Escolar Documentos
Profissional Documentos
Cultura Documentos
Evaluation
Process
The first part of my production involved research into program
formats that use multi-camera techniques; my research was to
understand the layouts of studio productions mainly focusing on live
events. I studied how the cameras are positioned during live shows
in stadiums and studios, the purpose of this was to gain extensive
knowledge on the perspectives of the audiences viewing the
programs and how the layouts affected or suggested specific
themes. I looked at examples of studio set-ups and created a series
of drafts for my studio set up that was logical and conventional
similar to the studios I have looked at. I then studied why cameras
are placed so specifically and the moods they create, I found that by
altering my own studio set up, I could change the outlook for the
viewers. Whilst doing this, my main goal was to identify each
individual cameras job and what they are creating for the viewers. I
viewed events such as festivals and concerts to get an
understanding of where to place my cameras and how many
cameras are needed for the production.
emailing guests we had researched and were local. This went well as
we received immediate responses from the guests we intended to
use.
The next step of the process was the research booklet that I had
carried out for my guest. In this I carried out extensive research on
my guest and demonstrated why I have used them to talk about my
topic. The booklet provided key facts that I had researched online
about my chosen guest, the potential areas of interest that I will
focus on and the potential areas of concern that I had discovered.
I was the able to take this and apply it to my interview when writing
my own script later on. But before I could apply it to my own I had to
display an understanding of the purposes of techniques by
explaining why interviews are made and what techniques the
questioner uses to receive the intended effect out of their
interviewee. So I then researched the interview techniques that are
used in the industry such as question types and communication
skills. This provided me with extended information about how to
develop my questions and how to intentionally collate the maximum
desired response from the interviewer. Once I had gathered all my
information from the research I could then move onto the next step
witch was planning all the pre-production for the live event. I did this
by filling out a production booklet that would cover all the small
details of the production such as shot types and timings to then use
throughout my live show, this way I could produce a plan of the live
production beforehand making everything ordered and ready to
shoot when the date comes. This booklet would cover the main
areas of concern in my production to extent, therefore making it a
pre-check for the production before we start filming or editing.
The next step in the production of the show was to define the
structural progression of the interview, to do this I planned out what
questions will be asked and when they will be featured. By doing
this I had a layout of segments that had to be chronologically
this proposal I could explain how the show will focus towards the
indented audience, the effect we wanted to create and the ways it
would be successful in achieving its intended effects and outlook.
Draft Script
Final Script
The next step in the process was listing how each segment during
the show will be linked together; this was a way of listing each
segments connection. By completing this we could have an
understanding of how to edit the show together while filming and
what clips to place where, saving us time when we edit the visual
graphics for the show. The final section of the processing was the
planning of the physical objects and arrangements. For this we
wrote up an equipment list that displayed all the props that we will
need to use, by doing so we would be ensuring that we were
prepared before the live event and did not forget anything, as we
were very limited with time. The physical placements of the objects
and props were all planned within the set design witch I drew up
after writing the props list. The set design consisted of every object
in the studio and the specific place we desired them to be when
filming the production.
It displayed the position of the lights and cameras and the green
screens layout in the room, this would be our final set ready for
filming. On top of this I had to plan the lightings layout as well, this
would be planned for each section of the show. I took photographs
of the lighting design to ensure that on the day we could alter them
when needed for each others segments. This section was all under
studio management plans witch consisted of planning out who will
be in what room doing what job throughout the live recording; I had
to place each roles into specific rooms and draw out a map to show
where they should remain during each segment. By doing this, we
were able to manage the studio floors and control rooms effectively
and avoid mixing up any segments or roles. The plan acted as a
guideline or basic rules that the crew could follow, providing a
simple but effective time managed schedule.
After we planned out the set ups for the studios and control rooms,
we had to complete the location recce forms. These would be our
way of ensuring the locations we wanted to film in were suitable for
our filming needs. These required us to each go to our location and
check the area to check for any potential issues such as sound,
lighting, or any disruptions that could occur when filming; the recces
were planned as a pre-filming check. We would explore our chosen
location and compile a form that showed the address and location
on a map, we took notes on the location on if we were satisfied and
finally contacted the site owner to check for filming permission; this
was important as we had to check if the site was available for free
use. After this, we completed a risk assessment form.
