LEGENDA | LEGEND:

1 PRE©ERNOV TRG
PRE©EREN SQUARE
2 HAUPTMANNOVA HI©A
HAUPTMANN HOUSE
3 URBAN»EVA VELEBLAGOVNICA -
CENTROMERKUR | URBANC
DEPARTMENT STORE -
CENTROMERKUR
4 MESTNA HRANILNICA | CITY
SAVINGS BANK
5 DRÆAVNA OBRTNA ©OLA
STATE SCHOOL OF CRAFTS
10 6 NEM©KA HI©A | GERMAN HOUSE
16
7 NEM©KO GLEDALI©»E - DRAMA
15
11 12 GERMAN THEATRE - DRAMA
14
8 MLADIKA
13
9 NARODNA TISKARNA
21 NATIONAL PRINTING HOUSE
10 HRIBARJEVA HI©A | HRIBAR HOUSE
20 11 MIKLO©I»EV PARK
25 MIKLO©I» PARK
19
18 12 KRISPERJEVA HI©A
17 KRISPER HOUSE
13 REGALLIJEVA HI©A
22 REGALLI HOUSE
9 3
8 4 14 DEGHENGIJEVA HI©A
23 DEGHENGI HOUSE
2 1
15 POGA»NIKOVA HI©A
POGA»NIK HOUSE
16 »UDNOVA HI©A | »UDEN HOUSE
17 MIKLO©I»EVA ULICA
MIKLO©I» STREET
18 LJUDSKA POSOJILNICA
24 PEOPLE’S LOAN BANK
19 HOTEL UNION
20 ZADRUÆNA GOSPODARSKA BANKA
COOPERATIVE BANK
7
21 BAMBERGOVA HI©A
BAMBERG HOUSE
6 22 ZMAJSKI MOST | DRAGON BRIDGE
23 KATOLI©KA TISKARNA
CATHOLIC PRINTING HOUSE
24 MIKLAV»EVA VELEBLAGOVNICA
MIKLAVC DEPARTMENT STORE
25 LJUDSKA KOPEL | PUBLIC BATHS

TURISTI»NI INFORMACIJSKI CENTER

TOURIST INFORMATION CENTRE
5
 KAZALO / INDEX:
Uvod 4
Foreword 5
Pre[ernov trg 8
Pre[ern Square 9
Hauptmannova hi[a 8
Hauptmann House 11
Urban;eva veleblagovnica - Centromerkur 10
Urbanc department store — Centromerkur 11
Mestna Hranilnica 12
City Savings Bank 15
Dr/avna obrtna [ola 14
Regallijeva hi[a - vhodna vrata \ Regalli House — entrance door National School of Crafts 17
Nem[ka hi[a 16
German House 17
Nem[ko gledali[;e - Drama 18
German Theatre — Drama 19
Mladika - dekli[ki licej in internat 20
Mladika — girls’ lyceum and boarding school 21
Narodna tiskarna 22
National printing house 23
Hribarjeva hi[a 24
Hribar House 23
Miklo[i;ev park 26
Miklo[i; Park 25
Krisperjeva hi[a 26
Krisper House 25
Regallijeva hi[a 28
Regalli House 27
Deghengijeva hi[a 30
Deghengi House 29
Poga;nikova hi[a 30
PogaËnik House 29
:udnova hi[a 30
»uden House 29
Miklo[i;eva ulica 32
Miklo[i;eva Street 31
Ljudska posojilnica 32
People’s Loan Bank 31
Regallijeva hi[a - detajl pomola \ Regalli House facade — detail of the bay
Hotel Union 32
Hotel Union 33
Zadru/na gospodarska banka 34
Cooperative Bank 33
Bambergova hi[a 36
Bamberg House 35
Zmajski most ;ez Ljubljanico 36
Dragon Bridge across the Ljubljanica river 37
Katoli[ka tiskarna 38
Catholic printing House 39
Miklav;eva veleblagovnica 40
Miklavc department store 41
Ljudska kopel 42
Public baths 41

