hepresentedmewithcopiesofsomenotebooks
wherehehadbeencomposingseveralthemes,offofhishead,mostlywithoutusinganyinstruments,
pluckingfromhismindthenotes,rhythmsandchords.Leafingandplayingthroughtheseinvaluable
gifts,IfeltthatthebestwaytohonormyTeacherandMentorforhis75yearsofSoundwouldbeto
shareabitofthiswealthwithallmusiciansoftheworld.Technologyallowsustodisseminateallthisina
fewinstants,justlikeHermeto,totallyanalogical,preandposttechnological,capturedtherhythms,
melodiesandtheharmonieshereincontained.These41themesareheretranscribedsothatallmay
offertheirtributetowhomhasgivenussomuch.Enjoy.
Aboutthemusicnotationemployed:
Inpreparingthesescores,Ioptedtouseasystemofchordsymbolswithawideacceptancearoundthe
world.ItisimportanttoknowthatHermetoschordvoicingsalwayswelcometheupperextensions.
Therefore,amajorseventhchord,notatedbyHermetoas7+9andhereasMaj7,alsoincorporatesthe
ninth,sixthandoftenthesharpeleventhorflatfifth.Thatbecomesclearwhenyouseethefullywritten
outchordsthatHermetoaddedinseveralofthescoresinthisalbum.Thedominantseventhchordwith
asharpninthandaflatthirteenthiswrittenbyHermetoas79+13andhereitisspelledas7alt
(altered).AnotherchordthatisoftenusedinthiscollectionisexemplifiedasEMaj7/C,whichIoptedto
leaveinitsoriginalnotation.Thisisoneofthemostinterestingchordsforallthosewhomightwantto
deepentheirknowledgeofharmony.Play,listen,studyandseethesubtletywithwhichHermetoutilizes
thisharmoniccolor.Iuseboththeforwardslashandtheunderscoresignasanindicationofachord
overabassnote.Theiruseisoftendictatedbyspacerequirementsonthepages.

Aboutthethemes:
These41piecesrepresentavastarrayofmusicalstylesandlanguages,translatingtheessenceofwhat
HermetocallsUniversalMusic.Severalamongthemhaveacompletepianopart,whichcanbeusedas
thebasisforawindorstringarrangement,besidesbeingperfectexamplesoftheartofcreatingpiano
voicingsinanefficientandelegantway.Otherthemeshave2melodies,identifiedwithnumbers1and
2.Inthese,melody1representsthemainvoice,andmelody2worksasacountermelodyorsecondary
voice.Iliketoimaginethesefunctionsasconcentriccircles,withthefirstone(1)beingclosertothe
composersmelodicintention,andthesecond(2)showingpossiblevariationswithintheharmonyand
therhythm.Aninterestingwaytoplaythesethemesistotreatthemasawoodwindtrio,usingonlythe
2melodiesandthebassnotes,withoutthechords.These3elementssuccessfullydemonstratethe
harmonicintentionwhilethevoicesinteractwitheachother.AsHermetosaysonhisnotestothe
themenamed7dejulhode2006,Thiscounterpointisveryfastandpolyrhythmic.Toplaythismusic
youhavetoeatcabbageandpotatoes.
Acknowledgements:
TotheChampHermetoforfacilitatingtheevolutionoftheuniversallanguageofMusicwithoutever
losinghisBrazilianspirit;
ToAlineMorenaforherhelpwiththeoriginalmanuscripts;
Toallthepast,presentandfuturemembersoftheHermetoPascoalGroup;
Tomyfamilyfortheneverendinglove,tendernessandsupport;
Toallthemusiciansoftheworldwhowillknowthatwehavelivingamongusararemusicalgeniuswho
oncesaid:AMsicaseguraoMundo(MusicholdstheWorld).

Obrigado,

JovinoSantosNeto

Seattle,June2011

Introduo75AnosdeSom

Hermetonasceua22dejunhode1936,ecomeleomundoganhouumafontequejorramsicacomo
sefosseguabenta.Osferrosdoavferreiro,ospassarinhosflautandonotalodemamo,osndios
cantandonaescuridoalagoana,asnovenasbeatasnaigrejinha,tudoeraSomecontinua
sendo.Hermetosoubeaprendercomossonsdomundo,esuaconcepomusicalcresceueviajou,indo
muitomaislongedoqueosouvidosterrqueospossamapreender.DoscafundsdoUniversoelenos
trazcores,saboresetimbresinusitados,sempreperfumadoscomumabrasilidadenaturale
espontnea.GraasaHermetoPascoal,todososmsicosdomundopodemalcanarosnveismaisaltos
dedesenvolvimentoindividualecoletivo.Seulegadoomaiortesourodanossaartenosltimos75
anos.
75anosdevida,75anosdeSom,assimMaisculo,UniversalcomoaLuz,oFogoeaGravidade.O
CampeonotemtempoparanofazerMsica.Humtempo,elemepresenteoucomacpiadeuns
cadernosondeeleescreveumuitostemas,assimdecabea,muitossemusarinstrumentos,colhendoda
prpriamenteasnotas,ritmoseacordes.Aofolhearetocaressespresentesinestimveis,sentiquea
melhorformadehonrarmeuMestreeMentorporesses75anosdeSomseriacompartilharumpouco
dessariquezacomtodososmsicosdomundo.Atecnologianospermitedisseminartudoissoem
poucosinstantes,damesmaformadequeHermeto,completamenteanalgico,prepstecnolgico,
captaosritmos,asmelodiaseasharmoniasqueaquiesto.Estes41temasestoaquitranscritospara
quetodospossamoferecerseutributoaquemtantonosdeu.Bomproveito.

