The film depicts people building themselves a rocket and a contraption fling it all the way to the moon. In each shot, the camera doesn't move at all, it is the movement of the actors, props, and cuts to different scenes that make the film visually interesting. The purpose of the film is to entertain the audience with its fantastical special effects and story.
The film depicts people building themselves a rocket and a contraption fling it all the way to the moon. In each shot, the camera doesn't move at all, it is the movement of the actors, props, and cuts to different scenes that make the film visually interesting. The purpose of the film is to entertain the audience with its fantastical special effects and story.
The film depicts people building themselves a rocket and a contraption fling it all the way to the moon. In each shot, the camera doesn't move at all, it is the movement of the actors, props, and cuts to different scenes that make the film visually interesting. The purpose of the film is to entertain the audience with its fantastical special effects and story.
The film depicts people building themselves a rocket and a
contraption fling it all the way to the moon, where they find fantastic landscapes and unusual creatures. 2. In 1902, in real life, the Wright Brothers were developing flight.
3. In each shot, the camera doesnt move at all. It is the
movement of the actors, props, and cuts to different scenes that make the film visually interesting. 4. The purpose of the film is to entertain the audience with its fantastical special effects and story. The film also contains some satirical elements (I am told - it doesnt make much sense to me) 5. Many parts of the film show the development of special effects at the time. Lavish painted backdrops on their sets provide the majority of the visuals. Paintings, models, animation and clever cuts are utilised. The film was also in colour, as each frame individually had the colour added by band with inks. 6. It tells a story without the use of dialogue by using over exaggerated movements and frequent changes of setting. 7. The film is 15 minutes long, rather than being a short single shot with no time to tell a real story. 8. With this film Melies moved on cinema, onward from Muybridges still images that showed movements, and the Lumier Brothers simple single-shot films, by tying together multiple shots to create a narrative, and by fully utilising theatrical production values and camera tricks to full potential. -Daniel Crocker