Portal UrbanËeve veleblagovnice - Centromerkurja

2 Portal of the Urbanc department store — Centromerkur 3
 UVOD
Na prehodu v 20. stoletje se je v ve; evropskih mestih
razvila nova umetnostna smer, ki je imela skupni slogovni
jezik, obenem pa razli;ne kulturne izraze in tudi razli;na
imena> art nouveau (nova umetnost), Jugendstil
(mladeni[ki stil), Modern Style (moderni slog), École de
Nancy (nancyjska [ola), Glasgow Style (glasgowski slog),
Modernisme (modernizem), stil Liberty (svobodni slog) in
Sezession (secesija). Slednje ime se je uveljavilo za oznako
te smeri v arhitekturi tudi pri nas. Nova smer je zajela vse
zvrsti umetnosti, od arhitekture, slikarstva in kiparstva, ki
so dotlej veljale za visoko umetnost, do uporabne
umetnosti, gledali[;a, glasbe, literature, mode. Na ta na;in
je izra/ala idejo, ki je pozneje postala osrednja ideja
modernistov 20. stoletja. To je, da so vse umetnosti enake.
Najvi[ji cilj nove umetnosti so bile tako imenovane
celostne umetnine - Gesamtkunstwerke, kjer se v popolni
usklajenosti prepletajo in dopolnjujejo v celoto dela
razli;nih umetnostnih zvrsti.
Krisperjeva hi[a - detajl \ Krisper House - detail
Novi slog je izrazito povezan z me[;anstvom. Povezan je z
dolo;enimi mesti in manj z de/elami. Tako je npr.
pomemben za Barcelono, in ne za Madrid, za Glasgow, in ne
FOREWORD
za London, za Pariz in Nancy, ne pa za Francijo. Me[;anstvo At the turn of the 20th century a new art style evolved in several
je bilo glavni porabnik nove umetnosti.V /elji, da bi se European cities. It featured a common stylistic language while
pribli/alo plemstvu, je veliko pozornosti namenjalo bli[;u reflecting diverse cultural expressions and also different names>
svojega bivali[;a, ki je tako postalo celostna umetnina par Art nouveau (new art), Jugendstil (youth style), Modern Style,
excellence. École de Nancy (Nancy school), Glasgow Style, Modernism,
Liberty Style and Sezession (Secessionism). The last became
Nova umetnost je pomenila prelom s tradicionalnim
established to represent this architectural orientation in Slovenia
akademizmom, s posnemanjem starih slogov. Bila je za;etek
too. It embraced all types of art from architecture, painting and
moderne umetnosti, za katero je zna;ilno iskanje novega
sculpture, which till then had been regarded as high art, to the
jezika, ki bi odseval novega duha. Izkoristila je tehni;ni
applied arts, theatre, music, literature and fashion. In this way it
napredek in nove mo/nosti, ki jih je ponujala industrija>
expressed an idea that subsequently became the central concept of
nove materiale (/elezo, jeklo, steklo, /elezobeton) in nove
20th century modernists, i.e. that all arts are equal.
tehnike. Razvijala je serijsko proizvodnjo, s katero so novi
izdelki postali dostopni [ir[im mno/icam. The highest goal of Art nouveau was to create total works of art
— where the so-called Gesamtkunstwerke — where the works of
Nova umetnost je bila tesno povezana z gospodarskim in
diverse kinds of art blend and enhance each other in perfect
dru/benim napredkom in s spremembami, ki so jih
harmony to form a whole.
do/ivljala evropska mesta na prelomu 19. stoletja, s hitrim
razvojem industrije in mno/i;no industrijsko proizvodnjo, The new style is distinctly connected with the wealthy middle
z razvojem prometnih sredstev (/eleznica, avtomobil), class. It is linked to specific towns and cities, less so to regions.
telekomunikacij, z novimi viri energije, z dru/benimi in Thus, for example, it is important for Barcelona, not Madrid< for
demografskimi spremembami itd. Glasgow, not London< for Paris and Nancy, not France. The
4 5
Nova umetnost je razvila povsem nove estetske ideale,
svobodnej[i in lahkotnej[i izraz. Navdih je iskala v
rastlinskem in /ivalskem svetu, v folklornih motivih,
nacionalni zgodovini, eksoti;nih kulturah in religijah ali pa
tudi v geometrijskih oblikah itd.
Ob koncu 19. stoletja je [e posebej zaznamovala
arhitekturo, tako zasebno kot javno. V novem slogu in z
novimi tehnolo[kimi metodami so bile na prelomu stoletja
zgrajene /elezni[ke postaje, ban;ne stavbe in
veleblagovnice, tr/nice, bolnice, [ole itd.
Tako kot gospodarstvo in dru/ba se je tudi nova umetnost
v Ljubljani uveljavljala poËasneje in pozneje kot v
industrijsko razvitih evropskih mestih, [ele v za;etku
20. stoletja. Prva pomembna secesijska arhitektura, Zmajski
most, je bil zgrajen leta 1901. Glavnina secesijskih stavb pa
je bila zgrajena v prvem desetletju 20. stoletja med starim
mestnim jedrom in /elezni[ko postajo ob Miklo[i;evi in v
obrobju Miklo[i;evega parka. Ta del mesta je zato tudi dobil
vzdevek secesijska Ljubljana.
KmeËka posojilnica, Trdinova 2 \ Agricultural Loan Bank, 2 Trdinova Street
middle class was the main consumer of Art nouveau. In the desire
to approach the nobility, great attention was devoted to the
splendour of their residences, which consequently became total
works of art par excellence.
Art nouveau signified a break with traditional academicism and
the imitation of old styles. It marked the beginning of modern art,
for which seeking a new language that would reflect the new
spirit was a characteristic. It exploited technical progress and the
new possibilities offered by industry> new materials (iron, steel,
glass, reinforced concrete) and new technologies. It also developed
mass production whereby new articles became accessible to a
broad mass of consumers. Art nouveau was closely linked to
economic and social progress and the changes that European cities
underwent at the end of the 19th century> the rapid development
of industry and mass industrial production, the growth in
transport (railways, cars), telecommunications, new sources of
energy, social and demographic changes, etc.
Art nouveau developed entirely new aesthetic ideals and a more
liberal and lighter means of expression. Inspiration was sought in
the plant and animal kingdom, folklore motifs, national history,
exotic cultures and religions as well as in geometrical forms.
At the end of the 19th century Art nouveau had a significant
influence on architecture, both private and public. Employing the
new style and new technological methods, the turn of the century
saw the construction of railway stations, banks and department
stores, markets, hospitals, schools and other buildings.
With the same lag as in economic and social development Art
nouveau in Ljubljana began to be established later than in
industrially developed European cities — not until the beginning
of the 20th century, in fact. The first important Secessionist
architecture, Zmajski most (Dragon Bridge), was built in 1901.
The most significant Secessionist buildings were constructed in the
first decade of the 20th century between the old city centre and the
railway station along Miklo[i; Street and on the periphery of
Miklo[i; Park. This part of the city therefore acquired the name
Secessionist Ljubljana.
7
1 PRE©ERNOV TRG
Sedanji Pre[ernov trg se je razvil iz kri/i[;a, ki je /e v
srednjeve[kem obdobju nastalo pred vhodom v obzidano
mesto. Æe v 17. stoletju je bila zgrajena fran;i[kanska cerkev
Marijinega oznanjenja, vendar so kri/i[;e izravnali in
tlakovali [ele sredi 19. stoletja, potem ko so poru[ili mestno
obzidje.
Po velikem potresu ob koncu 19. stoletja so na trgu sezidali
nove me[;anske pala;e, ki so se po vi[ini prilagodile vencu
fran;i[kanske cerkve in trg zaprle> Mayerjevo pala;o
(Pre[ernov trg 5), Frischovo (Pre[ernov trg 3) in Seunigovo
hi[o (Pre[ernov trg 2) na za;etku :opove, na drugi strani
Ljubljanice pa so zgradili Filipov dvorec (Stritarjeva 9) in
Kresijo (Stritarjeva 6) po na;rtih gra[kega arhitekta
Leopolda Theyerja. Poleg teh neohistori;nih pala; je bila v Pre[ernov trg \ Pre[eren Square
prvem desetletju na[ega stoletja v secesijskem slogu
prenovljena Hauptmannova hi[a (Wolfova 2), in zgrajena
1 PRE©ERNOV TRG (PRE©EREN SQUARE)
Urban;eva hi[a, sedanji Centromerkur (Trubarjeva 1), prva Present-day Pre[eren Square developed from an intersection
ljubljanska veleblagovnica in ena najlep[ih secesijskih which in mediaeval times originated in front of the entrance to the
stavb v mestu. Med obema vojnama je na ju/ni strani med walled city. The Franciscan Church of the Annunciation was
Wolfovo in Hribarjevim nabre/jem trg na novo zaokro/ilo built in the 17th century, but the road junction was levelled and
zgodnjefunkcionalisti;no pro;elje Mayerjeve paved only in the middle of the 19th century once the city walls
veleblagovnice (Wolfova 1), s Ple;nikovim Tromostovjem, were demolished.
oblikovanim po bene[kih vzorih z belimi balustrskimi
After the great earthquake at the end of the 19th century new
ograjami in stopni[;ema, ki se spu[;ata proti re;nemu
bourgeois residences were built in the square. These were adapted
bregu, pa se je trg funkcionalno in vizualno raz[iril prek
to the height of the cornice of the Franciscan Church and enclosed
reke in dobil dana[njo podobo.
the square> Mayer House (5 Pre[eren Square), Frisch House
2 HAUPTMANNOVA HI©A, WOLFOVA 2 (3 Pre[eren Square) and Seunig House (2 Pre[eren Square) at the
(ARHITEKT C. M. KOCH, 1904) beginning of »opova Street. On the other side of the Ljubljanica
river Filip Court (Filipov dvorec, 9 Stritarjeva Street) and Kresija
Hauptmannova hi[a je bila zgrajena /e leta 1873. Bila in ena (6 Stritarjeva Street) were erected according to the plans of the
izmed redkih ljubljanskih stavb in edina na trgu, ki je Graz architect Leopold Theyer. Besides these neohistorical
skoraj nepo[kodovana pre/ivela ljubljanski potres. Po buildings, the first decade of the 20th century saw the renovation of
potresu je hi[o kupil Adolf Hauptmann, trgovec z barvami, Hauptmann House (2 Wolfova Street) in the Secessionist style and
in dal prenoviti pro;elje in streho doma;emu arhitektu the construction of Urbanc House, the present Centromerkur
Cirilu Metodu Kochu. Koch je hi[o obnovil v slogu modne (1 Trubarjeva Street), which was the first department store in
dunajske secesije. Pro;elje je oblo/il z barvnimi Ljubljana and one of the finest Secessionist buildings in the city.
kerami;nimi plo[;icami v geometrijskem motivu, streho, ki In the inter-war period, on the south bank, between Wolfova and
je danes /al spremenjena, pa je na zgornji strani zaklju;il s Hribarjevo nabre/je (Hribar Embankment), the square was
plo;evinastimi snegolovi v valoviti, nekako orientalski rounded off anew by the early functionalist facade of the Mayer
liniji. Koch je za pro;elje izbral kontrastne zeleno-modro- department store (1 Wolfova Street). With Ple;nik’s Tromostovje

8 9
 rde;e barvne tone. Barvna pestrost ka/e na so;asne modne
dunajske vzore, lahko pa jo povezujemo tudi s poklicem
hi[nega lastnika.
3 URBAN»EVA VELEBLAGOVNICA — CENTROMERKUR,
TRUBARJEVA 1 (ARHITEKT FRIEDRICH SIGMUNDT, 1902—1903)
Ljubljana je imela v za;etku 20. stoletja manj kot 40.000
prebivalcev. Trgovina je bila v rokah majhnih trgovcev, ki
so imeli v starem delu mesta prete/no majhne,
specializirane trgovine, modernej[e trgovine z velikimi
izlo/benimi okni pa so po potresu zrasle predvsem na
obmo;ju med starim mestnim jedrom in /elezni[ko postajo.
Prvo veleblagovnico je dal zgraditi ljubljanski trgovec Felix
Urbanc. Kot pove letnica na pro;elju, je bila zgrajena leta
1903, na;rte zanjo pa je narisal gra[ki arhitekt Friedrich
Sigmundt. Zasnovana je po vzoru sodobnih veleblagovnic v UrbanËeva veleblagovnica - notranjost Centromerkurja
Interior of the Urbanc department store — Centromerkur
velikih evropskih prestolnicah> Parizu, Dunaju Gradcu,
Budimpe[ti. Glavno, komaj 5,5 metra [iroko enoosno
(Three Bridges) designed according to Venetian models with white
pro;elje je obrnjeno proti trgu s portalom, ki ga poudarja
balustraded railings and stairs that lead down towards the river
polkro/ni nadstre[ek v obliki pahlja;asto razprtih cvetnih
bank, the square acts and visually extends across the river, thus
listov iz stekla in kovanega /eleza. Na polkro/ni atiki stoji
acquiring its present-day appearance.

