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Las Alegrias (I) Libreto de Partituras Guitarra Flamenca paso a paso (Vil) Une camire profescanals wae développia qui commerce dapua wis jaune donne au creat a won tn tne comme corcarise ot ereposteur vee soulamert 17 a ome son pea concert Gomme soinle #1 dew saa sna # aaverd Feaspensctie claborateur ces deur phi grands de [Square samenca urement 1 comiowe on satare 2 marche déja avec tex eles recornalasances pie du pl haut rives {dor In more Fama, Sousne Rar (Fac ‘& TUnen) La Récompense Nateraia do by Cslre Flmenea ce Jems din Prony, (Cae ‘uous ne lsbetasse méthode Cemakremert senaensteée, tisement poeeitre daw c= tomas it soulone un kong ot te aval de recherche sur la pidagroie cars la gulave eenca Dans ‘ame repeioee comm eomponiaut on Hore (Sverces ceuvres Aeteds de zeneen: Ls Galore Famerea Par Pa oe de etea) tT do SGunaee Famenca™ (en colaboraien aves Cause Woe 1 oat oe gnome pevieas fwotneome de Farancn Seana Nace samme by Russi (Comsaralere Tehakoy, cseou), Foloane (Acackeie Chopin, Varowe, Uriel te Panama, En ela suse premier ‘pos Un endcar anceae on ide ot mane dane ‘caine Oe Bos eer aero Career 1 recarmentprésoré son raat Mecha! : dane time toue po? 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Ha. eidd (Geers poe eam USA, Brest, Jorgen, ‘Arena, ie Diecegrat “Tomenie” (Celaborn Cemen Linares, Sevan, Sara Boras, Jovi Barer} “Por Fala (ess ce Gatwras com In gata Chace dears Grama). “Wocnao” (Con Tina Garaisn, ose Manel Bet, Gaerne Maca Le coracerizn una saturn dot musics Famven cuttondo con eumera co. som, fgresanda con auilea is gran racic a2 ‘la o's gare, ‘hn exersive concen ccna wich began when Fe wat tay young stony 1p Ne abit Se ‘ congoaer ahd concent pertamer, [A be: age of 17 pe gone Na fst concert as 8 Sonic are he years. lor he became on irdepensle otsoras of to of th nck Hs corunuo te aevanca his ols earer, waving "hs gies ro ah ght bv he rete faranc the Sorte Mineo Peal Se {3 Union) ana the Reson! Flamenco Guta Fre Imdere de Frontera tHe she autor ofa complete teaching mato, fara ie uch he at on abate pronoae Feteaing s0 euanding sseeaigatin inte Ihe fedogony ofthe flamer gut In his erple Senco rpatare ete can ind cri 2 Pee0" (ares of sec) and “Tratade ee Ia Guta. 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Gar Caron Oar haath Tio Ge Cees, ee Marl Busio| nd Gterme Meith Cuca Moro has 2 uncqe vn of Sameneo ma, tling 2 Of eae nee red Ui ME ‘iri sty excess thes at -ALEGRIA “E”- INDICE -INDEX Signos de notacidn / Notation signs Cierres Estructuras Ritmieas / Structure Rhythmic ‘Comipases rasgueados (E-B7-E-B7-E) ‘Compases rasgueados (E-B7-E) ‘Compases rasgueados (INTRO) Secuencia A-E-B7-E / Sequence A-E-B7-E. Melodias 7-8-9 / The melodies 7-8-9 Falsetas. Remates Liamadas Finales Pagina | Page 12 16 31 35 -SIGNOS DE NOTACION- ri NOTA: Cuando se refiere a acordes y no se indica nada, el acorde es Mayor, ejemplo: C=acorde de Do Mayor; Cm = acorde de Do menor; C7 = acorde de Do séptima (Mano derecha) p= pulgar; i = indice; m = medio; a = anular; ¢ = mefiique; T (Mano izquierda) ae indice; 2 = medio; =anular, 4 = meftique © ® @® ® Los niimeros indican la cuerda donde se pisa © Golpe en la tapa arménica con dedos: a, m Pos 1, Pos 2, 1,11, 10, (Vv, 1 Fin de cejilla, Pos, Ras, .. Posicidn de la mano izquierda sobre el diapasén _... Cajilla en el traste donde indica ef nimero romano Media cejilla en el traste donde indies el mimero romano ( ) Opcional -RASGUEADO t (pim.ac) Rasgueado de graves.a agudos con el dedo que se indique 4 (9,1) Rasgueado de agudos a graves con el dedo que se indique todos ' 1 (pi) Rasgueadode graves a agudos con el dedo que se indique, acompahado de golpe +, Golpe en l parte superior de la apa arménica seguido de rassueo con el dedo que se indique (p P t (dente Ras 3 -NOTATION SIGNS- oS = rss c D E F G A B NB: When referring to chords and none is indicated, the chord is Major for example: C= the chord of C Major; Cm = C minor; C7 = chord of C7 (Right hand) p= thumb; i= index; m= middle; a= ring finger; e = littel finger; T = all (Left hand) 1 ~ first finger; 2 = second finger; 3 = third finger; 4 = fourth finger © ® © © © @ The numbers indicate the string which must be struck % "Golpe” is a tap on the sound board with thering finger and middle finger... Pos 1, Pos 2, ..... Position of the left hand on the fret board 1, 11, II, IV, ...... Barré on the fret indicated by the Roman numeral . Half barré on the fret indicated by the Roman numeral TV, 4V, () Optional — End of barré, (cejilla) Pos, Ras, -RASGUEADOS- (STRUMMING) t (Prismae) Rasgueados from the bass to the treble strings with the finger indicated 4 (pi) Rasgueados from the treble to the bass sirings with the finger indicated * ‘Np. i) Rasgueados from the bass to the treble strings with the finger indicated accompanied by the "golpe" % "Golpe” on the ‘upper’ sound board (above the bass strings) followed by the finger indicated (ny (mp) eee 4 ot f