(b c1490; d Leipzig, 1554). German printer. Records show that he
became a citizen of Leipzig on 5 October 1510. His printing and publishing business, begun in 1521, included a book bindery and a retail bookshop. Since no publications bearing his name are dated later than 1545, he probably devoted the last years of his life to the sale rather than to the printing of books. After his death the firm was taken over by his son, Lorenz, but apparently with little success. One of the first Protestants in Leipzig, Faber maintained close business ties with Georg Rhau in Wittenberg. His book production was largely confined to school texts and grammars and theological writings, beginning with the works by Reformation authors and later turning to those of the Catholic Church. In music he is known for a single publication, Melodiae Prudentianae et in Virgilium magna ex parte nuper natae (1533), which contains four-voice metric settings by Lucas Hordisch and Sebastian Forster of hymns by the 4th-century Latin poet Aurelius Clemens Prudentius. Simple note-against-note settings of antique metres, often of Horatian odes (see Ode (ii)), were fairly frequent in Germany in the early 16th century and showed the influence of the contemporary humanistic movement. The quantitative rhythms of the hymns in this collection are notated in semibreves and minims with no general time signature; one note is allotted to each syllable of the text. The metric scheme is indicated at the beginning of each setting. The music is printed in choirbook format, using the oldfashioned system of block printing. Faber published the complete texts in a separate volume, Aurelii Prudentii liber kathemerinon (1533), since only the first strophe was given with the melodies. BIBLIOGRAPHY MGG1 (H.C. Wolff) A. Kirchhoff: Die Entwicklung des Buchhandels in Leipzig bis in das zweite Jahrzehnt nach Einfhrung der Reformation (Leipzig,1885)
R. von Liliencron: Die horazischen Metren in deutschen
Kompositionen des 16. Jahrhunderts,VMw, iii (1887), 2691 H. Riemann: Notenschrift und Notendruck, Festschrift zur 50jhrigen Jubelfeier des Bestehens der Firma C.G. Rder Leipzig(Leipzig, 1896), appx, 188 H. Springer: Die musikalischen Blockdrucke des 15. und 16. Jahrhunderts, IMusSCR I: Basle 1906, 3747 O. Clemen: Melodiae Prudentianae, Leipzig 1533, ZMw, x (19278), 10627 H. Jentsch: Nickel Schmidt (Nicolaus Faber) und Michael Blum, zwei Leipziger Drucker der Reformationszeit (Wolfenbttel,1928) J. Benzing: Die Buchdrucker des 16. und 17. Jahrhunderts im deutschen Sprachgebiet (Wiesbaden, 1963, 2/1982), 262 MARIE LOUISE GLLNER