Hautmannova hi[a \ Hauptmann House

2 HAUPTMANN HOUSE, 2 WOLFOVA STREET
(ARCHITECT: C.M. KOCH, 1904)
The Hauptmann House was built in 1873 and was one of the
rare buildings in Ljubljana and the only one in the square that
survived the earthquake almost undamaged. After the earthquake
the house was bought by Adolf Hauptmann, a paints merchant,
who commissioned the renovation of the facade and the roof to the
local architect Ciril Metod Koch. Koch renovated it in the
fashionable Viennese Secessionist style. The facade is clad in
coloured ceramic tiles in a geometrical motif. The roof, which was
unfortunately altered in the meantime, was concluded in the
upper part with sheet metal snow guards with an undulating,
somewhat oriental line. Koch selected contrasting green-blue-red
colour shades for the facade. The colour diversity displays
contemporary vogue Viennese patterns and could also be
associated with the profession of the building owner.
3 URBANC DEPARTMENT STORE — CENTROMERKUR,
1 TRUBARJEVA STREET (ARCHITECT: FRIEDRICH SIGMUNDT, 1902-1903)
At the beginning of the 20th century Ljubljana had less than
40,000 inhabitants. Trade was in the hands of small merchants
who had small, specialised shops predominantly in the old town
10 11
 neobaro;ni kip Merkurja, boga trgovine in za[;itnika
trgovcev.
Notranj[;ina trgovske hi[e je enoten prostor z osrednjim
monumentalnim stopni[;em, ki vodi v prodajno obhodno
galerijo v prvem nadstropju.
Stopni[;e nosita dve vrsti stebrov, na oboku med spodnjo in
zgornjo vrsto stoji /enski kip, personifikacija obrti.
Elegantna linija stopni[;a in lesene stopni[;ne ograje,
spodaj zaklju;ene z dvema lesenima /enskima glavama,
[tukaturni okras zidovin, rastlinski okras pohi[tva,
dekorativni motivi na jedkanih steklih izlo/benih vitrin,
oblikovanje lu;i in drugih detajlov odseva neposredne
vplive belgijske in francoske razli;ice nove umetnosti, kar
je v Ljubljani, ki se je sicer bolj zgledovala po dunajski
secesiji, redkost. Urban;eva hi[a je ena najkakovostnej[ih
ljubljanskih secesijskih celostnih umetnin, kjer se je Mestna hranilnica \ City Savings Bank
oblikovanje arhitekture in notranje opreme zlilo v
nelo;ljivo celoto. quarter. More modern stores with large display windows were
?al je danes povsem neustrezno prenovljena in urejena. built after the earthquake mainly in the new town quarters — the
area between the old town centre and the railway station.
4 MESTNA HRANILNICA, »OPOVA 3
(ARHITEKT JOSIP VANCA©, 1903—1904) The construction of the first department store was commissioned
by the Ljubljana merchant trader Felix Urbanc. As written on the
Mestna hranilnica ljubljanska je bila ustanovljena leta facade it was erected in 1903 according to the plans of the Graz
1882. Bila je prva slovenska ban;na ustanova in kot taka architect Friedrich Sigmundt. It was designed on the model of
konkurenca nem[ki Kranjski hranilnici, ki je bila dotlej contemporary department stores in large European metropolises>
najpomembnej[a v mestu. Paris, Vienna, Graz and Budapest. The main single axis facade,
Na;rte za novo poslopje je izdelal Josip Vanca[ (1869 - barely 5.5 metres wide, is turned towards the square with a
1933), sarajevski arhitekt, avtor [tevilnih pomembnih portal accentuated by a semicircular projecting roof in the form of
poslopij v Sarajevu, Zagrebu in [e posebej v Ljubljani. V fan-shaped blossom petals made of glass and forged iron.
prvem desetletju 20. stoletja je v Ljubljani zgradil Mestno The neo-Baroque statue on the top of the semicircular attic
hranilnico na :opovi ter Ljudsko posojilnico in hotel represents Mercury, the god of commerce and protector of
Union na Miklo[i;evi ulici, ki sodijo med najpomembnej[e merchants and traders.
secesijske stavbe v mestu. The interior of the department store is a uniform space with a
Pro;elje, na katerem se prepletajo histori;ni in secesijski central monumental staircase that leads to the circular sales
dekorativni elementi, zaklju;uje ;elo z grbom mesta gallery on the first floor. The staircase is supported by two rows of
Ljubljane nad njim. Portal v srednji osi stavbe, poudarjen z columns. On the flank between the lower and upper rows is the
nadstre[kom iz stekla in kovanega /eleza v obliki razprtih statue of a woman — the personification of crafts. The elegant
cvetnih listov, je skromnej[a razli;ica portalnega line of the staircase and the wooden staircase banister (finished
nadstre[ka Urban;eve hi[e. Nad vhodom je ohranjen edini below with two wooden female heads), stuccowork on the walls
avtenti;ni secesijski izvesek v Ljubljani. and plant-like ornamentation of the furnishings, decorative motifs
on the original etched glass display windows, lighting designs

12 13
 V notranj[;ini, v prvem nadstropju, je bolj ali manj pristno
obnovljena ban;na dvorana, eden redkih secesijskih
ambientov. V njej je ohranjen [tukaturni okras v enakih
motivih kot na pro;elju, avtenti;ni lestenci in kosi
prvotnega pohi[tva, jedkana stekla in oprema pa so izdelani
na novo.
5 DRÆAVNA OBRTNA ©OLA - SREDNJA ©OLA
LJUBLJANA, A©KER»EVA 1
(ARHITEKT VOJTEH DVOŘAK, 1909—1911)
Cesarsko kraljeva dr/avna obrtna [ola, ki je bila uradno
ustanovljena z vladnim odlokom leta 1911, je bila
namenjena izobra/evanju slovenske mladine iz vseh
slovenskih de/el monarhije. Monumentalno pala;o obrtne
[ole na vogalu Emonske in Slovenske je dala zgraditi
mestna ob;ina, na;rte je naredil ;e[ki arhitekt Vojteh
Dvořak iz Prage. Tedanji /upan Ivan Hribar je stavbo
ozna;il kot “eno najlep[ih [olskih poslopij v monarhiji in
najlep[e na slovenskih tleh”. Pro;elje je oblo/eno z bogatim
figuralnim in rastlinskim okrasom v secesijskem slogu>
Dr/avna obrtna [ola \ State School of Crafts
14
and other details reflect the direct influence of Belgian and French
variations of Art nouveau — a rarity in Ljubljana — which was
otherwise modelled on Viennese Secession. Urbanc House is one of
the finest and most elaborate Secessionist works of art in
Ljubljana where the architectural design and internal furnishings
blend to form an inseparable whole.
4 MESTNA HRANILNICA (CITY SAVINGS BANK), 3 »OPOVA STREET
(ARCHICTECT: JOSIP VANCA©, 1903-1904)
The Ciy Savings Bank was founded in 1882 and was the first
Slovene banking institution. As such it competed with the German
Carniola Savings Bank, which till then had been the most
important in the city.
The plans for the building were drawn by Josip Vanca[ (1869-
1933), an architect from Sarajevo and the designer of numerous
important edifices in Sarajevo, Zagreb and particularly in
Ljubljana. In the first decade of the 20th century he designed
several monumental buildings in Ljubljana one after the other —
the City Savings Bank in »opova and the People’s Loan Bank and
Hotel Union in Miklo[i;eva Street, which are considered to be
among the most important Secessionist buildings in the city.
The facade, a blend of Historicist and Secessionist ornamental
elements, is concluded on the top with a gable bearing the coat-of-
arms of the city of Ljubljana. The portal in the central axis of the
building, emphasized by the projecting roof made of glass and
forged iron in the shape of spread blossom petals, is the more
modest variant of the projecting roof of Urbanc House, both
influenced by the Franco-Belgian Art nouveau. The only authentic
Secessionist signboard in Ljubljana is preserved above the
entrance.
In the interior, on the first floor, is the more or less authentically
renovated bank hall — one of the few with a secessionist
ambience. The stucco ornamentation is preserved and features the
same motifs as on the facade. The authentic chandeliers and pieces
of original furniture, etched glass and fittings were made anew.
15
 otro[ka doprsja z obrtni[kimi emblemi, portreti
pomembnih znanstvenikov in umetnikov. Levo in desno ob
glavnem vhodu sta dve otro[ki figuri, levo deklica z grbom
mesta Ljubljane, desno de;ek z grbom de/ele Kranjske.
6 NEM©KA HI©A, SLOVENSKA CESTA 11
(ARHITEKTURNI BIRO ERNEST SCHÄFER IZ LIBERCA, 1913—1914)
Stanovanjsko hi[o je dal zgraditi pokojninski sklad
Kranjske hranilnice za svoje uslu/bence. Kranjska
hranilnica je bila najstarej[i denarni zavod na Slovenskem.
Ustanovljena je bila leta 1820 prete/no z nem[kim
kapitalom, zato so ljudje tudi hi[o, ki jo je zgradila,
poimenovali Nem[ka hi[a. Na;rte za stavbo so izdelali v
arhitekturnem biroju Ernesta Schäferja iz Liberca na Nem[ka hi[a - detajl fasade \ German House — facade detail
:e[kem, oblikovana je v slogu dunajske secesije. Bogato
arhitekturno ;lenjena pro;elja (pomoli, balkoni, loggie) 5 STATE SCHOOL OF CRAFTS,
krasijo geometrijski vzorci iz kerami;nih plo[;ic. Otro[ki NOW THE LJUBLJANA EDUCATION CENTRE,
kipi iz /gane gline z venci, pentljami oziroma girlandami na 1 A©KER»EVA STREET (ARCHITECT: VOJTEH DVOŘAK, 1909-1911)
vseh treh pro;eljih so pove;ani posnetki kipcev znamenite
The imperial royal State School of Crafts, which was officially
delavnice Wiener Keramik in so bili verjetno izdelani na
founded by government decree in 1911, was intended for the
Dunaju.
education of young Slovene craftsmen from all Slovene provinces
Dr/avna obrtna [ola - detajl fasade \ State School of Crafts — facade detail of the Austro-Hungarian monarchy. The monumental edifice of
the craft school, located on the corner of Emonska and Slovenska
streets, was commissioned by the city council to the Czech
architect Vojteh Dvořak from Prague. The then mayor, Ivan
Hribar, labelled the building as “one of the finest school buildings
in the monarchy and the most beautiful on Slovene land.” The
facade is faced with rich figural and vegetal ornamentation in the
fashionable Secessionist style> busts of children with craft emblems
and portraits of important scientists and artists. To the left- and
right-hand side of the entrance are two children’s figures> on the
left a young girl with the coat-of-arms of the city of Ljubljana, on
the right a boy with the coat-of-arms of the province of Carniola.

