7251726 (497.

11) 19

Aleksandar Kadijevic

TWO COURSES OF SERBIAN ACHITECTURAL

ART NOUVEAU: INTERNATIONAL AND NATIONAL
AP~HYBOA:

U U

beginning of the twentieth t i S

was mkd th stylistic tds:
the academism of wd histil
styles, the til ssi based the legacies of the
S medieval hitt d the domestic vit of
t NOLlveaLl, developed Llndel" the Vis - Secession. I fist two directions tiLlltd dLlal Llltl
sitis of the dynamic S state, gizd d
lgd at the l gss i 1878. eclectic fsh
mt of the academic sty les Ll bLlildings dig the
ftiv id of the S Lllt, aftel" tis of
stgti Lld the kish Lll, imitated the smlit
hitt of the jLldicially stLItd gis ,
while the sh fol" til style ssd the belated
ti stivigs tw'd idisti 'tisti aesthetics
of svig people,
Llll w of their own hitg, bLlt also to
oLltside inflLlences, the S hitts did not hesitate
accepting the t NOLlveaLl and continLled both of its
orientations - the ittil and national,2 'hitts
w not yet tid of histiism and accepted the new style
as fm of moderate mdizti, Isid t
NOLlveaLl 'hitt fm the Llltll familial" ts , Ll, BLldapest, d gLl - and also its
dOltiv vit from the World Exhibition held i is
1900,4 the S hitts imil evolved its
national vit dig the fist s of its application.
ittilld of Art NOLlveaLl the Si 'hitt
was iditl iflLld its [eception RLlssia, thLlgh
the tiiti of RLlssian achitects S competitions
and the dvis role of their academic institLltions. s the
othel" hand, the S gis OIth of BelgIde, along
the DaI Llst-LIgi hitts w ltig
hitt

53

:
-

, ,

-, ,1

,

1878,

,
,

,

,
-,

. ,

, -

, , ,

1900. ,4

,
-

YCTaHoBa. S
, -

 HISTORICAL MONUMENTS HERITAGE / ALEKSANDAR D[(:

the intenational s of AIt Nouveau and its HL1ngaIian

national vaIiant. 6
t NouveaL1 was gistd the SeIbian tisti idi
cals the mid-1890s, but it fist "d tisti t,
i stL1ts, book and magazine designs,7 and only latel"
ti ts, commissioned . Althollgh abollt
fifty of active SIbi hitts applied elements of the style
- and some of them w llll woIking othel" styles
as well - t NOllveall ts w most ambitioL1sly developed YOL1ng aL1tl1ol"s, longing fol" l"giti . The fist
uildigs with Al"t Nouveall htl"istis appeal"ed fl"om
1900 l1wds. The style was pl"edominantly ssd i
the hlg of the facades, and only ll the design
of space, stL1t and stL1tiI1 of seculal" bllildings.
Due to svtiv attitL1de of the mmissis, the t
NOllveau style was not sillsl sl1t tlle Sel"bial1
sd tt. 8
Aftel" it had fist applied the facade dl"tis
of the hotel l' i Cacak 1899-1900,9, bL1ilt aftel" the
dsig of the Viel1l1ese al"chitect ll! g, the fllwig
five yeal"s t Nouveall was implemel1ted lgd and
OI cities of the ingdom of S the al"ChitectLl[ of d two stol"ey houses . 1o Fom 1906 to the begil1nil1g
of WOl"ld Wal" 1, whel1 the style was decline wl d
tt, its applicatiol1 tI1 facades and i il1til"S of pL1blic

-,

.6

, -

, ,

,7 ,
.
,
,

, .

1900.

-,

,
, .

, -

. 8

1899-1900. ,9
,

. I

1906.

, ,

1. .

6u,

u ,

iJl<:,

1926.

Pig. 1. D.

lJi,

51. 5ava's Temple,

pmject, 1926.

54

TWO CO URSES

SCRBIA N ACHITECTURAL ART NOUVEAU: INTEH.NAT IONAL AND NATIONAL

2. .
Hapogliu

muu,
!1,

gJt U Il

(1928)

Fig. 2. D. Bosko\iic,
National Museul11,
stuclent 's c/raJt (1928)

uildigs

- hotels, ks , coopeltives, office uildigs, detts sts, schools - was fqllt. Aftel' the d
of the w, i the Llltitil igd of SeIbs, Cloats d
Slvis (d f 1929, the igd of YLlgoslavia),
the lts of t NOLlveaLl, st i few Llildigs,
bldd it the hlg of the til SIbi-z
ti style, ssiis d t Deco. 11
Modestly td at the lgd School of AIchitectue,12 gltd i the pojects of the iist of PLlblic
WOl"ks of the igd of Si d latel' igd of Ss,
ts d SlviS/Llgs]vi, 13 .t NOllveall was v
official school dti state fvd style, jllSt
tttiv, lttiv stylistic disili. BecaLlse of its
i ht it was t acceptable to the SLlppOl"tel"S of
stit social d tisti ns, t sllitable fol' the sv
tive political and llltl elite, bllt tttiv l to ambitiollS

, , , , , .
, ,

1929.

),

- , ,
-

, -. 11

, 12
/

,13 -
, ,
.

, ,

, . 14

ts, hts , ks d f-thikig itll

ctllals. 14 d with the s of the limitative dmis,

YOLlng hitts saw i the compositions, tils and decoltions of the new style fsh possibilities fOl" ssi and
cIeative impovement. Ild i meaningful, stylistically
htgllS S hitt fom the l 1900s, the
sttn of t NOllveall was i ti WOl"ks dominant, i
ths evenly applied, and some only fIgt AlthoLlgh
it v d its f except the Dtt
st at 16, tlja t Stt i lgd, but l till
with concessions, adapted to the f fm of academic
plans and the tif division of facade zs, t Nouveall
expedited the dizti of the S hitt. In
th, it pomoted the iils ti1at the fm of building

,
, -

,
, . ,
(

16

), ,
,

, -
. ,

55

 HISTORICAL MONUMENTS HERITAGE

. .

Fig.

u u,

I ALEKSANDAR ADIJEVIC

u uguu, 1924.

Petar n! Branko Krstic, Pavilion

Ntilaclelphia, clraft, 1924.

was iil defined its futi d stutu d t

tlle issid style d so diiishd the diff
tween the tt d fm i hitt.
Despite tlle limitations of tI1 uildig lgislt that
Ilibited Ol" tsiv tus tI1 facades d
to make tI1 l witll tlle istig llittl vi
lt, 15 the liti of tlle ittil tis of
t Nouveau iflud hitts to diS1gd the di
steleotypes i the dsig 01' public d ivt uildigs i
Si. The di ts ofthe ltishi tw the
ig lemts d tlle weigllt, the emphasis the fim
poi.nts of the msiti d tili til1ts,
tlle hihil d of tLls, walls, ill shaded ts
d l1ts, w gl u ll LlllCllli d , ul1af, "ected Secessiol1 stLIts. DLle to dLld [espect of tI1
l'ixed pattems, d gt tilit i the Ll se of fl1ctio
l capacities ofthe uildi gs, tlle tLIs lll lg d
tll e stit classical ili g 01: tlle {acades was abal1dol1ed.
Tlle usual d l top comices, i lllts , static
scu ]ts, closed, s I - S LII:I:i i t mtl wholes, classic is t ic colLlmlls alld gabIes, w Ieplaced ll alld
olg <lIlically hmgLIS polycllomatic compositiolls, ll
sid Ilt ' s sllapes. l I:acacles d

,
.
,

, 15
-

.
,

,
, , ,
, ,
.
,
,

. ,
, , ,

, ,

, .
,

56

WO

COURSES OFTHE SERBIAN

URL

ART NOUVEAU: INTERNATIONAL AND NATIONAL

tS' t, sometimes asymmetl'ically CO lllposed,16 theil"

s

waIIs fItt, wl1iIe spatiaI stLltLII's I tIle gi

zatiol1 space, except i sidtil llittLI,17 w
ivl to gt dg i l witll tI1 f1ti
oftIle LliIclig . 18
Il belts Lld the top is 01: tlle {acades w
dissoIved with the tis vtiI cIivisiol1aI Its
of tI1 middle z. Istd tI1 tlitiI litis,
and sill alol1gside tI1, tIl w Secessiol1ist
masks, female I1eads, fll al1d l1ml mts, distibLltd
alol1g tIle f plal1es of the facades. I1 ltiv fields
sd bOLlgLlets sgLls with masks al1d tits. 19
stit divisiol1 of the facades zs was diSLltd , while
the I1dss al1d l1nl1tlit, I1tisti of tI1e aLltho-

4.