The risk assessment form was written to carry out any potential
threats to health or safety in the working environment. This makes
sure that we take the necessary measures to protect the
crewmembers or anyone involved within the production. The risk
assessment defines the risk and the possible outcome of the
accident, and then we list precautions to attempt to prevent or
lower the risk of the hazard. This element of the production is vital
to ensuring that the people involved within the production are safe
and fully avoiding any threats to health or safety. The assessment
provides precautions that the crew should read prior to any physical
activity that may cause harm to themselves or others; it ensures
that they are now aware of the precautions.
The final step of the planning and pre-production booklet was to fill
in the shot list timetable; this showed us the type of shot we
required to use for each shot. It gave us camera angles and shot
types that we desired to use whilst displaying witch camera to use
and what action is occurring whilst the shot is in use. By doing this
we are giving ourselves a plan beforehand of the timing of each
shots, this benefits the control room, as they will be able to time the
shots and change the cameras to match the script that we wrote.
The shot lists with the times were sent to the vision mixer in the
crew. Once we completed the shot list, the production booklet was
complete and we were ready to start the rehearsals for the live
show. During the rehearsals we practiced the whole live show by
reading out the scripts and practice recording the show. This was
done to get us used to the timings of the script therefore we would
understand the layout of the show.
The final step of the process was the filming of the live production;
we had arranged our guests to meet us at a specific time. We filmed
the production live, so it had to all be done in one take, this includes
all the live graphics editing, sound editing and lighting. The live
production was successful because we had planned the timed
sequence through the script and shots list during the preproduction. This helped us manage the production as we could order
the segments within the show to match the timed script we have
written. The factor that helped us succeed the most for the filming
was the time management we used, by scheduling the time of the
production we could make the process easier to mange by taking
control of the time.
Next we had to ensure that the live show we were producing was
appropriate to the target audience, this is crucial in developing the
shows theme and successfulness for the outcome. This is because a
show must aim its shows towards a specific group to get the
attention of the audience. If we aim our show towards a certain
target audience we can direct their attention towards the show. The
research can help us identify what the audience seeks and what
they deter. This means we can tweak anything within the show to
appeal more towards the audiences.
Visual Techniques
In our production we dressed appropriately to the style we had
planned beforehand during the production of our show. We planned
to dress in a code witch featured suit tops and appeared casual but
smart, this was successful as we al decided to bring suit tops and a
shirt. Similarly to other shows we researched, they all appear to
have a common theme witch we followed, for example the Jonathan
Ross Show uses smart suits even though the atmosphere of the
show is casual. We based our show to this style of work and it came
out very well. These types of shows are often more casual and
relaxed so therefore the visual techniques they sue include body
langue that displays the emotions of the people present on screen.
We had to replicate the movement that we had seen in our research
and apply it to the relevant areas of our show. Our show also
followed a casual theme therefore we had to ensure the hosts and
guests were positioned to appear in a state of comfort. This
important factor of visual techniques can also be portrayed
throughout the show in body langue that is used; viewers who watch
the shows often decide within the first few minutes of the show how
to interoperate its themes.
Body langue is the tool that the hosts will use to establish the mood
of the program; it aids the viewers into understanding what type of
show it is. I believe we did this well because we followed similar
shows that incorporate our style and themes; we used basic
gestures to show that the program is casual and chatty. The final
key factor of the visual techniques is the facial expressions that are
present throughout the show. During the live show, facial
expressions compromise gesture of the person speaking and show
the emotions of the guests and hosts throughout the show. Facial
expressions are also important in showing the guest that the host is
listening back and vise-versa; on top of this maintain eye contact
shows interest and that the person is interested in the conversation
as they are focused. Facial expressions can also convey the feelings
of the persons on the studio; I believe that in our production we
created appropriate facial expressions that showed the audience
that we were fully engaged and interested within each others topics
of conversation. This was made clear through the constant eye
contact and suitable emotions that were presented to display each
others emotions throughout the actual live show.
Structuring
During the pre-production we had to write and develop our scripts, I
found the questioning for the production to be a very simple process
as we had formulated a draft plan for the script beforehand giving
us a clue in witch direction we wanted to aim the questions. We
formulated questions that were relevant and were suitable towards
the target audience. We had to consider the interview style and
base our interviews style similar to the styles we had interviewed;
this means we had to include similar factors that the shows that we
researched used. Considering the interview style involved some