6 GERMAN HOUSE, 11 SLOVENSKA ROAD

(ARCHITECTS STUDIO OF ERNEST SCHAFER FROM LIBEREC, 1913-1914)
This residential building was commissioned by the pension fund
of the Carniola Savings Bank for its employees. Carniola Savings
Bank was the oldest monetary institution in Slovenia. It was
founded in 1820, primarily with German capital, hence its
common name — German House. The plans for the building

16 17
7 NEM©KO GLEDALI©»E — DRAMA, ERJAV»EVA 1
(ARHITEKT ALEXANDER GRAF,1909—1911)
Narodnostna nasprotja med nem[kim in slovenskim
me[;anstvom so se na prelomu 19. stoletja tako zaostrila, da
so ustanavljali vzporedne kulturne ustanove, nem[ke in
slovenske. Ljubljana je tedaj dobila slovensko gledali[;e —
sedanjo Opero, nem[ko usmerjeni me[;ani, zdru/eni v
Deutscher Theaterverein in Laibach, pa so ob pomo;i
Kranjske hranilnice in z dr/avnimi dotacijami zgradilil
svoje, nem[ko gledali[;e — sedanjo Dramo. Na;rte za
Dramo so dali narediti dunajskemu arhitektu Alexandru
Grafu, ki je zgradil tudi ve; gledali[kih stavb za nem[ko
narodnostno skupnost na :e[kem. Ljubljansko gledali[;e je
pravzaprav posnetek gledali[;a, ki ga je pred tem Graf
zgradil v Ústíju na Labi. Notranj[;ina avditorija je klasi;no
historicisti;no oblikovana, pro;elje pa ka/e secesijske
elemente. Srednja os stavbe z vhodom je poudarjena z
nadstre[kom na stebrih, z balkonom in s trikotnim
zalomljenim ;elom, ki ga je prvotno krasil napis Deutsches
theater v secesijskem [tukaturnem okvirju. Bogato
dekorirana notranj[;ina je razdeljena na dva dela, na
avditorij z vestibulom, garderobami in foyerjem ter na oder.
Nem[ko gledali[Ëe - Drama \ German Theatre — Drama
18
were elaborated in the architects’ studio of Ernest Schafer from
Liberec in the present day Czech Republic, and it was designed in
the Viennese Secessionist style. The rich architecturally
articulated facade (bays, balconies and loggias) is adorned with
geometrical patterns made from ceramic tiles beneath the roof
cornice. The children’s statues made of baked clay with the
wreaths, bows and garlands on all three facades are the enlarged
copies of statues from the renowned Wiener Keramik workshop
and were probably made in Vienna.
7 GERMAN THEATRE — DRAMA, 1 ERJAV»EVA STREET
(ARCHITECT: ALEXANDER GRAF, 1909-1911)
The national antagonism between the German and Slovene
population at the end of the 19th century intensified to the level
that parallel cultural institutions (German and Slovene) were
founded. Ljubljana at that time acquired the Slovene Theatre —
the present day Opera, while the Germans were associated in the
Deutscher Theaterverein in Laibach. With the assistance of
Carniola Savings Bank and state subsidies they built their own
German theatre — the present Drama. The plans for Drama
were designed by the Viennese architect Alexander Graf. Namely,
it was Graf who built many theatre buildings for the German
ethnic community in the present day Czech Republic.
The Ljubljana theatre was in fact a copy of the theatre that Graf
built in Ústí nad Labem before then. The interior of the
auditorium is of a classical historicist design while the facade
displays Secessionist elements. The central axis of the building is
accentuated by the entrance in the porch supported by columns,
the balcony and the triangular gable front. The latter initially
featured the inscription “Deutsches Theater” in a Secessionist
stuccowork frame. The richly decorated interior is divided into
two parts> the auditorium with the vestibule, wardrobes and
foyer, and the stage.
19
8 MLADIKA — DEKLI©KI LICEJ IN INTERNAT — ZDAJ
ZUNANJE MINISTRSTVO RS, PRE©ERNOVA 25
(©OLA ARHITEKT MAKS FABIANI, 1906—1907,
INTERNAT ARHITEKT CIRIL METOD KOCH, 1910—1912)
Finan;no je ustanovitev dekli[ke gimnazije podprl re[ki
trgovec J. Gorup pl. Slavenski. Z njegovim denarjem je bilo
ustanovljeno dru[tvo Mladika, ki je skrbelo za lai;no
[olanje deklet in v ta namen leta 1896 ustanovilo tudi vi[jo
[olo, poznej[i licej. Mestna ob;ina je za gradnjo [ole
podarila zemlji[;e, na;rte za stavbo pa so naro;ili Maksu
Fabianiju. {ola je bila dokon;ana leta 1907, leta 1910 so ji
prizidali telovadnico ob {ubi;evi, leta 1912 pa so po na;rtih
C. M. Kocha na isti parceli zgradili [e internat.
Modernisti;na arhitektura [ole odseva regionalno in
lokalno tradicijo Ljubljane. Asketsko neornamentirano
pro;elje je obdelano v dveh kontrastnih barvah, dveh
razli;nih materialov, rde;e opeke za podstavek, lizene, stolp
z uro in poudarjene vogale ter vmesnih sten iz belega
ometa.
Mladika
20
8 MLADIKA — GIRLS’ LYCEUM AND BOARDING SCHOOL,
NOW THE MINISTRY OF FOREIGN AFFAIRS OF THE
REPUBLIC OF SLOVENIA, 25 PRE©ERNOVA STREET
(LYCEUM DESIGNED BY MAKS FABIANI, 1906-1907; BOARDING
SCHOOL DESIGNED BY CIRIL METOD KOCH, 1910-1912)
The founding of the girls’ lyceum was supported financially by the
Rijeka merchant J. Gorup von Slavenski. His capital was used to
found the Mladika society, which provided lay schooling for girls
and to that end in 1896 founded the high school, the later lyceum.
The city council gave land for the construction of the school and
Maks Fabiani was commissioned to make the plans for the
building. The school was completed in 1907 and the gymnasium in
{ubi;eva Street was erected in 1910. The boarding school was built
in 1912 on the same site according to the architectural plans of
C.M. Koch.
The modernist architecture of the school reflects the regional and
local tradition of Ljubljana. The austere non-ornamented facade is
made in two contrasting colours originating from two different
materials> red brick for the pedestal, protruding borders, clock-
tower and accentuated corners as well as the intermediate walls
rendered in white.
A portico is placed at the entrance between two right-angled
wings and the clock-tower, which is covered by a bell-shaped roof
similar to that on the Town Hall tower. The only decoration of the
facade are the owls — symbols of wisdom, which are mounted on
the portico keystone. The granite relief on the blind facade of the
gymnasium shows four girls with garlands and the coats-of-arms
of Ljubljana and Josip Gorup.
The boarding school, the work of architect Ciril Metod Koch, was
constructed between 1910 and 1912 at the edge of Tivoli Park. Its
facade, made similar to that of the school in two contrasting
shades, is more typical of the Secessionist style. It is adorned with
stucco ornamentation using plant motifs on the partition wall that
encircles the whole building.
Both buildings, the lyceum and boarding school, have been
renovated and nowadays form the head office of the Ministry of
Foreign Affairs.
21
 Vhod je postavljen v portik med obema pravokotnima
kriloma. Nad njim je stolp z uro, pokrit z zvon;asto streho,
ki spominja na stolp mestne hi[e.
Edina dekoracija pro;elja so sove, simboli modrosti na
sklepniku portika in granitni relief na slepem pro;elju
telovadnice, ki prikazuje [tiri deklice z girlandami, med
katerimi sta grba Ljubljane in Josipa Gorupa.
Internat, delo arhitekta Cirila Metoda Kocha, je bil zgrajen
med letoma 1910 in 1912 prav ob robu Tivolskega parka.
Njegovo pro;elje, ki je obdelano podobno kot [ola v dveh
barvnih tonih, je bolj tipi;no secesijsko, okra[eno s
[tukaturnium okrasom v vegetabilnih motivih na delilnem
zidcu, ki obkro/a celotno stavbo.
Danes sta oba objekta, [ola in internat, prenovljena v sede/
ministrstva za zunanje zadeve Republike Slovenije.
9 NARODNA TISKARNA, TOM©I»EVA 1
(ARHITEKT CIRIL METOD KOCH,1903—1904)
Narodna tiskarna je bila prva tiskarna v Sloveniji, ki je bila
urejena za veliko proizvodnjo. V njej so tiskali med drugim
tudi Slovenski narod. Obsegala je proizvodno poslopje na
dvori[;u in poslovno- stanovanjski objekt ob ulici. Slednji je [e
Narodna tiskarna- detajl notranjosti \ National Printing House — detail of the interior
22
9 NATIONAL PRINTING HOUSE, 1 TOM©I»EVA STREET
(ARCHITECT: CIRIL METOD KOCH, 1903-1904)
The national printing house was the first one in Slovenia that was
planned for large print runs. The Slovene daily Slovenski narod
among others was printed here. The structure consisted of the
production plant in the yard and an office and residential
building in the street. The latter is still preserved, its facade and
entrance hall being adorned with rich stuccowork with plant
motifs in the Secessionist style.
10 HRIBAR HOUSE, 2 TAV»ARJEVA STREET
(ARCHITECT: MAKS FABIANI, 1902-1903)
The land between the present streets of Slovenska, Tav;arjeva,
Dalmatinova and Cigaletova was bought by Josip Gorjup after
the earthquake of 1895 and bestowed upon the city council to
build a girls’ high school. The city council then sold the land as
building plots, the proceeds being intended for the construction of
the school. To support the project the plots of land were purchased
by the Slovene patriots> mayor Ivan Hribar, factory magnate
Anton Deghenghi, the brothers Josip and {tefan Poga;nik, the
Ljubljana clockmaker Franc »uden and Alojzij Vodnik, on which
they built their residences. Their national consciousness was
demonstrated also by the fact that they commissioned the plans to
Slovene architects.
Ivan Hribar commissioned Maks Fabiani to draft the plans for
his house and invited him to participate in many urban projects
after the earthquake. Fabiani produced the plan in strict classical
antique proportions. For the basic module he chose a cube which
alternated with half squares on the ground floor. The square is
also used as the basic module in the facade sections and the basic
motif of the facade ornamentation in roughcast mortar and fine
rendering. The ornamentation is, however, limited to narrow
strips of the protruding bays above the windows, featuring
classical lion heads.
The facade design displays Baroque undulations in three shallow
window bays that extend from the first floor to the roof cornice.
Fabiani used a similar motif in the Artaria Mansion in Vienna in
1900 and subsequently also in several other residential villas
outside of Ljubljana.
23
 vedno ohranjen, njegovo pro;elje in vhodno ve/o krasi bogat
[tukaturni okras z rastlinskimi motivi v secesijskem slogu.