. ,

, 16 , ()
,

, 17
. 18

. ,
, , , ]

,
. -

. 19
,

5.

. gu, . ug,

, [OL

g ,

Fig. 4. . Tanazevic,
Njegoseva Street 11

Fig. 5. . Ruvi(!ic, 1. Fi(lanOliic,

Smeclerevo Cre(!it Bank, Terazije Street 39

57

39

 ISTORICAL MONUMENTS HERITAGE / ALEKSANDAR ADIJEVIC

[itative academism weIe diminished. Sometimes the m

sition of the facade was sl1bjl1gated to its onamental plastic.
Il1stic appeaIance of the gl1d flOOI was Iedl1ced and
stylized and the elevation fts w 10ngeI oveIemphasized and al1tonomOl1S bl1t oIganically l1nited. Aftel" the domination of the hiztllg fts, the facades ftd
veItical Iegl1lation of the ZOl1es. Lightness [eplaced stiffss
and weight, decentIalization Ieplaced hiIh, tIal1Spat'en - exaggeIated complexity. Althol1gh the main motif of the
siti was sacIificed to its dmti imssi , the
facades weIe ttd as wholes, withol1t maIked paIticl1laIization. Attics and ball1stIades gIadl1ally si11011S d
1111dl1lated, while the pilasteIs and masci'teroni 1111mmi
si ngly bIoke thl1gh the IestIaints of the hih. S~I
hitt was gdl1ll emancipated fm the sce110gIaphic tifiti of ssi.

.
,
, .
,
.
,

, .

,
, .
,

.
.

,
-,

6. . , [, 16

Fig. 6. V Azriel, Department store, Kralja Petra Street 16

7.

. , ,

Fig. 7. S.

58

itelbal1, / Peta

Street 39

39

TWO

8.

OU RSES OI:: THE SERlA N ACHITECTURAL ART NOUVEAU: INTERNATIONAL AND NATIONAL

. guu, . ,

uu

9. .

150u, . u,

, uu

26

35

Fig. 8. D. Vllisvlvi, Commercial Bank,

Knez ililv Street 26

Fig. 9. D. Dordevic, . StevanO\lic, building

tl1e Serblan Royal A cademy, Knez ililv Street 35

1 the sh of hittl mts, the ittil

methods of t Nouveau established i the wks of Victol"
t d Otto Wg,20 w tlsfd to the S
i1itt thl"Ough fms d themes ffgd, stucco, st
d mi-!sti dtis of f10l, zmhi d
gmti ht. Nvthlss, except fOl" few examples,
the l1se of mh!g d mtils of t Nouveal1 style did
t automatically assume mass liti of the Hew stl1C
tl gmts , i stuts glass ti walls. 21
With g'd to the itti! t NOl1veal1 tdis
i S hitt, d the example of hotel i
Cacak, should also it out the most imtt lgd
examples: tl1 hOl1se of gi v Smdv (1901)22
with successfolly dsigd , boad tl1s i the

,20
, , -

,
. , ,
-
,

, -. 21

, ,
:

(1901),22 ,

,
,

59

 HISTORICAL MONUMENTS HERITAGE

I ALEKSANDAR ADIJEVIC

receded grol1nd floor and the Secessionist floral decorations of the first floor, whe1"e the decOIative ft is
ql1ality in itself and not jl1st an inte1"preter of the hiera1"chi composed academic stt. bl1ilding of the
Society for the Embellishment of 1" (1901 ),23 designed
architect Milan Antonovic, is characte1"istic in its decorative iron fence l1sed instead of an attic with l1nl1sl1al zoom01"phic motifs. Secessionist decOIations 1"eplaced the fOImer
ball1strades; this 1"evised the academic 1"eg111ations f01" the
composition of the top most zone of the facade. flo1"al
Secessionist ornaments fOl1nd the facades of onestorey fil hOl1ses bl1ilt ol1tside the cente1" of the capital, in
bOl"ol1ghs of Dorcol, Grantovac and Englezovac: the hOl1se
of . at 35, S111i Street (1904),24 designed
architect Stojan itelbah, the town villa of the ht R.

10.1.

Fig. 10.

u, l1l ,

Ilkic, /1Otel Moskva, Balkanska Street 1

60

(1901),23
,
,
.
, ,

.

, ,
: .

35 (1904), 24 ,
.

1 (1910),25 ,
31 (1908),26 -

WO

COURSES I-I

S E RIAN

ACHIT CCT URAL ART NOUVEAU: INTERNATIONAL AND NATIONAL

11.

, g

Fig. 11. Hotel Moskva, (letail

vvi at 1, Stv S Stt (1910),25 dsigd

11 (1908?7 .

architect Ik zvi, the house of Galtija Leone at

31, FI-ancuska Stl"eet (1908),26 dsigd al"chitect Dura
Bajalovic, the house of il tvi at 11, ilandarska
Stl"eet (1908),27 etc.
of the it public lldigss i Art Nouveau
style built at tttiv Belgrade locations is certainly hotel
Moskva (1906-1907).28 Istd ofthe dsig the Zagreb
al"chitect ViktOl" KovaCic, who won the mtitiid
Otto Wagnel" g othel"s, the Is m Rosija
decided upon the design which was second the list, the
local 'hitt Il; it was latel" adapted unknown
al"chitects fl" St. tl"sg. With the vel"ticallines of the
stl"ut, the absence of l"epl"esentative utlit despite its size, dl"ti siti, the absence of stiff
tilil" hOl"izontal divisions, the effectiveness of the gl"een-,' mi coating of the centl"al facade zone and decoti l"edllCed to the shallow Secessionist plastic, this bllilding
stds Ollt in the vimt of Belgl"ade downtown.
Dtt stOl"e (1907), built aftel" the design Viktor
zil ,29 pl"esumably brought f Vienna, displayed the
structural d aesthetic advantages of the Hew style in the
hitt of ml"il buildings . Its functional,
interior, its il"on bridge and gallel"ies, exceeded the past
l"ience in the new stylistic l"itti. font is designed
like glass ti held iron gl"id, ssd between
l"bl pillal"s. pl"ettiness and good quality of execution
of the tlisti Secessionist rnt of Viennese
v enticed general dil"ti.
Although l"iil l"itd toward dis, the st
l"wd tandem of authol"s i the S l"hitt -

-,
,

(1906-1907) .28
,

,

,
-
. ,
,

, , ,
, -

,
.

(1907)

,29
, -

, ,
,
.

.
, ,
.
,

,

61

1907.

