Course Bibliography

Barton, John. Playing Shakespeare. London: Methuen in Association with Channel Four
Television Company, 1984.
Bentley, Gerald Eades. The Profession of Player in Shakespeares Time1590 1642.
New Jersey: Princeton University Press, 1984.
Berry, Cicely. The Actor and the Text. London: Virgin, 2000.
Brissenden, Alan. Shakespeare and the Dance. London: Macmillan, 1981.
Brooke, Arthur. Romeus and Juliet. London: Lucas Harrison, 1563.
Bullen, A.H. Lyrics from the Song-Books of the Elizabethan Age. London: Lawrence and
Bullen, 1891.
Ducharte, Pierre Louis. Trans: Randolph T. Weaver. The Italian Comedy. Dover publications,
Inc., 1986.
Gordon, Mel. Lazzi: The Comic Routines of the Commedia dell Arte. New York: Performing
Arts Journal publications, 1983.
Kiernan, Pauline. Staging Shakespeare at the New Globe. London: University of Reading and
Shakespeares Globe, Bankside, 1999.
Kott, Jan. Shakespeare our Contemporary. Boleslaw Taborski, trans. London: Methuen &
Co Ltd., 1965.
Lavender, Andy. Hamlet in Pieces: Shakespeare Reworked by Peter Brook, Robert Lepage,
Robert Wilson. London: Nick Hearn Books, 2001.
Linklater, Kristin. Freeing Shakespeares Voice: the actors guide to talking the text. New
York: Theatre Communications Group, 1992.
Nashe, Thomas. McKerrow, R.B., ed. The Unfortunate Traveller, The Complete Works of
Thomas Nashe. Oxford: Horace Hart Printer to the University, 1904.
Rodenburg, Patsy. Speaking Shakespeare. London: Methuen Publishing, Ltd., 2002.
Soule, Lesley Wade. Actor As Anti-Character: Dionysus, the Devil, and the Boy Rosalind.
Westport, Conn.: Greenwood Press, 2000.
Thomson, Peter. Shakespeares Theatre. 2nd edn. London: Taylor and Francis, 1985.
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Shakespeares Professional Career. Cambridge: Cambridge University

Press, 1992.

Tillyard, E. M. W. The Elizabethan World Picture. London: Penguin Books, 1943.

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editor. Orchestra, or, A Poem of Dancing, by Sir John Davies 1569-1626.

London: Chatto & Windus, 1945.

Weimann, Robert. Trans: Robert Schwartz. Shakespeare and the Popular Tradition in the
Theatre. Baltimore: Johns Hopkins University Press, 1978.
Wells, Robin Headlam. Elizabethan Mythologies: Studies in poetry, drama, and music.
Cambridge: Cambridge University Press, 1994.

Supplemental Bibliography
Arbeau, Thoinot. Orchesography. Translated by Cyril W. Beaumont from the original edition
published at Langres, 1588. London: 1925.
Brown, John Russell. Shakespeares Plays in Performance. London: Edward Arnold
(Publishers) Ltd., 1966.
Dillon, Janette. Theatre, Court and City, 1595-1610: Drama and Social Space in London.
United Kingdom: Cambridge University Press, 2000.
Dollimore, Jonathan. Radical Tragedy: religion, ideology, and power in the drama of
Shakespeare and his contemporaries. London: Harvester Wheatsheaf, 1989.
Dollimore, Jonathan and Alan Sinfield, eds. Political Shakespeare: New Essays in
Cultural Materialism. Manchester and New York: Manchester University
Press, 1985.
Dolmetsch, Mabel. Dances of England and France from 1450 to 1600: with their music
And Authentic Manner of Performance. London: Routledge and Kegan Paul Ltd,
1949.
King, T.J.. Casting Shakespeares Plays: London actors and their roles, 1590 1642.
Cambridge: Cambridge University Press, 1992.
Knight, G. Wilson. Shakespearian Production: with especial reference to the Tragedies.
London: Faber and Faber LTD, 1936.
McMillan, Scott and Sally-Beth MacLean. The Queens Men and Their Plays. United
Kingdom: Cambridge University Press, 1998.
Maynard, Winifred. Elizabethan Lyric Poetry and Its Music. Oxford: Clarendon Press, 1986.
Meads, Chris. Banquets Set Forth: Banqueting in English Renaissance Drama. Manchester
And New York: Manchester University Press, 2001.
Nungezer, Edwin. A Dictionary of Actors: and of Other Persons Associated with the Public
Representation of Plays in England before 1642. New Haven: Yale University Press,
1929.
Roose-Evans, James. London Theatre: from the Globe to the National. Oxford: Phaidon
Press Limited, 1977.
Salgado, Gamini. Eyewitnesses of Shakespeare: First Hand Accounts of Performances
1590-1890. United Kingdom: Sussex University Press, 1975.
Seng, Peter J. The Vocal Songs in the Plays of Shakespeare: A Critical History. Cambridge

Massachusetts: Harvard University Press, 1968.

Sharp, Cecil J. and Herbert C. MacIlwaine. The Morris Book with a Description of Dances as
Performed by the Morris Men of England. Second Edition. London: Novello and
Company, 1924.
Shyer, Laurence. Robert Wilson and His Collaborators. New York: Theatre Communications
Group, 1989.
Styan, J. L. Shakespeares Stagecraft. London: Cambridge University Press, 1967.
Weaver, John. A Small Treatise of Time and Cadence in Dancing. Translated from the French
of Feuillet. An unabridged republication of the original edition published in London
in 1706. Westmead, Farnborough, Hants, England: Gregg International Publishers
Limited, 1971.
Wilson, Robert. Mithal, H.S.D., ed. Three Lords and Three Ladies of London. New York and
London: Garland Publishing, Inc., 1988.