10 HRIBARJEVA HI©A, TAV»ARJEVA 2

(ARHITEKT MAKS FABIANI, 1902—1903)
Zemlji[;a med sedanjimi Slovensko, Tav;arjevo,
Dalmatinovo in Cigaletovo je po potresu 1895 kupil Josip
Gorup in ga podaril mestni ob;ini za gradnjo vi[je dekli[ke
[ole. Mestna ob;ina je nato zemlji[;a prodala kot stavbne
parcele, izkupi;ek pa namenila gradnji [ole. V podporo
projektu so parcele pokupili slovenski rodoljubi, /upan
Ivan Hribar, tovarnar Anton Deghenghi, brata Josip in
{tefan Poga;nik, ljubljanski urar Franc :uden, Alojzij
Vodnik in na njih dali zgraditi svoje hi[e, svojo narodno
zavest pa so izkazali tudi s tem, da so na;rte naro;ili
slovenskim arhitektom.
Miklo[iËev park - zahodna fasada \ Miklo[iË Park — west facade
Ivan Hribar je na;rte za svojo hi[o naro;il Maksu Fabianiju,
katerega je po potresu povabil k sodelovanju tudi pri [tevilnih
11 MIKLO©I»EV PARK (MIKLO©I» PARK)
drugih mestnih nalogah. Fabiani je na;rt zasnoval v strogo The square in front of the Palace of Justice with the original
klasi;nih anti;nih proporcih. Za osnovni modul je izbral symbolic name of Slovenski trg (Slovene Square) was laid out by
kocko, ki se v pritli;ju izmenjuje s polovi;nim kvadrom. Ljubljana city council after the earthquake, the project being
Kvadrat je tudi osnovni modul pro;elne ;lenitve in osnovni financially supported by the government in Vienna too. The plans
motiv pro;elne dekoracije v grobem in finem ometu. Sicer pa for the urban architectural layout of the square were designed by
je okras omejen na ozke pasove nad okni izstopajo;ih Maks Fabiani in 1900. Fabiani designed a square uniformly
pomolov, v katere so vgrajene anti;ne levje glavice. enclosed by buildings of the same height with corners accentuated
Hribarjeva hi[a by small turrets. This concept especially suited the wishes of
mayor Ivan Hribar that post-earthquake Ljubljana should be
renovated on the model of Prague. The initial park layout was
produced according to the plans of Waclav Hejnic, a Czech
gardener who came to Ljubljana from Vienna in order to decorate
the city for the emperor’s visit. He then stayed and was appointed
the city gardener. The park was almost completely enclosed by
buildings between 1900 and 1907, creating the finest Secessionist
ambience in Ljubljana. Unfortunately, the city council redesigned
the park just before the Second World War with two diagonal
paths, thus erasing the original design.

12 KRISPER HOUSE, 20 MIKLO©I»EVA STREET

(ARCHITECT: MAKS FABIANI, 1900-1901)
The first house in the square was designed by Maks Fabiani
himself, thus revealing how he conceived the appearance of the
square. The plan for it was commissioned by the lawyer Valentin
Krisper. The facade was designed in a light Secessionist style

24 25
 Pro;elje je v tlorisu baro;no vzvalovano v tri plitve okenske
pomole, ki segajo od prvega nadstropja do stre[nega venca.
Podoben motiv je Fabiani uporabil /e pri pala;i Artaria na
Dunaju leta 1900, pozneje pa tudi pri nekaterih drugih
stanovanjskih vilah zunaj Ljubljane.
11 MIKLO©I»EV PARK
Trg pred sodnijsko pala;o s simboli;nim imenom Slovenski
trg je dala urediti ljubljanska mestna ob;ina po potresu,
projekt pa je finan;no podprla tudi vlada na Dunaju. Na;rte
za urbanisti;no arhitektonsko ureditev trga je napravil
Maks Fabiani leta 1900. Fabiani je na;rtoval enotno
zazidavo trga z enako visokimi stavbami, na vogalih
poudarjenimi s stolpi;ki, kar je [e posebej ustrezalo /eljam
takratnega /upana Ivana Hribarja, da Ljubljano po potresu
prenovi po vzoru Prage. Prvotna parkovna ureditev je bila
izvedena po na;rtih Vaclava Hejnica, ;e[kega vrtnarja, ki je
pri[el v Ljubljani z Dunaja, da bi okrasil mesto za obisk
cesarja, nato pa je ostal in bil imenovan za mestnega
vrtnarja. Park je bil skoraj v celoti obzidan med 1900 in
1907 in je postal najlep[i secesijski ambient v Ljubljani.
Æal ga je mestna ob;ina tik pred drugo vojno preuredila z
dvema diagonalnima potema in tako zabrisala prvotno
zasnovo.
12 KRISPERJEVA HI©A, MIKLO©I»EVA 20
(ARHITEKT MAKS FABIANI, 1900—1901)
Prvo hi[o na trgu je na;rtoval Maks Fabiani sam in tako
pokazal, kako si je zamislil obzidavo trga. Na;rt zanjo mu je
naro;il ljubljanski odvetnik Valentin Krisper. Pro;elje je
oblikoval v lahkotnem secesijskem slogu po vzoru sodobne
dunajske arhitekture in ga okrasil s tipi;nimi cvetli;nimi in
Miklo[iË park - skica \ Miklo[iË park — sketch
26
Krisperjeva hi[a \ Krisper House
based on the model of contemporary Viennese architecture and
adorned with typical stylised flower and plant motifs in elegant
lines that recall Horta’s popular motif — “coup de fouet” or
“whiplash”. Certain tiny details made from forged iron> a bell,
peephole, letter-box and door handles, recall the Belgian variant of
Art nouveau. Regretfully, some of them have already disappeared
from the house and are preserved only in pictures. As Fabiani
himself wrote, the vegetal Secessionist ornamentation was used at
the explicit wish of the owner, the town councillor Valentin
Krisper.
13 REGALLI HOUSE, 18 MIKLO©I»EVA STREET
(ARCHITECT: FRAN BERNEKER, 1904-1906)
The plans for the neighbouring Regalli House were produced by
Fran Berneker, who was a sculptor by profession and creator of
one of the finest monuments in Ljubljana, that of Primo/ Trubar
in Tivoli Park. The corner building with a bay and turret above it
dominates the south-eastern corner of Miklo[i; Park. The facade is
finished with an undulating cornice above the windows of the
second floor and adorned with green glazed ceramic tiles.
Berneker’s work also includes the copper door of the building
featuring two shallow reliefs that show allegories of Night and
Day. Even the stone atlantes that support the corner turret were
made according to Bernekar’s proposals.
All three houses on the opposite, western side of the square along
Cigaletova Street were designed by the Slovene architect Ciril
Metod Koch in the fashionable Secessionist style.
27
 rastlinskimi stiliziranimi motivi v elegantni liniji, ki
spominja na Hortov priljubljen motiv “udarca z bi;em”. Na
belgijsko razli;ico nove umetnosti spominjajo tudi nekateri
drobni detajli iz kovanega /eleza, zvonec, kukalo, po[tni
nabiralnik in kljuke. Nekateri od njih so /al s hi[e /e izginili
in so ohranjeni le na slikah. Kot je Fabiani sam zapisal, je
rastlinski secesijski okras uporabil na izrecno /eljo lastnika,
ob;inskega svetnika Valentina Krisperja

13 REGALLIJEVA HI©A, MIKLO©I»EVA 18

(ARHITEKT FRAN BERNEKER, 1904 - 1906)
Na;rte za sosednjo, Regallijevo hi[o je naredil Fran
Berneker, sicer kipar po poklicu in avtor enega najlep[ih
ljubljanskih spomenikov, spomenika Primo/u Trubarju v
Tivolskem parku. Stavba s pomolom in stolpi;em nad njim
zaklju;uje jugovzhodni vogal Miklo[i;evega parka, pro;elje PogaËnikova hi[a \ PogaËnik House
je zgoraj zaklju;eno z vencem v obliki valovnice nad okni
14 DEGHENGI HOUSE, 5-7 DALMATINOVA STREET (ARCHITECT:
drugega nadstropja in okra[eno z glaziranimi kerami;nimi
plo[;icami zelene barve. Bernekerjevo delo so tudi bakrena CIRIL METOD KOCH, 1904, FINAL PLAN BY VILJEM TREO)
vrata v stavbo, z dvema plitkima reliefoma, ki prikazujeta This corner building is accentuated with a turret crowned with a
alegoriji No;i in Dneva. Tudi kamniti plastiki atlantov, ki bell-shaped roof. According to Koch’s original plan the facade was
nosita vogalni pomol, sta bili narejeni po Bernekarjevi richly embellished with typical Secessionist plant ornamentation.
predlogi. However, the actual facade that was built is considerably more
modest. The ornamentation is made only with differently
Regallijeva hi[a \ Regalli House structured mortar in combination with red brick on the ground
floor and rendered facade of the upper storeys.