 HISTORICAL MONUMENTS / ALEKSANDAR ADIjEVIC

and d Stevanovic - bLlilt in 1907

city palace with Secessionist elements fO!' the
local mht Stamenkovic; the bLlilding is known as the
hOLlse with g tiles.30 Its volLlme, despite the tdi
tionalist iti t, is fshd the oLltside with vti
cals that k thLlgh the [oof conjce. The facade of hotel
istl with its f LlndLllated stLlt (1910-1912),3 1
designed Nikola Nestoovic, was isid the font t
of hotel Moskva. Among the [emaining significant
ples of the intenational t NOLlveaLl in lgld hit
t, with visible mts of the mhlg of academism,
shoLlld mti the cone hOLlses as well as those td
ssds: the hOLlse of Levi (1907) designed
Stojan itelbah, VLlca's hOLlse (1908) designed Dimitl'ije
Nikola

Nstvi

sttiv

12.

. 30 ,
,
.
,

(1910-1912),31
, .
-
,
,
, :

(1907) ,
(1908) . , (1908)

. u, . u,

l u,

41, g

1.

u lu,

Fig. 12. N Nestorovic, . Stevanovic,

Kralja Petra Street 41, cletail

16, g

Fig. 13. Department store,

Kralja Petra Street 16, cletail

62

WO

COURSES OF - SERBJAN ACHJTECTURAL ART NOUVEAU : INTERNATIONAL AND

Leko, tlle ffis' tiv (1908) ds igd Dil

Vladisavljevic, SvetozaI" vvi d VladimiI" ,
as well as the hOLlses bLlilt it the existil1g stt bIocks hotel Gd (1900), tlle stLldio of ll1 l10, pllOtOgh ( 1902-1903) dsigd il tvi , tI1
house of' l11ht dvi (1910) desigl1ed St Sto110 , tlle ml k (1911) dsigd Dil
V1adisavljevic, the Smdv dit Bal1k (1912) dsigd
ild Ruvidic d Isailo Fidvi, the t k
(1914-1924) desigl1ed Dil Vladisavljevic, the Llildig
of the Si Royal Academy (1914-1924) dsigd
l1d Stvvi al1d DgLlti Ddvi (with ti
of Milal1 l1). 32 ll imp01"tal1t examples of t
NouveaLl i othel' S tOWl1S il1clude the villas lvl-

NATION A J~

,
,

(1900), .IIU
(1902-1903) ,
(191 ) ,
(1911) ,
(1912) Jl
, (1914-1924)
, (1914-] 924) ,
-

( ) . 32
-
,

(1911, ) ,
(1905),
(. ), ]-IO

14. .

(1910), (1910),
(1912),
(1912),
(1912), .
(1913) . 33

, ,

22,

Fig. 14. . Bajalovic,

KosanCice v venac Stl'eet 22, detail

, , 34

35 . 3 6

-
-,

1911.

.37
, ,

-.
,
,

. 38

----

------

.
,
,

1900. ,39

-.
, ,

, , (
),
- (
, . . )

.

,

63

 HISTORICAL MONUMENTS HERITAGE / ALEKSANDAR ADIjEVIC

15.

u:u, l

11,

Fig. 15. Njegoseva Street 11, cletail

.
d i Vk ,

the [111l house of

SotiI i i Leskovac (1911), dsigd SvetozaI v
, SI., the house of Dc dl vvi i Sabac (1905),
tI1 ut Authoity uildig i Veliko GIdist, dsigd
MiloIad Ruvidic, the t d the ut AuthoIity uildig
i Nis (1910), the ut AllthOl"ity uildig i PiIot (1910),
tI1 l111t School d PhaImacy i Ngti (1912), the
1101Ise ofMilos "ifvi i Uzice (1912), hOllse ofZaha Hadzi St111kvi i Vlsti (1912), tI1 laIge hOllse
. Nikolic i KIaglljevac (1913), d otl1eIS. 33 S0111e SeI hitts woIked i tI1 lIst-lIgi 1110h
all.d dsigd i the style of Sssi , like il Tabako,34 Milos ildivi 35 d DIagisa Sv. 36
ll lll i111itti of the oldest igil ults
bIollght about vtis of stl11i d gti
I1tifs i tlle S AIt NOllveall llitt , tillll
o bviollS i the vili of tI1 igdI11 of SeIbia i ROl11e i
19 ] 1.37 The aIchitect of the vili , PetaI Bajalovic, applied
ll11ts of it hitt, IephIased the 111ethods
AIt Nouveall, the sfs of the wfl ll of the
Llildig. Tllis itst i the legacies of - cllltLIIes was istigtd Iv stvi , Wl10 was th
iflLltil, ittill gizd as sCLllptoI d locally
a ls o as aIchitect.38
Rs to igil lllts gave impetLIS to tlle SLlPPOIte LS 01' til histoIicis111, Wl10 kw we ll tl1<lt tlle S
:-;t.y le i aIcllitectL1e had to 1110d1i zd. Tlle vili of
tll e i glI1l of SeIbia bllilt fo PaIi s lliiti i 190039
a'teI tlle lsigs il tvi l MiloIad RlIVidic,
1 IQ10tl LII S Ll 0111ti 01' S lll l1 -

64

16.

. , u,

2,

Fig. 16. . Tana zevic, Ministry

Kralja Milana Stt 2, cletail

17.

Eclucation,

. m u, Ullu u,

2,

.;

Fig. 17. . n v i(, Mini.l'/l )' Eclucation,

Kralja Milana S"eel 2, (!elail

TWO COU RSES OF -

SERIAN I U RL

ART NOUVEAU:

tt 'l"O the 1'ttll tLI <l(1 [ll ittil t

NOLlve,lLI . ll cLlbic Llildi g 01' ll' ll l'gizd l had
dll1i t til , -m (li v l Yive- clo llle lvtill1ti1'
(sill1ilaI' [ tlle dome system ' tlle m s tl' Gi) ,
fslll lll1ts t NOLlvea LI tI1 gl'OLld
(glazecl lld tis acldecl [ll lliiti ig
llitt . di) d tI1 t vtil tigs of tI1
lvti s. Si tI1 mti(1 s t ll sis 01' two styles made
the S vili Lll , [ll llitts itd towd [ll til style g [ l SLICh mtis
fqLlt]. The 1l10st mit s ttiv of the til
style i S hitt 01' tI1 ist clecade the twtith
t, k zvi (1876-1945) sO Llght isiti
i the seC Ll]al' folk aIchitectl1l'e, the so callecl vi hOLlse
with vaLllts,4o folk ll1idl' l tm t weavig i S. 41 L1ld 11is ideas i fssil
ll1gz is , d ll1, toget]leI' witll tlle g DgL1ti
1kisti (1866-1945),42 the mi ideo]ogist of the til
hittl1l'.l vivl. 1 li witll tllis 11is Llildigs
the SIl1 f01' tI1 tll1 istd of the s
vative d mimetic tdis 01' [ll ti] style.
1 tI1 L1ildig of tI1 lh hg i lgld
(1905-1908),43 zviC ild tditi d mdi
ty i lig its Sll1til t'l'Ot t'acade, fiishd witl1
ibd Sssiist cOlle dOll1e, difft -vi
ts , polychomatic sfs of the s wall, d tI1
low lif i the sf of the facade was d i pseL1dodivl osettes d chess fields. l fLIge the gL1d
fl l , which evoke zti llitt, d itl-Iad
1tti k vivid stLlt ki to the t
wv kilis. 44 The f 1i is k thOL1gh gi
d tl1 tl1l's , i acc01'd with the itlltil t NOL1veaLl, is i L1m d decl'ease i dimsis fl'
the gL1d Llwd. 1 the Sll1til siti
of the facade the iist of dL1ti (1912-1913),45
-divl lhl'Oti effect, itld 1ts,
tfil gable d the mbl ofthe igdm of S,46
skillfL111y d with the Sssiist ilsts, dtis
d tigs of the lvti. The itig light-dk
trasts, elllphasized lhti l facades of bl
L1ildigs dsigd this aL1thor w [epeated the hOL1se
of v d ksi Nikolic (1912-1914),47 wheIe the
[elief of St. GeoIge i the gable d the ls divd f
the S flag ll mk the ideology of the til
style. mti of t NOL1veaL1 d til motifs ofthe
chess field is applied the tt, smmtil ft facade of the hOL1se of Mihajlo tvi Alas i lgd (1910)
dsigd Petal' l0. 48 The L1lizd sketch fo Post
Office 1 (1911) L1g nvi, [eveals desiIe
to achieve mti of the til-divl style
d t NOL1VeaLl h-Llmtl bl Llildig. 49

65

N RNN L

AND

NNI~

I'
.
, < -

(1876- 1945),

l'

,40
. 41
, (1866-1942),42 OI'I I '
. 01'11-'1
,

(1905-1908),43
,

, ,
,

.
,
, ,
.
,

,
,

. 44 ,
-

(1912-1913),45
, ,

,46
,
. - ,

(1912-1914) ,47 .