Sobreanotaomusicalusada:
Aoprepararestaspartituras,opteiporutilizarosistemadecifragemdeacordescomusomaisdifundido
nomundo.importantesaberqueasinversesusadasporHermetosempreacolhemasextenses
superiores.Assim,porexemplo,oacordecomstimamaior,cifradoporHermetocomo7+9eaqui
comoMaj7,incorporaanona,asextaefrequentementeaquarta(oudcimaprimeira)aumentada.
IssoficaclaroaoseestudarasinversesdosacordesescritosporHermetoemvriasdaspartituras
destelbum.Oacordedestimadadominantecomanonaaumentadaeadcimaterceiradiminuta
escritoporHermetocomo79+13eaquicomo7alt(alterado).Outroacordemuitoutilizadonesta
coleo,porexemplo,Emaj7/C,queopteipordeixaraquiemsuanotaooriginal.Esseumdos
acordesmaisinteressantesparatodosaquelesquequeiramaprofundarseusconhecimentosde
harmonia.Toquem,ouam,estudemevejamasutilezacomaqualHermetoempregaestacor

harmnica.Aquieuutilizotantoabarrainclinada(/)comoosmbolodesublinhar(_)pararepresentar
umacordecomumbaixodiferente,dependendodasnecessidadesdeespaonapgina.

Sobreasmsicas:
Estes41temasrepresentamumavastagamadeestiloselinguagensmusicais,traduzindoaessnciado
queHermetochamadeMsicaUniversal.Muitosdelestmumapartedepianocompleta,quepodeser
usadacomobasedeumarranjoparasoprosoucordas,almdeseremexemploscompletosdaartede
secriarumainversoaopianodeumaformaeficienteeelegante.Outrostm2melodias,identificadas
comosnmeros1e2.Nestes,amelodia1representaaprimeiravoz,eamelodia2funcionacomo
contracantooumelodiasecundria.Euprefiroimaginarestasduasfunescomosefossemdois
crculos,comoprimeirodeles(1)maisprximodaintenomeldicadocompositor,eosegundo(2)
mostrandoaspossveisvariaesdentrodaharmoniaedoritmo.Umamaneirainteressantedese
executarestestemasconsiderloscomoumtriodesopros,usandoas2melodiasealinhadebaixo,
semosacordes.Esses3elementosdefinemaintenoharmnicaenquantoasvozesbrincamentresi.
ComoHermetodiznassuasnotasdotemade7dejulho,Essecontrapontomuitorpidoe
polirtmico.Paratocarestamsicatemquecomerrepolhoebatata.

Agradecimentos:
AoCampeoHermetoporpossibilitaraevoluodalinguagemuniversaldaMsicasemnuncaperdera
brasilidade;
AAlineMorenapeloauxliocomosoriginaisdoscadernos;
Atodososparticipantes,passados,presentesefuturos,doGrupodoHermetoPascoal;
minhafamliapeloamor,carinhoecompreensoeternos;
Atodososmsicosdomundo,quevosaberquetemosvivendoentrensumrarogniomusical,que
umavezdisseAMsicaseguraoMundo.

Obrigado,

JovinoSantosNeto
Seattle,junhode2011

75AnosdeSomEb
Index
1. PenduradosnoCoqueiro...1
2. SambadaRoa.....3
3. XermProsPintinhos...4
4. PeixeBoi......5
5. PoComManteiga....6
6. QueijoComRapadura..7
7. VentaniaComChuva....9
8. Cuia.....11
9. SerradasAndorinhas...13
10. 15dejunhode2006..15
11. ValsarandooChoLisinho....17
12. OMeninoVoador....19
13. ForrdaTeradeBaixoedeCima.....21
14. 18dejunhode2006..............................................................23
15. 7dejulhode2006..................................................................24
16. OGatoSubindonoMurocomMedo.....................................26
17. Intervalarmoniritmada............................................................28
18. EncontronasMatas................................................................29
19. 16deagostode2006..............................................................30
20. Azulinhada...............................................................................32
21. XoteProTatuPeba..................................................................34
22. Polinemia.................................................................................35
23. 23deOutubrode2006............................................................36
24. SorrindoToaQuQuQu....................................................39
25. EscalandooSol.........................................................................41
26. ForrnoCampo........................................................................43
27. Pinicadinha................................................................................45
28. ValsaBrejeira............................................................................47
29. EsperanaSempreViva.............................................................48
30. FrevoModerado........................................................................49
31. DilogodasGalinhasedosPintinhos........................................50
32. OsGmeosGeniais....................................................................51
33. TalodeAbbora.........................................................................52
34. TelecotecandonaGafieira.........................................................53

35. EspantandoasGalinhas.................................................................54
36. CaboclinhoPonteado.....................................................................56
37. Oi,ChoroDoidoeDestralhado!...................................................58
38. QuatroeMaisUm..........................................................................60
39. SaudadedasBandinhas..................................................................61
40. CorrendonaPraia...........................................................................62
41. OlhaNsIndopraErechim,EueEla..............................................64

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