15 POGA»NIK HOUSE, 1 CIGALETOVA STREET

(ARCHITECT: CIRIL METOD KOCH, 1902)
This building is distinguished by an elegant portal which is
adorned by a stucco relief of a female figure in the Secessionist
style with extended arms holding branches.

16 »UDEN HOUSE, 3 CIGALETOVA STREET

(ARCHITECT: CIRIL METOD KOCH, 1902)
The adjacent building, on the corner of Tav;arjeva, was
commissioned to C. M. Koch by the Ljubljana clockmaker Fran
»uden, whose emblem also originally adorned the bay facade
between the windows of the upper store. The corner bay is
accentuated with a small turret crowned with a square slab above
the roof. This supports the roof in the form of a globe. The facade is
richly embellished with curved lines cut into the plaster, ceramic
tiles, golden ornamentation below the roof projection and stylised
plant motifs on the forged iron balconies’ railings and roof posts.
28 29
 Vse tri hi[e na nasprotni, zahodni strani trga ob Cigaletovi
je na;rtoval slovenski arhitekt Ciril Metod Koch v
secesijskem slogu.
14 DEGHENGIJEVA HI©A, DALMATINOVA 5-7 (ARHITEKT CIRIL
METOD KOCH, 1904, IZVEDBENI NA»RT VERJETNO ARHITEKT V.
TREO), je poudarjena s pomolom, ki se zgoraj kon;uje z
zvon;asto kritim stolpi;em. Po prvotnem Kochovem na;rtu
je bilo pro;elje bogato dekorirano s tipi;nim rastlinskim
secesijskim okrasom, izvedeno pro;elje pa je precej
skromnej[e. Dekoracija je izvedena zgolj z razli;no
strukturiranimi ometi v kombinaciji ope;no rde;ega
pritli;ja in ometanega pro;elja zgornjih nadstropij.
15 POGA»NIKOVA HI©A, CIGALETOVA 1 (ARHITEKT CIRIL METOD
KOCH, 1902), se odlikuje z elegantnim portalom, nad
katerim je v [tuku izdelan relief /enske figure v secesijskem »udnova hi[a \ »uden House
slogu z raz[irjenimi rokami, v katerih dr/i rastlinske vejice.
16 »UDNOVO HI©O, CIGALETOVA 3 (ARHITEKT CIRIL METOD KOCH, The south side of the square long remained uncompleted and was
1902), na vogalu s Tav;arjevo je dal zgraditi ljubljanski urar closed by the wall of the former Verov[ek ironware shop. Not
Fran :uden, ;igar emblem je prvotno krasil tudi pro;elje until 1922 was the south-eastern corner opposite Bamberg House
pomola med okni zgornjega nadstropja. Vogalni pomol je spatially closed with the building of the Mutual Savings Bank.
The Trades Union building of an entirely functionalist design was
Posojilnica \ People’s Loan Bank erected adjacent to it in the 1960s. It was built according to the
plans of the architect Edo Mihevc and neither the scale, nor the
design conforms to the character of the square and its architecture.

17 MIKLO©I»EVA ULICA (MIKLO©I»EVA STREET)

The street was designed at the beginning of the 20th century.
Secessionist buildings of the highest quality were built in the
lower section between Pre[eren Square and Miklo[i; Park. Its
upper section from Pra/akova Street towards the railway station
was not laid out until the inter-war period.
18 PEOPLE’S LOAN BANK, 4 MIKLO©I»EVA STREET
(ARCHITECT: JOSIP VANCA©, 1907)
This building features a typical Secessionist facade with
Wagnerian ornamental elements such as, for example, a flattened
roof conclusion, ceramic facing and balconies with shallow three-
sided bays in the Fabiani style. On the roof above the central

30 31
 poudarjen s stolpi;em, ki se nad streho zaklju;uje s
kvadratno plo[;o. Ta nosi streho v obliki globusa. Pro;elje
je bogato okra[eno z valovnicami na zidcu med nadstropji, s
kerami;nimi plo[;icami, zlatim okrasom pod stre[nim
napu[;em in stiliziranimi rastlinskimi motivi na kovanih
ograjah balkonov in stre[nih nosilcev.
Ju/na stranica trga je ostala dolgo nedokon;ana, zaprta z
zidom nekdanje Verov[kove trgovine z /eleznimi izdelki.
{ele leta 1922 so jugovzhodni vogal nasproti Bambergove
hi[e zazidali s stavbo Vzajemne posojilnice, ob njej pa so
v [estdesetih letih zgradili povsem funkcionalisti;no
zasnovano pala;o sindikatov po na;rtih arhitekta Eda
Mihevca, ki niti v merilu niti v oblikovanju ne ustreza
naravi trga in njegove arhitekture.
17 MIKLO©I»EVA ULICA
Hotel Union
je bila urejena v za;etku 20. stoletja. V spodnjem delu med
Pre[ernovim trgom in Miklo[i;evim parkov je bila projection are two seated figures, barefoot and with exposed
pozidana z najkakovostnej[imi secesijskimi pala;ami. Njen shoulders, holding a pouch, beehive and cartridges on which are
zgornji del od Pra/akove proti postaji pa je bil urejen [ele depicted a bee and an ant, the symbols of thrift, diligence and
med obema vojnama. capital wealth.

18 LJUDSKA POSOJILNICA, MIKLO©I»EVA 4 19 HOTEL UNION, 1 MIKLO©I»EVA STREET

(ARHITEKT JOSIP VANCA©, 1907)
Stavba ima tipi;no secesijsko pro;elje z wagnerjanskimi
dekorativnimi elementi, kot so npr. potla;en stre[ni
zaklju;ek, kerami;na preobleka fasade in fabianijevski
plitvi tristransko zaklju;eni pomoli. Na strehi nad
osrednjim rizalitom sta dve sede;i figuri, bosi in razkritih
ramen, opremljeni z mo[nji;kom, panjem in kartu[ama, na
katerih sta upodobljeni ;ebela in mravlja, simbola
var;nosti, marljivosti in denarnega bogastva.
19 HOTEL UNION, MIKLO©I»EVA 1
(ARHITEKT JOSIP VANCA©, 1903—1905)
20 COOPERATIVE BANK, 8 MIKLO©I»EVA STREET
Prvi moderni, izrazito funkcionalno zasnovani hotelski
objekt in na za;etku 20. stoletja najve;ja stavba v mestu, se
je pona[al z najve;jo in najbolj reprezentativno dvorano na
vsem Balkanu, ki je zaradi zahtevne /elezne stre[ne
konstrukcije veljala tudi za izreden tehnolo[ki dose/ek.
Celoten objekt, tako zunanje pro;elje kot tudi notranj[;ina
z vso notranjo opremo in bogato zbirko jedkanih stekel, je
bil oblikovan v dekorativnem secesijskem slogu po na;rtih
arhitekta Josipa Vanca[a.
32
(ARCHITECT: JOSIP VANCA©, 1903-1905)
The first modern, distinctly functionally designed hotel building
and also the largest edifice in the city at that time boasted the
grandest ceremonial hall in the whole Balkans (in this part of
Europe). Due to the complex iron roof construction it was also
regarded as an outstanding technological achievement. The whole
building, the external facade and interior with all its furnishings
and rich collection of etched glass, was designed in the ornamental
Secessionist style according to the plans of architect Josip Vanca[.
The etched glasses have, unfortunately, now been replaced with
copies.
(ARCHITECT: IVAN VURNIK, 1921)
The Cooperative Bank in Miklo[i;eva is undoubtedly one of the
most prominent buildings in Ljubljana. Its richly adorned facade
with vibrant colours stands out from the urban surroundings,
although it was built in the heart of the Secessionist town quarter
which is already quite rich in colour. It is one of the finest
examples of architecture in the so-called national style which
33
20 ZADRUÆNA GOSPODARSKA BANKA,
MIKLO©I»EVA 8 (ARHITEKT IVAN VURNIK, 1921)
Zadru/na gospodarska banka na Miklo[i;evi je nedvomno
ena najznamenitej[ih ljubljanskih stavb. Z bogato
okra[enim /ivobarvnim pro;eljem izstopa iz svojega
urbanisti;nega konteksta, ;eprav je bila zgrajena v jedru
secesijske ;etrti mesta, ki je /e nasploh barvno precej pestra.
Je eden najlep[ih primerov arhitekture tako imenovanega
narodnega sloga, s katerim se je arhitekt Ivan Vurnik
ukvarjal ne samo v svojem arhitekturnem opusu, ampak
tudi pri na;rtovanju notranje opreme in umetnoobrtnih
izdelkov.
Bambergova hi[a \ Bamberg House
Stavba se odlikuje s poslikano ban;no dvorano, ki zavzema
celotno pritli;je obcestnega in dvori[;nega trakta. Slikana architect Ivan Vurnik used not only in his architectural work, but
dekoracija zavzema ves del dvorane, vklju;no s stebri in also in the design of the interior fittings, furnishings and
dvori[;ni del dvorane. Dvorana je osvetljena skozi steklen craftwork.
strop, sestavljen iz majhnih modrih steklenih kvadratov,
vanj pa je vgrajen dekorativni pas raznobarvnih stekelc. The building is distinguished by the painted bank hall that
Barvni vitra/i v dekorativnih geometrijskih motivih krasijo occupies the whole ground floor of the road and courtyard section.
tudi stopni[;no ve/o v prvih dveh nadstropjih obcestnega The painted decorations cover the whole part of the hall adjacent
trakta. to the road including the columns. The hall itself is illuminated
through a glass ceiling consisting of small blue glass squares into
Poslikava dvorane in pro;elja je delo arhitektove soproge which are fitted ornamental strips of glass fragments of various
Helene Vurnik, odli;ne dekorativne slikarke, po rodu sicer colours. The coloured glass partitions in decorative geometrical
motifs also adorn the stairwell in the first two storeys.
Zadru/na gospodarska banka - detajl notranjosti \ Cooperative Bank — detail of the interior
The painting of the hall and facade is the work of the architect’s
wife Helena Vurnik, a superb decorative artist who was Viennese
by birth. She collaborated in her husband’s study and creation of
typical Slovene architecture. The geometrical ornament in a red,
blue and white colour combination of the Slovene tricolour is
enhanced with motifs from the wealth of Slovene iconography> a
stylised Slovene landscape of pine forests and wheat fields as well
as vines that incorporate the motif of women attired in Slovene
national dress.