. -
,

(1910)

. 48 1 (1911),
,

.49 ,
,
,
,

 HISTORICAL MONUMENTS HERITAGE / ALEKSANDAR I

slim domes, polychromatic segments applied along the

romantically divsifid facade covering ! absence
of stit academic discipline. Together with the Sssiist
dti d the foms of ts it mifsts 1"L1l10viC's polysemantic romantic h.
When Art NOllveallleft histil scene i 1920s
llnder the ss of the w til-mti tditi
lism, that flishd i the llOl" wake of llit of
South Slavic peopJes, emerging modenism and the
demism that m mOl" powerflll as llnofficial state style,
WOl"d Sssi td it pejorative dmiti of
excessive sllbjectivism d imlllsivss i hitt.
Nvthless, alongside the few belated examples,50 mts
of t NOllveall the lldigss dsigd itil
style. llvi's Post office 2 i lgd (1927-1929),51
sidd the gllidig m of the td, had the g
cled stllt of the llm, ts d lvti tigs
htisti of the t NOllveall style as mllch as of Czecl1
l1d-llbism , the tl ssiism and Art
Deco. hitt lksd Dk achieved l1l10btl1sive
iliti of til d ittil t NOllveall fms
the family hOllse Elezovic (1928) lgd,52 while the
expressionism of l1dsd masses, composed aftel" the it
l1ational iils of Art NOllveall, dis1d i 1111realized designs for the YllgosJav vili i Philadelphia
( 1924) Petal" al1d l1k Kl"stic, hh of St. Sava
( 926) Dllsan , tI1 l1l1 (1828) dsigd Aleksalldal" Vasic d Natiol1al Mllsellln (1928) Dd Boskovic. 53 belated Sssi ist vti of ancient si
hitt,54 obviollS i tl1e static msiti of the mm
('iaL m0l1llment to t Ukw Avala lgd
(1937), mkd the t of its llth, Iv Stvi . 55
Althollgh ! NOllveall was dditill thmtizl
the itis itd toward model1ism, the office for the
l'tti of llltl mllmts i S was bl to
sv its most mit examples i lgd aftel" tI1
S d World Wac 56 Uftlltl, tis was t the case
w itb llmllS tis i t tws , neglected i s t
i gl-hs as well.
two ss S t NOllveall illlls tt t ideological wvil1g of [11 twtith t S 'i
tects who oscillated tw t il1t1til , mdizig
icleal d the til , gill gizbl d histi
call ooted s s i. tl1is lltllti , itstd i tl1e
i l til isslle, [11 mit of S itts did
(, dll sigl-l11ig s ss lt mixed lmts
J"On difft styles l I1f't! ideologies. Despite
ilit t 01' [11 tis d tI1 !isi
t to follow tl1e ("llles 01: sty le, they made l l1
[ . ( 1.I -dgl11ti d ! s mti, thf gi

zabJe

the

hitt

01' Sllt

st .

66

-
,
,
,
, -
,

. , 5
-

. 2 (1927-1929),5 1 ,
,
-,
- ,

-.

(1928)

,52 ,

-,

(1924)
(1926) , (1928)
(1928)

, .

. 53
,54

(1937), ,

. 55
-
,

,56
, .

-

, ,
, ,

.
,
,
,

.
,
,
,

TWO COURSES OF SERBIAN ACHITECTURAL ART NOUVEAU: INTERNATIONAL AND NATIONAL

Notes:
Abollt [ll Sill 'h ittll f l tile late Ililleteelltll alld \11 ' l

see: Z . Mallevic, inii mocleme lklu

g (/(/, lli tktll lI lli z l 16, gd 1962, 46-49 (Z. Mallcv ic,
I7. il/s /lgl's moclem tl, ll itt ll lI llisl
16, l gl d 1962, 56); G . Godi c , !1itktnsk naslecte g (/(!
g/ 1, Saopstellja ZZZSKGB 6, Beograd 966 (G. G di , i tg
ilit llt lliqLl dLl titi dc Belgrade, IIlStitLlt Ll l potectioll
des 1l1OIlLIIllellts ili s tiqll s de l vilJe de I gd , llllllllitiIl S 6,
lgd 1966,98-99); Z. Skl lll, Secesija lklui g (/(/
1900- 19 14, ZLUMS 3, Novi Sad 1967,3 13- 340 (Z. Skl lll, La
Secessiol! clans / ' /1ittu de gl 1900-1914, Mati ca slpska.
Sti cles ts. Recilerches sLlr l' art 3, Novi Sad 1967, 340-343) ; .
Nestorov ic, Nosioci i1itktnsk m isli Si 1 1Ieka, Saopste llj a
IAUS 2, gd 1969, 49-55 (. N s tvi , Les mtus / /
pensee tlu.l clans [ S clu 1 siecle, I s titllt d 'arcll itectlll'e
et d ' lII'balli sllle de Serbie. BLllJetill d ' inforlllatioll 2, l g d 1969,
93-94); Z. Skalalllera, n01l s skg sti/a u lk i, Z LUMS
5, Nov i Sacl 1969, 189- 223 (Z. Sk l l, Le nu1lllmn.I / slyle
S c/ans L 'l l u , Matica ssk. Sectioll des arts . Recllerllers
SLII" I ' ! 5, Novi Sad 1969, 233- 236); Z. vi , N01lija ssk
tkt , ill: Srpska 'hitkt 1900-1970, Beograd 1972, 13- 17; .
Nestorovic, g ld spomenika !1itklu u Sji 1 1Ieka, Ss t
RZZZSK , Beograd 1974, 141 - 179 (. Nstvi , Les monumen.lS
d' !7il tu S 1 et clebut du siecle, IIlStitllt POlIf l
potect i oll des l IlLllllllts ili s toiqLle s de l RepLlbliqLle de Serbia.
COllllllLlIlicatiolls 1, lgld 1974, 168- 169); Id. , f1itkt Sij
X IX 1Ieku ( l ll sit , SANU, Ist. zbirka . 14.410, Beograd
1974, 502- 587); . Di - Zlll l , g ll 1898-1914, iz
G v i skg d, gd , 1980 (. DLIi -Z llll , lgl
1898-19 14. Oata fl the Achive s of the lIildi g lit, Belgrade
1980, 11-1 6); Id, G litlji gl 1815-1 914, gd 198 1 (.
DLli -Z ll , /gl f1itts (!1 / /m 18 15 10 19 14 ,
l gd 1981 , 11 9-1 24); . M edakovic, Secesija - slil oko 1900, ill :
S veclocellja, Beograd 1984, 48- 50; Z. Skl l Secesija ssk
tktui, Zik Ndllg lll z II-2, Beograd, 1985, 7- 13 (Z.
Skalalllera, At NU1l S !1ittu, RecLlei l dll MlIsee
Natioll al II-2 , Belgrade 1985, 12-1 3); Z . , Ssk !1.itktu
l1llstg veka, i : ili tktLl vijeka. Umjeln.ost tlu Jugosla\Iije, gd-Zg-st 1986, 20-22; . KLlljC-. ti v i
Cvijill, t Nml\leclLI Style Yugos Lavia, : t NOLlveall/JlIgendstil
hittll ill , 1988, 218-220; V. . Solaja - . S. Magdic , Inienjei u KnjaiesNu/Kalje1lini Siji 0(l 1834. gocline clo za1l1'setka 1l0g s1lelskog t, g d 1994; . Kadijevic, Jeclan vek '
ienja nacion.alnog stila u ssk f1itkti (s !in 1 - slin
1Ieka), gd 1997,71-103 (. Kadijevic, l1e n n. /
nl slyle sg S ttu (t!1e midcLLe oftl1e 19111 n
{ - (/1 mic/clle 0/ t11e 20111 tu), lgd 1997, 267) ; . ,
lki simboli beogadskim mmm zclanjima, gd 1997,
60-83; . KadijeviC, I'tktu i nizm Si od 1854. clo 1904.
goc!ine, : Nall ka i teilnika LI Si dg l I veka, .g ll
1998, 263-283 (. Kad ijevic, ttu and uism n Sebia
(1854-1904) , : Science d tlis ill Serbia dillg the secolld ilalf
of XIXth t, lgLlv 1998, 284); Leksikon sskil1 !1itkat
19. i 20. veka (ed itoI" Z. vi) , Beograd 1999; Z . vi , 1s tij
ssk tktu lvijg doba , i : Leksikoll s sk iJl il (editoI" Z.
v i ) , g d , 2002, .
twellt ictll

