NAME — ‘Compound Chords ‘* Write the chord scale for the Roman numeral function in the given keys. + Write a voicing for each type of compound chord, referring to the chord scale. + Write the appropriate chord symbol above each of your voicings. Chord Scale Inversion Hybrid Polychord © em ® Fsuov7 —_ ® bw This exercise continues on the next page. 99NAME — ‘Compound Chords: ‘+ Write the chord scale for the Roman numeral function in the given keys. ‘+ Write a voicing for each type of compound chord, referring to the chord scale. * Write the appropriate chord symbol above each of your voicings. Chord Scale Inversion Hybrid Polychord © e:vmaz e ©) | E dorian: -7 SS @ eK 100 HPHPHKHHRDRLERERRVRRTRTLVRVIVRVRRVTVLERERERERELRERPERERPERERRRRETRDVOUUDPLURR EDD D DULLED DPR D LLL DUD LRRD U Ra A NAME Inversions + Analyze this progression indicating inversions by writing the Roman numeral over the Arabic chord tone that is in the bass voice (ie 1V/3). ud + Analyze the following minor progression then voice lead. (Refer to guidelines on page 105 of the Harmony 4 text) Ar(susd) AZZ, + Write an original 5 measure progression beginning and ending on the tonic. Use at east 2 inversions. Voice lead and analyze your progression. © This exercise continues on the next page. 101NAME Inversions @+ Analyze this progression indicating inversions by writing the Roman numeral over the Arabic chord tone that isin the bass voice (ie: V3), | : Is nd t i oo ©« Analyze the following progression then voice lead. (Refer to guidelines on page 105 of the Harmony 4 é é é - - = - - - - - - - - - - - - - - text.) a - - © - Wirt n original measure progresion beying and ending onthe tonic, Use atleast inversions Voice lead and analyze your progression. 102 HPHPOHHOHHKHHOHRRLRERERERERRERERREURURENAME Hybrids © Analyze this progression Bhat maiz a = oo SS } — i — = 4 = ® _ + Waite a chord scale for each of the chords above + Put an X through the root and 3rd of each scale because hybrid voicings do not contain Srds and their roots should not be repeated in the upper structures. + Put an X through $4 in the ionian chord scale. 1 ————— a SS S ° ae = 46 : — : 5 . == = . ft SS © + Listait the possible triad and 7th chords that could function as upper structures for hybrid voicings for each chord above. Do not list diminished chords or -7() chords. [fads] [7th chords: 2 2. 3. 4, 4 5. 5, 6 6 @ _ «From the possibilities you listed in #3, choose a hybrid voicing, for each chord and write the new hybrid chord symbol above the melody pitch. The melody pitch must be a chord tone of your upper structure lead the progression with the hybrids you selected. Keep the given melody as the top note and the original roots in the bass voice. VVUUVVVL LULU DURE ERR RRR ELNAME Hybrids * Write an appropriate hybrid chord symbol for each of the following Roman numerals in the given pro- sgressions. '* Voice lead the hybrids for piano. De major with modal interchange Imei7 (vr) w7 nr Imaj7(1) G 17 wer Wimaj7 Wvu7 17 104 DOPED DEPDREDRERRURREREVVUVVRUIRTLVURRVERRLURVREVETLRERREEREREREREDPUDDLE RRLD DELL LLL URED DDE E LRRD REDD DEERE DL RLEUL EDEL REED ERED, NAME, Polychords © « Write compound chord symbols for this progression of polychords. + Analyze the progression. \6 [ste @) © Rewrite the chord symbols in this progression as polychords and then fully notate for piano. Dimaj7 G7 Gimaiz G77 BT EAT 7 Dimair(11) — Dimaj7 © + Write compound chord symbols for the following polychords. + List the chord scale source for each chord. Chord scale source: Foo, 105NAME + First, write chord symbols for these progressions-most of the chord voicings are compound chords which will require a slash in the symbol. Compound Chords ‘+ Under the appropriate compound chords write | for inversion, H for hybrid, or P for polychord. + Analyze the progressions. © 106 WPOPRRRRVVVVVVVVUVUVRUVVUVUVUVVUVRUVRVURVRRRUVVRVVVVRRRVUVVRVVUNAME Compound Chords + First, write chord symbols for these progressions-most of the chord voicings are compound chords which will require a slash in the symbol. ‘+ Under the appropriate compound chords write | for inversion, H for hybrid, or P for polychord. «+ Analyze the progressions, © 106 WPPRRRRVVVVRVUVVVVVVUVURVVVUVVVURVRVVUVVRRRVVVRVVUVRRVVUVVRVVUY