21 BAMBERG HOUSE, 16 MIKLO©I»EVA STREET

(ARCHITECT: MAKS FABIANI, 1906-1907)
The building on the corner of Miklo[i;eva and Dalmatinova
streets was commissioned by Otomar Bamberg, manager of the
I. Kleinmayr&Bamberg printing works and bookshop in
Ljubljana. He also built a printing works adjacent to the house in
Dalmatinova. The plans for the building were designed by Maks
Fabiani. The modernist facade does not display any more traces of

34 35
 Dunaj;anke, ki je sodelovala tudi pri mo/evem
raziskovanju in ustvarjanju tipi;ne slovenske arhitekture.
Geometrijski ornament v rde;e-belo-modri barvni
kombinaciji slovenske trobojnice se dopolnjuje z motivi iz
bogate slovenske ikonografije> stilizirano slovensko
pokrajino smrekovih gozdov in /itnih polj ter vinske trte, v
katero je vkomponiran motiv /ena v slovenski narodni
no[i.

21 BAMBERGOVA HI©A,
MIKLO©I»EVA 16 (ARHITEKT MAKS FABIANI, 1906—1907)
Pala;o na vogalu Miklo[i;eve in Dalmatinove je dal zgraditi
Otomar Bamberg, vodja tiskarne in knjigarne I. Kleinmayr
&Bamberg v Ljubljani. Ob hi[i na Dalmatinovi je zgradil
tudi tiskarno. Na;rte za stavbo je napravil Maks Fabiani.
Modernisti;no pro;elje ne ka/e ve; sledov secesije, ampak
bolj odseva lokalno poznobaro;no tradicijo patricijskih
pala;. :lenjeno je z mogo;nimi lizenami v rusticiranem
ometu. Kerami;ni reliefi bradatih mo/ v beli barvi na modri
podlagi so delo avstrijskega kiparja in keramika Huga
Franza Kirscha, portreti pa predstavljajo verjetno osebe,
povezane s tiskarstvom.
22 ZMAJSKI MOST »EZ LJUBLJANICO
(ARHITEKT JURIJ ZANINOVI∆, 1900—1901)
22
Zmajski most ;ez Ljubljanico, ki je nadomestil starej[ega
lesenega, ker je ta postal zaradi ve;jega in modernej[ega
prometa preozek, je dala zgraditi mestna ob;ina. Zaradi
var;evanja so se mestni mo/je odlo;ili za /elezobetonsko
konstrukcijo, ki je bila cenej[a od kamnite in hkrati tudi
modernej[a. Kljub temu pa so konstrukcijo oblekli v
betonske plo[;e in jo dekorativno obdelali v secesijskem
slogu po na;rtih dalmatinskega arhitekta Jurija ZaninoviÊa.
Po njegovih na;rtih so bile izdelane betonske obloge,
balustrade in tudi skulpturalni okras. Zmaji iz bakrene
plo;evine so postali simbol Ljubljane. Most je eden
najpristnej[ih primerov secesijske arhitekture v Ljubljani in
prva prava /elezobetonska konstrukcija v mestu.
Zmajski most \ Dragon Bridge
the Secessionist style, but is more a reflection of the local late
Baroque tradition of patricians’ residences. It is articulated with
mighty border sections in rusticated mortar. The ceramic reliefs of
the bearded men in white on a blue background are the work of
the Austrian sculptor and ceramics tiler Hugo Franz Kirsch. The
portraits most likely represent people associated with printing.
DRAGON BRIDGE ACROSS THE RIVER LJUBLJANICA
(ARCHITECT: JURIJ ZANINOVI∆, 1900-1901)
Dragon Bridge, which spans the river Ljubljanica, replaced an
older timber bridge because it became too narrow to cope with
larger and more modern means of transport. It was
commissioned by the city council and, in order to economise, the
city officials chose a reinforced concrete construction which was
cheaper than stone while also being more modern. Nevertheless,
the structure was faced with stone slabs and ornamentally worked
in the Secessionist style according to the plans of the Dalmatian
architect Jurij ZaninoviÊ, who created the concrete facing,
balustrades and sculptural ornamentation. The dragons made of
copper sheeting became the symbol of Ljubljana. The bridge is one
of the purest examples of Secessionist architecture in Ljubljana and
the first genuine reinforced concrete structure in the city.

36 37
23 KATOLI©KA TISKARNA, KOPITARJEVA 6 (1907-1908)
Leta 1887 je Katoli[ko tiskovno dru[tvo v Ljubljani kupilo
staro tiskarno in jo preuredilo za svoje namene. Leta 1908 je
dru[tvo zgradilo novo pala;o na Poljanskem nasipu in
vanjo preselilo tiskarno. Pala;a je bila prva /elezobetonska
industrijska stavba v Ljubljani z notranjo /elezobetonsko
skeletno konstrukcijo. Proizvodne dvorane so podpirali
osmerokotni /elezobetonski stebri, postavljeni v dveh
vzdol/nih vrstah, celotna konstrukcija pa po;iva na 60
centimetrov debelih obodnih zidovih. Pro;elje v
secesijskem slogu je okra[eno z zna;ilnimi wagnerjanskimi
okrasnimi motivi okrog oken in pod stre[nim napu[;em.
Na vogalu stavbe je pod stre[nim napu[;em pet enakih
reliefnih portretov bradatih mo/, ki poosebljajo tiskarje.
Pod njimi so grbi slovenskih de/el> {tajerske, Gori[ke,
Koro[ke, Istre, Trsta in Kranjske.
Po drugi vojni je tiskarno prevzelo podjetje Ljudska pravica,
nato ;asopisno podjetje Dnevnik, ob koncu devetdesetih let
prej[njega stoletja, ko je tiskarna prenehala delovati, je bila
Zmajski most - detajl \ Dragon Bridge — detail
stavba prenovljena za potrebe pravne fakultete.

Katoli[ka tiskarna \ Catholic Printing House

23 CATHOLIC PRINTING HOUSE, 6 KOPITARJEVA STREET
(1907-1908)
In 1887 the Catholic Printing Society in Ljubljana purchased an
old printing house and adapted it for its own requirements. In
1908 the Society erected a new building in Poljanski nasip and
moved the printing works there. The new building was the first
reinforced concrete industrial building in Ljubljana with an
internal reinforced concrete frame construction. The large
working halls were supported by octagonal reinforced concrete
columns standing in two parallel rows. The whole structure still
stands on 60cm thick side peripheral walls. The facade in the
Secessionist style is adorned with characteristic Wagnerian
ornamental motifs around the windows and under the roof
projection. On the corner of the building beneath the cornice are
five identical relief portraits of bearded men that personify
printers. Beneath them are the coats-of-arms of the Slovene
provinces> {tajerska, Gori[ka, Koro[ka, Istria, Trieste and
Kranjska.
After the Second World War the printing works were taken over
by the company Ljudska Pravica, then by the newspaper publishers
Dnevnik. At the end of the 1990s, when the printing works ceased
operation, the building was renovated to house the Law Faculty.