Althollgll i vd lti v l ' l , \11C I'llil'i t i Il S of tlle illtllti'l1 l

alld Il atiollal t NOLlveaLI 11HVC bccll cO llsciell tioLl sly s ll d ) \11<:
wld Ili s tigl ll olll y sillce tlle latc 19805. See: AIt NOLlvealll JlIgCllllstil llittll i Ello pe, BOIlIl 1988; Illt ti ll l illt llti OIlS,
National lvl llts, ill : AI'cilitectlll'<l 1 Heritage of Alt NOll vealll lI g d
stil , Il 199 1, 34-47; .1 . Howa rcl, AIt NOLlveall . It ti l ;111 l
t i l styles i , Mall clles ter 1996 (w itil l littLl) .

tll,

67

Mitrovic, 1Ii z ij i/i!i // mizij. Deset teza, Godi sllja k / .<1

istorijll 2, Beogracl 1994, 143- 145.

dll s tv Ll

4 tile Llltl sigllifica llce ol' that ex llibitioll visited IlLIIllber 01' I'C-

Il ow lled Serbiall hitts , sec: . .lLlli all, /1 i m!1 o.f l Nou1leo ll .

i s Exili bitioll 1900, LOlldoll 1974,96- 105 ; . Al lwood, l7e l
EX!1ibltions, Llld 1977; . Ollskovic , S S\letskoj izloi bi
iz 1900 , g d 1995 (. Ollskov ic, S l (!1 Wll exblbiliol/
in 1900, l gd 1995, 63-65).
.

Jovallovic, Ssk likO\ma umetl10s1 i Rusija km 1 i pocetkoll/

\Ieka, Saopstenj a, RZZZSK , Beograd 1983, 119-128 (.
Ilovic, Les ts plasti(lu.es sebes el!a Russie / [n clu 1 siecle l
clu cLebut clu , Jllstitllt l tti des l lllllll ts ili st iq Ll CS
de l RepLlbliqLle de S . COllllllLlll ications , l g d 1983 , 127) .

6 . tivi-v ii ,

Uticaj mlsk secesije \lOj1l0dansku !li

111l1zeja X II-2, Beog rad, 33-44 (. M a lti v i -v iill , l7 e il~fluence . gi t NoU1leau !7.ilct!
n Voj1l0clina, RecLleil dLl MLlsee Natiol1a l II-2 , l g d 1985, 43) ; .
i , tsk vaijata secesije Voj1l0clini, Zik NaJ"odl1og
lLl z II-2, Beograd 1985,61 -7 1 (. D i , l1e ung i 1I il
0/ t NoU1leau n Voj1l0c/ina , Rec Lleil cltl MlIsee Natiollal II-2 , l
gJ"ade 1985,70-7 1); . KlIlic - . ti v i -v ii , . cit, 216- 2 18.
lkl, Zbonik Naodllog

Z . Jallc, Secesija ilii S poc'etkom 1Ieka, ZLUMS 13,

Novi Sad 1977. 339- 343 (Z. Jallc, Sezzesion in clen SS!1. ze ils!lI' zu beginn cles !1I'!1U/'llts, Matica s sk. Sti des arts.
Rillls s I ' t 13, Novi Sad 1977,344-346); . Yas ic, Secesija
m umetnosti S iji , Zllik Narod ll og lll z II-2,
grad 1985, 73-80 (. Yasic, t NoU1leau n 1!1 Seblan appliecl I,
Reclleil dll MlIsee Natiollal II-2 , l gd 1985,82); . Radovall ovic,
Secesijske k01line na/asaclama Beogmcla, ZLUMS 22, Novi Sad 1986,
283-313 (. Radovallovic, S!1.IuilknSfllik m Sezessionstil
fassaclen 1In lgd, Matica slpska. Sectioll des ts. Rhhs 22,
Novi S ad 1986, 3 12- 313) ; . S ij akovic, Secesija 1Ilikkk
stam.pi, G lasllik lll z Bal1ata 6, v [995 , 164-173.
. v vi , Ssk ck1leno g litljst\1O

i slikst\l n01lijeg cloba,

1987; Jd, itijmi SllJske f...'1ln u.metnosti,
ZMS za scenske Llmt s ti i lLl zik Ll 15, Novi Sad 1994, 11-1 5 ( .
v v i , Criteria applied S ll ilh art, Matica s sk. Section
pOLI l' t et IllllsiqLl e. Rilhs 15, Novi Sad 1994, 15); lii i
svm ssk ck1leno g ditLst11 (dits . Stojkov and Z.
), gd 1995.
gd-g llv ,

9 . NestooviC, gl/

spomenika . .. 167; . Fol g i c-Ol k, Secesija u.

Cac'ku , Zbonik Narodllog lllz II-2, gd 1985, 24-26 (.
Folgic-Korjak, Ar NOU1leClLl n Cacak, Reclleil dll MLlsee Nati onal
II-2, lgd 1985, 3 [) ; . Rajic, f7itktosk naslecte Cac'ka,
cak 1997, 10.

 HISTORICAL MONUMENTS HERITAGE / ALEKSANDAR ADIJEVIC

10

. R t, Jecll1opooc!ic'l1e stambel1e zg l 19. i poc'etka 20. \leka u

8g lu , llitktllik

1 ,

gd

1996, 11 8- 135.

18
19

ll iliztiIl of the Sll hittLll" betweell tlle two wld

11

ws, see: Z. Mallevic, Juc'easl1je g !it/.ml, Ullizm gd

53-54, gd 1979, ilg 9, J- XXXI. AboLlt ssilli s m alld t
D ill that time Sll hittLll" , see: . Kadijevic, Elemeti ekssiizm u Slpskoj tktui izmecfu C
!II(/ s\letska , Momellt 17,
g d 1990, 90-1 ; Z. Mallevic, ! Deco ! Narional Tenclen cies
in Sebial1 n:ttu, SpatiLlm 1, lgd 1997, 34-38; . ,
F uski l7itkt Ekspe i Deko u 8 eog nlclu, Naslede ,
gd 200 1, 67-83 (. Jovallovic, !1 !1itt ! al1cl ! Deco
il1 8 lg !, itg III, lgd 200 1,83).

