JOHN ADAMS PHRYGIAN GATES for piano (Copyright © 1983 Arcocated Music Publishers, Ine, New York AILRight Reser No part of this 6 ASSOCIATED MUSIC PUBLISH ERS New York/LondonPhrygian Gates was composed in 1977-78 for the pianist Mack McCray and funded by a group of the Board of Trustees of the San Francisco Conservatory of Music, and was first performed on March 17, 1978 in Hellman Hall, San Francisco. PERFORMANCE NOTES. ™ Special attention should be given to equalizing the volume of both hands so that no single pattern ever dominates another. Never at any point should one hand become “primary” and the other “secondary.” Likewise, in « repeated pattern, care should be given so that no single note predominates over the others. (Given the resonant idiosyncracies of the piano, some pitches will appear louder than others. Hence the pianist must listen care- fully and constantly adjust the weight of attacks.) Marks (double-stemmed notes which indicate structural points) should not neces- sarily be played louder than their context, except where indicated. 'm Pedaling indications are given as ideals; individual adjustments should be made with these in mind. afor Mack McCray PHRYGIAN GATES. JOHN ADAMS (1977-78) 290 Pp Ke Piano $a una corda rp sempre p +h Copyright © 1983 Associated Music Publishers, Inc, New York AUR{ghts Reserved International Copyright Secured. Printed in US.A. No part of this work may be seproduced or tansmltted In any form of by any means, electronic or mechanical, including photocopying by aay Information ‘AMP-1860-2 Se chanical, 1g photocopying o: by any is Storage and retrieval system, without permission in wilting from the publisher.b sempre p T +2 AMP-7860-2a AMP-7860-2 sempre Ptre corda - #2. una corda 2 AMP-7860-2 tAMP-7860-2’ RR tre corda ——_ a___2 = AMP-7860-2AMP-7860-2 + Buna corda haoa 10 poco pitt forte a *B tre corda 7 P(subito) eh una corda #2 tre corda - poco pitt forte a una corda AMP-7860-2(do not accent the marks) ) 7 + sal tre corda) sempre p coy 180 ale, oy Ra, ha una corda AMP-7860-2(keep rhythm of 4) decrese. poco pitt forte ST (@) ‘senza Ped. tre corda AMP-7860-2(é = ls = Poco cresc. rs 2 = 2 ow 7 p0¢o eres = mf — Ee ‘FP sim. mf, ~) Sa (full. AMP-7860-2una corda ®R tre corda AMP-7860-22 eese, poco @ poco 85 8 jo ° E29} tee Qh “es AMP-7860-2e 16 right hand louder than left throughout sempre ff 7 a y AMP-7860-2Vea (full) sempre ff AMP-7860-2RHS£. LH: pp (subito) PPYoubiio) - una corda continue Ped, > AMP-7860-219 [279] 2 ‘gradually clean ped. (slight accents) 280) AMP-7860-2‘sempre p AMP-7860-2B19) 8 #2 tre corda ns eh 5 em | sempremp AMP-7860-2e (una corda on marks only) wc ———— Z v *B pi fore *h AMP-7860-223 P subito crese. % senza Ped, e—_¢ ot Gresc. POCO a poco mf ‘gradually add pedal Ff ‘sempre cresc. AMP-7860-2; Seed le Se me ere eee ——_? oN —_—_2 + gradually release pedal decrese, AMP-7860-225 * senza Ped. from here through Bar 394: a gradually sloped crescendo] gradually depress pedal full pedal | ey | | = [between here and gradual decresc, Bar 400 the left and right hands gradually join] AMP-7860-2’ 26 mo my decresc. mp decresc. ee (continue Ped.) P tranquillo #_una corda21 poco pit forte tna non tanto AMP-7860-2 -—, 2 * IF this chord is not reachable leave out Bb ; do not roll the chord.28 ase f50] b ‘sempre P ony a o oe Dy | | | | | AMP-7860-2f forte Re conda * decresc, o gradually clean pedat AMP-7860-22 | | | En ttertest, ; poco eee wz s : peter ore | cle . AMP-7860-2‘meno forte (poco a poco) % (senza Ped.) gradually depress pedal decresc. poco a poco AMP-7860.2