38 39
24 MIKLAV»EVA VELEBLAGOVNICA, EPICENTER, 24
MESTNI TRG 23 (ARHITEKT KARL BRÜNNLER, 1914)
Stavbo nekdanje veleblagovnice je dal zgraditi trgovec
Franc Drofenig. Na;rte za prezidavo je naro;il pri
ljubljanski stavbni dru/bi Viljem Treo, izdelal pa jih je njen
arhitekt Karl Brünnler. V pritli;ju in prvem nadstropju je
bila urejena enotna prodajna hala z lo;enimi prodajnimi
pulti, povezana v sredini s stopni[;em, v tretjem nadstropju
pa enaka dvorana, namenjena skladi[;u. {tirinadstropno
pro;elje je oble;eno v ;rn poliran marmor, velike okenske
odprtine, v spodnjih nadstropjih skoraj kvadratnih oblik,
pokrivajo skoraj celo povr[ino pro;elja. Kovinsko in
stekleno pro;elje deluje povsem funkcionalisti;no, le zlat
okras stre[nega venca in okra[en nadstre[ek nas [e
spominjata na secesijske vzore iz preloma stoletja.
Miklav;eva veleblagovnica je bila eden redkih objektov,
kjer se je novi slog izrazil na povsem moderen na;in ne
samo z okrasom pro;elja, ampak tudi v njegovi celotni
konstrukciji. Je namre; prvo moderno monta/no pro;elje v
Ljubljani. Danes velja stavba za enega uspe[nej[ih primerov
vklju;itve modernega sloga v zgodovinsko mestno tkivo.
25
MiklavËeva veleblagovnica \ Miklavc department store
40
MIKLAVC DEPARTMENT STORE, NOW EPICENTER,
23 MESTNI TRG (ARCHITECT: KARL BRUNNLER, 1914)
The building of the former department store was commissioned
by the merchant Franc Drofenig. The plans for its construction
were ordered from the Viljem Treo building company, and were
produced by its architect Karl Brünnler. A uniform retail area
was laid out on the ground and first floor with separate sales
counters and was connected by a central staircase. An equal
space located on the third floor was intended as a warehouse.
The four-storey facade is faced in black polished marble.
The large, almost square window openings in the lower storeys
cover the entire surface area of the facade. The metal and glass
facade acts in a completely functional manner only the golden
ornamentation of the roof cornice and embellished roof projection
recall the fashionable Secessionist styles from the turn of the
century. The Miklavc department store is one of the rare buildings
where the new style was expressed in an entirely modern way,
not only through the façade ornamentation, but also in its entire
structure. It is in fact the first modern prefabricated facade in
Ljubljana. Today the building is considered as one of the most
successful examples of integrating the modern style in the historic
urban fabric of Ljubljana.
PUBLIC BATHS, NOW PIZZERIA NAPOLI,
7 PRE»NA STREET (ARCHITECT: WILHELM BRUCKNER & CO. FROM
GRAZ, 1899-1901)
In the concern to modernise the city after the earthquake a public
baths was built. It was supposed to enable poorer inhabitants to
bath at an affordable price. The building was erected according to
the model of the public baths in Lips. An attic rises like scenery
above the double entrance on the truncated corner. Below it is
concluded as a scroll, and above as a triangle. The building is
accentuated with a single-storey hexagonal tower. The
neoRomanic facade is divided by semicircularly concluded
mullion windows and protruding borders in a contrasting white
and blue combination.
41
25 LJUDSKA KOPEL, PIZZERIA NAPOLI, PRE»NA 7
(ARHITEKT WILHELM BRÜCKNER & CO, GRAZ, 1899—1901)
V skrbi za modernizacijo mesta so po potresu zgradili tudi
ljudsko kopel, ki naj bi omogo;ila tudi revnej[emu sloju
prebivalstva kopanje po nizki ceni. Stavba je bila zgrajena
po vzoru ljudske kopeli v Lipskem. Nad dvojnim vhodom
na prisekanem vogalu se kot kulisa dviguje atika, spodaj
volutasto zaklju;ena, zgoraj trikotna. Stavba je poudarjena z
enonadstropnim [esterokotnim stolpom, neoromanska
pro;elja ;lenijo polkro/no zaklju;ene bifore in lizene v
kontrastni belo-modri kombinaciji.

Ljudska kopel \ Public baths

Fotografija na naslovnici \ Cover photo>

Zadruæna gospodarska banka \ Cooperative Bank

Izdajatelj \ Edited by> Zavod za turizem Ljubljana \ Ljubljana Tourist Board

Gregor;i;eva 7, SI - 1000 Ljubljana, Tel. + 386 (0)1 \ 426 71 14, Faks \ Fax + 386 (0)1 \ 425 33 58
E-mail> info@ljubljana-tourism.si, www.ljubljana-tourism.si
Tekst \ Text> Breda Miheli;

Prevod \ Translation> Mark Valentine
Skica \ Sketch> Nina Gor[iË, Matej Nik[iË,
Mark Wollrab
Fotografije \ Photographs> Branko CvetkoviË, Nina Gor[iË, Miran Kambi;,
Egon Ka[e, Breda MiheliË, Aldo Pavan, Borut Æigon, Arhiv Uprave republike Slovenije za
kulturno dedi[;ino (INDOK center), Arhiv Zavoda za turizem Ljubljana

AD & D> Agencija Arih
Grafi;ni prelom \ Prepress> Studio DTS
Printed by> Gorenjski
tisk
Ljubljana, september \ September 2004

42 43

ljubljana card
turistiËna kartica ljubljane | ljubljana tourist card
la carta turistica di lubiana | die tourist card von ljubljana
tridnevna kartica ugodnosti turistom in drugim
obiskovalcem mesta omogoËa:
• brezplaËne ali cenejπe oglede muzejev, galerij
in prireditev
• brezplaËen prevoz z javnimi mestnimi
avtobusi, popuste pri prevozih s taksiji
in rent-a-car-ji
• ugodnejπe cene organiziranih turistiËnih
ogledov in spominkov
• popuste pri prenoËitvah, v gostinskih
lokalih, noËnih klubih in barih
• cenejπe nakupovanje v trgovinah
cena: 3.000 sit, veljavnost: 3 dni oz. 72 ur
a three-day privilege card for tourists
and other visitors to ljubljana:
• free or discount tickets to museums, galleries
and events
• free travel on city buses, discounts on taxi
fares, reduced rates for car rentals
• lower prices of guided sightseeing tours
and souvenirs
• discounts on accommodation rates and
restaurant,night club and bar bills
• shopping discounts
price: 3.000 tolars, validity: 3 days or 72 hours
program ponudbe ljubljane za vse
okuse v treh dneh! | ljubljana in three
days for every taste!
prodajna mesta v ljubljani | sales outlets
in ljubljana:
turistiËni informacijski centri | tourist information centres:
stic, krekov trg 10,tic, stritarjeva ulica,
tic (æelezniπka postaja | railway station), trg of 6
grand hotel union, mikloπiËeva 1, grand hotel union-garni,
mikloπiËeva 9,celica hostel , metelkova 8, park hotel, tabor 9,
lpp (potniπka blagajna | ticket office),trdinova 3, city hotel
ljubljana, dalmatinova 15, hotel lev, voπnjakova 1, m hotel,
derËeva 4, tour as,mala ulica 8, rumeni taksi / yellow taxi
TuristiËni Informacijski Center Ljubljana - TIC
Stritarjeva ulica, tel. (0)1\ 306 12 15, faks (0)1\ 306 12 04
e-mail> tic@ljubljana-tourism.si
Odprto> 1.6. - 30.9.> 8.00 - 21.00, vsak dan
1.10. - 31.5.> 8.00 - 19.00, vsak dan
- informacije in turisti;ne publikacije o Ljubljani (prospekti,
na;rti, koledar prireditev)
- vodstva po mestu (redna in naro;ena)< turisti;ni vlakec<
ladjica< spominki
- Turisti;na kartica Ljubljane
- osnovne informacije in publikacije o Sloveniji
- rezervacije preno;i[;< izleti
Slovenski TuristiËni Informacijski Center - STIC
Krekov trg 10, 1000 Ljubljana tel. (0)1\ 306 45 76, faks (0)1\ 306 45 80
e-mail> stic@ljubljana-tourism.si
Odprto> 1.6. - 30.9.> 8.00 - 21.00, vsak dan
1.10. - 31.5.> 8.00 - 19.00, vsak dan
- informacije o slovenski turisti;ni ponudbi, o prireditvah,
dogodkih in ponudbi turisti;nih krajev
- Turisti;na kartica Ljubljane
- spominki iz Ljubljane in Slovenije
- internetni koti;ek za obiskovalce
- rezervacije preno;i[;< izleti
- vstopnice za kulturne, zabavne, [portne in druge prireditve
TuristiËna Informacijska Pisarna
?elezni[ka postaja, Trg OF 6, tel. (0)1\ 433 94 75, faks (0)1\ 430 05 51
e-mail> ticzp@ljubljana-tourism.si
Odprto> 1.6. - 30.9.> 8.00 - 22.00, vsak dan
1.10. - 31.5.> 10.00 - 19.00, vsak dan
Ljubljana Tourist Information Centre - TIC
Stritarjeva Street, SI - 1000 Ljubljana
tel. +386 (0)1\ 306 12 15, fax +386 (0)1\ 306 12 04
e-mail> tic@ljubljana-tourism.si
Open> 1.6. - 30.9.> 8.00 - 21.00, daily
1.10. - 31.5.> 8.00 - 19.00, daily
- information and publicity editions on Ljubljana (brochures, maps,
calender of events)
- sightseeing tours (regular and on request)< tourist train<
tourist boat< souvenirs
- Ljubljana Tourist Card
- basic information and publicity editions on Slovenia
- booking of accommodation and excursions
Slovenian Tourist Information Centre - STIC
Krekov trg 10, SI - 1000 Ljubljana
tel. +386 (0)1\ 306 45 76, fax +386 (0)1\ 306 45 80
e-mail> stic@ljubljana-tourism.si
Open> 1.6. - 30.9.> 8.00 - 21.00, daily
1.10. - 31.5.> 8.00 - 19.00, daily
- information on Slovenia’s tourism offer and events taking place in
tourist towns across the country
- Ljubljana Tourist Card
- souvenirs of Ljubljana and Slovenia
- Internet corner
- booking of accommodation and excursions
- tickets to cultural, entertainment, sports and other events
Tourist Information Office
Railway Station, Trg OF 6, SI - 1000 Ljubljana
tel. +386 (0)1\ 433 94 75, fax +386 (0)1\ 430 05 51
e-mail> ticzp@ljubljana-tourism.si
Open> 1.6. - 30.9.> 8.00 - 22.00, daily
1.10. - 31.5.> 10.00 - 19.00, daily
www.ljubljana-tourism.si
 TuristiËni Informacijski Center Ljubljana - TIC
Ljubljana Tourist Information Centre - TIC SECESIJSKA LJUBLJANA
Stritarjeva ulica \ Stritarjeva Street, SI - 1000 Ljubljana, Slovenia
Tel.> +386 (0)1 ⁄ 306 12 15, Fax> +386 (0)1 ⁄ 306 12 04 ART NOUVEAU LJUBLJANA
e-mail> tic@ljubljana-tourism.si, http> ⁄ ⁄ www.ljubljana-tourism.si