12

\lisim i \lisokoskolskim ustanO\lama u g lu tokom 19.

i poc'etkom 20. \leka , GGB XLIV, gd 1997, 125-168 (with l
littLll") (. Roter-B1agojevic, Tesc!J.ing system l1ittu
Hig !1.e ancl!J.ig!1.est eclucation institutiol1s in !gl luig 19111
20111 tu, llllLli de 1 11 de lgd XLIV, 1gd 1997,

Z. Mallevic, Juc'easnje g!it(stv ... ; . , Dusf1!eni uslo\li

a Z \litka l1itktsk stuk u g lu 1920-1940. gocl, Beogl-ad
1979, 259-264 ( . , !J.it tu !g l cle 1920 1941 .
Conc!itions sociales et poJessionales, l g d 1979, 271-274); S.
Toseva, giZClij i dtktnskg ocle(jenja iiststv g a
(te\lina u ilu izmectu cl\lCl s\letska / , Naslede II, gd 1999,
171-184 (S. Toseva, giztin ! activity tl1e ltmt o.f
l1it tu

in tl1e

iist ci\lil g in ig

ll! l(/ s, itg

14

in tl1e

peiocl nn

11, lgd 1999, 181).

Rascl-Hickok, ViktoJ" t, ill: Istij mocleme tktu 1.

. R. ) , gd 1997, 400-407; . Vg ,
Oto Vagnel', ill: Is t ij moclem.e !1.itktu 1 . .. 509-524.

21

zakon I gac! 8gl : DLlstvlli Lls1011-13 ; S. . Nedic, Gt\lisk zakonoc!a\lSf1!O gl kajem.

1 i poc'etkom veka, GGB XLIV, g d 1997, 115-1 23 (S. .
Nedic, Lg isltu builcling ~v k il1 8!g ! ar tl1e ! tl1e
Ni tl1.t17 anc!tlle 8eginning .{ {! llltitll cenul/Y, IlLl i de
l ville de lgd XLIV, lgd 1997, 123).
...

G. Gdi , . cit, 56; Z. Skll11, Secesija tktui 8gl .. .

320-32 1; Z. Mallevic, ibid ; D. DLIi-ZI11010 , Glitlji 8g l .. .
94-95; Z. Skl, Secesija u ssk f1itktui ... 10; . Ll ,
g l u po.~los ti ... 3 11.

23

G. Gdi , ibid ; Z. Sklm, Secesija u f1itktui ... 32 1; . Nesto, g!! ... 157; Z. , NO\lija .. . 16; . DLli -Z ml,
Gl-aclite!ji g l . . . 19; . VLljovic, ibid, 248-249

- . Kadijevic, Simtij u \l S11Jskoj !J.itktui,

ZLUMS 27-28, Novi Sad 1991-1992, 6-7 (. DLII"devic - . Kadijevic,
Die Sl11mti cle S sl1 !7.ifktu, Matica ssk. Sectioll eles ts . Rhh s SLlI" l' t 27-28, Novi Sad 199 1-1 992, 13-14).

17

24

25

D. Di-Zl11l , G!it(i gl ... 101 .

26

G. Gdi , !7itktl1sk l1aslecte ... 73 ; D. Radovanov ic, . cit, 286,

296; Lj. Mileti c- l1lvi , !7itktu z id ij i \li!a 8g l
1830-2000, gl2002 , 102-103 (Lj. Mi1etic-vi , lg l
Resiclet ia! n! Vil/a !7ittu 1830-2000, lgd 2002, 102-103).

27

G. Lazic, !7itkt Mi!an Antol/O\liG' (1868-1929), ZLUS 27-28, Novi

Sad 1991-1992,23-24 (G. Laz ic, tt Milal1 Antol1 opiG' (1868-1929), Matica s sk. Section eles ts. R h s s I ' t 27-28,
No vi Sad 199 1-1 992, 35); Lj . Mi1etic-mvi, it\l g lil1
1, llitktLI <l-LI i zlll 9, g d 2002, 59-61.

Tlle illtltlence of tlle Viellllese Secess ioll alld JLlgelldstil f Llll ,

well as tlle Fllh dtiv ' lli t cOLl1el ivd ill tlle
Sll i1ittLll" l ill tlle ll<gs ot llt tiIl alld
d ltiv plastic, alld ill till Ilew td ll i s i the compositioll of
(ll f'acades. 111 tlle mit of cases IlLIge wa ll masses w vd
1'1'0111 tlle facades alld windows openillgs gg. w 110
s iglli"icallt challges ill spatial s tLltLls 01' tlle gizt i 01' spacc,
ti LlI'l t i sidtil bLlildings. ( . I< t, Jec!nopooc!ic'ne
.,!alll!Jell e zg ! ... 119). Sec alld: l , O.\lIo\llla tipologija g l\li
u

8g !u

()(! !830.

tektLll"a i L1 i z 4, gl 1997, 62-68;

.'>'t(//lO\I(//!ia

kajem I

i po(e tkol17

\Ieka l/

l l,

G. Gdi , . cit, 66-67 ; Z. Sk l , Secesija u tktui 8g

323 ; Z. Mallcvic, ibid ; . Nes toovic , g ll spomenika ... 159;
. DLIi-Zlll l , Gmc!ite(ji 8gl . . . 48 ; Z. Sk1 , Secesija u
ssk. .. 1 ; . VLljovic, . cit, 207-208; G. itvi, g l , Zga
cla !1Otela MO.l'kpo , ill: Spomcnicko Ilaslede S , gl 1998, 116.
! ...

29

~IS

iC/l 1 llil1l/l1 n izg li!

Z. Skll, Seces(ja !7ilktui gl 1900- 19 14, ZLU MS 3,

Novi Sad 1967, 322; S. Ncclic, ilg ((/\I({ kuG'e s\lestel1ika il
ila . Popo\liG'a u usuli ulici ,: 35, Nas1edc 1, gd 1997, 61-68
(S. Nedic, tiuti { tlle stucly ( 110m \l ll! i!il
. PopopiG' 35 usu!in stt, itg 1, 1gd 1997, 67).

28

1(, . DLldvi

See: Z. , inii 1110! tktu g! ... 48; Id, Novija

16; D. Rado vallovic, . cit; . Kadijevic,
S!1ltl1 kstukij u novijoj ssk al1itektui, U ivz itts k misao
2, isti 1994, 16-17 (. Kadijevic, udstnclig l1stutil1
in l S !7.ittu, Uivsit 1, i s ti 1993, 21).

22

2002.

15 . , Stai g\liski

moclemizma (ed.

s sk I1it ktu . ..

. Ni , Jeclan \lek ssk st\I(//-!G'k inteligencije 1820-1920,

gd

D. Sikimic, Fasaclna skultu u Beog aclu , gd 1965 ; D. Radova , . cit; Z. Jakovljevic, Fasaclna skultu u g lu - m ;
zastite, G1asllik DKS 16, gd 1992, 178-1 82; . Novakovic, II
!ucija secesijskog 1.mt, OPLIS gll11 3-4, g d 2000, 6.
;

167- 168).
13

Skl, Secesija u ssk.i !J.itktui ... 11.

20 .

011 tlle gmmti illttiIl alld tlle sll of till styles t

s d of i1itt Lll" ill lgd , see: . Rt-lgvi, Nastava
tktu

Z.

Z. Mallevic, illii moc!em e . .. 47-48 ; . SekLllic - Z. Sk l lll, Knez

i!i!\l u!ica, Saopstcllja ZZZSKGB 3, gd 1964,34 (Z. Skal lll - Z. Jako vljev ic, Rue Kl1 ez i!ill , InstitLlt poLI l tti
eles 1110nLIIllellls 11istiqLl s de l ll de 1gd, COl1l1llLll1icatiol1s
3, lgd 1964, 36-37); . Gli, ibid, 68 ; . SekLllic - Z. Ska1a , !7it kt ll.l'k lIoslecle g ! 8g l 11, g l 1966, 33 (1.
SekLllic - Z. Sk llll , J-/eitoge ! it!lIniu ! titi cle
8 !g ! 11, IllslilLll l potect i on des l1ll ts 11i s t iqLl S dc
l ll l 3l g ll . COIl1Il1L1llicatiolls 4, l gd 1966, 37- 38); Z.
Sk I 11 , S(!:.I'( 11 -!7itktui 8g! . .. 323-325; . Nestoovic,
l; D. DLli -ZI11 0 1 0: G /"({{!itelji 8g ! ... 15-1 6; . l,
S!(i J\ zie!, No va 0 1, g\1 1982, 11 ; Z. Skalall1el'a, Secesija u
.I' .l'k(~i ... 10; D. Di- Z lOl u, RO!J/1i magazil1 8 el1ciol/o 811!(ja , :

/ 900. g!i, ll
Oblici \liii!i6g

8g !u , : Ud

slanovanja, gld 1998, 2 1-32 .

68

WO

COU RSES

SI.:.I BIAN AC HITECTURALART NOUVEAU: INTCRNATIONAL AND NATIONAL

\li

- g /it lji g / ( / 0 / <)4 / . . (){/ill I!, Z ik v skg

istOI'ij skog 111llzeja 6, gl 1<)<)2, 2 19- 220 ( . DLIi - Zml, I.\
-/JUi//.\ (!I' Be!g a c/e iOl ' 10 / 94 / , .Icw isl1 slllclies. Jewisl1 11i s til
mLISCLI1l1 , l g l 1992, 24 -244); . VLlj ov ic, g/ LI S!Sli .. .
128- 129; . ils i v i - i , l!t)(/it' km z /m/ mLl l1itktu
g / , gd 2002, 22 ( . il s illvi-i, Cuic!e ( !
!7il lu lg / , l g l 2002, 22); Z. ll , /s t(
ssk '/1itktu 1/.001(jeg (/ .. . 1.
30

31

Sal'aj cvo 19 18- 1941 , Sll 1997,26, 15;.1. Boz ic, S \ ~jer/oc i iS,U.
B,\Ilja lLlka 2001,69.
36

37

G. GOI'cl ic, l1itklnsk I/({.I'/(/ . .. 72; Z. S kl m, Seces(ja l1itektui g! ... 24 ; . DlIi-ZlllOl, /itlji g d ... 98 ;
. VLljovi c, ibid, 160-161 ; . il s i v i - i, . cit, 2.
Z. , iii ... 48-49; Z. Sk l m, Seces(ia u f7itktui
g/ . . . 2- ; . N s tv i , . cit, 159; . DLIi-Zml,
c!ite!ji gl ... 80-81; . Raclovanovic, Seces(jske "\ln ... 285;
. VlIjo vic, gl LI pl'O.f!O.\'li ... 205.

32

tl1 e 11i s t alld l1itt' 01.' tl1 ese bllildillgs, see: Z. ,

Pil/.ii / ... 48-49; G. GOI'clic, . cit, 61 , 72-74, 77, 81 , 85-86;
Z. Sklll1, Seces(ja l1ilktui Beog/'{{c/a ... ]5-42; . Nesto , g// spomenika /1ilklllI! LI Si .. . 157-159, . DLlicZlOl , !itlji g/ ... 18, , 7-8, 59-60, 68, 89-90; .
DLIi-Z ml , Hote!i i kajcll1e / \leka LI g lu, gd ]988 ,
25-29 (. DlIi-ZlOl , HOle/s am/ coft'e -/1LIss /g/ in (/1
Nineleent/1 , lgl 1988, 187-20); G. Lazic, tkt Milan
AnIOnO\liC... 20-2]; . VlIjovic, . cit, 15, 204-205,214,218-219;
. ilvvi , Nimi V[~: / Antono\lic, VIski g]asik 1, gd 1995, 27 ; . l , Beogac/ski opus l7itkt
Milana ' (1889-1961), GGB XLIII, gd 1996, 124 (.
Kadijevic, /g/ opus l1.. / ( 1889- 1961 ), Annllal
of the city of lgd XLIII, lgd 1996, 152); . Sekaric,
gl, Zgl Oj'icirske z/ug, Zg/ Smec/eevske banke, i: Spoll1ik sld S , gd ] 998, 112, 114.

spomenika ... 160-161 , 164-]65; Id, Seces(ja

LI I vekll ... 524-529; G.
itvi , ilg pOZ/1(l)l({nju stilskil1 ocllika gac/iteljskog nas!ecta Vrnjac'ke , Glasnik DKS 18, gd 1994, 178-] 80; . f ,
/1irktu gu\l, gllv 1995, 56-57; G. LaziC, !st(
i /1itklU objekata tgu S\lelog Dt u Uf.icu, Uzicki zbornik
24, Uz ice 1995, 171-172, 174; . kvi , /1itktsk naslecte
g ! Sapca, Sabac 1996, 49; . Vivi , Zgac!a Sskg nac'elst!la
Nt , Glsik DKS 2] , gd 1997, 169-172; G. Mitovic,
ttu/ Heitage {/1 Spas S , MNHMEIO (llmllt d
vimt) ]0, Thessaloniki 2001 , 194-195; . l, Cacliteljsko
naslecte Vlasotinca , Vlsti 2002, 45-46; 1. Nesic, Palata Sotia
Ili Leskovcu, Leskovacki zbornik XLIII, Leskovac 2003 , 187-203
(1. Nesic, l1e palace SotiI' Leskovac, The annllal of the National
mllseLlm, Leskovac 2003, 20).

34

35

\J/'emeni suko/J skult s al'f1itektom

Zg 198 ,

OLI Skovic, S svetskoj izlof./Ji Pal'izu /900 , gd 1995 ,

12-22; . Kad ijeviC, / \" tl'af.e{~ja /1ociol1o/l1og .I'li/a .. . 68-71 ;
Lj. Blagojev ic, Moclemism Sebia. l1.e e/u.\'i\le mal'gin.\' o.f' Be!gI'Clcle
l'lu'l l 919-1941 , midg (Mass .) - LOllclon 200 , 83-86.

40

N. Pesic-Maksil11ovic, StvlIO f1itkat poc/.I'laknuto /u .\'0

mOl'a vske kuc'e, Sst RZZZSK I, gd 2002,406--407
(N. Pes ic-Maksimovic, u\l ! (ll'c!Jilecfs i.\'i.l' les '\'
/ / mai.l'on fistiq clu bassin / / I'({\I({), I s titLlt l
pl'otectioll des mIlLlmts histiqlls de l RepllbIiqlle de S.
lLlllllitis I, lgd 2002, 419) .

41

. Vladic-'sti , l'liil c'ilimal'stllO Sl'biji, gd 1985,

17-51 (. Vldi-s ti,

1985, 104-105)

the style of Sssi (the hOllse of isti l Sara19] 3), see: . V. MiloseviC, f7itktu u Kalje\lini Jugoslav(ji ,

69

!itil g \-II\i g

in

Sebia , lgd

42 .

Kadijevic, Jeclan \Jek ... 99-100; S. VlIlesevic, IJagutin !nkiosll'i

Mec/enjak , gd 1998 (S. VlIlesevic, IJagLltin !f7isti Meclenjak,
lgd ] 998,83-84). the hittLI ofthe ll Cvijic's hOllse
(1906) whose illti was dtd Illki s ti, see: Lj. Mileticm , itv gaclina , hitkt-lI i z m 10,
gd 2001, 6-65.

45

wks

23-27.

G. Gdi , . cit, 74-75 ; Z . vi, . Nstvi, Peglec! spomenika . .. 159; . Duric-Zamolo, litlji g! ... 10] ; . ,
Ssk cl'kveno g!it!stv i slikaTst\1O /1o\Jijeg / , gd- gLl
1987, 195, 219; Z. vi, Romatic~na al7itektua , gll
1990, 9; . VLljovic, gl pl'oslosti i slsnsti, gd 1994,
224; . , Byzantium lgl, hitkt-lIi zm 2,
gd 1995, 86 ; . , Hea/c!ic'ki simbo!i ... 7-74; . Kadijevic,
! \Jek ... 88,307; . Sekaric, gI'/, Zgl st teleJonske
tl'ale, i: Smik naslede ... 114, . ilsivi-i , Vodic' ... 49.

44 . Vldi-sti , .

the activity ofMilos ildivi, thllii (1876-1934) and his

esleliC<ki m) ,

39 .

43

The iflll of Art NOllveall is perceived the later works of hitt

l Tabakovic. See: Z. Sklm, tkt Milan Tabakovic
(1860-1946) , ZLUMS 6, Novi Sad 1970, 135-156 (Z. Skalamera,
tt Milan Tabako\lic (1860-1946), Matica ssk. Section des
t. Rhhs s l't 6, Novi Sad ]970, 155-157); . itvi,
Tabakollic Milan, : Leksikon srpskih Ilm , Beograd 2002, 177.

(/

196 1; . ll , Metro\Jic'e\Ji Pl'o.\'lol'i, Covjek i postoI' 12,

LlLltsti S, S s k hitkt

. lm , Ut~e.fce S Svelskoj iz./of./Ji u {IIU /9//. go{!ill e,

Sveske OIUS 16, g d 1986, 9-4 1 (. llllO , La tii/
lioll / / S /' exposition !il / ROl11e l1 /9// , ll l I '
lstllistik Ss ] 6, lgd 198 , 158); . Kad ijevic, JU /Oll
\Jek . . . 98.

. S tlli , /\l1 MestO\Jic, gl 1919; Z. Vidovi c, Me.\'ll'ovic i .I'

33 . Ns tv i, Peglecl

LI

. Ig njal ov ic, IJmgi.\'a Ba.fo\YIl1. Ra(/allje lkl 11 kOll1ekslU /'/{ileklt{{'(! S/{( l' 900-/9/8 (lll1LIsit 01' tl1e Mas teI' tl1es is,
Fac Lllty 01' l1ittLI lgd , 200 .), I -28 0 .

cit.

G. Gordic, . cit, 49; . NestoJ'Ovic, . cit, 160; . Di-Zml,

ibid; . VLljovic, . cit, 219-220; . , Byzctntium in Be!ga
cle ... 86; . Gdi, Zgl iiststv prosvete, gd 1996 (.
Gordic, l1e iist Education, Belgrade 1996, 66); . ,
Healclic'ki simbo!i beogaclskimjavnim ... 73-75; . Kadijevic, /
vek .. . 89-90, 308 ; S . I , Kompleks iistast\I posvete.
guc'nost "evita!izacije, Naslede 1, Beograd 1997, 111-117 (S. Ivvi,
/1 Ministl'Y Eclucation compound, itg !, Belgrade 1997, 118);
. Sekaric, gd, Zgl iniststv posvete, i: Smik
naslede S .. . 1] 1.

 HISTORICAL MONUMENTS HERITAGE / ALEKSANDAR ADIJEVIC

46 . , .
47

cit.

53

G. Gordic, . cit, 83; . Nestoovic, ibid; . , . cit, 249; .

Kadijevic, Jeclan \lek ... 90.

48 . m,

Mi!1aila PetO\lica - Alasa, : KosanciCev ,

Beograd 1979, 102-104; . , . cit, 186- 187; . Kadijevic,
. cit, 86; Lj. Miletic-mvi, . cit, 108-109.

54 imil

tombs of Darius in Pasargadae, [m 529 . . see: . ,

nekim ikonoloskim pitanjima MestO\licellOg mauzoleja LO\lcenu,
Glasnik Odeljenja umjetnosti CANU 6, itgd 1985, 96-97 (.
MijoviC, Some iconological questions st\li's mausoleum
Lovcen, The MessengeI" of Art Dtmt of MontenegIian Academy
of At and Science 6, itgd 1985, 109).

49 .

Kadijevic, m Ull, gd 1996,34-36 (. Kadijevic,

BelgIade 1996, 165-166); Id, Je(lan \lek taZenja ...
97, 311.

m mll,

50

See house of ll mht Kosta Jovanovic in Novi Sad [m 1922. g,

ar-h. Dake , : S. Jovanovic, Uizm i tktu v
polo\line veka Vojvodini, DaNS 20-21, Novi Sad 1998, 18; .
itvi, Daka Popo\lic, in: GIaditelji Novog Sada, druga polovina
XIX - polovina veka, DaNS 30, Novi Sad 2000, 36.

51

Z. Manevic, Rmtisk ten(lencije, I Novine 14. 1 1980, 18; Id,

Romanticna l,itktu .. . 11; D. , Byzcmtium Belgnl(le .. .
87-88; . Kadijevic, MomiI" m\l... 63-65; Id, Jeclan \lek .. .
150-151 ; . Jovanovic, Fnuski tkt Ekspe i Ar Deko
ga(lu , Naslede III, gd 200 1,78, 81; D. ilsivi-i , Vo(licY
koz mo(lemu tktuu ... 54.

52

Z. . Jovanovic, lksl Deoko, gd 1991 ,62,88 (Z.

llO, l(! Dk (1894-1988), Igd 1991 , 115-116); .
, . cit, 260-261; . Kadijevic, Je(lan \lek ... 157, 326; D.
ilsivi-r-iC, ibid, 87.

70

Abollt those ts and objects see: Projekti stu(lenata abltekture.

! studenata hitkt, gd 1928, 1-2; Z. Manevic, Roman(61 11itktu, Beograd 1990, 8; . KadijeviC, Jeclan lIek ... 130,
136- 137, 168.

55

56

. Deanovic, MestO\licevi sti, Covjek i st 12, ZagIeb 1983,

23-27; . Vujovic, gl lsti .. . 334; . Ski, Avala, Spomenik NeznanomjLtnaku, in: Spomenicko naslede S ... 85

See the reports pIotected bllildings in the [epublican, [egional

(intercommunal) and town institutes foI" pIotection of monuments of
ult as well as texts published in magazines SaopStenja RZZZSK
(Institut l tti des monuments histiqus de l Repulique
de S. Communications) Saopstenja ZZZSKGB (Institut l
tti des monument hi st iqus de l ill de BelgIade. mmli
cations), Glasnik DKS (The MessengeI" ofSociety of svts of
S), Naslede (itg), Sti Kosova i Metohije (Antiquities
de Kosovo et Metohija), G d za uv spomenika kultu
Vojvodine (til foI" Vojvodina's cultllal mOIlLlments stLldying),
Raska bastina (Raska's heIitage) alld catalogLles KuIturno Ilaslede
S. Zastita i lIe ctellje 1947-1982. (BeogIad 1982) S pomenicko
naslede Srbije i lIvi bastine (gd 1998).